[{"id":10631,"date":"2026-02-25T12:15:39","date_gmt":"2026-02-25T12:15:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10631"},"modified":"2026-02-25T12:30:11","modified_gmt":"2026-02-25T12:30:11","slug":"%f0%9d%90%82%f0%9d%90%a8%f0%9d%90%a7%f0%9d%90%9f%f0%9d%90%9e%f0%9d%90%ab%f0%9d%90%9e%f0%9d%90%a7%f0%9d%90%9c%f0%9d%90%9e-%f0%9d%90%9d%f0%9d%90%9e-%f0%9d%90%a9%f0%9d%90%ab%f0%9d%90%9e%f0%9d%90%ac","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/%f0%9d%90%82%f0%9d%90%a8%f0%9d%90%a7%f0%9d%90%9f%f0%9d%90%9e%f0%9d%90%ab%f0%9d%90%9e%f0%9d%90%a7%f0%9d%90%9c%f0%9d%90%9e-%f0%9d%90%9d%f0%9d%90%9e-%f0%9d%90%a9%f0%9d%90%ab%f0%9d%90%9e%f0%9d%90%ac\/","title":{"rendered":"\ud835\udc02\ud835\udc28\ud835\udc27\ud835\udc1f\ud835\udc1e\u0301\ud835\udc2b\ud835\udc1e\ud835\udc27\ud835\udc1c\ud835\udc1e \ud835\udc1d\ud835\udc1e \ud835\udc29\ud835\udc2b\ud835\udc1e\ud835\udc2c\ud835\udc2c\ud835\udc1e: \ud835\udc0b\ud835\udc1a\ud835\udc27\ud835\udc1c\ud835\udc1e\ud835\udc26\ud835\udc1e\ud835\udc27\ud835\udc2d \ud835\udc28\ud835\udc1f\ud835\udc1f\ud835\udc22\ud835\udc1c\ud835\udc22\ud835\udc1e\ud835\udc25 \ud835\udc1d\ud835\udc1e \ud835\udc25\u2019\ud835\udc1a\ud835\udc29\ud835\udc29\ud835\udc1e\ud835\udc25 \ud835\udc1a\u0300 \ud835\udc1f\ud835\udc22\ud835\udc25\ud835\udc26\ud835\udc2c \ud835\udc1d\ud835\udc1e \ud835\udc25\ud835\udc1a \ud835\udfd1\ud835\udfce\u1d49 \ud835\udc1e\u0301\ud835\udc1d\ud835\udc22\ud835\udc2d\ud835\udc22\ud835\udc28\ud835\udc27 \ud835\udc1d\ud835\udc2e \ud835\udc05\ud835\udc04\ud835\udc12\ud835\udc0f\ud835\udc00\ud835\udc02\ud835\udc0e"},"content":{"rendered":"\n<p>\ud835\udc6a\ud835\udc86 \ud835\udc8e\ud835\udc82\ud835\udc93\ud835\udc85\ud835\udc8a 24 \ud835\udc87\ud835\udc86\u0301\ud835\udc97\ud835\udc93\ud835\udc8a\ud835\udc86\ud835\udc93 2026, \ud835\udc94\u2019\ud835\udc86\ud835\udc94\ud835\udc95 \ud835\udc95\ud835\udc86\ud835\udc8f\ud835\udc96\ud835\udc86 \ud835\udc82\ud835\udc96 \ud835\udc94\ud835\udc8a\ud835\udc86\u0300\ud835\udc88\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc68\ud835\udc69\ud835\udc6a\ud835\udc68 \ud835\udc8d\ud835\udc82 \ud835\udc84\ud835\udc90\ud835\udc8f\ud835\udc87\ud835\udc86\u0301\ud835\udc93\ud835\udc86\ud835\udc8f\ud835\udc84\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc91\ud835\udc93\ud835\udc86\ud835\udc94\ud835\udc94\ud835\udc86 \ud835\udc8e\ud835\udc82\ud835\udc93\ud835\udc92\ud835\udc96\ud835\udc82\ud835\udc8f\ud835\udc95 \ud835\udc8d\ud835\udc86 \ud835\udc8d\ud835\udc82\ud835\udc8f\ud835\udc84\ud835\udc86\ud835\udc8e\ud835\udc86\ud835\udc8f\ud835\udc95 \ud835\udc90\ud835\udc87\ud835\udc87\ud835\udc8a\ud835\udc84\ud835\udc8a\ud835\udc86\ud835\udc8d \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc82\ud835\udc91\ud835\udc91\ud835\udc86\ud835\udc8d \ud835\udc82\u0300 \ud835\udc87\ud835\udc8a\ud835\udc8d\ud835\udc8e\ud835\udc94 \ud835\udc91\ud835\udc90\ud835\udc96\ud835\udc93 \ud835\udc8d\ud835\udc82 30\u1d49 \ud835\udc86\u0301\ud835\udc85\ud835\udc8a\ud835\udc95\ud835\udc8a\ud835\udc90\ud835\udc8f \ud835\udc85\ud835\udc96 \ud835\udc6d\ud835\udc6c\ud835\udc7a\ud835\udc77\ud835\udc68\ud835\udc6a\ud835\udc76, \ud835\udc86\ud835\udc8f \ud835\udc91\ud835\udc93\ud835\udc86\u0301\ud835\udc94\ud835\udc86\ud835\udc8f\ud835\udc84\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc8f\ud835\udc90\ud835\udc8e\ud835\udc83\ud835\udc93\ud835\udc86\ud835\udc96\ud835\udc99 \ud835\udc91\ud835\udc93\ud835\udc90\ud835\udc87\ud835\udc86\ud835\udc94\ud835\udc94\ud835\udc8a\ud835\udc90\ud835\udc8f\ud835\udc8f\ud835\udc86\ud835\udc8d\ud835\udc94 \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc8a\ud835\udc8f\ud835\udc87\ud835\udc90\ud835\udc93\ud835\udc8e\ud835\udc82\ud835\udc95\ud835\udc8a\ud835\udc90\ud835\udc8f.<\/p>\n\n\n\n<p>La conf\u00e9rence a \u00e9t\u00e9 coanim\u00e9e par le Directeur g\u00e9n\u00e9ral de l\u2019ABCA, Alex Moussa Sawadogo, et le chef du d\u00e9partement FESPACO, Fran\u00e7ois Akouabou. D&rsquo;entr\u00e9e de jeu, DG SAWADOGO est revenu sur le bilan de la 29e \u00e9dition ainsi que ses temps forts et ses innovations.<\/p>\n\n\n\n<p>\u00c0 la suite du bilan du FESPACO 2025, l\u2019appel \u00e0 films pour la 30\u1d49 \u00e9dition a \u00e9t\u00e9 officiellement ouvert et le comit\u00e9 de s\u00e9lection pr\u00e9sent\u00e9 aux hommes de m\u00e9dias.<\/p>\n\n\n\n<p>Les cin\u00e9astes peuvent d\u00e8s \u00e0 pr\u00e9sent soumettre leurs \u0153uvres jusqu\u2019au \ud835\udfd0\ud835\udfce \ud835\udc2c\ud835\udc1e\ud835\udc29\ud835\udc2d\ud835\udc1e\ud835\udc26\ud835\udc1b\ud835\udc2b\ud835\udc1e \ud835\udfd0\ud835\udfce\ud835\udfd0\ud835\udfd4 \ud835\udc1a\u0300 \ud835\udfd0\ud835\udfd1\ud835\udc21\ud835\udfd3\ud835\udfd7, d\u00e9lai de rigueur, la plateforme de soumission se fermant automatiquement \u00e0 cette date. Le DG a invit\u00e9 donc les acteurs du secteur \u00e0 d\u00e9poser leurs oeuvres le plus t\u00f4t possible.<\/p>\n\n\n\n<p>\ud835\udddc\ud835\uddfb\ud835\uddfb\ud835\uddfc\ud835\ude03\ud835\uddee\ud835\ude01\ud835\uddf6\ud835\uddfc\ud835\uddfb\ud835\ude00<\/p>\n\n\n\n<p>L\u2019int\u00e9gration de FASO ARZEKA \u00e0 la plateforme d\u2019inscription constitue une nouveaut\u00e9 importante. Cette solution de paiement, s\u00e9curis\u00e9e et accessible, permet de r\u00e9gler \ud835\udc25\ud835\udc1e\ud835\udc2c \ud835\udc1f\ud835\udc2b\ud835\udc1a\ud835\udc22\ud835\udc2c \ud835\udc1d\ud835\udc1e \ud835\udc2c\ud835\udc28\ud835\udc2e\ud835\udc26\ud835\udc22\ud835\udc2c\ud835\udc2c\ud835\udc22\ud835\udc28\ud835\udc27 \ud835\udc1f\ud835\udc22\ud835\udc31\ud835\udc1e\u0301\ud835\udc2c \ud835\udc1a\u0300 \ud835\udfd1\ud835\udfd0 \ud835\udfd5\ud835\udfd7\ud835\udfd6 \ud835\udc1f\ud835\udc2b\ud835\udc1a\ud835\udc27\ud835\udc1c\ud835\udc2c \ud835\udc02\ud835\udc05\ud835\udc00.<\/p>\n\n\n\n<p>Aussi, le nombre des membres du comit\u00e9 de s\u00e9lection passe de 9 \u00e0 12. Ces experts sont issus de onze pays du continent et de la diaspora garantissant une repr\u00e9sentativit\u00e9 g\u00e9ographique, une diversit\u00e9 des profils et une parit\u00e9 homme femme.<\/p>\n\n\n\n<p>R\u00e9alisateurs, producteurs et distributeurs sont invit\u00e9s \u00e0 consulter les modalit\u00e9s et \u00e0 soumettre<\/p>\n\n\n\n<p>leurs films via la plateforme de soumission (<a href=\"https:\/\/fespaco.bf\/inscription-des-films-2027\/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExVVpQQVdoWWtURGlmRXBxdnNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR4dcRV_rPQLJzrXR0kOQ74pTBLHnQdDXmq1VvAUM691HIV3_gJbUZII1XQsNA_aem_e5XpPqFGv8nEwI89jJNCrg\" rel=\"noreferrer noopener\" target=\"_blank\">https:\/\/fespaco.bf\/inscription-des-films-2027\/<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud835\udc6a\ud835\udc86 \ud835\udc8e\ud835\udc82\ud835\udc93\ud835\udc85\ud835\udc8a 24 \ud835\udc87\ud835\udc86\u0301\ud835\udc97\ud835\udc93\ud835\udc8a\ud835\udc86\ud835\udc93 2026, \ud835\udc94\u2019\ud835\udc86\ud835\udc94\ud835\udc95 \ud835\udc95\ud835\udc86\ud835\udc8f\ud835\udc96\ud835\udc86 \ud835\udc82\ud835\udc96 \ud835\udc94\ud835\udc8a\ud835\udc86\u0300\ud835\udc88\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc68\ud835\udc69\ud835\udc6a\ud835\udc68 \ud835\udc8d\ud835\udc82 \ud835\udc84\ud835\udc90\ud835\udc8f\ud835\udc87\ud835\udc86\u0301\ud835\udc93\ud835\udc86\ud835\udc8f\ud835\udc84\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc91\ud835\udc93\ud835\udc86\ud835\udc94\ud835\udc94\ud835\udc86 \ud835\udc8e\ud835\udc82\ud835\udc93\ud835\udc92\ud835\udc96\ud835\udc82\ud835\udc8f\ud835\udc95 \ud835\udc8d\ud835\udc86 \ud835\udc8d\ud835\udc82\ud835\udc8f\ud835\udc84\ud835\udc86\ud835\udc8e\ud835\udc86\ud835\udc8f\ud835\udc95 \ud835\udc90\ud835\udc87\ud835\udc87\ud835\udc8a\ud835\udc84\ud835\udc8a\ud835\udc86\ud835\udc8d \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc82\ud835\udc91\ud835\udc91\ud835\udc86\ud835\udc8d \ud835\udc82\u0300 \ud835\udc87\ud835\udc8a\ud835\udc8d\ud835\udc8e\ud835\udc94 \ud835\udc91\ud835\udc90\ud835\udc96\ud835\udc93 \ud835\udc8d\ud835\udc82 30\u1d49 \ud835\udc86\u0301\ud835\udc85\ud835\udc8a\ud835\udc95\ud835\udc8a\ud835\udc90\ud835\udc8f \ud835\udc85\ud835\udc96 \ud835\udc6d\ud835\udc6c\ud835\udc7a\ud835\udc77\ud835\udc68\ud835\udc6a\ud835\udc76, \ud835\udc86\ud835\udc8f \ud835\udc91\ud835\udc93\ud835\udc86\u0301\ud835\udc94\ud835\udc86\ud835\udc8f\ud835\udc84\ud835\udc86 \ud835\udc85\ud835\udc86 \ud835\udc8f\ud835\udc90\ud835\udc8e\ud835\udc83\ud835\udc93\ud835\udc86\ud835\udc96\ud835\udc99 \ud835\udc91\ud835\udc93\ud835\udc90\ud835\udc87\ud835\udc86\ud835\udc94\ud835\udc94\ud835\udc8a\ud835\udc90\ud835\udc8f\ud835\udc8f\ud835\udc86\ud835\udc8d\ud835\udc94 \ud835\udc85\ud835\udc86 \ud835\udc8d\u2019\ud835\udc8a\ud835\udc8f\ud835\udc87\ud835\udc90\ud835\udc93\ud835\udc8e\ud835\udc82\ud835\udc95\ud835\udc8a\ud835\udc90\ud835\udc8f. La conf\u00e9rence a \u00e9t\u00e9 coanim\u00e9e par le Directeur g\u00e9n\u00e9ral de l\u2019ABCA, Alex Moussa Sawadogo, et le chef du d\u00e9partement [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4,405],"tags":[],"class_list":["post-10631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news","category-une-3"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2026\/02\/Conf-1.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10631"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10631\/revisions"}],"predecessor-version":[{"id":10633,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10631\/revisions\/10633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10632"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10581,"date":"2026-02-24T10:58:25","date_gmt":"2026-02-24T10:58:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10581"},"modified":"2026-02-25T12:29:57","modified_gmt":"2026-02-25T12:29:57","slug":"fespaco-2027-un-comite-de-selection-international-et-pluriel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2027-un-comite-de-selection-international-et-pluriel\/","title":{"rendered":"FESPACO 2027 : Un comit\u00e9 de s\u00e9lection international et Pluriel"},"content":{"rendered":"\n<p>Dans le cadre des pr\u00e9paratifs de la 30\u1d49 \u00e9dition du FESPACO, pr\u00e9vue du 27 f\u00e9vrier au 6 mars 2027 \u00e0 Ouagadougou, la Direction g\u00e9n\u00e9rale a mis en place un comit\u00e9 de s\u00e9lection compos\u00e9 de professionnels reconnus du cin\u00e9ma et de l\u2019audiovisuel africain et international.<\/p>\n\n\n\n<p>R\u00e9unissant programmateurs, producteurs, sc\u00e9naristes, critiques, monteurs et directeurs artistiques, ce comit\u00e9 refl\u00e8te la diversit\u00e9 des regards et des expertises du continent et de sa diaspora. Issus de plusieurs pays \u2014 notamment le Burkina Faso, le Ghana, le Zimbabwe, la R\u00e9publique D\u00e9mocratique du Congo, le Mozambique, la Tunisie, le Maroc, le Br\u00e9sil et les Comores \u2014 ses membres auront la responsabilit\u00e9 d\u2019examiner les \u0153uvres soumises et de retenir les films qui composeront la s\u00e9lection officielle.<\/p>\n\n\n\n<p>Par leur exp\u00e9rience et leur connaissance approfondie des dynamiques cin\u00e9matographiques contemporaines, ils contribueront \u00e0 garantir une s\u00e9lection exigeante, inclusive et repr\u00e9sentative de la vitalit\u00e9 du cin\u00e9ma africain et de ses diasporas.<\/p>\n\n\n\n<p>\u00c0 travers ce comit\u00e9, le FESPACO 2027 r\u00e9affirme son ambition : c\u00e9l\u00e9brer l\u2019excellence, promouvoir la diversit\u00e9 des expressions cin\u00e9matographiques et accompagner l\u2019\u00e9volution de l\u2019industrie du film en Afrique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre des pr\u00e9paratifs de la 30\u1d49 \u00e9dition du FESPACO, pr\u00e9vue du 27 f\u00e9vrier au 6 mars 2027 \u00e0 Ouagadougou, la Direction g\u00e9n\u00e9rale a mis en place un comit\u00e9 de s\u00e9lection compos\u00e9 de professionnels reconnus du cin\u00e9ma et de l\u2019audiovisuel africain et international. R\u00e9unissant programmateurs, producteurs, sc\u00e9naristes, critiques, monteurs et directeurs artistiques, ce comit\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[403],"tags":[],"class_list":["post-10581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-une-2"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2026\/02\/Pub-27-scaled.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10581"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10581\/revisions"}],"predecessor-version":[{"id":10636,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10581\/revisions\/10636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10582"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10578,"date":"2026-02-24T10:49:32","date_gmt":"2026-02-24T10:49:32","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10578"},"modified":"2026-02-24T10:49:57","modified_gmt":"2026-02-24T10:49:57","slug":"reglement-de-la-selection-officielle-de-la-30e-edition-du-fespaco-2027","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-de-la-selection-officielle-de-la-30e-edition-du-fespaco-2027\/","title":{"rendered":"R\u00c8GLEMENT DE LA S\u00c9LECTION OFFICIELLE DE LA 30e \u00c9DITION DU FESPACO 2027"},"content":{"rendered":"\n<p><strong><em>Le pr\u00e9sent r\u00e8glement s\u2019applique \u00e0 l\u2019ensemble de la s\u00e9lection officielle (comp\u00e9tition et hors comp\u00e9tition).<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Article 1<\/strong>&nbsp;: Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir et de pr\u00e9ciser les r\u00e8gles d\u2019organisation et de fonctionnement de la s\u00e9lection officielle des films de la 30<sup>e<\/sup> \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) qui se tiendra du 27 f\u00e9vrier au 06 mars 2027.<\/p>\n\n\n\n<p><strong>Article 2<\/strong>&nbsp;: La Direction g\u00e9n\u00e9rale de l\u2019Agence Burkinab\u00e8 de la Cin\u00e9matographie et de l\u2019Audiovisuel (ABCA) choisit et admet les films qui seront pr\u00e9sent\u00e9s en s\u00e9lection officielle (comp\u00e9tition et hors comp\u00e9tition).<\/p>\n\n\n\n<p><strong>Article 3<\/strong>&nbsp;: La date limite pour l\u2019inscription d\u2019un film \u00e0 cette \u00e9dition est fix\u00e9e, au plus tard le <strong>20 septembre 2026 \u00e0 23h 59mn.<\/strong><\/p>\n\n\n\n<p>Les copies d\u00e9finitives de chaque film s\u00e9lectionn\u00e9 ainsi que les affiches doivent obligatoirement parvenir au si\u00e8ge du FESPACO, au plus tard, le <strong>15 janvier 2027<\/strong>.<\/p>\n\n\n\n<p><strong>Article 4<\/strong>&nbsp;: L&rsquo;exp\u00e9dition et la r\u00e9exp\u00e9dition des copies de films sont \u00e0 la charge du r\u00e9alisateur, du producteur ou du distributeur.<\/p>\n\n\n\n<p>Le FESPACO d\u00e9cline toute responsabilit\u00e9 en cas d\u2019erreurs d\u2019acheminement ou de dommages r\u00e9sultant du transport des films.<\/p>\n\n\n\n<p>Il ne peut \u00eatre tenu pour responsable des d\u00e9t\u00e9riorations r\u00e9sultant du mauvais \u00e9tat initial des copies.<\/p>\n\n\n\n<p>Tout film faisant partie de la s\u00e9lection officielle du FESPACO peut faire l&rsquo;objet d\u2019au plus trois (03) projections publiques pendant le festival.<\/p>\n\n\n\n<p>Toutefois, le FESPACO se r\u00e9serve le droit, dans le cadre de la promotion des films s\u00e9lectionn\u00e9s, de les projeter au plus deux (02) fois apr\u00e8s le festival.<\/p>\n\n\n\n<p><strong>Article 5<\/strong>&nbsp;: Pendant la dur\u00e9e de l\u2019\u00e9v\u00e8nement, aucun film en s\u00e9lection officielle ne doit \u00eatre projet\u00e9 hors des espaces de diffusion du festival.<\/p>\n\n\n\n<p><strong>Article 6<\/strong>&nbsp;: Aucune diffusion des films en s\u00e9lection officielle ne peut \u00eatre entreprise par un r\u00e9alisateur, un producteur ou un distributeur pendant la dur\u00e9e du festival.&nbsp;<\/p>\n\n\n\n<p><strong>Article 7<\/strong>&nbsp;: Les films utilisant une langue autre que le fran\u00e7ais ou l&rsquo;anglais devront \u00eatre sous-titr\u00e9s ou doubl\u00e9s obligatoirement en fran\u00e7ais ou en anglais.<\/p>\n\n\n\n<p><strong>Article 8<\/strong> : Le Palmar\u00e8s de la comp\u00e9tition officielle des films se d\u00e9cline comme suit :<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td colspan=\"4\"><strong>LES PRIX DU PALMAR\u00c8S OFFICIEL<\/strong><\/td><\/tr><tr><td><strong>N\u00b0<\/strong><\/td><td><strong>Prix<\/strong><\/td><td><strong>Valeur du prix (FCFA)<\/strong><\/td><td><strong>Donateur<\/strong><\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films de fiction long m\u00e9trage<\/strong><\/td><\/tr><tr><td colspan=\"4\"><strong>I.1. Les \u00c9talons<\/strong><\/td><\/tr><tr><td><strong>01<\/strong><\/td><td>\u00c9talon d\u2019Or de Yennenga<\/td><td>20&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">\u00c9TAT BURKINAB\u00c8<\/td><\/tr><tr><td><strong>02<\/strong><\/td><td>\u00c9talon d\u2019Argent de Yennenga<\/td><td>10&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>03<\/strong><\/td><td>\u00c9talon de Bronze de Yennenga<\/td><td>5&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong>I.2. Les prix de la meilleure collaboration artistique (fiction long m\u00e9trage)<\/strong><\/td><\/tr><tr><td><strong>04<\/strong><\/td><td><strong>Prix du meilleur sc\u00e9nario<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><td rowspan=\"8\">ABCA<\/td><\/tr><tr><td><strong>05<\/strong><\/td><td><strong>Prix de la meilleure interpr\u00e9tation masculine<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>06<\/strong><\/td><td><strong>Prix de la meilleure interpr\u00e9tation f\u00e9minine<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>07<\/strong><\/td><td><strong>Prix du meilleur montage<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>08<\/strong><\/td><td><strong>Prix du meilleur d\u00e9cor<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>09<\/strong><\/td><td><strong>Prix de la meilleure musique<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>10<\/strong><\/td><td><strong>Prix du meilleur son<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>11<\/strong><\/td><td><strong>Prix de la meilleure p<\/strong><strong>hotographie<\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films de fiction court m\u00e9trage<\/strong><\/td><\/tr><tr><td><strong>12<\/strong><\/td><td><strong>Poulain d\u2019or<\/strong><strong><\/strong><\/td><td>5&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">ABCA<\/td><\/tr><tr><td><strong>13<\/strong><\/td><td><strong>Poulain d\u2019argent<\/strong><strong><\/strong><\/td><td>3&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>14<\/strong><\/td><td><strong>Poulain de bronze<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films documentaires long m\u00e9trage<\/strong><\/td><\/tr><tr><td><strong>15<\/strong><\/td><td><strong>\u00c9talon d\u2019or <\/strong>de Yennenga<strong><\/strong><\/td><td>10&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">ABCA<\/td><\/tr><tr><td><strong>16<\/strong><\/td><td><strong>\u00c9talon d\u2019argent <\/strong>de Yennenga<strong><\/strong><\/td><td>5&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>17<\/strong><\/td><td><strong>\u00c9talon de bronze <\/strong>de Yennenga<strong><\/strong><\/td><td>3&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films documentaires court m\u00e9trage<\/strong><\/td><\/tr><tr><td><strong>18<\/strong><\/td><td><strong>Poulain d\u2019or<\/strong><strong><\/strong><\/td><td>5&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">ABCA<\/td><\/tr><tr><td><strong>19<\/strong><\/td><td><strong>Poulain d\u2019argent<\/strong><strong><\/strong><\/td><td>3&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>20<\/strong><\/td><td><strong>Poulain de bronze<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie FESPACO Series<\/strong><\/td><\/tr><tr><td><strong>21<\/strong><\/td><td><strong>Premier prix FESPACO Series<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><td rowspan=\"2\">CANAL +<\/td><\/tr><tr><td><strong>22<\/strong><\/td><td><strong>Deuxi\u00e8me prix FESPACO Series<\/strong><strong><\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films d\u2019animation<\/strong><\/td><\/tr><tr><td><strong>23<\/strong><\/td><td><strong>Premier prix court m\u00e9trage de film d\u2019animation<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><td rowspan=\"2\">ABCA<\/td><\/tr><tr><td><strong>24<\/strong><\/td><td><strong>D<\/strong><strong>euxi\u00e8me<\/strong><strong> prix court m\u00e9trage de film d\u2019animation<\/strong><strong><\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Cat\u00e9gorie films des \u00e9coles de cin\u00e9ma<\/strong><\/td><\/tr><tr><td><strong>25<\/strong><\/td><td><strong>Premier prix <\/strong>films des \u00e9coles de cin\u00e9ma<strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><td rowspan=\"2\">CANAL +<\/td><\/tr><tr><td><strong>26<\/strong><\/td><td><strong>Deuxi\u00e8me prix <\/strong>films des \u00e9coles de cin\u00e9ma<strong><\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Perspectives<\/strong><\/td><\/tr><tr><td><strong>27<\/strong><\/td><td><strong>Prix Oumarou GANDA de la meilleure premi\u00e8re ou deuxi\u00e8me \u0153uvre de film de fiction long m\u00e9trage<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">ABCA<\/td><\/tr><tr><td><strong>28<\/strong><\/td><td><strong>Prix Samba F\u00e9lix N\u2019DIAYE de la meilleure premi\u00e8re ou deuxi\u00e8me \u0153uvre de film documentaire long m\u00e9trage<\/strong><strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>29<\/strong><\/td><td><strong>Prix Idrissa OU\u00c9DRAOGO de la r\u00e9v\u00e9lation<\/strong><strong><\/strong><\/td><td>1&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Burkina Films<\/strong><\/td><\/tr><tr><td><strong>32<\/strong><strong><\/strong><\/td><td>Grand prix du Pr\u00e9sident du Faso du meilleur film burkinab\u00e8<strong><\/strong><\/td><td>5&nbsp;000&nbsp;000<\/td><td rowspan=\"3\">PR\u00c9SIDENCE DU FASO<\/td><\/tr><tr><td><strong>33<\/strong><strong><\/strong><\/td><td>Grand prix du Pr\u00e9sident du Faso du meilleur espoir burkinab\u00e8<strong><\/strong><\/td><td>3&nbsp;000&nbsp;000<\/td><\/tr><tr><td><strong>34<\/strong><strong><\/strong><\/td><td>Grand prix du Pr\u00e9sident du Faso de la meilleure r\u00e9v\u00e9lation du cin\u00e9ma burkinab\u00e8<strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Prix Pr\u00e9sident Thomas SANKARA pour la promotion des valeurs du panafricanisme<\/strong><\/td><\/tr><tr><td><strong>30<\/strong><strong><\/strong><\/td><td>Premier Prix Pr\u00e9sident Thomas SANKARA pour la promotion des valeurs du panafricanisme<strong><\/strong><\/td><td>5&nbsp;000&nbsp;000<\/td><td rowspan=\"2\">PR\u00c9SIDENCE DU FASO<\/td><\/tr><tr><td><strong>31<\/strong><strong><\/strong><\/td><td>Deuxi\u00e8me Prix Pr\u00e9sident Thomas SANKARA pour la promotion des valeurs du panafricanisme<strong><\/strong><\/td><td>2&nbsp;000&nbsp;000<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Semaine de la Critique<\/strong><\/td><\/tr><tr><td><strong>35<\/strong><strong><\/strong><\/td><td>Premier Prix Semaine de la critique Cl\u00e9ment TAPSOBA<strong><\/strong><\/td><td>2 000 000<\/td><td>FACC<\/td><\/tr><tr><td><strong>36<\/strong><strong><\/strong><\/td><td>Deuxi\u00e8me Prix Semaine de la critique Cl\u00e9ment TAPSOBA<strong><\/strong><\/td><td>1 000 000<\/td><td>ASCRIC-B<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Prix du public<\/strong><\/td><\/tr><tr><td><strong>37<\/strong><strong><\/strong><\/td><td>Prix du public<strong><\/strong><\/td><td>3 000 000<\/td><td>RTB<\/td><\/tr><tr><td colspan=\"4\"><strong><\/strong><strong>Section \u00c9talon d\u2019honneur<\/strong><\/td><\/tr><tr><td><strong>38<\/strong><\/td><td><strong>Troph\u00e9e d\u2019Honneur<\/strong><\/td><td>&#8211;<\/td><td>ABCA<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong><em>NB&nbsp;: Chaque prix est accompagn\u00e9 d\u2019un troph\u00e9e.<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p><strong>Article 9<\/strong>&nbsp;: Il est cr\u00e9\u00e9 dans la section hors comp\u00e9tition : FESPACO Classics, FESPACO Sukab\u00e8 (programme jeunesse), Focus, Diversit\u00e9s, Panorama, FESPACO VR et Carte Blanche.<\/p>\n\n\n\n<p>Cette section est ouverte aux films r\u00e9alis\u00e9s par tout cin\u00e9aste du monde.<\/p>\n\n\n\n<p><strong>Article 10<\/strong>&nbsp;: Dans le cadre des actions promotionnelles, et sous r\u00e9serve du respect du droit moral de leurs auteurs, le FESPACO se r\u00e9serve le droit de faire appara\u00eetre des extraits des films et \/ ou des images sur le site de l\u2019ABCA et dans des spots audiovisuels.<\/p>\n\n\n\n<p><strong>Article 11&nbsp;: <\/strong>L\u2019adh\u00e9sion au pr\u00e9sent r\u00e8glement implique l\u2019accord du r\u00e9alisateur, du producteur ou du distributeur, pour la diffusion d\u2019extraits n\u2019exc\u00e9dant pas cinq (05) minutes \u00e0 la t\u00e9l\u00e9vision et sur les plateformes num\u00e9riques dans le cadre de reportages sur le festival.<\/p>\n\n\n\n<p><strong>Article 12<\/strong> : Les copies de s\u00e9lection sont conserv\u00e9es par le festival au titre de \u00ab copies-m\u00e9moire \u00bb \u00e0 la Cin\u00e9math\u00e8que africaine de Ouagadougou.<\/p>\n\n\n\n<p><strong>Article 13&nbsp;<\/strong>: Le FESPACO ne paie aucun frais de diffusion des films retenus dans la s\u00e9lection officielle.<\/p>\n\n\n\n<p><strong>Article 14<\/strong>&nbsp;: Les r\u00e9alisateurs, les producteurs ou les distributeurs des films prim\u00e9s sont invit\u00e9s \u00e0 :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>d\u00e9poser une copie de projection aux archives du festival\u00a0;<\/li>\n\n\n\n<li>mentionner le prix dans tout document publicitaire du film\u00a0;<\/li>\n\n\n\n<li>faire figurer le prix au g\u00e9n\u00e9rique, sur les affiches et les dossiers de presse en cas de distribution\u00a0;<\/li>\n\n\n\n<li>utiliser le laurier officiel disponible sur le site du FESPACO.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 15&nbsp;: <\/strong>Le Directeur g\u00e9n\u00e9ral de l\u2019ABCA est comp\u00e9tent pour connaitre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation et \u00e0 l\u2019application des clauses du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout conflit.<\/p>\n\n\n\n<p><strong>Article 16&nbsp;: <\/strong>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p><strong>Article 17&nbsp;: <\/strong>Tous les cas non pr\u00e9vus par le pr\u00e9sent r\u00e8glement rel\u00e8vent de la comp\u00e9tence du Directeur g\u00e9n\u00e9ral de l\u2019ABCA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le pr\u00e9sent r\u00e8glement s\u2019applique \u00e0 l\u2019ensemble de la s\u00e9lection officielle (comp\u00e9tition et hors comp\u00e9tition). Article 1&nbsp;: Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir et de pr\u00e9ciser les r\u00e8gles d\u2019organisation et de fonctionnement de la s\u00e9lection officielle des films de la 30e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-10578","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10578"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10578\/revisions"}],"predecessor-version":[{"id":10579,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10578\/revisions\/10579"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10574,"date":"2026-02-24T10:44:47","date_gmt":"2026-02-24T10:44:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10574"},"modified":"2026-02-24T10:45:15","modified_gmt":"2026-02-24T10:45:15","slug":"conditions-dinscription-et-de-selection-officielle-de-la-30e-edition-du-fespaco-2027","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/conditions-dinscription-et-de-selection-officielle-de-la-30e-edition-du-fespaco-2027\/","title":{"rendered":"CONDITIONS D\u2019INSCRIPTION ET DE S\u00c9LECTION OFFICIELLE DE LA 30e \u00c9DITION DU FESPACO 2027"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><a>A.&nbsp; INSCRIPTION<\/a><\/h2>\n\n\n\n<p>La 30<sup>e<\/sup> \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) se tiendra du <strong>27 f\u00e9vrier au 06 mars 2027<\/strong>.<\/p>\n\n\n\n<p>L\u2019inscription des films au FESPACO est ouverte \u00e0 tous les films du monde.<\/p>\n\n\n\n<p>Elle est limit\u00e9e \u00e0 trois (03) films au plus par r\u00e9alisateur et peut \u00eatre effectu\u00e9e par le r\u00e9alisateur, le producteur ou le distributeur.<\/p>\n\n\n\n<p>L\u2019inscription des films des \u00e9coles de cin\u00e9ma doit se faire par la direction de l\u2019\u00e9cole concern\u00e9e.<\/p>\n\n\n\n<p>Le film ne doit pas exc\u00e9der deux (02) ans d&rsquo;\u00e2ge au <strong>31 d\u00e9cembre 2026,<\/strong> ni avoir \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d&rsquo;une pr\u00e9c\u00e9dente \u00e9dition du FESPACO. Pour l\u2019\u00e9dition 2027, la date limite des inscriptions est fix\u00e9e au <strong>15 septembre 2026<\/strong>.<\/p>\n\n\n\n<p>L\u2019inscription des films au FESPACO se fait au plus tard le <strong>20 septembre 2026 \u00e0 23h 59mn <\/strong>sur la plateforme en <strong>cliquant ici.<\/strong><\/p>\n\n\n\n<p>Les documents (en fran\u00e7ais et en anglais) requis pour l\u2019inscription sont :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>une (01) fiche technique et artistique\u00a0;<\/li>\n\n\n\n<li>un\u00a0 (01) synopsis ( 400 caract\u00e8res)\u00a0;<\/li>\n\n\n\n<li>une (01) biofilmographie du r\u00e9alisateur ( 400 caract\u00e8res)\u00a0;<\/li>\n\n\n\n<li>deux (02) affiches du film en portrait et en paysage (format JPEG 300 dpi)\u00a0;<\/li>\n\n\n\n<li>un <strong>lien de t\u00e9l\u00e9chargement et de visionnage du film<\/strong> ou des premiers \u00e9pisodes pour les s\u00e9ries au format MPEG-4 (H.264), valide jusqu\u2019au <strong>31 d\u00e9cembre 2026\u00a0;<\/strong><\/li>\n\n\n\n<li>une (01) photo d\u2019identit\u00e9 du r\u00e9alisateur (format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>des photos et des images du film (format JPEG en 300 dpi).<\/li>\n<\/ul>\n\n\n\n<p>Les frais d\u2019inscription des films sont fix\u00e9s \u00e0 <strong>trente-deux mille cinq cent (32 500) <\/strong>francs CFA soit<strong> environ cinquante (50<\/strong>) euros par film.<\/p>\n\n\n\n<p>Ce montant est non remboursable.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a>B.&nbsp; SOUS-TITRAGE<\/a><\/h2>\n\n\n\n<p>Les films utilisant une langue autre que le fran\u00e7ais ou l&rsquo;anglais devront \u00eatre sous-titr\u00e9s ou doubl\u00e9s <strong>obligatoirement<\/strong> en fran\u00e7ais ou en anglais.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a>C.&nbsp; S\u00c9LECTION OFFICIELLE<\/a><\/h2>\n\n\n\n<p>La Direction g\u00e9n\u00e9rale de l\u2019ABCA est responsable de la s\u00e9lection officielle et d\u00e9cide de la cat\u00e9gorie dans laquelle le film pourra \u00eatre admis.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les cat\u00e9gories et les sections de la comp\u00e9tition officielle sont les suivantes\u00a0:<\/li>\n\n\n\n<li>Fiction long m\u00e9trage\u00a0;<\/li>\n\n\n\n<li>documentaire long m\u00e9trage\u00a0;\u00a0<\/li>\n\n\n\n<li>FESPACO Shorts\u00a0: fiction et documentaire court m\u00e9trage\u00a0;<\/li>\n\n\n\n<li>fiction ou documentaire\u00a0des \u00e9coles de cin\u00e9ma\u00a0;<\/li>\n\n\n\n<li>FESPACO Series\u00a0;<\/li>\n\n\n\n<li>films d\u2019Animation\u00a0;<\/li>\n\n\n\n<li>Perspectives\u00a0;<\/li>\n\n\n\n<li>Burkina Films\u00a0;<\/li>\n\n\n\n<li>Semaine de la critique.<\/li>\n<\/ul>\n\n\n\n<p><strong>NB&nbsp;: La comp\u00e9tition officielle est r\u00e9serv\u00e9e aux films africains et de la diaspora.<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les sections hors comp\u00e9tition sont\u00a0les suivantes\u00a0:<\/li>\n\n\n\n<li>Panorama\u00a0;<\/li>\n\n\n\n<li>Focus\u00a0;<\/li>\n\n\n\n<li>Diversit\u00e9s\u00a0;<\/li>\n\n\n\n<li>Sukab\u00e8 (programme jeunesse)\u00a0;<\/li>\n\n\n\n<li>FESPACO Classics\u00a0;<\/li>\n\n\n\n<li>FESPACO VR\u00a0;<\/li>\n\n\n\n<li>Carte Blanche.<\/li>\n<\/ul>\n\n\n\n<p><strong>NB&nbsp;: Ces sections sont ouvertes aux films r\u00e9alis\u00e9s par tout cin\u00e9aste du monde.<\/strong><\/p>\n\n\n\n<p>La Direction g\u00e9n\u00e9rale de l\u2019ABCA est souveraine et se r\u00e9serve le droit de ne pas motiver ses choix.<\/p>\n\n\n\n<p><strong>Tout film retenu dans la s\u00e9lection officielle ne peut \u00eatre retir\u00e9 en cours de festival.<\/strong><\/p>\n\n\n\n<p>Le r\u00e9alisateur, le producteur ou le distributeur d\u2019un film s\u00e9lectionn\u00e9 sera inform\u00e9 par courrier officiel.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>1.&nbsp;&nbsp;&nbsp; SUPPORT<\/a>&nbsp;<\/h3>\n\n\n\n<p>Quel que soit le support utilis\u00e9 pour le tournage du film, seuls les supports suivants sont accept\u00e9s&nbsp;:<\/p>\n\n\n\n<p><strong>Copies de s\u00e9lection&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<p><strong>Copies de projection et nombre de copies :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pour les comp\u00e9titions officielles fiction et documentaire long m\u00e9trage : <\/strong>un (01) DCP SMPTE (Serveur JPEG 2000) et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pour les comp\u00e9titions officielles fiction et documentaire court m\u00e9trage : <\/strong>un fichier num\u00e9rique\u00a0et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pour toutes les autres sections de la s\u00e9lection\u00a0: <\/strong>un fichier num\u00e9rique\u00a0et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<p>Les copies de projection doivent parvenir au FESPACO au plus tard <strong>le 15 janvier 2027, d\u00e9lai de rigueur<\/strong>.<\/p>\n\n\n\n<p>Tout film non parvenu au FESPACO \u00e0 la date ci-dessus indiqu\u00e9e sera <strong><u>retir\u00e9<\/u><\/strong> de la s\u00e9lection officielle.<\/p>\n\n\n\n<p><strong>NB&nbsp;: Le FESPACO ne paie aucun frais de diffusion pour les films retenus dans la s\u00e9lection officielle.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>2.&nbsp;&nbsp;&nbsp; ENVOI DES COPIES \/ RENVOI DES COPIES<\/a><\/h3>\n\n\n\n<p>L&rsquo;exp\u00e9dition et la r\u00e9exp\u00e9dition des copies de films sont \u00e0 la charge du producteur, du r\u00e9alisateur ou du distributeur.<\/p>\n\n\n\n<p>Les colis devront porter les mentions \u00ab&nbsp;<strong>pour usage culturel seulement<\/strong>&nbsp;\u00bb et \u00ab&nbsp;<strong>sans valeur marchande<\/strong>&nbsp;\u00bb.<\/p>\n\n\n\n<p>Tout colis envoy\u00e9 par une soci\u00e9t\u00e9 de transport express doit imp\u00e9rativement avoir \u00e9t\u00e9 acquitt\u00e9 de la totalit\u00e9 des frais de transport et des \u00e9ventuels droits de douanes et taxes. Au cas contraire, le FESPACO se r\u00e9serve le droit de refuser le colis.<\/p>\n\n\n\n<p>Le FESPACO d\u00e9cline toute responsabilit\u00e9 en cas d\u2019erreurs d\u2019acheminement ou de dommages r\u00e9sultant du transport des copies de films.<\/p>\n\n\n\n<p>Il ne peut \u00eatre tenu pour responsable des d\u00e9t\u00e9riorations r\u00e9sultant du mauvais \u00e9tat initial des copies.<\/p>\n\n\n\n<p>Toute copie DCP doit \u00eatre envoy\u00e9e sur un disque dur accompagn\u00e9e des Key Delivery Message (KDM) de diffusion.<\/p>\n\n\n\n<p>Tout film faisant partie de la s\u00e9lection officielle du FESPACO peut faire l&rsquo;objet d\u2019au plus trois (03) projections publiques pendant le festival.<\/p>\n\n\n\n<p>Toutefois, le FESPACO se r\u00e9serve le droit, dans le cadre de la promotion des films s\u00e9lectionn\u00e9s, de les projeter publiquement au plus deux (02) fois apr\u00e8s le festival.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>3.&nbsp;&nbsp;&nbsp; DUR\u00c9E DES FILMS<\/a><\/h3>\n\n\n\n<p>Les films en comp\u00e9tition doivent avoir, selon les cat\u00e9gories, les dur\u00e9es suivantes&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fiction long m\u00e9trage : dur\u00e9e minimale de 60 mn ;<\/li>\n\n\n\n<li>Documentaire long m\u00e9trage : dur\u00e9e minimale de 60 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Shorts (fiction et documentaire court m\u00e9trage)\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn\u00a0;<\/li>\n\n\n\n<li>Fiction ou documentaire des \u00e9coles de cin\u00e9ma: dur\u00e9e comprise entre 3 mn et 26 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Series: deux (02) \u00e9pisodes cons\u00e9cutifs de 52 mn chacun ou trois (03) \u00e9pisodes cons\u00e9cutifs de 26 mn chacun ou six (06) \u00e9pisodes cons\u00e9cutifs de 13 mn chacun;<\/li>\n\n\n\n<li>Films d\u2019animation\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn.<\/li>\n<\/ul>\n\n\n\n<p><strong>Toute inscription suppose l\u2019acceptation enti\u00e8re des pr\u00e9sentes conditions d\u2019inscriptions<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A.&nbsp; INSCRIPTION La 30e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) se tiendra du 27 f\u00e9vrier au 06 mars 2027. L\u2019inscription des films au FESPACO est ouverte \u00e0 tous les films du monde. Elle est limit\u00e9e \u00e0 trois (03) films au plus par r\u00e9alisateur et peut \u00eatre effectu\u00e9e par [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-10574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2026\/02\/Call-for-entries-1-format-900x700-px-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10574"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10574\/revisions"}],"predecessor-version":[{"id":10577,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10574\/revisions\/10577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10576"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10569,"date":"2026-02-24T10:38:43","date_gmt":"2026-02-24T10:38:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10569"},"modified":"2026-02-24T10:42:00","modified_gmt":"2026-02-24T10:42:00","slug":"appel-a-films-fespaco-2027","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-films-fespaco-2027\/","title":{"rendered":"APPEL A FILMS &#8211; FESPACO 2027"},"content":{"rendered":"\n<p><strong>FESTIVAL PANAFRICAIN DU CIN\u00c9MA ET DE LA T\u00c9L\u00c9VISION<\/strong> <strong>DE OUAGADOUGOU (FESPACO)<\/strong><\/p>\n\n\n\n<p>Dans le cadre de la 30<sup>e <\/sup>\u00e9dition du FESPACO, pr\u00e9vue pour se tenir du <strong>27 f\u00e9vrier au 06 mars 2027<\/strong>, il est port\u00e9 \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que les inscriptions pour la s\u00e9lection officielle des films sont ouvertes du <strong>24 f\u00e9vrier au 20 septembre 2026.<\/strong><\/p>\n\n\n\n<p>La s\u00e9lection comprend deux sections principales :<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>La section comp\u00e9tition officielle r\u00e9serv\u00e9e aux films de r\u00e9alisateurs africains et de la diaspora avec les cat\u00e9gories suivantes\u00a0:<\/strong><\/li>\n\n\n\n<li>Fiction long m\u00e9trage : dur\u00e9e minimale de 60 mn\u00a0;<\/li>\n\n\n\n<li>Documentaire long m\u00e9trage : dur\u00e9e minimale de 60 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Shorts (fiction et documentaire court m\u00e9trage)\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn\u00a0;<\/li>\n\n\n\n<li>Fiction ou documentaire des \u00e9coles de cin\u00e9ma : dur\u00e9e comprise entre 3 mn et 26 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Series\u00a0: deux (02) \u00e9pisodes cons\u00e9cutifs de 52 mn chacun ou trois (03) \u00e9pisodes cons\u00e9cutifs de 26 mn chacun ou six (06) \u00e9pisodes cons\u00e9cutifs de 13 mn chacun\u00a0;<\/li>\n\n\n\n<li>Films d\u2019Animation\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn.<\/li>\n\n\n\n<li><strong>La section hors comp\u00e9tition ouverte aux films des cin\u00e9astes du monde\u00a0:<\/strong><\/li>\n\n\n\n<li>Panorama\u00a0;<\/li>\n\n\n\n<li>Focus\u00a0;<\/li>\n\n\n\n<li>Diversit\u00e9s\u00a0;<\/li>\n\n\n\n<li>Sukab\u00e8 (programme jeunesse).<\/li>\n<\/ol>\n\n\n\n<p><strong>Crit\u00e8res d\u2019\u00e9ligibilit\u00e9 des films<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ne pas avoir plus de deux (02) ans d\u2019\u00e2ge au 31 d\u00e9cembre 2026\u00a0;<\/li>\n\n\n\n<li>N\u2019avoir pas \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d\u2019une pr\u00e9c\u00e9dente \u00e9dition du FESPACO\u00a0;<\/li>\n\n\n\n<li>N\u2019avoir pas fait l\u2019objet d\u2019exploitation commerciale au Burkina Faso.<\/li>\n<\/ul>\n\n\n\n<p>Toute inscription \u00e0 la s\u00e9lection se fait sur les sites officiels de l\u2019Agence Burkinab\u00e8 de la Cin\u00e9matographie et de l\u2019Audiovisuel (ABCA) et du festival <a href=\"http:\/\/www.fespaco.bf\">www.fespaco.bf<\/a> via <strong><a href=\"https:\/\/fespaco.bf\/inscription-des-films-2027\/\">https:\/\/fespaco.bf\/inscription-des-films-2027\/<\/a> &nbsp;<\/strong>et implique l\u2019acceptation pleine et enti\u00e8re des conditions d\u2019inscription et du r\u00e8glement de la 30<sup>e<\/sup> \u00e9dition.<\/p>\n\n\n\n<p><strong>L\u2019inscription est soumise au paiement des frais d\u2019inscription qui s\u2019\u00e9l\u00e8vent \u00e0 trente-deux mille sept cent quatre-vingt-dix-huit (32 798) francs CFA, soit cinquante (50) euros ou \u00e0 l\u2019\u00e9quivalent en dollars US.<\/strong><\/p>\n\n\n\n<p><strong>NB<\/strong>&nbsp;: La date limite des inscriptions est fix\u00e9e <strong>au 20 septembre 2026.<\/strong><\/p>\n\n\n\n<p>INFORMATIONS&nbsp;: <a href=\"mailto:inscription@fespaco.bf\">inscription@fespaco.bf<\/a>, <a href=\"mailto:programmation@fespaco.bf\">programmation@fespaco.bf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FESTIVAL PANAFRICAIN DU CIN\u00c9MA ET DE LA T\u00c9L\u00c9VISION DE OUAGADOUGOU (FESPACO) Dans le cadre de la 30e \u00e9dition du FESPACO, pr\u00e9vue pour se tenir du 27 f\u00e9vrier au 06 mars 2027, il est port\u00e9 \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que les inscriptions pour la s\u00e9lection officielle des films sont ouvertes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10570,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[401],"tags":[],"class_list":["post-10569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-une-1"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2026\/02\/Call-for-entries-2-format-900x700-px.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10569"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10569\/revisions"}],"predecessor-version":[{"id":10573,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10569\/revisions\/10573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10570"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10260,"date":"2025-03-07T16:30:03","date_gmt":"2025-03-07T16:30:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10260"},"modified":"2025-03-07T17:39:03","modified_gmt":"2025-03-07T17:39:03","slug":"lhomme-vertige-by-malaury-eloi-paisley-wins-documentary-golden-stallion-of-yennenga-at-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lhomme-vertige-by-malaury-eloi-paisley-wins-documentary-golden-stallion-of-yennenga-at-fespaco-2025\/","title":{"rendered":"\u201cL\u2019Homme-Vertige\u201d by Malaury \u00c9loi Paisley Wins Documentary Golden Stallion of Yennenga at FESPACO 2025"},"content":{"rendered":"\n<p>At the 29th edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), held from February 22 to March 1, 2025, Guadeloupean filmmaker Malaury \u00c9loi Paisley was awarded the Golden Stallion of Yennenga in the documentary feature category for her film L\u2019Homme-Vertige. This prestigious accolade underscores the film\u2019s profound exploration of identity and memory within the Caribbean context.<\/p>\n\n\n\n<p>L\u2019Homme-Vertige delves into the transformations of Pointe-\u00e0-Pitre, the economic capital of Guadeloupe, portraying it as a labyrinthine city where inhabitants wander through its deserted streets, reflecting on their disorientation and fleeting madness. The film captures the essence of a community grappling with the remnants of its past and the uncertainties of its future. \ufffc<\/p>\n\n\n\n<p>The FESPACO jury praised L\u2019Homme-Vertige for its immersive storytelling and its ability to address universal themes through a unique lens. The documentary offers a poignant reflection on the quest for self and cultural heritage, inviting viewers to introspect on their own identities.<\/p>\n\n\n\n<p>This recognition at FESPACO 2025 highlights the richness of documentary cinema from the African diaspora, strengthening cultural ties between continents and celebrating the diverse voices that enrich the African and Afro-descendant cinematic landscape.<\/p>\n\n\n\n<p>The success of L\u2019Homme-Vertige reflects the commitment of filmmakers to tackle deep and personal subjects, contributing to a better understanding of cultural and identity dynamics within the diaspora.<\/p>\n\n\n\n<p>By honoring this documentary, FESPACO reaffirms its role as an essential platform for promoting and recognizing talents from the African diaspora, while enriching intercultural dialogue&nbsp;through&nbsp;cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the 29th edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), held from February 22 to March 1, 2025, Guadeloupean filmmaker Malaury \u00c9loi Paisley was awarded the Golden Stallion of Yennenga in the documentary feature category for her film L\u2019Homme-Vertige. This prestigious accolade underscores the film\u2019s profound exploration of identity and memory [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[47,409],"tags":[],"class_list":["post-10260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-une_en-2"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/03\/malaury.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10260"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10260\/revisions"}],"predecessor-version":[{"id":10261,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10260\/revisions\/10261"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10256"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10255,"date":"2025-03-07T16:28:25","date_gmt":"2025-03-07T16:28:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10255"},"modified":"2025-03-07T17:38:07","modified_gmt":"2025-03-07T17:38:07","slug":"lhomme-vertige-de-malaury-eloi-paisley-remporte-letalon-dor-de-yennenga-au-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lhomme-vertige-de-malaury-eloi-paisley-remporte-letalon-dor-de-yennenga-au-fespaco-2025\/","title":{"rendered":"\u201cL\u2019Homme-Vertige\u201d de Malaury \u00c9loi Paisley remporte l\u2019\u00c9talon d\u2019or de Yennenga au FESPACO 2025"},"content":{"rendered":"\n<p>Lors de la 29\u1d49 \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO), qui s\u2019est tenue du 22 f\u00e9vrier au 1\u1d49\u02b3 mars 2025, le documentaire L\u2019Homme-Vertige de la r\u00e9alisatrice guadeloup\u00e9enne Malaury \u00c9loi Paisley a \u00e9t\u00e9 couronn\u00e9 de l\u2019\u00c9talon d\u2019or de Yennenga dans la cat\u00e9gorie long m\u00e9trage documentaire. Cette distinction met en lumi\u00e8re l\u2019\u0153uvre poignante de Paisley, qui explore avec profondeur les complexit\u00e9s de l\u2019identit\u00e9 et de la m\u00e9moire dans le contexte carib\u00e9en.<\/p>\n\n\n\n<p>Le jury du FESPACO a salu\u00e9 L\u2019Homme-Vertige pour sa narration immersive et sa capacit\u00e9 \u00e0 aborder des th\u00e9matiques universelles \u00e0 travers une perspective singuli\u00e8re. Le film offre une r\u00e9flexion touchante sur la qu\u00eate de soi et les h\u00e9ritages culturels, invitant les spectateurs \u00e0 une introspection sur leur propre identit\u00e9.<\/p>\n\n\n\n<p>Cette r\u00e9compense au FESPACO 2025 met en lumi\u00e8re la richesse du cin\u00e9ma documentaire de la diaspora africaine et carib\u00e9enne, renfor\u00e7ant les liens culturels entre les continents et c\u00e9l\u00e9brant la diversit\u00e9 des voix qui composent le paysage cin\u00e9matographique africain et afro-descendant.<\/p>\n\n\n\n<p>Le succ\u00e8s de L\u2019Homme-Vertige t\u00e9moigne de l\u2019engagement des cin\u00e9astes \u00e0 aborder des sujets profonds et personnels, contribuant ainsi \u00e0 une meilleure compr\u00e9hension des dynamiques culturelles et identitaires au sein de la diaspora.<\/p>\n\n\n\n<p>En honorant ce documentaire, le FESPACO r\u00e9affirme son r\u00f4le de plateforme essentielle pour la promotion et la reconnaissance des talents issus de la diaspora africaine, tout en enrichissant le dialogue interculturel \u00e0 travers&nbsp;le&nbsp;cin\u00e9ma.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lors de la 29\u1d49 \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO), qui s\u2019est tenue du 22 f\u00e9vrier au 1\u1d49\u02b3 mars 2025, le documentaire L\u2019Homme-Vertige de la r\u00e9alisatrice guadeloup\u00e9enne Malaury \u00c9loi Paisley a \u00e9t\u00e9 couronn\u00e9 de l\u2019\u00c9talon d\u2019or de Yennenga dans la cat\u00e9gorie long m\u00e9trage documentaire. Cette distinction met en [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[4,403],"tags":[],"class_list":["post-10255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news","category-une-2"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/03\/malaury.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10255"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10255\/revisions"}],"predecessor-version":[{"id":10257,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10255\/revisions\/10257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10256"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10253,"date":"2025-03-07T14:47:07","date_gmt":"2025-03-07T14:47:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10253"},"modified":"2025-03-07T17:36:31","modified_gmt":"2025-03-07T17:36:31","slug":"dani-kouyate-honored-with-golden-stallion-of-yennenga-at-29th-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/dani-kouyate-honored-with-golden-stallion-of-yennenga-at-29th-fespaco\/","title":{"rendered":"Dani Kouyat\u00e9 Honored with Golden Stallion of Yennenga at 29th FESPACO"},"content":{"rendered":"\n<p>On March 1, 2025, Burkinab\u00e8 filmmaker Dani Kouyat\u00e9 was awarded the prestigious \u00c9talon d\u2019or de Yennenga (Golden Stallion of Yennenga) at the 29th Pan-African Film and Television Festival of Ouagadougou (FESPACO). His film, Katanga, la danse des scorpions, captivated the jury with its profound narrative and cultural depth, marking Burkina Faso\u2019s first \u00c9talon d\u2019or in 28 years. \ufffc \ufffc<\/p>\n\n\n\n<p>Katanga, la danse des scorpions is a cinematic adaptation of William Shakespeare\u2019s Macbeth, set within an African context and performed in the Moor\u00e9 language. The film delves into the complexities of power through the story of Katanga, a military leader who, after betraying and murdering his king, ascends to the throne and spirals into violence and paranoia. \ufffc<\/p>\n\n\n\n<p>The FESPACO jury praised the film for its \u201ctimeless and universal theme,\u201d as well as its strong cultural grounding, evident in its settings, costumes, and linguistic authenticity. Beyond the \u00c9talon d\u2019or, Katanga, la danse des scorpions garnered several other accolades, including the Public Prize with an average score of 9.18\/10, the Semb\u00e8ne Ousmane Prize from the Ecobank Foundation, the Special Prize from the Cultural and Tourism Development Fund (FDCT), the Special UEMOA Prize for feature fiction, and the Paulin Soumanou Vieyra African Critics\u2019 Prize. \ufffc<\/p>\n\n\n\n<p>This remarkable achievement by Dani Kouyat\u00e9 underscores the vitality and richness of Burkinab\u00e8 cinema, reaffirming its significant presence on the international stage. FESPACO, as a showcase of African cinema, celebrates this victory, which honors both Burkina Faso and the entire&nbsp;continent.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On March 1, 2025, Burkinab\u00e8 filmmaker Dani Kouyat\u00e9 was awarded the prestigious \u00c9talon d\u2019or de Yennenga (Golden Stallion of Yennenga) at the 29th Pan-African Film and Television Festival of Ouagadougou (FESPACO). His film, Katanga, la danse des scorpions, captivated the jury with its profound narrative and cultural depth, marking Burkina Faso\u2019s first \u00c9talon d\u2019or in [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[47,407],"tags":[],"class_list":["post-10253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-une_en-1"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/03\/dan-aoto.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10253"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10253\/revisions"}],"predecessor-version":[{"id":10254,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10253\/revisions\/10254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10251"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10250,"date":"2025-03-07T14:45:44","date_gmt":"2025-03-07T14:45:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10250"},"modified":"2025-03-07T17:34:21","modified_gmt":"2025-03-07T17:34:21","slug":"dani-kouyate-couronne-etalon-dor-de-yennenga-a-la-29%e1%b5%89-edition-du-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dani-kouyate-couronne-etalon-dor-de-yennenga-a-la-29%e1%b5%89-edition-du-fespaco\/","title":{"rendered":"Dani Kouyat\u00e9 couronn\u00e9 \u00c9talon d\u2019or de Yennenga \u00e0 la 29\u1d49 \u00e9dition du FESPACO"},"content":{"rendered":"\n<p>Le 1\u1d49\u02b3 mars 2025, le r\u00e9alisateur burkinab\u00e8 Dani Kouyat\u00e9 a \u00e9t\u00e9 honor\u00e9 de l\u2019\u00c9talon d\u2019or de Yennenga lors de la 29\u1d49 \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO). Son film, Katanga, la danse des scorpions, une adaptation de la trag\u00e9die Macbeth de William Shakespeare transpos\u00e9e dans un contexte africain et tourn\u00e9e en moor\u00e9, a s\u00e9duit le jury par sa profondeur narrative et son ancrage culturel. Ce sacre marque le troisi\u00e8me \u00c9talon d\u2019or pour le Burkina Faso, 28 ans apr\u00e8s le dernier remport\u00e9 par Gaston Kabor\u00e9 en 1997 avec Buud Yam .<\/p>\n\n\n\n<p>Katanga, la danse des scorpions explore les m\u00e9andres du pouvoir \u00e0 travers l\u2019histoire de Katanga, un chef militaire qui, apr\u00e8s avoir trahi et assassin\u00e9 son roi, s\u2019empare du tr\u00f4ne et sombre dans une spirale de violence et de parano\u00efa. Le film a \u00e9galement remport\u00e9 plusieurs autres distinctions, notamment le Prix du public avec une moyenne de 9,18\/10, le Prix Semb\u00e8ne Ousmane de la Fondation Ecobank, le Prix sp\u00e9cial du Fonds de D\u00e9veloppement Culturel et Touristique (FDCT), le Prix sp\u00e9cial de l\u2019UEMOA du long-m\u00e9trage fiction et le Prix de la critique africaine Paulin Soumanou Vieyra .<\/p>\n\n\n\n<p>Ce succ\u00e8s retentissant de Dani Kouyat\u00e9 et de son \u0153uvre t\u00e9moigne de la vitalit\u00e9 et de la richesse du cin\u00e9ma burkinab\u00e8, qui continue de s\u2019illustrer sur la sc\u00e8ne internationale. 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This [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[817],"tags":[],"class_list":["post-10124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-vr-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10124"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10124\/revisions"}],"predecessor-version":[{"id":10125,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10124\/revisions\/10125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10122"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10120,"date":"2025-02-21T12:50:08","date_gmt":"2025-02-21T12:50:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10120"},"modified":"2025-02-21T12:50:11","modified_gmt":"2025-02-21T12:50:11","slug":"the-soil-of-namib","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-soil-of-namib\/","title":{"rendered":"THE SOIL OF NAMIB"},"content":{"rendered":"\n<p><strong>Christian Zipfel Namibie \u2013 Allemagne I 2023 I 3 x 9mn I VR Doc<\/strong><\/p>\n\n\n\n<p><strong>Production &#8211; Time Prints \/ Alina Sch\u00e4fers<\/strong><\/p>\n\n\n\n<p>Au milieu des friches namibiennes, sur l&rsquo;ancien sol colonial allemand. Des tunnels dangereux et non s\u00e9curis\u00e9s m\u00e8nent au plus profond d\u2019une montagne monolithique. Major, Esmeralda et Peter travaillent dans des mines ill\u00e9gales \u00e0 la recherche de pierres pr\u00e9cieuses. Cette t\u00e2che sisyph\u00e9enne n\u2019apporte que peu de r\u00e9compense financi\u00e8re, et pourtant les ouvriers risquent leur vie jour apr\u00e8s jour pour l\u2019accomplir. Le groupe est pi\u00e9g\u00e9 dans un microcosme, leurs r\u00eaves enfouis dans la poussi\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christian Zipfel Namibie \u2013 Allemagne I 2023 I 3 x 9mn I VR Doc Production &#8211; Time Prints \/ Alina Sch\u00e4fers Au milieu des friches namibiennes, sur l&rsquo;ancien sol colonial allemand. Des tunnels dangereux et non s\u00e9curis\u00e9s m\u00e8nent au plus profond d\u2019une montagne monolithique. Major, Esmeralda et Peter travaillent dans des mines ill\u00e9gales \u00e0 la [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[811],"tags":[],"class_list":["post-10120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-vr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10120"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10120\/revisions"}],"predecessor-version":[{"id":10123,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10120\/revisions\/10123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10122"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10065,"date":"2025-02-20T11:30:22","date_gmt":"2025-02-20T11:30:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10065"},"modified":"2025-02-20T11:30:26","modified_gmt":"2025-02-20T11:30:26","slug":"1964-simitye-kamoken-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/1964-simitye-kamoken-3\/","title":{"rendered":"1964 Simity\u00e8 kamoken"},"content":{"rendered":"\n<p><strong>Rach\u00e8le MAGLOIRE<\/strong><strong>, <\/strong><strong>Ha\u00efti<\/strong><strong>, <\/strong><strong>2023<\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>En 1964, suite \u00e0 l\u2019embarquement d&rsquo;une trentaine d&rsquo;hommes pour le renverser, le dictateur ha\u00eftien Duvalier d\u00e9clenche une campagne de terreur pour dissuader les paysans de rejoindre la r\u00e9bellion, compos\u00e9e d&rsquo;hommes originaires de la region du Sud-Est o\u00f9 ils s&rsquo;\u00e9taient install\u00e9s. Plus de 50 ans apr\u00e8s, les paysans racontent pour la premi\u00e8re fois leur histoire.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Rach\u00e8le MAGLOIRE, d\u00e9bute sa carri\u00e8re cin\u00e9matographique en1995 par la r\u00e9alisation de films documentaires avec sa soci\u00e9t\u00e9 de production, Productions Fanal. Depuis cette date, en plus de ses propres r\u00e9alisations dont <em>Jacmel<\/em> (1995), <em>Quelle prison pour Haiti?<\/em> (1998), <em>Les enfants du coup d\u2019Etat<\/em> (2001),<em>1964 Simity\u00e8 Kamoken<\/em> (2023), elle coproduit des films documentaires re\u00e9alis\u00e9s par de jeunes cin\u00e9astes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rach\u00e8le MAGLOIRE, Ha\u00efti, 2023 SYNOPSIS En 1964, suite \u00e0 l\u2019embarquement d&rsquo;une trentaine d&rsquo;hommes pour le renverser, le dictateur ha\u00eftien Duvalier d\u00e9clenche une campagne de terreur pour dissuader les paysans de rejoindre la r\u00e9bellion, compos\u00e9e d&rsquo;hommes originaires de la region du Sud-Est o\u00f9 ils s&rsquo;\u00e9taient install\u00e9s. Plus de 50 ans apr\u00e8s, les paysans racontent pour la [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10066,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-10065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10065"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10065\/revisions"}],"predecessor-version":[{"id":10067,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10065\/revisions\/10067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10066"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10037,"date":"2025-02-17T17:43:16","date_gmt":"2025-02-17T17:43:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10037"},"modified":"2025-02-17T17:49:50","modified_gmt":"2025-02-17T17:49:50","slug":"10037-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/10037-2\/","title":{"rendered":"Ton mari c&rsquo;est ton Dieu"},"content":{"rendered":"\n<p>Charles Ornel, Gunin\u00e9e<br><strong>SYNOPSIS<\/strong><br>KONY, une femme Sousou de 30 ans, d\u00e9couvre les abus sexuels commis par son mari sur leur fille unique KOUTA, \u00e2g\u00e9e de 10 ans. Tiraill\u00e9e entre la col\u00e8re et la pression familiale, NKONY h\u00e9site \u00e0 d\u00e9noncer son mari, au risque de ternir l&rsquo;image familiale et de g\u00e2cher son foyer.<br><strong>BIOGRAPHIE<\/strong><br>Charles Ornel a tout pour plaire \u00e0 premi\u00e8re vue : un h\u00e9ritier aux dents longues avec un vrai talent pour la gestion des affaires. Mais il prend aussi plaisir \u00e0 \u00e9craser et dominer son entourage. Il fait des ravages dans tous les domaines, y compris amoureux, en prenant parfois de gros risques. Pourtant, ce petit jeu pourrait\u00a0lui\u00a0co\u00fbter\u00a0t\u00f4t.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charles Ornel, Gunin\u00e9eSYNOPSISKONY, une femme Sousou de 30 ans, d\u00e9couvre les abus sexuels commis par son mari sur leur fille unique KOUTA, \u00e2g\u00e9e de 10 ans. Tiraill\u00e9e entre la col\u00e8re et la pression familiale, NKONY h\u00e9site \u00e0 d\u00e9noncer son mari, au risque de ternir l&rsquo;image familiale et de g\u00e2cher son foyer.BIOGRAPHIECharles Ornel a tout pour [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-10037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-21-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10037"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10037\/revisions"}],"predecessor-version":[{"id":10040,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10037\/revisions\/10040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9931"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10035,"date":"2025-02-17T17:38:24","date_gmt":"2025-02-17T17:38:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10035"},"modified":"2025-02-17T17:50:27","modified_gmt":"2025-02-17T17:50:27","slug":"ton-mari-cest-ton-dieu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ton-mari-cest-ton-dieu\/","title":{"rendered":"Ton mari c\u2019est ton DIEU"},"content":{"rendered":"\n<p>Charles Ornel, Gunin\u00e9e<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>KONY, a 30-year-old Sousou woman, discovers the sexual abuse committed by her husband on their only daughter KOUTA, aged 10. Torn between anger and family pressure, NKONY hesitates to denounce her husband, at the risk of tarnishing the family image and spoiling&nbsp;her&nbsp;home.<\/p>\n\n\n\n<p>BIOGRAPHY<\/p>\n\n\n\n<p>Charles Ornel has everything to please at first sight: \u00e0 long-toothed heir with a real talent for handling business. But he also takes pleasure in crushing and dominating those around him. He wreaks havoc in all areas, including love, sometimes taking big risks. However, this little game could cost&nbsp;him&nbsp;dearly.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charles Ornel, Gunin\u00e9e SYNOPSIS KONY, a 30-year-old Sousou woman, discovers the sexual abuse committed by her husband on their only daughter KOUTA, aged 10. Torn between anger and family pressure, NKONY hesitates to denounce her husband, at the risk of tarnishing the family image and spoiling&nbsp;her&nbsp;home. BIOGRAPHY Charles Ornel has everything to please at first [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-10035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-21-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10035"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10035\/revisions"}],"predecessor-version":[{"id":10036,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10035\/revisions\/10036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9931"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10032,"date":"2025-02-17T17:32:10","date_gmt":"2025-02-17T17:32:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10032"},"modified":"2025-02-17T17:32:57","modified_gmt":"2025-02-17T17:32:57","slug":"you-hide-me-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/you-hide-me-2\/","title":{"rendered":"You Hide Me"},"content":{"rendered":"\n<p>Nii Kwate Owoo, Ghana, 1970<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>In 1970, young Ghanaian filmmaker Nii Kwate Owoo was granted access to film for a day inside the storage rooms of the British Museum in London, where tens of thousands of ancient African artworks were hidden from public view. Through this act of visual and physical reclamation, captured by his eye, hand, and camera, Owoo creates a powerful manifesto against the deceptive practices of European museums and calls for the restitution of African art to its rightful home.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Nii Kwate Owoo is a Ghanaian screenwriter, producer, and filmmaker. His notable works include:<br>\u2022 Kwesi Owusu, Ouaga: African Cinema Now (1988),<br>\u2022 Ama: An African Voyage of Discovery (1991),<br>\u2022 Women of Substance (2002).<\/p>\n\n\n\n<p>In 1978, he founded the Media Research Unit at the Institute of African Studies, University of Ghana, where he served as director until his retirement&nbsp;in&nbsp;2004<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nii Kwate Owoo, Ghana, 1970 SYNOPSIS: In 1970, young Ghanaian filmmaker Nii Kwate Owoo was granted access to film for a day inside the storage rooms of the British Museum in London, where tens of thousands of ancient African artworks were hidden from public view. Through this act of visual and physical reclamation, captured by [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-20-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10032"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10032\/revisions"}],"predecessor-version":[{"id":10033,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10032\/revisions\/10033"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9930"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10030,"date":"2025-02-17T17:27:19","date_gmt":"2025-02-17T17:27:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10030"},"modified":"2025-02-17T17:27:22","modified_gmt":"2025-02-17T17:27:22","slug":"you-hide-me","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/you-hide-me\/","title":{"rendered":"You Hide Me"},"content":{"rendered":"\n<p>Nii Kwate Owoo, Ghana, 1970<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>En 1970, le jeune r\u00e9alisateur ghan\u00e9en Nii Kwate Owoo obtient de filmer une journ\u00e9e dans les r\u00e9serves du British Museum \u00e0 Londres, qui renferment des dizaines de milliers d\u2019\u0153uvres d\u2019art africain ancien. De cette r\u00e9appropriation par l\u2019\u0153il, la main et la cam\u00e9ra, il tire un manifeste br\u00fblant contre les faux-semblants des mus\u00e9es europ\u00e9ens et en faveur des restitutions des \u0153uvres d\u2019art vers l\u2019Afrique.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Nii Kwate Owoo est sc\u00e9nariste, producteur et r\u00e9alisateur ghan\u00e9en. Il est l\u2019auteur de plusieurs films dont <em>Kwesi Owusu, Ouaga: African Cinema Now<\/em> (1988)&nbsp;; <em>Ama : An African Voyage of Discovery<\/em> (1991) et <em>Women of Substance (2002)<\/em>. Il a fond\u00e9 l&rsquo;unit\u00e9 de recherche sur les m\u00e9dias de l&rsquo;Institut d&rsquo;\u00e9tudes africaines de l&rsquo;Universit\u00e9 du Ghana en 1978 et l&rsquo;a dirig\u00e9e jusqu&rsquo;\u00e0 son d\u00e9part \u00e0 la retraite en 2004.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nii Kwate Owoo, Ghana, 1970 SYNOPSIS En 1970, le jeune r\u00e9alisateur ghan\u00e9en Nii Kwate Owoo obtient de filmer une journ\u00e9e dans les r\u00e9serves du British Museum \u00e0 Londres, qui renferment des dizaines de milliers d\u2019\u0153uvres d\u2019art africain ancien. De cette r\u00e9appropriation par l\u2019\u0153il, la main et la cam\u00e9ra, il tire un manifeste br\u00fblant contre les [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-20-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10030"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10030\/revisions"}],"predecessor-version":[{"id":10031,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10030\/revisions\/10031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9930"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10028,"date":"2025-02-17T17:24:57","date_gmt":"2025-02-17T17:24:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10028"},"modified":"2025-02-17T17:24:59","modified_gmt":"2025-02-17T17:24:59","slug":"yiri-kan-the-voice-of-wood","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yiri-kan-the-voice-of-wood\/","title":{"rendered":"Yiri Kan, The Voice of Wood"},"content":{"rendered":"\n<p>Issiaka Konat\u00e9, Burkina Faso, 1989<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>Mahama Konat\u00e9, a great Burkinab\u00e8 musician, introduces his son to traditional culture and music by teaching him how to play the balafon. This film explores the socio-cultural significance of the balafon, a traditional African musical instrument. Through the father-son initiation, the audience discovers the myths and beliefs surrounding this instrument, highlighting its deep cultural roots.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Issiaka Konat\u00e9, a Burkinab\u00e8 filmmaker, was born on June 16, 1959, in Bobo-Dioulasso. He has directed several films, including:<br>\u2022 The Voice of Wood (1989),<br>\u2022 Children of the Sun (1997),<br>\u2022 Souko, The Cardboard Cinematograph (1998),<br>\u2022 Hakilitant&nbsp;en&nbsp;(2019).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issiaka Konat\u00e9, Burkina Faso, 1989 SYNOPSIS: Mahama Konat\u00e9, a great Burkinab\u00e8 musician, introduces his son to traditional culture and music by teaching him how to play the balafon. This film explores the socio-cultural significance of the balafon, a traditional African musical instrument. Through the father-son initiation, the audience discovers the myths and beliefs surrounding this [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-19-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10028"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10028\/revisions"}],"predecessor-version":[{"id":10029,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10028\/revisions\/10029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9929"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10026,"date":"2025-02-17T17:23:23","date_gmt":"2025-02-17T17:23:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10026"},"modified":"2025-02-17T17:23:26","modified_gmt":"2025-02-17T17:23:26","slug":"yiri-kan-la-voix-du-bois","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yiri-kan-la-voix-du-bois\/","title":{"rendered":"Yiri Kan, la voix du bois"},"content":{"rendered":"\n<p>Issiaka Konat\u00e9, Burkina Faso, 1989<\/p>\n\n\n\n<p><strong>SYNOPSIS &nbsp;<\/strong><\/p>\n\n\n\n<p>Mahama Konat\u00e9, grand musicien burkinab\u00e8, initie son fils \u00e0 la culture traditionnelle et \u00e0 la musique en lui apprenant \u00e0 jouer du balafon. Ce film situe un instrument traditionnel de musique africain, le \u201cbalafon\u201d, dans son contexte socio-culturel. L\u2019initiation d\u2019un gamin par son p\u00e8re, musicien et fabricant, fait d\u00e9couvrir au spectateur les mythes et croyances qui entourent cet instrument.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> &nbsp;<\/p>\n\n\n\n<p>R\u00e9alisateur burkinab\u00e9, Issiaka Konat\u00e9 est n\u00e9 le 16 juin 1959, \u00e0 Bobo-Dioulasso. Il a \u00e0 son actif plusieurs films dont La voix du bois (1989), <em>Enfants du soleil <\/em>(1997),<em> Souko, le cin\u00e9matographe en carton <\/em>(1998),<em> Hakilitant en (2019)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issiaka Konat\u00e9, Burkina Faso, 1989 SYNOPSIS &nbsp; Mahama Konat\u00e9, grand musicien burkinab\u00e8, initie son fils \u00e0 la culture traditionnelle et \u00e0 la musique en lui apprenant \u00e0 jouer du balafon. Ce film situe un instrument traditionnel de musique africain, le \u201cbalafon\u201d, dans son contexte socio-culturel. L\u2019initiation d\u2019un gamin par son p\u00e8re, musicien et fabricant, fait [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-19-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10026"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10026\/revisions"}],"predecessor-version":[{"id":10027,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10026\/revisions\/10027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9929"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10024,"date":"2025-02-17T17:21:48","date_gmt":"2025-02-17T17:21:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10024"},"modified":"2025-02-17T17:21:51","modified_gmt":"2025-02-17T17:21:51","slug":"vieyra-le-precurseur-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/vieyra-le-precurseur-2\/","title":{"rendered":"Vieyra le pr\u00e9curseur"},"content":{"rendered":"\n<p>St\u00e9phane Vieyra et Dom Fred, s\u00e9n\u00e9gal\/France, 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St\u00e9phane Vieyra et Dom Fred, s\u00e9n\u00e9gal\/France, 2025<\/p>\n","protected":false},"author":13,"featured_media":9928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-18-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10024"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10024\/revisions"}],"predecessor-version":[{"id":10025,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10024\/revisions\/10025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9928"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10022,"date":"2025-02-17T17:20:57","date_gmt":"2025-02-17T17:20:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10022"},"modified":"2025-02-17T17:20:59","modified_gmt":"2025-02-17T17:20:59","slug":"vieyra-le-precurseur","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/vieyra-le-precurseur\/","title":{"rendered":"Vieyra le pr\u00e9curseur"},"content":{"rendered":"\n<p>St\u00e9phane Vieyra et Dom Fred, s\u00e9n\u00e9gal\/France, 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St\u00e9phane Vieyra et Dom Fred, s\u00e9n\u00e9gal\/France, 2025<\/p>\n","protected":false},"author":13,"featured_media":9928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-18-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10022"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10022\/revisions"}],"predecessor-version":[{"id":10023,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10022\/revisions\/10023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9928"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10020,"date":"2025-02-17T17:19:44","date_gmt":"2025-02-17T17:19:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10020"},"modified":"2025-02-17T17:19:47","modified_gmt":"2025-02-17T17:19:47","slug":"a-nation-is-born","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-nation-is-born\/","title":{"rendered":"A Nation is Born"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1961<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>The journey of Senegal from colonization to national sovereignty, depicted in an allegorical manner. This film was made at the dawn of Senegal\u2019s independence.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin, as well as a writer and historian of African cinema. Recognized as the first sub-Saharan African filmmaker, he directed around thirty documentaries, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 Senegal and the World Festival of Black Arts (1966),<br>\u2022 Iba N\u2019diaye, Painter (1982),<br>\u2022 LAMB&nbsp;(1963).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1961 SYNOPSIS The journey of Senegal from colonization to national sovereignty, depicted in an allegorical manner. This film was made at the dawn of Senegal\u2019s independence. BIOFILMOGRAPHY Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin, as well as a writer and historian of African cinema. Recognized as the [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-17-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10020"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10020\/revisions"}],"predecessor-version":[{"id":10021,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10020\/revisions\/10021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10017,"date":"2025-02-17T17:17:35","date_gmt":"2025-02-17T17:17:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10017"},"modified":"2025-02-17T17:17:38","modified_gmt":"2025-02-17T17:17:38","slug":"une-nation-est-nee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-nation-est-nee\/","title":{"rendered":"Une nation est n\u00e9e"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1961<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>Le cheminement du S\u00e9n\u00e9gal de la colonisation \u00e0 la souverainet\u00e9 nationale, trait\u00e9 de fa\u00e7on all\u00e9gorique. Un film r\u00e9alis\u00e9 \u00e0 l\u2019aube de l\u2019ind\u00e9pendance du S\u00e9n\u00e9gal.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise. Il est aussi \u00e9crivain et historien du cin\u00e9ma africain. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 une trentaine de documentaires dont <em>L&rsquo;Afrique \u00e0 Moscou (1957), Le S\u00e9n\u00e9gal et le Festival Mondial des Arts N\u00e8gres <\/em>(1966), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1961 SYNOPSIS Le cheminement du S\u00e9n\u00e9gal de la colonisation \u00e0 la souverainet\u00e9 nationale, trait\u00e9 de fa\u00e7on all\u00e9gorique. Un film r\u00e9alis\u00e9 \u00e0 l\u2019aube de l\u2019ind\u00e9pendance du S\u00e9n\u00e9gal. BIOFILMOGRAPHIE Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise. Il est aussi \u00e9crivain et historien du cin\u00e9ma africain. Consid\u00e8re comme le premier cin\u00e9aste [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-17-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10017"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10017\/revisions"}],"predecessor-version":[{"id":10018,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10017\/revisions\/10018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10015,"date":"2025-02-17T17:13:53","date_gmt":"2025-02-17T17:13:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10015"},"modified":"2025-02-17T17:13:56","modified_gmt":"2025-02-17T17:13:56","slug":"le-retour-damilcar-cabral","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-retour-damilcar-cabral\/","title":{"rendered":"Le Retour d\u2019Am\u00edlcar Cabral"},"content":{"rendered":"\n<p>Djalma Fettermann \/ Flora Gomes \/ Jos\u00e9 Bolama \/ Josefina Crato \/ Sana Na N\u2019Hada, Guin\u00e9e-Bissau, 1976<\/p>\n\n\n\n<p>SYNOPSIS :<\/p>\n\n\n\n<p>Premi\u00e8re production r\u00e9alis\u00e9e par des cin\u00e9astes guin\u00e9ens apr\u00e8s la lib\u00e9ration du colonialisme portugais en 1974, Le Retour d\u2019Am\u00edlcar Cabral documente le rapatriement des restes d\u2019Am\u00edlcar Cabral de Conakry (o\u00f9 il fut assassin\u00e9 en janvier 1973) \u00e0 Bissau en 1976.<\/p>\n\n\n\n<p>\u00c0 travers une couverture captivante de cet \u00e9v\u00e9nement solennel, le film int\u00e8gre des enregistrements de chants guin\u00e9ens et des images d\u2019archives de Cabral pendant la guerre de lib\u00e9ration, rendant hommage \u00e0 ce penseur politique et combattant&nbsp;de&nbsp;la&nbsp;libert\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Djalma Fettermann \/ Flora Gomes \/ Jos\u00e9 Bolama \/ Josefina Crato \/ Sana Na N\u2019Hada, Guin\u00e9e-Bissau, 1976 SYNOPSIS : Premi\u00e8re production r\u00e9alis\u00e9e par des cin\u00e9astes guin\u00e9ens apr\u00e8s la lib\u00e9ration du colonialisme portugais en 1974, Le Retour d\u2019Am\u00edlcar Cabral documente le rapatriement des restes d\u2019Am\u00edlcar Cabral de Conakry (o\u00f9 il fut assassin\u00e9 en janvier 1973) \u00e0 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-16-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10015"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10015\/revisions"}],"predecessor-version":[{"id":10016,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10015\/revisions\/10016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9926"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10011,"date":"2025-02-17T17:10:10","date_gmt":"2025-02-17T17:10:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10011"},"modified":"2025-02-17T17:10:13","modified_gmt":"2025-02-17T17:10:13","slug":"o-regresso-de-amilcar-cabral","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/o-regresso-de-amilcar-cabral\/","title":{"rendered":"O Regresso de Amilcar Cabral"},"content":{"rendered":"\n<p>Djalma Fettermann\/Flora Gomes\/ Jose Bolama\/ Josefina Crato\/ Sana Na N&rsquo;Hada, Guin\u00e9 Bissau, 1976<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><strong><\/strong><\/p>\n\n\n\n<p>The first production by Guinean film-makers after the liberation from Portuguese colonialism in 1974, O Regresso de Am\u00edlcar Cabral documents the transferral of the remains of Am\u00edlcar Cabral from Conakry (where he was assassinated in January of 1973) to Bissau in 1976. An intriguing coverage of the solemn event, recordings of Guinean songs and archive footage of Cabral during the guerrilla war pay tribute to the political thinker and freedom fighter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Djalma Fettermann\/Flora Gomes\/ Jose Bolama\/ Josefina Crato\/ Sana Na N&rsquo;Hada, Guin\u00e9 Bissau, 1976 SYNOPSIS The first production by Guinean film-makers after the liberation from Portuguese colonialism in 1974, O Regresso de Am\u00edlcar Cabral documents the transferral of the remains of Am\u00edlcar Cabral from Conakry (where he was assassinated in January of 1973) to Bissau in [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-16-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10011"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10011\/revisions"}],"predecessor-version":[{"id":10012,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10011\/revisions\/10012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9926"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10008,"date":"2025-02-17T17:08:07","date_gmt":"2025-02-17T17:08:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10008"},"modified":"2025-02-17T17:08:09","modified_gmt":"2025-02-17T17:08:09","slug":"les-actualites-tchadienne-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-actualites-tchadienne-2\/","title":{"rendered":"LES ACTUALITES TCHADIENNE"},"content":{"rendered":"\n<p><strong>Divers, Tchad, 1960<\/strong><strong><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Divers, Tchad, 1960<\/p>\n","protected":false},"author":13,"featured_media":9924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10008","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-14-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10008"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10008\/revisions"}],"predecessor-version":[{"id":10009,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10008\/revisions\/10009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9924"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10006,"date":"2025-02-17T17:05:47","date_gmt":"2025-02-17T17:05:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10006"},"modified":"2025-02-17T17:05:50","modified_gmt":"2025-02-17T17:05:50","slug":"les-actualites-tchadienne","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-actualites-tchadienne\/","title":{"rendered":"LES ACTUALITES TCHADIENNE"},"content":{"rendered":"\n<p><strong>Divers, Tchad, 1960<\/strong><strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Divers, Tchad, 1960<\/p>\n","protected":false},"author":13,"featured_media":9924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-14-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10006"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10006\/revisions"}],"predecessor-version":[{"id":10007,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10006\/revisions\/10007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9924"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10004,"date":"2025-02-17T17:04:38","date_gmt":"2025-02-17T17:04:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10004"},"modified":"2025-02-17T17:04:41","modified_gmt":"2025-02-17T17:04:41","slug":"mortu-nega-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mortu-nega-2\/","title":{"rendered":"MORTU NEGA"},"content":{"rendered":"\n<p>Flora Gomes, Guinea-Bissau, 1988<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>During Guinea-Bissau\u2019s War of National Liberation in the 1970s, Diminga joins her husband Sako in the bush, where he fights against the Portuguese colonial army. A few years later, independence is achieved, peace has returned\u2014but the struggle is far from over\u2026<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Flora Gomes is a Guinea-Bissau filmmaker. His first feature film, Mortu Nega (1987), was screened at the Venice Film Festival in 1988. He later directed:<br>\u2022 The Blue Eyes of Yonta (1992),<br>\u2022 Po di Sangui (1996) \u2013 Official Selection at the Cannes Film Festival,<br>\u2022 Nha Fala (2002),<br>\u2022 The Children\u2019s Republic&nbsp;(2010).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Flora Gomes, Guinea-Bissau, 1988 SYNOPSIS: During Guinea-Bissau\u2019s War of National Liberation in the 1970s, Diminga joins her husband Sako in the bush, where he fights against the Portuguese colonial army. A few years later, independence is achieved, peace has returned\u2014but the struggle is far from over\u2026 BIOFILMOGRAPHY: Flora Gomes is a Guinea-Bissau filmmaker. His first [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-10004","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-15-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10004"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10004\/revisions"}],"predecessor-version":[{"id":10005,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10004\/revisions\/10005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9925"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":10002,"date":"2025-02-17T17:03:39","date_gmt":"2025-02-17T17:03:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=10002"},"modified":"2025-02-17T17:03:42","modified_gmt":"2025-02-17T17:03:42","slug":"mortu-nega","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mortu-nega\/","title":{"rendered":"MORTU NEGA"},"content":{"rendered":"\n<p>Flora Gomes, Guinee Bissau, 1988<\/p>\n\n\n\n<p><strong>SYNOPSIS <\/strong><\/p>\n\n\n\n<p>Pendant la guerre de lib\u00e9ration nationale de la Guin\u00e9e-Bissau, vers 1970, Diminga rejoint dans le maquis son mari combattant, Sako, qui se bat contre l&rsquo;arm\u00e9e du colonisateur portugais. Quelques ann\u00e9es plus tard, l&rsquo;ind\u00e9pendance est l\u00e0, la paix est revenue, mais la lutte n&rsquo;est pas finie&#8230;<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> <\/p>\n\n\n\n<p>Flora Gomes, est un r\u00e9alisateur de la Guin\u00e9e Bissau. Il r\u00e9alise, en 1987 son premier long m\u00e9trage, Mortu Nega. Un film projet\u00e9 au Festival de Venise 1988. Il r\u00e9alise ensuite, en 1992, Les Yeux bleus de Yonta, puis Po di sangui, qui est pr\u00e9sent\u00e9 en s\u00e9lection officielle au Festival de Cannes 1996. Il a r\u00e9alis\u00e9 en 2010 <em>La R\u00e9publique des enfants<\/em> et Nha Fala (2002).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Flora Gomes, Guinee Bissau, 1988 SYNOPSIS Pendant la guerre de lib\u00e9ration nationale de la Guin\u00e9e-Bissau, vers 1970, Diminga rejoint dans le maquis son mari combattant, Sako, qui se bat contre l&rsquo;arm\u00e9e du colonisateur portugais. Quelques ann\u00e9es plus tard, l&rsquo;ind\u00e9pendance est l\u00e0, la paix est revenue, mais la lutte n&rsquo;est pas finie&#8230; BIOFILMOGRAPHIE Flora Gomes, est [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-10002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-15-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=10002"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10002\/revisions"}],"predecessor-version":[{"id":10003,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/10002\/revisions\/10003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9925"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=10002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=10002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=10002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9999,"date":"2025-02-17T16:01:30","date_gmt":"2025-02-17T16:01:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9999"},"modified":"2025-02-17T16:02:20","modified_gmt":"2025-02-17T16:02:20","slug":"les-actualites-senegalaises-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-actualites-senegalaises-2\/","title":{"rendered":"Les actualit\u00e9s s\u00e9n\u00e9galaises"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1966<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 A Nation is Born (1961),<br>\u2022 Iba N\u2019diaye, Painter (1982),<br>\u2022 LAMB (1963) \u2013 Selected at the Cannes Film Festival&nbsp;in&nbsp;1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1966 BIOFILMOGRAPHY: Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:\u2022 L\u2019Afrique \u00e0 Moscou [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-13-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9999"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9999\/revisions"}],"predecessor-version":[{"id":10001,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9999\/revisions\/10001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9923"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9997,"date":"2025-02-17T15:58:45","date_gmt":"2025-02-17T15:58:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9997"},"modified":"2025-02-17T15:59:42","modified_gmt":"2025-02-17T15:59:42","slug":"les-actualites-senegalaises","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-actualites-senegalaises\/","title":{"rendered":"Les actualit\u00e9s s\u00e9n\u00e9galaises"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1966<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise. Il est aussi \u00e9crivain et historien du cin\u00e9ma africain. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 une trentaine de documentaires dont <em>L&rsquo;Afrique \u00e0 Moscou (1957), Le S\u00e9n\u00e9gal et le Festival Mondial des Arts N\u00e8gres <\/em>(1966), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1966 BIOFILMOGRAPHIE : Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise. Il est aussi \u00e9crivain et historien du cin\u00e9ma africain. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 une trentaine de documentaires dont L&rsquo;Afrique \u00e0 Moscou (1957), Le S\u00e9n\u00e9gal et le Festival Mondial des Arts N\u00e8gres [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-13-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9997"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9997\/revisions"}],"predecessor-version":[{"id":9998,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9997\/revisions\/9998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9923"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9995,"date":"2025-02-17T15:54:29","date_gmt":"2025-02-17T15:54:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9995"},"modified":"2025-02-17T15:54:33","modified_gmt":"2025-02-17T15:54:33","slug":"lenvers-du-decor-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lenvers-du-decor-2\/","title":{"rendered":"L\u2019ENVERS DU D\u00c9COR"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1981<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>A behind-the-scenes look at the work of Ousmane Semb\u00e8ne, one of the greatest filmmakers of Black Africa, through the making of his 1979 film Ceddo. L\u2019Envers du d\u00e9cor offers an intimate perspective on Semb\u00e8ne\u2019s creative process, reflecting the deep understanding and close relationship between the two filmmakers.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first sub-Saharan African filmmaker, he directed several works, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 Une nation est n\u00e9e (1961),<br>\u2022 Iba N\u2019diaye, peintre (1982),<br>\u2022 LAMB (1963) \u2013 Selected at the Cannes Film Festival&nbsp;in&nbsp;1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1981 SYNOPSIS: A behind-the-scenes look at the work of Ousmane Semb\u00e8ne, one of the greatest filmmakers of Black Africa, through the making of his 1979 film Ceddo. L\u2019Envers du d\u00e9cor offers an intimate perspective on Semb\u00e8ne\u2019s creative process, reflecting the deep understanding and close relationship between the two filmmakers. BIOFILMOGRAPHY: Paulin [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9995"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9995\/revisions"}],"predecessor-version":[{"id":9996,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9995\/revisions\/9996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9993,"date":"2025-02-17T15:53:12","date_gmt":"2025-02-17T15:53:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9993"},"modified":"2025-02-17T15:53:16","modified_gmt":"2025-02-17T15:53:16","slug":"lenvers-du-decor","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lenvers-du-decor\/","title":{"rendered":"L&rsquo;envers du d\u00e9cor"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1981<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS :<\/strong><\/p>\n\n\n\n<p>Making-off sur le travail de Ousmane Semb\u00e8ne, un des plus grands cin\u00e9astes d&rsquo;Afrique Noire, \u00e0 partir du tournage de Ceddo (1979). L&rsquo;Envers du d\u00e9cor porte donc la marque de cette connaissance intime et de la proximit\u00e9 entre les deux cin\u00e9astes.<\/p>\n\n\n\n<p><strong>SYNOPSIS :<\/strong><\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e (1961), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963) S\u00e9lectionn\u00e9 au Festival de Cannes 1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1981 SYNOPSIS : Making-off sur le travail de Ousmane Semb\u00e8ne, un des plus grands cin\u00e9astes d&rsquo;Afrique Noire, \u00e0 partir du tournage de Ceddo (1979). L&rsquo;Envers du d\u00e9cor porte donc la marque de cette connaissance intime et de la proximit\u00e9 entre les deux cin\u00e9astes. SYNOPSIS : BIOFILMOGRAPHIE : Paulin Soumanou Vieyra (1925-1987) [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9993"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9993\/revisions"}],"predecessor-version":[{"id":9994,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9993\/revisions\/9994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9991,"date":"2025-02-17T15:51:20","date_gmt":"2025-02-17T15:51:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9991"},"modified":"2025-02-17T15:51:23","modified_gmt":"2025-02-17T15:51:23","slug":"le-senegal-et-le-festival-mondial-des-arts-negres-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-senegal-et-le-festival-mondial-des-arts-negres-2\/","title":{"rendered":"Le S\u00e9n\u00e9gal et le Festival Mondial des Arts N\u00e8gres"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1971<\/p>\n\n\n\n<p>BIOFILMOGRAPHY<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 A Nation is Born (1961),<br>\u2022 Iba N\u2019diaye, Painter (1982),<br>\u2022 LAMB (1963) \u2013 Selected at the Cannes Film Festival&nbsp;in&nbsp;1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1971 BIOFILMOGRAPHY Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:\u2022 L\u2019Afrique \u00e0 Moscou [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9991"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9991\/revisions"}],"predecessor-version":[{"id":9992,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9991\/revisions\/9992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9921"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9989,"date":"2025-02-17T15:49:13","date_gmt":"2025-02-17T15:49:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9989"},"modified":"2025-02-17T15:49:16","modified_gmt":"2025-02-17T15:49:16","slug":"le-senegal-et-le-festival-mondial-des-arts-negres","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-senegal-et-le-festival-mondial-des-arts-negres\/","title":{"rendered":"Le S\u00e9n\u00e9gal et le Festival Mondial des Arts N\u00e8gres"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1966<strong><\/strong><\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, <em>L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e<\/em> (1961), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963) S\u00e9lectionn\u00e9 au Festival de Cannes 1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1966 BIOFILMOGRAPHIE : Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9989"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9989\/revisions"}],"predecessor-version":[{"id":9990,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9989\/revisions\/9990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9921"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9987,"date":"2025-02-17T15:47:14","date_gmt":"2025-02-17T15:47:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9987"},"modified":"2025-02-17T15:47:17","modified_gmt":"2025-02-17T15:47:17","slug":"lamb-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lamb-2\/","title":{"rendered":"LAMB"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1963<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>Lamb, the traditional wrestling style of Senegal, resembles Greco-Roman wrestling and is one of the country\u2019s most celebrated national sports. Governed by strict and unique rules, wrestlers train rigorously on the beach in preparation for their upcoming fights. The arenas of Dakar come alive with cheering spectators, rhythmic drumming, and energetic betting, creating an electrifying atmosphere around each match.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques) in France and is widely regarded as the first filmmaker from sub-Saharan Africa. His notable works include:<br>\u2022 Afrique sur Seine (1955),<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 Une nation est n\u00e9e (1961),<br>\u2022 Iba N\u2019diaye,&nbsp;peintre&nbsp;(1982).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1963 SYNOPSIS: Lamb, the traditional wrestling style of Senegal, resembles Greco-Roman wrestling and is one of the country\u2019s most celebrated national sports. Governed by strict and unique rules, wrestlers train rigorously on the beach in preparation for their upcoming fights. The arenas of Dakar come alive with cheering spectators, rhythmic drumming, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9987"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9987\/revisions"}],"predecessor-version":[{"id":9988,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9987\/revisions\/9988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9920"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9985,"date":"2025-02-17T15:46:16","date_gmt":"2025-02-17T15:46:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9985"},"modified":"2025-02-17T15:46:18","modified_gmt":"2025-02-17T15:46:18","slug":"lamb","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lamb\/","title":{"rendered":"LAMB"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1963<\/p>\n\n\n\n<p><strong>SYNOPSIS :<\/strong><\/p>\n\n\n\n<p>La lutte traditionnelle qui se d\u00e9nomme \u201cLamb\u201d en wolof et qui rappelle la lutte gr\u00e9co-romaine, est un sport national tr\u00e8s pris\u00e9 au S\u00e9n\u00e9gal. Elle a des r\u00e8gles particuli\u00e8res et tr\u00e8s strictes. Les lutteurs s\u2019entrainent sur la plage. Ils pr\u00e9parent leurs futurs combats. Chaque spectateur peut parier sur son lutteur favori dans une ambiance festive aux ar\u00e8nes de Dakar.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. On le consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne. Il a r\u00e9alis\u00e9 entre autres, <em>Afrique sur Seine<\/em> (1955), <em>L&rsquo;Afrique \u00e0 Moscou (1957), Une nation est n\u00e9e<\/em> (1961), et<em> Iba N&rsquo;diaye, peintre<\/em> (1982).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1963 SYNOPSIS : La lutte traditionnelle qui se d\u00e9nomme \u201cLamb\u201d en wolof et qui rappelle la lutte gr\u00e9co-romaine, est un sport national tr\u00e8s pris\u00e9 au S\u00e9n\u00e9gal. Elle a des r\u00e8gles particuli\u00e8res et tr\u00e8s strictes. Les lutteurs s\u2019entrainent sur la plage. Ils pr\u00e9parent leurs futurs combats. Chaque spectateur peut parier sur son [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9985"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9985\/revisions"}],"predecessor-version":[{"id":9986,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9985\/revisions\/9986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9920"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9983,"date":"2025-02-17T15:44:14","date_gmt":"2025-02-17T15:44:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9983"},"modified":"2025-02-17T15:44:17","modified_gmt":"2025-02-17T15:44:17","slug":"la-chapelle-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-chapelle-2\/","title":{"rendered":"LA CHAPELLE"},"content":{"rendered":"\n<p><strong>Jean-Michel Tchissoukou, Congo, 1979<\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>In 1930s Congo, a Catholic missionary group establishes itself in a village about thirty kilometers from the regional capital. However, the villagers remain deeply attached to their traditions, and the construction of the chapel drags on. The priest, determined to speed up the project, relies on his local allies, including the village chief and the sacristan, to push forward his mission.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n<p>Jean-Michel Tchissoukou was born in 1942 in Pointe-Noire, Congo. He studied cinema in Paris at the Institut National de l\u2019Audiovisuel (INA) and the Office de Coop\u00e9ration Radiophonique (OCORA). Upon returning to Congo, he worked for national television and directed:<br>\u2022 Illusion (1970) \u2013 his first film,<br>\u2022 La Chapelle&nbsp;(1979).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Michel Tchissoukou, Congo, 1979 SYNOPSIS In 1930s Congo, a Catholic missionary group establishes itself in a village about thirty kilometers from the regional capital. However, the villagers remain deeply attached to their traditions, and the construction of the chapel drags on. The priest, determined to speed up the project, relies on his local allies, including [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9983"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9983\/revisions"}],"predecessor-version":[{"id":9984,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9983\/revisions\/9984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9919"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9981,"date":"2025-02-17T15:42:59","date_gmt":"2025-02-17T15:42:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9981"},"modified":"2025-02-17T15:43:02","modified_gmt":"2025-02-17T15:43:02","slug":"la-chapelle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-chapelle\/","title":{"rendered":"LA CHAPELLE \u00a0"},"content":{"rendered":"\n<p>Jean Michelle TCHIISSOUKOU, Congo, 1979<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>Au Congo dans les ann\u00e9es 1930, une mission catholique d\u2019\u00e9vang\u00e9lisation s&rsquo;est install\u00e9e dans un village \u00e0 une trentaine de kilom\u00e8tres du chef-lieu de la r\u00e9gion. Mais les habitants sont attach\u00e9s \u00e0 leurs traditions, et le chantier de la chapelle tra\u00eene en longueur. Le cur\u00e9 compte sur ses appuis parmi les autorit\u00e9s du village, le chef de village et le sacristain, pour tenter d&rsquo;acc\u00e9l\u00e9rer les choses.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Jean-Michel Tchissoukou na\u00eet en 1942 \u00e0 Pointe-Noire, au Congo. Il suit des \u00e9tudes de cin\u00e9ma \u00e0 Paris, \u00e0 l&rsquo;Institut national de l&rsquo;audiovisuel (INA) et \u00e0 l&rsquo;Office de coop\u00e9ration radiophonique (OCORA)<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-Michel_Tchissoukou#cite_note-FicheMarfilmes-2\">2<\/a>. De retour au Congo, il travaille \u00e0 la t\u00e9l\u00e9vision nationale et r\u00e9alise son premier film\u00a0Illusion en 1970 puis\u00a0La Chapelle\u00a0en 1979.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean Michelle TCHIISSOUKOU, Congo, 1979 SYNOPSIS Au Congo dans les ann\u00e9es 1930, une mission catholique d\u2019\u00e9vang\u00e9lisation s&rsquo;est install\u00e9e dans un village \u00e0 une trentaine de kilom\u00e8tres du chef-lieu de la r\u00e9gion. Mais les habitants sont attach\u00e9s \u00e0 leurs traditions, et le chantier de la chapelle tra\u00eene en longueur. Le cur\u00e9 compte sur ses appuis parmi [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9981"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9981\/revisions"}],"predecessor-version":[{"id":9982,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9981\/revisions\/9982"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9919"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9979,"date":"2025-02-17T15:36:01","date_gmt":"2025-02-17T15:36:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9979"},"modified":"2025-02-23T10:21:49","modified_gmt":"2025-02-23T10:21:49","slug":"ija-ominira-fight-for-freedom-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ija-ominira-fight-for-freedom-2\/","title":{"rendered":"IJA OMINIRA (FIGHT FOR FREEDOM)"},"content":{"rendered":"\n<p>Ola Balogun, Nigeria, 1978<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>Ija Ominira is the cinematic adaptation of a novel by Faleti. It tells the story of a tyrannical and cruel king, whose oppressed and exhausted people rise in rebellion and ultimately overthrow him.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Ola Balogun, born in 1945 in Aba, Nigeria, is a filmmaker and screenwriter. He has directed several films, including:<br>\u2022 A Deusa Negra (1979),<br>\u2022 Ija Ominira (1979),<br>\u2022 Cry Freedom! (1981).<\/p>\n\n\n\n<p>Balogun is considered a pioneer of Nigerian cinema, known for his contributions to the development of African storytelling&nbsp;through&nbsp;film.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ola Balogun, Nigeria, 1978 SYNOPSIS: Ija Ominira is the cinematic adaptation of a novel by Faleti. It tells the story of a tyrannical and cruel king, whose oppressed and exhausted people rise in rebellion and ultimately overthrow him. BIOFILMOGRAPHY: Ola Balogun, born in 1945 in Aba, Nigeria, is a filmmaker and screenwriter. He has directed [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9979"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9979\/revisions"}],"predecessor-version":[{"id":9980,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9979\/revisions\/9980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9977,"date":"2025-02-17T15:22:18","date_gmt":"2025-02-17T15:22:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9977"},"modified":"2025-02-23T10:30:01","modified_gmt":"2025-02-23T10:30:01","slug":"ija-ominira-fight-for-freedom","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ija-ominira-fight-for-freedom\/","title":{"rendered":"IJA OMINIRA (FIGHT FOR FREEDOM)"},"content":{"rendered":"\n<p>Ola BALOGUN, Nigeria, 1978<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS :<\/strong><\/p>\n\n\n\n<p>Ija Ominira est la transposition cin\u00e9matographique d\u2019un roman de Faleti. C\u2019est l\u2019histoire d\u2019un roi tyrannique et cruel. La population, fatigu\u00e9 et exasp\u00e9r\u00e9, s\u2019est r\u00e9volt\u00e9 l\u2019a tu\u00e9.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Ola Balogun est n\u00e9 en 1945 \u00e0 Aba, Nigeria. Il est r\u00e9alisateur et sc\u00e9nariste. Il a r\u00e9alis\u00e9 plusieurs films dont \u00ab&nbsp;A Deusa Negra&nbsp;\u00bb (1979), \u00ab&nbsp;Ija Ominira&nbsp;\u00bb (1979) et&nbsp;\u00ab&nbsp; Cry Freedom!&nbsp;\u00bb (1981).<\/p>\n\n\n\n<p>Balogun est consid\u00e9r\u00e9 comme un pionnier du cin\u00e9ma nig\u00e9rian, connu pour ses contributions au d\u00e9veloppement de l\u2019histoire africaine<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ola BALOGUN, Nigeria, 1978 SYNOPSIS : Ija Ominira est la transposition cin\u00e9matographique d\u2019un roman de Faleti. C\u2019est l\u2019histoire d\u2019un roi tyrannique et cruel. La population, fatigu\u00e9 et exasp\u00e9r\u00e9, s\u2019est r\u00e9volt\u00e9 l\u2019a tu\u00e9. BIOFILMOGRAPHIE : Ola Balogun est n\u00e9 en 1945 \u00e0 Aba, Nigeria. Il est r\u00e9alisateur et sc\u00e9nariste. Il a r\u00e9alis\u00e9 plusieurs films dont \u00ab&nbsp;A [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":10180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9977"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9977\/revisions"}],"predecessor-version":[{"id":10184,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9977\/revisions\/10184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9975,"date":"2025-02-17T15:19:29","date_gmt":"2025-02-17T15:19:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9975"},"modified":"2025-02-17T15:19:32","modified_gmt":"2025-02-17T15:19:32","slug":"ife-3rd-festival-of-arts","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ife-3rd-festival-of-arts\/","title":{"rendered":"Ife, 3rd Festival of Arts"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1971<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 A Nation is Born (1961),<br>\u2022 Iba N\u2019diaye, Painter (1982),<br>\u2022 LAMB (1963) \u2013 Selected at the Cannes Film Festival&nbsp;in&nbsp;1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1971 BIOFILMOGRAPHY: Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:\u2022 L\u2019Afrique \u00e0 Moscou [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-07-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9975"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9975\/revisions"}],"predecessor-version":[{"id":9976,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9975\/revisions\/9976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9973,"date":"2025-02-17T15:18:38","date_gmt":"2025-02-17T15:18:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9973"},"modified":"2025-02-17T15:18:41","modified_gmt":"2025-02-17T15:18:41","slug":"ife-3eme-festival-des-arts","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ife-3eme-festival-des-arts\/","title":{"rendered":"Ife, 3eme Festival des Arts"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9negal, 1971<strong><\/strong><\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e (1961), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963) S\u00e9lectionn\u00e9 au Festival de Cannes 1964.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9negal, 1971 BIOFILMOGRAPHIE Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e (1961), [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-07-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9973"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9973\/revisions"}],"predecessor-version":[{"id":9974,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9973\/revisions\/9974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9971,"date":"2025-02-17T15:15:15","date_gmt":"2025-02-17T15:15:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9971"},"modified":"2025-02-17T15:15:19","modified_gmt":"2025-02-17T15:15:19","slug":"and-then-came-freedom","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/and-then-came-freedom\/","title":{"rendered":"And Then Came Freedom"},"content":{"rendered":"\n<p>Sekou Omar Barry, Guinea, 1968<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>\u201cAnd Then Came Freedom\u201d is a 40-minute documentary, a historical fresco that recounts the long struggle of the Guinean people against French colonial rule and their fight for independence.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Sekou Omar Barry was born in 1935 in For\u00e9cariah, Guinea. He studied cinema in France and the former Yugoslavia. His notable works include:<br>\u2022 Mory the Crab (1966),<br>\u2022 Sanitation (1965),<br>\u2022 Koundara,<br>\u2022 Rice Granary,<br>\u2022 Year II of November 22.<\/p>\n\n\n\n<p>Barry played a crucial role in documenting Guinea\u2019s history through cinema, shedding light on the nation\u2019s path&nbsp;to&nbsp;freedom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sekou Omar Barry, Guinea, 1968 SYNOPSIS: \u201cAnd Then Came Freedom\u201d is a 40-minute documentary, a historical fresco that recounts the long struggle of the Guinean people against French colonial rule and their fight for independence. BIOFILMOGRAPHY: Sekou Omar Barry was born in 1935 in For\u00e9cariah, Guinea. He studied cinema in France and the former Yugoslavia. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-06-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9971"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9971\/revisions"}],"predecessor-version":[{"id":9972,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9971\/revisions\/9972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9916"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9969,"date":"2025-02-17T15:14:20","date_gmt":"2025-02-17T15:14:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9969"},"modified":"2025-02-17T15:14:23","modified_gmt":"2025-02-17T15:14:23","slug":"et-vint-la-liberte","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/et-vint-la-liberte\/","title":{"rendered":"Et vint la libert\u00e9"},"content":{"rendered":"\n<p>Sekou Omar Barry, Guinee, 1968<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>\u00ab\u00a0Et vint la libert\u00e9\u00a0\u00bb est un documentaire de 40 minutes, une fresque historique qui raconte la longue lutte des Guin\u00e9ens contre le colonialisme fran\u00e7ais et pour l&rsquo;ind\u00e9pendance de leur pays.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Sekou Omar Barry est n\u00e9 en 1935 \u00e0 For\u00e9cariah. Il fait des \u00e9tudes de cin\u00e9ma en France et en ex-Yougoslavie. Il r\u00e9alise Mory le crabe (1966), assainissement (1965). Il a aussi \u00e0 son actif des films tels que, <em>Koundara, Grenier \u00e0 riz, et An II du 22 novembre<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sekou Omar Barry, Guinee, 1968 SYNOPSIS \u00ab\u00a0Et vint la libert\u00e9\u00a0\u00bb est un documentaire de 40 minutes, une fresque historique qui raconte la longue lutte des Guin\u00e9ens contre le colonialisme fran\u00e7ais et pour l&rsquo;ind\u00e9pendance de leur pays. BIOFILMOGRAPHIE Sekou Omar Barry est n\u00e9 en 1935 \u00e0 For\u00e9cariah. Il fait des \u00e9tudes de cin\u00e9ma en France et [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-06-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9969"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9969\/revisions"}],"predecessor-version":[{"id":9970,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9969\/revisions\/9970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9916"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9967,"date":"2025-02-17T15:11:00","date_gmt":"2025-02-17T15:11:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9967"},"modified":"2025-02-17T15:11:03","modified_gmt":"2025-02-17T15:11:03","slug":"it-was-four-years-ago","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/it-was-four-years-ago\/","title":{"rendered":"It Was Four Years Ago"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Senegal, 1954<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>An African student sits at his desk, studying, when he hears a song from his homeland on the radio. Instantly, he is transported back several years to the moment when he was preparing to leave for France. As memories flood his mind, he begins to dance. Just then, his French girlfriend arrives to continue his classical music education. As he listens to the first classical record, his thoughts drift once again\u2014this time, back to Africa.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin and a historian of African cinema. He was the first Black African to be admitted to the IDHEC (Institut des Hautes \u00c9tudes Cin\u00e9matographiques). Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including:<br>\u2022 L\u2019Afrique \u00e0 Moscou (1957),<br>\u2022 A Nation is Born (1961),<br>\u2022 Iba N\u2019diaye, Painter (1982),<br>\u2022 LAMB (1963) \u2013 Selected at the Cannes Film Festival&nbsp;in&nbsp;1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Senegal, 1954 SYNOPSIS An African student sits at his desk, studying, when he hears a song from his homeland on the radio. Instantly, he is transported back several years to the moment when he was preparing to leave for France. As memories flood his mind, he begins to dance. Just then, his [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9967"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9967\/revisions"}],"predecessor-version":[{"id":9968,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9967\/revisions\/9968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9915"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9964,"date":"2025-02-17T15:07:34","date_gmt":"2025-02-17T15:07:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9964"},"modified":"2025-02-17T15:08:25","modified_gmt":"2025-02-17T15:08:25","slug":"cetait-il-y-a-quatre-ans","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/cetait-il-y-a-quatre-ans\/","title":{"rendered":"C&rsquo;\u00e9tait-il y a quatre ans"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, S\u00e9n\u00e9gal, 1954<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS &nbsp;<\/strong><\/p>\n\n\n\n<p>Un \u00e9tudiant africain \u00e0 sa table de travail entend \u00e0 la radio un chant de son pays. Il se sent transport\u00e9 plusieurs ann\u00e9es en arri\u00e8re au moment o\u00f9 il s\u2019appr\u00eatait \u00e0 partir pour la France. Il esquisse quelques pas de danse. Sur ces entrefaites, sa petite amie fran\u00e7aise arrive pour continuer son \u00e9ducation de musique classique. En \u00e9coutant le premier disque classique, son esprit repart en Afrique.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise et un historien du cin\u00e9ma africain. Il est le premier Noir africain \u00e0 \u00eatre re\u00e7u \u00e0 l\u2019Idhec. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 entre autres, L&rsquo;Afrique \u00e0 Moscou (1957) Une nation est n\u00e9e (1961), Iba N&rsquo;diaye, peintre (1982) et LAMB (1963) S\u00e9lectionn\u00e9 au Festival de Cannes 1964.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, S\u00e9n\u00e9gal, 1954 SYNOPSIS &nbsp; Un \u00e9tudiant africain \u00e0 sa table de travail entend \u00e0 la radio un chant de son pays. Il se sent transport\u00e9 plusieurs ann\u00e9es en arri\u00e8re au moment o\u00f9 il s\u2019appr\u00eatait \u00e0 partir pour la France. Il esquisse quelques pas de danse. Sur ces entrefaites, sa petite amie fran\u00e7aise [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9964"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9964\/revisions"}],"predecessor-version":[{"id":9965,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9964\/revisions\/9965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9915"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9962,"date":"2025-02-17T15:05:18","date_gmt":"2025-02-17T15:05:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9962"},"modified":"2025-02-17T15:05:21","modified_gmt":"2025-02-17T15:05:21","slug":"camp-de-thiaroye-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/camp-de-thiaroye-2\/","title":{"rendered":"CAMP DE THIAROYE"},"content":{"rendered":"\n<p>Ousmane Semb\u00e8ne, Senegal, 1988<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Senegal, 1944. As the war comes to an end in Europe, a battalion of tirailleurs s\u00e9n\u00e9galais arrives at the Thiaroye transit camp. As they await their demobilization, they learn that their compensation will be cut in half. A general, attempting to impose his authority, is forcefully restrained. In retaliation, the camp is attacked in the middle of the night, and twenty-five tirailleurs are killed.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY<\/p>\n\n\n\n<p>Ousmane Semb\u00e8ne was a Senegalese writer, screenwriter, and filmmaker. In 1961, he studied cinema at the VGIK film school in Moscow. He directed several influential films, including:<br>\u2022 Borom Sarret (1962) \u2013 his first short film,<br>\u2022 Niaye (1964),<br>\u2022 La Noire de\u2026 (1966) \u2013 his first feature film,<br>\u2022 Mandabi (The Money Order) (1968),<br>\u2022 Emita\u00ef (God of Thunder) (1971),<br>\u2022 Xala (1974),<br>\u2022 Ceddo (1977).<\/p>\n\n\n\n<p>Semb\u00e8ne is widely regarded as the father of African cinema, using film as a tool for political and social&nbsp;critique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ousmane Semb\u00e8ne, Senegal, 1988 SYNOPSIS Senegal, 1944. As the war comes to an end in Europe, a battalion of tirailleurs s\u00e9n\u00e9galais arrives at the Thiaroye transit camp. As they await their demobilization, they learn that their compensation will be cut in half. A general, attempting to impose his authority, is forcefully restrained. In retaliation, the [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9962"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9962\/revisions"}],"predecessor-version":[{"id":9963,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9962\/revisions\/9963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9914"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9960,"date":"2025-02-17T15:03:31","date_gmt":"2025-02-17T15:03:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9960"},"modified":"2025-02-17T15:03:35","modified_gmt":"2025-02-17T15:03:35","slug":"camp-de-thiaroye","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/camp-de-thiaroye\/","title":{"rendered":"CAMP DE THIAROYE"},"content":{"rendered":"\n<p>Ousmane SEMBENE, S\u00e9n\u00e9gal, 1988<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>S\u00e9n\u00e9gal, 1944. Alors que la guerre se termine en Europe, un bataillon de tirailleurs arrive au camp de transit de Thiaroye. Rassembl\u00e9s avant leur d\u00e9mobilisation, ils apprennent que le montant de leurs indemnit\u00e9s sera divis\u00e9 par deux. Un g\u00e9n\u00e9ral, qui voulait leur imposer des d\u00e9cisions, est maintenu de force. En repr\u00e9sailles, le camp est attaqu\u00e9 en pleine nuit et vingt-cinq tirailleurs sont tu\u00e9s.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Ousmane Semb\u00e8ne est un \u00e9crivain sc\u00e9nariste et r\u00e9alisateur s\u00e9n\u00e9galais. En 1961, il entre dans une \u00e9cole de cin\u00e9ma \u00e0 Moscou, la VGIK15. Il a r\u00e9alis\u00e9 plusieurs films parmi lesquels, <em>Borom Sarret<\/em> (1962) qui est son premier court m\u00e9trage suivi de <em>Niaye<\/em> (1964). &nbsp;Il sort son premier long-m\u00e9trage, <em>La Noire de&#8230;<\/em> (1966), puis Ceddo (1977), <em>Le Mandat<\/em> (1968), <em>Emita\u00ef<\/em>&nbsp;\/Dieu du tonnerre (1971), et <em>Xala<\/em> (1974).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ousmane SEMBENE, S\u00e9n\u00e9gal, 1988 SYNOPSIS S\u00e9n\u00e9gal, 1944. Alors que la guerre se termine en Europe, un bataillon de tirailleurs arrive au camp de transit de Thiaroye. Rassembl\u00e9s avant leur d\u00e9mobilisation, ils apprennent que le montant de leurs indemnit\u00e9s sera divis\u00e9 par deux. Un g\u00e9n\u00e9ral, qui voulait leur imposer des d\u00e9cisions, est maintenu de force. En [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9960"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9960\/revisions"}],"predecessor-version":[{"id":9961,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9960\/revisions\/9961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9914"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9958,"date":"2025-02-17T15:01:11","date_gmt":"2025-02-17T15:01:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9958"},"modified":"2025-02-17T15:01:15","modified_gmt":"2025-02-17T15:01:15","slug":"bushman-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bushman-2\/","title":{"rendered":"Bushman"},"content":{"rendered":"\n<p>David Schickele, USA-Nigeria, 1971<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>In 1968, Martin Luther King was assassinated, and the Biafra War led to a devastating famine. Gabriel fled Nigeria and now lives in San Francisco, immersed in the African-American community. In the turbulent United States of the Sixties, his life in exile is marked by encounters, escapades, and wanderings, yet he remains haunted by memories of his childhood. Soon, his visa is set to expire.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>David Schickele, a filmmaker from the Bay Area of San Francisco, is best known for Bushman (1971). His documentary Give Me a Riddle (1966), shot in Nigeria, was his first major film. Over his career, he wrote, directed, and edited more than 30 films, ranging from documentaries to scripted and sound-designed productions. His last film, Tuscarora (1992), was theatrically released&nbsp;in&nbsp;the&nbsp;USA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Schickele, USA-Nigeria, 1971 SYNOPSIS In 1968, Martin Luther King was assassinated, and the Biafra War led to a devastating famine. Gabriel fled Nigeria and now lives in San Francisco, immersed in the African-American community. In the turbulent United States of the Sixties, his life in exile is marked by encounters, escapades, and wanderings, yet [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9958"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9958\/revisions"}],"predecessor-version":[{"id":9959,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9958\/revisions\/9959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9913"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9956,"date":"2025-02-17T15:00:09","date_gmt":"2025-02-17T15:00:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9956"},"modified":"2025-02-17T15:00:12","modified_gmt":"2025-02-17T15:00:12","slug":"bushman","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bushman\/","title":{"rendered":"Bushman"},"content":{"rendered":"\n<p><strong>&nbsp;<\/strong>David schiekele, Usa-Nigeria,1971<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>En 1968, Martin Luther King est assassin\u00e9 et la guerre du Biafra entra\u00eene une terrible famine. Gabriel a fui le Nig\u00e9ria et vit \u00e0 San Francisco, au contact de la communaut\u00e9 afro-am\u00e9ricaine. Dans ces \u00c9tats-Unis tr\u00e8s agit\u00e9s des Sixties, sa vie d&rsquo;exil est jalonn\u00e9e de rencontres, d&rsquo;escapades et d&rsquo;errances, mais il reste habit\u00e9 de souvenirs de son enfance. Bient\u00f4t, son visa arrive \u00e0 expiration.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>David Schickele, cin\u00e9aste de la Bay Area de San Francisco, est surtout connu pour Bushman (1971). Son documentaire <em>Give me a riddle<\/em> (1966), tourn\u00e9 au Nig\u00e9ria, est son premier grand film. Il a \u00e9crit, r\u00e9alis\u00e9 et mont\u00e9 plus de 30 films pour des entreprises, allant du documentaire \u00e0 des productions sc\u00e9naris\u00e9es et sonoris\u00e9es. Son dernier film <em>Tuscarora (<\/em>1992<em>)<\/em>, a \u00e9t\u00e9 distribu\u00e9 en salles aux USA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;David schiekele, Usa-Nigeria,1971 SYNOPSIS En 1968, Martin Luther King est assassin\u00e9 et la guerre du Biafra entra\u00eene une terrible famine. Gabriel a fui le Nig\u00e9ria et vit \u00e0 San Francisco, au contact de la communaut\u00e9 afro-am\u00e9ricaine. Dans ces \u00c9tats-Unis tr\u00e8s agit\u00e9s des Sixties, sa vie d&rsquo;exil est jalonn\u00e9e de rencontres, d&rsquo;escapades et d&rsquo;errances, mais il [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9956"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9956\/revisions"}],"predecessor-version":[{"id":9957,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9956\/revisions\/9957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9913"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9954,"date":"2025-02-17T14:57:05","date_gmt":"2025-02-17T14:57:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9954"},"modified":"2025-02-17T14:57:08","modified_gmt":"2025-02-17T14:57:08","slug":"boujemaa-and-the-house-of-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/boujemaa-and-the-house-of-cinema\/","title":{"rendered":"Boujemaa and the House of Cinema"},"content":{"rendered":"\n<p>Mohammed Latr\u00e8che, France &#8211; Algeria, 2019<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>He is a 75-year-old man, half-blind, who takes 3,000 steps every day. Since 2004, he made a decision: he will no longer speak about cinema. Boujem\u00e2a, our living memory. The memory of Algerian cinema, African cinema, Arab cinema\u2014cinema in its entirety. But why has Boujem\u00e2a chosen to remain silent about cinema?<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n<p>Mohammed Latr\u00e8che is an Algerian director, screenwriter, and producer. He has directed several films, including Rumeur (2005), Zinet, Algiers, Happiness (2023), and L\u2019aide au&nbsp;retour&nbsp;(2009).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mohammed Latr\u00e8che, France &#8211; Algeria, 2019 SYNOPSIS He is a 75-year-old man, half-blind, who takes 3,000 steps every day. Since 2004, he made a decision: he will no longer speak about cinema. Boujem\u00e2a, our living memory. The memory of Algerian cinema, African cinema, Arab cinema\u2014cinema in its entirety. But why has Boujem\u00e2a chosen to remain [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9954"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9954\/revisions"}],"predecessor-version":[{"id":9955,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9954\/revisions\/9955"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9912"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9911,"date":"2025-02-17T14:56:01","date_gmt":"2025-02-17T14:56:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9911"},"modified":"2025-02-17T14:56:04","modified_gmt":"2025-02-17T14:56:04","slug":"boujemaa-et-la-maison-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/boujemaa-et-la-maison-cinema\/","title":{"rendered":"Boujemaa et la maison cinema"},"content":{"rendered":"\n<p>Mohammed Latr\u00e8che, France -Algerie, 2019<strong><\/strong><\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>C\u2019est un homme de 75 ans \u00e0 moiti\u00e9 aveugle. Il fait 3000 pas chaque jour. Depuis 2004 il a pris une d\u00e9cision : il ne parlera plus de cin\u00e9ma. Boudjem\u00e2a, notre m\u00e9moire vivante. Celle du cin\u00e9ma alg\u00e9rien, du cin\u00e9ma africain, du cin\u00e9ma arabe, du cin\u00e9ma tout court. Alors pourquoi Boudjem\u00e2a ne parle-t-il plus de cin\u00e9ma ?<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Mohammed Latr\u00e8che est R\u00e9alisateur, Sc\u00e9nariste et producteur alg\u00e9rien. Il est auteur de plusieurs films dont <em>Rumeur<\/em> (2005), Zinet, Algiers, Happiness (2023) et L&rsquo;aide au retour (2009).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mohammed Latr\u00e8che, France -Algerie, 2019 SYNOPSIS C\u2019est un homme de 75 ans \u00e0 moiti\u00e9 aveugle. Il fait 3000 pas chaque jour. Depuis 2004 il a pris une d\u00e9cision : il ne parlera plus de cin\u00e9ma. Boudjem\u00e2a, notre m\u00e9moire vivante. Celle du cin\u00e9ma alg\u00e9rien, du cin\u00e9ma africain, du cin\u00e9ma arabe, du cin\u00e9ma tout court. Alors pourquoi [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9911"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9911\/revisions"}],"predecessor-version":[{"id":9953,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9911\/revisions\/9953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9912"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9909,"date":"2025-02-17T14:52:16","date_gmt":"2025-02-17T14:52:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9909"},"modified":"2025-02-17T14:52:18","modified_gmt":"2025-02-17T14:52:18","slug":"africa-on-the-seine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/africa-on-the-seine\/","title":{"rendered":"Africa on the Seine"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Mamadou SARR, Senegal, 1955<\/p>\n\n\n\n<p>SYNOPSIS:<\/p>\n\n\n\n<p>Is Africa truly in Africa, or does it exist on the banks of the Seine? This film presents the bittersweet reflections of a generation of artists and students exiled in Paris, searching for their civilization, culture, and future. Considered the first film made by African filmmakers, it was created under the patronage of the Ethnographic Film Committee of the Mus\u00e9e de l\u2019Homme.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY:<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) was a Senegalese filmmaker of Beninese origin. He was also a writer and historian of African cinema. Recognized as the first filmmaker from sub-Saharan Africa, he directed several films, including Africa in Moscow (1957), A Nation is Born (1961), Iba N\u2019diaye, Painter (1982), LAMB (1963), and Behind the Scenes (1981).<\/p>\n\n\n\n<p>Mamadou Sarr, employed at the Senegalese Embassy in Paris, was involved in film clubs before becoming a director for Senegalese&nbsp;television.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Mamadou SARR, Senegal, 1955 SYNOPSIS: Is Africa truly in Africa, or does it exist on the banks of the Seine? This film presents the bittersweet reflections of a generation of artists and students exiled in Paris, searching for their civilization, culture, and future. Considered the first film made by African filmmakers, it [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[460],"tags":[],"class_list":["post-9909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9909"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9909\/revisions"}],"predecessor-version":[{"id":9910,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9909\/revisions\/9910"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9907"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9906,"date":"2025-02-17T14:50:40","date_gmt":"2025-02-17T14:50:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9906"},"modified":"2025-02-17T14:50:43","modified_gmt":"2025-02-17T14:50:43","slug":"afrique-sur-seine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/afrique-sur-seine\/","title":{"rendered":"Afrique sur Seine"},"content":{"rendered":"\n<p>Paulin Soumanou Vieyra, Mamadou SARR, S\u00e9negal, 1955<\/p>\n\n\n\n<p><strong>SYNOPSIS <\/strong><\/p>\n\n\n\n<p>L\u2019Afrique est-elle en Afrique ou sur les bords de la Seine ? Interrogations aigres-douces d\u2019une g\u00e9n\u00e9ration d\u2019artistes et d\u2019\u00e9tudiants exil\u00e9s \u00e0 Paris et \u00e0 la recherche de leur civilisation, de leur culture, de leur avenir. Ce film, consid\u00e9r\u00e9 comme le 1<sup>e<\/sup> premier film de cin\u00e9astes africains, a \u00e9t\u00e9 r\u00e9alis\u00e9 sous le patronage du Comit\u00e9 du film ethnographique du Mus\u00e9e de l\u2019Homme.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n<p>Paulin Soumanou Vieyra (1925-1987) est un cin\u00e9aste s\u00e9n\u00e9galais d\u2019origine b\u00e9ninoise. Il est aussi \u00e9crivain et historien du cin\u00e9ma africain. Consid\u00e8re comme le premier cin\u00e9aste de l&rsquo;Afrique subsaharienne, il a r\u00e9alis\u00e9 plusieurs films dont <em>L&rsquo;Afrique \u00e0 Moscou (1957), Une nation est n\u00e9e<\/em> (1961), Iba N&rsquo;diaye, peintre (1982), <em>LAMB<\/em> (1963) et <em>L&rsquo;envers du d\u00e9cor<\/em> (1981).<\/p>\n\n\n\n<p>Employ\u00e9 \u00e0 l&rsquo;Ambassade du S\u00e9n\u00e9gal \u00e0 Paris, Mamadou Sarr animait des cin\u00e9-clubs puis devint r\u00e9alisateur \u00e0 la T\u00e9l\u00e9vision s\u00e9n\u00e9galaise.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulin Soumanou Vieyra, Mamadou SARR, S\u00e9negal, 1955 SYNOPSIS L\u2019Afrique est-elle en Afrique ou sur les bords de la Seine ? Interrogations aigres-douces d\u2019une g\u00e9n\u00e9ration d\u2019artistes et d\u2019\u00e9tudiants exil\u00e9s \u00e0 Paris et \u00e0 la recherche de leur civilisation, de leur culture, de leur avenir. Ce film, consid\u00e9r\u00e9 comme le 1e premier film de cin\u00e9astes africains, a [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[458],"tags":[],"class_list":["post-9906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-classics-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9906"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9906\/revisions"}],"predecessor-version":[{"id":9908,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9906\/revisions\/9908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9907"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9822,"date":"2025-02-14T17:01:11","date_gmt":"2025-02-14T17:01:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9822"},"modified":"2025-02-14T17:01:14","modified_gmt":"2025-02-14T17:01:14","slug":"sous-le-voile-de-nos-silence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sous-le-voile-de-nos-silence\/","title":{"rendered":"SOUS LE VOILE DE NOS SILENCE"},"content":{"rendered":"\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Gilbert, procureur g\u00e9n\u00e9ral et pr\u00e9tendu d\u00e9fenseur des droits des femmes, impose une relation incestueuse \u00e0 sa fille Tina. \u00c0 l\u2019aube de la vingtaine, Tina commence \u00e0 montrer des signes de r\u00e9sistance, mais ses efforts sont frein\u00e9s lorsqu\u2019elle pense \u00e0 sa m\u00e8re Sandra qui souffre de \u2018troubles mentaux\u2019. Tout bascule lorsqu\u2019elle d\u00e9couvre les dessins de sa m\u00e8re qui montrent qu\u2019elle n\u2019est en r\u00e9alit\u00e9 pas folle\u2026<\/p>\n\n\n\n<p>Biofilmographie<\/p>\n\n\n\n<p>&nbsp;Eboubi\u00e9 Yasmine D\u00e9lia IDO est Sc\u00e9nariste et R\u00e9alisatrice. Son entr\u00e9e dans l\u2019univers cin\u00e9matographique commence avec l\u2019adaptation d\u2019une de ses nouvelles \u2018Papa arr\u00eate de boire\u2019 en court m\u00e9trage. Forte de plusieurs formations, elle signe sa premi\u00e8re r\u00e9alisation avec Au pied du mur (2023), un court m\u00e9trage qui parcours les festivals et est r\u00e9compens\u00e9 par deux prix. Son go\u00fbt pour l\u2019\u00e9criture la m\u00e8ne \u00e9galement \u00e0 co-signer le sc\u00e9nario du long m\u00e9trage Waongo ainsi que des s\u00e9ries Challenge et La voix du Mali. D\u00e9sireuse de perfectionner son art, D\u00e9lia poursuit son apprentissage et r\u00e9alise son deuxi\u00e8me court m\u00e9trage, Sous le voile de nos silences, qui fera sa premi\u00e8re en comp\u00e9tition officielle au Fespaco 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS Gilbert, procureur g\u00e9n\u00e9ral et pr\u00e9tendu d\u00e9fenseur des droits des femmes, impose une relation incestueuse \u00e0 sa fille Tina. \u00c0 l\u2019aube de la vingtaine, Tina commence \u00e0 montrer des signes de r\u00e9sistance, mais ses efforts sont frein\u00e9s lorsqu\u2019elle pense \u00e0 sa m\u00e8re Sandra qui souffre de \u2018troubles mentaux\u2019. Tout bascule lorsqu\u2019elle d\u00e9couvre les dessins de [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9816,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-9822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9822"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9822\/revisions"}],"predecessor-version":[{"id":9823,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9822\/revisions\/9823"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9816"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9819,"date":"2025-02-14T16:02:51","date_gmt":"2025-02-14T16:02:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9819"},"modified":"2025-02-14T16:02:54","modified_gmt":"2025-02-14T16:02:54","slug":"nsekote-in-spite-of-me","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nsekote-in-spite-of-me\/","title":{"rendered":"N&rsquo;SEKOT\u00ca (in spite of me"},"content":{"rendered":"\n<p><br>Zouzou Aya Marie Rosine<br>Synopsis<br>In a traditional and strict context, A\u00efcha, a determined young Muslim woman, dreams of passing the baccalaureate to change her life. However, her husband, Kouyat\u00e9, influenced by her patriarchal convictions, did everything possible to prevent her from achieving her ambitions. Despite the many twists and turns, she managed to obtain her diploma although she was repudiated by her husband on the last day of the exams.<\/p>\n\n\n\n<p>Biofilmography<br>Zouzou Aya Marie Rosine born on 08\/04\/2005 is a student at the Department of Science and Techniques of Arts and Media (STAM) of the University Institute of Abidjan (IUA) in Licence 3 option Cinema. Passionate about cinema, she has acquired some experience, namely Assistant Photographer at LIFE-TV in 2023 and Assistant Director of Photography on the series \u00ab\u00a0The Heroines of Ramadan\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zouzou Aya Marie RosineSynopsisIn a traditional and strict context, A\u00efcha, a determined young Muslim woman, dreams of passing the baccalaureate to change her life. However, her husband, Kouyat\u00e9, influenced by her patriarchal convictions, did everything possible to prevent her from achieving her ambitions. Despite the many twists and turns, she managed to obtain her diploma [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9819"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9819\/revisions"}],"predecessor-version":[{"id":9820,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9819\/revisions\/9820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9817"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9815,"date":"2025-02-14T16:01:34","date_gmt":"2025-02-14T16:01:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9815"},"modified":"2025-02-14T16:01:37","modified_gmt":"2025-02-14T16:01:37","slug":"nsekote-malgre-moi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nsekote-malgre-moi\/","title":{"rendered":"N\u2019SEKOT\u00ca (Malgr\u00e9 Moi)"},"content":{"rendered":"\n<p>Zouzou Aya Marie Rosine<strong><\/strong><\/p>\n\n\n\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Dans un contexte traditionnel et strict, A\u00efcha, une jeune femme musulmane d\u00e9termin\u00e9e, r\u00eave de r\u00e9ussir le baccalaur\u00e9at pour changer de vie. Cependant, son \u00e9poux, Kouyat\u00e9, influenc\u00e9 par ses convictions patriarcales, met tout en \u0153uvre pour l&#8217;emp\u00eacher d&rsquo;aller jusqu&rsquo;au bout de ses ambitions. Malgr\u00e9 les multiples p\u00e9rip\u00e9ties, elle r\u00e9ussit \u00e0 obtenir son dipl\u00f4me bien qu\u2019elle fut r\u00e9pudi\u00e9e par son mari le dernier jour des \u00e9preuves.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Zouzou Aya Marie Rosine n\u00e9e le 08\/04\/2005 est \u00e9tudiante au D\u00e9partement des Sciences et Techniques des Arts et M\u00e9dias (STAM) de l\u2019Institut Universitaire d\u2019Abidjan (IUA) en Licence 3 option Cin\u00e9ma. Passionn\u00e9e de cin\u00e9ma, elle a acquis quelques exp\u00e9riences \u00e0 savoir Assistante photographe \u00e0 LIFE-TV en 2023 et Assistante chef op\u00e9rateur sur la s\u00e9rie <strong>\u00ab&nbsp;Les h\u00e9ro\u00efnes du ramadan&nbsp;\u00bb.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zouzou Aya Marie Rosine Synopsis Dans un contexte traditionnel et strict, A\u00efcha, une jeune femme musulmane d\u00e9termin\u00e9e, r\u00eave de r\u00e9ussir le baccalaur\u00e9at pour changer de vie. Cependant, son \u00e9poux, Kouyat\u00e9, influenc\u00e9 par ses convictions patriarcales, met tout en \u0153uvre pour l&#8217;emp\u00eacher d&rsquo;aller jusqu&rsquo;au bout de ses ambitions. Malgr\u00e9 les multiples p\u00e9rip\u00e9ties, elle r\u00e9ussit \u00e0 obtenir [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9815"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9815\/revisions"}],"predecessor-version":[{"id":9818,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9815\/revisions\/9818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9817"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9804,"date":"2025-02-14T12:13:19","date_gmt":"2025-02-14T12:13:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9804"},"modified":"2025-02-14T12:13:22","modified_gmt":"2025-02-14T12:13:22","slug":"derriere-le-soleil-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/derriere-le-soleil-2\/","title":{"rendered":"Derri\u00e8re le Soleil"},"content":{"rendered":"\n<p>Dhia Jerbi, Tunisie<br>Synopsis<br>Dhia, 29 years old, left Tunisia after having taken part in the Revolution. Exiled to France, he\u2019s worried about transmitting his stuttering to Elia, his two year old son. Soon, the issue isn\u2019t managing a fluent speech so much as figuring how to talk to Elia about Tunisia.<br>BIOGRAPHY<br>Dhia Jerbi is a Tunisian director and producer. After studying directing at ISAMM Tunis, he specialized in creative documentaries at the Lussas Documentary School in 2018. There, he directed Au Pays des oranges tristes, which was selected at the \u00c9tats G\u00e9n\u00e9raux du Film Documentaire, and which he accompanied to over thirty festivals in Europe and Africa. In 2022, convinced of the need for an equitable partnership between the two shores of the Mediterranean, he founded the production company Muja Films with Manon Lavaud. In 2024, he completed Derri\u00e8re le soleil, his first feature-length documentary (co-produced by GoGoGo Films, la Soci\u00e9t\u00e9 du Sensible &amp; Henia\u00a0Production).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dhia Jerbi, TunisieSynopsisDhia, 29 years old, left Tunisia after having taken part in the Revolution. Exiled to France, he\u2019s worried about transmitting his stuttering to Elia, his two year old son. Soon, the issue isn\u2019t managing a fluent speech so much as figuring how to talk to Elia about Tunisia.BIOGRAPHYDhia Jerbi is a Tunisian director [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":8956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-9804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-128-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9804"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9804\/revisions"}],"predecessor-version":[{"id":9805,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9804\/revisions\/9805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8956"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9802,"date":"2025-02-14T12:10:14","date_gmt":"2025-02-14T12:10:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9802"},"modified":"2025-02-14T12:10:17","modified_gmt":"2025-02-14T12:10:17","slug":"derriere-le-soleil","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/derriere-le-soleil\/","title":{"rendered":"Derri\u00e8re le Soleil"},"content":{"rendered":"\n<p>Dhia Jerbi, Tunisie<\/p>\n\n\n\n<p>Synopsis<\/p>\n\n\n\n<p>Dhia, 29 ans, a quitt\u00e9 la Tunisie apr\u00e8s avoir pris part \u00e0 la R\u00e9volution. Exil\u00e9 en France, il s\u2019inqui\u00e8te de transmettre son b\u00e9gaiement \u00e0 Elia, son fils de deux ans. Bient\u00f4t, la question n\u2019est plus tant de ma\u00eetriser un discours fluide que de savoir comment parler de la Tunisie \u00e0 Elia.<\/p>\n\n\n\n<p>Biographie<\/p>\n\n\n\n<p>Dhia Jerbi est un r\u00e9alisateur et producteur tunisien. Apr\u00e8s des \u00e9tudes de mise en sc\u00e8ne \u00e0 l\u2019ISAMM Tunis, il se sp\u00e9cialise dans le documentaire de cr\u00e9ation \u00e0 l\u2019\u00c9cole documentaire de Lussas en 2018. Il y r\u00e9alise Au Pays des Oranges Tristes, s\u00e9lectionn\u00e9 aux \u00c9tats G\u00e9n\u00e9raux du Film Documentaire, et qu\u2019il accompagne dans plus de trente festivals en Europe et en Afrique.<\/p>\n\n\n\n<p>En 2022, convaincu de la n\u00e9cessit\u00e9 d\u2019un partenariat \u00e9quitable entre les deux rives de la M\u00e9diterran\u00e9e, il fonde avec Manon Lavaud la soci\u00e9t\u00e9 de production Muja Films. En 2024, il ach\u00e8ve Derri\u00e8re le soleil, son premier long-m\u00e9trage documentaire (co-produit par GoGoGo Films, la Soci\u00e9t\u00e9 du Sensible &amp; Henia&nbsp;Production).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dhia Jerbi, Tunisie Synopsis Dhia, 29 ans, a quitt\u00e9 la Tunisie apr\u00e8s avoir pris part \u00e0 la R\u00e9volution. Exil\u00e9 en France, il s\u2019inqui\u00e8te de transmettre son b\u00e9gaiement \u00e0 Elia, son fils de deux ans. Bient\u00f4t, la question n\u2019est plus tant de ma\u00eetriser un discours fluide que de savoir comment parler de la Tunisie \u00e0 Elia. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":8956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-9802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-128-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9802"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9802\/revisions"}],"predecessor-version":[{"id":9803,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9802\/revisions\/9803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8956"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9674,"date":"2025-02-10T14:50:58","date_gmt":"2025-02-10T14:50:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9674"},"modified":"2025-02-10T14:51:01","modified_gmt":"2025-02-10T14:51:01","slug":"heart-brokenpamela-houndje-benin-2023","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/heart-brokenpamela-houndje-benin-2023\/","title":{"rendered":"HEART BROKENPamela HOUNDJE, Benin, 2023"},"content":{"rendered":"\n<p>SYNOPSIS<\/p>\n\n\n\n<p>After celebrating Ramadan with his family, Mohamed (28), a Muslim, decides to return home with his girlfriend Marie (26), a Christian. However, he did not anticipate the unexpected turn the evening would take. Marie confronts him about his family introducing another woman as his future wife. A heated confrontation ensues between Mohamed and Marie.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY<\/p>\n\n\n\n<p>Pamela HOUNDJE is a Beninese screenwriter, director, and film makeup artist. She holds a bachelor\u2019s degree in film and television directing from the Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel (ISMA). In 2021, she directed a short film titled Le Serment rompu, followed by Heart Broken in 2023. Pamela has also worked as a script supervisor and assistant director on&nbsp;several&nbsp;films.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS After celebrating Ramadan with his family, Mohamed (28), a Muslim, decides to return home with his girlfriend Marie (26), a Christian. However, he did not anticipate the unexpected turn the evening would take. Marie confronts him about his family introducing another woman as his future wife. A heated confrontation ensues between Mohamed and Marie. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9674"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9674\/revisions"}],"predecessor-version":[{"id":9675,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9674\/revisions\/9675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9672"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9671,"date":"2025-02-10T14:39:05","date_gmt":"2025-02-10T14:39:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9671"},"modified":"2025-02-10T14:39:08","modified_gmt":"2025-02-10T14:39:08","slug":"coeur-en-panne","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/coeur-en-panne\/","title":{"rendered":"C\u0153ur en panne"},"content":{"rendered":"\n<p>Pamela HOUNDJE, Benin, 2023<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s la f\u00eate de Ramadan chez ses parents, Mohamed (28 ans), musulman, d\u00e9cide de rentrer chez lui avec sa petite amie Marie (26 ans), chr\u00e9tienne. Mais il n&rsquo;a pas pr\u00e9vu la tournure inattendue que va prendre la soir\u00e9e. La jeune femme lui fait le reproche sur le fait que sa famille pr\u00e9sente une autre fille comme sa future femme. Mohamed et Marie vont alors s&rsquo;affronter.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong> Pamela HOUNDJE est sc\u00e9nariste, r\u00e9alisatrice et maquilleuse cin\u00e9ma b\u00e9ninoise. Elle est dipl\u00f4m\u00e9e d\u2019une licence en r\u00e9alisation cin\u00e9ma et t\u00e9l\u00e9vision de l&rsquo;Institut sup\u00e9rieur des m\u00e9tiers de l&rsquo;audiovisuel (ISMA). En 2021, elle r\u00e9alise un court-m\u00e9trage intitul\u00e9 <em>Le Serment rompu<\/em> puis <em>C\u0153ur en panne<\/em> en 2023. Pamela a aussi occup\u00e9 des r\u00f4les de scripte et d\u2019assistante r\u00e9alisatrice sur plusieurs films<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pamela HOUNDJE, Benin, 2023 SYNOPSIS Apr\u00e8s la f\u00eate de Ramadan chez ses parents, Mohamed (28 ans), musulman, d\u00e9cide de rentrer chez lui avec sa petite amie Marie (26 ans), chr\u00e9tienne. Mais il n&rsquo;a pas pr\u00e9vu la tournure inattendue que va prendre la soir\u00e9e. La jeune femme lui fait le reproche sur le fait que sa [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9671"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9671\/revisions"}],"predecessor-version":[{"id":9673,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9671\/revisions\/9673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9672"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9662,"date":"2025-02-10T14:00:02","date_gmt":"2025-02-10T14:00:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9662"},"modified":"2025-02-10T14:00:05","modified_gmt":"2025-02-10T14:00:05","slug":"silence-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/silence-3\/","title":{"rendered":"SILENCE"},"content":{"rendered":"\n<p>ANJARASOA Medalys Jesmar, Madagascar, 2024<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Sipping her juice in a room, Alex, a cheerful young girl, checks her phone. A message appears: her friend suggests going out. She responds enthusiastically, but minutes pass without a reply. Every second feels heavy, and anticipation turns into anxiety. Hours go by as she keeps staring at the screen. Eventually, she sinks into deep depression.<\/p>\n\n\n\n<p>BIOFILMOGRAPHY<\/p>\n\n\n\n<p>A Malagasy director living in Burkina Faso, ANJARASOA Medalys Jesmar worked as an assistant director on La Maison hant\u00e9e (2021) and as an assistant producer on L\u2019\u00c9pine du Sahel (2022), produced by Les Films du Dromadaire by Boubacar DIALLO. She also worked as a script supervisor on two films, SOUK (2021) and La Bataille d\u2019une fillette&nbsp;(2022).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANJARASOA Medalys Jesmar, Madagascar, 2024 SYNOPSIS Sipping her juice in a room, Alex, a cheerful young girl, checks her phone. A message appears: her friend suggests going out. She responds enthusiastically, but minutes pass without a reply. Every second feels heavy, and anticipation turns into anxiety. Hours go by as she keeps staring at the [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9651,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-9662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9662"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9662\/revisions"}],"predecessor-version":[{"id":9663,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9662\/revisions\/9663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9651"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9660,"date":"2025-02-10T13:58:56","date_gmt":"2025-02-10T13:58:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9660"},"modified":"2025-02-10T14:02:09","modified_gmt":"2025-02-10T14:02:09","slug":"silence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/silence\/","title":{"rendered":"SILENCE\u00a0\u00a0\u00a0\u00a0"},"content":{"rendered":"\n<p>ANJARASOA Medalys Jesmar, Madagascar, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>Sirotant son jus dans une chambre, Alex, une jeune fille souriante, consulte son t\u00e9l\u00e9phone. Un message appara\u00eet : son ami lui propose une sortie. Elle r\u00e9pond avec enthousiasme, mais les minutes passent sans r\u00e9ponse. Chaque seconde p\u00e8se, l&rsquo;attente se transforme en anxi\u00e9t\u00e9. Les heures d\u00e9filent, elle scrute l&rsquo;\u00e9cran sans rel\u00e2che. Finalement, elle plonge dans une profonde d\u00e9pression.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong>&nbsp;<\/p>\n\n\n\n<p>R\u00e9alisatrice malgache vivant au Burkina Faso, ANJARASOA Medalys Jesmar a travaill\u00e9 comme assistante r\u00e9alisatrice sur <em>La Maison hant\u00e9e (<\/em>2021) et assistante productrice sur <em>L\u2019Epine du sahel <\/em>(2022), produit par les Films du Dromadaire de Boubacar DIALLO. Elle a \u00e9t\u00e9 script sur deux films, <em>SOUK<\/em> (2021) et <em>La Bataille d\u2019une fillette<\/em> (2022).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANJARASOA Medalys Jesmar, Madagascar, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS Sirotant son jus dans une chambre, Alex, une jeune fille souriante, consulte son t\u00e9l\u00e9phone. Un message appara\u00eet : son ami lui propose une sortie. Elle r\u00e9pond avec enthousiasme, mais les minutes passent sans r\u00e9ponse. Chaque seconde p\u00e8se, l&rsquo;attente se transforme en anxi\u00e9t\u00e9. Les heures d\u00e9filent, elle scrute l&rsquo;\u00e9cran sans rel\u00e2che. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9651,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-9660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9660"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9660\/revisions"}],"predecessor-version":[{"id":9664,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9660\/revisions\/9664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9651"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9647,"date":"2025-02-10T13:25:40","date_gmt":"2025-02-10T13:25:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9647"},"modified":"2025-02-10T13:25:42","modified_gmt":"2025-02-10T13:25:42","slug":"blind-the-sacrifice-le-sacrifice","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/blind-the-sacrifice-le-sacrifice\/","title":{"rendered":"B(L)IND THE SACRIFICE \/ LE SACRIFICE"},"content":{"rendered":"\n<p>Nakhane, South Africa, 2024<\/p>\n\n\n\n<p>SYNOPSIS<br>Une famille de nomades et leurs serviteurs errent sur la terre, guid\u00e9e par leur patriarche, Le P\u00e8re, qui les a convaincus qu\u2019il parle directement \u00e0 Dieu. Mais Le Fils a commenc\u00e9 \u00e0 remettre en question cette affirmation, et cela ne sera pas tol\u00e9r\u00e9 par Le P\u00e8re pendant longtemps.<\/p>\n\n\n\n<p>BIOFILMOGRAPHIE<br>Nakhane est un \u00e9crivain, chanteur, compositeur et acteur sud-africain. Ayant grandi au sein d\u2019une communaut\u00e9 chr\u00e9tienne \u00e0 Port Elizabeth, ils ont d\u00e9m\u00e9nag\u00e9 \u00e0 Johannesburg \u00e0 l\u2019\u00e2ge de 15 ans et ont quitt\u00e9 l\u2019\u00e9glise en 2013, c\u00e9l\u00e9brant publiquement leur identit\u00e9 queer avec leur premier album Brave Confusion. En 2015, leur premier roman, Piggy Boy\u2019s Blues, a \u00e9t\u00e9 publi\u00e9 et a depuis \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour une adaptation cin\u00e9matographique. Ils ont suscit\u00e9 \u00e0 la fois controverse et reconnaissance critique gr\u00e2ce \u00e0 leur r\u00f4le principal dans le film Inxeba (The Wound) de John Trengove, pour lequel ils ont remport\u00e9 quatre prix d\u2019interpr\u00e9tation, dont celui du meilleur acteur au Palm Springs International Film Festival. Par la suite, ils ont enregistr\u00e9 deux autres albums studio et ont effectu\u00e9 des tourn\u00e9es en Europe, aux \u00c9tats-Unis et en Australie. En 2024, ils ont r\u00e9alis\u00e9 un r\u00eave de longue date en \u00e9crivant et en r\u00e9alisant un court-m\u00e9trage, B(l)ind The Sacrifice, qui fera sa premi\u00e8re mondiale au Festival international du film&nbsp;de&nbsp;Locarno.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nakhane, South Africa, 2024 SYNOPSISUne famille de nomades et leurs serviteurs errent sur la terre, guid\u00e9e par leur patriarche, Le P\u00e8re, qui les a convaincus qu\u2019il parle directement \u00e0 Dieu. Mais Le Fils a commenc\u00e9 \u00e0 remettre en question cette affirmation, et cela ne sera pas tol\u00e9r\u00e9 par Le P\u00e8re pendant longtemps. BIOFILMOGRAPHIENakhane est un [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-9647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9647"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9647\/revisions"}],"predecessor-version":[{"id":9648,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9647\/revisions\/9648"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9644"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9645,"date":"2025-02-10T13:24:10","date_gmt":"2025-02-10T13:24:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9645"},"modified":"2025-02-10T13:27:02","modified_gmt":"2025-02-10T13:27:02","slug":"the-sacrifice-le-sacrifice","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-sacrifice-le-sacrifice\/","title":{"rendered":"THE SACRIFICE\/LE SACRIFICE"},"content":{"rendered":"\n<p>Nakhane, Afrique du Sud, 2024<\/p>\n\n\n\n<p><strong>SYNOPSIS<\/strong><strong><\/strong><\/p>\n\n\n\n<p>A family of nomads and their servants wander the land led by their patriarch, The Father, who has convinced them that he speaks to God directly. But The Son has begun to question this claim, and that won\u2019t be tolerated by The Father for long.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n<p>Nakhaneis a South African writer, singer, songwriter and actor. Having grown up among a Christian community in Port Elizabeth, at 15 they moved to Johannesburg, leaving the church in 2013, publicly celebrating their queerness with their debut album <em>Brave Confusion<\/em>. In 2015, Nakhane\u2019s debut novel, <em>Piggy Boy\u2019s Blues, <\/em>was published and has since been optioned for a film adaption. They found both controversy and critical acclaim with their starring role in John Trengove\u2019s 2017 feature film Inxeba (The Wound), for which they won four acting awards, including Best Actor at the Palm Springs International Film Festival. They went on to record 2 more studio albums and have toured Europe, the USA and Australia. In 2024 they fulfilled a long-time dream of writing and directing a short film, <em>B(l)ind The Sacrifice<\/em>, which will have its world premiere at the Locarno International Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nakhane, Afrique du Sud, 2024 SYNOPSIS A family of nomads and their servants wander the land led by their patriarch, The Father, who has convinced them that he speaks to God directly. But The Son has begun to question this claim, and that won\u2019t be tolerated by The Father for long. BIOFILMOGRAPHY Nakhaneis a South [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-9645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9645"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9645\/revisions"}],"predecessor-version":[{"id":9646,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9645\/revisions\/9646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9644"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9603,"date":"2025-02-10T09:41:33","date_gmt":"2025-02-10T09:41:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9603"},"modified":"2025-02-10T09:41:35","modified_gmt":"2025-02-10T09:41:35","slug":"presentation-of-pilumpiku-production","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/presentation-of-pilumpiku-production\/","title":{"rendered":"PRESENTATION OF PILUMPIKU PRODUCTION"},"content":{"rendered":"\n<p>\ud83d\udee0 \u201cA New Vision for a New Africa\u201d<\/p>\n\n\n\n<p>Founded in January 2011, Pilumpiku Production is a SARL-U based in Ouagadougou, Burkina Faso. The company specializes in:<\/p>\n\n\n\n<p>\ud83c\udfac Film &amp; Documentary Production<br>\ud83c\udfa5 Executive Production of Audiovisual Projects<br>\ud83d\udcda Workshops on Screenwriting &amp; Production<\/p>\n\n\n\n<p>Pilumpiku Production was established to support Burkinab\u00e8 and African filmmakers, offering guidance for the development of cinematic and audiovisual projects.<\/p>\n\n\n\n<p>Our Achievements &amp; Collaborations<\/p>\n\n\n\n<p>\ud83d\udcfd Produced several documentaries, documentary series, and fiction films<br>\ud83e\udd1d Partnerships with production companies from C\u00f4te d\u2019Ivoire, Niger, Senegal, Mali, Togo, Cameroon, Gabon, France, and beyond<br>\ud83c\udf0d Works with NGOs, associations, and government&nbsp;institution<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud83d\udee0 \u201cA New Vision for a New Africa\u201d Founded in January 2011, Pilumpiku Production is a SARL-U based in Ouagadougou, Burkina Faso. The company specializes in: \ud83c\udfac Film &amp; Documentary Production\ud83c\udfa5 Executive Production of Audiovisual Projects\ud83d\udcda Workshops on Screenwriting &amp; Production Pilumpiku Production was established to support Burkinab\u00e8 and African filmmakers, offering guidance for the [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[770],"tags":[],"class_list":["post-9603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9603"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9603\/revisions"}],"predecessor-version":[{"id":9604,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9603\/revisions\/9604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9534"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9601,"date":"2025-02-10T09:40:45","date_gmt":"2025-02-10T09:40:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9601"},"modified":"2025-02-10T09:40:47","modified_gmt":"2025-02-10T09:40:47","slug":"presentation-de-pilumpiku-production","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/presentation-de-pilumpiku-production\/","title":{"rendered":"PRESENTATION DE PILUMPIKU PRODUCTION"},"content":{"rendered":"\n<p><em>\u00ab&nbsp;Un nouveau regard, pour une nouvelle Afrique&nbsp;\u00bb<\/em><\/p>\n\n\n\n<p><strong>Pilumpiku Production<\/strong> est une SARL-U bas\u00e9e \u00e0 Ouagadougou, Burkina Faso, depuis janvier 2011. Elle couvre les champs de la production de films documentaires et de fictions, de la production ex\u00e9cutive de projets audiovisuels, ainsi que l&rsquo;organisation de stages de formation \u00e0 l&rsquo;\u00e9criture et \u00e0 la production.<\/p>\n\n\n\n<p>Pilumpiku Production a \u00e9t\u00e9 cr\u00e9\u00e9e pour r\u00e9pondre \u00e0 un besoin d&rsquo;accompagnement des projets cin\u00e9matographiques et audiovisuels des auteurs-r\u00e9alisateurs burkinab\u00e8 et africains. Elle compte \u00e0 son actif plusieurs films documentaires, s\u00e9ries documentaires et fictions, en partenariat avec des structures de production d&rsquo;autres pays (C\u00f4te d&rsquo;Ivoire, Niger, S\u00e9n\u00e9gal, Mali, Togo, Cameroun, Gabon, France&#8230;). Elle travaille \u00e9galement avec des ONG, des associations, et des institutions \u00e9tatiques.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab&nbsp;Un nouveau regard, pour une nouvelle Afrique&nbsp;\u00bb Pilumpiku Production est une SARL-U bas\u00e9e \u00e0 Ouagadougou, Burkina Faso, depuis janvier 2011. Elle couvre les champs de la production de films documentaires et de fictions, de la production ex\u00e9cutive de projets audiovisuels, ainsi que l&rsquo;organisation de stages de formation \u00e0 l&rsquo;\u00e9criture et \u00e0 la production. Pilumpiku Production [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9601"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9601\/revisions"}],"predecessor-version":[{"id":9602,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9601\/revisions\/9602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9534"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9599,"date":"2025-02-10T09:39:36","date_gmt":"2025-02-10T09:39:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9599"},"modified":"2025-02-10T09:39:39","modified_gmt":"2025-02-10T09:39:39","slug":"presentation-of-oloustream","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/presentation-of-oloustream\/","title":{"rendered":"PRESENTATION OF OLOUSTREAM"},"content":{"rendered":"\n<p>Founded in 2019, Oloustream is a pioneering company in multimedia content production and live streaming. Based in Burkina Faso, it has become a key player in the African audiovisual landscape, recognized for its technical expertise, creativity, and commitment to excellence.<\/p>\n\n\n\n<p>For every collaboration, Oloustream develops innovative strategies aimed at Captivating, Communicating, Connecting, and Converting audiences.<\/p>\n\n\n\n<p>\ud83d\ude80 Oloustream: Your Leading Partner for Audiovisual Capture &amp; Broadcasting in Africa!<\/p>\n\n\n\n<p>Our Areas of Expertise<\/p>\n\n\n\n<p>\u2714 Live Streaming on multiple platforms<br>\u2714 Video &amp; Multimedia Production<br>\u2714 Audiovisual Event Management<br>\u2714 Multimedia Training&nbsp;&amp;&nbsp;Coaching<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded in 2019, Oloustream is a pioneering company in multimedia content production and live streaming. Based in Burkina Faso, it has become a key player in the African audiovisual landscape, recognized for its technical expertise, creativity, and commitment to excellence. For every collaboration, Oloustream develops innovative strategies aimed at Captivating, Communicating, Connecting, and Converting audiences. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[770],"tags":[],"class_list":["post-9599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9599"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9599\/revisions"}],"predecessor-version":[{"id":9600,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9599\/revisions\/9600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9533"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9597,"date":"2025-02-10T09:38:36","date_gmt":"2025-02-10T09:38:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9597"},"modified":"2025-02-10T09:38:39","modified_gmt":"2025-02-10T09:38:39","slug":"presentation-de-oloustream","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/presentation-de-oloustream\/","title":{"rendered":"PRESENTATION DE OLOUSTREAM"},"content":{"rendered":"\n<p>Depuis sa cr\u00e9ation en <strong>2019<\/strong> , <strong>Oloustream<\/strong> est une entreprise pionni\u00e8re dans la production de contenus multim\u00e9dias et la diffusion en direct. Bas\u00e9e au <strong>Burkina Faso<\/strong> , elle est devenue un acteur incontournable du paysage audiovisuel africain gr\u00e2ce \u00e0 son expertise technique, sa cr\u00e9ativit\u00e9 et son engagement envers l&rsquo;excellence. Pour chaque projet de collaboration, nous proposons une approche et une strat\u00e9gie innovantes pour Captiver, Communiquer, Connecter et Convertir.<\/p>\n\n\n\n<p>Oloustream:&nbsp; Votre Partenaire de R\u00e9f\u00e9rence pour la Captation et la Diffusion Audiovisuelle en Afrique !<\/p>\n\n\n\n<p>Nos Domaines d&rsquo;Excellence :<\/p>\n\n\n\n<p>\u2714\ufe0f Live Streaming Multiplateforme<br>\u2714\ufe0f Production Vid\u00e9o et Multim\u00e9dias&nbsp;<br>\u2714\ufe0f Gestion \u00c9v\u00e9nementielle Audiovisuelle<br>\u2714\ufe0f Formations et Coachings Multim\u00e9dias<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis sa cr\u00e9ation en 2019 , Oloustream est une entreprise pionni\u00e8re dans la production de contenus multim\u00e9dias et la diffusion en direct. Bas\u00e9e au Burkina Faso , elle est devenue un acteur incontournable du paysage audiovisuel africain gr\u00e2ce \u00e0 son expertise technique, sa cr\u00e9ativit\u00e9 et son engagement envers l&rsquo;excellence. Pour chaque projet de collaboration, nous [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9597"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9597\/revisions"}],"predecessor-version":[{"id":9598,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9597\/revisions\/9598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9533"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9595,"date":"2025-02-10T09:37:06","date_gmt":"2025-02-10T09:37:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9595"},"modified":"2025-02-10T09:37:09","modified_gmt":"2025-02-10T09:37:09","slug":"presentation-of-les-films-du-continent","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/presentation-of-les-films-du-continent\/","title":{"rendered":"PRESENTATION OF \u201cLES FILMS DU CONTINENT\u201d"},"content":{"rendered":"\n<p>Founded in 2017, Les Films du Continent is managed by Madame Chim\u00e8ne Doukp\u00e9 NAHI, a producer and associate. The company has already produced several short films and is currently developing documentary and fiction film projects for both cinema and television.<\/p>\n\n\n\n<p>In addition to its own productions, Les Films du Continent collaborates as a co-producer on various international projects and provides executive production services for films, TV series, and corporate videos.<\/p>\n\n\n\n<p>Les Films du Continent is committed to rejecting stereotypical and reductive representations, focusing on both the significant and the seemingly insignificant, connecting them, putting them into perspective, and offering new ways to witness and interpret reality.<\/p>\n\n\n\n<p>FILMOGRAPHY &amp; CO-PRODUCTIONS<\/p>\n\n\n\n<p>Fiction Films<br>\u2022 FRAYA \u2013 Short film by Cl\u00e9mentine Delbecq (Alta Rocca Films, France)<br>\u2022 XALE \u2013 Feature film by Moussa Absa Sene (Set Bet Set Production, Senegal)<\/p>\n\n\n\n<p>Works in Progress<br>\u2022 LORENZO \u2013 Feature film by Jo\u00ebl Akafou<br>\u2022 GBH\u2019IN (La Voix du C\u0153ur) \u2013 Mini-series (8\u00d745 min) by Chim\u00e8ne Nahi<br>\u2022 PELA (Le Masque) \u2013 TV series by Jo\u00ebl Akafou<br>\u2022 TAMTAM \u2013 Feature film by Myreille N.<\/p>\n\n\n\n<p>Documentaries<br>\u2022 AMCHILINI (Choisis-moi) \u2013 Directed by Allamine (Chad)<br>\u2022 LOIN DE MOI LA COL\u00c8RE (Tchinmouegnan) \u2013 Directed by Jo\u00ebl Akafou (Co-produced by Ladybirds Films &amp; L\u2019\u0152il Vif, France; Pilumpiku Production, Burkina Faso)<\/p>\n\n\n\n<p>Projects in Development<br>\u2022 LONATCHE (L\u2019\u00c9tranger)\u2013 Directed by Jo\u00ebl Akafou (Co-produced by Vrai Vrai Films, France; Sunuy Films, Senegal;\u00a0Tekla,\u00a0Italy)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded in 2017, Les Films du Continent is managed by Madame Chim\u00e8ne Doukp\u00e9 NAHI, a producer and associate. The company has already produced several short films and is currently developing documentary and fiction film projects for both cinema and television. In addition to its own productions, Les Films du Continent collaborates as a co-producer on [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9532,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[770],"tags":[],"class_list":["post-9595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9595"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9595\/revisions"}],"predecessor-version":[{"id":9596,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9595\/revisions\/9596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9532"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9593,"date":"2025-02-10T09:32:45","date_gmt":"2025-02-10T09:32:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9593"},"modified":"2025-02-10T09:32:48","modified_gmt":"2025-02-10T09:32:48","slug":"presentation-de-les-films-du-continent","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/presentation-de-les-films-du-continent\/","title":{"rendered":"\u00a0PRESENTATION DE \u00ab\u00a0LES FILMS DU CONTINENT\u00a0\u00bb"},"content":{"rendered":"\n<p>Cr\u00e9\u00e9e en 2017, La soci\u00e9t\u00e9 les Films du&nbsp; Continent est g\u00e9r\u00e9e par Madame Chim\u00e8ne&nbsp; Doukp\u00e9 NAHI Productrice-Associ\u00e9e. La soci\u00e9t\u00e9 a d\u00e9j\u00e0 produit plusieurs courts- m\u00e9trages et d\u00e9veloppe actuellement des projets de films documentaires et fictions pour le cin\u00e9ma et la t\u00e9l\u00e9vision.&nbsp; Les Films du Continent est \u00e9galement partenaire, en coproduction, de plusieurs films \u00e9trangers et assure la production ex\u00e9cutive de tournages de films, s\u00e9ries et vid\u00e9os corporate.<\/p>\n\n\n\n<p>&nbsp;Refuser les repr\u00e9sentations st\u00e9r\u00e9otyp\u00e9es et r\u00e9ductrices. Apprendre \u00e0 regarder le signifiant et l\u2019insignifiant, relier l\u2019un \u00e0 l\u2019autre, les mettre en perspective, pouvoir t\u00e9moigner diff\u00e9remment et faire r\u00e9sonner les faits autrement. Voici la mission que s\u2019est donn\u00e9e LES FILMS DU CONTINENT<\/p>\n\n\n\n<p>Elle a, entre autres, coproduit <strong>FRAYA <\/strong>Court m\u00e9trage de CLEMENTINE DELBECQ <strong>&nbsp;<\/strong>et <strong>XALE, le <\/strong>long m\u00e9trage de MOUSSA ABSA SENE.<\/p>\n\n\n\n<p><strong>FILMOGRAPHIE &amp; COPRODUCTION<\/strong><\/p>\n\n\n\n<p><strong>FICTIONS<\/strong><\/p>\n\n\n\n<p><strong>FRAYA <\/strong>Court m\u00e9trage de CLEMENTINE DELBECQ <strong>(Alta Rocca Films en France)<\/strong><\/p>\n\n\n\n<p><strong>XALE <\/strong>Long m\u00e9trage de MOUSSA ABSA SENE ( <strong>SET BET SET PRODUCTION au S\u00e9n\u00e9gal<\/strong>)<\/p>\n\n\n\n<p><strong>EN ECRITURES<\/strong><\/p>\n\n\n\n<p><strong>LORENZO <\/strong>Long m\u00e9trage de Joel AKAFOU<\/p>\n\n\n\n<p><strong>GBH\u2019IN <\/strong>( la voix du coeur) Mini-S\u00e9rie de 8 x45 de Chim\u00e8ne NAHI<\/p>\n\n\n\n<p><strong>PELA <\/strong>(le Masque) une serie de Joel AKAFOU<\/p>\n\n\n\n<p><strong>TAMTAM <\/strong>Long m\u00e9trage de Myreille. N.<\/p>\n\n\n\n<p><strong>DOCUMENTAIRE<\/strong><\/p>\n\n\n\n<p><strong>AMCHILINI ( choisis &#8211; moi <\/strong>) R\u00e9alis\u00e9 par Allamine (Tchad)<\/p>\n\n\n\n<p><strong>LOIN DE MOI LA COLERE <\/strong>( <strong>Tchinmouegnan<\/strong>) R\u00e9alis\u00e9 par Joel AKAFOU (<strong>Ladybirds Films <\/strong>en France , <strong>l\u2019oeil vif <\/strong>en France, <strong>Pilumpiku Production au Burkina Faso )<\/strong><\/p>\n\n\n\n<p><strong>EN DEVELOPPEMENT<\/strong><\/p>\n\n\n\n<p><strong>LONATCHE <\/strong>(L\u2019Etranger) R\u00e9alis\u00e9 par JOEL Akafou ( <strong>Vrai vrai films <\/strong>en France, <strong>Sunuy Films <\/strong>S\u00e9n\u00e9gal, Tekla Italie<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9\u00e9e en 2017, La soci\u00e9t\u00e9 les Films du&nbsp; Continent est g\u00e9r\u00e9e par Madame Chim\u00e8ne&nbsp; Doukp\u00e9 NAHI Productrice-Associ\u00e9e. La soci\u00e9t\u00e9 a d\u00e9j\u00e0 produit plusieurs courts- m\u00e9trages et d\u00e9veloppe actuellement des projets de films documentaires et fictions pour le cin\u00e9ma et la t\u00e9l\u00e9vision.&nbsp; Les Films du Continent est \u00e9galement partenaire, en coproduction, de plusieurs films \u00e9trangers et [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9532,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9593"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9593\/revisions"}],"predecessor-version":[{"id":9594,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9593\/revisions\/9594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9532"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9590,"date":"2025-02-10T09:31:26","date_gmt":"2025-02-10T09:31:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9590"},"modified":"2025-02-10T09:31:29","modified_gmt":"2025-02-10T09:31:29","slug":"presentation-of-inspirationnal-group","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/presentation-of-inspirationnal-group\/","title":{"rendered":"PRESENTATION OF INSPIRATIONNAL GROUP"},"content":{"rendered":"\n<p>Founded in 2022, Inspirationnal Group is a Limited Liability Company (SARL) based in Abidjan, C\u00f4te d\u2019Ivoire. It specializes in the following sectors:<br>\u2022 Training, Coaching, Consulting, and Recruitment<br>\u2022 Communication, Advertising, Printing, and Publishing<br>\u2022 Audit and Management Control<br>\u2022 Sales of Office Equipment and Supplies, Cleaning, and Maintenance<br>\u2022 General Trade, Import-Export, and Commercial Representation<br>\u2022 Purchase and Sale of Medical, Paramedical, Food, and Construction Materials<br>\u2022 Development of IT Applications and Websites, Electronic Payment Systems, IT Maintenance, and Networks, Sale of IT Equipment<br>\u2022 Electronic, Fire, IT, and Environmental Security<br>\u2022 Architectural and Technical Studies, Interior Decoration<br>\u2022 Construction, Civil Engineering, Urban Development, Real Estate Management, Project Management (OPC), Hydraulics, Land Development, Purchase and Sale of Land, and Various Rentals<br>\u2022 Rural and Domestic Electrification, High and Low Voltage Installations (HTA, BTA), and Drinking Water&nbsp;Supply&nbsp;(EP)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded in 2022, Inspirationnal Group is a Limited Liability Company (SARL) based in Abidjan, C\u00f4te d\u2019Ivoire. It specializes in the following sectors:\u2022 Training, Coaching, Consulting, and Recruitment\u2022 Communication, Advertising, Printing, and Publishing\u2022 Audit and Management Control\u2022 Sales of Office Equipment and Supplies, Cleaning, and Maintenance\u2022 General Trade, Import-Export, and Commercial Representation\u2022 Purchase and Sale of [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[770],"tags":[],"class_list":["post-9590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9590"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9590\/revisions"}],"predecessor-version":[{"id":9592,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9590\/revisions\/9592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9531"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9588,"date":"2025-02-10T09:29:23","date_gmt":"2025-02-10T09:29:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9588"},"modified":"2025-02-10T09:29:25","modified_gmt":"2025-02-10T09:29:25","slug":"presentation-de-inspirationnal-group","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/presentation-de-inspirationnal-group\/","title":{"rendered":"PRESENTATION DE INSPIRATIONNAL GROUP"},"content":{"rendered":"\n<p>Cr\u00e9e en 2022, Inspirationnal group est une Soci\u00e9t\u00e9 \u00e0 Responsabilit\u00e9 Limit\u00e9e ou SARL bas\u00e9e \u00e0 Abidjan (C\u00f4te-d\u2019Ivoire). 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Il est sp\u00e9cialis\u00e9 dans les domaines suivants&nbsp;: &#8211; Formation, Coaching, Conseil et Recrutement&nbsp;; &#8211; Communication, Publicit\u00e9, Impressions, Edition&nbsp;; &#8211; Audit et Contr\u00f4le de Gestion&nbsp;; &#8211; Vente de mat\u00e9riel et fournitures de bureau, nettoyage et entretien&nbsp;; &#8211; Commerce G\u00e9n\u00e9ral, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9588"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9588\/revisions"}],"predecessor-version":[{"id":9589,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9588\/revisions\/9589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9531"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9586,"date":"2025-02-10T09:27:46","date_gmt":"2025-02-10T09:27:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9586"},"modified":"2025-02-19T17:32:26","modified_gmt":"2025-02-19T17:32:26","slug":"presentation-of-gikas-films","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/presentation-of-gikas-films\/","title":{"rendered":"PRESENTATION OF GIKAS FILMS"},"content":{"rendered":"\n<p>Gikas Films is a film and audiovisual production company based in Kinshasa, the capital of the Democratic Republic of Congo. Since its inception, it has been committed to producing and co-producing a diverse range of works, including fiction films, documentaries, TV series, and animations.<\/p>\n\n\n\n<p>The company positions itself as a creative platform dedicated to showcasing the continent\u2019s rich cultural and narrative heritage, without any form of discrimination based on race, gender, or religion.<\/p>\n\n\n\n<p>In addition to original productions, Gikas Films also provides executive production services for international film shoots and music video&nbsp;productions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gikas Films is a film and audiovisual production company based in Kinshasa, the capital of the Democratic Republic of Congo. Since its inception, it has been committed to producing and co-producing a diverse range of works, including fiction films, documentaries, TV series, and animations. 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Its catalog includes standalone documentaries, short films, and feature films that have been released in theaters and broadcast on screens worldwide.<\/p>\n\n\n\n<p>Aldabra Films plays a key role in creating content from overseas territories, with regular selections at film festivals and television broadcasts. The company also continues its international work, developing co-productions and feature film productions between European partners and countries in the Amazon-Caribbean&nbsp;basin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded by Murielle Thierrin and Alain de la Mata (Wild Bunch), Aldabra Films is a production company established in 2006. Its catalog includes standalone documentaries, short films, and feature films that have been released in theaters and broadcast on screens worldwide. 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Elle occupe une place importante dans la cr\u00e9ation de contenus issus de l\u2019Outre-Mer, avec notamment des s\u00e9lections r\u00e9guli\u00e8res en festivals, des diffusions t\u00e9l\u00e9visuelles. &nbsp;Nous poursuivons \u00e9galement notre travail \u00e0 l\u2019international et d\u00e9veloppons les coproductions et la production de long-m\u00e9trage cin\u00e9ma entre des partenaires Europ\u00e9ens et les pays du bassin Amazonie-Cara\u00efbes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fond\u00e9 par Murielle Thierrin et Alain de la Mata (Wild Bunch), la soci\u00e9t\u00e9 de production, Aldabra Films, fond\u00e9e en 2006, dispose d\u2019un catalogue constitu\u00e9 de documentaires unitaires, court-m\u00e9trages et long-m\u00e9trages de fiction sortis en salle et diffus\u00e9s sur les \u00e9crans du monde entier. Elle occupe une place importante dans la cr\u00e9ation de contenus issus de [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9573"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9573\/revisions"}],"predecessor-version":[{"id":9574,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9573\/revisions\/9574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9528"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9570,"date":"2025-02-10T09:05:06","date_gmt":"2025-02-10T09:05:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9570"},"modified":"2025-02-10T09:06:11","modified_gmt":"2025-02-10T09:06:11","slug":"afrika-toon-ci-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/afrika-toon-ci-2\/","title":{"rendered":"AFRIKA TOON CI"},"content":{"rendered":"\n<p>Founded in 2005, AFRIKA TOON is a 2D\/3D animation, digital marketing, and transmedia production studio. Based in C\u00f4te d\u2019Ivoire, it is the first animation studio in Francophone Africa to produce a feature-length animated film.<\/p>\n\n\n\n<p>Composed of talented illustrators and skilled graphic designers, Afrika Toon is above all a cohesive team that places a strong emphasis on precision and the quality of its creations. To achieve its ambitious goals, the studio makes significant investments in computer equipment.<\/p>\n\n\n\n<p>As part of its continuous training program, internal workshops are regularly organized to keep artists and technicians up to date with the latest software&nbsp;and&nbsp;techniques.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founded in 2005, AFRIKA TOON is a 2D\/3D animation, digital marketing, and transmedia production studio. Based in C\u00f4te d\u2019Ivoire, it is the first animation studio in Francophone Africa to produce a feature-length animated film. Composed of talented illustrators and skilled graphic designers, Afrika Toon is above all a cohesive team that places a strong emphasis [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[770],"tags":[],"class_list":["post-9570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9570"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9570\/revisions"}],"predecessor-version":[{"id":9571,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9570\/revisions\/9571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9526"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9525,"date":"2025-02-10T09:02:07","date_gmt":"2025-02-10T09:02:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9525"},"modified":"2025-02-10T09:11:10","modified_gmt":"2025-02-10T09:11:10","slug":"afrika-toon-ci","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/afrika-toon-ci\/","title":{"rendered":"AFRIKA TOON CI"},"content":{"rendered":"\n<p><strong>&nbsp;<\/strong>Cr\u00e9\u00e9 en 2005, <strong>AFRIKA TOON<\/strong> est un studio de production audiovisuelle en animation 2D\/3D, en marketing digital et transmedia. Bas\u00e9 en C\u00f4te d&rsquo;Ivoire Il est le premier studio d\u2019animation en&nbsp;<strong>Afrique <\/strong>francophone&nbsp;\u00e0 avoir produit un long m\u00e9trage d\u2019animation.<\/p>\n\n\n\n<p>Compos\u00e9e d\u2019illustrateurs talentueux et d\u2019infographistes confirm\u00e9s, Afrika Toon est avant tout une \u00e9quipe homog\u00e8ne qui met un accent particulier sur la rigueur et la qualit\u00e9 de ses cr\u00e9ations. Pour se donner les moyens de ses ambitions, Afrika Toon fait de gros investissements dans le mat\u00e9riel informatique.<\/p>\n\n\n\n<p>Dans le cadre de la formation continue, des ateliers internes de formation sont organis\u00e9s \u00e0 intervalles r\u00e9guliers pour permettre aux artistes et techniciens d\u2019\u00eatre \u00e0 jour car, les logiciels et les techniques.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Cr\u00e9\u00e9 en 2005, AFRIKA TOON est un studio de production audiovisuelle en animation 2D\/3D, en marketing digital et transmedia. Bas\u00e9 en C\u00f4te d&rsquo;Ivoire Il est le premier studio d\u2019animation en&nbsp;Afrique francophone&nbsp;\u00e0 avoir produit un long m\u00e9trage d\u2019animation. Compos\u00e9e d\u2019illustrateurs talentueux et d\u2019infographistes confirm\u00e9s, Afrika Toon est avant tout une \u00e9quipe homog\u00e8ne qui met un accent [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[768],"tags":[],"class_list":["post-9525","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-societe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9525"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9525\/revisions"}],"predecessor-version":[{"id":9568,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9525\/revisions\/9568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9526"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9514,"date":"2025-02-09T12:36:14","date_gmt":"2025-02-09T12:36:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9514"},"modified":"2025-02-09T12:36:17","modified_gmt":"2025-02-09T12:36:17","slug":"tears-of-hope","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tears-of-hope\/","title":{"rendered":"TEARS OF HOPE"},"content":{"rendered":"\n<p>Hilaire TAHA, Chad, 2024<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Gaoutam Philipe, nicknamed \u201cLittle Pigeon,\u201d is an unfaithful husband who abandons his wife Elodie, unaware that she is pregnant. His older brother, Andr\u00e9, is a wealthy and wise man with a son named Dadjio. One day, Dadjio is hospitalized and urgently needs a blood transfusion. Philipe wants to save his nephew, but his blood test reveals that he is&nbsp;HIV-positive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hilaire TAHA, Chad, 2024 SYNOPSIS Gaoutam Philipe, nicknamed \u201cLittle Pigeon,\u201d is an unfaithful husband who abandons his wife Elodie, unaware that she is pregnant. His older brother, Andr\u00e9, is a wealthy and wise man with a son named Dadjio. One day, Dadjio is hospitalized and urgently needs a blood transfusion. Philipe wants to save his [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-13-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9514"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9514\/revisions"}],"predecessor-version":[{"id":9515,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9514\/revisions\/9515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9512,"date":"2025-02-09T12:35:14","date_gmt":"2025-02-09T12:35:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9512"},"modified":"2025-02-09T12:35:17","modified_gmt":"2025-02-09T12:35:17","slug":"les-larmes-de-lespoir","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-larmes-de-lespoir\/","title":{"rendered":"\u00a0LES LARMES DE L\u2019ESPOIR"},"content":{"rendered":"\n<p>&nbsp;Hilaire TAHA ,Tchad, 2024<\/p>\n\n\n\n<p>Synopsis<\/p>\n\n\n\n<p>Gaoutam Philipe surnomm\u00e9 petit pigeon est un \u00e9poux infid\u00e8le qui abandonnera sa femme Elodie, ignorant qu\u2019elle \u00e9tait enceinte. Son fr\u00e8re ain\u00e9 Andr\u00e9 est un homme riche et sage qui a un fils nomm\u00e9 Dadjio. Un jour, ce dernier est hospitalis\u00e9 et a urgemment besoin de transfusion sanguine. Philipe veut sauver son neveu mais ses analyses sanguines montrent qu\u2019il est s\u00e9ropositif.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Hilaire TAHA ,Tchad, 2024 Synopsis Gaoutam Philipe surnomm\u00e9 petit pigeon est un \u00e9poux infid\u00e8le qui abandonnera sa femme Elodie, ignorant qu\u2019elle \u00e9tait enceinte. Son fr\u00e8re ain\u00e9 Andr\u00e9 est un homme riche et sage qui a un fils nomm\u00e9 Dadjio. Un jour, ce dernier est hospitalis\u00e9 et a urgemment besoin de transfusion sanguine. Philipe veut sauver [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9512","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-13-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9512"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9512\/revisions"}],"predecessor-version":[{"id":9513,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9512\/revisions\/9513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9510,"date":"2025-02-09T12:33:37","date_gmt":"2025-02-09T12:33:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9510"},"modified":"2025-02-09T12:33:40","modified_gmt":"2025-02-09T12:33:40","slug":"a-beacon-in-the-desert","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-beacon-in-the-desert\/","title":{"rendered":"A BEACON IN THE DESERT"},"content":{"rendered":"\n<p>Boukary DIALLO, Burkina Faso, 2024<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Due to financial hardship, Rahim is forced to drop out of school in the fifth grade. He travels to Ouagadougou in search of work but unwillingly falls into the hands of terrorists. After escaping from a failed attack, he dedicates himself to raising awareness, making it his mission to fight against&nbsp;radicalization.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boukary DIALLO, Burkina Faso, 2024 SYNOPSIS Due to financial hardship, Rahim is forced to drop out of school in the fifth grade. He travels to Ouagadougou in search of work but unwillingly falls into the hands of terrorists. After escaping from a failed attack, he dedicates himself to raising awareness, making it his mission to [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9510"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9510\/revisions"}],"predecessor-version":[{"id":9511,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9510\/revisions\/9511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9425"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9508,"date":"2025-02-09T12:32:41","date_gmt":"2025-02-09T12:32:41","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9508"},"modified":"2025-02-09T12:32:44","modified_gmt":"2025-02-09T12:32:44","slug":"un-repere-dans-le-desert","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/un-repere-dans-le-desert\/","title":{"rendered":"\u00a0UN REPERE DANS LE DESERT"},"content":{"rendered":"\n<p>Boukary DIALLO, <\/p>\n\n\n\n<p>Synopsis<\/p>\n\n\n\n<p>Burkina Faso, 2024Par manque de moyens, Rahim est contraint d\u2019abandonner l\u2019\u00e9cole en classe de CM2. Il rejoint Ouagadougou \u00e0 la recherche de travail et fini dans les mains des terroristes contre sa volont\u00e9. Il se sauve apr\u00e8s un attentat rat\u00e9 et prend la sensibilisation comme son cheval de bataille.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boukary DIALLO, Synopsis Burkina Faso, 2024Par manque de moyens, Rahim est contraint d\u2019abandonner l\u2019\u00e9cole en classe de CM2. Il rejoint Ouagadougou \u00e0 la recherche de travail et fini dans les mains des terroristes contre sa volont\u00e9. Il se sauve apr\u00e8s un attentat rat\u00e9 et prend la sensibilisation comme son cheval de bataille.<\/p>\n","protected":false},"author":13,"featured_media":9425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9508"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9508\/revisions"}],"predecessor-version":[{"id":9509,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9508\/revisions\/9509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9425"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9506,"date":"2025-02-09T12:30:37","date_gmt":"2025-02-09T12:30:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9506"},"modified":"2025-02-09T12:30:40","modified_gmt":"2025-02-09T12:30:40","slug":"pingda-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/pingda-2\/","title":{"rendered":"PINGDA"},"content":{"rendered":"\n<p>Le Collectif Amazones Production, Burkina Faso, 2025<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Pingda, a final-year student, must provide for her impoverished parents. She applies for public service exams and job offers without success. When she manages to find small jobs, she becomes a victim of sexual harassment. One day, she posts a photo of herself on social media wearing a traditional Faso Danfani outfit. A woman messages her, asking for the same fabric and dress model. Pingda seizes this opportunity and turns it into&nbsp;a&nbsp;business.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Collectif Amazones Production, Burkina Faso, 2025 SYNOPSIS Pingda, a final-year student, must provide for her impoverished parents. She applies for public service exams and job offers without success. When she manages to find small jobs, she becomes a victim of sexual harassment. One day, she posts a photo of herself on social media wearing [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9506"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9506\/revisions"}],"predecessor-version":[{"id":9507,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9506\/revisions\/9507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9423"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9504,"date":"2025-02-09T12:29:03","date_gmt":"2025-02-09T12:29:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9504"},"modified":"2025-02-09T12:29:06","modified_gmt":"2025-02-09T12:29:06","slug":"pingda","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/pingda\/","title":{"rendered":"PINGDA"},"content":{"rendered":"\n<p>Le Collectif Amazones Production, Burkina Faso, 2025<\/p>\n\n\n\n<p>Synopsis<\/p>\n\n\n\n<p>Pingda, une \u00e9tudiante en fin de cycle doit subvenir aux besoins de ces parents d\u00e9munis. Elle postule aux concours publics et aux offres d\u2019emploi sans succ\u00e8s. Lorsqu\u2019elle d\u00e9croche de petits boulots, elle est victime de harc\u00e8lement sexuel. Un jour, elle poste une photo d\u2019elle sur les r\u00e9seaux sociaux en tenue traditionnelle \u00ab Faso-danfani \u00bb. Elle est contact\u00e9e en inbox par une dame pour avoir le m\u00eame pagne et le m\u00eame mod\u00e8le de robe. Pingda transforme cette opportunit\u00e9 en business.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Collectif Amazones Production, Burkina Faso, 2025 Synopsis Pingda, une \u00e9tudiante en fin de cycle doit subvenir aux besoins de ces parents d\u00e9munis. Elle postule aux concours publics et aux offres d\u2019emploi sans succ\u00e8s. Lorsqu\u2019elle d\u00e9croche de petits boulots, elle est victime de harc\u00e8lement sexuel. Un jour, elle poste une photo d\u2019elle sur les r\u00e9seaux [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":9423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9504"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9504\/revisions"}],"predecessor-version":[{"id":9505,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9504\/revisions\/9505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9423"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9502,"date":"2025-02-09T12:26:55","date_gmt":"2025-02-09T12:26:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9502"},"modified":"2025-02-09T12:26:57","modified_gmt":"2025-02-09T12:26:57","slug":"the-student-gang","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-student-gang\/","title":{"rendered":"THE STUDENT GANG"},"content":{"rendered":"\n<p>Serge Armel SAWADOGO, Burkina Faso, 2023<\/p>\n\n\n\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Lickma, Bienvenue, and Victor each live in precarious conditions. Aspiring for a better life, their paths cross through Herman, and their lives are turned upside down by a heist\u2026 The Student Gang is a multi-narrative film about delinquency, loosely inspired by&nbsp;a&nbsp;true&nbsp;story.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Serge Armel SAWADOGO, Burkina Faso, 2023 SYNOPSIS Lickma, Bienvenue, and Victor each live in precarious conditions. Aspiring for a better life, their paths cross through Herman, and their lives are turned upside down by a heist\u2026 The Student Gang is a multi-narrative film about delinquency, loosely inspired by&nbsp;a&nbsp;true&nbsp;story.<\/p>\n","protected":false},"author":13,"featured_media":9422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9502"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9502\/revisions"}],"predecessor-version":[{"id":9503,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9502\/revisions\/9503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9422"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9500,"date":"2025-02-09T12:25:57","date_gmt":"2025-02-09T12:25:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9500"},"modified":"2025-02-09T12:26:00","modified_gmt":"2025-02-09T12:26:00","slug":"le-gang-des-eleves","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-gang-des-eleves\/","title":{"rendered":"LE GANG DES ELEVES"},"content":{"rendered":"\n<p>&nbsp;Serge Armel SAWADOGO, Burkina Faso, 2023<\/p>\n\n\n\n<p><strong><u>SYNOPSIS<\/u><\/strong><\/p>\n\n\n\n<p>Lickma, Bienvenue et Victor vivent chacun dans une certaine pr\u00e9carit\u00e9. Aspirant \u00e0 une vie meilleure, leurs chemins vont se croiser \u00e0 travers Herman et leurs vies chamboul\u00e9es par un braquage\u2026Le gang des \u00e9l\u00e8ves est un film choral sur la d\u00e9linquance, inspir\u00e9 librement d\u2019un fait divers.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Serge Armel SAWADOGO, Burkina Faso, 2023 SYNOPSIS Lickma, Bienvenue et Victor vivent chacun dans une certaine pr\u00e9carit\u00e9. Aspirant \u00e0 une vie meilleure, leurs chemins vont se croiser \u00e0 travers Herman et leurs vies chamboul\u00e9es par un braquage\u2026Le gang des \u00e9l\u00e8ves est un film choral sur la d\u00e9linquance, inspir\u00e9 librement d\u2019un fait divers.&nbsp;<\/p>\n","protected":false},"author":13,"featured_media":9422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9500"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9500\/revisions"}],"predecessor-version":[{"id":9501,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9500\/revisions\/9501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9422"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9498,"date":"2025-02-09T12:24:14","date_gmt":"2025-02-09T12:24:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9498"},"modified":"2025-02-09T12:24:17","modified_gmt":"2025-02-09T12:24:17","slug":"the-thought","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-thought\/","title":{"rendered":"THE THOUGHT"},"content":{"rendered":"\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Africa! My Africa! Once a haven of peace and justice, now a cradle of injustices and inequalities. Young Rabi\u2019s introspection brings him to a crossroads: how can these afflictions be overcome? Confiding in his mother, he finds reassurance in his convictions through her&nbsp;wise&nbsp;counsel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS Africa! My Africa! Once a haven of peace and justice, now a cradle of injustices and inequalities. Young Rabi\u2019s introspection brings him to a crossroads: how can these afflictions be overcome? Confiding in his mother, he finds reassurance in his convictions through her&nbsp;wise&nbsp;counsel.<\/p>\n","protected":false},"author":13,"featured_media":9421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9498"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9498\/revisions"}],"predecessor-version":[{"id":9499,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9498\/revisions\/9499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9421"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]