[{"id":2227,"date":"2021-10-22T16:28:45","date_gmt":"2021-10-22T16:28:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=2227"},"modified":"2021-10-22T16:28:45","modified_gmt":"2021-10-22T16:28:45","slug":"euro-40-million-to-fund-african-and-caribbean-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/euro-40-million-to-fund-african-and-caribbean-cinema\/","title":{"rendered":"Euro 40 million to Fund African and Caribbean Cinema"},"content":{"rendered":"<p><strong>The ACP-EU Culture program is an initiative of the ACP States Group Secretariat funded by the European Union. This program aims at stimulating the cultural sector in order to contribute to the social and economic development of ACP countries. With a budget of euro 40 million for the period from 2018 to 2021, it mainly funds companies promoting cultural and technological innovation with focus on the youth.<\/strong><\/p>\n<p>The ACP-UE Culture program organizes many activities at FESPACO PRO mainly round tables, panels on many aspects relating to funding mechanisms for cinema in Africa or building capacities on entrepreneurship for women directors in ACP countries. For this first conference, the European Union focused on the general funding of culture. Antonio CAMCHO (Team Leader for UE Burkina Good Governance), de Gian Giuseppe Simeone (Team Leader of the ACP-UE Culture Technical Assistance Unit), Palm\u00e9ro Pilar (Head of UE Burkina Cooperation), and Ousmane Boundaon\u00e9 (FILM Director LAB) presented the modalities funding and supporting projects. Film and cultural professional paid great attention to this conference.<\/p>\n<p style=\"text-align: right;\"><strong>LECHAT !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ACP-EU Culture program is an initiative of the ACP States Group Secretariat funded by the European Union. This program aims at stimulating the cultural sector in order to contribute to the social and economic development of ACP countries. With a budget of euro 40 million for the period from 2018 to 2021, it mainly [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2227"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2227\/revisions"}],"predecessor-version":[{"id":2228,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2227\/revisions\/2228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2225"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2224,"date":"2021-10-22T16:27:44","date_gmt":"2021-10-22T16:27:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=2224"},"modified":"2021-10-22T16:27:44","modified_gmt":"2021-10-22T16:27:44","slug":"40-millions-deuro-pour-financer-le-cinema-africain-et-des-caraibes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/40-millions-deuro-pour-financer-le-cinema-africain-et-des-caraibes\/","title":{"rendered":"40 millions d\u2019euro pour financer le cin\u00e9ma africain et des Cara\u00efbes"},"content":{"rendered":"<p><strong>Le Programme ACP-UE Culture est n\u00e9 de la volont\u00e9 du Secr\u00e9tariat du Groupe des Etats ACP et il est financ\u00e9 par l\u2019Union europ\u00e9enne. Ce programme vise \u00e0 stimuler le secteur culturel dans le but de contribuer au d\u00e9veloppement social et \u00e9conomique des pays ACP. Dot\u00e9 d\u2019un budget de 40 millions d\u2019euro pour la p\u00e9riode 2018 \u00e0 2021, il soutient surtout les entreprises dont l\u2019innovation culturelle et technologique avec la participation des jeunes est de mise.<\/strong><\/p>\n<p>Le Programme ACP-UE Culture organise plusieurs activit\u00e9s au FESPACO PRO. Notamment les tables rondes, des panels sur plusieurs aspects relatifs aux m\u00e9canismes de financement du cin\u00e9ma en Afrique ou encore sur le renforcement de l\u2019entreprenariat des femmes r\u00e9alisatrices des pays ACP. Pour cette premi\u00e8re conf\u00e9rence, l\u2019Union Europ\u00e9enne s\u2019est appesantie sur le financement g\u00e9n\u00e9ral de la culture. Antonio CAMACHO (Chef d\u2019\u00e9quipe de la bonne gouvernance UE Burkina), de Gian Giuseppe Simeone (Chef d\u2019\u00e9quipe de l\u2019unit\u00e9 d\u2019assistance technique ACP-UE Culture), Palm\u00e9ro Pilar (Chef de coop\u00e9ration UE Burkina) et Ousmane Boundaon\u00e9 (Administrateur de OUAGA FILM LAB) ont pr\u00e9sent\u00e9 les modes et formes de financement et d\u2019accompagnement des projets. Face \u00e0 eux, les professionnels du cin\u00e9ma et de la culture, ont suivi avec int\u00e9r\u00eat cette conf\u00e9rence.<\/p>\n<p style=\"text-align: right;\"><strong>LECHAT !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Programme ACP-UE Culture est n\u00e9 de la volont\u00e9 du Secr\u00e9tariat du Groupe des Etats ACP et il est financ\u00e9 par l\u2019Union europ\u00e9enne. Ce programme vise \u00e0 stimuler le secteur culturel dans le but de contribuer au d\u00e9veloppement social et \u00e9conomique des pays ACP. Dot\u00e9 d\u2019un budget de 40 millions d\u2019euro pour la p\u00e9riode 2018 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2224"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2224\/revisions"}],"predecessor-version":[{"id":2226,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2224\/revisions\/2226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2225"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2222,"date":"2021-10-22T16:25:03","date_gmt":"2021-10-22T16:25:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=2222"},"modified":"2021-10-22T16:25:03","modified_gmt":"2021-10-22T16:25:03","slug":"fespaco-2021-special-prizes-revealed","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2021-special-prizes-revealed\/","title":{"rendered":"FESPACO 2021 Special Prizes revealed"},"content":{"rendered":"<p><strong>More than CFA 96,000,000 including CFA 43,000,000 in contribution, for winners<\/strong><\/p>\n<p>The official Special Prizes list was presented to media people and movie industry professionals at a meeting on Monday 18 October 2021. Special Prizes Commission President Michel SABA said that these prizes aim to encourage filmmakers and support the promotion of African and Diaspora cinema. Special prizes are awarded according to FESPACO rules of procedures. There are 12 donors this year and prizes are organized into the following four categories: The first category includes Parliaments, sub-regional and international bodies, United Nations specialized agencies, NGOs and local governments. Registration fee for this category is CFA 5,000,000 per donor. The second category welcomes States or diplomatic representations accredited in Burkina Faso, with CFA 4,000,000 for registration fee. The third category is reserved for private structures, State-owned companies and so on, registering for CFA 3,000,000. The fourth category is for associations, mutual organizations, professional or faith-based organizations, paying CFA 2,000,000 as registration fee. Each special prize jury is comprised of five members, and each donor has a jury except UEMOA with three. The special prize awards ceremony is scheduled to take place on 22 October 2021 at 4 pm at Hotel Silmand\u00e9.<\/p>\n<p><strong>Parfait Fabrice SAWADOGO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More than CFA 96,000,000 including CFA 43,000,000 in contribution, for winners The official Special Prizes list was presented to media people and movie industry professionals at a meeting on Monday 18 October 2021. Special Prizes Commission President Michel SABA said that these prizes aim to encourage filmmakers and support the promotion of African and Diaspora [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2222"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2222\/revisions"}],"predecessor-version":[{"id":2223,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2222\/revisions\/2223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2221"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2219,"date":"2021-10-22T16:20:28","date_gmt":"2021-10-22T16:20:28","guid":{"rendered":"https:\/\/fespaco.org\/?p=2219"},"modified":"2021-10-22T16:22:09","modified_gmt":"2021-10-22T16:22:09","slug":"les-differents-prix-speciaux-de-la-27e-edition-devoiles","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-differents-prix-speciaux-de-la-27e-edition-devoiles\/","title":{"rendered":"Les diff\u00e9rents prix sp\u00e9ciaux de la 27e \u00e9dition d\u00e9voil\u00e9s"},"content":{"rendered":"<p><strong>Plus 96 000 000 FCFA de valeur attribu\u00e9e aux laur\u00e9ats dont 43 000 000 FCFA de contribution.<\/strong><\/p>\n<p>La liste officielle des prix sp\u00e9ciaux a \u00e9t\u00e9 pr\u00e9sent\u00e9e aux m\u00e9dias et aux professionnels du cin\u00e9ma le lundi dernier. Plusieurs donateurs des prix sp\u00e9ciaux, cin\u00e9astes ayant un film au programme et hommes de m\u00e9dias, tels sont ceux qui ont pris part \u00e0 la rencontre Michel SABA, le pr\u00e9sident de la commission des prix sp\u00e9ciaux explique que les prix sp\u00e9ciaux visent \u00e0 encourager les cin\u00e9astes et \u00e0 soutenir la promotion du cin\u00e9ma africain et de la diaspora. Ils sont de ce fait d\u00e9cern\u00e9s selon le r\u00e8glement int\u00e9rieur du FESPACO. Cette ann\u00e9e il y a 12 donateurs et les prix sont regroup\u00e9s en quatre cat\u00e9gories. La 1\u00e8re cat\u00e9gorie concerne les parlements, les organisations sous-r\u00e9gionales, les organismes internationaux, les organismes sp\u00e9cialis\u00e9s des Nations-Unies, les ONG et les collectivit\u00e9s territoriales. Les frais d\u2019inscription sont de 5 000 000 FCFA par donateur pour cette cat\u00e9gorie. La 2\u00e8me concerne les \u00c9tats ou les repr\u00e9sentations diplomatiques accr\u00e9dit\u00e9es au Burkina avec pour frais d\u2019inscription : 4 000 000 FCFA. La 3\u00e8me est r\u00e9serv\u00e9e aux structures priv\u00e9es, les soci\u00e9t\u00e9s d&rsquo;\u00e9tats&#8230; pour 3 000\u00a0000 FCFA La 4\u00e8me concerne les associations, les mutuelles, les organisations professionnelles ou confessionnelles pour 2.000.000FCFA Chaque jury de prix sp\u00e9cial est compos\u00e9 de cinq membres et chaque donateur a un jury \u00e0 l\u2019exception de L\u2019UEMOA qui dispose de trois jurys. Le gala de proclamation et de remise des prix sp\u00e9ciaux est pr\u00e9vu pour le 22 octobre 2021 \u00e0 16h \u00e0 l\u2019H\u00f4tel Silmand\u00e9.<\/p>\n<p style=\"text-align: right;\"><strong>Parfait Fabrice <\/strong><strong>SAWADOGO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plus 96 000 000 FCFA de valeur attribu\u00e9e aux laur\u00e9ats dont 43 000 000 FCFA de contribution. La liste officielle des prix sp\u00e9ciaux a \u00e9t\u00e9 pr\u00e9sent\u00e9e aux m\u00e9dias et aux professionnels du cin\u00e9ma le lundi dernier. Plusieurs donateurs des prix sp\u00e9ciaux, cin\u00e9astes ayant un film au programme et hommes de m\u00e9dias, tels sont ceux qui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2219"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2219\/revisions"}],"predecessor-version":[{"id":2220,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2219\/revisions\/2220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2221"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2216,"date":"2021-10-22T16:18:05","date_gmt":"2021-10-22T16:18:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=2216"},"modified":"2021-10-22T16:18:05","modified_gmt":"2021-10-22T16:18:05","slug":"3d-taught-to-kids-at-fespaco-sukabe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/3d-taught-to-kids-at-fespaco-sukabe\/","title":{"rendered":"3D taught to kids at FESPACO SUKABE"},"content":{"rendered":"<p><strong>The biennale of African cinema is also dedicated to kids. Besides the usual activities, kids are also involved for them to be part of the celebrations and to awaken their interest for cinema.<\/strong><\/p>\n<p>At the International Centre called \u00ab\u00a0La Termiti\u00e8re\u00a0\u00bb youth aged 5-30 are familiarize themselves with virtual reality techniques, filmmaking and the basics of artistic make-up. In this context, Adama OUEDRAOGO, filmmaker and creator of \u201cClap en Herbe\u201d trains students in schools to ensure the future of Burkinab\u00e8 Cinema. The future generation should be initiated to virtual reality, the use of digital tool for 3D filmmaking like in developed countries. Charles YARO, one of the predecessors of this innovative technique, was with the kids. At CDC La Termiti\u00e8re, UNICEF provides support to FESPACO with film screenings on COVID 19 preventive measures. Participants positively welcome this event of the biennale of African cinema.<\/p>\n<p style=\"text-align: right;\"><strong>Delphine BANISSI<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The biennale of African cinema is also dedicated to kids. Besides the usual activities, kids are also involved for them to be part of the celebrations and to awaken their interest for cinema. At the International Centre called \u00ab\u00a0La Termiti\u00e8re\u00a0\u00bb youth aged 5-30 are familiarize themselves with virtual reality techniques, filmmaking and the basics of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2216"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2216\/revisions"}],"predecessor-version":[{"id":2218,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2216\/revisions\/2218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2213,"date":"2021-10-22T16:16:13","date_gmt":"2021-10-22T16:16:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=2213"},"modified":"2021-10-22T16:16:13","modified_gmt":"2021-10-22T16:16:13","slug":"la-3d-enseignee-aux-enfants-a-fespaco-sukabe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-3d-enseignee-aux-enfants-a-fespaco-sukabe\/","title":{"rendered":"La 3D enseign\u00e9e aux Enfants \u00e0 FESPACO SUKABE"},"content":{"rendered":"<p><strong>La biennale du cin\u00e9ma africain c\u2019est aussi les espaces jeunes. Outre les activit\u00e9s habituelles, les jeunes sont pris en compte dans le but de non seulement leurs permettre de s\u2019int\u00e9grer dans la f\u00eate mais surtout de susciter en ces derniers un engouement pour le m\u00e9tier du 7\u00e8me art.<\/strong><\/p>\n<p>Au centre international \u00ab la Termiti\u00e8re \u00bb des jeunes dont l\u2019\u00e2ge est compris entre 05 et 30 ans se familiarisent avec les techniques de la r\u00e9alit\u00e9 virtuelle, \u00e0 la r\u00e9alisation des films et aux B.A.BA du maquillage artistique. Adama Ou\u00e9draogo r\u00e9alisateur et concepteur de \u00ab Clap en Herbe \u00bb dans ce cadre, forme des \u00e9l\u00e8ves dans les \u00e9tablissements scolaires de la place afin d\u2019assurer la rel\u00e8ve du cin\u00e9ma burkinab\u00e8. Cette rel\u00e8ve doit \u00eatre initier \u00e0 la r\u00e9alit\u00e9 virtuelle, \u00e0 l\u2019utilisation de l\u2019outil num\u00e9rique pour la production des films 3D \u00e0 l\u2019instar des pays d\u00e9velopp\u00e9s. Un des doyens de cette technique innovante Charles YARO est \u00e9galement aux c\u00f4t\u00e9s des enfants. Au CDC la Termiti\u00e8re l\u2019UNICEF accompagne le FESPACO avec des projections de films sur la sensibilisation aux mesures barri\u00e8res du COVID-19. Les participants appr\u00e9cient positivement ce geste de la biennale du Cin\u00e9ma africain.<\/p>\n<p style=\"text-align: right;\"><strong>Delphine BANISSI<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La biennale du cin\u00e9ma africain c\u2019est aussi les espaces jeunes. Outre les activit\u00e9s habituelles, les jeunes sont pris en compte dans le but de non seulement leurs permettre de s\u2019int\u00e9grer dans la f\u00eate mais surtout de susciter en ces derniers un engouement pour le m\u00e9tier du 7\u00e8me art. Au centre international \u00ab la Termiti\u00e8re \u00bb [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2213"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2213\/revisions"}],"predecessor-version":[{"id":2215,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2213\/revisions\/2215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2211,"date":"2021-10-22T16:12:23","date_gmt":"2021-10-22T16:12:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=2211"},"modified":"2021-10-22T16:12:23","modified_gmt":"2021-10-22T16:12:23","slug":"senegal-export-its-film-policy","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/senegal-export-its-film-policy\/","title":{"rendered":"SENEGAL export its film policy"},"content":{"rendered":"<p>The success of Senegalese movies lies in the human resource potential and government support through the Movie Industry Promotion Fund (FOPACI). This is what transpired from the press conference hosted by the country guest of honor of the 27th FESPACO edition. The Chief of Staff of the Minister for Culture and Communication of Senegal, Demba Faye added that \u00ab\u00a0the success of Senegalese movies is linked to its resources and that Sembene Ousmane is one of the great figures who have worked for the development of African cinema. Filmmaking in Senegal began in 1955 with the short film called \u00ab\u00a0Afrique sur Seine\u00a0\u00bb by Paulin Soumanou Vieyra. Later on in 1966, Sembene Ousmane followed his master directing the fictional feature film called \u00ab\u00a0La Noire de&#8230;\u00a0\u00bb, wining \u00ab\u00a0Jena Vigo Prize\u00a0\u00bb. With time, other movie directors emerged like Djibril Diop, Mambety, Safi Faye, Moussa Sene Absa, Moussa Toure, Dyana Gaye, Mansour Sora Wade, Cheick Tidiane Aw, Mahama Traore, Mati Diop and others.<\/p>\n<p><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The success of Senegalese movies lies in the human resource potential and government support through the Movie Industry Promotion Fund (FOPACI). This is what transpired from the press conference hosted by the country guest of honor of the 27th FESPACO edition. The Chief of Staff of the Minister for Culture and Communication of Senegal, Demba [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2211"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2211\/revisions"}],"predecessor-version":[{"id":2212,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2211\/revisions\/2212"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2209"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2208,"date":"2021-10-22T16:10:51","date_gmt":"2021-10-22T16:10:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=2208"},"modified":"2021-10-22T16:10:51","modified_gmt":"2021-10-22T16:10:51","slug":"le-senegal-exporte-sa-politique-cinematographique","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-senegal-exporte-sa-politique-cinematographique\/","title":{"rendered":"Le S\u00e9n\u00e9gal exporte sa politique cin\u00e9matographique"},"content":{"rendered":"<p>La r\u00e9ussite cin\u00e9matographique du S\u00e9n\u00e9gal r\u00e9side dans les ressources humaines et l\u2019accompagnement de l\u2019Etat \u00e0 travers le Fonds de promotion de l\u2019industrie cin\u00e9matographique et audiovisuelle (FOPACI). C\u2019est en substance ce qui ressort de la conf\u00e9rence publique anim\u00e9e par le pays invit\u00e9 d\u2019honneur de la 27\u00e8 \u00e9dition du FESPACO. Le directeur de cabinet du minist\u00e8re en charge de la Culture et de la Communication du S\u00e9n\u00e9gal, Demba Faye rench\u00e9rit que \u00ab Le succ\u00e8s du cin\u00e9ma s\u00e9n\u00e9galais est fonction de ses ressources et que Sembene Ousmane fait partie des grands hommes qui ont oeuvr\u00e9 pour l\u2019essor du cin\u00e9ma s\u00e9n\u00e9galais et africain. Le d\u00e9but du cin\u00e9ma s\u00e9n\u00e9galais remonte en 1955 avec le court m\u00e9trage \u00ab Afrique-sur-seine \u00bb de Paulin Soumanou Vieyra. Plus tard, en 1966 Sembene Ousmnane emboita les pas de son ma\u00eetre avec la r\u00e9alisation du premier long m\u00e9trage de fiction intitul\u00e9, \u00ab La Noire de\u2026 \u00bb qui recevra le \u00ab Prix Jena Vigo \u00bb. Au fil du temps, d\u2019autres r\u00e9alisateurs verront le jour tel que Djibril Diop, Mambety, Safi Faye, Moussa S\u00e8ne Absa, Moussa Tour\u00e9, Dyana Gaye, Mansour Sora Wade,Cheick Tidiane Aw, Mahama Traor\u00e9 Mati Diop et les autres\u2026.<\/p>\n<p style=\"text-align: right;\"><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La r\u00e9ussite cin\u00e9matographique du S\u00e9n\u00e9gal r\u00e9side dans les ressources humaines et l\u2019accompagnement de l\u2019Etat \u00e0 travers le Fonds de promotion de l\u2019industrie cin\u00e9matographique et audiovisuelle (FOPACI). C\u2019est en substance ce qui ressort de la conf\u00e9rence publique anim\u00e9e par le pays invit\u00e9 d\u2019honneur de la 27\u00e8 \u00e9dition du FESPACO. Le directeur de cabinet du minist\u00e8re en [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2208"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2208\/revisions"}],"predecessor-version":[{"id":2210,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2208\/revisions\/2210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2209"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2205,"date":"2021-10-22T16:08:40","date_gmt":"2021-10-22T16:08:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=2205"},"modified":"2021-10-22T16:09:08","modified_gmt":"2021-10-22T16:09:08","slug":"shopping-arcades-the-other-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/shopping-arcades-the-other-fespaco\/","title":{"rendered":"Shopping arcades, the other FESPACO"},"content":{"rendered":"<p><strong>Between screening sessions, panels and musical entertainments, shopping arcades also attract a lot of people, but not that many.<\/strong><\/p>\n<p>Like in previous editions, FESPACO 2021 is also attended by exhibitors and restaurant owners. On the different shelves, one can find some traditional loincloth, jewellery, decorative objects, shoes and many other items. However, exhibitors are complaining about the lack of enthusiasm from people and buyers. Franck BOUDA and his friend, from Senegal, find it difficult selling out their leather products. \u00ab\u00a0We are not selling, since this morning we did not sell anything, but we\u2019re hopeful things will get better\u00a0\u00bb. This hope is also shared by Noufou Traore who came from Banfora with local fabrics and other products. \u201cCustomers come in, have a look, ask for prices but don\u2019t buy anything\u201d, he said. On the other hand, restaurant and pub owners are good for business, especially in the evening. Between grills, fried food and drinks, everything runs smoothly and they are busy satisfying their customers. Some exhibitors at the Headquarters deplore the fact that a badge is required for accessing the site. Overall, since the opening of this year\u2019s edition of the African Cinema Biennale, the relocated shopping arcade is not very well-attended as usual.<\/p>\n<p style=\"text-align: right;\"><strong>Delphine BANISSI<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Between screening sessions, panels and musical entertainments, shopping arcades also attract a lot of people, but not that many. Like in previous editions, FESPACO 2021 is also attended by exhibitors and restaurant owners. On the different shelves, one can find some traditional loincloth, jewellery, decorative objects, shoes and many other items. However, exhibitors are complaining [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2205"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2205\/revisions"}],"predecessor-version":[{"id":2207,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2205\/revisions\/2207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2203"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2202,"date":"2021-10-22T16:07:17","date_gmt":"2021-10-22T16:07:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=2202"},"modified":"2021-10-22T16:07:17","modified_gmt":"2021-10-22T16:07:17","slug":"les-rues-marchandes-lautre-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-rues-marchandes-lautre-fespaco\/","title":{"rendered":"Les rues marchandes, l\u2019autre FESPACO !"},"content":{"rendered":"<p><strong>Entre projection de films, panels et soir\u00e9es d&rsquo;animation musicale, les rues marchandes attirent \u00e9galement du monde. Cependant l&rsquo;affluence laisse \u00e0 d\u00e9sirer.<\/strong><\/p>\n<p>Les exposants et les restaurateurs sont au rendez-vous du FESPACO 2021 comme \u00e0 l\u2019accoutum\u00e9, pagnes traditionnels, bijoux, objets d\u00e9coratifs, chaussures et biens d&rsquo;autres articles ornent les \u00e9talages. Cependant les exposants d\u00e9plorent le manque d&rsquo;engouement de la population et des acheteurs. Franck BOUDA et son ami qui sont venus du S\u00e9n\u00e9gal ont du mal \u00e0 \u00e9couler leurs articles en cuire. \u00ab\u00a0le march\u00e9 est mou, depuis le matin nous n&rsquo;avons rien vendu, n\u00e9anmoins nous gardons espoir pour la suite\u00a0\u00bb; espoir partag\u00e9 par Noufou Traore venu de Banfora avec des tissus et produits locaux. Les clients arrivent, regardent demandent les prix mais n&rsquo;ach\u00e8tent rien, dit-il. Les restaurateurs et tenanciers de maquis se frottent les mains. Surtout en soir\u00e9e, entre grillades, fritures et boissons ; tout roule et ils s&rsquo;activent \u00e0 satisfaire leurs diff\u00e9rents clients. Certains exposants install\u00e9s au si\u00e8ge d\u00e9plorent l\u2019exigence du badge pour avoir acc\u00e8s au site du si\u00e8ge, De fa\u00e7on g\u00e9n\u00e9rale depuis l&rsquo;ouverture de cette biennale du cin\u00e9ma africain la rue marchande d\u00e9localis\u00e9e n&rsquo;affiche pas son influence d&rsquo;antan.<\/p>\n<p style=\"text-align: right;\"><strong>Delphine BANISSI<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Entre projection de films, panels et soir\u00e9es d&rsquo;animation musicale, les rues marchandes attirent \u00e9galement du monde. Cependant l&rsquo;affluence laisse \u00e0 d\u00e9sirer. Les exposants et les restaurateurs sont au rendez-vous du FESPACO 2021 comme \u00e0 l\u2019accoutum\u00e9, pagnes traditionnels, bijoux, objets d\u00e9coratifs, chaussures et biens d&rsquo;autres articles ornent les \u00e9talages. Cependant les exposants d\u00e9plorent le manque d&rsquo;engouement [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/psd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2202"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2202\/revisions"}],"predecessor-version":[{"id":2204,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2202\/revisions\/2204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2203"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2192,"date":"2021-10-20T18:40:36","date_gmt":"2021-10-20T18:40:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=2192"},"modified":"2021-10-20T18:40:36","modified_gmt":"2021-10-20T18:40:36","slug":"tribute-night-to-deceased-filmmakers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tribute-night-to-deceased-filmmakers\/","title":{"rendered":"Tribute night to deceased filmmakers"},"content":{"rendered":"<p><strong>A tribute night to honour deceased filmmakers.<\/strong><\/p>\n<p>After the official opening of the 27th edition of the Pan-African Film and Television Festival of Ouagadougou, and the screening of the inaugural film, filmmakers met at Cin\u00e9 Burkina to pay tribute to late filmmakers since the last edition of FESPACO in 2019. \u00ab\u00a0This is a tribute night organized at each FESPACO edition to remember a beautiful trajectory of African cinema, magnify those who have departed, and who committed themselves to the development of African cinema. They are some of the pioneers of the FESPACO, the film library, institutions, the visions of African cinema\u00a0\u00bb, Aboubacar SANOGO, cinema lecturer a teacher of cinema and presenter of the ceremony, said.The highlights of this event were the various testimonies of collaborators of the deceased filmmakers, and a screening of documentary film \u00ab\u00a0Cam\u00e9ra d\u2019Afrique\u00a0\u00bb by Tunisian F\u00e9rid BOUGHEDIR. Made in 1983, the film gives voice to the pioneers who have worked for an African auteur cinema to emerge.<\/p>\n<p style=\"text-align: right;\"><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A tribute night to honour deceased filmmakers. After the official opening of the 27th edition of the Pan-African Film and Television Festival of Ouagadougou, and the screening of the inaugural film, filmmakers met at Cin\u00e9 Burkina to pay tribute to late filmmakers since the last edition of FESPACO in 2019. \u00ab\u00a0This is a tribute night [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2192"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2192\/revisions"}],"predecessor-version":[{"id":2193,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2192\/revisions\/2193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2190"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2189,"date":"2021-10-20T18:39:32","date_gmt":"2021-10-20T18:39:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=2189"},"modified":"2021-10-20T18:39:32","modified_gmt":"2021-10-20T18:39:32","slug":"veillee-dhommage-aux-cineastes-disparus","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/veillee-dhommage-aux-cineastes-disparus\/","title":{"rendered":"Veill\u00e9e d\u2019hommage aux cin\u00e9astes disparus"},"content":{"rendered":"<p><strong>Les cin\u00e9astes disparus ont \u00e9t\u00e9 honor\u00e9s lors d\u2019une veill\u00e9e organis\u00e9e en leur honneur.<\/strong><\/p>\n<p><strong>A<\/strong>pr\u00e8s l\u2019ouverture officielle de la 27<sup>e<\/sup> \u00e9dition du FESPACO et la projection du film inaugural, les cin\u00e9astes ont pris rendez-vous au Cin\u00e9 Burkina pour rendre hommage aux cin\u00e9astes disparus depuis la 26e \u00e9dition du FESPACO en 2019. \u00ab Il s\u2019agit d\u2019une veill\u00e9e d\u2019hommage organis\u00e9e \u00e0 chaque FESPACO et qui vise \u00e0 rem\u00e9morer une belle trajectoire du cin\u00e9ma africain, \u00e0 magnifier ceux-l\u00e0 qui nous ont devanc\u00e9 et qui ont \u0153uvr\u00e9 pour l\u2019\u00e9volution du cin\u00e9ma africain. Ce sont aussi ces derniers qui ont cr\u00e9\u00e9 le FESPACO, la cin\u00e9math\u00e8que, les institutions, les visions du cin\u00e9ma africain \u00bb a expliqu\u00e9 Aboubacar SANOGO, Professeur de cin\u00e9ma et charg\u00e9 d\u2019animer la veill\u00e9e. Les points d\u2019honneur de cette veill\u00e9e ont \u00e9t\u00e9 les diff\u00e9rents t\u00e9moignages des collaborateurs des disparus et une projection du film documentaire, \u00ab Cam\u00e9ra d\u2019Afrique \u00bb du Tunisien F\u00e9rid BOUGHEDIR. R\u00e9alis\u00e9 en 1983, le film donne la parole aux pionniers qui ont permis l\u2019\u00e9mergence d\u2019un cin\u00e9ma d\u2019auteur africain.<\/p>\n<p style=\"text-align: right;\"><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les cin\u00e9astes disparus ont \u00e9t\u00e9 honor\u00e9s lors d\u2019une veill\u00e9e organis\u00e9e en leur honneur. Apr\u00e8s l\u2019ouverture officielle de la 27e \u00e9dition du FESPACO et la projection du film inaugural, les cin\u00e9astes ont pris rendez-vous au Cin\u00e9 Burkina pour rendre hommage aux cin\u00e9astes disparus depuis la 26e \u00e9dition du FESPACO en 2019. \u00ab Il s\u2019agit d\u2019une veill\u00e9e [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2189"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2189\/revisions"}],"predecessor-version":[{"id":2191,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2189\/revisions\/2191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2190"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2187,"date":"2021-10-20T18:37:51","date_gmt":"2021-10-20T18:37:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=2187"},"modified":"2021-10-20T18:37:51","modified_gmt":"2021-10-20T18:37:51","slug":"boubakar-galbani-designer-of-the-filmmakers-square-monument","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/boubakar-galbani-designer-of-the-filmmakers-square-monument\/","title":{"rendered":"Boubakar GALBANI Designer of the Filmmakers\u2019 Square Monument"},"content":{"rendered":"<p><strong>Born in 1958, Burkinabe Boubakar GALBANI is one of the designers of the monument standing proudly at the mythical Filmmakers\u2019 Square which has become a true emblem of FESPACO, not to say Burkina Faso. Boubakar told us about the creation of the monument.<\/strong><\/p>\n<p><strong>\u201cT<\/strong>he monument represents a camera with its lens pointing the sky. This is how we wanted. The monument as we see it today was built in February 1987. This model was chosen from among several proposals by the architects and sculptors of the time. They came to me so that I could design it. We were two weeks ahead of the festival. The monument was designed and developed in a metallurgical plant called ACMD at Kossodo in Ouagadougou, and then transported to the roundabout near the City Hall. Transport from Kossodo to City Hall was a real headache because at that time there was only one crane in the entire country. We called on the Gendarmerie to clear out the way for the passage of the monument. The unveiling of the monument was scheduled for the day of the festival and authorities had planned a helicopter to remove the large tarpaulin covering the structure. Unfortunately, the helicopter did not show up on that day and we had to pull this gigantic tarpaulin barehanded. The structure is 12m25 high, weights 10 tons and entirely made of metal sheet 4 with large pipes inside. The base is made of reinforced concrete. The plate with names of all the technicians who worked of the structure was set by myself bare-handed\u201d. Boubacar GALBANI who retired to his village Garango came to introduce himself on the occasion of the 27th edition of FESPACO for us to remember the artisans of this monument. He would like to see them involved in the libation ceremony for the upcoming editions.<\/p>\n<p style=\"text-align: right;\"><strong>LECHAT !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in 1958, Burkinabe Boubakar GALBANI is one of the designers of the monument standing proudly at the mythical Filmmakers\u2019 Square which has become a true emblem of FESPACO, not to say Burkina Faso. Boubakar told us about the creation of the monument. \u201cThe monument represents a camera with its lens pointing the sky. This [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2187"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2187\/revisions"}],"predecessor-version":[{"id":2188,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2187\/revisions\/2188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2185"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2184,"date":"2021-10-20T18:36:15","date_gmt":"2021-10-20T18:36:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=2184"},"modified":"2021-10-20T18:36:15","modified_gmt":"2021-10-20T18:36:15","slug":"boubakar-galbani-concepteur-du-monument-de-la-place-des-cineastes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/boubakar-galbani-concepteur-du-monument-de-la-place-des-cineastes\/","title":{"rendered":"Boubakar GALBANI : Concepteur du monument de la Place des Cin\u00e9astes."},"content":{"rendered":"<p><strong>N\u00e9 en 1958, Boubakar GALBANI est l\u2019un des concepteurs du monument qui tr\u00f4ne \u00e0 la mythique Place des Cin\u00e9astes, devenu un v\u00e9ritable embl\u00e8me du FESPACO voire du Burkina. Il nous a parl\u00e9 de la cr\u00e9ation du monument.<\/strong><\/p>\n<p><strong>\u00ab Le<\/strong> monument repr\u00e9sente une cam\u00e9ra dont l&rsquo;objectif est point\u00e9 vers le ciel. Nous avons voulu l&rsquo;installer ainsi \u00bb \u00ab Le monument tel que nous le voyons aujourd\u2019hui a \u00e9t\u00e9 construit en f\u00e9vrier 1987. Ce mod\u00e8le a \u00e9t\u00e9 retenu parmi plusieurs propositions faites par les architectes et les sculpteurs de l\u2019\u00e9poque. Ils sont venus me voir afin que je con\u00e7oive ce monument. Nous \u00e9tions \u00e0 deux semaines du lancement du FESPACO. Nous l\u2019avons con\u00e7u dans un atelier de m\u00e9tallurgie \u00e0 Kossodo d\u00e9nomm\u00e9 A.C.M.D. (Atelier de Construction M\u00e9tallique et Divers) ce monument a \u00e9t\u00e9 construit pour ensuite \u00eatre transport\u00e9 au rond-point au niveau de la Mairie de Ouagadougou. Le transport de Kossodo \u00e0 la Mairie a \u00e9t\u00e9 p\u00e9nible car \u00e0 l\u2019\u00e9poque, il n&rsquo;y avait qu&rsquo;une seule grue dans tout le pays. Nous avons fait appel \u00e0 la gendarmerie afin qu&rsquo;elle nous \u00e9claire le passage du monument. Le d\u00e9voilage du monument \u00e9tait pr\u00e9vu pour le jour du FESPACO et les autorit\u00e9s avaient pr\u00e9vu un h\u00e9licopt\u00e8re pour d\u00e9voiler la grande b\u00e2che qui couvrait l&rsquo;\u00e9difice. Malheureusement l&rsquo;h\u00e9licopt\u00e8re n&rsquo;est pas venu. Nous \u00e9tions oblig\u00e9s de tirer cette gigantesque b\u00e2che \u00e0 mains nues. L&rsquo;\u00e9difice est haut de 12m25, p\u00e8se 10 tonnes enti\u00e8rement construit en t\u00f4le de 4 avec de gros tuyaux \u00e0 l&rsquo;int\u00e9rieur. Le socle quant \u00e0 lui est fait en b\u00e9ton arm\u00e9. La plaque o\u00f9 sont inscrits tous les noms des techniciens qui ont fabriqu\u00e9 ce monument a \u00e9t\u00e9 fix\u00e9e par mes propres mains nues \u00bb. Boubacar GALBANI qui s\u2019est retir\u00e9 dans son village \u00e0 Garango est venu se pr\u00e9senter \u00e0 cette 27e FESPACO afin qu&rsquo;on n&rsquo;oublie pas ceux qui ont construit ce monument. Il souhaite d&rsquo;ailleurs que l&rsquo;on puisse les associer aux c\u00e9r\u00e9monies de libations \u00e0 chaque \u00e9dition.<\/p>\n<p style=\"text-align: right;\"><strong>LECHAT !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en 1958, Boubakar GALBANI est l\u2019un des concepteurs du monument qui tr\u00f4ne \u00e0 la mythique Place des Cin\u00e9astes, devenu un v\u00e9ritable embl\u00e8me du FESPACO voire du Burkina. Il nous a parl\u00e9 de la cr\u00e9ation du monument. \u00ab Le monument repr\u00e9sente une cam\u00e9ra dont l&rsquo;objectif est point\u00e9 vers le ciel. Nous avons voulu l&rsquo;installer ainsi [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2184"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2184\/revisions"}],"predecessor-version":[{"id":2186,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2184\/revisions\/2186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2185"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2182,"date":"2021-10-20T18:34:24","date_gmt":"2021-10-20T18:34:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=2182"},"modified":"2021-10-20T18:34:24","modified_gmt":"2021-10-20T18:34:24","slug":"opening-of-the-cinematographic-equipment-exhibition","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/opening-of-the-cinematographic-equipment-exhibition\/","title":{"rendered":"Opening of the cinematographic equipment exhibition"},"content":{"rendered":"<p><strong>\u201cCinema and technological evolution&gt;&gt;. This is the theme of the exhibition of cinematographic materials which started on Sunday, 2nd day of FESPACO 2021.<\/strong><\/p>\n<p><strong>H<\/strong>ighlighting the evolution of technical equipment, this is what motivated organizers the event taking place in FESPACO premises. According to the President of the Exhibition Commission of this FESPACO edition and also National Museum Director for Exhibition and Mediation, this activity consisted in exposing old filmmaking equipment, including cameras, editing and projection equipment. Since the first inventions, the technology of cinematographic equipment and content has significantly changed. And this development has led to the establishment of international standards for film production and distribution, following a process ranging from script writing, pre-production, production and post-production, all requiring specific technical equipment. This equipment is from the archives of the African Film Library of Ouagadougou.<\/p>\n<p style=\"text-align: right;\"><strong>Parfait Fabrice <\/strong><strong>SAWADOGO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cCinema and technological evolution&gt;&gt;. This is the theme of the exhibition of cinematographic materials which started on Sunday, 2nd day of FESPACO 2021. Highlighting the evolution of technical equipment, this is what motivated organizers the event taking place in FESPACO premises. According to the President of the Exhibition Commission of this FESPACO edition and also [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2182"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2182\/revisions"}],"predecessor-version":[{"id":2183,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2182\/revisions\/2183"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2179,"date":"2021-10-20T18:33:37","date_gmt":"2021-10-20T18:33:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=2179"},"modified":"2021-10-20T18:33:37","modified_gmt":"2021-10-20T18:33:37","slug":"vernissage-de-lexposition-du-materiel-cinematographique","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/vernissage-de-lexposition-du-materiel-cinematographique\/","title":{"rendered":"Vernissage de l\u2019exposition du mat\u00e9riel cin\u00e9matographique"},"content":{"rendered":"<p><strong>\u00ab Cin\u00e9ma et \u00e9volution technologique \u00bb. C\u2019est le th\u00e8me de l&rsquo;exposition de mat\u00e9riels cin\u00e9matographiques qui a commenc\u00e9 le dimanche, au 2<sup>\u00e8me<\/sup> jour du FESPACO 2021.<\/strong><\/p>\n<p>Mettre en lumi\u00e8re l&rsquo;\u00e9volution des mat\u00e9riels techniques, voici ce qui a motiv\u00e9 l\u2019organisation de cette exposition de mat\u00e9riel cin\u00e9matographique qui se tient dans les locaux du si\u00e8ge du FESPACO. Selon le pr\u00e9sident de la commission exposition du cette \u00e9dition du FESPACO et par ailleurs directeur des expositions et de la m\u00e9diation du mus\u00e9e national, cette exposition a consist\u00e9 \u00e0 utiliser tout le mat\u00e9riel qui se cache derri\u00e8re la r\u00e9alisation de films, notamment l&rsquo;appareil photo, la camera, les appareils de montage et de projection de films. Depuis les premi\u00e8res inventions, les mat\u00e9riels et contenus cin\u00e9matographiques ont connu une \u00e9volution technologique significative. Et cette \u00e9volution a conduit \u00e0 la mise en place de normes internationales de production et de diffusion des films, suivant un processus allant de l&rsquo;\u00e9criture du sc\u00e9nario, le pr\u00e9-production, la production et la postproduction. Des \u00e9tapes qui n\u00e9cessitent des mat\u00e9riels techniques sp\u00e9cifiques. Ces mat\u00e9riels sont issus des archives de la cin\u00e9math\u00e8que africaine de Ouagadougou.<\/p>\n<p style=\"text-align: right;\"><strong>Parfait Fabrice SAWADOGO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Cin\u00e9ma et \u00e9volution technologique \u00bb. C\u2019est le th\u00e8me de l&rsquo;exposition de mat\u00e9riels cin\u00e9matographiques qui a commenc\u00e9 le dimanche, au 2\u00e8me jour du FESPACO 2021. Mettre en lumi\u00e8re l&rsquo;\u00e9volution des mat\u00e9riels techniques, voici ce qui a motiv\u00e9 l\u2019organisation de cette exposition de mat\u00e9riel cin\u00e9matographique qui se tient dans les locaux du si\u00e8ge du FESPACO. Selon [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2179"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2179\/revisions"}],"predecessor-version":[{"id":2181,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2179\/revisions\/2181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2177,"date":"2021-10-20T18:31:49","date_gmt":"2021-10-20T18:31:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=2177"},"modified":"2021-10-20T18:31:49","modified_gmt":"2021-10-20T18:31:49","slug":"celebrities-days-one-of-the-fespaco-major-articulations","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/celebrities-days-one-of-the-fespaco-major-articulations\/","title":{"rendered":"Celebrities\u2019 Days : One of the FESPACO major articulations"},"content":{"rendered":"<p><strong>On Sunday 17 October 2021, the Town Hall of Ouagadougou hosted a diner cocktail given in honour of the stars of cinema. <\/strong><strong>The red capet was rolled out to celebrate the men and the women who are the pride of African cinema. <\/strong><\/p>\n<p>It was a real parade of stars : Tailor- made suits and dresses and other \u00ab bling bling \u00bb was at the rendez-vous to make this night glamour. Armand Roland Pierre Beouinde, Mayor of the capital city, welcomed his distinguished guests. Many stars from various areas of activities walked on the red carpet. Humorists Souk\u00e9 and Siriki, Moussa Petit Sergent, famous designers such as Korotimi Dao, and Sebastian Bazemo, choregraphers including Irene Tassembedo, Germene Akonine and Blandine Yameogo. Musicians Didier Awadi, Tim Wins\u00e9 and Smarty. Women and men from the world of culture and sports, Ildevert Medah, Alain H\u00e9ma, Aristide Tarnagda, Hypolite Wangrawa, Odile Sankara, A\u00cf Keita, Guy Kalou, Gustave Sorgho, Moumouni Dagano, Paul Domon, Hugue Fabrice, Salfo Sor\u00e9 Asalfo, Etienne Minoungou, Kevin Mon\u00e9, Serge Henry, Iron Biby, and Pat\u00e9\u2019O, to name a few, were all received trophees. During that night, Senegal, Country Guest of Honour of the 2021 edition, received many times. This night which highlights African talents was punctuated by musical performances.<\/p>\n<p style=\"text-align: right;\"><strong>Sada GO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Sunday 17 October 2021, the Town Hall of Ouagadougou hosted a diner cocktail given in honour of the stars of cinema. The red capet was rolled out to celebrate the men and the women who are the pride of African cinema. It was a real parade of stars : Tailor- made suits and dresses [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2177"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2177\/revisions"}],"predecessor-version":[{"id":2178,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2177\/revisions\/2178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2175"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2173,"date":"2021-10-20T18:30:20","date_gmt":"2021-10-20T18:30:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=2173"},"modified":"2021-10-20T18:30:20","modified_gmt":"2021-10-20T18:30:20","slug":"celebrities-days-une-des-articulations-majeures-du-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/celebrities-days-une-des-articulations-majeures-du-fespaco\/","title":{"rendered":"Celebrities Days : Une des articulations majeures Du Fespaco"},"content":{"rendered":"<p><strong>Dimanche, l&rsquo;h\u00f4tel de ville de Ouagadougou \u00e9tait le centre d\u2019un cocktail d\u00eenatoire offert en l\u2019honneur des stars du 7<\/strong><strong>\u00e8me <\/strong><strong>art. Le tapis rouge a \u00e9t\u00e9 d\u00e9roul\u00e9 pour c\u00e9l\u00e9brer ces hommes et femmes qui font la fiert\u00e9 du cin\u00e9ma africain.<\/strong><\/p>\n<p><strong>C\u2019<\/strong>\u00e9tait un vrai balai de stars : Costumes et robes sur mesure et autres \u00ab\u00a0bling bling \u00a0\u00bb tout \u00e9tait au rendez-vous pour une soir\u00e9e glamour. C\u2019est le maire de la capitale, Armand Roland Pierre Beouind\u00e9 qui a souhait\u00e9 la bienvenue \u00e0 ses h\u00f4tes de marques d\u2019une nuit. Plusieurs Stars de divers domaines d\u2019activit\u00e9s ont march\u00e9 sur le tapis rouge. Les humoristes Souk\u00e9 et Siriki, Moussa petit Sergent des grands stylistes tel que Korotimi Dao et S\u00e9bastien Bazemo des chor\u00e9graphes comme Ir\u00e8ne Tassambedo, Germene akonine, et Blandine Yam\u00e9ogo. Les artistes Musiciens Didier Awadi, Tim Wenc\u00e9 et Smarty. Des hommes et femmes du monde culturel et sportif ; Ildevert Medah, Alain H\u00e9ma, Aristide Tarnagda, Hyppolite Wangrawa, Odile Sankara, A\u00ef Keita, Guy Kalou Gustave Sorgho Moumouni Dagano Paul Domon Hugue Fabrice Zango, Salfo Sor\u00e9 Asalfo, \u00c9tienne Minougou, Kevin Mon\u00e9, Serge Henry, Iron Biby, et Pat\u00e9\u2019O ont tous \u00e9t\u00e9 distingu\u00e9s et sont r\u00e9parti avec des troph\u00e9es. Le S\u00e9n\u00e9gal pays invit\u00e9 d&rsquo;honneur s\u2019est vu distingu\u00e9 plusieurs fois au cour de la soir\u00e9e. Cette Soir\u00e9e qui met en lumi\u00e8re les talents d\u2019Afrique a \u00e9galement \u00e9t\u00e9 ponctu\u00e9e par des prestations musicales.<\/p>\n<p style=\"text-align: right;\"><strong>Sada GO<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimanche, l&rsquo;h\u00f4tel de ville de Ouagadougou \u00e9tait le centre d\u2019un cocktail d\u00eenatoire offert en l\u2019honneur des stars du 7\u00e8me art. Le tapis rouge a \u00e9t\u00e9 d\u00e9roul\u00e9 pour c\u00e9l\u00e9brer ces hommes et femmes qui font la fiert\u00e9 du cin\u00e9ma africain. C\u2019\u00e9tait un vrai balai de stars : Costumes et robes sur mesure et autres \u00ab\u00a0bling bling [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2173"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2173\/revisions"}],"predecessor-version":[{"id":2176,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2173\/revisions\/2176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2175"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2169,"date":"2021-10-20T18:25:50","date_gmt":"2021-10-20T18:25:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=2169"},"modified":"2021-10-20T18:25:50","modified_gmt":"2021-10-20T18:25:50","slug":"the-20th-mica-opens-its-doors","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-20th-mica-opens-its-doors\/","title":{"rendered":"The 20th MICA opens its Doors"},"content":{"rendered":"<p>MICA has settled down at the FESPACO Headquarters this year. This framework for the promotion of African cinema and exchange between producers, distributors, project proponents and broadcasters during the festival has innovated. MICA 2021 is now part of the FESPACO professional section known as FESPACO PRO which includes, in addition to MICA, the Yennenga Workshops, Yennenga Liboni, and Yennenga Connection. FESPACO PRO aims to support the various filmmaking segments and is opened to film producers and distributors, streaming platform operators, broadcasters, African film festivals, national, regional and international institutions and bodies financing African cinema, and creation and coproduction support mechanisms. Adjaratou Banc\u00e9, Director of MICA 2021 said this is an opportunity that FESPACO provides for African cinema and audio-visual professionals to reflect on the various profession of the industry. MICA helps establish links between international buyers and sellers of African film and audio-visual works. In addition to business meetings, MICA 2021 will host, up to 22 October, roundtables, master classes, and an international colloquium on the theme of the current FESPACO edition.<\/p>\n<p style=\"text-align: right;\"><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MICA has settled down at the FESPACO Headquarters this year. This framework for the promotion of African cinema and exchange between producers, distributors, project proponents and broadcasters during the festival has innovated. MICA 2021 is now part of the FESPACO professional section known as FESPACO PRO which includes, in addition to MICA, the Yennenga Workshops, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2169"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2169\/revisions"}],"predecessor-version":[{"id":2171,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2169\/revisions\/2171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2167"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2166,"date":"2021-10-20T18:24:01","date_gmt":"2021-10-20T18:24:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=2166"},"modified":"2021-10-20T18:26:20","modified_gmt":"2021-10-20T18:26:20","slug":"le-20e-mica-a-ouvert-ses-portes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-20e-mica-a-ouvert-ses-portes\/","title":{"rendered":"Le 20e MICA a ouvert ses portes"},"content":{"rendered":"<p>Le MICA a install\u00e9 cette ann\u00e9e ses valises au si\u00e8ge du FESPACO. Ce cadre de promotion du cin\u00e9ma africain, et d\u2019\u00e9changes entre les producteurs, distributeurs, porteurs de projets et diffuseurs pendant le FESPACO apporte des innovations. Le MICA 2021 fait d\u00e9sormais partie de la section professionnelle du FESPACO appel\u00e9e FESPACO PRO qui comprend, outre le MICA, les Ateliers Yennenga, le Yennenga Liboni et le Yennenga Connexion. Le FESPACO PRO vise \u00e0 soutenir tous les maillons de la fabrication cin\u00e9matographique. Il est ouvert aux producteurs et distributeurs de films, aux op\u00e9rateurs de plateformes de streaming, aux t\u00e9l\u00e9diffuseurs, aux festivals de films africains, aux institutions et organismes nationaux, r\u00e9gionaux et internationaux de financement du cin\u00e9ma africain, aux m\u00e9canismes d\u2019aide \u00e0 la cr\u00e9ation et \u00e0 la coproduction. Pour la directrice du MICA 2021 Adjaratou Banc\u00e9, c\u2019est une occasion que le FESPACO donne aux professionnels du cin\u00e9ma et l\u2019audiovisuel africain, de mener des r\u00e9flexions autour des diff\u00e9rents m\u00e9tiers du cin\u00e9ma et de l\u2019audiovisuel. Le MICA permet la mise en relation les acheteurs internationaux et les vendeurs d\u2019\u2019\u0153uvres cin\u00e9matographiques et audiovisuelles africaines. Au-del\u00e0 des rencontres d\u2019affaires, le MICA accueillera jusqu\u2019au 22 octobre des ateliers, des tables rondes, des masters class et un colloque international portant sur le th\u00e8me m\u00eame de cette \u00e9dition du FESPACO.<\/p>\n<p style=\"text-align: right;\"><strong>Boureima PASSERE<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le MICA a install\u00e9 cette ann\u00e9e ses valises au si\u00e8ge du FESPACO. Ce cadre de promotion du cin\u00e9ma africain, et d\u2019\u00e9changes entre les producteurs, distributeurs, porteurs de projets et diffuseurs pendant le FESPACO apporte des innovations. Le MICA 2021 fait d\u00e9sormais partie de la section professionnelle du FESPACO appel\u00e9e FESPACO PRO qui comprend, outre le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2166"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2166\/revisions"}],"predecessor-version":[{"id":2172,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2166\/revisions\/2172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2167"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2164,"date":"2021-10-20T18:19:30","date_gmt":"2021-10-20T18:19:30","guid":{"rendered":"https:\/\/fespaco.org\/?p=2164"},"modified":"2021-10-20T18:19:30","modified_gmt":"2021-10-20T18:19:30","slug":"libation-ceremony-and-unveiling-of-statue-of-alain-gomis","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/libation-ceremony-and-unveiling-of-statue-of-alain-gomis\/","title":{"rendered":"Libation Ceremony and Unveiling of Statue of Alain GOMIS"},"content":{"rendered":"<p><strong>Three times the tour of the filmmakers\u2019 monument and a moment of silence in memory of the departed. If \u00ab the dead are not dead \u00bb, then where are they ?<\/strong><\/p>\n<p>Filmmakers, actors and actresses, movie industry professionals and the highest authorities for Culture of Burkina Faso and Senegal, Country Guest of Honour, have sacrificed to the traditional libation ceremony.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2162 aligncenter\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-300x169.jpg\" alt=\"\" width=\"541\" height=\"305\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-300x169.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-768x432.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-24x14.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-36x20.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-48x27.jpg 48w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1.jpg 960w\" sizes=\"(max-width: 541px) 100vw, 541px\" \/><\/p>\n<p>This ceremony always takes place on the second day of the festival at the filmmakers\u2019 square to pay tribute to departed industry professionals. They are now more physically but they remain in our hearts, in our minds for the dead are in the flowing water, in the blowing wind. This is why they must not be forgotten. This year\u2019s ceremony was quite simple and showed the depth and warm of the deed. During his speech, FEPACI Secretary General Cheick Oumar Sissoko poured water on the ground, a symbol in Africa to pay tribute to the dead. For him, the symbol is as old as the world because for millennia each society has had a specific way of paying tribute to the dead. This is a way of asking the ancestors to welcome our predecessors. He added that the symbol behind the libation ceremony is also show the living that they will always be remembered, and same for their works and images. Hand in hand, filmmakers and professionals from Africa and their peers from other regions of the world toured three times the filmmakers\u2019 monument. A moment of silence was also observed in their memory. The libation ceremony was followed by the unveiling of the statue of Alain Gomis twice winner of the Etalon d&rsquo;or of FESPACO in 2013 and in 2017. He statue now stands at the Colonne des Etalons (Gallery of the Grand prize winners). The statue was unveiled in the presence of Burkinabe Minister of Culture, Arts and Tourism, and the Minister of Culture and Communication of Senegal, Guest of Honour of FESPACO 2021.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tibiafouba MADIEGA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three times the tour of the filmmakers\u2019 monument and a moment of silence in memory of the departed. If \u00ab the dead are not dead \u00bb, then where are they ? Filmmakers, actors and actresses, movie industry professionals and the highest authorities for Culture of Burkina Faso and Senegal, Country Guest of Honour, have sacrificed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2164"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2164\/revisions"}],"predecessor-version":[{"id":2165,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2164\/revisions\/2165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2161"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2160,"date":"2021-10-20T18:17:56","date_gmt":"2021-10-20T18:17:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=2160"},"modified":"2021-10-20T18:17:56","modified_gmt":"2021-10-20T18:17:56","slug":"ceremonie-de-libation-et-devoilage-de-la-statue-de-alain-gomis","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ceremonie-de-libation-et-devoilage-de-la-statue-de-alain-gomis\/","title":{"rendered":"C\u00e9r\u00e9monie de libation et d\u00e9voilage de la statue de Alain GOMIS."},"content":{"rendered":"<p><strong>Trois fois le tour du monument des cin\u00e9astes et une minute de silence \u00e0 la m\u00e9moire des disparus. Si \u00ab\u00a0les morts ne sont pas morts\u00a0\u00bb o\u00f9 sont-ils alors ?<\/strong><\/p>\n<p><strong>C<\/strong>in\u00e9astes, com\u00e9diens, professionnels du 7\u00e8me art et les plus hautes autorit\u00e9s en charge de la culture du Burkina Faso et du S\u00e9n\u00e9gal, pays invit\u00e9 d&rsquo;honneur ont sacrifi\u00e9 \u00e0 la traditionnelle c\u00e9r\u00e9monie de libation.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2162 aligncenter\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-300x169.jpg\" alt=\"\" width=\"522\" height=\"294\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-300x169.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-768x432.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-24x14.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-36x20.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1-48x27.jpg 48w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere-1.jpg 960w\" sizes=\"(max-width: 522px) 100vw, 522px\" \/><\/p>\n<p>Cette c\u00e9r\u00e9monie se tient toujours au 2eme jour du FESPACO \u00e0 la place des cin\u00e9astes pour rendre hommage aux professionnels du cin\u00e9ma disparus. Ils ont disparu physiquement mais ils sont dans nos coeurs, dans nos esprits car les morts sont dans l&rsquo;eau qui coule, dans le vent qui souffle. C&rsquo;est la raison pour laquelle il ne faut pas les oublier. Cette ann\u00e9e, la c\u00e9r\u00e9monie s\u2019est voulue simple et a montr\u00e9 toute la profondeur et la chaleur de l&rsquo;acte. Le Secr\u00e9taire G\u00e9n\u00e9ral de la FEPACI Cheick Oumar Sissoko au cours de son allocution a vers\u00e9 de l&rsquo;eau au sol, symbole en Afrique pour rendre hommage aux morts. Pour lui la symbolique est vieille comme le monde car depuis des mill\u00e9naires chaque soci\u00e9t\u00e9 \u00e0 une mani\u00e8re \u00e0 elle de rendre hommage aux morts. C&rsquo;est une mani\u00e8re de demander aux anc\u00eatres de bien accueillir nos devanciers. Il a ajout\u00e9 que la symbolique de la c\u00e9r\u00e9monie de libation c&rsquo;est aussi de montrer \u00e0 tous ceux qui sont encore l\u00e0 qu&rsquo;ils ne seront jamais oubli\u00e9s de m\u00eame que leurs oeuvres et leurs images. Main dans la main, cin\u00e9astes et professionnels du cin\u00e9ma de l&rsquo;Afrique et leurs pairs venus des autres contr\u00e9es du monde ont fait trois fois le tour du monument des cin\u00e9astes. Une minute de silence a \u00e9t\u00e9 \u00e9galement respect\u00e9e en leur m\u00e9moire. Cette c\u00e9r\u00e9monie a \u00e9t\u00e9 suivie du d\u00e9voilage de la statue de Alain Gomis double Etalon d&rsquo;or du FESPACO en 2013 et en 2017. Sa statue tr\u00f4ne d\u00e9sormais dans la colonne des Etalons. Le d\u00e9voilage a \u00e9t\u00e9 fait en pr\u00e9sence de la Ministre Burkinab\u00e8 de la Culture, des Arts et du Tourisme et du pays invit\u00e9 d&rsquo;honneur.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Tibiafouba MADIEGA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trois fois le tour du monument des cin\u00e9astes et une minute de silence \u00e0 la m\u00e9moire des disparus. Si \u00ab\u00a0les morts ne sont pas morts\u00a0\u00bb o\u00f9 sont-ils alors ? Cin\u00e9astes, com\u00e9diens, professionnels du 7\u00e8me art et les plus hautes autorit\u00e9s en charge de la culture du Burkina Faso et du S\u00e9n\u00e9gal, pays invit\u00e9 d&rsquo;honneur ont [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-Recupere.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2160"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2160\/revisions"}],"predecessor-version":[{"id":2163,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2160\/revisions\/2163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2161"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2126,"date":"2021-10-16T23:29:35","date_gmt":"2021-10-16T23:29:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=2126"},"modified":"2021-10-16T23:29:35","modified_gmt":"2021-10-16T23:29:35","slug":"le-senegal-pays-invite-dhonneur-aligne-14-films-en-competition-officielle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-senegal-pays-invite-dhonneur-aligne-14-films-en-competition-officielle\/","title":{"rendered":"Le S\u00e9n\u00e9gal pays invit\u00e9 d\u2019honneur aligne 14 films en comp\u00e9tition officielle."},"content":{"rendered":"<p>Le pays de la T\u00e9ranga est l\u2019invit\u00e9 d\u2019honneur de la 27e \u00e9dition du FESPACO. Un choix non fortuit qui est expliqu\u00e9 par la ministre en charge de la Culture burkinab\u00e8, Dr Elise Fonyama Ilboudo\/ Thiombiano par plusieurs raisons. \u00ab Les relations s\u00e9culaires qui existent entre les deux Etats, la volont\u00e9 de mettre en lumi\u00e8re le dynamisme de l\u2019industrie s\u00e9n\u00e9galaise du cin\u00e9ma et de l\u2019audiovisuel, le partage d\u2019exp\u00e9riences et les accords culturels de coop\u00e9ration et de coproduction qui lient les deux Etats. L\u2019exemplarit\u00e9 du S\u00e9n\u00e9gal dans le domaine de l\u2019industrie du cin\u00e9ma africain qui d\u00e9ploie des initiatives positives pour le d\u00e9veloppement du cin\u00e9ma. \u00bb, cette explication a \u00e9t\u00e9 donn\u00e9e \u00e0 Dakar lors de la conf\u00e9rence de presse du 29 juin dernier \u00e0 l\u2019occasion du lancement officiel de la 27<sup>e<\/sup> FESPACO. Le S\u00e9n\u00e9gal a 14 films figurant dans les diff\u00e9rentes cat\u00e9gories de la comp\u00e9tition officielle de la pr\u00e9sente \u00e9dition.<\/p>\n<ul>\n<li>Deux films en Documentaire long m\u00e9trage<\/li>\n<li>Quatre films en Courts m\u00e9trages fictions et documentaires<\/li>\n<li>Un film en Films d\u2019animation<\/li>\n<li>Quatre films en Films des \u00e9coles africaines<\/li>\n<li>Trois films en S\u00e9ries t\u00e9l\u00e9<\/li>\n<\/ul>\n<p>Pour rappel, le cin\u00e9ma s\u00e9n\u00e9galais est produit au S\u00e9n\u00e9gal. Il est consid\u00e9r\u00e9 comme l\u2019un des plus anciens et des plus dynamiques d\u2019Afrique, les films issus de cette industrie \u00e9tant r\u00e9guli\u00e8rement r\u00e9compens\u00e9s au sein de festivals africains et internationaux, notamment europ\u00e9ens. Le premier film s\u00e9n\u00e9galais date de 1955, le S\u00e9n\u00e9gal n\u2019a donc pas attendu la d\u00e9colonisation pour cr\u00e9er des films et c\u2019est particuli\u00e8rement entre les ann\u00e9es 1960 et 1980 que le cin\u00e9ma s\u00e9n\u00e9galais va se donner l\u2019image d\u2019un cin\u00e9ma riche. L&rsquo;industrie cin\u00e9matographique s\u00e9n\u00e9galaise est en pleine renaissance depuis une dizaine d&rsquo;ann\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le pays de la T\u00e9ranga est l\u2019invit\u00e9 d\u2019honneur de la 27e \u00e9dition du FESPACO. Un choix non fortuit qui est expliqu\u00e9 par la ministre en charge de la Culture burkinab\u00e8, Dr Elise Fonyama Ilboudo\/ Thiombiano par plusieurs raisons. \u00ab Les relations s\u00e9culaires qui existent entre les deux Etats, la volont\u00e9 de mettre en lumi\u00e8re le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-qskdlqkflef.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2126"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2126\/revisions"}],"predecessor-version":[{"id":2128,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2126\/revisions\/2128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2127"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2123,"date":"2021-10-16T23:21:11","date_gmt":"2021-10-16T23:21:11","guid":{"rendered":"https:\/\/fespaco.org\/?p=2123"},"modified":"2021-10-16T23:21:11","modified_gmt":"2021-10-16T23:21:11","slug":"rue-marchande-les-voyants-sont-au-vert","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/rue-marchande-les-voyants-sont-au-vert\/","title":{"rendered":"Rue marchande, les voyants sont au vert \u2026"},"content":{"rendered":"<p>Le FSPACO d\u00e9localise la rue marchande, sur le site de l\u2019ancien camp fonctionnaire en face de la cath\u00e9drale de Ouagadougou, c\u00f4t\u00e9 Sud de la place des Cin\u00e9astes. Cot\u00e9 pr\u00e9paratifs, tout est fin pr\u00eat : Erig\u00e9e sur une superficie d&rsquo;environ 1ha, les stands sont d\u00e9j\u00e0 dress\u00e9s et n\u2019attendent<\/p>\n<p>Plus que les exposants. C&rsquo;est cet espace qui sert depuis quelques jours de bureau de travail \u00e0 Issouf OUEDRAGO, le responsable de l&rsquo;am\u00e9nagement de la rue marchande du FESPACO et Vice-pr\u00e9sident de la Commission infrastructure et \u00e9quipement. La commission infrastructure et \u00e9quipement est dirig\u00e9e par Patrice B. DIALLO. Elle s\u2019occupe de tout ce qui est infrastructure, logistique et mat\u00e9riel pour l\u2019organisation du FESPACO. Elle est subdivis\u00e9e en trois sous-commissions qui sont :<\/p>\n<p>&#8211; la sous-commission \u00e9nergie, qui s\u2019occupe de tout ce qui est installation, projection, branchement au niveau des salles de cin\u00e9ma.<\/p>\n<p>&#8211; la sous-commission hygi\u00e8ne, embellissement et nettoyage.<\/p>\n<p>&#8211; la sous-commission exposition qui g\u00e8re les diff\u00e9rents exposants notamment, les tenanciers de maquis, les exposants, commer\u00e7ants, artisans et divers stands.<\/p>\n<p>Cette ann\u00e9e, la commission esp\u00e8re pouvoir d\u00e9gager 20 maquis et 180 stands d\u2019exposition. Dans les 180 stands, une vingtaine est attribu\u00e9e aux partenaires du FESPACO et les 160 affect\u00e9s \u00e0 diff\u00e9rents exposants qui ont soumis des demandes dans ce sens. Les partenaires eux, n&rsquo;exposent pas. Ils viennent pour vendre l\u2019image de leur institution respective. Parmi ces partenaires, il y a la LONAB qui a d\u00e9cid\u00e9 d\u2019installer sur la rue marchande un car podium qui animera permanemment jusqu\u2019\u00e0 ce que les nuits musicales commencent. La LONAB dispose de deux stands dont un au niveau de la rue marchande et un deuxi\u00e8me dans la cour du FESPACO. La question de l&rsquo;hygi\u00e8ne est confi\u00e9e \u00e0 une \u00e9quipe de la mairie. C&rsquo;est la commission nettoyage, embellissement et hygi\u00e8ne. C\u2019est gr\u00e2ce \u00e0 cette commission que nous arrivons \u00e0 tenir propres nos lieux d\u2019expositions. Les poubelles sont pr\u00e9vues et seront installer aussi bien \u00e0 la rue marchande, \u00e0 la place de la nation et dans la cour du FESPACO. Pour l&rsquo;aspect sanitaire dans le cadre de la Covid-19, on va essayer tant bien que mal de respecter r\u00e9ellement les mesures barri\u00e8res indiqu\u00e9es par les autorit\u00e9s burkinab\u00e8.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le FSPACO d\u00e9localise la rue marchande, sur le site de l\u2019ancien camp fonctionnaire en face de la cath\u00e9drale de Ouagadougou, c\u00f4t\u00e9 Sud de la place des Cin\u00e9astes. Cot\u00e9 pr\u00e9paratifs, tout est fin pr\u00eat : Erig\u00e9e sur une superficie d&rsquo;environ 1ha, les stands sont d\u00e9j\u00e0 dress\u00e9s et n\u2019attendent Plus que les exposants. C&rsquo;est cet espace qui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/dfgnlkdfglmdfrgk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2123"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2123\/revisions"}],"predecessor-version":[{"id":2125,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2123\/revisions\/2125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2124"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2120,"date":"2021-10-16T23:12:18","date_gmt":"2021-10-16T23:12:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=2120"},"modified":"2021-10-16T23:12:43","modified_gmt":"2021-10-16T23:12:43","slug":"7-salles-projetteront-239-films-en-8-jours-et-nuits","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/7-salles-projetteront-239-films-en-8-jours-et-nuits\/","title":{"rendered":"7 Salles projetteront 239 films en 8 jours et nuits"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Le dispositif fin pr\u00eat Les salles de la 27e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) Le cin\u00e9 Burkina qui recevra le film d\u2019ouverture \u00ab Atlantique \u00bbde Mati Diop, est en train de se refaire une peau neuve. Elle ouvre ses portes cette nuit pour le film inaugural. Sept salles officielles diffuseront plus 230 films venus de plus de 50 pays. Au niveau des deux salles Canal Olympia Yennenga Ouaga 2000 et Canal Olympia Idrissa Ou\u00e9draogo, Lassane Badiel, directeur technique desdites salles, se dit pr\u00eat pour accueillir les films du FESPACO. Du 17 au 23 octobre, les deux salles seront disponibles pour la diffusion des films en DVD, MP4 ou encore DCP. C\u2019est le film de la r\u00e9alisatrice tunisienne Kaouther Ben Hania \u00abL\u2019homme qui a vendu sa peau \u00bb qui ouvrira le bal des projections le 17 octobre du c\u00f4t\u00e9 de Canal Olympia Ouaga 2000. Les deux salles accueilleront \u00e9galement les soir\u00e9es sp\u00e9ciales. Notamment la Nuit des s\u00e9ries africaines le Jeudi 21 octobre et surtout la remise du prix Thomas Sankara le vendredi 22 octobre 2021 \u00e0 20h. La gestionnaire du cin\u00e9 Burkina et directrice de Kanazo\u00e9 Services, Zalissa Compaor\u00e9, se dit rassurante ; \u00ab Ce n\u2019est pas une r\u00e9habilitation de la salle, le dispositif est fin pr\u00eat depuis, pour diffuser les films et accueillir les cin\u00e9philes \u00bb affirme- t-elle. Idem du c\u00f4t\u00e9 du Cin\u00e9 Neerwaya, l\u2019une des plus embl\u00e9matiques salles du Burkina. Selon Yacouba Kabr\u00e9, il n\u2019y a aucun souci \u00e0 se faire, car le mat\u00e9riel a \u00e9t\u00e9 renforc\u00e9 et remplac\u00e9 par endroit. Les salles de l\u2019institut Fran\u00e7ais de Ouagadougou accueilleront les projections presse, la section perspective (Grand M\u00e9li\u00e8s), les courts-m\u00e9trages (Petits M\u00e9li\u00e8s). Les rencontres documentaires se feront \u00e0 la Rotonde. Quelques retouches de peinture pour embellir le cadre d\u2019accueil, mais l\u2019ensemble du dispositif son, lumi\u00e8re, audiovisuel, back line etc. est op\u00e9rationnel \u00e0 en croire les techniciens. Cela confirme donc, de mani\u00e8re g\u00e9n\u00e9rale, les propos de la Ministre de la Culture des Arts et du Tourisme, Dr Elise Foniyama Ilboudo\/ Thiombiano lors de sa tourn\u00e9e des salles le 22 septembre dernier ; \u00ab \u2026Je trouve qu\u2019ils ont un mat\u00e9riel bien adapt\u00e9. Les salles sont bien \u00e9quip\u00e9es et ils sont pr\u00eats ! \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Le dispositif fin pr\u00eat Les salles de la 27e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) Le cin\u00e9 Burkina qui recevra le film d\u2019ouverture \u00ab Atlantique \u00bbde Mati Diop, est en train de se refaire une peau neuve. Elle ouvre ses portes cette nuit pour le film inaugural. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/fghftghrthrt.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2120"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2120\/revisions"}],"predecessor-version":[{"id":2122,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2120\/revisions\/2122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2121"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2117,"date":"2021-10-16T23:04:08","date_gmt":"2021-10-16T23:04:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=2117"},"modified":"2021-10-16T23:04:45","modified_gmt":"2021-10-16T23:04:45","slug":"film-douverture","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/film-douverture\/","title":{"rendered":"Film d\u2019ouverture"},"content":{"rendered":"<p>Le Cin\u00e9 Burkina comme \u00e0 l\u2019accoutum\u00e9 ouvrira ses portes pour accueillir les premiers cin\u00e9philes de la biennale. La premi\u00e8re projection de ce FESPACO sera pr\u00e9c\u00e9d\u00e9e de la traditionnelle c\u00e9r\u00e9monie de pr\u00e9sentation du Jury officiel fiction Long m\u00e9trage, pr\u00e9sid\u00e9 par Abderrahmane Sissako (R\u00e9alisateur, sc\u00e9nariste, producteur mauritanien, Etalon d\u2019Or de Yennenga en 2003 avec son film \u00ab En attendant le bonheur \u00bb, puis suivra la premi\u00e8re projection de cette 27\u00e8 \u00e9dition. \u00ab Atlantique \u00bb qui sera le premier film \u00e0 cette biennale du FESPACO, est sortie en 2019. Il a re\u00e7u le Grand Prix de la Comp\u00e9tition Officielle du Festival de Cannes. C\u2019est un long m\u00e9trage de fiction de 105 mn en langue Wolof et sous-titr\u00e9 en Fran\u00e7ais, tourn\u00e9 dans une banlieue populaire de Dakar. Le film traite d\u2019ouvriers sans salaire ont d\u00e9cid\u00e9 de quitter le pays par la mer pour aller trouver une vie meilleure de l\u2019autre c\u00f4t\u00e9. Parmi eux, Souleymane, qui laisse derri\u00e8re lui celle qu\u2019il aime, Ada, promise \u00e0 un autre homme. Un drame arrive apr\u00e8s son d\u00e9part ; un incendie d\u00e9vaste la f\u00eate de mariage d\u2019Ada et une myst\u00e9rieuse fi\u00e8vre s\u2019empare des filles du quartier. Une grande enqu\u00eate est lanc\u00e9e autour d\u2019un grand imbroglio teint\u00e9 de vengeance pour certains. N\u00e9e d\u2019une m\u00e8re fran\u00e7aise et d\u2019un p\u00e8re s\u00e9n\u00e9galais et c\u00e9l\u00e8bre musicien Wasis Diop, Mati Diop a grandi \u00e0 Paris et le cin\u00e9ma a toujours \u00e9t\u00e9 sa v\u00e9ritable passion. Elle a r\u00e9alis\u00e9 plusieurs courts et moyen-m\u00e9trages qui ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s et prim\u00e9s dans de nombreux festivals internationaux en l\u2019occurrence le festival de Toronto, celui de Rotterdam ou encore la Mostra de Venise. Des films comme \u00ab Mille Soleils \u00bb (2013), \u00ab Big in Vietnam \u00bb, \u00ab Snow Canon \u00bb (2010) ont glan\u00e9 de nombreuses r\u00e9compenses \u00e0 travers la plan\u00e8te.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Cin\u00e9 Burkina comme \u00e0 l\u2019accoutum\u00e9 ouvrira ses portes pour accueillir les premiers cin\u00e9philes de la biennale. La premi\u00e8re projection de ce FESPACO sera pr\u00e9c\u00e9d\u00e9e de la traditionnelle c\u00e9r\u00e9monie de pr\u00e9sentation du Jury officiel fiction Long m\u00e9trage, pr\u00e9sid\u00e9 par Abderrahmane Sissako (R\u00e9alisateur, sc\u00e9nariste, producteur mauritanien, Etalon d\u2019Or de Yennenga en 2003 avec son film \u00ab [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bonggggg.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2117"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2117\/revisions"}],"predecessor-version":[{"id":2119,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2117\/revisions\/2119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2118"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2114,"date":"2021-10-16T22:51:54","date_gmt":"2021-10-16T22:51:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=2114"},"modified":"2021-10-16T22:53:13","modified_gmt":"2021-10-16T22:53:13","slug":"mot-de-la-presidente-du-cno","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mot-de-la-presidente-du-cno\/","title":{"rendered":"MOT DE LA PRESIDENTE DU CNO"},"content":{"rendered":"<p><strong>Mme Alizata <\/strong><strong>DABIRE\/SAWADOGO<\/strong><\/p>\n<p>L\u2019Afrique et le monde ont les yeux riv\u00e9s sur Ouagadougou, la capitale du cin\u00e9ma et de l\u2019audiovisuel africains, qui nous r\u00e9unit pour la 27e session de la biennale des cin\u00e9mas de l\u2019Afrique et de sa Diaspora. Apr\u00e8s plus de cinq d\u00e9cennies au service de la promotion des oeuvres filmiques, le FESPACO 2021, j\u2019en suis convaincue, ne d\u00e9rogera pas \u00e0 sa mission ! Mieux l\u2019accent sera toujours mis sur des efforts organisationnels visant \u00e0 la qualit\u00e9 et au professionnalisme. En ce sens, pour atteindre le beau et le vrai, les bras ne restent pas et ne resteront jamais crois\u00e9s, dans cette communaut\u00e9 artistique o\u00f9 la cr\u00e9ativit\u00e9 et l\u2019originalit\u00e9 sont reines. Vous pouvez constater avec moi que le cr\u00fb de la pr\u00e9sente \u00e9dition, offre des gages de sortie des entiers battus. Ce faisant, c\u2019est l\u2019art tout court qui s\u2019en trouve honor\u00e9 et valoris\u00e9. Il ne saurait en \u00eatre autrement face \u00e0 nos cr\u00e9ateurs p\u00e9tris de talents, de par l\u2019ing\u00e9niosit\u00e9 des approches et les \u00e9critures innovantes et enrichissantes, apport\u00e9es \u00e0 notre cin\u00e9matographie. C\u2019est l\u2019Afrique de la cr\u00e9ation qui gagne, augurant ainsi des lendemains, on ne peut plus, enchanteurs. Notre FESPACO en est conscient, aussi, va-t-il continuellement capitaliser sur cette bonne graine en ajoutant de la terre, de la plus-value \u00e0 la terre organisationnelle de ce prestigieux festival. C\u2019est bien ce que nous vous r\u00e9servons pour la pr\u00e9sente \u00e9dition o\u00f9 nous avons mis du coeur afin de r\u00e9ussir la programmation, le march\u00e9 du film, les rencontres professionnelles sans oublier votre accueil. Tout en vous souhaitant un magnifique s\u00e9jour, je vous exhorte \u00e0 converger vers les salles de cin\u00e9ma, afin de vous offrir des moments cin\u00e9matographiques uniques et magiques ! Je vous souhaite un bon festival.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mme Alizata DABIRE\/SAWADOGO L\u2019Afrique et le monde ont les yeux riv\u00e9s sur Ouagadougou, la capitale du cin\u00e9ma et de l\u2019audiovisuel africains, qui nous r\u00e9unit pour la 27e session de la biennale des cin\u00e9mas de l\u2019Afrique et de sa Diaspora. Apr\u00e8s plus de cinq d\u00e9cennies au service de la promotion des oeuvres filmiques, le FESPACO 2021, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-1..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2114"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2114\/revisions"}],"predecessor-version":[{"id":2116,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2114\/revisions\/2116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2115"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2107,"date":"2021-10-16T22:12:06","date_gmt":"2021-10-16T22:12:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=2107"},"modified":"2021-10-16T22:13:34","modified_gmt":"2021-10-16T22:13:34","slug":"des-points-de-depistage-rapide-covid-19-seront-eriges","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/des-points-de-depistage-rapide-covid-19-seront-eriges\/","title":{"rendered":"\u00ab Des points de d\u00e9pistage rapide COVID-19 seront \u00e9rig\u00e9s \u00bb"},"content":{"rendered":"<p>Le th\u00e8me de cette \u00e9dition lui-m\u00eame est r\u00e9v\u00e9lateur de la d\u00e9termination de toute une communaut\u00e9 nationale et internationale \u00e0 tenir cette biennale dans ce contexte si particulier: \u00ab Cin\u00e9mas d\u2019Afrique et de la diaspora nouveaux regards nouveaux d\u00e9fis \u00bb. Le pays des hommes int\u00e8gres a toujours su et pu se dresser contre toutes les forces qui essaient de le ployer. D\u00e9j\u00e0 qu\u2019en 2019, le d\u00e9fi s\u00e9curitaire \u00e9tait pr\u00e9sent et se montrait pressant et qu\u2019en d\u00e9pit de cela, le comit\u00e9 national d\u2019organisation avait r\u00e9ussi \u00e0 tenir le cinquantenaire du FESPACO, c\u2019est avec le m\u00eame espoir et la m\u00eame d\u00e9termination que les organisateurs de la 27e \u00e9dition travaillent pour la r\u00e9ussite de l\u2019\u00e9v\u00e8nement. D\u2019impressionnants dispositifs de s\u00e9curit\u00e9 \u00e0 tous les niveaux et sites du FESPACO sont visibles sans oubli\u00e9 ce qui ne peut \u00eatre visible du citoyen lambda. Le colonel OUEDRAOGO, pr\u00e9sident de la commission s\u00e9curit\u00e9 se veut rassurant. \u00ab Nous avons acquis le mat\u00e9riel n\u00e9cessaire pour la mission, nous sommes fin pr\u00eats a-t-il lanc\u00e9 \u00bb avant d\u2019\u00e9grener le chapelet des mesures de s\u00e9curit\u00e9 qui seront de mises. Des barrages seront \u00e9rig\u00e9s et des fouilles seront faites. Cela pourrait cr\u00e9er de la frustration chez certaines personnes. Notre seul objectif cependant est de garantir aux festivaliers une s\u00e9curit\u00e9 afin qu\u2019ils jouissent de cette comm\u00e9moration festive. Il donne des conseils pratiques : \u00ab Eviter de porter sur soi ou d\u2019avoir par devers soi des objets de valeurs (bijoux en or et autres) sur les sites du festival, il faut juste se soumettre aux consignes de s\u00e9curit\u00e9 \u00bb. Parall\u00e8lement aux pr\u00e9occupations s\u00e9curitaires, le Dr. OUEDRAOGO de la commission sant\u00e9, quant \u00e0 lui, invite tout le monde au respect des mesures barri\u00e8res. Si le respect de la distanciation se voudrait dans la pratique \u00eatre quasi difficile, il reste que le port du masque, (obligatoire pour tous sur tous les sites du festival) ainsi que le lavage des mains avec l\u2019usage du gel hydro alcoolique, viendraient \u00e0 parer aux \u00e9ventualit\u00e9s. Il ajoute que, la vaccination contre la Covid19 est fortement recommand\u00e9e et des postes pour le d\u00e9pistage rapide seront \u00e9rig\u00e9s pour l\u2019occasion.<\/p>\n<p>&nbsp;<\/p>\n<p>FESPACO NEWS 2021<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le th\u00e8me de cette \u00e9dition lui-m\u00eame est r\u00e9v\u00e9lateur de la d\u00e9termination de toute une communaut\u00e9 nationale et internationale \u00e0 tenir cette biennale dans ce contexte si particulier: \u00ab Cin\u00e9mas d\u2019Afrique et de la diaspora nouveaux regards nouveaux d\u00e9fis \u00bb. Le pays des hommes int\u00e8gres a toujours su et pu se dresser contre toutes les forces [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-1-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2107"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2107\/revisions"}],"predecessor-version":[{"id":2111,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2107\/revisions\/2111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2108"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2098,"date":"2021-10-16T22:04:49","date_gmt":"2021-10-16T22:04:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=2098"},"modified":"2021-10-16T22:05:23","modified_gmt":"2021-10-16T22:05:23","slug":"ceremonie-douverture-nous-allons-proposer-un-spectacle-digne-du-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ceremonie-douverture-nous-allons-proposer-un-spectacle-digne-du-fespaco\/","title":{"rendered":"C\u00e9r\u00e9monie d\u2019ouverture : \u00ab Nous allons proposer un spectacle digne du FESPACO \u00bb"},"content":{"rendered":"<p style=\"text-align: left;\">Les premiers acteurs de cette c\u00e9r\u00e9monie \u00ab les artistes-musiciens, chanteurs danseurs et chor\u00e9graphes sont dans les starting blocks. Le chor\u00e9graphe en chef du spectacle, en l\u2019occurrence Serge Aim\u00e9 Coulibaly, s\u2019est confi\u00e9 \u00e0 nous avant l\u2019heure : \u00ab Nous avons voulu innover pour que techniquement et artistiquement tout soit en ad\u00e9quation et ainsi proposer un spectacle digne du FESPACO \u00bb Cette cr\u00e9ation chor\u00e9graphique intitul\u00e9e \u00ab YENNEGA LEGACY \u00bb qui signifie l&rsquo;h\u00e9ritage de YENNEGA*, est un hommage \u00e0 YENNEGA et ses valeurs transmises. YENNEGA LEGACY est en quelque sorte un hymne \u00e0 la r\u00e9silience comme nous l&rsquo;a laiss\u00e9 entendre Serge Aim\u00e9 Couibaly. Sur ce projet, ce sont 80 chor\u00e9graphes, acrobates ,10 com\u00e9diens de cin\u00e9ma, et de th\u00e9\u00e2tre ainsi que des personnalit\u00e9s de renoms comme Iron Biby, sans compter les techniciens de son et de lumi\u00e8re qui ont collabor\u00e9 pour produire ce spectacle unique. Pour le pr\u00e9sident de la commission communication \u00e9v\u00e8nementielle, Evariste Combari, cette c\u00e9r\u00e9monie est une f\u00eate qui se fera en pr\u00e9sence du pr\u00e9sident du Faso et devra donc \u00eatre ponctu\u00e9 de certaines r\u00e8gles en mati\u00e8re de solennit\u00e9 et de respect du protocole. Pour ce dernier point une r\u00e9union a eu lieu avec le protocole d\u2019\u00e9tat. Les autres artistes de renom tel que Didier Awadi, Baba Mal Smokey, Malika la Slameuse etc. sont \u00e9galement dans les loges et n\u2019attendent plus que le public et les festivaliers pour le clap de d\u00e9part.<\/p>\n<p>&nbsp;<\/p>\n<p>FESPACO NEWS 2021<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les premiers acteurs de cette c\u00e9r\u00e9monie \u00ab les artistes-musiciens, chanteurs danseurs et chor\u00e9graphes sont dans les starting blocks. Le chor\u00e9graphe en chef du spectacle, en l\u2019occurrence Serge Aim\u00e9 Coulibaly, s\u2019est confi\u00e9 \u00e0 nous avant l\u2019heure : \u00ab Nous avons voulu innover pour que techniquement et artistiquement tout soit en ad\u00e9quation et ainsi proposer un spectacle [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-31.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2098"}],"version-history":[{"count":6,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2098\/revisions"}],"predecessor-version":[{"id":2106,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2098\/revisions\/2106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2104"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2084,"date":"2021-10-16T10:11:46","date_gmt":"2021-10-16T10:11:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=2084"},"modified":"2023-02-16T17:35:54","modified_gmt":"2023-02-16T17:35:54","slug":"mami-watta","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mami-watta\/","title":{"rendered":"MAMI WATTA"},"content":{"rendered":"<p>Dans le village d&rsquo;Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne MAMI WATA et se tournent vers leur gu\u00e9risseuse MAMA EFE, l&rsquo;interm\u00e9diaire entre eux et Mami Wata, ainsi que la fille de Mama Efe, ZINWE, et sa prot\u00e9g\u00e9e, PRISCA. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, JABI, un habitant de la r\u00e9gion, s\u00e8me le doute dans la population, tandis que Zinwe s&rsquo;enfuit, pouss\u00e9e par sa propre angoisse. Bient\u00f4t, l&rsquo;arriv\u00e9e d&rsquo;un seigneur de guerre rebelle, JASPER, fait pencher la balance en faveur de Jabi. Mama Efe est assassin\u00e9e et Jasper en profite pour prendre le contr\u00f4le du village, tandis que Prisca et Zinwe doivent comploter pour sauver Iyi et restaurer la gloire de Mami Wata \u00e0 Iyi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le village d&rsquo;Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne MAMI WATA et se tournent vers leur gu\u00e9risseuse MAMA EFE, l&rsquo;interm\u00e9diaire entre eux et Mami Wata, ainsi que la fille de Mama Efe, ZINWE, et sa prot\u00e9g\u00e9e, PRISCA. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, JABI, un habitant de la r\u00e9gion, s\u00e8me le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1508,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2084"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2084\/revisions"}],"predecessor-version":[{"id":2085,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2084\/revisions\/2085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1508"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2035,"date":"2021-10-14T20:42:09","date_gmt":"2021-10-14T20:42:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=2035"},"modified":"2021-10-14T20:42:09","modified_gmt":"2021-10-14T20:42:09","slug":"twa-fey-trois-feuilles-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/twa-fey-trois-feuilles-2\/","title":{"rendered":"Twa F\u00e8y (Trois Feuilles)"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Esther is 6 years old; she lives her carefree life as a little girl until her father abuses her.\u00a0 Then a little box appears in her life and never leaves her side. As she tries to get rid of it, she discovers her mother&rsquo;s; but her mother doesn&rsquo;t see it&#8230; until she meets the fascinating Farah.\u00a0 Three Leaves. Three stories of women exploring the roots of identity, resilience and sisterhood.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Sephora MONTEAU is a founding member and vice-president of SineNouve\u0300l, an association of committed filmmakers and photographers in Haiti denouncing the lack of film facilities in the country. She is also the founder of Ne\u0300ge\u0300s Mawon, a feminist organization<\/em>.<\/p>\n<p><em>Ele\u0301onore COYETTE captures in her photographs and videos the world\u2019s indocile heartbeat. Her visual grammar is that of a poetess. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Esther is 6 years old; she lives her carefree life as a little girl until her father abuses her.\u00a0 Then a little box appears in her life and never leaves her side. As she tries to get rid of it, she discovers her mother&rsquo;s; but her mother doesn&rsquo;t see it&#8230; until she meets the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-30.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2035"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2035\/revisions"}],"predecessor-version":[{"id":2036,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2035\/revisions\/2036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2033"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2032,"date":"2021-10-14T20:41:27","date_gmt":"2021-10-14T20:41:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=2032"},"modified":"2023-02-23T18:58:04","modified_gmt":"2023-02-23T18:58:04","slug":"twa-fey-trois-feuilles","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/twa-fey-trois-feuilles\/","title":{"rendered":"Twa F\u00e8y (Trois Feuilles)"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Esther a 6 ans, elle vit sa vie insouciante de petite fille jusqu\u2019a\u0300 ce que son p\u00e8re abuse d\u2019elle. Une petite boi\u0302te appara\u00eet alors dans sa vie et ne la quitte plus. Alors qu\u2019elle tente de s\u2019en d\u00e9barrasser, elle d\u00e9couvre celle de sa m\u00e8re\u00a0; mais celle-ci ne les voit pas\u2026 jusqu\u2019\u00e0 sa rencontre avec Farah. Trois Feuilles. Trois r\u00e9cits de femmes qui explorent les racines de l\u2019identit\u00e9, de la r\u00e9silience et de la sororit\u00e9.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Sephora MONTEAU est membre fondatrice et vice-pr\u00e9sidente de SineNouve\u0300l, une association de cin\u00e9astes et de photographes engage\u0301.e.s en Ha\u00efti qui d\u00e9nonce l\u2019absence d\u2019infrastructures cin\u00e9matographiques dans le pays. Elle est aussi fondatrice de l\u2019organisation f\u00e9ministe Ne\u0300ge\u0300s Mawon.<\/p>\n<p>E\u0301le\u0301onore COYETTE capture, dans ses photos et dans ses vid\u00e9os, l&rsquo;indocile battement de c\u0153ur du monde. Sa grammaire visuelle est celle d&rsquo;une po\u00e9tesse.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Esther a 6 ans, elle vit sa vie insouciante de petite fille jusqu\u2019a\u0300 ce que son p\u00e8re abuse d\u2019elle. Une petite boi\u0302te appara\u00eet alors dans sa vie et ne la quitte plus. Alors qu\u2019elle tente de s\u2019en d\u00e9barrasser, elle d\u00e9couvre celle de sa m\u00e8re\u00a0; mais celle-ci ne les voit pas\u2026 jusqu\u2019\u00e0 sa rencontre avec [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-30.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2032"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2032\/revisions"}],"predecessor-version":[{"id":2034,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2032\/revisions\/2034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2033"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2030,"date":"2021-10-14T20:39:16","date_gmt":"2021-10-14T20:39:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=2030"},"modified":"2021-10-14T20:39:16","modified_gmt":"2021-10-14T20:39:16","slug":"the-legend-of-lwanda-magere-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-legend-of-lwanda-magere-2\/","title":{"rendered":"The Legend of Lwanda Magere"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A long, long time ago, on the shores of the great lake of Africa there once lived a superhuman warrior by the name of Lwanda Magere. He had skin of stone and the strength of ten men. Invincible, benevolent and loyal, Lwanda was the hero his people had always longed for, a hero to protect them from the deadly neighbouring raiders. However, the secret source of Lwanda\u2019s powers was the target of his enemies, enemies both from the outside and within.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Kwame is a Nairobi-based writer, illustrator and animator whose interest lies in creating stories that show a more positive and genuine view of Africa. He is well known for his children\u2019s books <\/em><em>A Tasty Maandazi <\/em><em>and <\/em><em>I Love Ugali and Sukuma Wiki <\/em><em>and <\/em><em>The Yummiest Githeri. <\/em><em>Kwame\u2019s animated short <\/em><strong><em>The Legend of Ngong Hills<\/em><\/strong> <em>has won many awards worldwide. He has also worked on <\/em><em>Tinga Tinga Tales<\/em><em>. In 2017 and 2018 Kwame part of the team that won awards at the Cannes Lions International Festival of Creativity for <\/em><em>The World\u2019s Most Eligible Bachelor<\/em><em>, a campaign supporting northern white rhino conservation. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A long, long time ago, on the shores of the great lake of Africa there once lived a superhuman warrior by the name of Lwanda Magere. He had skin of stone and the strength of ten men. Invincible, benevolent and loyal, Lwanda was the hero his people had always longed for, a hero to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/The-legend-of-Lwanda-Magere-FESPACO.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2030"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2030\/revisions"}],"predecessor-version":[{"id":2031,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2030\/revisions\/2031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2028"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2027,"date":"2021-10-14T20:38:37","date_gmt":"2021-10-14T20:38:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=2027"},"modified":"2023-02-23T19:06:05","modified_gmt":"2023-02-23T19:06:05","slug":"the-legend-of-lwanda-magere","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-legend-of-lwanda-magere\/","title":{"rendered":"The Legend of Lwanda Magere"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>Il y a bien longtemps, sur les rives du grand lac d\u2019Afrique vivait autrefois un guerrier surhumain du nom de Lwanda Magere. Il avait une peau de pierre et la force de dix hommes. Invincible, bienveillant et loyal, Lwanda \u00e9tait le h\u00e9ros dont son people avait toujours r\u00eav\u00e9, un h\u00e9ros pour les prot\u00e9ger des meurtriers voisins pillards. Toutefois, la source secr\u00e8te des pouvoirs de Lwanda \u00e9tait la cible de ses ennemis, de l\u2019int\u00e9rieur comme de l\u2019ext\u00e9rieur.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Kwame est un \u00e9crivain, illustrateur et animateur bas\u00e9 \u00e0 Nairobi dont l\u2019int\u00e9r\u00eat r\u00e9side dans la cr\u00e9ation d\u2019histoires qui donnent une vision plus positive et authentique de l\u2019Afrique. Il est bien connu pour ses livres pour enfants <em>A Tasty Maandazi <\/em>et <em>I Love Ugali and Sukuma Wiki <\/em>et <em>The Yummiest Githeri. <\/em>Le court m\u00e9trage d\u2019animation de Kwame <strong><em>The Legend of Ngong Hills<\/em><\/strong> a remport\u00e9 de nombreux prix dans le monde entier. Il a \u00e9galement travaill\u00e9 sur <em>Tinga Tinga Tales<\/em>. En 2017 et 2018, Kwame a fait partie de l\u2019\u00e9quipe qui a remport\u00e9 des prix \u00e0 Cannes Lions International Festival of Creativity pour l\u2019\u0153uvre <em>T<\/em><em>he World\u2019s Most Eligible Bachelor<\/em>, une campagne de soutien \u00e0 la conservation du rhinoc\u00e9ros blanc du nord.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Il y a bien longtemps, sur les rives du grand lac d\u2019Afrique vivait autrefois un guerrier surhumain du nom de Lwanda Magere. Il avait une peau de pierre et la force de dix hommes. Invincible, bienveillant et loyal, Lwanda \u00e9tait le h\u00e9ros dont son people avait toujours r\u00eav\u00e9, un h\u00e9ros pour les prot\u00e9ger des [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/The-legend-of-Lwanda-Magere-FESPACO.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2027"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2027\/revisions"}],"predecessor-version":[{"id":4689,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2027\/revisions\/4689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2028"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2025,"date":"2021-10-14T20:34:38","date_gmt":"2021-10-14T20:34:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=2025"},"modified":"2021-10-14T20:34:38","modified_gmt":"2021-10-14T20:34:38","slug":"tapis-vert-lhomme-qui-arreta-le-desert-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tapis-vert-lhomme-qui-arreta-le-desert-2\/","title":{"rendered":"Tapis Vert (L\u2019homme qui arr\u00eata le d\u00e9sert)"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Noticing the rapid encroachment of the desert in his village, Yakuba decides to give up everything and to fight against this arid land, practicing a quite special technique of his own. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Claver YAMEOGO has an extensive experience in comics trip and visual arts in general. In 2008, he attended an initiation training in 2D cartoon at Institut IMAGINE. In 2009, Claver made his debut cartoon called <strong>Polo,<\/strong> opening the way to a scholarship in France at EMCA. He has directed two graduation films (<strong>Le jour de mes sept ans<\/strong> and <strong>Parce que j&rsquo;ai faim<\/strong>)\u00a0in 2021; two documentaries in 2013 <strong>(Invasion d\u00e9chets plastiques<\/strong> and <strong>Invasion de motos au Burkina Faso<\/strong>) and <strong>FALTA<\/strong> (winning an award at the 2017 Animated Film Festival in Abidjan) in 2016.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Noticing the rapid encroachment of the desert in his village, Yakuba decides to give up everything and to fight against this arid land, practicing a quite special technique of his own. Biofilmographie\/Biofilmography Claver YAMEOGO has an extensive experience in comics trip and visual arts in general. In 2008, he attended an initiation training in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/AFFICHE-TAPIS-VERT-FESPACO.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2025"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2025\/revisions"}],"predecessor-version":[{"id":2026,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2025\/revisions\/2026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2023"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2022,"date":"2021-10-14T20:33:57","date_gmt":"2021-10-14T20:33:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=2022"},"modified":"2023-02-23T18:52:51","modified_gmt":"2023-02-23T18:52:51","slug":"tapis-vert-lhomme-qui-arreta-le-desert","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tapis-vert-lhomme-qui-arreta-le-desert\/","title":{"rendered":"Tapis Vert (L\u2019homme qui arr\u00eata le d\u00e9sert)"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Apr\u00e8s avoir constat\u00e9 l&rsquo;avanc\u00e9e rapide du d\u00e9sert dans son village, Yakuba, d\u00e9cide de tout abandonner pour lutter contre cette terre aride, en pratiquant une technique assez sp\u00e9ciale et bien \u00e0 lui.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Claver YAMEOGO a une solide exp\u00e9rience dans le domaine de la bande dessin\u00e9e et des arts plastiques en g\u00e9n\u00e9ral. En 2008, il suit une formation en initiation au dessin anim\u00e9 2D \u00e0 l&rsquo;Institut IMAGINE. En 2009 Claver r\u00e9alise son premier dessin anim\u00e9 <strong>Polo<\/strong> qui lui ouvre la voie \u00e0 une bourse d&rsquo;\u00e9tudes en France \u00e0 l&rsquo;EMCA. En 2011, il r\u00e9alise deux films de fin d\u2019\u00e9tude (<strong>Le jour de mes sept ans<\/strong> et <strong>Parce que j&rsquo;ai faim<\/strong>), en 2013 deux documentaires <strong>(Invasion d\u00e9chets plastiques<\/strong> et <strong>Invasion de motos au Burkina Faso<\/strong>) et en 2016, <strong>FALTA<\/strong> (prix au Festival du film d&rsquo;animation \u00e0 Abidjan 2017).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Apr\u00e8s avoir constat\u00e9 l&rsquo;avanc\u00e9e rapide du d\u00e9sert dans son village, Yakuba, d\u00e9cide de tout abandonner pour lutter contre cette terre aride, en pratiquant une technique assez sp\u00e9ciale et bien \u00e0 lui. Biofilmographie\/Biofilmography Claver YAMEOGO a une solide exp\u00e9rience dans le domaine de la bande dessin\u00e9e et des arts plastiques en g\u00e9n\u00e9ral. En 2008, il [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/AFFICHE-TAPIS-VERT-FESPACO.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2022"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2022\/revisions"}],"predecessor-version":[{"id":2024,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2022\/revisions\/2024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2023"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2020,"date":"2021-10-14T20:32:13","date_gmt":"2021-10-14T20:32:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=2020"},"modified":"2021-10-14T20:32:13","modified_gmt":"2021-10-14T20:32:13","slug":"souvenir-souvenir-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/souvenir-souvenir-2\/","title":{"rendered":"Souvenir Souvenir"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>For ten years, I\u2019ve pretended to make a movie out of my grandfather&rsquo;s Algerian war souvenirs. Today, I\u2019m not sure I want to hear what he has to say&#8230;<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Bastien DUBOIS earned his diploma in CGI Directing from Supinfocom Valenciennes with his graduation short <strong>AH<\/strong> in 2006. Bastien is a keen traveler. It was after he hitch hiked from the north of France to Istanbul that he had the idea of making an animated travel log. His first independent film <strong>Madagascar, a Journey Diary<\/strong> was based on a one-year trip to the big red island. This film was very well received and screened in more than 200 international film festivals including Sundance. The film ultimately garnered an Oscar nomination in 2011.<br \/>\nIn 2012 he directed a TV program based on <strong>Madagascar, a Journey Diary<\/strong> called <strong>Faces From Places<\/strong> a series of 20 animated 3 minute travelogue films featuring various countries around the world. In 2013 Bastien released <strong>Cargo Cult<\/strong>, an animated short film which is set in Papua New Guinea during the second world war.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis For ten years, I\u2019ve pretended to make a movie out of my grandfather&rsquo;s Algerian war souvenirs. Today, I\u2019m not sure I want to hear what he has to say&#8230; Biofilmographie\/Biofilmography Bastien DUBOIS earned his diploma in CGI Directing from Supinfocom Valenciennes with his graduation short AH in 2006. Bastien is a keen traveler. It [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2018,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-29.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2020"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2020\/revisions"}],"predecessor-version":[{"id":2021,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2020\/revisions\/2021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2018"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2017,"date":"2021-10-14T20:31:19","date_gmt":"2021-10-14T20:31:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=2017"},"modified":"2023-02-23T18:52:13","modified_gmt":"2023-02-23T18:52:13","slug":"souvenir-souvenir","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/souvenir-souvenir\/","title":{"rendered":"Souvenir Souvenir"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Pendant dix ans, j\u2019ai pr\u00e9tendu vouloir faire parler mon grand-p\u00e8re sur la guerre d\u2019Alg\u00e9rie. Aujourd\u2019hui, je ne suis plus s\u00fbr de vouloir entendre ce qu\u2019il a \u00e0 dire\u2026 ni d\u2019avoir envie de faire ce film d\u2019ailleurs.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Apr\u00e8s des \u00e9tudes en Arts Appliqu\u00e9s et un BTS communication visuelle, Bastien Dubois rejoint l\u2019\u00e9cole d&rsquo;animation 3D Supinfocom. S&rsquo;en suit un bref passage dans l\u2019industrie du jeu vid\u00e9o puis un s\u00e9jour \u00e0 Madagascar o\u00f9 il a r\u00e9alis\u00e9 son premier court m\u00e9trage intitul\u00e9 <strong>Madagascar, carnet de voyage <\/strong>qui remporte de nombreux prix ainsi qu&rsquo;une nomination pour un oscar en 2011. <strong>Portraits de Voyages <\/strong>&#8211; une d\u00e9clinaison du film en s\u00e9rie lui sera command\u00e9\u00a0par ARTE. Il a encha\u00een\u00e9 avec mon second <strong>Cargo Cult<\/strong>. <strong>Souvenir Souvenir<\/strong> est mon troisi\u00e8me\u00a0court m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Pendant dix ans, j\u2019ai pr\u00e9tendu vouloir faire parler mon grand-p\u00e8re sur la guerre d\u2019Alg\u00e9rie. Aujourd\u2019hui, je ne suis plus s\u00fbr de vouloir entendre ce qu\u2019il a \u00e0 dire\u2026 ni d\u2019avoir envie de faire ce film d\u2019ailleurs. Biofilmographie\/Biofilmography Apr\u00e8s des \u00e9tudes en Arts Appliqu\u00e9s et un BTS communication visuelle, Bastien Dubois rejoint l\u2019\u00e9cole d&rsquo;animation 3D [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2018,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-29.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2017"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2017\/revisions"}],"predecessor-version":[{"id":2019,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2017\/revisions\/2019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2018"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2015,"date":"2021-10-14T20:29:04","date_gmt":"2021-10-14T20:29:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=2015"},"modified":"2021-10-14T20:29:04","modified_gmt":"2021-10-14T20:29:04","slug":"souleyman-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/souleyman-2\/","title":{"rendered":"SouleyMAN"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>SouleyMan is a young child and fan of a superhero who rescues people in danger in his city. The superhero inspires him to do good in his neighbourhood. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>2D and 3D illustrator and animator Alo\u00efs AGBOGLO began drawing at the age of 4. He is a self-taught person for there is no animation training school in his country, acquiring his knowledge in this field from Internet. His passion for animation won him several awards and his films have showed at prestigious festivals.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis SouleyMan is a young child and fan of a superhero who rescues people in danger in his city. The superhero inspires him to do good in his neighbourhood. Biofilmographie\/Biofilmography 2D and 3D illustrator and animator Alo\u00efs AGBOGLO began drawing at the age of 4. He is a self-taught person for there is no animation [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/SOULEYMAN.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2015"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2015\/revisions"}],"predecessor-version":[{"id":2016,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2015\/revisions\/2016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2013"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2012,"date":"2021-10-14T20:28:21","date_gmt":"2021-10-14T20:28:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=2012"},"modified":"2023-02-23T18:53:18","modified_gmt":"2023-02-23T18:53:18","slug":"souleyman","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/souleyman\/","title":{"rendered":"SouleyMAN"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. \u00a0SouleyMan est un jeune enfant, fan de super h\u00e9ros qui sauve des personnes en danger dans sa ville. Ce dernier l\u2019inspire \u00e0 faire du bien dans son entourage.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Illustrateur, animateur 2D et 3D, Alo\u00efs AGBOGLO a commenc\u00e9 par dessiner d\u00e8s l\u2019\u00e2ge de 4 ans. Autodidacte, car aucune \u00e9cole ne forme au m\u00e9tier de l\u2019animation dans son pays. Il a d\u00fb se tourner vers internet pour acqu\u00e9rir la connaissance dans ce domaine. Sa passion pour l\u2019animation lui a valu plusieurs r\u00e9compenses et plusieurs s\u00e9lections dans de prestigieux festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. \u00a0SouleyMan est un jeune enfant, fan de super h\u00e9ros qui sauve des personnes en danger dans sa ville. Ce dernier l\u2019inspire \u00e0 faire du bien dans son entourage. Biofilmographie\/Biofilmography Illustrateur, animateur 2D et 3D, Alo\u00efs AGBOGLO a commenc\u00e9 par dessiner d\u00e8s l\u2019\u00e2ge de 4 ans. Autodidacte, car aucune \u00e9cole ne forme au m\u00e9tier de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/SOULEYMAN.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2012"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2012\/revisions"}],"predecessor-version":[{"id":2014,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2012\/revisions\/2014"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2013"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2010,"date":"2021-10-14T20:26:36","date_gmt":"2021-10-14T20:26:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=2010"},"modified":"2021-10-14T20:26:36","modified_gmt":"2021-10-14T20:26:36","slug":"salia-lenfant-de-satan-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/salia-lenfant-de-satan-2\/","title":{"rendered":"Salia, l\u2019enfant de Satan"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>She doesn\u2019t want her husband to have a voice in their household so that he will not give chores to Salia, while her biological son Alain lives like a prince. It\u2019s rivalry all the time. She goes to a witch doctor to kill Salia so that she doesn\u2019t have anything to inherit. Unfortunately, her son falls victim, another reason for charging Salia. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Patrick KALUTA has made two documentaries (<strong>La rivi\u00e8re Kalimabenge <\/strong>in 2014 and <strong>Mai ya moto <\/strong>in 2017), two animated films (<strong>Salia, la fille de l\u2019est <\/strong>in 2016 and <strong>La montre de chez nous <\/strong>in 2019) and three fictionals (<\/em><em>L\u2019heure<strong> de la v\u00e9rit\u00e9 <\/strong>in 2015; <strong>La vie dans la main <\/strong>in 2016 and <strong>La montre de chez nous i<\/strong>n 2018). <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis She doesn\u2019t want her husband to have a voice in their household so that he will not give chores to Salia, while her biological son Alain lives like a prince. It\u2019s rivalry all the time. She goes to a witch doctor to kill Salia so that she doesn\u2019t have anything to inherit. Unfortunately, her [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-28.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2010"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2010\/revisions"}],"predecessor-version":[{"id":2011,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2010\/revisions\/2011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2008"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2007,"date":"2021-10-14T20:25:32","date_gmt":"2021-10-14T20:25:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=2007"},"modified":"2023-02-23T18:55:16","modified_gmt":"2023-02-23T18:55:16","slug":"salia-lenfant-de-satan","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/salia-lenfant-de-satan\/","title":{"rendered":"Salia, l\u2019enfant de Satan"},"content":{"rendered":"<p><strong>Synopsis.\u00a0 <\/strong>Elle veut que son \u00e9poux n\u2019ait aucune voix dans leur foyer pour profiter de donner \u00e0 Salia des corv\u00e9es, alors que son fils biologique Alain vit comme un prince. C\u2019est la rivalit\u00e9 dans tous les sens. Elle est oblig\u00e9e de recourir \u00e0 un f\u00e9tichiste afin de tuer pour qu&rsquo;elle n&rsquo;h\u00e9rite de rien, Malheureusement, c&rsquo;est son fils qui est tomb\u00e9 victime de la sorcellerie qu&rsquo;elle est all\u00e9e chercher, une raison de plus pour incomber ce malheur sur la t\u00eate de Salia&#8230;.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Patrick KALUTA a \u00e0 son compte deux films documentaires (<strong>La rivi\u00e8re Kalimabenge <\/strong>en 2014, <strong>Mai ya moto <\/strong>en 2017), deux films d\u2019animation (<strong>Salia, la fille de l\u2019est <\/strong>en 2016, <strong>La montre de chez nous <\/strong>en 2019) et trois films de fiction (L\u2019heure<strong> de la v\u00e9rit\u00e9 <\/strong>en 2015, <strong>La vie dans la main <\/strong>en 2016, <strong>La montre de chez nous <\/strong>en 2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis.\u00a0 Elle veut que son \u00e9poux n\u2019ait aucune voix dans leur foyer pour profiter de donner \u00e0 Salia des corv\u00e9es, alors que son fils biologique Alain vit comme un prince. C\u2019est la rivalit\u00e9 dans tous les sens. Elle est oblig\u00e9e de recourir \u00e0 un f\u00e9tichiste afin de tuer pour qu&rsquo;elle n&rsquo;h\u00e9rite de rien, Malheureusement, c&rsquo;est [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-28.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2007"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2007\/revisions"}],"predecessor-version":[{"id":2009,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2007\/revisions\/2009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2008"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2005,"date":"2021-10-14T20:22:06","date_gmt":"2021-10-14T20:22:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=2005"},"modified":"2021-10-14T20:22:06","modified_gmt":"2021-10-14T20:22:06","slug":"mofiala-le-phare-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mofiala-le-phare-2\/","title":{"rendered":"Mofiala (le Phare)"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Going against her husband\u2019s wishes, <\/em>Ay\u00e9l\u00e9 secretly sends her daughter Mofiala to study in town. Years later, an epidemic of unknown<em> origin strikes the town. Now a doctor and bacteriology researcher, Mofiala seems to be the ideal person to halt the problem. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>KPADENOU Kossi Hunkpati aka Boris KPADENOU is a 2D animated film director from Togo. After completing his post-graduate studies, he began drawing, his passion. He trained in 2008 as animated film technician at Institut <strong>IMAGINE <\/strong>in Burkina Faso. In 2017 he created the Studio <strong>ARUKA<\/strong>. Illustrator with several communication agencies, he has made some 2D, 3D commercials and institutional films. His film <strong>Mofiala <\/strong>won the Jury Prize at Festival EMERGENCE in 2020. \u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Going against her husband\u2019s wishes, Ay\u00e9l\u00e9 secretly sends her daughter Mofiala to study in town. Years later, an epidemic of unknown origin strikes the town. Now a doctor and bacteriology researcher, Mofiala seems to be the ideal person to halt the problem. Biofilmographie\/Biofilmography KPADENOU Kossi Hunkpati aka Boris KPADENOU is a 2D animated film [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-27.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2005"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2005\/revisions"}],"predecessor-version":[{"id":2006,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2005\/revisions\/2006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2003"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2002,"date":"2021-10-14T20:20:57","date_gmt":"2021-10-14T20:20:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=2002"},"modified":"2023-02-23T18:54:22","modified_gmt":"2023-02-23T18:54:22","slug":"mofiala-le-phare","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mofiala-le-phare\/","title":{"rendered":"Mofiala (le Phare)"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Allant contre la volont\u00e9 de son mari, Ay\u00e9l\u00e9 envoie clandestinement sa fille Mofiala \u00e9tudier en ville. Des ann\u00e9es plus tard, une \u00e9pid\u00e9mie d&rsquo;origine inconnue frappe le village. Devenue docteur et chercheuse en bact\u00e9riologie, Mofiala semble la personne id\u00e9ale pour \u00e9radiquer ce probl\u00e8me.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>KPADENOU Kossi Hunkpati alias Boris KPADENOU est un r\u00e9alisateur de films d\u2019animation 2D de nationalit\u00e9 togolaise. Apr\u00e8s des \u00e9tudes universitaires, il se lance dans sa passion : le dessin. Il se forme en 2008 en tant que technicien en film d\u2019animation \u00e0 l\u2019Institut <strong>IMAGINE <\/strong>au Burkina Faso. Il cr\u00e9e, en 2017, le Studio <strong>ARUKA<\/strong>. Illustrateur aupr\u00e8s de plusieurs agences de communications, il a r\u00e9alis\u00e9 des spots publicitaires 2D, 3D et des films institutionnels. En 2020, il obtient le coup de c\u0153ur du jury du festival EMERGENCE avec <strong>Mofiala<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Allant contre la volont\u00e9 de son mari, Ay\u00e9l\u00e9 envoie clandestinement sa fille Mofiala \u00e9tudier en ville. Des ann\u00e9es plus tard, une \u00e9pid\u00e9mie d&rsquo;origine inconnue frappe le village. Devenue docteur et chercheuse en bact\u00e9riologie, Mofiala semble la personne id\u00e9ale pour \u00e9radiquer ce probl\u00e8me. Biofilmographie\/Biofilmography KPADENOU Kossi Hunkpati alias Boris KPADENOU est un r\u00e9alisateur de films [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-27.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2002"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2002\/revisions"}],"predecessor-version":[{"id":2004,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2002\/revisions\/2004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2003"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2000,"date":"2021-10-14T20:18:42","date_gmt":"2021-10-14T20:18:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=2000"},"modified":"2021-10-14T20:18:42","modified_gmt":"2021-10-14T20:18:42","slug":"mark-of-love-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mark-of-love-2\/","title":{"rendered":"Mark of love"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Mark of Love is the mighty story of a little adventurous girl who, with the help of a mysterious maned wolf, goes on the traces of her lost mother who disappeared into a giant menacing dark castle. What\u2019s the secret behind this Castle, with the maned wolf and the fire lord living inside?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>2D artist, illustrator and 2D animator Hermann was born in 1984 in C\u00f4te d\u2019Ivoire, West Africa. During childhood he discovered big animated movies that changed his mind and later his life. He decided to travel in France in order to study animation and art in general to improve his skills. After that, he created several. Hermann joined the African animation studio Animax FYB in November 2020 as an 2D animator and storyboard artist.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mark of Love is the mighty story of a little adventurous girl who, with the help of a mysterious maned wolf, goes on the traces of her lost mother who disappeared into a giant menacing dark castle. What\u2019s the secret behind this Castle, with the maned wolf and the fire lord living inside? Biofilmographie\/Biofilmography [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-2000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/mark-of-love-F.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2000"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2000\/revisions"}],"predecessor-version":[{"id":2001,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2000\/revisions\/2001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1998"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1997,"date":"2021-10-14T20:17:26","date_gmt":"2021-10-14T20:17:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=1997"},"modified":"2023-02-23T18:54:39","modified_gmt":"2023-02-23T18:54:39","slug":"mark-of-love","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mark-of-love\/","title":{"rendered":"Mark of love"},"content":{"rendered":"<p><strong>Synopsis. <\/strong><\/p>\n<p><em>Mark of Love<\/em> est l\u2019histoire puissante d\u2019une petite fille aventureuse qui, aid\u00e9e par un myst\u00e9rieux loup \u00e0 crini\u00e8re, part sur les traces de sa m\u00e8re perdue qui a disparue dans un effrayant ch\u00e2teau sombre. Quel secret couve ce ch\u00e2teau o\u00f9 vivent le loup \u00e0 crini\u00e8re et le seigneur du feu.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Artiste, illustrateur et animateur 2D, Hermann est n\u00e9 en 1984 en C\u00f4te d\u2019Ivoire, Afrique de l\u2019ouest. Son enfance est berc\u00e9e par de grands films d\u2019animations qui vont forger son esprit et changer sa vie. Il d\u00e9cide par la suite de se rendre en France pour des \u00e9tudes d\u2019animation et d\u2019art en g\u00e9n\u00e9ral afin de se perfectionner. Il a \u00e0 son actif plusieurs films d\u2019animation. Depuis novembre 2020, Hermann travaille comme animateur 2D et storyboardeur au studio Animax FYB.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Mark of Love est l\u2019histoire puissante d\u2019une petite fille aventureuse qui, aid\u00e9e par un myst\u00e9rieux loup \u00e0 crini\u00e8re, part sur les traces de sa m\u00e8re perdue qui a disparue dans un effrayant ch\u00e2teau sombre. Quel secret couve ce ch\u00e2teau o\u00f9 vivent le loup \u00e0 crini\u00e8re et le seigneur du feu. Biofilmographie\/Biofilmography Artiste, illustrateur et [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/mark-of-love-F.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1997"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1997\/revisions"}],"predecessor-version":[{"id":1999,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1997\/revisions\/1999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1998"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1995,"date":"2021-10-14T20:15:26","date_gmt":"2021-10-14T20:15:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=1995"},"modified":"2021-10-14T20:15:26","modified_gmt":"2021-10-14T20:15:26","slug":"machini-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/machini-2\/","title":{"rendered":"Machini"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Out of necessity and especially by the power of the machine, we have become sleepwalking beings, people deprived of good Lord, the wretched of the Earth and above all experimental animals of the machine.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Since 2010, Frank Mukunday and T\u00e9tshim have been producing self-taught animated films. Starting from the practice of drawing (T\u00e9tshim) and video (Frank), their duo founded the studio \u00ab\u00a0Crayon de cuivre\u00a0\u00bb in Lubumbashi. After two experimental films \u201c<strong>Cailloux<\/strong>\u201d and \u201c<strong>Kukinga<\/strong>\u201d, <strong>Machini<\/strong> is their first film made in professional production conditions.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Out of necessity and especially by the power of the machine, we have become sleepwalking beings, people deprived of good Lord, the wretched of the Earth and above all experimental animals of the machine. Biofilmographie\/Biofilmography Since 2010, Frank Mukunday and T\u00e9tshim have been producing self-taught animated films. Starting from the practice of drawing (T\u00e9tshim) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1993,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-1995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Machini-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1995"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1995\/revisions"}],"predecessor-version":[{"id":1996,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1995\/revisions\/1996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1993"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1992,"date":"2021-10-14T20:14:39","date_gmt":"2021-10-14T20:14:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=1992"},"modified":"2023-02-23T18:55:23","modified_gmt":"2023-02-23T18:55:23","slug":"machini","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/machini\/","title":{"rendered":"Machini"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Par la force des choses et surtout de la machine, nous sommes devenus des \u00eatres somnambuliques, des \u00eatres priv\u00e9s de bon Dieu, des damn\u00e9s de la terre et des cobayes par-dessus-le-march\u00e9 noir de l\u2019histoire des cobayes de la machine.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Frank MUKUNDAY et T\u00e9tshim r\u00e9alisent depuis 2010 des films d\u2019animation en autodidactes. Partant de la pratique du dessin (T\u00e9tshim) et de la vid\u00e9o (Frank), leur duo a fond\u00e9 le studio \u00ab Crayon de cuivre \u00bb \u00e0 Lubumbashi. Apr\u00e8s deux essais exp\u00e9rimentaux <strong>Cailloux<\/strong> et <strong>Kukinga<\/strong>, <strong>Machini<\/strong> est leur premier film r\u00e9alis\u00e9 dans des conditions de production professionnelles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Par la force des choses et surtout de la machine, nous sommes devenus des \u00eatres somnambuliques, des \u00eatres priv\u00e9s de bon Dieu, des damn\u00e9s de la terre et des cobayes par-dessus-le-march\u00e9 noir de l\u2019histoire des cobayes de la machine. Biofilmographie\/Biofilmography Frank MUKUNDAY et T\u00e9tshim r\u00e9alisent depuis 2010 des films d\u2019animation en autodidactes. Partant de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1993,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Machini-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1992"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1992\/revisions"}],"predecessor-version":[{"id":1994,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1992\/revisions\/1994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1993"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1989,"date":"2021-10-14T20:03:28","date_gmt":"2021-10-14T20:03:28","guid":{"rendered":"https:\/\/fespaco.org\/?p=1989"},"modified":"2023-02-23T19:07:00","modified_gmt":"2023-02-23T19:07:00","slug":"le-troc","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-troc\/","title":{"rendered":"Le troc"},"content":{"rendered":"<p><strong>Synopsis <\/strong><\/p>\n<p>A Togofri, le vieux N\u2019golo environ 50 ans, vit avec son petit fils Ti\u00e8coura. \u00c0 la suite d\u2019une r\u00e9colte favorable, N\u2019Golo d\u00e9cide de troquer quelques sacs de riz contre un b\u00e9lier d\u2019Amady un berger du village.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A Togofri, le vieux N\u2019golo environ 50 ans, vit avec son petit fils Ti\u00e8coura. \u00c0 la suite d\u2019une r\u00e9colte favorable, N\u2019Golo d\u00e9cide de troquer quelques sacs de riz contre un b\u00e9lier d\u2019Amady un berger du village.<\/p>\n","protected":false},"author":2,"featured_media":1990,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-26.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1989"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1989\/revisions"}],"predecessor-version":[{"id":1991,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1989\/revisions\/1991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1990"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1987,"date":"2021-10-14T20:00:27","date_gmt":"2021-10-14T20:00:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=1987"},"modified":"2021-10-14T20:00:27","modified_gmt":"2021-10-14T20:00:27","slug":"le-champ-de-zozaniba-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-champ-de-zozaniba-2\/","title":{"rendered":"Le champ de Zozaniba"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Every year, Zozaniba plants the best cassava stems in winter season in his field. Meanwhile, Surukuba sleeps under a tree waiting for the harvest time to help himself and destroy the rest. Tired, Zozaniba decides to speak to Surukuba, in vain. He calls on Waraba for help. Together, they set up a plan that will bring Surukuba to his senses.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Malian filmmaker Gaoussou TANGARA has several films to his credits, including <strong>K\u00e9k\u00e9 <\/strong>(2014); <strong>Souroukouba et Zozaniba<\/strong> (2015); and <strong>Musow joyoro<\/strong> (2018).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Every year, Zozaniba plants the best cassava stems in winter season in his field. Meanwhile, Surukuba sleeps under a tree waiting for the harvest time to help himself and destroy the rest. Tired, Zozaniba decides to speak to Surukuba, in vain. He calls on Waraba for help. Together, they set up a plan that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-1987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1987"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1987\/revisions"}],"predecessor-version":[{"id":1988,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1987\/revisions\/1988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1985"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1984,"date":"2021-10-14T19:58:24","date_gmt":"2021-10-14T19:58:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1984"},"modified":"2023-02-23T19:12:34","modified_gmt":"2023-02-23T19:12:34","slug":"le-champ-de-zozaniba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-champ-de-zozaniba\/","title":{"rendered":"Le champ de Zozaniba"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Chaque ann\u00e9e, Zozaniba plante les meilleures tiges de maniocs en p\u00e9riode hivernale dans son champ. Pendant ce temps, Surukuba est isol\u00e9 sous l\u2019arbre entrain de dormir, Il attend le moment des r\u00e9coltes, se sert et d\u00e9truit le reste. Fatigu\u00e9, Zozaniba d\u00e9cide de parler avec Surukuba mais sans succ\u00e8s, il sollicite alors l\u2019aide de Waraba. Ensemble, ils vont mettre en place un plan qui am\u00e8ne Surukuba \u00e0 la raison.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Gaoussou TANGARA est un cin\u00e9aste malien qui a \u00e0 son actif plusieurs \u0153uvres dont\u00a0: <strong>K\u00e9k\u00e9 <\/strong>(2014), <strong>Souroukouba et Zozaniba<\/strong> (2015) et <strong>Musow joyoro<\/strong> (2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Chaque ann\u00e9e, Zozaniba plante les meilleures tiges de maniocs en p\u00e9riode hivernale dans son champ. Pendant ce temps, Surukuba est isol\u00e9 sous l\u2019arbre entrain de dormir, Il attend le moment des r\u00e9coltes, se sert et d\u00e9truit le reste. Fatigu\u00e9, Zozaniba d\u00e9cide de parler avec Surukuba mais sans succ\u00e8s, il sollicite alors l\u2019aide de Waraba. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1984"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1984\/revisions"}],"predecessor-version":[{"id":1986,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1984\/revisions\/1986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1985"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1982,"date":"2021-10-14T19:54:36","date_gmt":"2021-10-14T19:54:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=1982"},"modified":"2021-10-14T19:54:36","modified_gmt":"2021-10-14T19:54:36","slug":"la-symbolique-du-butin-the-symbolic-of-loot-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-symbolique-du-butin-the-symbolic-of-loot-2\/","title":{"rendered":"La symbolique du butin\/The symbolic of loot"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>The king of Mangou goes to war against the fearsome army of the kingdom of noon. He first consults the supreme master for his help to win the war. The supreme master consents on the condition that he brings him back as a sacrifice the symbolic of the entire war loot.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Kossi Messan AKODA\u2019s taste for drawing as he was still a child led him into directing short animation films after his studies. In 2018, he directed his first short <strong>La malice de la b\u00eate<\/strong> (FESPACO 2019 official selection). <strong>La Symbolique du Butin<\/strong> has been selected at Make Art not War Teaser Film Festival in 2020 in California and at Silicon Valey African Film Festival in 2020. AKODA attended Durban Talent and Durban FilmMart in 2020 with his feature project <strong>La choisie<\/strong>.\u00a0 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The king of Mangou goes to war against the fearsome army of the kingdom of noon. He first consults the supreme master for his help to win the war. The supreme master consents on the condition that he brings him back as a sacrifice the symbolic of the entire war loot. Biofilmographie\/Biofilmography Kossi Messan [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-1982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1982"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1982\/revisions"}],"predecessor-version":[{"id":1983,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1982\/revisions\/1983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1979"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1978,"date":"2021-10-14T19:53:59","date_gmt":"2021-10-14T19:53:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1978"},"modified":"2023-02-23T19:07:38","modified_gmt":"2023-02-23T19:07:38","slug":"la-symbolique-du-butin-the-symbolic-of-loot","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-symbolique-du-butin-the-symbolic-of-loot\/","title":{"rendered":"La symbolique du butin\/The symbolic of loot"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Le roi du mangou va en guerre contre la redoutable arm\u00e9e du royaume de midi. Il va d\u2019abord consulter le ma\u00eetre supr\u00eame pour demander son aide afin de remporter la guerre. Le ma\u00eetre supr\u00eame lui donne son accord \u00e0 condition qu\u2019il lui rapporte en sacrifice la symbolique de tout le butin qu\u2019il aura ramen\u00e9 du combat.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Le go\u00fbt pour le dessin que Kossi Messan AKODA a embrass\u00e9 d\u00e8s son enfance l\u2019a emmen\u00e9 \u00e0 se lancer \u00e0 l\u2019issue de ses \u00e9tudes dans la r\u00e9alisation de courts m\u00e9trages d\u2019animation. En 2018 il r\u00e9alise son premier court m\u00e9trage <strong>La malice de la b\u00eate<\/strong> (s\u00e9lection officielle au FESPACO 2019). <strong>La Symbolique du Butin<\/strong> est en s\u00e9lection officielle au Make Art not War Teaser Film Festival 2020 en Californie et au Silicon Valey African Film Festival 2020. AKODA participe au Talent durban et au Durban FilmMart 2020 avec son projet de long m\u00e9trage <strong>La choisie<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Le roi du mangou va en guerre contre la redoutable arm\u00e9e du royaume de midi. Il va d\u2019abord consulter le ma\u00eetre supr\u00eame pour demander son aide afin de remporter la guerre. Le ma\u00eetre supr\u00eame lui donne son accord \u00e0 condition qu\u2019il lui rapporte en sacrifice la symbolique de tout le butin qu\u2019il aura ramen\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1978","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1978"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1978\/revisions"}],"predecessor-version":[{"id":1980,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1978\/revisions\/1980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1979"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1976,"date":"2021-10-14T19:52:23","date_gmt":"2021-10-14T19:52:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=1976"},"modified":"2021-10-14T19:52:23","modified_gmt":"2021-10-14T19:52:23","slug":"ganja-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ganja-2\/","title":{"rendered":"Ganja"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Ndiogou, a young Indian hemp addict, is about to have his last shot. To get into the mood, he sings an old Bob Marley song which just happens to be the Ganjas magic formula. This music has always been the shield protecting the Ganjas from addicted smokers. Ndiogou finds himself trapped in a trial that will be decisive.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>A passionate about cinema, Amath NDIAYE began his career making animation and audio-visual films. In the 2000s, he set up a small production company Obelus Films and Animations Studio. He made his directional debut with <strong>Geuti Goudi<\/strong> in 2012, an innovative silent film, followed by <strong>Maty<\/strong> in 2017. In addition to directing and producing, Amath is a trainer in several cinema and audio-visual school and institutions.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ndiogou, a young Indian hemp addict, is about to have his last shot. To get into the mood, he sings an old Bob Marley song which just happens to be the Ganjas magic formula. This music has always been the shield protecting the Ganjas from addicted smokers. Ndiogou finds himself trapped in a trial [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-1976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/GANJA-PAYSAGE.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1976"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1976\/revisions"}],"predecessor-version":[{"id":1977,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1976\/revisions\/1977"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1974"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1973,"date":"2021-10-14T19:51:29","date_gmt":"2021-10-14T19:51:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=1973"},"modified":"2023-02-23T19:12:41","modified_gmt":"2023-02-23T19:12:41","slug":"ganja","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ganja\/","title":{"rendered":"Ganja"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Ndiogou, un jeune accro au chanvre indien, s\u2019appr\u00eate \u00e0 fumer son dernier joint. Pour se mettre dans l&rsquo;ambiance, il chante une vieille chanson de Bob Marley qui se trouve \u00eatre la formule magique des Ganjas. Cette musique a toujours \u00e9t\u00e9 le bouclier qui prot\u00e8ge les Ganjas contre les fumeurs accros. Ndiogou se voit alors pris au pi\u00e8ge, dans un proc\u00e8s qui d\u00e9cidera de sa sentence.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Passionn\u00e9 de cin\u00e9ma, Amath NDIAYE commence sa carri\u00e8re avec l&rsquo;animation et l\u2019audiovisuel. Dans les ann\u00e9es 2000, il met en place une petite structure de production Obelus films and Animations Studio. Il r\u00e9alise son premier film <strong>Geuti Goudi<\/strong> en 2012, une oeuvre dont le style est novateur car le film est muet. Il signe son deuxi\u00e8me film avec <strong>Maty<\/strong>, r\u00e9alis\u00e9 en 2017. Aujourd&rsquo;hui, en plus d&rsquo;\u00eatre r\u00e9alisateur-producteur, Amath Ndiaye est formateur dans plusieurs \u00e9coles et structures de formation aux m\u00e9tiers du cin\u00e9ma et de l&rsquo;audiovisuel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Ndiogou, un jeune accro au chanvre indien, s\u2019appr\u00eate \u00e0 fumer son dernier joint. Pour se mettre dans l&rsquo;ambiance, il chante une vieille chanson de Bob Marley qui se trouve \u00eatre la formule magique des Ganjas. Cette musique a toujours \u00e9t\u00e9 le bouclier qui prot\u00e8ge les Ganjas contre les fumeurs accros. Ndiogou se voit alors [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/GANJA-PAYSAGE.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1973"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1973\/revisions"}],"predecessor-version":[{"id":4693,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1973\/revisions\/4693"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1974"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1971,"date":"2021-10-14T19:49:51","date_gmt":"2021-10-14T19:49:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=1971"},"modified":"2021-10-14T19:49:51","modified_gmt":"2021-10-14T19:49:51","slug":"bwa-kaybo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bwa-kaybo-2\/","title":{"rendered":"Bwa Kaybo"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>On a full moon night, Fabrice and Simon, two guys from the village of Basse-Terre, decide to rob a grocery store.They do not know that they are about to enter the sanctuary of Fofo, an eccentric old man well-known for his affinities with the occult powers.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Just think of me as a simple Guadeloupean who likes to write stories and make his video projects even when there is no money. Maybe I just got into the business as a beginner but from my own experience, I believe I am quite capable of showing the audience a good time<\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis On a full moon night, Fabrice and Simon, two guys from the village of Basse-Terre, decide to rob a grocery store.They do not know that they are about to enter the sanctuary of Fofo, an eccentric old man well-known for his affinities with the occult powers. Biofilmographie\/Biofilmography Just think of me as a simple [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-1971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1971"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1971\/revisions"}],"predecessor-version":[{"id":1972,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1971\/revisions\/1972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1969"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1967,"date":"2021-10-14T19:49:03","date_gmt":"2021-10-14T19:49:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=1967"},"modified":"2023-02-23T19:08:06","modified_gmt":"2023-02-23T19:08:06","slug":"bwa-kaybo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bwa-kaybo\/","title":{"rendered":"Bwa Kaybo"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Un soir de pleine lune, Fabrice et Simon, deux gars du village de Basse-Terre, d\u00e9cident de braquer une \u00e9picerie. Ils ne savent pas qu&rsquo;ils vont entrer dans le sanctuaire de Fofo, un vieil homme excentrique connu pour ses affinit\u00e9s avec les puissances occultes.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Voyez-moi juste comme un simple Guadeloup\u00e9en qui aime \u00e9crire des histoires et r\u00e9alise ses projets vid\u00e9o m\u00eame quand il n&rsquo;y a pas d&rsquo;argent. Peut-\u00eatre que je suis entr\u00e9 dans les images en tant que d\u00e9butant mais par mes propres exp\u00e9riences, je pense que je suis tout \u00e0 fait capable de donner au public de bonnes \u0153uvres.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Un soir de pleine lune, Fabrice et Simon, deux gars du village de Basse-Terre, d\u00e9cident de braquer une \u00e9picerie. Ils ne savent pas qu&rsquo;ils vont entrer dans le sanctuaire de Fofo, un vieil homme excentrique connu pour ses affinit\u00e9s avec les puissances occultes. Biofilmographie\/Biofilmography Voyez-moi juste comme un simple Guadeloup\u00e9en qui aime \u00e9crire des [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1967"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1967\/revisions"}],"predecessor-version":[{"id":1970,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1967\/revisions\/1970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1969"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1963,"date":"2021-10-14T18:43:10","date_gmt":"2021-10-14T18:43:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=1963"},"modified":"2023-02-24T14:28:00","modified_gmt":"2023-02-24T14:28:00","slug":"mami-wata-le-mystere-diveza-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mami-wata-le-mystere-diveza-2\/","title":{"rendered":"Mami Wata : le myst\u00e8re d\u2019Iveza"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Young journalist Oliwina returns to her hometown of Agouw\u00e9 in Gabon, she left 15 years ago after a traumatic event, to investigate the disappearance of her younger brother. Upon arrival, bodies of 5 unidentified children are found in a nearby mangrove swamp. In this small town surrounded by Ocean and mangroves, the name of Mami Wata is on everyone\u2019s lips. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Samantha BIFFOT cofounded in 2010 the company Princesse M Productions. She wrote and directed the series <strong>L\u2019oeil de la Cit\u00e9<\/strong>, which was awarded the best TV series prize at FESPACO in 2013. In 2015, she directed her first full-length documentary film, which was awarded the Special Prize at Escales Documentaires in Libreville. She co-wrote and directed the adaptation of the successful Gabonese TV show <strong>Parents Mode d\u2019Emploi<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Young journalist Oliwina returns to her hometown of Agouw\u00e9 in Gabon, she left 15 years ago after a traumatic event, to investigate the disappearance of her younger brother. Upon arrival, bodies of 5 unidentified children are found in a nearby mangrove swamp. In this small town surrounded by Ocean and mangroves, the name of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Mami-wata-le-mystere-dIveza.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1963"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1963\/revisions"}],"predecessor-version":[{"id":1964,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1963\/revisions\/1964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1961"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1960,"date":"2021-10-14T18:41:40","date_gmt":"2021-10-14T18:41:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1960"},"modified":"2023-02-24T10:20:20","modified_gmt":"2023-02-24T10:20:20","slug":"mami-wata-le-mystere-diveza","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mami-wata-le-mystere-diveza\/","title":{"rendered":"Mami Wata : le myst\u00e8re d\u2019Iveza"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Oliwina, une jeune journaliste, retourne dans sa ville natale d\u2019Agouw\u00e9 au Gabon \u2014 qu\u2019elle a quitt\u00e9e pendant quinze ans en raison d\u2019un \u00e9v\u00e9nement traumatisant \u2014 pour enqu\u00eater sur la disparition de son jeune fr\u00e8re. \u00c0 son arriv\u00e9e, les corps de cinq enfants non identifi\u00e9s sont retrouv\u00e9s dans une mangrove voisine. Dans cette petite ville entour\u00e9e d\u2019oc\u00e9an et de mangroves, le nom de Mami Wata est sur toutes les l\u00e8vres.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Samantha BIFFOT a co-fond\u00e9 en 2010 la compagnie <em>Princesse M Productions<\/em>. Elle a \u00e9crit et r\u00e9alis\u00e9 la s\u00e9ries <strong><em>L\u2019oeil de la Cit\u00e9<\/em><\/strong>, qui a remport\u00e9 le prix de la meilleure s\u00e9rie TV au FESPACO 2013. En 2015, elle signe en tant que r\u00e9alisatrice son premier long m\u00e9trage documentaire, qui a re\u00e7u le Prix Sp\u00e9cial \u00e0 Escales Documentaires \u00e0 Libreville. Elle a co-\u00e9crit et r\u00e9alis\u00e9 une adaptation de la c\u00e9l\u00e8bre s\u00e9rie t\u00e9l\u00e9 gabonaise <strong><em>Parents Mode d\u2019Emploi<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Oliwina, une jeune journaliste, retourne dans sa ville natale d\u2019Agouw\u00e9 au Gabon \u2014 qu\u2019elle a quitt\u00e9e pendant quinze ans en raison d\u2019un \u00e9v\u00e9nement traumatisant \u2014 pour enqu\u00eater sur la disparition de son jeune fr\u00e8re. \u00c0 son arriv\u00e9e, les corps de cinq enfants non identifi\u00e9s sont retrouv\u00e9s dans une mangrove voisine. Dans cette petite ville [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Mami-wata-le-mystere-dIveza.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1960"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1960\/revisions"}],"predecessor-version":[{"id":1962,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1960\/revisions\/1962"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1961"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1956,"date":"2021-10-14T13:14:06","date_gmt":"2021-10-14T13:14:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=1956"},"modified":"2023-02-24T14:26:45","modified_gmt":"2023-02-24T14:26:45","slug":"wara-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/wara-2\/","title":{"rendered":"Wara"},"content":{"rendered":"<p><strong>Synopsis. <\/strong><em>Professor of Law at the University, Moutari is running for municipal elections<\/em><em>. Prompted by <\/em><em>A\u00efcha<\/em><em>, a brilliant student, he undertakes to defend the cause of young people in demand for change. Mariam Shugger, a professor of science, is arrested while in class and charged with the murder of her husband. This triggers astonishment and anger among the students who are already tired of waiting for their scholarship. A\u00efcha who entered into politics to stand for women\u2019s conditions learns that Shugger is her mother.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Professor of Law at the University, Moutari is running for municipal elections. Prompted by A\u00efcha, a brilliant student, he undertakes to defend the cause of young people in demand for change. Mariam Shugger, a professor of science, is arrested while in class and charged with the murder of her husband. This triggers astonishment and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Wara.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1956"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1956\/revisions"}],"predecessor-version":[{"id":1957,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1956\/revisions\/1957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1954"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1953,"date":"2021-10-14T13:12:44","date_gmt":"2021-10-14T13:12:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=1953"},"modified":"2023-02-24T10:19:28","modified_gmt":"2023-02-24T10:19:28","slug":"wara","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/wara\/","title":{"rendered":"Wara"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Moutari, professeur de droit \u00e0 l\u2019Universit\u00e9 se pr\u00e9sente aux \u00e9lections municipales. Pouss\u00e9 par <strong>A\u00efcha<\/strong>, la plus brillante d\u2019entre eux, il s\u2019engage \u00e0 soutenir la cause d\u2019une jeunesse en demande de changement. Mariam Shugger, professeur de sciences, est arr\u00eat\u00e9e en plein cours et accus\u00e9e du meurtre de son mari. Cette arrestation d\u00e9clenche l\u2019\u00e9tonnement et la col\u00e8re des \u00e9tudiants d\u00e9j\u00e0 \u00e9chaud\u00e9s par l\u2019attente de leurs bourses. A\u00efcha, entr\u00e9e en politique pour d\u00e9fendre la condition des femmes, apprend \u00e0 cette occasion que Shugger est sa m\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Moutari, professeur de droit \u00e0 l\u2019Universit\u00e9 se pr\u00e9sente aux \u00e9lections municipales. Pouss\u00e9 par A\u00efcha, la plus brillante d\u2019entre eux, il s\u2019engage \u00e0 soutenir la cause d\u2019une jeunesse en demande de changement. Mariam Shugger, professeur de sciences, est arr\u00eat\u00e9e en plein cours et accus\u00e9e du meurtre de son mari. Cette arrestation d\u00e9clenche l\u2019\u00e9tonnement et la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Wara.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1953"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1953\/revisions"}],"predecessor-version":[{"id":1955,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1953\/revisions\/1955"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1954"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1951,"date":"2021-10-14T13:10:34","date_gmt":"2021-10-14T13:10:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=1951"},"modified":"2023-02-24T14:24:47","modified_gmt":"2023-02-24T14:24:47","slug":"walabok-comment-va-la-jeunesse-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/walabok-comment-va-la-jeunesse-2\/","title":{"rendered":"Walabok, comment va la jeunesse"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>18-year-old Mossane is the fourth child in seven of a very modest family in the suburbs of Dakar. The mother runs a small shop to feed her family. Mossane is a brilliant, intelligent and creative student and fan of Hip Hop and dance. She has to hide her passion to her mother who does not consider an artistic career to be a successful outcome. But Mossane\u2019s ambition goes beyond the borders of her ghetto, she dreams of independence, freedom and a fairer world.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Fatoumata KANDE, aka Fatou Kand\u00e9 Senghor, studied Languages, Civilizations and Filmography at Charles De Gaulle University in France. She is an artist and director of creative documentary, TV series and fictional films. She is also a photo\/video trainer for young people out of the traditional learning system. Ten years back, she founded Waru Studio, an art place for young artists, filmmakers and researchers to explore interconnection between art, technology and politics<\/em><em>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis 18-year-old Mossane is the fourth child in seven of a very modest family in the suburbs of Dakar. The mother runs a small shop to feed her family. Mossane is a brilliant, intelligent and creative student and fan of Hip Hop and dance. She has to hide her passion to her mother who does [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Walabok-comment-va-la-jeunesse..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1951"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1951\/revisions"}],"predecessor-version":[{"id":1952,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1951\/revisions\/1952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1965"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1948,"date":"2021-10-14T13:08:49","date_gmt":"2021-10-14T13:08:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=1948"},"modified":"2023-02-24T10:18:31","modified_gmt":"2023-02-24T10:18:31","slug":"walabok-comment-va-la-jeunesse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/walabok-comment-va-la-jeunesse\/","title":{"rendered":"Walabok, comment va la jeunesse"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Mossane, c\u2019est le nom du quatri\u00e8me enfant sur sept d\u2019une tr\u00e8s modeste famille de la banlieue dakaroise dont la m\u00e8re tient un \u00e9talage au march\u00e9 pour nourrir la famille. A 18 ans, brillante \u00e9l\u00e8ve, intelligente et cr\u00e9ative, elle est amoureuse du Hip Hop et de la danse. Une passion qu&rsquo;elle est oblig\u00e9e de cacher \u00e0 sa m\u00e8re, qui ne voit pas une carri\u00e8re artistique comme \u00e9tant une issue de r\u00e9ussite. Mais son ambition va au-del\u00e0 des fronti\u00e8res de son ghetto, Mossane r\u00eave d&rsquo;ind\u00e9pendance, de libert\u00e9 et de faire briller sa flamme dans un monde plus juste.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Fatoumata KANDE plus connue sous le nom Fatou Kand\u00e9 Senghor, a fait des \u00e9tudes en Langues, civilisations et filmographie \u00e0 l\u2019universit\u00e9 Charles De Gaulle en France. Artiste, r\u00e9alisatrice de film documentaire de cr\u00e9ation, de s\u00e9rie t\u00e9l\u00e9 et de fiction, elle est aussi formatrice en photo\/video pour des jeunes en rupture d\u2019apprentissage avec le syst\u00e8me classique. Il y a 10 ans, elle a fond\u00e9 waru studio, un espace d\u2019art \u00e0 dakar o\u00f9 gravitent jeunes artistes, cin\u00e9astes et chercheurs afin d\u2019explorer l\u2019intersection entre l\u2019art-les technologies et la politique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Mossane, c\u2019est le nom du quatri\u00e8me enfant sur sept d\u2019une tr\u00e8s modeste famille de la banlieue dakaroise dont la m\u00e8re tient un \u00e9talage au march\u00e9 pour nourrir la famille. A 18 ans, brillante \u00e9l\u00e8ve, intelligente et cr\u00e9ative, elle est amoureuse du Hip Hop et de la danse. Une passion qu&rsquo;elle est oblig\u00e9e de cacher [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Walabok-comment-va-la-jeunesse..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1948"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1948\/revisions"}],"predecessor-version":[{"id":1949,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1948\/revisions\/1949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1965"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1946,"date":"2021-10-14T13:07:32","date_gmt":"2021-10-14T13:07:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=1946"},"modified":"2023-02-24T10:39:14","modified_gmt":"2023-02-24T10:39:14","slug":"voyage-de-reve-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/voyage-de-reve-2\/","title":{"rendered":"Voyage de R\u00eave"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>In Gagnoa, incorrigible Sea Dangah is organizing a tourist circuit he calls \u201cDream Trip\u201d. Rachelle Adigri, Sea\u2019s possessive fianc\u00e9e wants to be part of the trip at all costs. A few hours before departure, Sea discovers the burn-out old car &#8211; badjan \u201cMollo Mollo, only the finish counts!\u201d &#8211; which he inherits for his trip. It\u2019s a disaster! Sea doesn\u2019t know that he is having in his hands the loot from the robbery of the biggest pastry of Gagnoa which Bassol\u00e9\u0301 Kangah concealed in the old car. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Marina NIAVA is an emerging award-winning filmmaker and writer. A graduate of <\/em><em>Journalism and Audio-visual Production, Marina trained in writing and filmmaking at San Francisco Academy of Art in California. She has directed several shorts (<strong>Twenty-one<\/strong>; <strong>Worse;<\/strong> <strong>Noirs au soleil levant<\/strong>) and a web series. She has created the soap opera <strong>Twenty-one<\/strong> (2019), co-directing many episodes. The travelling comedy <strong>Voyage de r\u00eave<\/strong> provided an opportunity to reveal her talents as a director on a TV series. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In Gagnoa, incorrigible Sea Dangah is organizing a tourist circuit he calls \u201cDream Trip\u201d. Rachelle Adigri, Sea\u2019s possessive fianc\u00e9e wants to be part of the trip at all costs. A few hours before departure, Sea discovers the burn-out old car &#8211; badjan \u201cMollo Mollo, only the finish counts!\u201d &#8211; which he inherits for his [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Voyage-de-Reve.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1946"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1946\/revisions"}],"predecessor-version":[{"id":1947,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1946\/revisions\/1947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1943,"date":"2021-10-14T13:06:54","date_gmt":"2021-10-14T13:06:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1943"},"modified":"2023-02-24T10:17:22","modified_gmt":"2023-02-24T10:17:22","slug":"voyage-de-reve","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/voyage-de-reve\/","title":{"rendered":"Voyage de R\u00eave"},"content":{"rendered":"<p><strong>Synopsis.<\/strong> \u00c0 Gagnoa, l\u2019incorrigible Sea Dangah organise un circuit touristique qu\u2019il intitule \u00ab Voyage de R\u00eave \u00bb. Rachelle Adigri, la fianc\u00e9e possessive de Sea, veut, co\u00fbte que co\u00fbte, participer \u00e0 ce voyage. Quelques heures avant le d\u00e9part, Sea d\u00e9couvre le vieux tacot d\u00e9labr\u00e9- le badjan \u00ab Mollo Mollo, c\u2019est l\u2019arriv\u00e9e qui compte ! \u00bb &#8211; dont il h\u00e9rite pour son p\u00e9riple. C\u2019est la catastrophe ! Sea ignore que Bassol\u00e9\u0301 Kangah y a dissimul\u00e9 le butin du braquage de la Grande P\u00e2tisserie de Gagnoa, miraculeusement tomb\u00e9 entre ses mains la veille du d\u00e9part\u2026<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Marina NIAVA est une jeune cin\u00e9aste et une \u00e9crivaine prim\u00e9e. Dipl\u00f4m\u00e9e en Journalisme et Production Audiovisuelle, Marina se forme \u00e0 l\u2019\u00e9criture et la r\u00e9alisation cin\u00e9matographique \u00e0 l\u2019Academy of Art de San Francisco en Californie. R\u00e9alisatrice de plusieurs court-m\u00e9trages (<strong>21<\/strong>, <strong>Worse<\/strong>, <strong>Noirs au soleil levant<\/strong>) et d\u2019une web s\u00e9rie, elle cr\u00e9e le feuilleton \u00ab Vingt-et-un \u00bb (2019) et en cor\u00e9alise plusieurs \u00e9pisodes. Mais c\u2019est la com\u00e9die itin\u00e9rante <strong>Voyage de r\u00eave<\/strong>, qui lui permet v\u00e9ritablement d\u2019exprimer son talent de r\u00e9alisatrice sur une s\u00e9rie TV.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. \u00c0 Gagnoa, l\u2019incorrigible Sea Dangah organise un circuit touristique qu\u2019il intitule \u00ab Voyage de R\u00eave \u00bb. Rachelle Adigri, la fianc\u00e9e possessive de Sea, veut, co\u00fbte que co\u00fbte, participer \u00e0 ce voyage. Quelques heures avant le d\u00e9part, Sea d\u00e9couvre le vieux tacot d\u00e9labr\u00e9- le badjan \u00ab Mollo Mollo, c\u2019est l\u2019arriv\u00e9e qui compte ! \u00bb &#8211; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1943","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Voyage-de-Reve.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1943"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1943\/revisions"}],"predecessor-version":[{"id":1945,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1943\/revisions\/1945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1941,"date":"2021-10-14T13:05:21","date_gmt":"2021-10-14T13:05:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=1941"},"modified":"2023-02-24T10:39:52","modified_gmt":"2023-02-24T10:39:52","slug":"une-vie-de-reve-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/une-vie-de-reve-2\/","title":{"rendered":"Une vie de r\u00eave"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>It is school holiday and Tiky could not fulfil her dream for lack of means: joining her father in a country in the sub-region. She has to stay with her grandmother and help her with her small cake business. This little holiday activity will lead Tiky into a mysterious world of glamour, elegance, full of joy, sadness, pitfalls and of no-return: the world of fashion and modelling.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Burkinabe-born director NIKIEMA Abdoul Aziz graduated from ISIS. He has over ten films to his credit, including <strong>Le philtre d\u2019amour<\/strong> (2009)\u00a0; <strong>L\u2019or bleu de Mondon<\/strong> (2012)\u00a0; <strong>Kalyanga<\/strong> (2015)\u00a0; <strong>Une \u00e9lection pas comme les autres<\/strong> (2016)\u00a0; and <strong>Le prix de la<\/strong> <strong>s\u00e9duction<\/strong> (FESPACO 2017 Panoram selection).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis It is school holiday and Tiky could not fulfil her dream for lack of means: joining her father in a country in the sub-region. She has to stay with her grandmother and help her with her small cake business. This little holiday activity will lead Tiky into a mysterious world of glamour, elegance, full [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Une-vie-de-reve.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1941"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1941\/revisions"}],"predecessor-version":[{"id":1942,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1941\/revisions\/1942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1939"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1938,"date":"2021-10-14T13:04:35","date_gmt":"2021-10-14T13:04:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1938"},"modified":"2023-02-24T10:16:31","modified_gmt":"2023-02-24T10:16:31","slug":"une-vie-de-reve","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-vie-de-reve\/","title":{"rendered":"Une vie de r\u00eave"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Pendant ces vacances scolaires, Tiky n\u2019a pas pu r\u00e9aliser son r\u00eave pour manque de moyen : rejoindre son p\u00e8re dans un pays de la sous-r\u00e9gion. Elle est donc contrainte \u00e0 rester aupr\u00e8s de sa grand-m\u00e8re pour l\u2019aider dans son petit commerce de g\u00e2teaux. A travers cette petite activit\u00e9 de vacance, Tiky ne se doute pas que sa curiosit\u00e9 va l\u2019entrainer dans un monde myst\u00e9rieux, un monde de glamour, d\u2019\u00e9l\u00e9gance, pleins de moment de joie, de tristesse, plein d\u2019embuche et de point de non-retour : le monde de la mode et du mannequinat.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>R\u00e9alisateur d\u2019origine burkinab\u00e8, NIKIEMA Abdoul Aziz est dipl\u00f4m\u00e9 de l\u2019ISIS. Il a \u00e0 son compte une dizaine de films dont \u00ab<strong>Le philtre d\u2019amour<\/strong>\u00bb (2009), \u00ab<strong>L\u2019or bleu de Mondon<\/strong>\u00bb (2012), \u00ab<strong>Kalyanga<\/strong>\u00bb (2015), \u00ab<strong>Une \u00e9lection pas comme les autres<\/strong>\u00bb (2016) et Le prix de la s\u00e9duction (Panorama FESPACO 2017).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Pendant ces vacances scolaires, Tiky n\u2019a pas pu r\u00e9aliser son r\u00eave pour manque de moyen : rejoindre son p\u00e8re dans un pays de la sous-r\u00e9gion. Elle est donc contrainte \u00e0 rester aupr\u00e8s de sa grand-m\u00e8re pour l\u2019aider dans son petit commerce de g\u00e2teaux. A travers cette petite activit\u00e9 de vacance, Tiky ne se doute [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Une-vie-de-reve.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1938"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1938\/revisions"}],"predecessor-version":[{"id":1940,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1938\/revisions\/1940"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1939"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1935,"date":"2021-10-14T13:02:57","date_gmt":"2021-10-14T13:02:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1935"},"modified":"2023-02-24T10:37:55","modified_gmt":"2023-02-24T10:37:55","slug":"oranges-sucrees-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/oranges-sucrees-2\/","title":{"rendered":"Oranges Sucr\u00e9es"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A small crowd of people in the streets of a market. Two private cars are parked ready by the crowd, the drivers amazed by a show. Indeed, in the middle of the crowd stands a 13-year-old girl named Mina, dressed in a loincloth tied at the waist and a sleeveless bodysuit top revealing her shoulders and back. On her back, small traces of bullying, bruises that no one notices because everyone\u2019s attention is on something else.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Alex Ogou is a French-Ivorian actor, writer, production manager and director. He has made his first short <strong>Christian, <\/strong>a timeless thriller with an air of Melville and Chabrol, earning him his first selection as a director at FESPACO 2013. With <strong>Cacao, <\/strong>a CANAL+ORIGINAL series, Alex Ogou has directed a great family saga bringing new Ivorian and African talents to the spotlight. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A small crowd of people in the streets of a market. Two private cars are parked ready by the crowd, the drivers amazed by a show. Indeed, in the middle of the crowd stands a 13-year-old girl named Mina, dressed in a loincloth tied at the waist and a sleeveless bodysuit top revealing her [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Oranges-Sucrees.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1935"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1935\/revisions"}],"predecessor-version":[{"id":1936,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1935\/revisions\/1936"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1932"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1931,"date":"2021-10-14T12:59:57","date_gmt":"2021-10-14T12:59:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1931"},"modified":"2023-02-24T10:15:35","modified_gmt":"2023-02-24T10:15:35","slug":"oranges-sucrees","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/oranges-sucrees\/","title":{"rendered":"Oranges Sucr\u00e9es"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Dans les rues d\u2019un march\u00e9, un petit attroupement de foule. Deux v\u00e9hicules personnels sont gar\u00e9s pr\u00eats de la foule, les chauffeurs scotch\u00e9s par un spectacle. En effet, au milieu de la foule, se tient une petite fille de 13 ans se pr\u00e9nommant Mina, v\u00eatue d\u2019un pagne nou\u00e9 \u00e0 la taille et d\u2019un haut body sans manches laissant paraitre ses \u00e9paules et son dos. Sur son dos, de petites traces de brimades, des bleus que personne ne remarque car l\u2019attention de tous est capt\u00e9e par autre chose.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Alex Ogou est un acteur, sc\u00e9nariste, directeur de production et r\u00e9alisateur franco-ivoirien. Il r\u00e9alisera son premier court m\u00e9trage<strong> Christian, <\/strong>un polar intemporel aux airs de Melville et Chabrol, qui lui vaudra sa premi\u00e8re s\u00e9lection en tant que r\u00e9alisateur au FESPACO 2013. Avec <strong>\u00ab Cacao \u00bb, <\/strong>une s\u00e9rie CANAL+ORIGINAL, Alex Ogou r\u00e9alise une grande saga familiale qui lui permet de r\u00e9v\u00e9ler de nouveaux talents ivoiriens et africains.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Dans les rues d\u2019un march\u00e9, un petit attroupement de foule. Deux v\u00e9hicules personnels sont gar\u00e9s pr\u00eats de la foule, les chauffeurs scotch\u00e9s par un spectacle. En effet, au milieu de la foule, se tient une petite fille de 13 ans se pr\u00e9nommant Mina, v\u00eatue d\u2019un pagne nou\u00e9 \u00e0 la taille et d\u2019un haut body [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Oranges-Sucrees.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1931"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1931\/revisions"}],"predecessor-version":[{"id":1933,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1931\/revisions\/1933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1932"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1929,"date":"2021-10-14T12:58:07","date_gmt":"2021-10-14T12:58:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1929"},"modified":"2023-02-24T10:36:53","modified_gmt":"2023-02-24T10:36:53","slug":"madame-monsieur-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/madame-monsieur-2\/","title":{"rendered":"Madame \u2026 Monsieur"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Men and women do not see the world the same way. Men and women do not have the same sensitivity to issues of the society. Yet, united by love, they have to live under the same roof, or even sleep in the same bed.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Ebenezer KEPOMBA, aka Mitoumba, was born on 19 May 1970 in Bazou, western region of Cameroon. He holds a degree in German Literature and Civilization and is a German teacher by training. He taught for 15 years in high schools and colleges in Cameroon. He actually began his artistic career in 2003 by creating the troupe Les\u00a0d\u00e9balleurs. Initially he was both a scriptwriter and an actor, writing and performing roles in several films and series.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Men and women do not see the world the same way. Men and women do not have the same sensitivity to issues of the society. Yet, united by love, they have to live under the same roof, or even sleep in the same bed. Biofilmographie\/Biofilmography Ebenezer KEPOMBA, aka Mitoumba, was born on 19 May [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Madame..Monsieur.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1929"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1929\/revisions"}],"predecessor-version":[{"id":1930,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1929\/revisions\/1930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1926,"date":"2021-10-14T12:57:02","date_gmt":"2021-10-14T12:57:02","guid":{"rendered":"https:\/\/fespaco.org\/?p=1926"},"modified":"2023-02-24T10:04:43","modified_gmt":"2023-02-24T10:04:43","slug":"madame-monsieur","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/madame-monsieur\/","title":{"rendered":"Madame \u2026 Monsieur"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>L\u2019homme et la femme ne per\u00e7oivent pas le monde de la m\u00eame fa\u00e7on\u00a0; l\u2019homme et la femme n\u2019ont pas les m\u00eames sensibilit\u00e9s face aux faits de la soci\u00e9t\u00e9, pourtant unis par l\u2019amour, ils sont appel\u00e9s \u00e0 vivre sous le m\u00eame toit, voire dormir dans le m\u00eame lit.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Ebenezer KEPOMBA plus connu sous le pseudonyme de\u00a0Mitoumba\u00a0est n\u00e9 le 19 mai 1970 \u00e0 Bazou dans la r\u00e9gion de l&rsquo;ouest Cameroun, Titulaire d&rsquo;une licence en litt\u00e9rature et civilisations Allemandes, il est enseignant d&rsquo;allemand de formation. Il a enseign\u00e9 pendant 15 ans dans les lyc\u00e9es et coll\u00e8ges du Cameroun. Il d\u00e9bute effectivement sa carri\u00e8re artistique en 2003 en cr\u00e9ant la troupe les\u00a0\u00ab\u00a0<strong>d\u00e9balleurs<\/strong>\u00a0\u00bb. Au d\u00e9but il est \u00e0 la fois sc\u00e9nariste et acteur, il \u00e9crit et interpr\u00e8te des r\u00f4les dans plusieurs films et s\u00e9ries.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. L\u2019homme et la femme ne per\u00e7oivent pas le monde de la m\u00eame fa\u00e7on\u00a0; l\u2019homme et la femme n\u2019ont pas les m\u00eames sensibilit\u00e9s face aux faits de la soci\u00e9t\u00e9, pourtant unis par l\u2019amour, ils sont appel\u00e9s \u00e0 vivre sous le m\u00eame toit, voire dormir dans le m\u00eame lit. Biofilmographie\/Biofilmography Ebenezer KEPOMBA plus connu sous le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Madame..Monsieur.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1926"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1926\/revisions"}],"predecessor-version":[{"id":1928,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1926\/revisions\/1928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1924,"date":"2021-10-14T12:54:29","date_gmt":"2021-10-14T12:54:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=1924"},"modified":"2023-02-24T10:35:42","modified_gmt":"2023-02-24T10:35:42","slug":"les-secrets-de-lamour-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-secrets-de-lamour-2\/","title":{"rendered":"Les secrets de l\u2019amour"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Billy Manga runs with his father the \u00ab\u00a0MANGA&rsquo;S TECHNOLOGIES\u00a0\u00bb, a company officially specializing in news technologies, while in reality it is a shell company in the smuggling of prohibited goods. To look good with its partners, Daniel MANGA arranges for his son Billy\u2019s marriage with the daughter of a client who passed away. But things take a turn for the worse when a few days before the wedding, Billy falls in love with Melanie, a girl he met at random by a pool.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Actor, scriptwriter and director Benjamin EYAGA began filmmaking at the age of 18, taking roles in several series and commercials. His latest film <strong>Mes silences<\/strong> showed at high-profile international festivals including most recently FESPACO in 2019, or Cannes Film Festival in 2018. As a director, he received several major distinctions, and has written and taken leading roles in the two seasons of the series <strong>Au nom de la loi<\/strong>. He has directed several films, including <strong>Course contre la honte<\/strong> and <strong>Devoted<\/strong>. <strong>Les secrets de l\u2019amour<\/strong> is his first TV series.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Billy Manga runs with his father the \u00ab\u00a0MANGA&rsquo;S TECHNOLOGIES\u00a0\u00bb, a company officially specializing in news technologies, while in reality it is a shell company in the smuggling of prohibited goods. To look good with its partners, Daniel MANGA arranges for his son Billy\u2019s marriage with the daughter of a client who passed away. But [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Les-secrets-de-lamour.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1924"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1924\/revisions"}],"predecessor-version":[{"id":1925,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1924\/revisions\/1925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1921,"date":"2021-10-14T12:53:43","date_gmt":"2021-10-14T12:53:43","guid":{"rendered":"https:\/\/fespaco.org\/?p=1921"},"modified":"2023-02-24T10:14:36","modified_gmt":"2023-02-24T10:14:36","slug":"les-secrets-de-lamour","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-secrets-de-lamour\/","title":{"rendered":"Les secrets de l\u2019amour"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Billy Manga dirige avec son p\u00e8re la \u00ab MANGA\u2019S TECHNOLOGIES \u00bb, une entreprise officiellement sp\u00e9cialis\u00e9e dans les nouvelles Technologies, alors qu\u2019en r\u00e9alit\u00e9 c\u2019est une soci\u00e9t\u00e9 Ecran officiant dans le trafic d\u2019objets illicites. Pour faire bonne figure aupr\u00e8s de ses partenaires, Daniel Manga arrange le mariage de son fils Billy avec la fille d\u2019un client d\u00e9c\u00e9d\u00e9. Mais les choses se g\u00e2tent lorsqu\u2019\u00e0 quelques jours du mariage, Billy tombe amoureux de M\u00e9lanie, une fille rencontr\u00e9e au hasard au bord d\u2019une piscine.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Benjamin EYAGA d\u00e9bute le cin\u00e9ma \u00e0 l\u2019\u00e2ge de 18 ans, en tournant dans plusieurs s\u00e9ries et spots publicitaires. Acteur, Sc\u00e9nariste et R\u00e9alisateur, son dernier film intitul\u00e9 <strong>Mes silences<\/strong>, a particip\u00e9 \u00e0 plusieurs festivals internationaux importants comme le FESPACO en 2019, ou le FESTIVAL DE CANNES en 2018. Aur\u00e9ol\u00e9 de plusieurs distinctions majeures en tant que R\u00e9alisateur, il est aussi le sc\u00e9nariste et l\u2019acteur principal des deux saisons de la s\u00e9rie \u00ab <strong>Au nom de la loi<\/strong> \u00bb. Il a r\u00e9alis\u00e9 plusieurs films dont <strong>Course contre la honte<\/strong> et <strong>Devoted<\/strong>. <strong>Les secrets de l\u2019amour<\/strong> est sa premi\u00e8re s\u00e9rie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Billy Manga dirige avec son p\u00e8re la \u00ab MANGA\u2019S TECHNOLOGIES \u00bb, une entreprise officiellement sp\u00e9cialis\u00e9e dans les nouvelles Technologies, alors qu\u2019en r\u00e9alit\u00e9 c\u2019est une soci\u00e9t\u00e9 Ecran officiant dans le trafic d\u2019objets illicites. Pour faire bonne figure aupr\u00e8s de ses partenaires, Daniel Manga arrange le mariage de son fils Billy avec la fille d\u2019un client [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Les-secrets-de-lamour.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1921"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1921\/revisions"}],"predecessor-version":[{"id":1923,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1921\/revisions\/1923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1919,"date":"2021-10-14T12:49:39","date_gmt":"2021-10-14T12:49:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=1919"},"modified":"2023-02-24T10:34:38","modified_gmt":"2023-02-24T10:34:38","slug":"la-villa-da-cote-saison-2-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-villa-da-cote-saison-2-2\/","title":{"rendered":"La villa d\u2019a cote (Saison 2)"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>\u00ab\u00a0<strong>La villa d\u2019\u00e0 c\u00f4t\u00e9<\/strong> \u00bb tells the story of four young girls in their thirties who share the same apartment. All four of them arrived in this house for various reasons, some left the university campus while others left home. The four girls take part in an unusual casting following which they are selected to occupy the villa next door.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><strong><em>JACQUES TRABI GOHI<\/em><\/strong><em> has a University Diploma of Technology in Chemistry from INSET in Abidjan. In 1990, he obtained his Diploma in Film studies, specializing in filmmaking from ESRA. Trabi has scripted several films and documentaries from 2005 to 2015, including <strong>Le voleur<\/strong> and <strong>Sans regret.<\/strong> <strong>L\u2019amour en bonus<\/strong> is his debut feature film.<\/em><\/p>\n<p><em>Director, script and writer <strong>DJA DAMIEN DALLY<\/strong> has worked on several films. He co-directed the sitcom <strong>La villa d\u2019\u00e0 c\u00f4t\u00e9<\/strong> and directed the TV series <strong>J\u2019ai l\u2019honneur<\/strong> on employment.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis \u00ab\u00a0La villa d\u2019\u00e0 c\u00f4t\u00e9 \u00bb tells the story of four young girls in their thirties who share the same apartment. All four of them arrived in this house for various reasons, some left the university campus while others left home. The four girls take part in an unusual casting following which they are selected [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1919","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/La-villa-da-cote-Saison-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1919"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1919\/revisions"}],"predecessor-version":[{"id":1920,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1919\/revisions\/1920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1916,"date":"2021-10-14T12:48:18","date_gmt":"2021-10-14T12:48:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=1916"},"modified":"2023-02-24T10:13:35","modified_gmt":"2023-02-24T10:13:35","slug":"la-villa-da-cote-saison-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-villa-da-cote-saison-2\/","title":{"rendered":"La villa d\u2019a cote (Saison 2)"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>\u00ab <strong>La villa d\u2019\u00e0 c\u00f4t\u00e9<\/strong> \u00bb raconte le quotidien de quatre jeunes filles de la trentaine qui partagent le m\u00eame appartement. Elles sont toutes les quatre arriv\u00e9es dans cette maison pour des raisons diverses. Parties de la cit\u00e9 universitaire pour certaines et de la maison pour d\u2019autres, ces quatre filles prennent part \u00e0 un casting peu ordinaire \u00e0 l\u2019issu duquel elles sont s\u00e9lectionn\u00e9es pour int\u00e9grer la villa d\u2019\u00e0 c\u00f4t\u00e9.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><strong>JACQUES TRABI GOHI<\/strong> est dipl\u00f4m\u00e9 d\u2019un DUT de chimie \u00e0 l\u2019INSET d\u2019Abidjan. En 1990, il obtient son dipl\u00f4me de cin\u00e9ma en option r\u00e9alisation \u00e0 l\u2019ESRA. Il est sc\u00e9nariste de plusieurs films dont \u00abLe voleur\u00bb et \u00abSans regret\u00bb. \u00abL\u2019amour en bonus\u00bb est son premier long m\u00e9trage.<\/p>\n<p>R\u00e9alisateur, script et sc\u00e9nariste, <strong>DJA DAMIEN DALLY<\/strong> a travaill\u00e9 sur plusieurs films. Il a cor\u00e9alis\u00e9 le sitcom <strong>La villa d\u2019\u00e0 c\u00f4t\u00e9<\/strong> et r\u00e9alis\u00e9 la s\u00e9rie t\u00e9l\u00e9 sur l\u2019emploi intitul\u00e9 <strong>J\u2019ai l\u2019honneur<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. \u00ab La villa d\u2019\u00e0 c\u00f4t\u00e9 \u00bb raconte le quotidien de quatre jeunes filles de la trentaine qui partagent le m\u00eame appartement. Elles sont toutes les quatre arriv\u00e9es dans cette maison pour des raisons diverses. Parties de la cit\u00e9 universitaire pour certaines et de la maison pour d\u2019autres, ces quatre filles prennent part \u00e0 un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/La-villa-da-cote-Saison-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1916"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1916\/revisions"}],"predecessor-version":[{"id":1918,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1916\/revisions\/1918"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1914,"date":"2021-10-14T12:46:38","date_gmt":"2021-10-14T12:46:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=1914"},"modified":"2023-02-24T10:33:09","modified_gmt":"2023-02-24T10:33:09","slug":"juste-quelquun-de-bien-just-a-better-person-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/juste-quelquun-de-bien-just-a-better-person-2\/","title":{"rendered":"Juste Quelqu\u2019un de Bien\/Just a better person"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Anne, Technical Advisor of the Minister, suffers pressure every day from her mother-in-law for not having children. She is defended and protected by her husband, Marius Boca, senior manager in real estate agency. But everything changes when he learns that he is sterile. He grows unbearable, refusing any help, moral and psychological. She is depressed and gets closer to Steve who became disabled following an accident. She ends up falling in love with him. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Filmmaker, producer, scriptwriter and Communication Consultant Bah Gbehi Jean Noel has directed a feature film \u201c<strong>La vie en noir et blanc<\/strong>\u201d; a documentary series \u201c<strong>Regards d\u2019enfants<\/strong>\u201d and many TV series, most notably \u201c<strong>L\u2019\u00e9quipe<\/strong>\u201d; \u201c<strong>Le Grin<\/strong>\u00bb\u00a0; \u201c<strong>Conakry<\/strong>\u201d<\/em> and <strong><em>Deux couples, un foyer <\/em><\/strong><em>(FESPACO 2017 official selection)<\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Anne, Technical Advisor of the Minister, suffers pressure every day from her mother-in-law for not having children. She is defended and protected by her husband, Marius Boca, senior manager in real estate agency. But everything changes when he learns that he is sterile. He grows unbearable, refusing any help, moral and psychological. She is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Juste-quelquun-de-bien.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1914"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1914\/revisions"}],"predecessor-version":[{"id":1915,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1914\/revisions\/1915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1912"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1911,"date":"2021-10-14T12:45:47","date_gmt":"2021-10-14T12:45:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1911"},"modified":"2023-02-24T10:12:34","modified_gmt":"2023-02-24T10:12:34","slug":"juste-quelquun-de-bien-just-a-better-person","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/juste-quelquun-de-bien-just-a-better-person\/","title":{"rendered":"Juste Quelqu\u2019un de Bien\/Just a better person"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Anne, Conseiller Technique de Ministre, subit la pression quotidienne de la m\u00e8re de son mari qui lui reproche de ne pas faire d\u2019enfant. Elle est d\u00e9fendue et prot\u00e9g\u00e9e par son mari, Marius Boca, cadre sup\u00e9rieur dans une agence immobili\u00e8re.\u00a0 Mais tout bascule lorsqu&rsquo;il apprend qu\u2019il est st\u00e9rile.\u00a0 Il devient insupportable et refuse toute aide morale et psychologique. Elle est d\u00e9prim\u00e9e et se rapproche de plus en plus de Steve, devenu handicap\u00e9 par la faute d\u2019un chauffard. Elle finit par tomber amoureuse de lui.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>R\u00e9alisateur \u2013 Producteur \u2013 Sc\u00e9nariste et consultant en communication, Bah Gbehi Jean Noel a r\u00e9alis\u00e9 un long m\u00e9trage \u00ab<strong>La vie en noir et blanc<\/strong>\u00bb, une s\u00e9rie documentaire \u00ab<strong>Regards d\u2019enfants<\/strong>\u00bb et plusieurs s\u00e9rie TV dont \u00ab<strong>L\u2019\u00e9quipe<\/strong>\u00bb, \u00ab<strong>Le Grin<\/strong>\u00bb, \u00ab<strong>Conakry\u00bb<\/strong> et <strong>Deux couples, un foyer <\/strong>(s\u00e9lectionn\u00e9 au FESPACO 2017).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Anne, Conseiller Technique de Ministre, subit la pression quotidienne de la m\u00e8re de son mari qui lui reproche de ne pas faire d\u2019enfant. Elle est d\u00e9fendue et prot\u00e9g\u00e9e par son mari, Marius Boca, cadre sup\u00e9rieur dans une agence immobili\u00e8re.\u00a0 Mais tout bascule lorsqu&rsquo;il apprend qu\u2019il est st\u00e9rile.\u00a0 Il devient insupportable et refuse toute aide [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Juste-quelquun-de-bien.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1911"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1911\/revisions"}],"predecessor-version":[{"id":1913,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1911\/revisions\/1913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1912"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1909,"date":"2021-10-14T12:44:10","date_gmt":"2021-10-14T12:44:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=1909"},"modified":"2023-02-24T10:31:53","modified_gmt":"2023-02-24T10:31:53","slug":"hotel-coco-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/hotel-coco-2\/","title":{"rendered":"H\u00f4tel Coco"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Mrs. Mischa runs with an iron fist a hotel in which not a single day goes by without incident, whether from within or outside with never ordinary characters. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Fernand LEPOKO works with the Gabonese Institute of Image and Sound (IGIS \u2013 former CENACI). He has also founded his production company called ALDEBARAN Pictures. His film credits include <strong>Mal\u00e9fice<\/strong> (FESPACO 2009 Panorama selection); <strong>Terre et fils<\/strong> (2013), SIGNIS Special Prize at FESPACO and Best Male Performance at ECRANS NOIRS (2018).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mrs. Mischa runs with an iron fist a hotel in which not a single day goes by without incident, whether from within or outside with never ordinary characters. Biofilmographie\/Biofilmography Fernand LEPOKO works with the Gabonese Institute of Image and Sound (IGIS \u2013 former CENACI). He has also founded his production company called ALDEBARAN Pictures. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Hotel-Coco.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1909"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1909\/revisions"}],"predecessor-version":[{"id":1910,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1909\/revisions\/1910"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1907"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1906,"date":"2021-10-14T12:43:30","date_gmt":"2021-10-14T12:43:30","guid":{"rendered":"https:\/\/fespaco.org\/?p=1906"},"modified":"2023-02-24T10:11:34","modified_gmt":"2023-02-24T10:11:34","slug":"hotel-coco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hotel-coco\/","title":{"rendered":"H\u00f4tel Coco"},"content":{"rendered":"<p><strong>Synopsis. <\/strong>Madame Mischa dirige d\u2019une main de fer un \u00e9tablissement h\u00f4telier dans lequel il ne se passe pas un seul jour sans incident. Lorsque les conflits ne naissent pas au sein de l\u2019h\u00f4tel coco, ils arrivent de l\u2019ext\u00e9rieur avec des personnages qui ne sont jamais ordinaires.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Fernand LEPOKO est engag\u00e9 \u00e0 l\u2019Institut Gabonais de l\u2019Image et du Son (IGIS \u2013 ancien CENACI). Il a \u00e9galement cr\u00e9\u00e9 sa maison de production ALDEBARAN Pictures. Ses r\u00e9alisations sont entre autres\u00a0: <strong>Mal\u00e9fice<\/strong> (2009, Panorama FESPACO 2009), <strong>Terre et fils<\/strong> (2013), prim\u00e9 au FESPACO (Prix sp\u00e9cial \u2013 SIGNIS-) et \u00e0 ECRANS NOIRS (Prix d\u2019interpr\u00e9tation masculine) et <strong>Matris <\/strong>(2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Madame Mischa dirige d\u2019une main de fer un \u00e9tablissement h\u00f4telier dans lequel il ne se passe pas un seul jour sans incident. Lorsque les conflits ne naissent pas au sein de l\u2019h\u00f4tel coco, ils arrivent de l\u2019ext\u00e9rieur avec des personnages qui ne sont jamais ordinaires. Biofilmographie\/Biofilmography Fernand LEPOKO est engag\u00e9 \u00e0 l\u2019Institut Gabonais de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Hotel-Coco.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1906"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1906\/revisions"}],"predecessor-version":[{"id":1908,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1906\/revisions\/1908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1907"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1904,"date":"2021-10-14T12:40:48","date_gmt":"2021-10-14T12:40:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=1904"},"modified":"2023-02-24T10:29:43","modified_gmt":"2023-02-24T10:29:43","slug":"hantes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/hantes-2\/","title":{"rendered":"Hant\u00e9s"},"content":{"rendered":"<p><strong>Synopsis.<\/strong><\/p>\n<p><em>London-based paranormal investigator, Will Stone, is the author of the international bestselling series of books, <strong>Dead Places<\/strong>. In each episode, Will and his team investigate a different case. From ghosts and monsters to creatures that should only exist in myths, Africa is full of surprises. But while he works on his new book, Will is slowly discovering what really happened to his sister when they were children. As the weeks pass, Will gets ever closer to the truth. A truth that may destroy him.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. London-based paranormal investigator, Will Stone, is the author of the international bestselling series of books, Dead Places. In each episode, Will and his team investigate a different case. From ghosts and monsters to creatures that should only exist in myths, Africa is full of surprises. But while he works on his new book, Will [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Hantes.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1904"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1904\/revisions"}],"predecessor-version":[{"id":1905,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1904\/revisions\/1905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1902"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1901,"date":"2021-10-14T12:39:51","date_gmt":"2021-10-14T12:39:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=1901"},"modified":"2023-02-24T10:10:44","modified_gmt":"2023-02-24T10:10:44","slug":"hantes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hantes\/","title":{"rendered":"Hant\u00e9s"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>Enqu\u00eateur paranormal bas\u00e9 \u00e0 Londres, Will Stone est l\u2019auteur de la s\u00e9rie internationale de livres \u00e0 succ\u00e8s <strong><em>Dead Places<\/em><\/strong>. Dans chacun des \u00e9pisodes, Will et son \u00e9quipe enqu\u00eatent sur un dossier diff\u00e9rent. Des fant\u00f4mes et monstres aux cr\u00e9atures qui ne devraient exister que dans les mythes, l\u2019Afrique est pleine de surprises. Mais pendant qu\u2019il travaille sur son nouveau livre, Will d\u00e9couvre progressivement ce qui est vraiment arriv\u00e9 \u00e0 sa s\u0153ur lorsqu\u2019ils \u00e9taient enfants. Au fil des semaines, il se rapproche de plus en plus de la v\u00e9rit\u00e9. Une v\u00e9rit\u00e9 qui peut le d\u00e9truire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Enqu\u00eateur paranormal bas\u00e9 \u00e0 Londres, Will Stone est l\u2019auteur de la s\u00e9rie internationale de livres \u00e0 succ\u00e8s Dead Places. Dans chacun des \u00e9pisodes, Will et son \u00e9quipe enqu\u00eatent sur un dossier diff\u00e9rent. Des fant\u00f4mes et monstres aux cr\u00e9atures qui ne devraient exister que dans les mythes, l\u2019Afrique est pleine de surprises. Mais pendant qu\u2019il [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Hantes.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1901"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1901\/revisions"}],"predecessor-version":[{"id":1903,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1901\/revisions\/1903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1902"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1899,"date":"2021-10-14T12:37:59","date_gmt":"2021-10-14T12:37:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1899"},"modified":"2023-02-24T10:25:37","modified_gmt":"2023-02-24T10:25:37","slug":"divine-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/divine-2\/","title":{"rendered":"Divine"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Divine, a young beautiful and intelligent girl aspires to complete her studies, become a doctor and a valuable and useful woman in life. The only issue is that her parents cannot afford to make her dream come true. Rather, they marry her to a suitor in order to reduce the number of children to feed and satisfy the appetite for luxury. Things turn bad as Divine realizes that the man who pretended to be a doctor is none other than an angel-faced criminal.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Flavienne TCHATAT trained in TV and stage production management, acting and directing at South African State Theatre in Pretoria. She began her career as an artist in 2009 performing leading roles in several plays and appearing in such series as <strong>Generation<\/strong> and <strong>Isidingo<\/strong>. In 2011, she made her directional debut with <strong>Dangerous Trend<\/strong>. In 2018, she produced her 52-episode series called <strong>Divine<\/strong>. Flavienne was twice nominated for Canal 2\u2019or (2017-2019) in the Best Actress category.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Divine, a young beautiful and intelligent girl aspires to complete her studies, become a doctor and a valuable and useful woman in life. The only issue is that her parents cannot afford to make her dream come true. Rather, they marry her to a suitor in order to reduce the number of children to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1897,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Divine.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1899"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1899\/revisions"}],"predecessor-version":[{"id":1900,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1899\/revisions\/1900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1897"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1896,"date":"2021-10-14T12:36:59","date_gmt":"2021-10-14T12:36:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1896"},"modified":"2023-02-24T10:08:51","modified_gmt":"2023-02-24T10:08:51","slug":"divine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/divine\/","title":{"rendered":"Divine"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Divine, une jeune fille belle et intelligente aspire \u00e0 faire des grandes \u00e9tudes, de devenir m\u00e9decin, d\u2019\u00eatre une femme de valeur et utile dans la vie, Mais seulement ses parents n\u2019ont pas des moyens pour r\u00e9aliser son r\u00eave. Ils d\u00e9cident plut\u00f4t de la livrer dans les bras d\u2019un pr\u00e9tendant mari afin de r\u00e9duire des bouches \u00e0 nourrir et de r\u00e9aliser leur app\u00e9tit pour le luxe. Plus tard, le pire survient quand Divine d\u00e9couvre que celui qui se faisait passer pour un Docteur n\u2019est nul autre qu\u2019un criminel au visage d\u2019ange.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Flavienne TCHATAT est form\u00e9e en gestion de la production t\u00e9l\u00e9visuelle et th\u00e9\u00e2trale, en jeu d\u2019acteur et r\u00e9alisation au <em>South African State Theater<\/em> \u00e0 Pretoria. Elle d\u00e9bute sa carri\u00e8re artistique en 2009 en interpr\u00e9tant des r\u00f4les far dans plusieurs salles de th\u00e9\u00e2tre tout en figurant dans des s\u00e9ries telles que : <strong>G\u00e9n\u00e9ration<\/strong>, <strong>Isidingo<\/strong>. En 2011, elle r\u00e9alise son tout premier film intitul\u00e9 <strong>Dangerous Trend<\/strong>. En 2018, elle produit sa s\u00e9rie de 52 \u00e9pisodes intitul\u00e9e <strong>Divine<\/strong>. Elle est deux fois nomin\u00e9e aux Canal 2\u2019or (2017-2019) dans la cat\u00e9gorie meilleure Actrice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Divine, une jeune fille belle et intelligente aspire \u00e0 faire des grandes \u00e9tudes, de devenir m\u00e9decin, d\u2019\u00eatre une femme de valeur et utile dans la vie, Mais seulement ses parents n\u2019ont pas des moyens pour r\u00e9aliser son r\u00eave. Ils d\u00e9cident plut\u00f4t de la livrer dans les bras d\u2019un pr\u00e9tendant mari afin de r\u00e9duire des [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1897,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1896","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Divine.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1896"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1896\/revisions"}],"predecessor-version":[{"id":1898,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1896\/revisions\/1898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1897"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1893,"date":"2021-10-14T12:35:29","date_gmt":"2021-10-14T12:35:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=1893"},"modified":"2023-02-24T10:24:14","modified_gmt":"2023-02-24T10:24:14","slug":"derapages-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/derapages-2\/","title":{"rendered":"D\u00e9rapages"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>At the height of her professional career, 32 years old Aby gets married to Bachir, 25, a serial seducer and predator who loves to be cared for by women. Aby believes she is living true love but discovering her husband\u2019s double life, her own life spins out of control.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Director and producer Abdoulahad WONE became at 22 the first Senegalese AVID editor trained at INA in 1998. Directing and producing commercials, his company has grown into a reference in the audio-visual industry. In 2009, Wone made his debut feature <strong>Justice Divine<\/strong>, precursor to the series <strong>Tundu Wundu<\/strong>. A+ is seduced by the series and purchases the broadcasting rights. With season 2 of <strong>Tundu Wundu<\/strong>, he won the Best Series Prize at FESPACO 2017.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis At the height of her professional career, 32 years old Aby gets married to Bachir, 25, a serial seducer and predator who loves to be cared for by women. Aby believes she is living true love but discovering her husband\u2019s double life, her own life spins out of control. Biofilmographie\/Biofilmography Director and producer Abdoulahad [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Derapage..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1893"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1893\/revisions"}],"predecessor-version":[{"id":1894,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1893\/revisions\/1894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1958"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1890,"date":"2021-10-14T12:34:40","date_gmt":"2021-10-14T12:34:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1890"},"modified":"2023-02-24T10:07:40","modified_gmt":"2023-02-24T10:07:40","slug":"derapages","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/derapages\/","title":{"rendered":"D\u00e9rapages"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Au sommet de sa belle carri\u00e8re professionnelle, Aby 32ans, se marie avec Bachir 25 ans, un s\u00e9ducteur (Pr\u00e9dateur) en s\u00e9rie qui adore se faire entretenir par les femmes. Elle croit vivre le vrai amour quand sa vie d\u00e9rape dans une descente aux enfers, elle d\u00e9couvre la double vie de son mari.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Abdoulahad WONE, r\u00e9alisateur et producteur, devient, \u00e0 22 ans, le premier monteur AVID s\u00e9n\u00e9galais form\u00e9 \u00e0 l\u2019INA en 1998. A la fronti\u00e8re entre r\u00e9alisation et production de spots publicitaires, il voit \u00e9voluer sa soci\u00e9t\u00e9 qui occupe une place de choix dans l\u2019audiovisuel. En 2009, Wone r\u00e9alise son premier long m\u00e9trage Justice Divine. Ce film est l\u2019\u00e9l\u00e9ment pr\u00e9curseur du projet <strong>Tundu Wundu<\/strong>. S\u00e9duite par la s\u00e9rie, A+ ach\u00e8te les droits de diffusion. Avec la saison 2 de <strong>Tundu Wundu<\/strong>, il gagne le prix de la meilleure s\u00e9rie au FESPACO 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Au sommet de sa belle carri\u00e8re professionnelle, Aby 32ans, se marie avec Bachir 25 ans, un s\u00e9ducteur (Pr\u00e9dateur) en s\u00e9rie qui adore se faire entretenir par les femmes. Elle croit vivre le vrai amour quand sa vie d\u00e9rape dans une descente aux enfers, elle d\u00e9couvre la double vie de son mari. Biofilmographie\/Biofilmography Abdoulahad WONE, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Derapage..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1890"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1890\/revisions"}],"predecessor-version":[{"id":1892,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1890\/revisions\/1892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1958"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1873,"date":"2021-10-12T11:42:07","date_gmt":"2021-10-12T11:42:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1873"},"modified":"2023-02-25T10:18:41","modified_gmt":"2023-02-25T10:18:41","slug":"the-colonels-stray-dogs-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-colonels-stray-dogs-2\/","title":{"rendered":"The colonel\u2019s stray dogs"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>For over 40 years Ashur Shamis was a member of the Libyan Muslim Brotherhood and Colonel Gadaffi\u2019s enemy number one in exile with a $1m bounty on his head. His dream of a \u2018free\u2019 Libya almost cost him his life and his family. When the 2011 revolution rid the country of their dictator, Ashur finally returned home to a hero\u2019s welcome but soon found a land vastly different to the one he left. As Libya slipped into civil war he was rejected by the new country and found himself exiled once again. His dream of Libya now distorted, Ashur\u2019s son uncovers a dangerous past and questions the choices his father made to inherit the mess Gadaffi left.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Half Libyan half South African, former Londoner, Khalid<\/em> <em>SHAMIS manages to both direct and edit documentaries. His work entails guiding first time filmmakers and consulting on long form projects in post-production, directing directors, imbibing worlds alien to his, containing and creating another\u2019s vision, manifesting the dreams of the subjects in the films and being taken by the voice of the material itself. He runs his production company, <strong>Tubafilms<\/strong>, from Cape Town. Khalid completed his debut feature documentary, <strong>Imam and I <\/strong>in 2011. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis For over 40 years Ashur Shamis was a member of the Libyan Muslim Brotherhood and Colonel Gadaffi\u2019s enemy number one in exile with a $1m bounty on his head. His dream of a \u2018free\u2019 Libya almost cost him his life and his family. When the 2011 revolution rid the country of their dictator, Ashur [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/The-colonels-stray-dogs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1873"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1873\/revisions"}],"predecessor-version":[{"id":1874,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1873\/revisions\/1874"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1871"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1870,"date":"2021-10-12T11:40:13","date_gmt":"2021-10-12T11:40:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1870"},"modified":"2023-02-24T20:14:25","modified_gmt":"2023-02-24T20:14:25","slug":"the-colonels-stray-dogs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-colonels-stray-dogs\/","title":{"rendered":"The colonel\u2019s stray dogs"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Pendant plus de 40 ans, Ashur Shamis a \u00e9t\u00e9 membre de la confr\u00e9rie des fr\u00e8res musulmans libyens et ennemi num\u00e9ro un en exil du Colonel Kadhafi, avec une prime d\u2019un million de dollars sur sa t\u00eate. Son r\u00eave d\u2019une Libye \u2018libre\u2019 lui a presque co\u00fbt\u00e9 la vie et celle de sa famille. Lorsque la r\u00e9volution de 2011 d\u00e9barrasse le pays de son dictateur, Ashur rentre finalement chez lui accueilli en h\u00e9ros, mais d\u00e9couvre tr\u00e8s vite un pays totalement diff\u00e9rent de celui qu\u2019il avait quitt\u00e9. Alors que la Libye sombre dans la guerre civile, il est rejet\u00e9 par le nouveau pays et se retrouve \u00e0 nouveau exil\u00e9. Son r\u00eave de Libye maintenant bris\u00e9, le fils d\u2019Ashur d\u00e9voile un pass\u00e9 dangereux et remet en question les choix que son p\u00e8re a faits pour h\u00e9riter du d\u00e9sordre laiss\u00e9e par Kadhafi.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Moiti\u00e9 Libyen, moiti\u00e9 Sud-africain, l\u2019ancien Londonien Khalid SHAMIS r\u00e9alise et monte des films documentaires. Son travail consiste \u00e0 orienter les cin\u00e9astes d\u00e9butants et \u00e0 faire de la consultation sur les projets de longue dur\u00e9e en post-production, \u00e0 diriger les r\u00e9alisateurs, \u00e0 s\u2019impr\u00e9gner de mondes \u00e9trangers au sien, \u00e0 contenir et \u00e0 cr\u00e9er une autre vision, \u00e0 manifester les r\u00eaves des th\u00e8mes dans les films et \u00e0 se laisser emporter par la voix du mat\u00e9riel lui-m\u00eame. Il dirige sa soci\u00e9t\u00e9 de production <em>Tubafilms<\/em> depuis le Cap. Khalid a r\u00e9alis\u00e9 son tout premier long m\u00e9trage documentaire <strong><em>Imam and I <\/em><\/strong>en 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Pendant plus de 40 ans, Ashur Shamis a \u00e9t\u00e9 membre de la confr\u00e9rie des fr\u00e8res musulmans libyens et ennemi num\u00e9ro un en exil du Colonel Kadhafi, avec une prime d\u2019un million de dollars sur sa t\u00eate. Son r\u00eave d\u2019une Libye \u2018libre\u2019 lui a presque co\u00fbt\u00e9 la vie et celle de sa famille. Lorsque la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/The-colonels-stray-dogs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1870"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1870\/revisions"}],"predecessor-version":[{"id":1872,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1870\/revisions\/1872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1871"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1868,"date":"2021-10-12T11:37:07","date_gmt":"2021-10-12T11:37:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1868"},"modified":"2023-02-25T10:17:54","modified_gmt":"2023-02-25T10:17:54","slug":"softie-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/softie-2\/","title":{"rendered":"Softie"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Boniface \u201cSoftie\u201d Mwangi has long fought injustices in his country as a political activist. Now he\u2019s taking the next step by running for office in a regional Kenyan election. From the moment Boniface decides to run, telling his wife, Njeri, in passing with a hesitant laugh, he responds to each challenge with optimism. But running a clean campaign against corrupt opponents becomes increasingly harder to combat with idealism alone. And Boniface soon finds that challenging strong political dynasties is putting his family at risk. Should country really come before family, as he\u2019s always believed?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Sam SOKO is a film director, producer and editor based in Nairobi who seeks out stories that enable him to engage in socio-political spaces. His work on civic literacy projects in music, non-fiction and fiction has allowed him to connect with artists around the world. He is co-founder of LBx Africa, a Kenyan production company that service produced the 2018 Oscar-nominated short fiction film <strong>Watu Wote<\/strong>. Soko&rsquo;s first feature documentary project <strong>Softie<\/strong>, premiered at the 2020 Sundance film festival, winning a special jury prize for editing.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Boniface \u201cSoftie\u201d Mwangi has long fought injustices in his country as a political activist. Now he\u2019s taking the next step by running for office in a regional Kenyan election. From the moment Boniface decides to run, telling his wife, Njeri, in passing with a hesitant laugh, he responds to each challenge with optimism. But [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1866,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Softie.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1868"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1868\/revisions"}],"predecessor-version":[{"id":1869,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1868\/revisions\/1869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1866"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1865,"date":"2021-10-12T11:36:16","date_gmt":"2021-10-12T11:36:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1865"},"modified":"2023-02-24T20:13:03","modified_gmt":"2023-02-24T20:13:03","slug":"softie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/softie\/","title":{"rendered":"Softie"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>Militant politique, Boniface \u201cSoftie\u201d Mwangi a longtemps combattu l\u2019injustice dans son pays. Il veut maintenant changer de cap en se pr\u00e9sentant aux \u00e9lections r\u00e9gionales au Kenya. A partir du moment o\u00f9 Boniface d\u00e9cide de se pr\u00e9senter, en disant au passage \u00e0 sa femme Njeri, avec un sourire h\u00e9sitant, il r\u00e9pond \u00e0 chacun des d\u00e9fis avec optimisme. Mais il devient de plus en plus difficile de mener une campagne propre sur la seule base de l\u2019id\u00e9alisme pour combattre des opposants corrompus. Et Boniface d\u00e9couvre tr\u00e8s vite que d\u00e9fier les dynasties politiques fortes fait courir un risque \u00e0 sa famille. Le pays devrait-il vraiment passer avant la famille, comme il l\u2019a toujours cru ?<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Sam SOKO est un r\u00e9alisateur, producteur et monteur bas\u00e9 \u00e0 Nairobi qui cherche des histoires lui permettant de s\u2019engager dans les d\u00e9bats socio-politiques. Son travail sur les projets d\u2019alphab\u00e9tisation civique dans la musique, la non fiction et la fiction lui permet de se connecter \u00e0 des artistes du monde entier. Il est co-fondateur de LBx Africa, une soci\u00e9t\u00e9 de production kenyane qui a produit le court m\u00e9trage de fiction <strong><em>Watu Wote,<\/em><\/strong> nomin\u00e9 aux Ascars 2018. Le premier long m\u00e9trage documentaire de Soko intitule <strong><em>Softie<\/em><\/strong>, a \u00e9t\u00e9 projet\u00e9 en premi\u00e8re au festival du film de Sundance en 2020, o\u00f9 il remporte le prix sp\u00e9cial du jury pour le montage.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Militant politique, Boniface \u201cSoftie\u201d Mwangi a longtemps combattu l\u2019injustice dans son pays. Il veut maintenant changer de cap en se pr\u00e9sentant aux \u00e9lections r\u00e9gionales au Kenya. A partir du moment o\u00f9 Boniface d\u00e9cide de se pr\u00e9senter, en disant au passage \u00e0 sa femme Njeri, avec un sourire h\u00e9sitant, il r\u00e9pond \u00e0 chacun des d\u00e9fis [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1866,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Softie.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1865"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1865\/revisions"}],"predecessor-version":[{"id":1867,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1865\/revisions\/1867"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1866"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1863,"date":"2021-10-12T11:33:16","date_gmt":"2021-10-12T11:33:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1863"},"modified":"2023-02-25T10:16:56","modified_gmt":"2023-02-25T10:16:56","slug":"massoud-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/massoud-2\/","title":{"rendered":"Massoud"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Massoud, as Muslim student, is the son of Barkaye, well-respected Imam of a village community. Barkaye practices a tolerant Islam and is fiercely opposes actions of jihadist groups. Driven by the injustices he witnesses, Massoud became radicalized and joins the jihadist camp. One day, Abdoullaye, leader of the jihadists, decides in retaliation to carry out attack on the Mosque and Barkaye whose speech is against their action. Massoud is designated to conduct the mission. Will he go for it?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>A passionate of theatre from an early age and member of \u201cRen\u00e9 Cassin\u201d Theatre Troupe of the Chadian Association for the Promotion and Defence of Human Rights (ATPDH), Emmanuel Rotoubam MBA\u00cfDE began his career as a stage actor joining the company \u201cTh\u00e9\u00e2tre Maoundoh-Culture\u201d. In 2005, he joined the Higher Institute of Image and Sound\/School Studio (ISIS\/SE) in Burkina Faso, where he graduated in filmmaking in 2009. Emmanuel has directed several shorts, including <strong>Bipolium12<\/strong> (Special Jury commendations mention at FESPACO 2011\/School Film Category); <strong>Le show<\/strong>; <strong>Helene<\/strong>; and <strong>Sous l\u2019\u00e9corce<\/strong><\/em><strong><em>.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Massoud, as Muslim student, is the son of Barkaye, well-respected Imam of a village community. Barkaye practices a tolerant Islam and is fiercely opposes actions of jihadist groups. Driven by the injustices he witnesses, Massoud became radicalized and joins the jihadist camp. One day, Abdoullaye, leader of the jihadists, decides in retaliation to carry [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Massoud.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1863"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1863\/revisions"}],"predecessor-version":[{"id":1864,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1863\/revisions\/1864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1861"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1860,"date":"2021-10-12T11:32:16","date_gmt":"2021-10-12T11:32:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1860"},"modified":"2023-02-24T20:11:33","modified_gmt":"2023-02-24T20:11:33","slug":"massoud","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/massoud\/","title":{"rendered":"Massoud"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Massoud, \u00e9tudiant musulman est le fils de Barkaye, Imam respect\u00e9 d\u2019une communaut\u00e9 villageoise. Barkaye pratique un islam tol\u00e9rant, et s\u2019oppose de toute sa volont\u00e9 aux actions des djihadistes. Pouss\u00e9 par les injustices auxquelles il assiste, Massoud se radicalise et rejoint le camp des djihadistes. Un jour, Abdoullaye, le chef des djihadistes en repr\u00e9sailles d\u00e9cide de faire un attentat contre la mosqu\u00e9e et Barkaye dont le discours nuit \u00e0 leur action. Il confie cette mission \u00e0 Massoud. Massoud accomplira-t-il sa mission ?<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Passionn\u00e9 du th\u00e9\u00e2tre depuis son jeune \u00e2ge et membre de la Troupe Th\u00e9\u00e2trale \u00ab Ren\u00e9 Cassin \u00bb de l\u2019Association Tchadienne pour la promotion et la D\u00e9fense des droits de l\u2019Homme (ATPDH), Emmanuel Rotoubam MBA\u00cfDE embrasse une carri\u00e8re de com\u00e9dien de th\u00e9\u00e2tre en int\u00e9grant la compagnie \u00ab Th\u00e9\u00e2tre Maoundoh-Culture \u00bb. En 2005, il int\u00e8gre l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio Ecole (ISIS\/SE) au Burkina Faso o\u00f9 il obtient un dipl\u00f4me en R\u00e9alisation en 2009. Emmanuel a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages notamment <strong>Bipolium12<\/strong> (mention sp\u00e9ciale du jury au FESPACO 2011\/Cat\u00e9gorie films d\u2019\u00e9cole), <strong>Le show<\/strong>, <strong>Helene<\/strong>, <strong>Sous l\u2019\u00e9corce<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Massoud, \u00e9tudiant musulman est le fils de Barkaye, Imam respect\u00e9 d\u2019une communaut\u00e9 villageoise. Barkaye pratique un islam tol\u00e9rant, et s\u2019oppose de toute sa volont\u00e9 aux actions des djihadistes. Pouss\u00e9 par les injustices auxquelles il assiste, Massoud se radicalise et rejoint le camp des djihadistes. Un jour, Abdoullaye, le chef des djihadistes en repr\u00e9sailles d\u00e9cide [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Massoud.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1860"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1860\/revisions"}],"predecessor-version":[{"id":1862,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1860\/revisions\/1862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1861"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1858,"date":"2021-10-12T11:29:35","date_gmt":"2021-10-12T11:29:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1858"},"modified":"2023-02-25T10:15:41","modified_gmt":"2023-02-25T10:15:41","slug":"maria-kristu-the-buumba-story-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/maria-kristu-the-buumba-story-2\/","title":{"rendered":"Maria kristu : the buumba story"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Aspiring writer and curious 16- year-old Buumba is a traditional follower of the Maria Kristu church. Since childhood, she has been taught that her place in this world as a woman is beside her husband. In her quest for freedom, Buumba must go against the norms and doctrine of the church, doing everything in her power to stop from sinking into a world of brainwash, misogyny and favouritism, as she fights to create a better place for both her and other young women. She comes to the harsh realization that freedom comes at a price, and only those willing to stand up for themselves acquire it.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Paul S. WILO is an award-winning independent filmmaker from Zambia. He got in the film industry professionally in 2015 and produced his first feature <strong>Broken<\/strong>. In 2019 he won the best emerging filmmaker at the Sotambe documentary and film festival for his series <strong>Mirrors<\/strong>. In 2020 he was nominated at the Lake International Film Festival in Kenya for his short film <strong>L<\/strong><strong>ittle humans<\/strong>. In 2020 he trained with ghetto youths from Bauleni under the Nikonke project in different departments of filmmaking, a programme funded by the Germany Embassy and Alliance Fran\u00e7aise, which lasted 8 months and saw him direct his short film project called <strong>Zoned<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Aspiring writer and curious 16- year-old Buumba is a traditional follower of the Maria Kristu church. Since childhood, she has been taught that her place in this world as a woman is beside her husband. In her quest for freedom, Buumba must go against the norms and doctrine of the church, doing everything in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1856,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Maria-Kristu-the-buumba-story.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1858"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1858\/revisions"}],"predecessor-version":[{"id":1859,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1858\/revisions\/1859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1856"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1855,"date":"2021-10-12T11:28:40","date_gmt":"2021-10-12T11:28:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1855"},"modified":"2023-02-24T20:10:11","modified_gmt":"2023-02-24T20:10:11","slug":"maria-kristu-the-buumba-story","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/maria-kristu-the-buumba-story\/","title":{"rendered":"Maria kristu : the buumba story"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>Ecrivain en herbe et curieuse, Buumba, 16 ans, est une adepte traditionnelle de l\u2019\u00e9glise Maria Kristu. Depuis l\u2019enfance, on lui a appris que sa place dans ce monde en tant que femme est aux c\u00f4t\u00e9s de son mari. Dans sa qu\u00eate de libert\u00e9, Buumba doit aller \u00e0 l\u2019encontre des normes et de la doctrine de l\u2019\u00e9glise, faisant tout ce qui est en son pouvoir pour ne pas sombrer dans un monde de lavage de cerveau, de misogynie et de favoritisme, alors qu\u2019elle se bat pour cr\u00e9er un monde meilleur pour elle et pour les autres jeunes femmes. Elle r\u00e9alise brutalement que la libert\u00e9 a un prix et que seules ceux qui sont pr\u00eats \u00e0 se d\u00e9fendre l\u2019acqui\u00e8rent.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Paul S. WILO est un cin\u00e9aste ind\u00e9pendant prim\u00e9 de la Zambie. Son entr\u00e9e professionnelle dans l\u2019industrie cin\u00e9matographique date de 2015 avec son tout premier long m\u00e9trage <strong><em>Broken<\/em><\/strong>. En 2019, il remporte le prix du meilleur cin\u00e9aste \u00e9mergent au Festival du documentaire et du film de Sotambe pour sa s\u00e9rie <strong><em>Mirrors<\/em><\/strong>. En 2020, il est nomin\u00e9 au Festival international du film du Lac au Kenya pour son court m\u00e9trage <strong><em>Little humans<\/em><\/strong>. En 2020, il se forme aux diff\u00e9rents m\u00e9tiers du cin\u00e9ma, aux c\u00f4t\u00e9s de jeunes du ghetto de Bauleni, dans le cadre du projet Nikonke financ\u00e9 par l\u2019Ambassade d\u2019Allemagne et l\u2019Alliance fran\u00e7aise. C\u2019est \u00e0 l\u2019issue de ce programme qui a dur\u00e9 8 mois qu\u2019il r\u00e9alise son projet de court m\u00e9trage intitule <strong><em>Zoned<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Ecrivain en herbe et curieuse, Buumba, 16 ans, est une adepte traditionnelle de l\u2019\u00e9glise Maria Kristu. Depuis l\u2019enfance, on lui a appris que sa place dans ce monde en tant que femme est aux c\u00f4t\u00e9s de son mari. Dans sa qu\u00eate de libert\u00e9, Buumba doit aller \u00e0 l\u2019encontre des normes et de la doctrine [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1856,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Maria-Kristu-the-buumba-story.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1855"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1855\/revisions"}],"predecessor-version":[{"id":1857,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1855\/revisions\/1857"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1856"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1853,"date":"2021-10-12T11:26:16","date_gmt":"2021-10-12T11:26:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1853"},"modified":"2023-02-25T10:14:07","modified_gmt":"2023-02-25T10:14:07","slug":"les-femmes-du-pavillon-j-the-women-in-block-j-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-femmes-du-pavillon-j-the-women-in-block-j-2\/","title":{"rendered":"Les femmes du Pavillon J \/ The Women In Block J"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Three patients and a nurse from a women&rsquo;s psychiatric ward in Casablanca, Morocco, from different ages and social backgrounds, confront their suffering and forge a strong friendship, escaping in occasional nocturnal escapades that slowly help to bring them back to life.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Mohamed NADIF began his artistic career as a stage actor and director. He initially worked as an actor in several films before directing his own projects. He has written and directed three short films:\u00a0<strong>The young lady and the elevator<\/strong> (2005), <strong>The young lady and the teacher<\/strong> (2007) and\u00a0<strong>The young lady and the school<\/strong> (2009). <strong>The women in block J<\/strong> is his second feature film after <strong>Andalusia, my love!<\/strong> which was released in 2012.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Three patients and a nurse from a women&rsquo;s psychiatric ward in Casablanca, Morocco, from different ages and social backgrounds, confront their suffering and forge a strong friendship, escaping in occasional nocturnal escapades that slowly help to bring them back to life. Biofilmographie\/Biofilmography Mohamed NADIF began his artistic career as a stage actor and director. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1851,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Les-femmes-du-pavillon-J.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1853"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1853\/revisions"}],"predecessor-version":[{"id":1854,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1853\/revisions\/1854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1851"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1850,"date":"2021-10-12T11:25:04","date_gmt":"2021-10-12T11:25:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=1850"},"modified":"2023-02-24T20:08:46","modified_gmt":"2023-02-24T20:08:46","slug":"les-femmes-du-pavillon-j-the-women-in-block-j","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-femmes-du-pavillon-j-the-women-in-block-j\/","title":{"rendered":"Les femmes du Pavillon J \/ The Women In Block J"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Trois patientes et une infirmi\u00e8re d&rsquo;un pavillon psychiatrique de Casablanca, d\u2019\u00e2ges et de milieux sociaux diff\u00e9rents,\u00a0 confrontent leurs souffrances et d\u00e9veloppent une amiti\u00e9 forte, \u00e9chappant \u00e0 elles-m\u00eames en de salutaires vir\u00e9es nocturnes qui les ram\u00e8nent peu \u00e0 peu \u00e0 la vie.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Mohamed NADIF a d&rsquo;abord \u0153uvr\u00e9 au th\u00e9\u00e2tre en tant que com\u00e9dien et metteur en sc\u00e8ne, puis a rejoint le cin\u00e9ma comme acteur dans de nombreux films, avant de passer \u00e0 la r\u00e9alisation. Il a \u00e9crit et r\u00e9alis\u00e9 trois court-m\u00e9trages :\u00a0<strong>La jeune femme et l&rsquo;ascenseur<\/strong> (2005),\u00a0<strong>La jeune femme et l&rsquo;Instit<\/strong>\u00a0(2007) et <strong>La jeune femme et l&rsquo;\u00e9cole<\/strong> (2009). Les Femmes du pavillon J est son second long-m\u00e9trage, apr\u00e8s <strong>Andalousie, mon amour!<\/strong> sorti en 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Trois patientes et une infirmi\u00e8re d&rsquo;un pavillon psychiatrique de Casablanca, d\u2019\u00e2ges et de milieux sociaux diff\u00e9rents,\u00a0 confrontent leurs souffrances et d\u00e9veloppent une amiti\u00e9 forte, \u00e9chappant \u00e0 elles-m\u00eames en de salutaires vir\u00e9es nocturnes qui les ram\u00e8nent peu \u00e0 peu \u00e0 la vie. Biofilmographie\/Biofilmography Mohamed NADIF a d&rsquo;abord \u0153uvr\u00e9 au th\u00e9\u00e2tre en tant que com\u00e9dien et [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1851,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Les-femmes-du-pavillon-J.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1850"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1850\/revisions"}],"predecessor-version":[{"id":1852,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1850\/revisions\/1852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1851"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1848,"date":"2021-10-12T11:23:20","date_gmt":"2021-10-12T11:23:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=1848"},"modified":"2023-02-25T10:12:58","modified_gmt":"2023-02-25T10:12:58","slug":"la-traversee-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-traversee-2\/","title":{"rendered":"La travers\u00e9e"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Djibi, an emigrant carrying a heavy secret, returns home (Burkina Faso) after 10 years of hard work in Italy. In his neighbourhood, he is in contact with a group of young people dreaming to go to Europe. He designed a secret project to prepare them for this journey which he himself made before: intensive and almost military physical and intellectual preparation.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Ir\u00e8ne TASSEMBEDO is a dancer, choreographer, actress and director from Burkina Faso. Her openness to all dance techniques and other segments of performing arts earned her a multi-disciplinary career. As a choreographer, Ir\u00e8ne TASSEMBEDO has regularly performed at FESPACO. She began a filmmaking career in 2009 with her short <strong>Mousso D\u00e9ni<\/strong>. In 2015, she made a fictional feature titled <strong>Kokoko Afferage.com<\/strong>. and in 2017, she directed <strong>\u00c7a tourne \u00e0 Ouaga<\/strong>. <strong>La travers\u00e9e <\/strong>is her second fictional feature.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Djibi, an emigrant carrying a heavy secret, returns home (Burkina Faso) after 10 years of hard work in Italy. In his neighbourhood, he is in contact with a group of young people dreaming to go to Europe. He designed a secret project to prepare them for this journey which he himself made before: intensive [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1846,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/La-traversee.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1848"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1848\/revisions"}],"predecessor-version":[{"id":1849,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1848\/revisions\/1849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1846"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1845,"date":"2021-10-12T11:22:22","date_gmt":"2021-10-12T11:22:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1845"},"modified":"2023-02-24T20:06:54","modified_gmt":"2023-02-24T20:06:54","slug":"la-traversee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-traversee\/","title":{"rendered":"La travers\u00e9e"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Djibi est un \u00e9migr\u00e9, portant un lourd secret, qui rentre au pays (le Burkina Faso) apr\u00e8s 10 ans de labeur en Italie. Au contact d\u2019un groupe de jeunes de son quartier, dont l\u2019unique dessein est de partir vers Europe. Il con\u00e7oit un projet secret pour les pr\u00e9parer \u00e0 cette travers\u00e9e, qu\u2019il a lui-m\u00eame effectu\u00e9e : pr\u00e9paration physique et intellectuelle, intensive, quasi militaire&#8230;<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Ir\u00e8ne TASSEMBEDO est une danseuse, chor\u00e9graphe, actrice et r\u00e9alisatrice burkinab\u00e9. En effet, son ouverture vers l\u2019ensemble des techniques de la danse et vers les autres disciplines des arts vivants lui ont valu cette carri\u00e8re multidisciplinaire. Comme chor\u00e9graphe, Ir\u00e8ne TASSEMBEDO se produit r\u00e9guli\u00e8rement au FESPACO. Elle s\u2019ouvre \u00e0 la r\u00e9alisation cin\u00e9matographique en 2009 avec son court m\u00e9trage <strong>Mousso D\u00e9ni<\/strong>. En 2015, elle r\u00e9alise un long m\u00e9trage de fiction intitul\u00e9 <strong>Kokoko Afferage.com<\/strong>. et en 2017, elle signe <strong>\u00c7a tourne \u00e0 Ouaga<\/strong>. <strong>La travers\u00e9e <\/strong>est le deuxi\u00e8me long m\u00e9trage de fiction de TASSEMBEDO.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Djibi est un \u00e9migr\u00e9, portant un lourd secret, qui rentre au pays (le Burkina Faso) apr\u00e8s 10 ans de labeur en Italie. Au contact d\u2019un groupe de jeunes de son quartier, dont l\u2019unique dessein est de partir vers Europe. Il con\u00e7oit un projet secret pour les pr\u00e9parer \u00e0 cette travers\u00e9e, qu\u2019il a lui-m\u00eame effectu\u00e9e [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1846,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/La-traversee.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1845"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1845\/revisions"}],"predecessor-version":[{"id":1847,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1845\/revisions\/1847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1846"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1843,"date":"2021-10-12T11:20:24","date_gmt":"2021-10-12T11:20:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1843"},"modified":"2023-02-25T10:11:59","modified_gmt":"2023-02-25T10:11:59","slug":"juju-stories-love-potion-yam-suffer-the-witch-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/juju-stories-love-potion-yam-suffer-the-witch-2\/","title":{"rendered":"Juju stories (Love potion, Yam, Suffer the witch)"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A three-part anthology film exploring juju (magical) stories (<strong>Love potion<\/strong>, <strong>Yam<\/strong>,<\/em> <strong><em>Suffer the witch) <\/em><\/strong><em>rooted in Nigerian folklore and urban legend, written and directed by the new Nigerian new wave cinema collective known as Surreal16.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Michael OMONUA<\/em><em> is a film director and screenwriter based in Nigeria.<\/em> <em>In 2016 he co-founded a collective of filmmakers known as The Surreall6. He directed <strong>Bleed<\/strong>, <strong>Visions <\/strong>and <strong>The man who cuts tattoos<\/strong>.<\/em><\/p>\n<p><em>Abba T. MAKAMA<\/em><em> is a visual artist and filmmaker from Nigeria. He is the founder and creative director of OSIRIS FILM &amp; ENTERTAINMENT. His film credits include: <strong>Green white green<\/strong>, <strong>Visions<\/strong>, <strong>The lost Okorioshi<\/strong><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A three-part anthology film exploring juju (magical) stories (Love potion, Yam, Suffer the witch) rooted in Nigerian folklore and urban legend, written and directed by the new Nigerian new wave cinema collective known as Surreal16. Biofilmographie\/Biofilmography Michael OMONUA is a film director and screenwriter based in Nigeria. In 2016 he co-founded a collective of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Juju-Stories.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1843"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1843\/revisions"}],"predecessor-version":[{"id":1844,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1843\/revisions\/1844"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1841"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1840,"date":"2021-10-12T11:19:06","date_gmt":"2021-10-12T11:19:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=1840"},"modified":"2023-02-24T20:05:38","modified_gmt":"2023-02-24T20:05:38","slug":"juju-stories-love-potion-yam-suffer-the-witch","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/juju-stories-love-potion-yam-suffer-the-witch\/","title":{"rendered":"Juju stories (Love potion, Yam, Suffer the witch)"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Un film en trois parties qui explore les histoires de juju (magie) enracin\u00e9es dans le folklore nig\u00e9rian et les l\u00e9gendes urbaines, \u00e9crit et r\u00e9alis\u00e9 par le nouveau collectif de cin\u00e9ma nig\u00e9rian connu sous le nom de Surreal16.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Michael OMONUA est un r\u00e9alisateur et sc\u00e9nariste bas\u00e9 au Nig\u00e9ria. En 2016 ; il co-fonde un collectif de cin\u00e9astes connu sous le nom de The Surreall6. Les films <strong><em>Bleed<\/em><\/strong><em>, <strong>Visions<\/strong><\/em> et <strong><em>The man who cuts tattoos <\/em><\/strong>portent sa griffe en tant que r\u00e9alisateur<strong>.<\/strong><\/p>\n<p>Abba T. MAKAMA est un artiste plasticien et cin\u00e9aste nig\u00e9rian. Il est le fondateur et directeur de OSIRIS FILM &amp; ENTERTAINMENT. Sa filmographie comprend les films comme <strong>Green <em>white green<\/em><\/strong><em>, <strong>Visions<\/strong><\/em> et <strong><em>The lost Okorioshi<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Un film en trois parties qui explore les histoires de juju (magie) enracin\u00e9es dans le folklore nig\u00e9rian et les l\u00e9gendes urbaines, \u00e9crit et r\u00e9alis\u00e9 par le nouveau collectif de cin\u00e9ma nig\u00e9rian connu sous le nom de Surreal16. Biofilmographie\/Biofilmography Michael OMONUA est un r\u00e9alisateur et sc\u00e9nariste bas\u00e9 au Nig\u00e9ria. En 2016 ; il co-fonde un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Juju-Stories.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1840"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1840\/revisions"}],"predecessor-version":[{"id":1842,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1840\/revisions\/1842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1841"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1838,"date":"2021-10-12T11:16:22","date_gmt":"2021-10-12T11:16:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1838"},"modified":"2023-02-24T20:21:07","modified_gmt":"2023-02-24T20:21:07","slug":"for-maria-precious-gift-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/for-maria-precious-gift-2\/","title":{"rendered":"For Maria : Precious Gift"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>After the complicated birth of her first child Maria, Derin becomes withdrawn from family life, unable to engage in the celebrations around her newborn. Her bewildered mother-in-law insists that she is not a good enough parent, while her increasingly worried husband Afolabi watches from the sidelines as she becomes a shadow of herself. Struggling to come to terms with what it means to be a mother, Derin fails to bond with her baby and ultimately loses the most precious gift of all.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Damilola E. ORIMOGUNJE is a screenwriter and film director. He has a B.Sc. in Mass Communication from Caleb University, Lagos, Nigeria. After his degree, he has worked with various production outlets. In 2014, he won the United Nations sponsored Homevida Short Script competition. As a film director, his short films have been selected and screened in over 40 film festivals. His last short film is titled <strong>Losing My Religion <\/strong>adapted from the short story <strong>Losing My Religion <\/strong>from the book <strong>Bury Me Come Sunday Afternoon<\/strong> by the Nigerian-American writer, Nike Campbell-Fatoki. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis After the complicated birth of her first child Maria, Derin becomes withdrawn from family life, unable to engage in the celebrations around her newborn. Her bewildered mother-in-law insists that she is not a good enough parent, while her increasingly worried husband Afolabi watches from the sidelines as she becomes a shadow of herself. Struggling [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/For-Maria-Ebun-Pataki.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1838"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1838\/revisions"}],"predecessor-version":[{"id":1839,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1838\/revisions\/1839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1836"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]