[{"id":1835,"date":"2021-10-12T11:15:21","date_gmt":"2021-10-12T11:15:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=1835"},"modified":"2023-02-24T20:04:18","modified_gmt":"2023-02-24T20:04:18","slug":"for-maria-precious-gift","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/for-maria-precious-gift\/","title":{"rendered":"For Maria : Precious Gift"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>Suite \u00e0 la naissance compliqu\u00e9e de son premier enfant Maria, Derin se retire de la vie de famille, incapable de participer aux c\u00e9l\u00e9brations autour de son nouveau-n\u00e9e. Sa belle-m\u00e8re perplexe insiste sur le fait qu\u2019elle ne fait pas une assez bonne m\u00e8re, tandis que son mari Afolabi, de plus en plus inquiet, la regarde de c\u00f4t\u00e9 alors qu\u2019elle devient l\u2019ombre d\u2019elle-m\u00eame. Luttant pour s\u2019assumer en tant que m\u00e8re, Derin ne parvient pas \u00e0 cr\u00e9er des liens avec son b\u00e9b\u00e9 et finit par perdre le cadeau le plus pr\u00e9cieux de tous.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Damilola E. ORIMOGUNJE est un sc\u00e9nariste et r\u00e9alisateur nig\u00e9rian. Il est d\u00e9tenteur d\u2019un baccalaur\u00e9at en Communication de masse de l\u2019Universit\u00e9 de Caleb \u00e0 Lagos au Nigeria. Son dipl\u00f4me en poche, il travaille par la suite avec diff\u00e9rentes maisons de productions. En 2014, il remporte le concours Homevida du court scenario parrain\u00e9 par les Nations Unies. Les courts m\u00e9trages qu\u2019il a sign\u00e9s en tant que r\u00e9alisateur ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s et projet\u00e9s dans plus de 40 festivals de films. Son dernier court m\u00e9trage intitul\u00e9 <strong><em>Losing My Religion<\/em> <\/strong>est une adaptation de la nouvelle <strong><em>Losing My Religion<\/em> <\/strong>du roman <strong><em>Bury Me Come Sunday Afternoon<\/em><\/strong> de l\u2019\u00e9crivain nig\u00e9rian-am\u00e9ricain Nike Campbell-Fatoki.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Suite \u00e0 la naissance compliqu\u00e9e de son premier enfant Maria, Derin se retire de la vie de famille, incapable de participer aux c\u00e9l\u00e9brations autour de son nouveau-n\u00e9e. Sa belle-m\u00e8re perplexe insiste sur le fait qu\u2019elle ne fait pas une assez bonne m\u00e8re, tandis que son mari Afolabi, de plus en plus inquiet, la regarde [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/For-Maria-Ebun-Pataki.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1835"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1835\/revisions"}],"predecessor-version":[{"id":1837,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1835\/revisions\/1837"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1836"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1833,"date":"2021-10-12T11:13:32","date_gmt":"2021-10-12T11:13:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=1833"},"modified":"2023-02-24T20:18:16","modified_gmt":"2023-02-24T20:18:16","slug":"faritra-la-zone-faritra-the-zone-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/faritra-la-zone-faritra-the-zone-2\/","title":{"rendered":"Faritra, La Zone\/ Faritra, the Zone"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Faritra is an immersion into everyday life of young prisoners in the central prison of Antananarivo. A lawless place where prisoners discover the desire to speak through a camera, snapshots of life stories. <\/em><em>A desire for breath and freedom. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Graduates from Marrakech Higher School of Fine Arts (ESAV), Tovoniaina RASOANAIVO and Luck RAZANAJAONA directed each several international award-winning shorts (Golden Zebu for a Pan-African documentary at RFC Antananarivo, Carthage Film Festival, etc.). RASOANAIVO is currently developing <strong>T-shirt Man<\/strong> as well as a feature documentary on the life of one of the most famous actors in Madagascar. RAZANAJAONA is preparing the shooting of <\/em><strong><em>Disko Afrika<\/em><\/strong><em> after making 3 multi-award-winning shorts, including <strong>Madama Esther<\/strong> (Poulain d\u2019argent du Yennenga at FESPACO).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Faritra is an immersion into everyday life of young prisoners in the central prison of Antananarivo. A lawless place where prisoners discover the desire to speak through a camera, snapshots of life stories. A desire for breath and freedom. Biofilmographie\/Biofilmography Graduates from Marrakech Higher School of Fine Arts (ESAV), Tovoniaina RASOANAIVO and Luck RAZANAJAONA [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Faritra.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1833"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1833\/revisions"}],"predecessor-version":[{"id":1834,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1833\/revisions\/1834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1831"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1830,"date":"2021-10-12T11:10:13","date_gmt":"2021-10-12T11:10:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1830"},"modified":"2023-02-24T20:02:49","modified_gmt":"2023-02-24T20:02:49","slug":"faritra-la-zone-faritra-the-zone","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/faritra-la-zone-faritra-the-zone\/","title":{"rendered":"Faritra, La Zone\/ Faritra, the Zone"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Faritra est une immersion dans la vie quotidienne des jeunes incarc\u00e9r\u00e9s dans la prison centrale d\u2019Antananarivo. Une zone de non-droit o\u00f9 on d\u00e9couvre les d\u00e9sirs de s\u2019exprimer \u00e0 travers une cam\u00e9ra, les bribes d\u2019histoire de vie. Une envie de respiration et de libert\u00e9.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Dipl\u00f4m\u00e9s de l\u2019Ecole sup\u00e9rieure des arts visuels (ESAV) de Marrakech, Tovoniaina RASOANAIVO et Luck RAZANAJAONA ont r\u00e9alis\u00e9 chacun plusieurs courts m\u00e9trages prim\u00e9s internationalement (Z\u00e9bu d\u2019or documentaire panafricain aux RFC Antananarivo, Journ\u00e9es cin\u00e9matographiques de Carthage, &#8230;) Actuellement, RASOANAIVO continue de d\u00e9velopper <strong>T-shirt Man<\/strong> ainsi qu\u2019un long m\u00e9trage documentaire sur la vie d\u2019un des com\u00e9diens les plus c\u00e9l\u00e8bres \u00e0 Madagascar. RAZANAJAONA pr\u00e9pare le tournage de DISCO AFRIKA apr\u00e8s 3 courts m\u00e9trages multi prim\u00e9s dont <strong>Madama Esther<\/strong> (Poulain d\u2019argent du Yennenga au FESPACO).<\/p>\n<p><strong>Faritra, La Zone\/ Faritra, the Zone<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Faritra est une immersion dans la vie quotidienne des jeunes incarc\u00e9r\u00e9s dans la prison centrale d\u2019Antananarivo. Une zone de non-droit o\u00f9 on d\u00e9couvre les d\u00e9sirs de s\u2019exprimer \u00e0 travers une cam\u00e9ra, les bribes d\u2019histoire de vie. Une envie de respiration et de libert\u00e9. Biofilmographie\/Biofilmography Dipl\u00f4m\u00e9s de l\u2019Ecole sup\u00e9rieure des arts visuels (ESAV) de Marrakech, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Faritra.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1830"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1830\/revisions"}],"predecessor-version":[{"id":1832,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1830\/revisions\/1832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1831"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1828,"date":"2021-10-12T10:51:01","date_gmt":"2021-10-12T10:51:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1828"},"modified":"2023-02-24T20:16:37","modified_gmt":"2023-02-24T20:16:37","slug":"enterres-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/enterres-2\/","title":{"rendered":"Enterr\u00e9s"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Four childhood friends in their forties reunite on the initiative of the oldest, 39-year-old Ndewa. They kept in touch over the years and when they take stock of their current life, everything is bad.\u00a0Ndewa\u2019s idea is a rather unique and original reunion in an isolated wasteland, with everyone bringing important objects or symbols of their past life to be literally buried and start a brand-new life. But unwittingly Ndewa is about to bury the key that is going to change everything<\/em><em>. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Beninese-Cameroonian scriptwriter and director Fran\u00e7oise ELLONG attended at the age of 18 the French Language Young Writer Award where she received the Jury\u2019s congratulations on her novel <strong>Journal Intime d\u2019un Meurtrier<\/strong> and was urged to take interest in scriptwriting. She then went on to write and direct nine award-winning short films and five episodes of a Pan-African series. Her film <strong>W.A.K.A<\/strong> showed in some thirty countries, winning seven international prizes including Jury Prize at the African Film Festival of Khouribga. <strong>Enterr\u00e9s <\/strong>is her second feature. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Four childhood friends in their forties reunite on the initiative of the oldest, 39-year-old Ndewa. They kept in touch over the years and when they take stock of their current life, everything is bad.\u00a0Ndewa\u2019s idea is a rather unique and original reunion in an isolated wasteland, with everyone bringing important objects or symbols of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1824,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1828","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Enterres.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1828"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1828\/revisions"}],"predecessor-version":[{"id":1829,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1828\/revisions\/1829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1824"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1823,"date":"2021-10-12T10:34:27","date_gmt":"2021-10-12T10:34:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=1823"},"modified":"2023-02-24T20:00:54","modified_gmt":"2023-02-24T20:00:54","slug":"enterres","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/enterres\/","title":{"rendered":"Enterr\u00e9s"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Quatre amis d&rsquo;enfance approchant la quarantaine se retrouvent gr\u00e2ce \u00e0 l&rsquo;initiative du plus vieux d&rsquo;entre eux, Nd\u00e9wa 39 ans. Ils ont gard\u00e9 contact depuis toutes ces ann\u00e9es et au bilan de leur vie actuelle, tout va mal.\u00a0L&rsquo;id\u00e9e de Nd\u00e9wa : des retrouvailles assez particuli\u00e8res et originales dans un terrain vague isol\u00e9, chacun muni d&rsquo;objets ou symboles importants de cette vie pass\u00e9e qu&rsquo;ils vont litt\u00e9ralement enterrer afin de songer \u00e0 de nouvelles perspectives, pour d\u00e9marrer une vie toute neuve.\u00a0C&rsquo;est alors que sans le savoir, Nd\u00e9wa s&rsquo;appr\u00eate \u00e0 enterrer la cl\u00e9 qui va tout faire basculer.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>La sc\u00e9nariste et r\u00e9alisatrice b\u00e9nino-camerounaise Fran\u00e7oise ELLONG participe \u00e0 18 ans au Prix du Jeune Ecrivain de langue fran\u00e7aise o\u00f9 le Jury la f\u00e9licite pour sa nouvelle <strong>Journal Intime d\u2019un Meurtrier<\/strong> et la pousse \u00e0 s\u2019int\u00e9resser au sc\u00e9nario. D\u00e8s lors elle a \u00e9crit et r\u00e9alis\u00e9 neuf courts-m\u00e9trages prim\u00e9s et sign\u00e9 cinq \u00e9pisodes d\u2019une s\u00e9rie panafricaine. Son film <strong>W.A.K.A<\/strong> a parcouru une trentaine de pays et remport\u00e9 sept prix \u00e0 l\u2019international dont le Prix du Jury au Festival du Cin\u00e9ma Africain de Khouribga. Avec <strong>Enterr\u00e9s<\/strong>, Ellong signe son deuxi\u00e8me long-m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Quatre amis d&rsquo;enfance approchant la quarantaine se retrouvent gr\u00e2ce \u00e0 l&rsquo;initiative du plus vieux d&rsquo;entre eux, Nd\u00e9wa 39 ans. Ils ont gard\u00e9 contact depuis toutes ces ann\u00e9es et au bilan de leur vie actuelle, tout va mal.\u00a0L&rsquo;id\u00e9e de Nd\u00e9wa : des retrouvailles assez particuli\u00e8res et originales dans un terrain vague isol\u00e9, chacun muni d&rsquo;objets [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1824,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Enterres.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1823"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1823\/revisions"}],"predecessor-version":[{"id":1825,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1823\/revisions\/1825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1824"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1795,"date":"2021-10-11T16:53:16","date_gmt":"2021-10-11T16:53:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1795"},"modified":"2023-02-24T19:37:02","modified_gmt":"2023-02-24T19:37:02","slug":"un-fils","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/un-fils\/","title":{"rendered":"Un fils"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Tunisie, \u00e9t\u00e9 2011. Fares et Meriem filent des jours heureux avec Aziz, leur fils de 11 ans.\u00a0Durant un s\u00e9jour dans le sud du pays, un \u00e9v\u00e9nement vient changer le cours de leur vie. Alors qu\u2019une course contre la montre s&rsquo;enclenche, des v\u00e9rit\u00e9s longuement enfouies commencent \u00e0 refaire surface.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>N\u00e9 en 1984 \u00e0 Tunis, Mehdi est dipl\u00f4m\u00e9 de l\u2019institut sup\u00e9rieur des arts multim\u00e9dias de Tunis, en montage. Il part ensuite en Italie pour compl\u00e9ter sa formation et sort dipl\u00f4m\u00e9 du DAMS de Bologne. Il a r\u00e9alis\u00e9 trois courts-m\u00e9trages, remarqu\u00e9s et prim\u00e9s dans plusieurs festivals internationaux. <em>S<\/em>on premier long-m\u00e9trage <strong>Un fils<\/strong> entame sa carri\u00e8re internationale en s\u00e9lection officielle \u00e0 la 76<sup>\u00e8me<\/sup> \u00e9dition de la Mostra de Venise o\u00f9 il est doublement r\u00e9compens\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Tunisie, \u00e9t\u00e9 2011. Fares et Meriem filent des jours heureux avec Aziz, leur fils de 11 ans.\u00a0Durant un s\u00e9jour dans le sud du pays, un \u00e9v\u00e9nement vient changer le cours de leur vie. Alors qu\u2019une course contre la montre s&rsquo;enclenche, des v\u00e9rit\u00e9s longuement enfouies commencent \u00e0 refaire surface. Biofilmographie\/Biofilmography N\u00e9 en 1984 \u00e0 Tunis, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1795","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-22.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1795"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1795\/revisions"}],"predecessor-version":[{"id":1797,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1795\/revisions\/1797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1796"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1792,"date":"2021-10-11T16:49:19","date_gmt":"2021-10-11T16:49:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=1792"},"modified":"2023-02-24T19:55:53","modified_gmt":"2023-02-24T19:55:53","slug":"um-dia-com-jerusa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/um-dia-com-jerusa\/","title":{"rendered":"Um Dia Com Jerusa"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>A Day with Jerusa\u00a0\u00bb follows Silvia, a young, mediumic market researcher facing the hardships of underemployment while awaiting the result of a public exam, and Jerusa, a gracious 77-year-old lady, eyewitness to the daily life on Bixiga, a neighborhood filled with ancestral memories. On Jerusa&rsquo;s birthday, while she waits for her family&rsquo;s arrival, the encounter between her deepest memories and Silvia&rsquo;s mediumship allows them to travel through time and realities common to their ancestry.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Viviane FERREIRA, director and screenwriter. She has directed and scripted several video clips and documentary shorts. In fiction, she directed the short films <strong>Mumbi7Cenas post Burkina<\/strong> (2010) and <strong>O dia de Jerusa<\/strong> (2014). Her most recent works are the feature film <strong>People : live to tell<\/strong> (2019), which she co-directed, and <strong>Um Dia Com Jerusa<\/strong> (2020), her directional debut on feature film. Master in audiovisual policies, by UNB, she is a lawyer, with a focus on entertainment law. FERREIRA is also president of the Brazilian Selection Commidee for the Oscar 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. A Day with Jerusa\u00a0\u00bb follows Silvia, a young, mediumic market researcher facing the hardships of underemployment while awaiting the result of a public exam, and Jerusa, a gracious 77-year-old lady, eyewitness to the daily life on Bixiga, a neighborhood filled with ancestral memories. On Jerusa&rsquo;s birthday, while she waits for her family&rsquo;s arrival, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1793,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1792"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1792\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1792\/revisions\/1794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1793"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1786,"date":"2021-10-11T16:43:07","date_gmt":"2021-10-11T16:43:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1786"},"modified":"2023-02-24T19:35:41","modified_gmt":"2023-02-24T19:35:41","slug":"le-choix-dali","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-choix-dali\/","title":{"rendered":"Le choix d\u2019Ali"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Ali vit \u00e0 Paris avec Eric. Un soir, il re\u00e7oit un coup de fil de sa s\u0153ur qui l\u2019informe que sa maman a fait un AVC. Il d\u00e9cide de retourner \u00e0 Besan\u00e7on. Eric l\u2019accompagne. C\u2019est un retour qu\u2019appr\u00e9hende Ali ; il sait qu\u2019il a fui, il y a 5 ans, sa famille parce qu\u2019\u00eatre homosexuel, cela n\u2019est pas concevable pour les siens. Ali esp\u00e8re voir sa m\u00e8re, la rassurer et se rassurer, puis repartir aussit\u00f4t. C\u2019est un retour p\u00e9rilleux qu\u2019Ali effectue dans sa famille musulmane pratiquante o\u00f9 l\u2019homosexualit\u00e9 est grand p\u00e9ch\u00e9. Ali ne le sait pas encore ; il fera un choix qui restera le sien.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Amor HAKKAR a r\u00e9alis\u00e9 de nombreux films dont un court m\u00e9trage de fiction (<strong>Apprends-moi \u00e0 compter jusqu\u2019\u00e0 l\u2019infini <\/strong>en1990, S\u00e9lection officielle au festival de l\u2019Ile de la R\u00e9union), des longs m\u00e9trages de fictions (Sale<strong> temps pour un voyou <\/strong>en 1992, S\u00e9lection officielle aux festivals de Carthage, T\u00e9touan, Paris\u00a0; <strong>Quelques jours de r\u00e9pit <\/strong>en 2010, S\u00e9lection officielle Festival de Sundance 2011\u00a0; <strong>La preuve \u00a0<\/strong>en 2013, S\u00e9lection officielle Festival du film de Dubai en 2013 et de Beyrouth een2014) et un documentaire (<strong>Timgad, la vie au coeur des Aur\u00e9s <\/strong>en 2002, S\u00e9lection officielle au festival de Montr\u00e9al).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Ali vit \u00e0 Paris avec Eric. Un soir, il re\u00e7oit un coup de fil de sa s\u0153ur qui l\u2019informe que sa maman a fait un AVC. Il d\u00e9cide de retourner \u00e0 Besan\u00e7on. Eric l\u2019accompagne. C\u2019est un retour qu\u2019appr\u00e9hende Ali ; il sait qu\u2019il a fui, il y a 5 ans, sa famille parce qu\u2019\u00eatre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1786"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1786\/revisions"}],"predecessor-version":[{"id":1788,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1786\/revisions\/1788"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1787"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1783,"date":"2021-10-11T16:40:15","date_gmt":"2021-10-11T16:40:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=1783"},"modified":"2023-02-25T10:20:31","modified_gmt":"2023-02-25T10:20:31","slug":"land-of-the-brave","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/land-of-the-brave\/","title":{"rendered":"Land of the brave"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p><em>During the dry and desolate Namibian winter a tough cop is hot on the heels of an ice-cold killer. Her investigations unravel when a ruthless reporter publishes dark secrets from her shady past. But the cop is determined to catch the killer, even if she has to break the law.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Tim HUEBSCHLE is a Namibian director and screenwriter. A focus on compelling stories rooted in the real world informed Tim\u2019s filmmaking career since 2000, culminating in various acclaimed documentaries, short films and music videos. In 2009 he co-founded Collective Productions and began directing Namibian stories for the international market including a German docuseries, documentaries for a Chinese news channel and a feature-length crime thriller screened in Namibian cinemas and at global festivals.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. During the dry and desolate Namibian winter a tough cop is hot on the heels of an ice-cold killer. Her investigations unravel when a ruthless reporter publishes dark secrets from her shady past. But the cop is determined to catch the killer, even if she has to break the law. Biofilmographie\/Biofilmography Tim HUEBSCHLE is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1783"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1783\/revisions"}],"predecessor-version":[{"id":1785,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1783\/revisions\/1785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1784"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1779,"date":"2021-10-11T16:36:59","date_gmt":"2021-10-11T16:36:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1779"},"modified":"2023-02-24T19:34:11","modified_gmt":"2023-02-24T19:34:11","slug":"la-vie-dapres-life-after-the-sta","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-vie-dapres-life-after-the-sta\/","title":{"rendered":"La vie d\u2019apr\u00e8s \/ Life after the sta"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Une dame qui travaille comme femme de m\u00e9nage, vit seule avec son fils adolescent, dans un douar de l\u2019Ouest alg\u00e9rien. La dame trime pour gagner honn\u00eatement sa vie se retrouve au centre de vifs comm\u00e9rages et de rumeurs persistantes sur le fait qu\u2019elle entretient des relations ill\u00e9gales avec des hommes. Ne pouvant supporter ces rumeurs qui lui empoisonnent son quotidien, la femme quitte son village pour s\u2019installer dans la ville ou commerce pour elle et son enfant une vie dure et p\u00e9nible. <strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Ancien journaliste, Anis DJAAD est stagiaire \u00e0 la r\u00e9alisation sur le film <strong>Fran\u00e7a ya Fran\u00e7a<\/strong> de Djamel BELOUED. Il est l\u2019auteur de deux romans : L\u2019odeur du violon et Matins parisiens. En 2003, il revient au cin\u00e9ma et compte parmi les laur\u00e9ats du concours du sc\u00e9nario \u00ab <strong>L\u2019ann\u00e9e de l\u2019Alg\u00e9rie<\/strong> \u00bb. Il \u00e9crit, en 2006, son premier sc\u00e9nario de long m\u00e9trage <strong>Au bout du tunnel<\/strong>, s\u00e9lectionn\u00e9 par le programme europ\u00e9en Meda film. En 2011, il d\u00e9croche avec <strong>Le hublot<\/strong> le prix du meilleur sc\u00e9nario de court m\u00e9trage aux Journ\u00e9es cin\u00e9matographiques d\u2019Alger.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Une dame qui travaille comme femme de m\u00e9nage, vit seule avec son fils adolescent, dans un douar de l\u2019Ouest alg\u00e9rien. La dame trime pour gagner honn\u00eatement sa vie se retrouve au centre de vifs comm\u00e9rages et de rumeurs persistantes sur le fait qu\u2019elle entretient des relations ill\u00e9gales avec des hommes. Ne pouvant supporter ces [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1780,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1779"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1779\/revisions"}],"predecessor-version":[{"id":1781,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1779\/revisions\/1781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1780"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1776,"date":"2021-10-11T16:35:08","date_gmt":"2021-10-11T16:35:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=1776"},"modified":"2023-02-24T19:32:31","modified_gmt":"2023-02-24T19:32:31","slug":"juwaa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/juwaa\/","title":{"rendered":"Juwaa"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. <strong>Juwaa <\/strong>raconte la s\u00e9paration et les retrouvailles d\u2019une m\u00e8re (Riziki) et de son fils (Amani) apr\u00e8s une succession d\u2019\u00e9v\u00e8nements traumatiques. <strong>Juwaa<\/strong> est un drame familial explorant subtilement les non-dits et la psychologie de deux \u00eatres singuli\u00e8rement hant\u00e9s par le pass\u00e9 dans leur poursuite d\u2019un meilleur avenir.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>R\u00e9alisateur, acteur et photographe d\u2019origine congolaise vivant \u00e0 Bruxelles, Nganji MUTIRI est le r\u00e9alisateur des films suivants\u00a0: <strong>Salamander<\/strong> (2012), <strong>Hassel<\/strong> (2017), <strong>Le Soleil dans les yeux <\/strong>et <strong>Juwaa<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Juwaa raconte la s\u00e9paration et les retrouvailles d\u2019une m\u00e8re (Riziki) et de son fils (Amani) apr\u00e8s une succession d\u2019\u00e9v\u00e8nements traumatiques. Juwaa est un drame familial explorant subtilement les non-dits et la psychologie de deux \u00eatres singuli\u00e8rement hant\u00e9s par le pass\u00e9 dans leur poursuite d\u2019un meilleur avenir. Biofilmographie\/Biofilmography R\u00e9alisateur, acteur et photographe d\u2019origine congolaise vivant [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1777,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1776"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1776\/revisions"}],"predecessor-version":[{"id":1778,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1776\/revisions\/1778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1777"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1773,"date":"2021-10-11T16:33:06","date_gmt":"2021-10-11T16:33:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=1773"},"modified":"2023-02-24T19:30:45","modified_gmt":"2023-02-24T19:30:45","slug":"haingosoa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/haingosoa\/","title":{"rendered":"Haingosoa"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Haingo, jeune m\u00e8re c\u00e9libataire du sud de Madagascar, ne parvient pas \u00e0 payer la scolarit\u00e9 de sa fille. Quand une compagnie de danse de la capitale lui propose un contrat \u00e0 l\u2019essai, Hainogo saisit cette chance, quitte sa famille et monte \u00e0 Tananarive. Elle n\u2019a que quelques jours pour apprendre une danse qui lui est totalement \u00e9trang\u00e8re.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Edouard JOUBEAUD connait sa premi\u00e8re exp\u00e9rience de cin\u00e9ma sur <strong>Jacquot de Nantes<\/strong> d\u2019Agn\u00e8s Varda, film dans lequel il interpr\u00e8te le r\u00f4le de Jacques Demy enfant. Il r\u00e9alise par la suite des \u0153uvres documentaires \u00e0 Madagascar (<strong>Mavokely, Les charbonniers<\/strong>) et produit des cr\u00e9ations\u00a0\u00a0 sc\u00e9niques en collaboration avec des auteurs de la diaspora malgache. En 2018, inspir\u00e9 par l\u2019univers d\u2019une famille du Sud de Madagascar, il r\u00e9alise son premier long-m\u00e9trage, <strong>Haingosoa<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Haingo, jeune m\u00e8re c\u00e9libataire du sud de Madagascar, ne parvient pas \u00e0 payer la scolarit\u00e9 de sa fille. Quand une compagnie de danse de la capitale lui propose un contrat \u00e0 l\u2019essai, Hainogo saisit cette chance, quitte sa famille et monte \u00e0 Tananarive. Elle n\u2019a que quelques jours pour apprendre une danse qui lui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1774,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1773"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1773\/revisions"}],"predecessor-version":[{"id":1775,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1773\/revisions\/1775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1774"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1768,"date":"2021-10-11T16:30:23","date_gmt":"2021-10-11T16:30:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=1768"},"modified":"2023-02-24T19:54:25","modified_gmt":"2023-02-24T19:54:25","slug":"citation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/citation\/","title":{"rendered":"Citation"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Moremi Oluwa, une brillante \u00e9tudiante nig\u00e9riane, s\u2019attaque \u00e0 l\u2019\u00e9tablissement universitaire en d\u00e9non\u00e7ant un professeur respect\u00e9 qui a tent\u00e9 de la violer. Inspir\u00e9 de faits r\u00e9els.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Kunle AFOLAYAN is the son of the theatre and film director <strong>Ade Love<\/strong>. He majored in economics and started out working in a bank while doing some casual acting, before deciding to move into full-time filmmaking and taking a course at the New York Film Academy. Since 2005 he has been active in the Nigerian film industry. He has made several films including\u00a0: <strong>The Figurine\u00a0: Araromie<\/strong> (which won five major awards in the African Film Academy and was successful in Nigerian movie theaters) and <strong>Phone Swap <\/strong>(which premiered in France at the first edition of NollywoodWeek Paris and won the Public Choice Award in 2013).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Moremi Oluwa, une brillante \u00e9tudiante nig\u00e9riane, s\u2019attaque \u00e0 l\u2019\u00e9tablissement universitaire en d\u00e9non\u00e7ant un professeur respect\u00e9 qui a tent\u00e9 de la violer. Inspir\u00e9 de faits r\u00e9els. Biofilmographie\/Biofilmography Kunle AFOLAYAN is the son of the theatre and film director Ade Love. He majored in economics and started out working in a bank while doing some casual [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1769,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1768\/revisions"}],"predecessor-version":[{"id":1770,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1768\/revisions\/1770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1769"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1764,"date":"2021-10-11T16:27:21","date_gmt":"2021-10-11T16:27:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=1764"},"modified":"2023-02-24T19:52:50","modified_gmt":"2023-02-24T19:52:50","slug":"aloevera","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/aloevera\/","title":{"rendered":"Aloevera"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p><em>Two groups of people live in the same village, the Aloes and the Veras. There is a harsh rivalry between them that endures even with the children and each side is marked by their own trademark color. When the children of the town leaders\u2019, Aloewin and Veraline, fall in love they must find a way to bring the two communities together despite the animosity. The community later on become one as result of the Relationship between the two.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>Peter SEDUFIA is a product of the National Film and Television Institute, Ghana with BFA degree in film directing. he has directed several short films with varied awards. He directed <strong>Master and 3 Maids<\/strong> comedy series and <strong>Keteke<\/strong> 2017 also being his directorial debut, which has received numerous screenings in film festivals across the world and has won awards in Africa\u2019s oldest and biggest film festival \u2013 FESPACO 2019, etc. <strong>Sidechic Gang<\/strong> 2018, is his second feature length film, which has also won a number of awards. His 3rd feature length is <strong>Away Bus<\/strong> 2019, which got several nominations and won an award at the Ghana Movie Awards 2019. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Two groups of people live in the same village, the Aloes and the Veras. There is a harsh rivalry between them that endures even with the children and each side is marked by their own trademark color. When the children of the town leaders\u2019, Aloewin and Veraline, fall in love they must find a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1764"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1764\/revisions"}],"predecessor-version":[{"id":1766,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1764\/revisions\/1766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1765"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1760,"date":"2021-10-11T16:24:56","date_gmt":"2021-10-11T16:24:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=1760"},"modified":"2023-02-24T19:51:30","modified_gmt":"2023-02-24T19:51:30","slug":"rift-finfinnee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/rift-finfinnee\/","title":{"rendered":"Rift finfinnee"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>The film Rift Finfinnee takes the viewer on a journey through the periphery of Ethiopian capital Addis Ababa. In strictly composed images and a soundtrack that interweaves the original conversations in a complex way, the film takes the concrete geography, architecture and the every day life of individual agricultural and construction workers in the east of Addis Ababa (in Oromo: Finfinnee) as the starting point for an allegorical narrative about the becoming urban of African societies on the edge of civil war.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Daniel K\u00d6TTER is an international filmmaker and music theater director. His works alternate between different media and institutional contexts and combine experimental film techniques with performative and documentary elements. They have been shown worldwide at numerous film and video art festivals, in galleries, theaters and concert halls. In 2017-20 he worked on the documentary film trilogy <strong>Hashti Tehran<\/strong> (2017) which won the special award of the German Short Film Award, <strong>Desert View<\/strong> (2018) and <strong>Rift Finfinnee<\/strong> (2020, the DEFA Award at DOK Leipzig) about urban peripheries in Tehran, Cairo and Addis Ababa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. The film Rift Finfinnee takes the viewer on a journey through the periphery of Ethiopian capital Addis Ababa. In strictly composed images and a soundtrack that interweaves the original conversations in a complex way, the film takes the concrete geography, architecture and the every day life of individual agricultural and construction workers in the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1760"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1760\/revisions"}],"predecessor-version":[{"id":1762,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1760\/revisions\/1762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1761"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1756,"date":"2021-10-11T16:22:44","date_gmt":"2021-10-11T16:22:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=1756"},"modified":"2023-02-24T19:49:49","modified_gmt":"2023-02-24T19:49:49","slug":"omar-blondin-un-revolte-senegalais","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/omar-blondin-un-revolte-senegalais\/","title":{"rendered":"Omar Blondin un r\u00e9volt\u00e9 s\u00e9n\u00e9galais"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Omar Blondin Diop est un brillant intellectuel s\u00e9n\u00e9galais ayant fait ses humanit\u00e9s en France. Amoureux de la culture fran\u00e7aise tout en abhorrant son histoire coloniale, il d\u00e9veloppe un militantisme r\u00e9volutionnaire qui le m\u00e8nera \u00e0 une expulsion de France puis une mort tragique au S\u00e9n\u00e9gal. Les raisons de sa mort sont encore floues, la version officielle du gouvernement s\u00e9n\u00e9galais parle d\u2019un suicide, alors que l\u2019enchainement des \u00e9v\u00e8nements tend plut\u00f4t vers un assassinat.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Djeydi DJIGO, jeune r\u00e9alisateur s\u00e9n\u00e9galais, a fait ses \u00e9tudes sup\u00e9rieures \u00e0 Paris, dans le domaine de l\u2019\u00e9conomie (Inseec Paris) mais aussi du cin\u00e9ma (SAE Institute Paris). R\u00e9alisateur engag\u00e9, le \u00ab documentaire historique \u00bb est son genre de pr\u00e9dilection. Ainsi, son premier projet, alors qu\u2019il est encore \u00e9tudiant en Cin\u00e9ma, s\u2019intitule \u00ab <strong>Etoiles Noires<\/strong> \u00bb. Il signera un partenariat avec la fondation allemande \u00ab Rosa Luxemburg \u00bb qui va le financer. Depuis 3 ans, il travaille sur son premier long m\u00e9trage documentaire, \u00e0 propos de Omar Blondin Diop.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Omar Blondin Diop est un brillant intellectuel s\u00e9n\u00e9galais ayant fait ses humanit\u00e9s en France. Amoureux de la culture fran\u00e7aise tout en abhorrant son histoire coloniale, il d\u00e9veloppe un militantisme r\u00e9volutionnaire qui le m\u00e8nera \u00e0 une expulsion de France puis une mort tragique au S\u00e9n\u00e9gal. Les raisons de sa mort sont encore floues, la version [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1756"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1756\/revisions"}],"predecessor-version":[{"id":1758,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1756\/revisions\/1758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1757"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1751,"date":"2021-10-11T16:20:45","date_gmt":"2021-10-11T16:20:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=1751"},"modified":"2023-02-24T19:47:50","modified_gmt":"2023-02-24T19:47:50","slug":"rumba-rules-new-genealogies","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/rumba-rules-new-genealogies\/","title":{"rendered":"Rumba Rules, new genealogies,"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Glimpse into the contemporary music scene of Kinshasa featuring Brigade Sarbati Orchestra<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><strong>David N. BERNATCHEZ<\/strong> is a Quebec filmmaker and producer. As an anthropologist, he has investigated the Congolese music scene. He divides his time between filmmaking, academic research and musical performance. His images, performances and lectures had been presented in various contexts and countries<strong>.<\/strong><\/p>\n<p><strong>Sammy BALOJI<\/strong> is a visual artist and photographer. As a visual atist, Baloji juxtaposes photographic realities, combining past and present, the real and the ideal, to illicit glaring cultural and historical tensions. Selected filmography : <strong>Kasala: The Slaughterhouse of Dreams or the First Human<\/strong>, <strong>Bende\u2019s Error<\/strong> (2020), <strong>Tales of the Copper Crosses Garden : Episode 1<\/strong> (2018), etc.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Glimpse into the contemporary music scene of Kinshasa featuring Brigade Sarbati Orchestra Biofilmographie\/Biofilmography David N. BERNATCHEZ is a Quebec filmmaker and producer. As an anthropologist, he has investigated the Congolese music scene. He divides his time between filmmaking, academic research and musical performance. His images, performances and lectures had been presented in various contexts [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1751"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1751\/revisions"}],"predecessor-version":[{"id":1753,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1751\/revisions\/1753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1752"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1747,"date":"2021-10-11T16:12:14","date_gmt":"2021-10-11T16:12:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=1747"},"modified":"2023-02-24T19:45:29","modified_gmt":"2023-02-24T19:45:29","slug":"le-temps-du-cannibalisme-days-of-cannibalism","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-temps-du-cannibalisme-days-of-cannibalism\/","title":{"rendered":"Le temps du Cannibalisme \/ Days of Cannibalism"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p><strong>Days of Cannibalism<\/strong> is a contemporary documentary Western which takes place against the backdrop of a newly emerging China-Africa relationship. The film is set in a remote rural region in Southern Africa, a frontier space in which the laws of society are in a state of flux. The arrival of new settlers \u2013 economic migrants from China \u2013 has upset the balance of power. Old laws and old gods are being called into question.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Teboho Edkins est n\u00e9 aux Etats-Unis en 1980. Il a \u00e9tudi\u00e9 les Beaux-Arts \u00e0 l\u2019Universit\u00e9 du Cap, suivit par une r\u00e9sidence de deux ans au Fresnoy \u2013 studio national des arts contemporains en France. Cursus compl\u00e9t\u00e9 par un programme de formation \u00e0 la r\u00e9alisation au sein de la DFFB de Berlin. C\u2019est dans le cadre de cette \u00e9cole qu\u2019il a r\u00e9alis\u00e9 \u00abGangster Project\u00bb (2011), son cinqui\u00e8me documentaire.<\/p>\n<p><em>Teboho Edkins was born in the USA in 1980. He studied Fine Art at the University of Cape Town, followed by a two year post-graduate residency at Fresnoy, studio national des arts contemporains in France and then a post-graduate film directed program at the dffb film academy in Berlin,<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Days of Cannibalism is a contemporary documentary Western which takes place against the backdrop of a newly emerging China-Africa relationship. The film is set in a remote rural region in Southern Africa, a frontier space in which the laws of society are in a state of flux. The arrival of new settlers \u2013 economic [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1748,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1747\/revisions"}],"predecessor-version":[{"id":1749,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1747\/revisions\/1749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1748"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1742,"date":"2021-10-11T16:08:41","date_gmt":"2021-10-11T16:08:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=1742"},"modified":"2023-02-24T19:28:55","modified_gmt":"2023-02-24T19:28:55","slug":"carton-rouge-red-card","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/carton-rouge-red-card\/","title":{"rendered":"Carton Rouge \/ Red card"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Aux Comores dans ce pays min\u00e9 par la mauvaise gouvernance, la pauvret\u00e9 et l\u2019exil, pays musulman o\u00f9 les femmes endurent une pression constante, trois joueuses de l\u2019\u00e9quipe nationale de basket, li\u00e9es par l\u2019amiti\u00e9 et la solidarit\u00e9, choisissent de rester. Jour apr\u00e8s jour, elles construisent leur autonomie et leur amour pour leur patrie. Le basket est un moyen de s\u2019\u00e9vader mais aussi de s\u2019exprimer et se r\u00e9aliser pleinement.\u00a0 Ces femmes r\u00e9v\u00e8lent la force et la beaut\u00e9 de leur engagement \u00e0 construire leur avenir chez elles contre toute attente.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>R\u00e9alisateur et directeur de festival de cin\u00e9ma, Mohamed Said OUMA, a fait ses \u00e9tudes sup\u00e9rieures \u00e0 Londres o\u00f9 il a travaill\u00e9 en tant que journaliste culturel pour la presse \u00e9crite (Echoes Black music weekly, Trace Magazine). De retour \u00e0 la R\u00e9union, il fut charg\u00e9 de production et de programmation au Festival International du film d\u2019Afrique et des \u00celes, de 2004 \u00e0 2011 dans la ville du Port. En tant que r\u00e9alisateur son premier film est un documentaire intitul\u00e9 <strong>Le mythe de la cinqui\u00e8me \u00eele<\/strong> (2007) qui explore la relation ambigu\u00eb entre la Diaspora comorienne et l\u2019archipel d\u2019origine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Aux Comores dans ce pays min\u00e9 par la mauvaise gouvernance, la pauvret\u00e9 et l\u2019exil, pays musulman o\u00f9 les femmes endurent une pression constante, trois joueuses de l\u2019\u00e9quipe nationale de basket, li\u00e9es par l\u2019amiti\u00e9 et la solidarit\u00e9, choisissent de rester. Jour apr\u00e8s jour, elles construisent leur autonomie et leur amour pour leur patrie. Le basket [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-9.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1742"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1742\/revisions"}],"predecessor-version":[{"id":1744,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1742\/revisions\/1744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1743"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1739,"date":"2021-10-11T16:06:58","date_gmt":"2021-10-11T16:06:58","guid":{"rendered":"https:\/\/fespaco.org\/?p=1739"},"modified":"2023-02-24T19:43:45","modified_gmt":"2023-02-24T19:43:45","slug":"bouddha-en-afrique-buddha-in-africa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bouddha-en-afrique-buddha-in-africa\/","title":{"rendered":"Bouddha en Afrique \/ Buddha in Africa"},"content":{"rendered":"<p><strong>Synopsis<\/strong>.<\/p>\n<p>The film follows the story of Enock Alu, a Malawian orphan from a rural village growing up between the contrasting African culture and the strict discipline of the Confucian, Buddhist value of system of the Chinese. It explore the impact of the growing influence of Chinese culture in Malawi following increasing trade relations between China and Africa in the past decade.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Nicole Schafer born 1980 is a South Africain writer, film director, producer, editor and cinematographer. In 2019, her film <strong>Buddha in Africa<\/strong> was considered for an Oscar nomination.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. The film follows the story of Enock Alu, a Malawian orphan from a rural village growing up between the contrasting African culture and the strict discipline of the Confucian, Buddhist value of system of the Chinese. It explore the impact of the growing influence of Chinese culture in Malawi following increasing trade relations between [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1739"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1739\/revisions"}],"predecessor-version":[{"id":1741,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1739\/revisions\/1741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1740"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1734,"date":"2021-10-11T16:04:24","date_gmt":"2021-10-11T16:04:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1734"},"modified":"2023-02-24T19:41:41","modified_gmt":"2023-02-24T19:41:41","slug":"becoming-black","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/becoming-black\/","title":{"rendered":"Becoming black"},"content":{"rendered":"<p>Imagine that your parents are white but your skin colour is dark and they tell you that\u2019s pure coincidence. This is what happened to a girl in East Berlin in the 1960s. Years before, a group of African men came to study in a village nearby. Here the East German woman Sigrid falls in love with Lucien from Togo and gets pregnant. But she is already married to Armin.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Ines JOHNSON-SPAIN studied Fine Arts and painting at University of Arts Berlin. She worked as a scenic painter and set designer for theatre and international film productions. Since 2002 she develops and realises her own documentary film projects. Her work focuses on intimate portraits that explore themes of identity and belonging. The autobiographical film <strong>Becoming Black <\/strong>is her first feature length films. Her films have been screened at prestigious international film festivals and in many galleries and exhibitions in the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Imagine that your parents are white but your skin colour is dark and they tell you that\u2019s pure coincidence. This is what happened to a girl in East Berlin in the 1960s. Years before, a group of African men came to study in a village nearby. Here the East German woman Sigrid falls in love [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1735,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1734"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1734\/revisions"}],"predecessor-version":[{"id":1736,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1734\/revisions\/1736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1735"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1730,"date":"2021-10-11T15:58:25","date_gmt":"2021-10-11T15:58:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=1730"},"modified":"2023-02-23T20:01:42","modified_gmt":"2023-02-23T20:01:42","slug":"thomas-sankara-lhumain","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/thomas-sankara-lhumain\/","title":{"rendered":"Thomas Sankara, l\u2019humain"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Le 15 octobre 1987 le leader de la r\u00e9volution burkinab\u00e8 est tu\u00e9 dans un coup d\u2019\u00c9tat. Ce n\u2019\u00e9tait pas le premier putsch dans ce pays ; mais sa fin tragique sold\u00e9e par l\u2019assassinat de Thomas Sankara et de ses douze compagnons, choque le monde. Des r\u00e9alisateurs lui ont consacr\u00e9 des films sous divers angles. Cependant, nous constatons qu\u2019au Burkina Faso tr\u00e8s peu de productions audiovisuelles relatent la gouvernance sous l\u2019\u00e8re Sankara. Pourtant, de nombreux t\u00e9moins sont encore en vie et disponibles pour donner leur version des faits. TIENE leur tend le micro et leur permet de r\u00e9v\u00e9ler ce qu\u2019ils ont dans le tr\u00e9fonds de leur conscience.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Boubi\u00e9 Richard TIENE est un journaliste et auteur de plusieurs documentaires, de grands reportages, d\u2019enqu\u00eates audiovisuelles qui a fait ses armes en t\u00e9l\u00e9vision et en radio. Il est titulaire d\u2019une ma\u00eetrise en sciences et techniques de l\u2019information et de la communication option journalisme de l\u2019Universit\u00e9 de Ouagadougou. En 2009, son film, cor\u00e9alis\u00e9 avec Romain ANDRE,<strong> Prince 2 la nuit<\/strong> figure dans la cat\u00e9gorie panorama du FESPACO. Son documentaire <strong>Musique, Humour, engagement politique : le poids des mots<\/strong> a \u00e9t\u00e9 projet\u00e9 au Festival Cin\u00e9 Droit Libre en 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Le 15 octobre 1987 le leader de la r\u00e9volution burkinab\u00e8 est tu\u00e9 dans un coup d\u2019\u00c9tat. Ce n\u2019\u00e9tait pas le premier putsch dans ce pays ; mais sa fin tragique sold\u00e9e par l\u2019assassinat de Thomas Sankara et de ses douze compagnons, choque le monde. Des r\u00e9alisateurs lui ont consacr\u00e9 des films sous divers angles. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1731,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1730"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1730\/revisions"}],"predecessor-version":[{"id":1732,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1730\/revisions\/1732"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1731"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1727,"date":"2021-10-11T15:57:00","date_gmt":"2021-10-11T15:57:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=1727"},"modified":"2023-02-23T20:01:50","modified_gmt":"2023-02-23T20:01:50","slug":"tama-djan-odyssee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tama-djan-odyssee\/","title":{"rendered":"Tama Djan (Odyss\u00e9e)"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Un beau sac plastique, transport\u00e9 par le vent atterrit dans la cour de Assitan, une jeune maman. Un sac plastique, c\u2019est bien utile et surtout pratique pour les courses quotidiennes ; mais tr\u00e8s vite, Assitan perd le sac. Ce sac, comme des milliers d\u2019autres au destin inconnu, va circuler de mains en mains, voyager avec les hommes, voyager aussi selon les caprices de la nature comme les vents et les eaux de pluie.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Issa Traor\u00e9 de BRAHIMA a fait des \u00e9tudes de cin\u00e9ma \u00e0 Ouagadougou (Institut africain d\u2019\u00e9tudes cin\u00e9matographiques) o\u00f9 il obtient en 1985, une licence de cr\u00e9ation cin\u00e9matographique. Il continue ses \u00e9tudes \u00e0 Paris (Conservatoire libre du Cin\u00e9ma fran\u00e7ais, universit\u00e9 Paris VIII) et il obtient en 1987 un certificat de montage. Il travaille parall\u00e8lement de 1982 \u00e0 1985, en tant que com\u00e9dien dans la troupe Atelier du Th\u00e9\u00e2tre burkinab\u00e9, avant de devenir monteur. En 1989 il cor\u00e9alise, avec Dani Kouyat\u00e9 et S\u00e9kou Traor\u00e9, le court m\u00e9trage <strong>Bilakoro<\/strong> et en 1994, il signe son premier court m\u00e9trage intitul\u00e9 <strong>Gomb\u00e9le<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Un beau sac plastique, transport\u00e9 par le vent atterrit dans la cour de Assitan, une jeune maman. Un sac plastique, c\u2019est bien utile et surtout pratique pour les courses quotidiennes ; mais tr\u00e8s vite, Assitan perd le sac. Ce sac, comme des milliers d\u2019autres au destin inconnu, va circuler de mains en mains, voyager [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1728,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1727"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1727\/revisions"}],"predecessor-version":[{"id":1729,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1727\/revisions\/1729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1728"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1724,"date":"2021-10-11T15:55:13","date_gmt":"2021-10-11T15:55:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1724"},"modified":"2023-02-23T20:01:58","modified_gmt":"2023-02-23T20:01:58","slug":"sur-les-traces-de-abdoulaye","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sur-les-traces-de-abdoulaye\/","title":{"rendered":"Sur les traces de Abdoulaye"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Adama et Awa ont longtemps cherch\u00e9 les traces de leur p\u00e8re Abdoulaye Ou\u00e9draogo parti faire sa vie quand elles n\u2019avaient que huit ans. Un oncle ayant appris leur existence vient \u00e0 leur rencontre pour la premi\u00e8re fois au S\u00e9n\u00e9gal. Ensemble ils s\u2019embarquent dans une qu\u00eate commune qui est de retrouver les traces d\u2019Abdoulaye en parcourant le S\u00e9n\u00e9gal, la Guin\u00e9e et le Burkina Faso.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Delphine YERBANGA est titulaire d\u2019un Master I en audiovisuel obtenu \u00e0 l\u2019Institut de Formation en Technique de l\u2019Information et de la Communication (IFTIC) du Niger et d\u2019un Master II en r\u00e9alisation documentaire de cr\u00e9ation obtenu \u00e0 l\u2019Universit\u00e9 Gaston Berger de Saint Louis du S\u00e9n\u00e9gal. Elle a entam\u00e9 sa carri\u00e8re de r\u00e9alisatrice en 2012 et cr\u00e9\u00e9 une structure de production en 2016. Elle est pr\u00e9sidente de l\u2019association Africadoc Burkina depuis 2013 et membre de la commission d\u2019organisation de l\u2019Espace Junior du FESPACO depuis 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Adama et Awa ont longtemps cherch\u00e9 les traces de leur p\u00e8re Abdoulaye Ou\u00e9draogo parti faire sa vie quand elles n\u2019avaient que huit ans. Un oncle ayant appris leur existence vient \u00e0 leur rencontre pour la premi\u00e8re fois au S\u00e9n\u00e9gal. Ensemble ils s\u2019embarquent dans une qu\u00eate commune qui est de retrouver les traces d\u2019Abdoulaye en [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1725,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1724"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1724\/revisions"}],"predecessor-version":[{"id":1726,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1724\/revisions\/1726"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1725"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1719,"date":"2021-10-11T15:27:55","date_gmt":"2021-10-11T15:27:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=1719"},"modified":"2023-02-23T20:03:52","modified_gmt":"2023-02-23T20:03:52","slug":"massiiba-le-mal-dun-peuple","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/massiiba-le-mal-dun-peuple\/","title":{"rendered":"Massiiba, le mal d\u2019un peuple"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Seidou, jeune cin\u00e9aste, vit \u00e0 la porte du d\u00e9sert, dans la petite ville de Gorom- Gorom au nord du Burkina Faso. Quand en 2018 son voisin et ami, chauffeur de camion, est pris en otage \u00e0 la suite d\u2019une attaque d\u2019un convoi par des groupes terroristes, il comprend que sa ville est d\u00e9sormais dans le viseur de ces derniers. Seidou se r\u00e9alise que la seule fa\u00e7on, sa fa\u00e7on \u00e0 lui, de r\u00e9sister \u00e0 l\u2019extr\u00e9misme violent, c\u2019est avec sa cam\u00e9ra. Il commence \u00e0 filmer la vie quotidienne d\u2019une famille, celle de ses voisins et de la m\u00e8re de son ami qui vit toujours dans un espoir de revoir son fils disparu.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Autodidacte, r\u00e9alisateur s\u00e9n\u00e9galo-burkinab\u00e9, Seidou Samba TOURE s\u2018initie aux m\u00e9tiers de cin\u00e9ma gr\u00e2ce au projet de Film Countering Violence Extremisme (CVE) avec l\u2019ambassade des Etats-Unis en 2014. Il se forme en r\u00e9alisation au S\u00e9n\u00e9gal en 2015 et r\u00e9alise sa premi\u00e8re \u0153uvre cin\u00e9matographique intitul\u00e9e <strong>De la plume \u00e0 l\u2019arme<\/strong> suivi de <strong>L\u2019espoir du lampadaire<\/strong>. TOURE est connu du grand public gr\u00e2ce \u00e1 son film <strong>Femmes de soleil<\/strong> (2017). Apres plusieurs productions avec Semfilms production en 2020, il r\u00e9alise son premier long m\u00e9trage documentaire <strong>Massiiba le mal d\u2019un peuple<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Seidou, jeune cin\u00e9aste, vit \u00e0 la porte du d\u00e9sert, dans la petite ville de Gorom- Gorom au nord du Burkina Faso. Quand en 2018 son voisin et ami, chauffeur de camion, est pris en otage \u00e0 la suite d\u2019une attaque d\u2019un convoi par des groupes terroristes, il comprend que sa ville est d\u00e9sormais dans [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1719"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1719\/revisions"}],"predecessor-version":[{"id":1721,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1719\/revisions\/1721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1720"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1716,"date":"2021-10-11T15:25:31","date_gmt":"2021-10-11T15:25:31","guid":{"rendered":"https:\/\/fespaco.org\/?p=1716"},"modified":"2023-02-24T10:40:28","modified_gmt":"2023-02-24T10:40:28","slug":"le-chant-des-fusils","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-chant-des-fusils\/","title":{"rendered":"Le chant des fusils"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Simon, un gar\u00e7on de douze ans, a tout perdu en raison d\u2019une guerre civile dans son pays. Il int\u00e8gre alors de force une r\u00e9bellion compos\u00e9e d\u2019hommes, de femmes et d\u2019enfants soldats de 12 \u00e0 16 ans. Cette r\u00e9bellion est cr\u00e9\u00e9e par Black Lion, un universitaire fanatique de la politique qui compte renverser le pouvoir en place. Au fil du temps, Simon, envahit par la rage, tue sans raison\u00a0; mais il veut aussi \u00e0 tout prix s\u2019\u00e9chapper malgr\u00e9 l\u2019adversit\u00e9. Que va-t-il se passer\u00a0?<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Promoteur des studios stimulus-production, Jean Elliot M.R ILBOUDO est titulaire d\u2019un bac+ 3 en cin\u00e9matographie et d\u2019un master en art de la communication. Il produit et r\u00e9alise des projets de courts m\u00e9trages, s\u00e9rie tv, longs m\u00e9trages, publicit\u00e9, clips et films institutionnels \u00e0 Stimulus-productions. Il est le r\u00e9alisateur des courts m\u00e9trages <strong>Tambao ou le r\u00eave d\u2019Adama<\/strong> en 2008 (s\u00e9lection officielle FESPACO 2010) et <strong>H\u00e9l\u00e8ne pleure Toujours<\/strong> \u00a0en 2009, de la s\u00e9rie <strong>Alima ou le r\u00eave bris\u00e9<\/strong> en 2014 (prix du jury \u00e0 Beijing Huairou film festival en 2016) et du documentaire <strong>Les chasseuses de papillons<\/strong> \u00a0en 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Simon, un gar\u00e7on de douze ans, a tout perdu en raison d\u2019une guerre civile dans son pays. Il int\u00e8gre alors de force une r\u00e9bellion compos\u00e9e d\u2019hommes, de femmes et d\u2019enfants soldats de 12 \u00e0 16 ans. Cette r\u00e9bellion est cr\u00e9\u00e9e par Black Lion, un universitaire fanatique de la politique qui compte renverser le pouvoir [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1716"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1716\/revisions"}],"predecessor-version":[{"id":4719,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1716\/revisions\/4719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1717"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1712,"date":"2021-10-11T15:15:40","date_gmt":"2021-10-11T15:15:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1712"},"modified":"2023-02-24T10:40:52","modified_gmt":"2023-02-24T10:40:52","slug":"lodyssee-domar","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lodyssee-domar\/","title":{"rendered":"L\u2019Odyss\u00e9e d\u2019Omar"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Yves-Omar, ancien instituteur reconverti en entrepreneur accompli r\u00e9side \u00e0 Ouagadougou. M\u00eame s\u2019il appr\u00e9cie de vivre aupr\u00e8s des siens, ses affaires le poussent \u00e0 voyager toujours plus pour d\u00e9velopper son entreprise et cr\u00e9er de nouveaux partenariats \u00e0 Paris, Munich, Bruxelles ou Lom\u00e9. A partir de son propre v\u00e9cu, la r\u00e9alisatrice nous propose avec L\u2019Odyss\u00e9e d\u2019Omar une autre fa\u00e7on d\u2019appr\u00e9hender les liens entre l\u2019Europe et l\u2019Afrique.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Mamounata NIKIEMA est une r\u00e9alisatrice, sc\u00e9nariste, critique de cin\u00e9ma et productrice. Apr\u00e8s plusieurs formations sur les fondamentaux de la production, elle s\u2019engage dans la production en 2011 par la cr\u00e9ation de la structure Pilumpiku Productions. D\u00e8s la premi\u00e8re ann\u00e9e, elle coproduit deux films dans le cadre d\u2019une collection de dix films documentaires (<strong>Une journ\u00e9e avec<\/strong>) avec d\u2019autres producteurs. De 2012 \u00e0 2017, elle produit successivement 5 films. Dipl\u00f4m\u00e9e du Master de cin\u00e9ma documentaire \u00e0 l\u2019Universit\u00e9 Gaston Berger de Saint-Louis du S\u00e9n\u00e9gal en 2008, elle est la secr\u00e9taire G\u00e9n\u00e9rale de l\u2019association Africadoc Burkina.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Yves-Omar, ancien instituteur reconverti en entrepreneur accompli r\u00e9side \u00e0 Ouagadougou. M\u00eame s\u2019il appr\u00e9cie de vivre aupr\u00e8s des siens, ses affaires le poussent \u00e0 voyager toujours plus pour d\u00e9velopper son entreprise et cr\u00e9er de nouveaux partenariats \u00e0 Paris, Munich, Bruxelles ou Lom\u00e9. A partir de son propre v\u00e9cu, la r\u00e9alisatrice nous propose avec L\u2019Odyss\u00e9e d\u2019Omar [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1712"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1712\/revisions"}],"predecessor-version":[{"id":4720,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1712\/revisions\/4720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1713"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1709,"date":"2021-10-11T15:14:08","date_gmt":"2021-10-11T15:14:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=1709"},"modified":"2023-02-24T10:41:59","modified_gmt":"2023-02-24T10:41:59","slug":"graine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/graine\/","title":{"rendered":"Graine"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. La dame Sybia, est une femme \u00e9prouv\u00e9e par la difficult\u00e9 de mener \u00e0 terme ses grossesses. Impossible de trouver la vraie raison de ce handicap. Elle d\u00e9cide donc d\u2019adopter un enfant avec le consentement de son \u00e9poux. Sa belle-m\u00e8re plus tard, kidnappe la fille de Sybia pour la faire exciser. Malheureusement, pendant l\u2019acte, la fille d\u00e9c\u00e8de. S\u2019en suivent alors escalade de col\u00e8re, haine et \u00e9chauffour\u00e9es entre les deux familles.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Apr\u00e8s une licence en communication marketing et relations publiques, Alimata OUEDRAOGO commence d\u00e8s 2003 une carri\u00e8re d&rsquo;actrice et joue dans plusieurs films dont <strong>Ouaga Zoodo<\/strong>, <strong>Un fant\u00f4me dans la ville<\/strong>, <strong>Wibdo ou le sacril\u00e8ge<\/strong> de Zida Boubakar Sidnaba, <strong>Sofia<\/strong>, <strong>L&rsquo;or des Younga<\/strong>, <strong>Code Phoenix<\/strong> de Boubakar Diallo&#8230; En 2009, elle cr\u00e9e sa structure de communication Star Events. Apr\u00e8s plusieurs activit\u00e9s, elle se lance dans la production cin\u00e9matographie et audiovisuelle d\u2019o\u00f9 elle produit et r\u00e9alise son premier long m\u00e9trage intitul\u00e9 <strong>Graine<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. La dame Sybia, est une femme \u00e9prouv\u00e9e par la difficult\u00e9 de mener \u00e0 terme ses grossesses. Impossible de trouver la vraie raison de ce handicap. Elle d\u00e9cide donc d\u2019adopter un enfant avec le consentement de son \u00e9poux. Sa belle-m\u00e8re plus tard, kidnappe la fille de Sybia pour la faire exciser. Malheureusement, pendant l\u2019acte, la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1710,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1709"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1709\/revisions"}],"predecessor-version":[{"id":4721,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1709\/revisions\/4721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1710"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1706,"date":"2021-10-11T15:11:19","date_gmt":"2021-10-11T15:11:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=1706"},"modified":"2023-02-24T10:42:09","modified_gmt":"2023-02-24T10:42:09","slug":"apres-ta-revolte-ton-vote","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/apres-ta-revolte-ton-vote\/","title":{"rendered":"Apr\u00e8s ta r\u00e9volte, ton vote"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong>. Suite \u00e0 l\u2019insurrection populaire d\u2019octobre 2014 et apr\u00e8s un an de transition politique le Burkina Faso s\u2019engage dans un scrutin historique. C\u2019est la premi\u00e8re fois que le pays assiste \u00e0 un changement de pouvoir \u00e0 travers les urnes. Le Balai citoyen, acteur majeur de l\u2019insurrection qui a provoqu\u00e9 la fuite de l\u2019ancien pr\u00e9sident Blaise Compaor\u00e9, joue sa partition. Mais le renouveau tant attendu peine \u00e0 naitre. Est-ce la d\u00e9mocratie qui s\u2019affirme ou un perp\u00e9tuel recommencement de la gouvernance clanique\u00a0?<\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p style=\"text-align: left;\">Kiswendsida Parfait KABORE est dipl\u00f4m\u00e9 d\u2019un master en cr\u00e9ation Documentaire \u00e0 Saint-Louis du S\u00e9n\u00e9gal. Il r\u00e9alise <strong>Demain l\u2019Afrique<\/strong> pour son dipl\u00f4me de Master et <strong>A double tranchant<\/strong> lors de sa formation \u00e0 la F\u00e9mis. Son premier long m\u00e9trage documentaire <strong>Place \u00e0 la r\u00e9volution<\/strong> (Grand Prix du Jury au Festival International du Film Documentaire \u00e0 Saint-Louis\u00a0; Prix de la Ligue des droits de l\u2019Homme \u2013 Espoir au FIFDH Guadeloupe \u00e0 Pointe-\u00e0-Pitre) est le premier volet d\u2019une trilogie. <strong>Apr\u00e8s ta r\u00e9volte, ton vote<\/strong>\u00a0; deuxi\u00e8me chapitre de la trilogie, est pr\u00e9sent\u00e9 en premi\u00e8re mondiale \u00e0 IDFA en 2019.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Suite \u00e0 l\u2019insurrection populaire d\u2019octobre 2014 et apr\u00e8s un an de transition politique le Burkina Faso s\u2019engage dans un scrutin historique. C\u2019est la premi\u00e8re fois que le pays assiste \u00e0 un changement de pouvoir \u00e0 travers les urnes. Le Balai citoyen, acteur majeur de l\u2019insurrection qui a provoqu\u00e9 la fuite de l\u2019ancien pr\u00e9sident Blaise [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1706","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Bon-format.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1706"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1706\/revisions"}],"predecessor-version":[{"id":1708,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1706\/revisions\/1708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1707"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1694,"date":"2021-10-11T14:22:46","date_gmt":"2021-10-11T14:22:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=1694"},"modified":"2021-10-11T18:41:04","modified_gmt":"2021-10-11T18:41:04","slug":"voyage-air-burkina-reduit-les-prix-pour-les-professionnels-du-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/voyage-air-burkina-reduit-les-prix-pour-les-professionnels-du-cinema\/","title":{"rendered":"Voyage: Air Burkina r\u00e9duit les prix pour les professionnels du Cin\u00e9ma"},"content":{"rendered":"<p><strong>La compagnie a\u00e9rienne\u00a0 Air Burkina informe\u00a0 sa client\u00e8le\u00a0 de la cr\u00e9ation d\u2019un PACK SPECIAL FESPACO 2021 en faveur des participants (r\u00e9alisateurs, cin\u00e9astes, producteurs et exposants) selon les modalit\u00e9s ci-apr\u00e8s\u00a0:<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1801 \" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Air_Burkina_Plan-de-travail-1-1-300x169.jpg\" alt=\"\" width=\"352\" height=\"201\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Air_Burkina_Plan-de-travail-1-1-24x13.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Air_Burkina_Plan-de-travail-1-1-36x20.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Air_Burkina_Plan-de-travail-1-1-48x27.jpg 48w\" sizes=\"(max-width: 352px) 100vw, 352px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>CONDITIONS DU PACK FESPACO<\/em><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ul>\n<li>Disposer d&rsquo;un justificatif de participant du FESPACO d\u00e9livr\u00e9 par le comit\u00e9 d\u2019organisation\u00a0;<\/li>\n<\/ul>\n<p>2)\u00a0 Prendre le billet au niveau des agences d\u2019Air Burkina\u00a0;<\/p>\n<p>3)\u00a0 Acheter le billet au plus tard le 16 octobre 2021\u00a0;<\/p>\n<p>4)\u00a0 Derni\u00e8re date de retour le 15 novembre 2021\u00a0;<\/p>\n<p>5)\u00a0 Billet non remboursable, mais modifiable avec une p\u00e9nalit\u00e9 de 30 000 XOF\u00a0;<\/p>\n<p>6)\u00a0 Franchise bagages 40Kg en soute et 10 Kg en cabine.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1695\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Contacts_AirBurkina_Plan-de-travail-1-300x79.jpg\" alt=\"\" width=\"375\" height=\"92\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Contacts_AirBurkina_Plan-de-travail-1-24x6.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Contacts_AirBurkina_Plan-de-travail-1-36x9.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Contacts_AirBurkina_Plan-de-travail-1-48x13.jpg 48w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La compagnie a\u00e9rienne\u00a0 Air Burkina informe\u00a0 sa client\u00e8le\u00a0 de la cr\u00e9ation d\u2019un PACK SPECIAL FESPACO 2021 en faveur des participants (r\u00e9alisateurs, cin\u00e9astes, producteurs et exposants) selon les modalit\u00e9s ci-apr\u00e8s\u00a0: &nbsp; CONDITIONS DU PACK FESPACO \u00a0 Disposer d&rsquo;un justificatif de participant du FESPACO d\u00e9livr\u00e9 par le comit\u00e9 d\u2019organisation\u00a0; 2)\u00a0 Prendre le billet au niveau des agences [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/Logo_AIR_BURKINA.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1694"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1694\/revisions"}],"predecessor-version":[{"id":1810,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1694\/revisions\/1810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1696"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1682,"date":"2021-10-08T21:35:39","date_gmt":"2021-10-08T21:35:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=1682"},"modified":"2023-02-23T20:02:23","modified_gmt":"2023-02-23T20:02:23","slug":"5-etoiles-fifire-do-4","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/5-etoiles-fifire-do-4\/","title":{"rendered":"5 Etoiles\/ Fifire Do"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>We often talk about the dangers of crossing the desert and the Mediterranean. But what we are talking about the least is what happens once the migrants arrive at their destination. In this place called 5 Stars, Malians, Senegalese, Guineans, and others, find themselves trapped in their dreams. <\/em><em>Then starts a new fight!<\/em><\/p>\n<p><strong>aphie\/Biofilmography<\/strong><\/p>\n<p><em>After a Master&rsquo;s degree in Geography from Cheikh Anta Diop University in Dakar, Mame Woury THIOUBOU studied Journalism. In 2009, she obtained a Master in Creative Documentary from Gaston Berger University of Saint Louis (UGB) where she directed her graduation film <strong>Face to Face. <\/strong>Her first feature film <strong>Agora Braille<\/strong> is about the inclusion of the blind in the Senegalese school system. A social dimension of the documentary can also be found in her latest films<strong>\u00a0Fifiire en Pays Cuballo <\/strong>and<strong>\u00a05 Etoiles<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis We often talk about the dangers of crossing the desert and the Mediterranean. But what we are talking about the least is what happens once the migrants arrive at their destination. In this place called 5 Stars, Malians, Senegalese, Guineans, and others, find themselves trapped in their dreams. Then starts a new fight! aphie\/Biofilmography [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/sans-titre-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1682"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1682\/revisions"}],"predecessor-version":[{"id":1683,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1682\/revisions\/1683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1680,"date":"2021-10-08T21:24:57","date_gmt":"2021-10-08T21:24:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1680"},"modified":"2023-02-23T20:00:56","modified_gmt":"2023-02-23T20:00:56","slug":"boyi-biyo-double-poumon-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/boyi-biyo-double-poumon-2\/","title":{"rendered":"Boyi biyo \u2013 Double poumon"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>They are called Boyi Biyo, or \u2018double lung\u2019: they are meat rickshaw drivers. Every morning, they <\/em><em>wait at the slaughterhouse for their rickshaws to be filled with large quarters of meat. Then they run through the city to their master butcher. Shilo is one of them. He runs and runs every day. Because Shilo also has a dream: to win the Bangui marathon<\/em>.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Anne-Bertille Ndeysseit VOPIANDE studied Human Ressouces Management at the University. After graduating in 2017, she attended the first Varan Workshop in the Central African Republic where she made her first short documentary film <strong>I a wali<\/strong>. In 2018, she served as assistant electrician on the shooting of <strong>Camille<\/strong> by Boris LOJKINE. In 2018-2019, she attended the second Varan Workshop, making her second documentary <strong>Boyi Biyo-Double lung<\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis They are called Boyi Biyo, or \u2018double lung\u2019: they are meat rickshaw drivers. Every morning, they wait at the slaughterhouse for their rickshaws to be filled with large quarters of meat. Then they run through the city to their master butcher. Shilo is one of them. He runs and runs every day. Because Shilo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/a.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1680"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1680\/revisions"}],"predecessor-version":[{"id":1681,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1680\/revisions\/1681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1218"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1677,"date":"2021-10-08T21:09:48","date_gmt":"2021-10-08T21:09:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=1677"},"modified":"2023-02-23T19:52:53","modified_gmt":"2023-02-23T19:52:53","slug":"ethereality-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ethereality-2\/","title":{"rendered":"Ethereality"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Stranded in space for 30 years. How does it feel to finally come home? A reflection about migration and the sense of belonging.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Kantarama GAHIGIRI is a Swiss and Rwandan writer\/director, trained in film during her 8 years in New York City. Her first feature film <strong>Tapis Rouge<\/strong> has been screened and awarded worldwide including TV5 Monde Best Feature Film at Geneva International Film Festival (2014) and Best Directing at Chelsea Film Festival, NY (2015), followed by a national theatrical release in France (2017). She is now developing her second feature <strong>Tanzanite<\/strong>, an Afro pulp dystopian thriller set in future Kenya.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Stranded in space for 30 years. How does it feel to finally come home? A reflection about migration and the sense of belonging. Biofilmographie\/Biofilmography Kantarama GAHIGIRI is a Swiss and Rwandan writer\/director, trained in film during her 8 years in New York City. Her first feature film Tapis Rouge has been screened and awarded [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1222,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1677"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1677\/revisions"}],"predecessor-version":[{"id":1678,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1677\/revisions\/1678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1222"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1673,"date":"2021-10-08T20:58:59","date_gmt":"2021-10-08T20:58:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1673"},"modified":"2023-02-23T19:51:35","modified_gmt":"2023-02-23T19:51:35","slug":"fin-end-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fin-end-2\/","title":{"rendered":"Fin \/ End"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Lara \u2013a young filmmaker\u2013 finds herself in a no place between Cuba and Mozambique. Over an imagined balcony towards the Indian Ocean, Lara is searching for answers to the long silence of her father. She does feel the loneliness preceding the imminent demise of her father, Camilo. She begins to draw up paths that prevent her from the beginning of the end<\/em>.<\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>Lara SOUSA studied documentary at the EICTV (Cuba). Her short films have an essayistic and self-referential aesthetic. She combines her political vision with a poetic language, searching for a <strong>non-place<\/strong> between Mozambique and other realities. Lara\u2019s movies have been selected for several festivals, including Dakar\u2019s Biennale 2020. She was selected to ColabNowNow \u2013 British Council Digital Arts Residence as Southern Africa storyteller and recently selected to Berlinale Talent Campus and to Talent Campus DocStation. Her project <strong>Katalina, Kalunga<\/strong>, <strong>Karonga &#8211; Sea Waved Tales<\/strong> was the winner of Digital Lab Africa in the Digital Art Category<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Lara \u2013a young filmmaker\u2013 finds herself in a no place between Cuba and Mozambique. Over an imagined balcony towards the Indian Ocean, Lara is searching for answers to the long silence of her father. She does feel the loneliness preceding the imminent demise of her father, Camilo. She begins to draw up paths that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsdqd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1673"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1673\/revisions"}],"predecessor-version":[{"id":1674,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1673\/revisions\/1674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1226"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1667,"date":"2021-10-08T20:47:54","date_gmt":"2021-10-08T20:47:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1667"},"modified":"2023-02-23T19:50:08","modified_gmt":"2023-02-23T19:50:08","slug":"jacob-salem-rock-the-naaba-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/jacob-salem-rock-the-naaba-2\/","title":{"rendered":"Jacob Salem Rock the Naaba"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Making room and space for music, this documentary tells how Jacob Salem, small page of the King of Mossi, driven out of the royal court because he played modern music, became the first Mossi rocker of Burkina Faso, now recognised by the Mogho Naaba who urges him to spread the Mossi culture. His encounter with Swiss musician Andre Courbat in 2016, during a stay in Burkina Faso, will be the little nudge necessary to boost his career<\/em><em>.<\/em><\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p style=\"text-align: left;\"><em>Parateba YAMEOGO is a director and camera operator from Burkina Faso. He has worked since 2009 with Manivelle Productions as camera operator for most of films. He was also involved in the Web Edu TV project, co-directing documentaries for education in Sub-Saharan Africa with scientists. Two of these films have been awarded Mils d\u2019Or in 2015 and 2016. <strong>Jacob Salem Rock the Naaba <\/strong>is his debut film co-directed with Jean-Claude FRISQUE, Producer-Director and Founder of Manivelle Productions<\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Making room and space for music, this documentary tells how Jacob Salem, small page of the King of Mossi, driven out of the royal court because he played modern music, became the first Mossi rocker of Burkina Faso, now recognised by the Mogho Naaba who urges him to spread the Mossi culture. His encounter [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bond.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1667"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1667\/revisions"}],"predecessor-version":[{"id":1668,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1667\/revisions\/1668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1230"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1664,"date":"2021-10-08T20:42:04","date_gmt":"2021-10-08T20:42:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=1664"},"modified":"2023-02-23T19:48:49","modified_gmt":"2023-02-23T19:48:49","slug":"je-me-suis-mordue-la-langue-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/je-me-suis-mordue-la-langue-2\/","title":{"rendered":"Je me suis mordue la langue"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>While I cannot get to my country, I decide to make a detour and wander around the city of Tunis looking for my native language, Algerian. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>French-Algerian director and editor Nina KHADA was born in France. She made her directional debut in 2016 with <strong>Fatima<\/strong>, short documentary about her grandmother. The film showed at some fifty festivals, winning several prizes<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis While I cannot get to my country, I decide to make a detour and wander around the city of Tunis looking for my native language, Algerian. Biofilmographie\/Biofilmography French-Algerian director and editor Nina KHADA was born in France. She made her directional debut in 2016 with Fatima, short documentary about her grandmother. The film showed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsqs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1664"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1664\/revisions"}],"predecessor-version":[{"id":1665,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1664\/revisions\/1665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1234"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1661,"date":"2021-10-08T20:39:26","date_gmt":"2021-10-08T20:39:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=1661"},"modified":"2023-02-23T19:46:51","modified_gmt":"2023-02-23T19:46:51","slug":"voyage-au-kenya-journey-to-kenya-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/voyage-au-kenya-journey-to-kenya-2\/","title":{"rendered":"Voyage au Kenya\/ Journey to Kenya"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>The film tracks the journey of the MTC martial arts team, which decides in the face of weak financial means, to go by land from Sudan to Kenya through Ethiopia, to participate in an international championship there. A journey filled with determination and hope, and full of difficulties and challenges in order to raise the name of Sudan high in international sports forums.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Ibrahim <\/em><em>Ahmad<\/em><em> is a multiple award-winning young Sudanese filmmaker and one of the most well-known Filmmakers in Sudan with an extended experience in east and south Africa with over 15 films. His short film <strong>Journey To Kenya<\/strong> was awarded the special jury prize at the 6th edition of Sudan Independent Film Festival in 2020. His other well-known contributions in films are <strong>Khartoum Offside<\/strong> which received best documentary at the African Movie Academy Award. In addition to <strong>You Will Die in 20<\/strong>, a film that was awarded The Lion of the future award at Venice film festival in 2020, also is considered the first feature film in over a decade in Sudan that was screened in Europe, the Middle East and Africa. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The film tracks the journey of the MTC martial arts team, which decides in the face of weak financial means, to go by land from Sudan to Kenya through Ethiopia, to participate in an international championship there. A journey filled with determination and hope, and full of difficulties and challenges in order to raise [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1661","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsqsqs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1661"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1661\/revisions"}],"predecessor-version":[{"id":1662,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1661\/revisions\/1662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1658,"date":"2021-10-08T20:36:44","date_gmt":"2021-10-08T20:36:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=1658"},"modified":"2023-02-23T19:45:00","modified_gmt":"2023-02-23T19:45:00","slug":"linconnu-the-unknown-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/linconnu-the-unknown-2\/","title":{"rendered":"L\u2019Inconnu \/The Unknown"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Cinema is Simplice\u2019s passion. In Burkina Faso, he usually focuses on human relationships. This project leads him to Switzerland where he has difficulty making contacts. How do you find a story if no one wants to talk to you?\u00a0 He loses his sleep in these worries. Until he comes up with a new idea on how to overcome his fear of the unknown<\/em><em>. <\/em><\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p style=\"text-align: left;\"><em>Director and scriptwriter Simplice Herman worked as street child educator. He holds a Masters in Sociology and a Degree in Art, and obtained a Masters in documentary filmmaking in 2010 from Gaston Berger University of Saint-Louis. <strong>Bakoroman<\/strong> (2011) is his debut professional film. In 2017, he won the Golden Tanit at Carthage Film Festival with <strong>Le Koro de Bakoro, les Survivants du<\/strong> <strong>Faso <\/strong>\/ <strong>Le Koro du Bakoro, naufrag\u00e9s du Faso,<\/strong> which premiered in 2017 at Visions du R\u00e9el, Nyon. In 2019, he showed <strong>Organisme Religieusement Modifi\u00e9<\/strong> at Cannes Film Festival.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Cinema is Simplice\u2019s passion. In Burkina Faso, he usually focuses on human relationships. This project leads him to Switzerland where he has difficulty making contacts. How do you find a story if no one wants to talk to you?\u00a0 He loses his sleep in these worries. Until he comes up with a new idea [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hjyhj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1658"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1658\/revisions"}],"predecessor-version":[{"id":1659,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1658\/revisions\/1659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1242"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1656,"date":"2021-10-08T20:33:13","date_gmt":"2021-10-08T20:33:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1656"},"modified":"2023-02-23T19:41:49","modified_gmt":"2023-02-23T19:41:49","slug":"mada-ou-lhistoire-du-premier-homme-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mada-ou-lhistoire-du-premier-homme-2\/","title":{"rendered":"MADA ou l\u2019histoire du premier homme"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Il y a longtemps avant longtemps, les \u00eeles de l\u2019Oc\u00e9an Indien formaient un immense continen<\/p>\n<p><em>Long before long ago, the Indian Ocean islands formed a huge continent. Long before long ago, the first man was born on the province of Madagascar. Long, not long before long ago, just long ago, men tempered with this history. It\u2019s time to restore the truth.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>After a Literary Baccalaureate in Cinema and Audio-visual and a National Degree of Arts and Technique at Reunion Fine Arts School, Laurent PANTALEON settled as a freelance, carrying out photographic and video works around Reunion\u2019s identity and heritage. His short films <strong>La face cach\u00e9e du p\u00e8re no\u00ebl<\/strong> and <strong>Baba sifon<\/strong> showed at FESPACO as part of the official selection. <strong>Santy\u00e9 papang\u00e8r<\/strong> is his debut feature. <\/em><strong><em>MADA<\/em><\/strong><em> <strong>ou l\u2019histoire du premier homme <\/strong>is his third short<\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Il y a longtemps avant longtemps, les \u00eeles de l\u2019Oc\u00e9an Indien formaient un immense continen Long before long ago, the Indian Ocean islands formed a huge continent. Long before long ago, the first man was born on the province of Madagascar. Long, not long before long ago, just long ago, men tempered with this [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/bef.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1656"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1656\/revisions"}],"predecessor-version":[{"id":1657,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1656\/revisions\/1657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1247"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1654,"date":"2021-10-08T20:31:03","date_gmt":"2021-10-08T20:31:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=1654"},"modified":"2023-02-23T19:40:10","modified_gmt":"2023-02-23T19:40:10","slug":"nuit-debout-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nuit-debout-2\/","title":{"rendered":"Nuit Debout"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><strong><em>Darkness<\/em><\/strong><em> in the depths of working-class neighbourhoods, in the absurdity of the rubble of endless nights; <strong>night <\/strong>in this nocturnal wreck of physical and symbolic power cut. <strong>Resistance,<\/strong> left to herself like a chick without a hen, like a pot without a lid, like a house without a window, like a door without a lock, like a lock without a key\u2026.\u00a0 <strong>Light, <\/strong>resilience. <strong>Darkness <\/strong>and the beauty of resistance?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Photographer, director and producer, Nelson MAKENGO graduated in Visual Communication from the Fine Arts Academy of Kinshasa. After attending master classes in photography and documentary writing residencies, he trained in filmmaking at FEMIS and made short documentary and experimental films. His films <strong>Tabu<\/strong>, <strong>Souvenir d\u2019un \u00e9t\u00e9<\/strong> and <strong>Th\u00e9\u00e2tre Urbain<\/strong> showed at numerous high-profile festivals, such as Clermont-Ferrand Short Film Festival, Sao Paulo International Short Film Festival, Saint Louis Documentary Film Festival, and more.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Darkness in the depths of working-class neighbourhoods, in the absurdity of the rubble of endless nights; night in this nocturnal wreck of physical and symbolic power cut. Resistance, left to herself like a chick without a hen, like a pot without a lid, like a house without a window, like a door without a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/zsdzd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1654"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1654\/revisions"}],"predecessor-version":[{"id":1655,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1654\/revisions\/1655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1250"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1652,"date":"2021-10-08T20:18:55","date_gmt":"2021-10-08T20:18:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=1652"},"modified":"2023-02-23T19:38:37","modified_gmt":"2023-02-23T19:38:37","slug":"womb-dance-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/womb-dance-2\/","title":{"rendered":"Womb Dance"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Movement starts from the womb. Dance is about bodies moving and interacting in a space. Unborn children experience freedom in the womb as they move at their pleasure, without experiencing the world as an obstacle. Through the documentary, we meet talented dancers with varying disabilities, who, through dance, are learning how to experience the freedom of movement and reconnect with their bodies. <strong>Womb Dance<\/strong> chooses to celebrate uniqueness and not disability, believing that every person is skilled with different abilities. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>This is Ratsbeke NTHITE second film about people with disabilities-his goal is to make a whole series of films on the topic, and is talking to producers in East Africa about dubbing the films into Swahili. The first film <strong>Sibusiso\u2019s Handprint<\/strong>, has already won awards at the Zanzibar film festival and in China. He also has plans to turn <strong>The Womb Dance<\/strong> into a stage play. His philosophy when filming the disabled is not to emphasise what they cannot do \u2013 and thus elicit pity \u2013 but to emphasise what they can do, to emphasise their inner strength and their ability to integrate into society, if only society would give them that chance.\u00a0\u00a0 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Movement starts from the womb. Dance is about bodies moving and interacting in a space. Unborn children experience freedom in the womb as they move at their pleasure, without experiencing the world as an obstacle. Through the documentary, we meet talented dancers with varying disabilities, who, through dance, are learning how to experience the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/dzsd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1652"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1652\/revisions"}],"predecessor-version":[{"id":1653,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1652\/revisions\/1653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1254"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1649,"date":"2021-10-08T20:14:01","date_gmt":"2021-10-08T20:14:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1649"},"modified":"2023-02-23T19:36:29","modified_gmt":"2023-02-23T19:36:29","slug":"5-etoiles-fifire-do-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/5-etoiles-fifire-do-3\/","title":{"rendered":"5 Etoiles\/ Fifire Do"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>We often talk about the dangers of crossing the desert and the Mediterranean. But what we are talking about the least is what happens once the migrants arrive at their destination. In this place called 5 Stars, Malians, Senegalese, Guineans, and others, find themselves trapped in their dreams. <\/em><em>Then starts a new fight!<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>After a Master&rsquo;s degree in Geography from Cheikh Anta Diop University in Dakar, Mame Woury THIOUBOU studied Journalism. In 2009, she obtained a Master in Creative Documentary from Gaston Berger University of Saint Louis (UGB) where she directed her graduation film <strong>Face to Face. <\/strong>Her first feature film <strong>Agora Braille<\/strong> is about the inclusion of the blind in the Senegalese school system. A social dimension of the documentary can also be found in her latest films<strong>\u00a0Fifiire en Pays Cuballo <\/strong>and<strong>\u00a05 Etoiles<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis We often talk about the dangers of crossing the desert and the Mediterranean. But what we are talking about the least is what happens once the migrants arrive at their destination. In this place called 5 Stars, Malians, Senegalese, Guineans, and others, find themselves trapped in their dreams. Then starts a new fight! Biofilmographie\/Biofilmography [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/sans-titre-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1649"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1649\/revisions"}],"predecessor-version":[{"id":1650,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1649\/revisions\/1650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1644,"date":"2021-10-08T20:05:40","date_gmt":"2021-10-08T20:05:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1644"},"modified":"2023-02-23T19:34:41","modified_gmt":"2023-02-23T19:34:41","slug":"aboula-ngando-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/aboula-ngando-2\/","title":{"rendered":"Aboula Ngando"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>After a night at his mistress, Aboula Ngando returns home to find a great surprise. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Initially a TV host, an editor and director in Democratic Republic of Congo, Marcus ONALUNDULA worked from 2010 in South Africa as Chief Editor for a FIFA service company. In 2013, he moved to France to study and graduated in Digital Video Production and Filmmaking from SAE Institute in Paris. In 2016, he started his audio-visual production company ONADISPLAY Films. His credits as a director include <strong>Passy<\/strong>; <strong>Le prix de la m\u00e9moire; Ubuntu; Article 13<\/strong> and <strong>Je me cherche, je me d\u00e9brouille.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis After a night at his mistress, Aboula Ngando returns home to find a great surprise. Biofilmographie\/Biofilmography Initially a TV host, an editor and director in Democratic Republic of Congo, Marcus ONALUNDULA worked from 2010 in South Africa as Chief Editor for a FIFA service company. In 2013, he moved to France to study and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1258,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1644"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1644\/revisions"}],"predecessor-version":[{"id":1645,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1644\/revisions\/1645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1258"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1642,"date":"2021-10-08T20:00:56","date_gmt":"2021-10-08T20:00:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=1642"},"modified":"2023-02-23T19:33:10","modified_gmt":"2023-02-23T19:33:10","slug":"about-a-girl-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/about-a-girl-2\/","title":{"rendered":"About a girl"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A normal (maybe stressful) day in a young lady\u2019s life, and how everyone she meets regardless their relationship perceives, judges her differently according to their own view and reflections, which sometimes may be totally irrelevant to her.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Marawan NABIL is an Egyptian director, producer and founder of Harmony Production Company. He directed many commercials. <strong>About a Girl<\/strong> is his first film after graduating in cinema from \u201cRaafat El-Mihy\u201d Film Academy.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A normal (maybe stressful) day in a young lady\u2019s life, and how everyone she meets regardless their relationship perceives, judges her differently according to their own view and reflections, which sometimes may be totally irrelevant to her. Biofilmographie\/Biofilmography Marawan NABIL is an Egyptian director, producer and founder of Harmony Production Company. He directed many [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1642"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1642\/revisions"}],"predecessor-version":[{"id":1643,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1642\/revisions\/1643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1261"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1639,"date":"2021-10-08T19:56:40","date_gmt":"2021-10-08T19:56:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1639"},"modified":"2023-02-23T19:31:34","modified_gmt":"2023-02-23T19:31:34","slug":"amani-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/amani-2\/","title":{"rendered":"Amani"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>In this tale, halfway between reality and fantasy, a mysterious narrator tells us the story of Amani, a young boy passionate about dance. Amani&rsquo;s innocence and joie de vivre open the narrator&rsquo;s eyes to the humanity he had never really cared about before. But as the night begins to rumble, Amani&rsquo;s joie de vivre disappears to give way to his pain, which echoes in the silence of the plain.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>After studying directing in New-York, Alliah FAFIN directed music videos for Dominique Fils-Aim\u00e9, as well as promotional videos for artists such as Rafael Lozano Hemmer (Winner of the Governor General&rsquo;s Awards in Visual and Media Arts). She left Quebec in 2016 for Chad, where she worked with UNICEF on the production of several videos illustrating the problems encountered by local populations, Nigerian refugees and Central African returnees. In 2018, she shot her first short film Amani in Chad, which was inspired by her experience in Burundi.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In this tale, halfway between reality and fantasy, a mysterious narrator tells us the story of Amani, a young boy passionate about dance. Amani&rsquo;s innocence and joie de vivre open the narrator&rsquo;s eyes to the humanity he had never really cared about before. But as the night begins to rumble, Amani&rsquo;s joie de vivre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1639"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1639\/revisions"}],"predecessor-version":[{"id":1640,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1639\/revisions\/1640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1264"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1635,"date":"2021-10-08T19:52:38","date_gmt":"2021-10-08T19:52:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=1635"},"modified":"2023-02-23T19:29:26","modified_gmt":"2023-02-23T19:29:26","slug":"anonymes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/anonymes-2\/","title":{"rendered":"Anonymes"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>\u201c<strong>Anonymes\u201d<\/strong> tells the story of a young girl on day time, her family, her friends, her work and dreams. One discovers her world and her thoughts through the little voice in her head and her imaginary stories. Without suspecting anything, she goes through her daily routine not knowing how the day will end.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Scriptwriter, director and producer Fama Reyane SOW trained at Sup\u2019imax, an audio-visual school in Dakar and worked directly on film sets. In 2015, the script of her feature film <strong>Satch\u00e9<\/strong> won a prize at FESPACO. She later on worked as assistant director for Alassane SY on the short film <strong>Marabout<\/strong> (best short film at Carthage Film Festival in 2016\/2017), for Joseph ADESUNLOYE on the feature <strong>White color Black<\/strong> which was met with great success in London <\/em><em>and for American director Idil IBRAHIM on the film <strong>Sega<\/strong>, as well as on many other productions in Senegal. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis \u201cAnonymes\u201d tells the story of a young girl on day time, her family, her friends, her work and dreams. One discovers her world and her thoughts through the little voice in her head and her imaginary stories. Without suspecting anything, she goes through her daily routine not knowing how the day will end. Biofilmographie\/Biofilmography [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1635"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1635\/revisions"}],"predecessor-version":[{"id":1636,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1635\/revisions\/1636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1267"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1633,"date":"2021-10-08T19:50:19","date_gmt":"2021-10-08T19:50:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=1633"},"modified":"2023-02-23T19:27:58","modified_gmt":"2023-02-23T19:27:58","slug":"aziya-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/aziya-2\/","title":{"rendered":"Aziya"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Adil orders a prostitute for the night. When she gets in, he finds out she is black.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Long-term journalist (30 years of career), doctor by training, poet, novelist, man of culture and cinema, progressist and activist of the Moroccan avant-garde, Karim BOUKHARI has headed many editorial staff, including the weekly magazine Telquel, flagship of independent press in Morocco. He has also published and contributed to several books and directed a short film <strong>La Perruque<\/strong> (official selection of Clermont-Ferrand International Short Film Festival and Stockholm International Film Festival). <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Adil orders a prostitute for the night. When she gets in, he finds out she is black. Biofilmographie\/Biofilmography Long-term journalist (30 years of career), doctor by training, poet, novelist, man of culture and cinema, progressist and activist of the Moroccan avant-garde, Karim BOUKHARI has headed many editorial staff, including the weekly magazine Telquel, flagship [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1633"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1633\/revisions"}],"predecessor-version":[{"id":1634,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1633\/revisions\/1634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1270"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1631,"date":"2021-10-08T19:46:57","date_gmt":"2021-10-08T19:46:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1631"},"modified":"2023-02-23T19:26:19","modified_gmt":"2023-02-23T19:26:19","slug":"bablinga-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bablinga-2\/","title":{"rendered":"Bablinga"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Moktar always said that when he will shut down his bar Bablinga, he will return to Burkina. This day has arrived, but he\u2019s not really ready to leave. Despite himself, ghosts invite themselves to celebrate a last evening.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Fabien DAO was born in Paris. He&rsquo;s the result of the encounter of a French teacher and a Burkinabe film director. After scientific studies, his taste for music and cinema drove him to the sound department of THE FEMIS. There he directs <strong>Le Ca\u00efman de Boromo<\/strong>. Two years later, he completed <strong>It rains on Ouaga<\/strong>, winner of the Canal + Award at Clermont-Ferrand International Film Festival. In 2019, he concluded his trilogy around his father with <strong>Bablinga<\/strong>, Best Drama winner at the 2020 Aspen ShortFest (USA).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Moktar always said that when he will shut down his bar Bablinga, he will return to Burkina. This day has arrived, but he\u2019s not really ready to leave. Despite himself, ghosts invite themselves to celebrate a last evening. Biofilmographie\/Biofilmography Fabien DAO was born in Paris. He&rsquo;s the result of the encounter of a French [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Still1_-Devant-le-bar-\u220fDonQuichotteFilms-Sudu-Connexion.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1631"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1631\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1631\/revisions\/1632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1274"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1628,"date":"2021-10-08T19:42:06","date_gmt":"2021-10-08T19:42:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=1628"},"modified":"2023-02-23T19:59:33","modified_gmt":"2023-02-23T19:59:33","slug":"daines-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/daines-3\/","title":{"rendered":"Da\u00efnes"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Two childhood friends, Ashish and Pascal, see each other for the last time before the first leaves for France to continue his studies. This last and long night of encounters and exchanges exposes their friendship, their thoughts and hopes, but also their disappointments and fragility.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Gopalen Parthiben CHELLAPERMAL <\/em><em>a professional Mauritian director. He has scripted <strong>Bisanvil<\/strong> (Audience Award at Amiens Film Festival in 2005 and Jury Prize at Reunion in 2006), short film directed by David Constantin. After directing his debut short (<strong>Ruz<\/strong> in 2009) and documentaries, including <strong>Les Mo\u2019zars de Roche Bois<\/strong> (Documentary Prize at \u2018Fe Net Oc\u00e9an Indien\u2019, FIFAI, Reunion), he directed <strong>Da\u00efnes<\/strong>. He has also directed the documentary <strong>Philippe Thomas, le jazz du bout des l\u00e8vres<\/strong><\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Two childhood friends, Ashish and Pascal, see each other for the last time before the first leaves for France to continue his studies. This last and long night of encounters and exchanges exposes their friendship, their thoughts and hopes, but also their disappointments and fragility. Biofilmographie\/Biofilmography Gopalen Parthiben CHELLAPERMAL a professional Mauritian director. He [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1628"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1628\/revisions"}],"predecessor-version":[{"id":1629,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1628\/revisions\/1629"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1277"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1625,"date":"2021-10-08T19:41:04","date_gmt":"2021-10-08T19:41:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=1625"},"modified":"2023-02-23T19:24:35","modified_gmt":"2023-02-23T19:24:35","slug":"daines-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/daines-2\/","title":{"rendered":"Da\u00efnes"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Two childhood friends, Ashish and Pascal, see each other for the last time before the first leaves for France to continue his studies. This last and long night of encounters and exchanges exposes their friendship, their thoughts and hopes, but also their disappointments and fragility.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Gopalen Parthiben CHELLAPERMAL <\/em><em>a professional Mauritian director. He has scripted <strong>Bisanvil<\/strong> (Audience Award at Amiens Film Festival in 2005 and Jury Prize at Reunion in 2006), short film directed by David Constantin. After directing his debut short (<strong>Ruz<\/strong> in 2009) and documentaries, including <strong>Les Mo\u2019zars de Roche Bois<\/strong> (Documentary Prize at \u2018Fe Net Oc\u00e9an Indien\u2019, FIFAI, Reunion), he directed <strong>Da\u00efnes<\/strong>. He has also directed the documentary <strong>Philippe Thomas, le jazz du bout des l\u00e8vres<\/strong><\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Two childhood friends, Ashish and Pascal, see each other for the last time before the first leaves for France to continue his studies. This last and long night of encounters and exchanges exposes their friendship, their thoughts and hopes, but also their disappointments and fragility. Biofilmographie\/Biofilmography Gopalen Parthiben CHELLAPERMAL a professional Mauritian director. He [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1625"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1625\/revisions"}],"predecessor-version":[{"id":1627,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1625\/revisions\/1627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1277"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1623,"date":"2021-10-08T19:35:37","date_gmt":"2021-10-08T19:35:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=1623"},"modified":"2023-02-23T19:23:04","modified_gmt":"2023-02-23T19:23:04","slug":"gwacoulou-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/gwacoulou-2\/","title":{"rendered":"Gwacoulou"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><strong><em>Gwacoulou<\/em><\/strong><em> tells the legend of preservation of peace through the transformation of three pairs of twin girls into the three stones of a traditional fireplace and their mother in its pot (\u00ab\u00a0the canary\u00a0\u00bb). Nowadays, these stones are still one of the pillars of African tradition in Bambara community. They remind us, through their symbolism, marriage and discretion, fraternity and solidarity, friendship and assistance. Between African tradition and modernity, Gwacoulou expresses the evolution of both mystical and behavioural beliefs. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>A passionate of art from an early age, Mo\u00efse TOGO began his academic studies in 2009-2010 at the Faculty of Legal and Political Sciences. His artistic ambitions then led him to the Conservatory of Bamako, Mali. After five years of Conservatory studies, he obtained a Masters 2 in Multimedia and has since worked in this field. He is presently a fellow of the French Government through the Bakary Diallo Prize of Fresnoy \u2013 National Studio of Contemporary Arts.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Gwacoulou tells the legend of preservation of peace through the transformation of three pairs of twin girls into the three stones of a traditional fireplace and their mother in its pot (\u00ab\u00a0the canary\u00a0\u00bb). Nowadays, these stones are still one of the pillars of African tradition in Bambara community. They remind us, through their symbolism, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1623"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1623\/revisions"}],"predecessor-version":[{"id":1624,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1623\/revisions\/1624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1280"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1619,"date":"2021-10-08T19:29:49","date_gmt":"2021-10-08T19:29:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=1619"},"modified":"2023-02-23T19:21:09","modified_gmt":"2023-02-23T19:21:09","slug":"life-on-the-horn-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/life-on-the-horn-2\/","title":{"rendered":"Life on the Horn"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>For a decade, there has been an illegal dumping of toxic waste on the coastline of Somalia. The Tsunami earthquake in 2004 damaged the toxic containers and spilled waste, which caused the spread of diseases. Many people left their villages; however, some stayed and live with the consequences.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Since 2009 Mo HARAWE has been living in Austria where his journey as a filmmaker began. He attended numerous film workshops and directed five short films, which have been shown at several international film festivals and won a number of awards. Besides that, Harawe works as a screenwriter, having written several scripts for feature films. His feature film script <strong>To Mogadishu<\/strong>, which he developed at the DIVERSE GESCHICHTEN SCRIPT LAB has won the DOR FILM award in 2016. He is currently working on his new feature film <strong>The village next to Paradise<\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis For a decade, there has been an illegal dumping of toxic waste on the coastline of Somalia. The Tsunami earthquake in 2004 damaged the toxic containers and spilled waste, which caused the spread of diseases. Many people left their villages; however, some stayed and live with the consequences. Biofilmographie\/Biofilmography Since 2009 Mo HARAWE has [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1619"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1619\/revisions"}],"predecessor-version":[{"id":1620,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1619\/revisions\/1620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1283"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1616,"date":"2021-10-08T19:25:43","date_gmt":"2021-10-08T19:25:43","guid":{"rendered":"https:\/\/fespaco.org\/?p=1616"},"modified":"2023-02-23T19:19:43","modified_gmt":"2023-02-23T19:19:43","slug":"little-black-dress-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/little-black-dress-2\/","title":{"rendered":"Little black dress"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A woman stuck in a cycle of routine, obligation and guilt, figures out a way to reset her life amidst a feminist uprising. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Esteri TEBANDEKE is a Ugandan filmmaker, actress, dancer and visual artist. She is a graduate of the Margaret Trowell School of Industrial and Fine Art at Makerere University. <strong>Little Black Dress<\/strong>, her directorial debut is a short film that was shot on location in Nairobi, Kenya in April 2019. The film premiered in competition at the 2019 edition of the Africa International Film Festival in Lagos, Nigeria and in competition at the Luxor African Film Festival.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A woman stuck in a cycle of routine, obligation and guilt, figures out a way to reset her life amidst a feminist uprising. Biofilmographie\/Biofilmography Esteri TEBANDEKE is a Ugandan filmmaker, actress, dancer and visual artist. She is a graduate of the Margaret Trowell School of Industrial and Fine Art at Makerere University. Little Black [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1616"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1616\/revisions"}],"predecessor-version":[{"id":1617,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1616\/revisions\/1617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1286"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1613,"date":"2021-10-08T19:21:54","date_gmt":"2021-10-08T19:21:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1613"},"modified":"2023-02-23T19:17:58","modified_gmt":"2023-02-23T19:17:58","slug":"nos-voisins-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nos-voisins-2\/","title":{"rendered":"Nos voisins"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Ren\u00e9 and Moussa are two young men deeply involved in the activities of their neighbourhood in Ouagadougou. Genuinely nice guys, respectful and sociable, they are appreciated by their neighbours. But are they actually?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Delphine KABORE barely turned 20 when she studied editing at ISIS\/SE (Higher Institute of Image and Sound\/School Studio) of Ouagadougou, winning the 7 days for 1 film competition, hosted in Burkina Faso in February 2019 in partnership with FESPACO. <strong>Nos voisins, <\/strong>her directional debut film, was directed in 7 days only.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ren\u00e9 and Moussa are two young men deeply involved in the activities of their neighbourhood in Ouagadougou. Genuinely nice guys, respectful and sociable, they are appreciated by their neighbours. But are they actually? Biofilmographie\/Biofilmography Delphine KABORE barely turned 20 when she studied editing at ISIS\/SE (Higher Institute of Image and Sound\/School Studio) of Ouagadougou, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1613"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1613\/revisions"}],"predecessor-version":[{"id":1614,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1613\/revisions\/1614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1290"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1610,"date":"2021-10-08T19:18:13","date_gmt":"2021-10-08T19:18:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1610"},"modified":"2023-02-23T19:13:44","modified_gmt":"2023-02-23T19:13:44","slug":"prisoner-and-jailer-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/prisoner-and-jailer-2\/","title":{"rendered":"Prisoner and Jailer"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><strong><em>Prisoner and Jailer<\/em><\/strong><em> tells the story of two contrasting Libyans: a key official in the former regime and one of the most prominent figures of the post-revolutionary period in Libya. Through these two characters, we discover the circumstances surrounding one of the most influential events in modern Libyan history: The Abu Salim Prison Massacre<\/em>.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Muhannad LAMIN <\/em><em>is a Libyan filmmaker who graduated from Tripoli\u2019s art institute with a directing and screenwriting degree. He has been involved in producing several public-awareness campaign projects for such clients as the Electoral High Authority, the Ministry of Justice, the Warriors Affairs Commission, BBC Media Action, and other organizations. In addition to involvement in several documentary projects, Lamin directed several shorts that have been screened at various international festivals. Now Muhannad is co-founding \u201cKhayal\u201d a Libyan production company working on media production and on the development of Libyan Cinema.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Prisoner and Jailer tells the story of two contrasting Libyans: a key official in the former regime and one of the most prominent figures of the post-revolutionary period in Libya. Through these two characters, we discover the circumstances surrounding one of the most influential events in modern Libyan history: The Abu Salim Prison Massacre. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1610"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1610\/revisions"}],"predecessor-version":[{"id":1611,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1610\/revisions\/1611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1293"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1607,"date":"2021-10-08T19:12:34","date_gmt":"2021-10-08T19:12:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=1607"},"modified":"2023-02-23T19:11:34","modified_gmt":"2023-02-23T19:11:34","slug":"les-tissus-blancs-ser-bi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-tissus-blancs-ser-bi-2\/","title":{"rendered":"Les tissus blancs \/S\u00ebr Bi"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Tomorrow is Zuzana\u2019s marriage. From now until then, every minute counts to erase her past and become the woman she is expected to be.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Born in Pikine in 1986, Moly KANE studied audiovisual writting, directing and art and culture in Senegal and France (F\u00e9mis). <strong>S\u00ebr Bi<\/strong> (2020) goes along with the humanitary ambition of his two previous films, <strong>Moly<\/strong> (2011), about handicap, produced by Euzhan Palcy, screened at Cannes (2011) and awarded in several festivals; and <strong>Muruna<\/strong> (2015), about domestic sexual violence, which won the Grand Jury Prize at Paris&rsquo; Amnesty Festival.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Tomorrow is Zuzana\u2019s marriage. From now until then, every minute counts to erase her past and become the woman she is expected to be. Biofilmographie\/Biofilmography Born in Pikine in 1986, Moly KANE studied audiovisual writting, directing and art and culture in Senegal and France (F\u00e9mis). S\u00ebr Bi (2020) goes along with the humanitary ambition [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/vbvbvbvbvbvbvb.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1607"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1607\/revisions"}],"predecessor-version":[{"id":1608,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1607\/revisions\/1608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1297"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1603,"date":"2021-10-08T19:09:00","date_gmt":"2021-10-08T19:09:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=1603"},"modified":"2023-02-23T19:10:01","modified_gmt":"2023-02-23T19:10:01","slug":"tabaski-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tabaski-2\/","title":{"rendered":"Tabaski"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Dakar, a few days before Tabaski festival, a painter locked in his studio, works on the theme of the ram sacrifice ritual. Red painting draws sketches hanging on clotheslines. An inscription on the wall reads: \u00ab\u00a0Tabaski, who\u2019s next?\u00a0\u00bb Three characters and a sheep revolve around him, reconnecting him back to reality.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Laurence ATTALI studied Philosophy, Cinema and Theatre before turning to editing which she teaches at the National Audio-visual Institute in France and throughout the world. \u00a0She moved on to directing in 1992 with the series <strong>La petite minute de bonheur<\/strong>. <\/em><strong><em>Mourtala Diop voyageur <\/em><\/strong><strong><em>de l&rsquo;art<\/em><\/strong><em> in 1993 is her debut documentary. She has founded Autoproduction company, directing and producing most of her films (<strong>S\u00e9n\u00e9galais S\u00e9n\u00e9galaise<\/strong>; <strong>Petit Pays; Baobab; <\/strong>and more), which showed at numerous festivals and winning several prizes<\/em><em>.\u00a0 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Dakar, a few days before Tabaski festival, a painter locked in his studio, works on the theme of the ram sacrifice ritual. Red painting draws sketches hanging on clotheslines. An inscription on the wall reads: \u00ab\u00a0Tabaski, who\u2019s next?\u00a0\u00bb Three characters and a sheep revolve around him, reconnecting him back to reality. Biofilmographie\/Biofilmography Laurence ATTALI [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1603"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1603\/revisions"}],"predecessor-version":[{"id":1604,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1603\/revisions\/1604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1300"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1601,"date":"2021-10-08T19:06:26","date_gmt":"2021-10-08T19:06:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=1601"},"modified":"2023-02-23T19:08:44","modified_gmt":"2023-02-23T19:08:44","slug":"tuk-tuk-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tuk-tuk-2\/","title":{"rendered":"Tuk-Tuk"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>After her husband abandoned her and illegally fled the country, Walaa\u2019s only way to secure income for her family was to drive a Tuk-tuk in a male dominated environment where women struggle. At the risk of being ridiculed, harassed and unaccepted while drowning in debt, she embarks on a journey to fight for her livelihood.<\/em><\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p style=\"text-align: left;\"><em>At the young age of 14, KHEIDR kick started his career as a story board artist and carved his way into graphic design. In 2007, he decided to shift gears and delved into studying film making at the New York film academy. He dedicated his career to shifting the industry&rsquo;s perspective on limited budget productions by creating top notch quality artwork and designs. He established his own production house overlooking, executing and creating a vast number of projects which involved film directing, cinematography, script writing, executive production, photography and music composing.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis After her husband abandoned her and illegally fled the country, Walaa\u2019s only way to secure income for her family was to drive a Tuk-tuk in a male dominated environment where women struggle. At the risk of being ridiculed, harassed and unaccepted while drowning in debt, she embarks on a journey to fight for her [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1601"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1601\/revisions"}],"predecessor-version":[{"id":1602,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1601\/revisions\/1602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1303"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1597,"date":"2021-10-08T19:01:56","date_gmt":"2021-10-08T19:01:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=1597"},"modified":"2023-02-23T19:57:55","modified_gmt":"2023-02-23T19:57:55","slug":"quas-tu-reve-what-did-you-dream-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/quas-tu-reve-what-did-you-dream-2\/","title":{"rendered":"Qu\u2019as \u2013 tu r\u00eav\u00e9 ?\/What did you dream"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Summer 1990, South Africa. Eleven-year-old Boipelo spends the holidays with her grandmother. But something worries her: unlike her two cousins, she can no longer remember her dreams. How is she going to help her poor grandmother win the lottery?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Karabo LEDIGA is a writer, director and producer for television and film. Her short film, which she wrote and directed titled <strong>What Did You Dream?<\/strong> premiered in competition at Clermont-Ferrand International Short Film Festival and was also in competition at The Palm Springs International Short Film Festival. She has written for the first African Netflix Original series, the spy thriller \u2018<strong>Queen Sono<\/strong>\u2019. Her directorial work also includes 2 seasons of the sketch comedy show <strong>The Bantu Hour<\/strong> and situational comedy <strong>The Mayor<\/strong>. She\u2019s currently in development on her debut feature film titled <strong>Sabbatical<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Summer 1990, South Africa. Eleven-year-old Boipelo spends the holidays with her grandmother. But something worries her: unlike her two cousins, she can no longer remember her dreams. How is she going to help her poor grandmother win the lottery? Biofilmographie\/Biofilmography Karabo LEDIGA is a writer, director and producer for television and film. Her short [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1597"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1597\/revisions"}],"predecessor-version":[{"id":1598,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1597\/revisions\/1598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1307"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1593,"date":"2021-10-08T18:58:17","date_gmt":"2021-10-08T18:58:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=1593"},"modified":"2023-02-23T19:56:26","modified_gmt":"2023-02-23T19:56:26","slug":"yamb-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yamb-2\/","title":{"rendered":"Yamb"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Following a telephone message in an African dialect, 50-year-old Diane calls for the services of a young Gabonese prostitute for a special occasion.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>After learning some basics of cinema at Saint Sernin High School in Toulouse, Winnele VEYRET obtained a degree in cinema from Bordeaux Montaigne University. She subsequently got a Bachelor-Multimedia Project Manager at the Academy. She then joined Grand Angle Production, working as a production assistant. At the same time, she began developing her debut short <strong>YAMB<\/strong>. Winnele is current a student at the Academy and does an internship at Wild Bunch International.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Following a telephone message in an African dialect, 50-year-old Diane calls for the services of a young Gabonese prostitute for a special occasion. Biofilmographie\/Biofilmography After learning some basics of cinema at Saint Sernin High School in Toulouse, Winnele VEYRET obtained a degree in cinema from Bordeaux Montaigne University. She subsequently got a Bachelor-Multimedia Project [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1593"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1593\/revisions"}],"predecessor-version":[{"id":1594,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1593\/revisions\/1594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1310"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1587,"date":"2021-10-08T17:55:40","date_gmt":"2021-10-08T17:55:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1587"},"modified":"2023-02-24T14:32:39","modified_gmt":"2023-02-24T14:32:39","slug":"when-a-farm-goes-aflame-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/when-a-farm-goes-aflame-2\/","title":{"rendered":"When a farm goes aflame"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A filmmaker completes his debut film: A reflection on his parents assumed monogamous long-distance marriage as well as his own Nigerian background and identity. He thereafter accidentally discovers his father&rsquo;s secret; a second family throughout the last 30 years, a life secret that escaped the initial film. This revelation sends the filmmaker on a new quest, now focusing on his retired Danish mother and his newly acquainted younger Nigerian half-brother. \u00ab\u00a0When a farm goes aflame\u00a0\u00bb is set in the aftermath of a lifetime of secrecy and denial. <\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Jide Tom AKINLEMINU is a Danish &#8211; Nigerian documentary film director and cinematographer. After attending the Danish School of Photography \u00ab\u00a0Fatamorgana\u00a0\u00bb, he relocated in 2004 to Berlin to study cinematography at the German Film school. As a cinematographer, he shot several award-winning films, such as the short film <strong>Kokon<\/strong>, which was acclaimed for its unique visual style and was awarded with Germany \u0301s most prestigious film award, the Golden Lola, in 2010. His diploma film, <strong>Portrait of a lone farmer<\/strong>, premiered at CPH: DOX in 2013. It won recognition at numerous festivals and received the \u00ab\u00a0African Movie Academy Award\u00a0\u00bb in 2014.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A filmmaker completes his debut film: A reflection on his parents assumed monogamous long-distance marriage as well as his own Nigerian background and identity. He thereafter accidentally discovers his father&rsquo;s secret; a second family throughout the last 30 years, a life secret that escaped the initial film. This revelation sends the filmmaker on a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/cvbbnjk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1587"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1587\/revisions"}],"predecessor-version":[{"id":1588,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1587\/revisions\/1588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1141"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1583,"date":"2021-10-08T17:41:35","date_gmt":"2021-10-08T17:41:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1583"},"modified":"2023-02-24T14:33:52","modified_gmt":"2023-02-24T14:33:52","slug":"valdiodio-ndiaye-un-proces-pour-lhistoire-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/valdiodio-ndiaye-un-proces-pour-lhistoire-2\/","title":{"rendered":"Valdiodio N&rsquo;Diaye, un proc\u00e8s pour l&rsquo;histoire"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>2020 in Senegal. <\/em><em>The young president of barristers in Dakar presents new elements to the Supreme Court to review the famous \u201c17 December 1962 Coup\u201d trial. In the dock are Council President Mamadou Dia and four ministers including Valdiodio N&rsquo;Diaye. This political trial, the outcome of which was known in advance provided an excuse for L.S. Senghor to eliminate his nationalist opponents, with the complicity of France.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>French-Senegalese director Amina N\u2019DIAYE LECLERC co-directed with Eric CLOUE in 2000 a documentary film <strong>Valdiodio N&rsquo;Diaye, l&rsquo;Ind\u00e9pendance du S\u00e9n\u00e9gal, <\/strong>official selection of numerous international festivals including Namur Film Festival, Amiens Film Festival and Fribourg Film Festival in Switzerland. The film was also aired by such media networks as Histoire, CFI, TV5 Afrique, TV 5 Monde and showed at in 2000.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis 2020 in Senegal. The young president of barristers in Dakar presents new elements to the Supreme Court to review the famous \u201c17 December 1962 Coup\u201d trial. In the dock are Council President Mamadou Dia and four ministers including Valdiodio N&rsquo;Diaye. This political trial, the outcome of which was known in advance provided an excuse [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/nbnbn.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1583"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1583\/revisions"}],"predecessor-version":[{"id":1584,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1583\/revisions\/1584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1581,"date":"2021-10-08T17:36:48","date_gmt":"2021-10-08T17:36:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=1581"},"modified":"2023-02-24T14:35:56","modified_gmt":"2023-02-24T14:35:56","slug":"the-letter-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-letter-2\/","title":{"rendered":"The letter"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Karisa\u2019s Grandma, Margaret, is a respected elder of her church, and spends her days cultivating her fields to feed her family. Karisa&rsquo;s uncles claim that Grandma is worshipping the devil, and demand she be exorcised by their Pentecostal priests. Karisa\u2019s strong-willed Aunties, however, are doing everything they can to protect their mother. As Karisa delicately navigates between his disputing relatives, the love for his grandmother must overcome the imminent danger of the accusations against her<\/em>.<\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Maia LEKOW is a Kenyan filmmaker and renowned live musician. Her debut feature-documentary <strong>The Letter<\/strong> premiered at IDFA 2019 to sold-out screenings and stirring reviews. She was named a goodwill ambassador for UNHCR on World Refugee Day, 2013 and has received an African Movie Academy Award for her song <strong>Uko Wapi<\/strong>.\u00a0 <\/em><\/p>\n<p style=\"text-align: left;\"><em>Christopher KING is an award-winning filmmaker. Originally from Australia, he has lived &amp; worked in Kenya since 2007 when he founded Circle &amp; Square Productions with wife Maia Lekow in Nairobi.\u00a0 Christopher\u2019s debut feature-doc <strong>The Letter<\/strong> made with wife Maia<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Karisa\u2019s Grandma, Margaret, is a respected elder of her church, and spends her days cultivating her fields to feed her family. Karisa&rsquo;s uncles claim that Grandma is worshipping the devil, and demand she be exorcised by their Pentecostal priests. Karisa\u2019s strong-willed Aunties, however, are doing everything they can to protect their mother. As Karisa [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/gvbgnju.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1581"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1581\/revisions"}],"predecessor-version":[{"id":1582,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1581\/revisions\/1582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1132"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1577,"date":"2021-10-08T17:30:53","date_gmt":"2021-10-08T17:30:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=1577"},"modified":"2023-02-24T14:37:56","modified_gmt":"2023-02-24T14:37:56","slug":"on-the-fence-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/on-the-fence-2\/","title":{"rendered":"On the Fence"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>When her mother had a bad dream, Nesrine travelled from Cairo to Tima, her home town in Upper Egypt in an attempt to save their old house. The filmmaker takes on a journey between two worlds that belong to none. She struggles with the idea of selling the house, because it is part of the last memories of her beloved father. She tries to clean it and make the necessary repairs in vain for the wreck is beyond repair. She chances upon old tapes recorded by her father, notes and ambush of memories.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Nesrine EL-ZAYAT<\/em><em> began her career as a film critic and journalist for Rosa El-Youssef magazine. She went on to make two short documentary films, including <strong>Ward No. 6<\/strong>, Jury Prize winner at Bagdad International Film Festival\u2019s Human Rights Competition and Best Short Documentary Prize at the Egyptian National Film Festival in 2009; and <strong>La Robe Noire<\/strong> (2013), screened in festivals in Egypt, India, France and Morocco. <strong>On the Fence<\/strong> is her latest and debut feature documentary. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis When her mother had a bad dream, Nesrine travelled from Cairo to Tima, her home town in Upper Egypt in an attempt to save their old house. The filmmaker takes on a journey between two worlds that belong to none. She struggles with the idea of selling the house, because it is part of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1128,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/rtetr.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1577"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1577\/revisions"}],"predecessor-version":[{"id":1578,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1577\/revisions\/1578"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1128"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1575,"date":"2021-10-08T17:27:51","date_gmt":"2021-10-08T17:27:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=1575"},"modified":"2023-02-24T14:39:35","modified_gmt":"2023-02-24T14:39:35","slug":"nofinofy-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nofinofy-2\/","title":{"rendered":"Nofinofy"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>When his hair salon is destroyed by the municipality, Romeo has to leave the main street of Tamatave for the popular neighbourhoods. He then settles in a small shack, but dreams of building a hair salon in \u201chard material\u201d.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Michael ANDRIANALY is a director, producer, editor and photographer. After his university studies in international trade and business management, he recently turned to video editing, special effects and now filmmaking. His films<strong> Todisoa et les pierres noires<\/strong> (2013),<\/em> <strong><em>Njaka kely<\/em><\/strong><em> (2015) and <strong>Nofinofy<\/strong> have been selected and awarded at numerous festivals. \u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis When his hair salon is destroyed by the municipality, Romeo has to leave the main street of Tamatave for the popular neighbourhoods. He then settles in a small shack, but dreams of building a hair salon in \u201chard material\u201d. Biofilmographie\/Biofilmography Michael ANDRIANALY is a director, producer, editor and photographer. After his university studies in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/vdvdv.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1575"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1575\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1575\/revisions\/1576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1124"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1572,"date":"2021-10-08T17:24:27","date_gmt":"2021-10-08T17:24:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=1572"},"modified":"2023-02-24T14:41:22","modified_gmt":"2023-02-24T14:41:22","slug":"marcher-sur-leau-walking-on-water-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/marcher-sur-leau-walking-on-water-2\/","title":{"rendered":"Marcher sur L\u2019Eau \/ Walking on water"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Houlaye, 12 years-old, lives in a village in Tatis, Niger. She walks for several kilometers every day to fetch water. It is abundant during rainy season, but not found during the dry season. However, two hundred meters below the surface, there is a water source that goes far beyond their imagination. Houlaye&rsquo;s aunt Suri convinced an NGO to drill a well in the village. It is the promise of a new life for those men and women who, unknowingly, had been walking on water forever.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography <\/strong><\/p>\n<p><em>A\u00efssa MA\u00cfGA is a French actress born in Dakar, Senegal. She was revealed to the French public for her role in <strong>Les Poup\u00e9es russes<\/strong> by C\u00e9dril Klapish. Since then, she played leading female roles in <strong>L&rsquo;\u00c2ge d&rsquo;homme&#8230; maintenant ou jamais!<\/strong> (2007), \u00ab\u00a0<strong>The Lawyer<\/strong>\u00a0\u00bb (2010), <strong>The time for the fair is over<\/strong> (2010), <strong>Ready for anything<\/strong> (2013) and <strong>He already has your eyes<\/strong> (2017). A\u00efssa MA\u00cfGA is very involved in NGOs works. Amongst others she is the part of the AMREF, an African NGO dedicated to the training of medical personnel for mother and child care. <strong>Walking on water<\/strong> is her first film as a director.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Houlaye, 12 years-old, lives in a village in Tatis, Niger. She walks for several kilometers every day to fetch water. It is abundant during rainy season, but not found during the dry season. However, two hundred meters below the surface, there is a water source that goes far beyond their imagination. Houlaye&rsquo;s aunt Suri [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/tyrtfghvb.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1572"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1572\/revisions"}],"predecessor-version":[{"id":1573,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1572\/revisions\/1573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1120"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1568,"date":"2021-10-08T17:20:44","date_gmt":"2021-10-08T17:20:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=1568"},"modified":"2023-02-24T14:44:49","modified_gmt":"2023-02-24T14:44:49","slug":"makongo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/makongo-2\/","title":{"rendered":"Makongo"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Andr\u00e9 and Albert are two Aka young pygmies from Mongoumba, near the border between Congo and DRC. Despite their financial difficulties and the stigma they suffer in high school, they strive to study and catch up with the other students. They also have a dream: bringing the other Aka children to school.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Geology graduate Elvis Sabin NGA\u00cfBINO has always dreamed of filmmaking. In 2012, he founded with friends the Central African Academy, an association of cinema enthusiasts. He has produced and directed with the means at hand short films for the Central African Television. In 2017, he discovered Ateliers Varan, where he trained in documentary filmmaking and made <strong>Docta Jefferson<\/strong>, official selection of numerous international festivals.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Andr\u00e9 and Albert are two Aka young pygmies from Mongoumba, near the border between Congo and DRC. Despite their financial difficulties and the stigma they suffer in high school, they strive to study and catch up with the other students. They also have a dream: bringing the other Aka children to school. Biofilmographie\/Biofilmography Geology [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1116,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/kj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1568"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1568\/revisions"}],"predecessor-version":[{"id":1569,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1568\/revisions\/1569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1116"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1566,"date":"2021-10-08T17:16:43","date_gmt":"2021-10-08T17:16:43","guid":{"rendered":"https:\/\/fespaco.org\/?p=1566"},"modified":"2023-02-24T14:59:54","modified_gmt":"2023-02-24T14:59:54","slug":"le-dernier-refuge-the-last-shelter-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-dernier-refuge-the-last-shelter-2\/","title":{"rendered":"Le dernier refuge\/ the last shelter"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>At the gates of the Sahel stands the Maison du Migrant like a refuge for those on their way to or from Europe. Here, they face their own migration stories. What do we feel, what do we need, when our dreams have been buried in the sand or awaiting to come true?<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Ousmane SAMASSEKOU is a Master 2 student in creative documentary, majoring in audio-visual production at the Gaston Berger University of Saint Louis (Senegal). In 2012, he directed his fourth short <strong>Made in USA<\/strong>, an auteur film. In 2015, he won the best script prize at Clap Ivoire Festival with <strong>Confession<\/strong>. Samass\u00e9kou studied at the University of Bamako where he shot his debut highly political documentary <strong>Les h\u00e9ritiers de la colline<\/strong>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis At the gates of the Sahel stands the Maison du Migrant like a refuge for those on their way to or from Europe. Here, they face their own migration stories. What do we feel, what do we need, when our dreams have been buried in the sand or awaiting to come true? Biofilmographie\/Biofilmography Ousmane [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1566","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/bnhnjfghj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1566"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1566\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1566\/revisions\/1567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1112"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1562,"date":"2021-10-08T17:07:13","date_gmt":"2021-10-08T17:07:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1562"},"modified":"2023-02-24T15:02:41","modified_gmt":"2023-02-24T15:02:41","slug":"janitou-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/janitou-2\/","title":{"rendered":"Janitou"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>A flop in India and worldwide, Bollywood film of the 70s \u201cJanitou\u201d turned out to be a blockbuster in the 80s in Algeria where it holds an important place in the collective memory of Algerians. This documentary film takes us on a journey into the souls of Algerians who talk about their love stories.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Amine HATTOU graduated from the Journalism Institute of Algiers in 2000. In 2009, he was selected to take part in F\u00e9mis Summer University (France), where he directed his first short documentary <strong>Two for Tango<\/strong>. In 2011, he directed <strong>Down to Earth<\/strong>, official selection of numerous festivals around the world. In 2012, he joined the Project&rsquo;heurts Association and founded in 2015 <strong>Bejaia Film Lab, <\/strong>a film platform dedicated to filmmakers and producers from the region. His first feature documentary <strong>Janitou<\/strong> premiered at Durban International Film Festival in 2020<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A flop in India and worldwide, Bollywood film of the 70s \u201cJanitou\u201d turned out to be a blockbuster in the 80s in Algeria where it holds an important place in the collective memory of Algerians. This documentary film takes us on a journey into the souls of Algerians who talk about their love stories. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hygijblnl.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1562"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1562\/revisions"}],"predecessor-version":[{"id":1563,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1562\/revisions\/1563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1108"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1549,"date":"2021-10-08T16:43:09","date_gmt":"2021-10-08T16:43:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=1549"},"modified":"2023-02-24T15:06:07","modified_gmt":"2023-02-24T15:06:07","slug":"garderie-nocturne-night-nursery-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/garderie-nocturne-night-nursery-2\/","title":{"rendered":"Garderie Nocturne \/ Night Nursery"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>In a popular neighbourhood of Bobo-Dioulasso, Mrs. Coda welcomes every evening the children of prostitutes in her home. These young women wander around the \u201cBlack\u201d, a very lively alley of the city centre, until dawn when they come back to pick up their children. But Mrs. Coda who is over 80 is getting tired<\/em><em>.<\/em><\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Moumouni SANOU is part of the new generation of Burkina Faso&rsquo;s documentary filmmakers. He has been working as a DOP on several sets for 6 years. He has edited and directed short documentaries and is also very much involved in the Cin\u00e9 Guimbi refurbishing project in Bobo-Dioulasso. In 2014 he directed <strong>Ngonifo Sekouba, l&rsquo;esprit des chasseurs<\/strong>. <\/em><strong><em>Garderie Nocturne \/ Night nursery<\/em><\/strong><em> is his first feature film<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In a popular neighbourhood of Bobo-Dioulasso, Mrs. Coda welcomes every evening the children of prostitutes in her home. These young women wander around the \u201cBlack\u201d, a very lively alley of the city centre, until dawn when they come back to pick up their children. But Mrs. Coda who is over 80 is getting tired. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/kljhjk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1549"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1549\/revisions"}],"predecessor-version":[{"id":1550,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1549\/revisions\/1550"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1104"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1547,"date":"2021-10-08T16:36:54","date_gmt":"2021-10-08T16:36:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1547"},"modified":"2023-02-24T15:08:02","modified_gmt":"2023-02-24T15:08:02","slug":"faya-dayi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/faya-dayi-2\/","title":{"rendered":"Faya Dayi"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Ethiopian legend has it that khat, a stimulant leaf was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a green leaf that Sufi Muslims chewed for religious meditations and Ethiopia\u2019s most lucrative cash crop today. Through the prism of the khat trade, Faya Dayi weaves a tapestry of intimate stories of people caught between violent government repression, khat-induced fantasies and treacherous journeys beyond their borders, and offers a window into the dreams of the youth hunted by a repressive regime<\/em>.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Jessica BESHIR is a Mexican-Ethiopian director, producer and cinematographer based in Brooklyn. She made her directorial debut with her short film <strong>Hairat,<\/strong> which premiered at the 2017 Sundance Film Festival, (Criterion). Her short films, <strong>He Who Dances on Wood<\/strong> (PBS) and <strong>Heroin (Topic)<\/strong>, have screened in festivals and museums around the world including Hot Docs, IFFR, IDFA, Tribeca Film Festival, the Eye Film Museum, and the Museum of the Moving Image in New York, among others. <\/em><strong><em>Faya Dayi<\/em><\/strong><em> is Jessica\u2019s feature debut<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ethiopian legend has it that khat, a stimulant leaf was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a green leaf that Sufi Muslims chewed for religious meditations and Ethiopia\u2019s most lucrative cash [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hfghj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1547"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1547\/revisions"}],"predecessor-version":[{"id":1560,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1547\/revisions\/1560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1100"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1545,"date":"2021-10-08T16:32:47","date_gmt":"2021-10-08T16:32:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1545"},"modified":"2023-02-24T15:11:28","modified_gmt":"2023-02-24T15:11:28","slug":"fanon-hier-aujourdhui-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fanon-hier-aujourdhui-2\/","title":{"rendered":"Fanon Hier, Aujourd\u2019hui"},"content":{"rendered":"<p style=\"text-align: left;\"><em><strong>Synopsis<\/strong><\/em><\/p>\n<p style=\"text-align: left;\"><em>Who was Frantz Fanon and what is his present legacy? Psychiatrist, decolonization activist, author of the book <strong>Les damn\u00e9s de la terre<\/strong>, Fanon died in December 1961, but his thoughts still irrigate many battlegrounds across the world. How is the thinker and man of action perceived by those fighting against injustice and arbitrariness? \u00a0The film takes us on a journey from Fanon\u2019s home country to the hotbeds of political and social struggles through the land where he was buried, giving the floor to activists about their fight and their relationships with author.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Professional photographer Hassane MEZINE was born in 1972. After working with AFP Photo and France Soir, he became a freelance photographer. Il is also a trainer in digital photography and Multimedia in Paris, and monitors social news in France and abroad.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Who was Frantz Fanon and what is his present legacy? Psychiatrist, decolonization activist, author of the book Les damn\u00e9s de la terre, Fanon died in December 1961, but his thoughts still irrigate many battlegrounds across the world. How is the thinker and man of action perceived by those fighting against injustice and arbitrariness? \u00a0The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/xcvilio.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1545"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1545\/revisions"}],"predecessor-version":[{"id":1558,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1545\/revisions\/1558"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1096"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1543,"date":"2021-10-08T16:24:54","date_gmt":"2021-10-08T16:24:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1543"},"modified":"2023-02-24T15:13:44","modified_gmt":"2023-02-24T15:13:44","slug":"en-route-pour-le-milliard-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/en-route-pour-le-milliard-2\/","title":{"rendered":"En route pour le Milliard"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>For twenty years, the victims of the Six Day War in Kisangani, DRC, have been fighting for recognition of the conflict, condemnation of the belligerents and financial compensations. Appalled by the indifference of their rulers, they decide to embark on a perilous journey on the Congo River to Kinshasa, capital of the country, to make their voice heard<\/em>.<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Dieudo HAMADI trained in cinema by attending several documentary workshops. He first made two short documentaries <strong>Dames en attente<\/strong> (awarded at Cin\u00e9ma du R\u00e9el in Paris in 2009) and <strong>Tol\u00e9rance z\u00e9ro<\/strong>, screened at many festivals abroad. He went on to direct 4 feature documentary films, <strong>Atalaku<\/strong> (2013), <strong>Examen d\u2019Etat<\/strong> (2014), <strong>Maman Colonelle<\/strong> (2017), and <strong>Kinshasa Makambo<\/strong> (2018). In 2018, he received the True Vision Award in True\/False (USA) for lifetime achievement<\/em><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis For twenty years, the victims of the Six Day War in Kisangani, DRC, have been fighting for recognition of the conflict, condemnation of the belligerents and financial compensations. Appalled by the indifference of their rulers, they decide to embark on a perilous journey on the Congo River to Kinshasa, capital of the country, to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/fgdfgdfg.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1543"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1543\/revisions"}],"predecessor-version":[{"id":1556,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1543\/revisions\/1556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1092"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1540,"date":"2021-10-08T16:18:24","date_gmt":"2021-10-08T16:18:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1540"},"modified":"2023-02-24T15:16:06","modified_gmt":"2023-02-24T15:16:06","slug":"dans-la-maison-a-way-home-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/dans-la-maison-a-way-home-2\/","title":{"rendered":"Dans la maison \/ A way home"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>After years of separation, the filmmaker renews her relationship with her mother, A\u00efcha, now suffering from Alzheimer&rsquo;s. From Brussels to Tangiers, the odyssey of a family marked by exile is evoked through discretion and confession, pain, separation, grief, and joy.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>Karima Sa\u00efdi holds a degree from INSAS in film editing and script continuity as well as a Master&rsquo;s degree in screenwriting and analysis from ULB. She has worked as an editor for Belgian television (RTBF) since 1997. In 2013, she created <strong>Murmurs et 10 voix<\/strong>, a series of sound portraits of Moroccan immigrants in Brussels. In 2016, she directed a short documentary, <strong>A\u00efcha,<\/strong> an evocation of her mother&rsquo;s death, a prelude to <strong>A Way Home<\/strong>, her first feature-length documentary. She is a lecturer in the film departments of INSAS in Brussels and ESAV in Marrakech<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis After years of separation, the filmmaker renews her relationship with her mother, A\u00efcha, now suffering from Alzheimer&rsquo;s. From Brussels to Tangiers, the odyssey of a family marked by exile is evoked through discretion and confession, pain, separation, grief, and joy. Biofilmographie\/Biofilmography Karima Sa\u00efdi holds a degree from INSAS in film editing and script continuity [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/dfsdfsefrgdrfgsdfsdf.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1540"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1540\/revisions"}],"predecessor-version":[{"id":1553,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1540\/revisions\/1553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1085"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1530,"date":"2021-10-08T11:23:13","date_gmt":"2021-10-08T11:23:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1530"},"modified":"2023-02-23T18:08:34","modified_gmt":"2023-02-23T18:08:34","slug":"5-etoiles-fifire-do-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/5-etoiles-fifire-do-2\/","title":{"rendered":"5 Etoiles\/ Fifire Do"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. On parle souvent des dangers de la travers\u00e9e du d\u00e9sert et de la M\u00e9diterran\u00e9e. Mais ce dont on parle le moins, c\u2019est de ce qui se passe une fois que les migrants arrivent \u00e0 destination. Dans ce lieu appel\u00e9 5 Etoiles, maliens, s\u00e9n\u00e9galais, guin\u00e9ens, et autres, se retrouvent pris au pi\u00e8ge de leurs r\u00eaves. Commence alors un nouveau combat sous le regard du Gouverneur Faidherbe!<\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p>Apr\u00e8s une Maitrise en G\u00e9ographie de l\u2019Universit\u00e9 Cheikh Anta Diop de Dakar, Mame Woury THIOUBOU choisit le journalisme. En 2009, elle int\u00e8gre le Master de r\u00e9alisation de Documentaire de cr\u00e9ation de l\u2019Universit\u00e9 Gaston Berger de Saint Louis (UGB) o\u00f9 elle r\u00e9alise son film de fin d&rsquo;\u00e9tudes<strong>\u00a0Face \u00e0 Face.\u00a0<\/strong>Son premier moyen m\u00e9trage<strong>\u00a0Agora Braille\u00a0<\/strong>traite de l&rsquo;inclusion\u00a0des non-voyants dans le syst\u00e8me scolaire s\u00e9n\u00e9galais. Une dimension sociale du documentaire que l\u2019on retrouve \u00e9galement dans ses derniers films<strong>\u00a0Fifiire en Pays Cuballo\u00a0et\u00a05 Etoiles.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. On parle souvent des dangers de la travers\u00e9e du d\u00e9sert et de la M\u00e9diterran\u00e9e. Mais ce dont on parle le moins, c\u2019est de ce qui se passe une fois que les migrants arrivent \u00e0 destination. Dans ce lieu appel\u00e9 5 Etoiles, maliens, s\u00e9n\u00e9galais, guin\u00e9ens, et autres, se retrouvent pris au pi\u00e8ge de leurs r\u00eaves. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/sans-titre-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1530"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1530\/revisions"}],"predecessor-version":[{"id":1648,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1530\/revisions\/1648"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1519,"date":"2021-10-07T20:57:22","date_gmt":"2021-10-07T20:57:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1519"},"modified":"2023-02-16T17:37:23","modified_gmt":"2023-02-16T17:37:23","slug":"distances","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/distances\/","title":{"rendered":"DISTANCES"},"content":{"rendered":"<p>Dans un village isol\u00e9 du Haut-Atlas marocain, les jours se succ\u00e8dent les uns apr\u00e8s les autres pour une famille modeste. La m\u00e8re et son travail quotidien. L&rsquo;enfant qui va chercher de l&rsquo;eau et va \u00e0 l&rsquo;\u00e9cole. Le r\u00eave perdu de sa soeur a\u00een\u00e9e de devenir une championne de course \u00e0 pied. Enfin, le p\u00e8re absent pr\u00e9sent, \u00e9puis\u00e9 par l&rsquo;inactivit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans un village isol\u00e9 du Haut-Atlas marocain, les jours se succ\u00e8dent les uns apr\u00e8s les autres pour une famille modeste. La m\u00e8re et son travail quotidien. L&rsquo;enfant qui va chercher de l&rsquo;eau et va \u00e0 l&rsquo;\u00e9cole. Le r\u00eave perdu de sa soeur a\u00een\u00e9e de devenir une championne de course \u00e0 pied. Enfin, le p\u00e8re absent [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1519"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1519\/revisions"}],"predecessor-version":[{"id":2068,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1519\/revisions\/2068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1521"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1518,"date":"2021-10-07T20:56:47","date_gmt":"2021-10-07T20:56:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1518"},"modified":"2023-02-16T17:38:33","modified_gmt":"2023-02-16T17:38:33","slug":"felah","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/felah\/","title":{"rendered":"Felah"},"content":{"rendered":"<p style=\"text-align: justify;\">Avant de devenir fermier, Faysal \u00e9tait un jeune chiffonnier qui travaillait dans la d\u00e9charge de Marrakech, la \u00ab Zbala \u00bb. Mais un bruit court depuis quelques temps, La Zbala serait sur le point d\u2019\u00eatre d\u00e9localis\u00e9e. La plupart des chiffonniers dont Faysal se pr\u00e9parent \u00e0 la quitter. Lui r\u00eave de cr\u00e9er une ferme de cailles. Entre vie de famille et d\u00e9sir de r\u00e9ussite, il doit relever plusieurs d\u00e9fis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avant de devenir fermier, Faysal \u00e9tait un jeune chiffonnier qui travaillait dans la d\u00e9charge de Marrakech, la \u00ab Zbala \u00bb. Mais un bruit court depuis quelques temps, La Zbala serait sur le point d\u2019\u00eatre d\u00e9localis\u00e9e. La plupart des chiffonniers dont Faysal se pr\u00e9parent \u00e0 la quitter. Lui r\u00eave de cr\u00e9er une ferme de cailles. Entre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1518"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1518\/revisions"}],"predecessor-version":[{"id":2076,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1518\/revisions\/2076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1520"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1514,"date":"2021-10-07T20:47:37","date_gmt":"2021-10-07T20:47:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=1514"},"modified":"2023-02-16T17:41:08","modified_gmt":"2023-02-16T17:41:08","slug":"tribunal-du-fleuve","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tribunal-du-fleuve\/","title":{"rendered":"Tribunal du Fleuve"},"content":{"rendered":"<p style=\"text-align: justify;\">En 1989, apr\u00e8s un accrochage pr\u00e8s de la fronti\u00e8re entre bergers Mauritaniens et paysans S\u00e9n\u00e9galais, a eu lieu des \u00e9v\u00e8nements in\u00e9dits qui ont endeuill\u00e9 la Mauritanie et le S\u00e9n\u00e9gal.<br \/>\nT\u00e9moin lorsque j\u2019\u00e9tais enfant de l\u2019arriv\u00e9e de tr\u00e8s nombreux r\u00e9fugi\u00e9s mauritaniens au S\u00e9n\u00e9gal, je veux tenter avec ce film de comprendre ce qui s\u2019est r\u00e9ellement pass\u00e9, je veux rendre hommage aux morts, et surtout, je veux faire un pas vers la r\u00e9conciliation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1989, apr\u00e8s un accrochage pr\u00e8s de la fronti\u00e8re entre bergers Mauritaniens et paysans S\u00e9n\u00e9galais, a eu lieu des \u00e9v\u00e8nements in\u00e9dits qui ont endeuill\u00e9 la Mauritanie et le S\u00e9n\u00e9gal. T\u00e9moin lorsque j\u2019\u00e9tais enfant de l\u2019arriv\u00e9e de tr\u00e8s nombreux r\u00e9fugi\u00e9s mauritaniens au S\u00e9n\u00e9gal, je veux tenter avec ce film de comprendre ce qui s\u2019est r\u00e9ellement pass\u00e9, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1514"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1514\/revisions"}],"predecessor-version":[{"id":1517,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1514\/revisions\/1517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1516"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1512,"date":"2021-10-07T19:57:38","date_gmt":"2021-10-07T19:57:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=1512"},"modified":"2023-02-16T17:42:15","modified_gmt":"2023-02-16T17:42:15","slug":"malla","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/malla\/","title":{"rendered":"Malla"},"content":{"rendered":"<p>Malla est un jeune homme de 30 ans. Il vit avec sa m\u00e8re, son fr\u00e8re ain\u00e9 Fado et sa petite s\u0153ur Kandi dans un quartier pr\u00e9caire de la ville. Son p\u00e8re est d\u00e9c\u00e9d\u00e9 par manque de moyen d\u2019une maladie rare et h\u00e9r\u00e9ditaire, les laissant dans une situation de vie difficile. D\u00e9\u00e7u de cette vie qu\u2019il m\u00e8ne avec sa famille, Malla ira crier son d\u00e9gout de la vie devant une vaste \u00e9tendue d\u2019eau. contrepartie jusqu\u2019au jour o\u00f9\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malla est un jeune homme de 30 ans. Il vit avec sa m\u00e8re, son fr\u00e8re ain\u00e9 Fado et sa petite s\u0153ur Kandi dans un quartier pr\u00e9caire de la ville. Son p\u00e8re est d\u00e9c\u00e9d\u00e9 par manque de moyen d\u2019une maladie rare et h\u00e9r\u00e9ditaire, les laissant dans une situation de vie difficile. D\u00e9\u00e7u de cette vie qu\u2019il [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1513,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1512","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1512"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1512\/revisions"}],"predecessor-version":[{"id":2078,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1512\/revisions\/2078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1513"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1506,"date":"2021-10-07T19:54:24","date_gmt":"2021-10-07T19:54:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1506"},"modified":"2024-04-05T13:55:12","modified_gmt":"2024-04-05T13:55:12","slug":"mami-wata","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mami-wata\/","title":{"rendered":"Mami Wata"},"content":{"rendered":"<p style=\"text-align: justify;\">Dans le village d&rsquo;Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne MAMI WATA et se tournent<br \/>\nvers leur gu\u00e9risseuse MAMA EFE, l&rsquo;interm\u00e9diaire entre eux et Mami Wata, ainsi que la fille de Mama Efe, ZINWE, et sa prot\u00e9g\u00e9e, PRISCA. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, JABI, un habitant de la r\u00e9gion, s\u00e8me le doute dans la population, tandis que Zinwe s&rsquo;enfuit, pouss\u00e9e par sa propre angoisse. Bient\u00f4t, l&rsquo;arriv\u00e9e d&rsquo;un seigneur de guerre rebelle, JASPER, fait pencher la balance en faveur de Jabi. Mama Efe est assassin\u00e9e et Jasper en profite pour prendre le contr\u00f4le du village, tandis que Prisca et Zinwe doivent comploter pour sauver Iyi et restaurer la gloire de Mami Wata \u00e0 Iyi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le village d&rsquo;Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne MAMI WATA et se tournent vers leur gu\u00e9risseuse MAMA EFE, l&rsquo;interm\u00e9diaire entre eux et Mami Wata, ainsi que la fille de Mama Efe, ZINWE, et sa prot\u00e9g\u00e9e, PRISCA. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, JABI, un habitant de la r\u00e9gion, s\u00e8me le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1508,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1506"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1506\/revisions"}],"predecessor-version":[{"id":2067,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1506\/revisions\/2067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1508"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1503,"date":"2021-10-07T19:52:45","date_gmt":"2021-10-07T19:52:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=1503"},"modified":"2023-02-16T17:43:09","modified_gmt":"2023-02-16T17:43:09","slug":"regarder-les-etoiles","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/regarder-les-etoiles\/","title":{"rendered":"REGARDER LES \u00c9TOILES"},"content":{"rendered":"<p style=\"text-align: justify;\">A 21 ans, Ronaldo voudrait quitter sa modeste cit\u00e9 ouvri\u00e8re de Rivi\u00e8re Noire, \u00e0 l\u2019\u00eele Maurice. Pour d\u00e9ployer ses ailes, Ronaldo a besoin d\u2019argent mais Bolom, son p\u00e8re, chez qui il vit, refuse de vendre un lopin de terre qui pourrait financer ses r\u00eaves d\u2019ailleurs. Ajeya, ouvri\u00e8re immigr\u00e9e indienne, travaille dans un atelier textile poussi\u00e9reux. Courb\u00e9e six jours sur sept sur sa machine, 12 heures par jour plut\u00f4t que huit, elle est d\u00e9\u00e7ue du r\u00eave de fortune qu\u2019on lui avait promis. Ajeya voudrait reprendre sa libert\u00e9 et retrouver son fils qui l\u2019attend en Inde. Ces deux-l\u00e0 n\u2019\u00e9taient pas faits pour se rencontrer tant leurs r\u00e9alit\u00e9s sont \u00e9loign\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A 21 ans, Ronaldo voudrait quitter sa modeste cit\u00e9 ouvri\u00e8re de Rivi\u00e8re Noire, \u00e0 l\u2019\u00eele Maurice. Pour d\u00e9ployer ses ailes, Ronaldo a besoin d\u2019argent mais Bolom, son p\u00e8re, chez qui il vit, refuse de vendre un lopin de terre qui pourrait financer ses r\u00eaves d\u2019ailleurs. Ajeya, ouvri\u00e8re immigr\u00e9e indienne, travaille dans un atelier textile poussi\u00e9reux. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1507,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1503"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1503\/revisions"}],"predecessor-version":[{"id":2080,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1503\/revisions\/2080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1507"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1497,"date":"2021-10-07T19:46:10","date_gmt":"2021-10-07T19:46:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=1497"},"modified":"2021-10-07T19:46:10","modified_gmt":"2021-10-07T19:46:10","slug":"shimoni","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/shimoni\/","title":{"rendered":"Shimoni"},"content":{"rendered":"<p style=\"text-align: justify;\">Geoffrey, 35, an introverted English teacher has just been released from prison after 7 years for killing his pregnant girlfriend. He has to restart his life in Shimoni, a sleepy village in rural Kenya, a place he loathes. There he stays with a rigid local Catholic priest, who is happy to take on this sinner. One Sunday after Mass, Geoffrey encounters BABA KARE, 50. On seeing the man, Geoffrey pees his pants and in a moment of rage kills one of the Priest\u2019s calves. Days later he meets BEATRICE, 19, a cheeky village girl, who instantly falls for him and decides to pursue him. KIMANTHI, 40, Geoffrey\u2019s brother visits, their father is dead and Geoffrey is prohibited from attending the funeral. Geoffrey destroyed, attacks his brother and during this altercation it comes out that Baba Kare sexually abused both men when they were boys, in this village. Geoffrey must get his revenge on Baba Kare. He starts to tutor his daughter as a way to get closer to him. But something unexpected happens when he starts to get close to his abuser.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Geoffrey, 35, an introverted English teacher has just been released from prison after 7 years for killing his pregnant girlfriend. He has to restart his life in Shimoni, a sleepy village in rural Kenya, a place he loathes. There he stays with a rigid local Catholic priest, who is happy to take on this sinner. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1504,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1497"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1497\/revisions"}],"predecessor-version":[{"id":1505,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1497\/revisions\/1505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1504"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1494,"date":"2021-10-06T14:58:17","date_gmt":"2021-10-06T14:58:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=1494"},"modified":"2023-02-16T17:43:55","modified_gmt":"2023-02-16T17:43:55","slug":"une-histoire-du-franc-cfa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-histoire-du-franc-cfa\/","title":{"rendered":"Une Histoire du Franc CFA"},"content":{"rendered":"<p>A l\u2019heure des ind\u00e9pendances, une majorit\u00e9 d\u2019anciens territoires fran\u00e7ais au sud du Sahara conservent le franc CFA, une monnaie con\u00e7ue par Paris au lendemain de la seconde guerre mondiale. Ces Etats ont choisi d\u2019accepter ce curieux h\u00e9ritage. Mais ont-ils su se l\u2019approprier et, gr\u00e2ce \u00e0 lui, prosp\u00e9rer? Une Histoire du Franc CFA remonte aux origines des ind\u00e9pendances et des id\u00e9aux qui ont nourri les luttes de lib\u00e9ration. Le film explore les r\u00e9cits autour du franc CFA pour en exhumer l&rsquo;essence et caract\u00e9riser la nature des rapports qu\u2019entretiennent les pays de la zone franc avec la France et l\u2019Europe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A l\u2019heure des ind\u00e9pendances, une majorit\u00e9 d\u2019anciens territoires fran\u00e7ais au sud du Sahara conservent le franc CFA, une monnaie con\u00e7ue par Paris au lendemain de la seconde guerre mondiale. Ces Etats ont choisi d\u2019accepter ce curieux h\u00e9ritage. Mais ont-ils su se l\u2019approprier et, gr\u00e2ce \u00e0 lui, prosp\u00e9rer? Une Histoire du Franc CFA remonte aux origines [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1494"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1494\/revisions"}],"predecessor-version":[{"id":2082,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1494\/revisions\/2082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1495"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1486,"date":"2021-10-03T19:24:50","date_gmt":"2021-10-03T19:24:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=1486"},"modified":"2023-02-06T11:28:27","modified_gmt":"2023-02-06T11:28:27","slug":"yao-olivia","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yao-olivia\/","title":{"rendered":"Yao Olivia"},"content":{"rendered":"<p style=\"text-align: justify;\">Lorsqu\u2019elle obtient son baccalaur\u00e9at s\u00e9rie A2, elle obtient une orientation en Arts du spectacle \u00e0 l\u2019universit\u00e9 Felix Houphou\u00ebt Boigny \u00e0 Abidjan. Titulaire d\u2019une maitrise en cin\u00e9ma et audiovisuel, Muriel est actuellement en stage en tant qu\u2019administratrice tout en poursuivant ses \u00e9tudes en Master en Cin\u00e9ma et audiovisuel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lorsqu\u2019elle obtient son baccalaur\u00e9at s\u00e9rie A2, elle obtient une orientation en Arts du spectacle \u00e0 l\u2019universit\u00e9 Felix Houphou\u00ebt Boigny \u00e0 Abidjan. Titulaire d\u2019une maitrise en cin\u00e9ma et audiovisuel, Muriel est actuellement en stage en tant qu\u2019administratrice tout en poursuivant ses \u00e9tudes en Master en Cin\u00e9ma et audiovisuel.<\/p>\n","protected":false},"author":2,"featured_media":1487,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1486"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1486\/revisions"}],"predecessor-version":[{"id":2051,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1486\/revisions\/2051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1487"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1482,"date":"2021-10-03T19:22:41","date_gmt":"2021-10-03T19:22:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=1482"},"modified":"2023-02-06T13:09:51","modified_gmt":"2023-02-06T13:09:51","slug":"tiendrebeoge-christiane-wendeyide","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tiendrebeoge-christiane-wendeyide\/","title":{"rendered":"TIENDREBEOGE Christiane Wendeyide"},"content":{"rendered":"<p style=\"text-align: left;\">TIENDREBEOGO Christiane Wendeyide est \u00e9tudiante en deuxi\u00e8me ann\u00e9e de sociologie \u00e0 l\u2019Universit\u00e9 de Ouagadougou. Parall\u00e8lement \u00e0 ses \u00e9tudes, elle pratique le th\u00e9\u00e2tre, a pris part \u00e0 plusieurs ateliers de formation qui lui ont permis de jouer dans des spectacles tels que \u00ab LA PATRIE OU LA MORT \u00bb une co-mise en sc\u00e8ne de Athanase KABRE et Maimouna N\u2019DIAYE ; \u00abSANS FLEURS NI COURONNE \u00bb une co-mise en sc\u00e8ne de Laure GUIRE et Edwige KIEMTARMBOUM.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TIENDREBEOGO Christiane Wendeyide est \u00e9tudiante en deuxi\u00e8me ann\u00e9e de sociologie \u00e0 l\u2019Universit\u00e9 de Ouagadougou. Parall\u00e8lement \u00e0 ses \u00e9tudes, elle pratique le th\u00e9\u00e2tre, a pris part \u00e0 plusieurs ateliers de formation qui lui ont permis de jouer dans des spectacles tels que \u00ab LA PATRIE OU LA MORT \u00bb une co-mise en sc\u00e8ne de Athanase KABRE [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1482"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1482\/revisions"}],"predecessor-version":[{"id":2054,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1482\/revisions\/2054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1483"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1479,"date":"2021-10-03T19:20:49","date_gmt":"2021-10-03T19:20:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=1479"},"modified":"2023-02-06T13:10:56","modified_gmt":"2023-02-06T13:10:56","slug":"kadiatou-sogoba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kadiatou-sogoba\/","title":{"rendered":"Kadiatou Sogoba"},"content":{"rendered":"<p>R\u00e9alisatrice, sc\u00e9nariste et photographe n\u00e9e \u00e0 BamakoKadiatou est titulaire d\u2019une licence en Multim\u00e9dia du Conservatoire des Arts et M\u00e9tiers, Multim\u00e9dia Balla Fassek\u00e9 Kouyat\u00e9. Elle travaille en freelance pour plusieurs structures et institutions au Mali. Elle a d\u00e9j\u00e0 r\u00e9alis\u00e9 quelques courts m\u00e9trages, et travaill\u00e9 sur plusieurs tournages en tant qu\u2019assistante.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9alisatrice, sc\u00e9nariste et photographe n\u00e9e \u00e0 BamakoKadiatou est titulaire d\u2019une licence en Multim\u00e9dia du Conservatoire des Arts et M\u00e9tiers, Multim\u00e9dia Balla Fassek\u00e9 Kouyat\u00e9. Elle travaille en freelance pour plusieurs structures et institutions au Mali. Elle a d\u00e9j\u00e0 r\u00e9alis\u00e9 quelques courts m\u00e9trages, et travaill\u00e9 sur plusieurs tournages en tant qu\u2019assistante.<\/p>\n","protected":false},"author":2,"featured_media":1480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1479"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1479\/revisions"}],"predecessor-version":[{"id":2056,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1479\/revisions\/2056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1480"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1476,"date":"2021-10-03T19:18:53","date_gmt":"2021-10-03T19:18:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=1476"},"modified":"2023-02-06T13:11:34","modified_gmt":"2023-02-06T13:11:34","slug":"kossivi-sessi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kossivi-sessi\/","title":{"rendered":"KOSSIVI SESSI"},"content":{"rendered":"<p style=\"text-align: left;\">D\u00e8s le lyc\u00e9e Dieudonn\u00e9 int\u00e8gre le groupe ACTION TOGO pour se faire former en tant qu&rsquo;acteur de cin\u00e9ma et de la t\u00e9l\u00e9vision. Apr\u00e8s plusieurs plateaux comme acteur, et du fait des obligations de son m\u00e9tier de chef boulanger, il se tourne vers la communication autour du cin\u00e9ma togolais \u00e0 travers la plate-forme Infocin\u00e9 qu\u2019il cr\u00e9\u00e9 pour promouvoir le cin\u00e9ma togolais. Ce qui le pousse vers la critique cin\u00e9matographique o\u00f9 il fourbit de de faire ses armes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e8s le lyc\u00e9e Dieudonn\u00e9 int\u00e8gre le groupe ACTION TOGO pour se faire former en tant qu&rsquo;acteur de cin\u00e9ma et de la t\u00e9l\u00e9vision. Apr\u00e8s plusieurs plateaux comme acteur, et du fait des obligations de son m\u00e9tier de chef boulanger, il se tourne vers la communication autour du cin\u00e9ma togolais \u00e0 travers la plate-forme Infocin\u00e9 qu\u2019il cr\u00e9\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1476"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1476\/revisions"}],"predecessor-version":[{"id":2058,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1476\/revisions\/2058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1477"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1472,"date":"2021-10-03T19:16:39","date_gmt":"2021-10-03T19:16:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=1472"},"modified":"2023-02-06T13:12:09","modified_gmt":"2023-02-06T13:12:09","slug":"gino-gaetan-ouedraogo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/gino-gaetan-ouedraogo\/","title":{"rendered":"Gino Gaetan Ouedraogo"},"content":{"rendered":"<p style=\"text-align: justify;\">Passionn\u00e9 du cin\u00e9ma, Gino Ga\u00ebtan Ou\u00e9draogo, suis depuis 2019 des cours \u00e0 l&rsquo;Institut Sup\u00e9rieur de l&rsquo;Image et du Son\/Studio Ecole (ISIS\/SE). Curieux, et v\u00e9ritable amoureux de l&rsquo;image, il a fait de la photographie son hobby. Il entreprend et n&rsquo;h\u00e9site pas \u00e0 s&rsquo;engager avec ses camarades dans des projets de courts m\u00e9trages acad\u00e9mique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Passionn\u00e9 du cin\u00e9ma, Gino Ga\u00ebtan Ou\u00e9draogo, suis depuis 2019 des cours \u00e0 l&rsquo;Institut Sup\u00e9rieur de l&rsquo;Image et du Son\/Studio Ecole (ISIS\/SE). Curieux, et v\u00e9ritable amoureux de l&rsquo;image, il a fait de la photographie son hobby. Il entreprend et n&rsquo;h\u00e9site pas \u00e0 s&rsquo;engager avec ses camarades dans des projets de courts m\u00e9trages acad\u00e9mique.<\/p>\n","protected":false},"author":2,"featured_media":1473,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-9.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1472"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1472\/revisions"}],"predecessor-version":[{"id":2059,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1472\/revisions\/2059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1473"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1469,"date":"2021-10-03T19:14:48","date_gmt":"2021-10-03T19:14:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=1469"},"modified":"2023-02-06T13:12:48","modified_gmt":"2023-02-06T13:12:48","slug":"kouadio-ndri-benedicte-felicite","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kouadio-ndri-benedicte-felicite\/","title":{"rendered":"KOUADIO N\u2019DRI BENEDICTE FELICITE"},"content":{"rendered":"<p style=\"text-align: justify;\">Jeune Actrice Com\u00e9dienne Ivoirienne, KOUADIO N\u2019DRI BENEDICTE FELICITE a fait ses d\u00e9buts dans les ann\u00e9es 2010 et a particip\u00e9 \u00e0 plusieurs Ateliers de Formation et de perfectionnement au jeu d\u2019acteurs et d\u2019art de la sc\u00e8ne. En 2019, elle a \u00e9t\u00e9 nomin\u00e9e au ZAFAA GLOBAL AWARD dans la cat\u00e9gorie meilleure espoir f\u00e9minin puis au AFRICAN TALENT AWARD dans la cat\u00e9gorie r\u00e9v\u00e9lation talent. B\u00c9N\u00c9DICTE KOUADIO a d\u00e9velopp\u00e9 une sensibilit\u00e9 qu\u2019elle transmet dans des \u00e9crits. Aujourd\u2019hui, elle s\u2019int\u00e9resse aussi \u00e0 la sc\u00e9narisation et se fait conseiller par des sc\u00e9naristes locaux afin de connaitre les codes d\u2019\u00e9criture, une passion qu\u2019elle veut convertir en un m\u00e9tier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeune Actrice Com\u00e9dienne Ivoirienne, KOUADIO N\u2019DRI BENEDICTE FELICITE a fait ses d\u00e9buts dans les ann\u00e9es 2010 et a particip\u00e9 \u00e0 plusieurs Ateliers de Formation et de perfectionnement au jeu d\u2019acteurs et d\u2019art de la sc\u00e8ne. En 2019, elle a \u00e9t\u00e9 nomin\u00e9e au ZAFAA GLOBAL AWARD dans la cat\u00e9gorie meilleure espoir f\u00e9minin puis au AFRICAN TALENT [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1469"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1469\/revisions"}],"predecessor-version":[{"id":2060,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1469\/revisions\/2060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1470"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1466,"date":"2021-10-03T19:13:07","date_gmt":"2021-10-03T19:13:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1466"},"modified":"2024-04-05T14:02:04","modified_gmt":"2024-04-05T14:02:04","slug":"patience-esiawonam-adisenu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/patience-esiawonam-adisenu\/","title":{"rendered":"Patience Esiawonam Adisenu"},"content":{"rendered":"<p style=\"text-align: justify;\">My name is Patience Esiawonam Adisenu. I have a BFA in Television Production (Documentary) from the National Film and Television Institute, Ghana. I am a Content Producer, Writer and Social Activist. I am drawn to the uniqueness of stories especially from Africa and the aesthetics of its settings, and how Film is a strong tool for social change.<\/p>\n<p style=\"text-align: justify;\">I made my first short film in 2016 titled, SHAMED AND BLAMED with Amnesty International Ghana on how Pregnant girls in Sierra Leone are not allowed in the classroom. I have pitched projects for the British Council\u2019s Creative Enterprise Support Program and the 4<sup>th<\/sup> Drama Pitching Lab in Greece. I made my Feature Fiction Producing debut in 2020 with an MNET \/ Africa Magic Production, \u2018Oga Festus\u2019.<\/p>\n<p style=\"text-align: justify;\">In 2021, I work as the Show Writer and Production Manager for a Reality Show \u2018Sankofa\u2019 on Akwaaba Magic for Multichoice Ghana.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My name is Patience Esiawonam Adisenu. I have a BFA in Television Production (Documentary) from the National Film and Television Institute, Ghana. I am a Content Producer, Writer and Social Activist. I am drawn to the uniqueness of stories especially from Africa and the aesthetics of its settings, and how Film is a strong tool [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1466"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1466\/revisions"}],"predecessor-version":[{"id":1468,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1466\/revisions\/1468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1467"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1463,"date":"2021-10-03T19:10:46","date_gmt":"2021-10-03T19:10:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=1463"},"modified":"2023-02-06T13:13:31","modified_gmt":"2023-02-06T13:13:31","slug":"eklu-josee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/eklu-josee\/","title":{"rendered":"EKLU Jos\u00e9e"},"content":{"rendered":"<p>Titulaire d\u2019une licence en marketing et strat\u00e9gie \u00e0 l\u2019universit\u00e9 de Lom\u00e9, EKLU Jos\u00e9e est une jeune r\u00e9alisatrice<br \/>\nD\u00e9termin\u00e9e \u00e0 se faire une place dans cet univers, pourtant tr\u00e8s masculin, elle travaille quelques ann\u00e9es dans des structures audiovisuelles. Elle se fait ensuite embaucher en tant que monteur graphiste \u00e0 la chaine de t\u00e9l\u00e9 internationale New World TV ou elle brille par ses qualit\u00e9s humaines et professionnelles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Titulaire d\u2019une licence en marketing et strat\u00e9gie \u00e0 l\u2019universit\u00e9 de Lom\u00e9, EKLU Jos\u00e9e est une jeune r\u00e9alisatrice D\u00e9termin\u00e9e \u00e0 se faire une place dans cet univers, pourtant tr\u00e8s masculin, elle travaille quelques ann\u00e9es dans des structures audiovisuelles. Elle se fait ensuite embaucher en tant que monteur graphiste \u00e0 la chaine de t\u00e9l\u00e9 internationale New World [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1464,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1463"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1463\/revisions"}],"predecessor-version":[{"id":2064,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1463\/revisions\/2064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1464"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1460,"date":"2021-10-03T19:07:55","date_gmt":"2021-10-03T19:07:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=1460"},"modified":"2023-02-06T13:14:04","modified_gmt":"2023-02-06T13:14:04","slug":"dindane-jean-marc","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dindane-jean-marc\/","title":{"rendered":"DINDANE Jean Marc"},"content":{"rendered":"<p style=\"text-align: justify;\">DINDANE Jean Marc est n\u00e9 en 1994 \u00e0 Abidjan et titulaire d&rsquo;une licence en \u00e9conomie agricole et environnementale de l&rsquo;universit\u00e9 Norbert Zongo. Passionn\u00e9 de cin\u00e9ma il d\u00e9bute comme acteur et comme stagiaire sur plusieurs plateaux de tournage \u00e0 Ouagadougou.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DINDANE Jean Marc est n\u00e9 en 1994 \u00e0 Abidjan et titulaire d&rsquo;une licence en \u00e9conomie agricole et environnementale de l&rsquo;universit\u00e9 Norbert Zongo. Passionn\u00e9 de cin\u00e9ma il d\u00e9bute comme acteur et comme stagiaire sur plusieurs plateaux de tournage \u00e0 Ouagadougou.<\/p>\n","protected":false},"author":2,"featured_media":1461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1460"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1460\/revisions"}],"predecessor-version":[{"id":2065,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1460\/revisions\/2065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1461"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1455,"date":"2021-10-03T18:59:42","date_gmt":"2021-10-03T18:59:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=1455"},"modified":"2023-02-06T13:14:44","modified_gmt":"2023-02-06T13:14:44","slug":"maille-correa-diallo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/maille-correa-diallo\/","title":{"rendered":"Maille Correa Diallo"},"content":{"rendered":"<p style=\"text-align: justify;\">Je suis Maille Correa Diallo je suis une passionn\u00e9e de cin\u00e9ma, le cin\u00e9ma sous toutes ses formes.<\/p>\n<p style=\"text-align: justify;\">J\u2019ai eu la chance d\u2019avoir pu b\u00e9n\u00e9ficier, tr\u00e8s t\u00f4t, de plusieurs formations extrascolaires en sc\u00e9nographie, costumes, maquillage. J\u2019ai, par la suite, fait une Licence en montage et script suivie d\u2019un Master 1 au cours duquel j\u2019ai approfondi mes connaissances en sc\u00e9nario (\u00e9criture, analyse, d\u00e9pouillement). Cette approche multidisciplinaire fut d\u2019un grand apport pour ma future carri\u00e8re de cin\u00e9aste.<\/p>\n<p style=\"text-align: justify;\">J\u2019ai une grande fascination pour le d\u00e9tail ou plut\u00f4t pour la perfection du d\u00e9tail. Cette passion est, heureusement, devenue mon m\u00e9tier. Aujourd\u2019hui, je suis monteuse \/truquiste de fiction, documentaire, et diff\u00e9rents genres.<\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Je suis Maille Correa Diallo je suis une passionn\u00e9e de cin\u00e9ma, le cin\u00e9ma sous toutes ses formes. J\u2019ai eu la chance d\u2019avoir pu b\u00e9n\u00e9ficier, tr\u00e8s t\u00f4t, de plusieurs formations extrascolaires en sc\u00e9nographie, costumes, maquillage. J\u2019ai, par la suite, fait une Licence en montage et script suivie d\u2019un Master 1 au cours duquel j\u2019ai approfondi mes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1455","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1455"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1455\/revisions"}],"predecessor-version":[{"id":1457,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1455\/revisions\/1457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1456"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1451,"date":"2021-10-03T18:57:17","date_gmt":"2021-10-03T18:57:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=1451"},"modified":"2023-02-06T13:15:21","modified_gmt":"2023-02-06T13:15:21","slug":"aminata-diallo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/aminata-diallo\/","title":{"rendered":"Aminata Diallo"},"content":{"rendered":"<p style=\"text-align: justify;\">Aminata est n\u00e9e le 27 d\u00e9cembre 1997 \u00e0 Kombissiri. Apr\u00e8s son baccalaur\u00e9at en 2016, elle embrasse \u00e0 la fois le slam, le cin\u00e9ma et la p\u00e9dagogie. Ainsi en 2019, elle participe au Festival International de SLAM et d&rsquo;humour d\u00e9nomm\u00e9 Fish Mali. En 2020, elle commence sa premi\u00e8re formation en \u00e9criture de sc\u00e9nario avec Taaf\u00e9 Vision. La m\u00eame ann\u00e9e, elle d\u00e9croche le premier r\u00f4le dans un film UNE VIE VOL\u00c9E, de Arlette Jessica VALEA, s\u00e9lectionn\u00e9 au FESPACO. En 2021 elle est s\u00e9lectionn\u00e9e pour une r\u00e9sidence d&rsquo;\u00e9criture \u00e0 Togoville o\u00f9 elle repr\u00e9sente le Burkina Faso. Enfin elle participe au MICA en tant que p\u00e9dagogue audiovisuelle. Elle ambitionne de r\u00e9former l&rsquo;\u00e9ducation en Afrique, \u00e0 travers le cin\u00e9ma et l&rsquo;audiovisuel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aminata est n\u00e9e le 27 d\u00e9cembre 1997 \u00e0 Kombissiri. Apr\u00e8s son baccalaur\u00e9at en 2016, elle embrasse \u00e0 la fois le slam, le cin\u00e9ma et la p\u00e9dagogie. Ainsi en 2019, elle participe au Festival International de SLAM et d&rsquo;humour d\u00e9nomm\u00e9 Fish Mali. En 2020, elle commence sa premi\u00e8re formation en \u00e9criture de sc\u00e9nario avec Taaf\u00e9 Vision. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1451"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1451\/revisions"}],"predecessor-version":[{"id":2050,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1451\/revisions\/2050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1452"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1447,"date":"2021-10-03T18:49:17","date_gmt":"2021-10-03T18:49:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=1447"},"modified":"2021-10-03T18:49:17","modified_gmt":"2021-10-03T18:49:17","slug":"clemens-de-souza-kokou-edem","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/clemens-de-souza-kokou-edem\/","title":{"rendered":"Clemens de SOUZA Kokou Edem"},"content":{"rendered":"<p style=\"text-align: justify;\">Je suis Clemens de SOUZA Kokou Edem Togolais de nationalit\u00e9. Du haut de mes 35ans Je suis producteur r\u00e9alisateur passionn\u00e9e des films du r\u00e9el et de la fiction d\u2019espoir. Depuis 2007 dans ce beau m\u00e9tier de la cin\u00e9matographie j\u2019ai fait l\u2019exp\u00e9rience du vid\u00e9o journalisme au Kenya, en Italie puis une sp\u00e9cialisation en r\u00e9alisation au CEMECA au Burkina Faso. La passion naissante m\u2019a permis de faire une formation universitaire sp\u00e9cialis\u00e9e au Ghana \u00e0 accra en multim\u00e9dia avant de rejoindre le Togo avec plein de pr\u00e9sence sur le plateau comme acteur dans Mi-temps, Hospital IT et Oasis avec Yobo Studio de 2016 \u00e0 nos jours. Dans mes cr\u00e9ations, mon film le plus connu est un documentaire r\u00e9alis\u00e9 en 2016 sur la sant\u00e9 mentale. Le clair de mon temps je suis au studio \u00e0 Lom\u00e9 sur la commande publique de film institutionnel et spot publicitaire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je suis Clemens de SOUZA Kokou Edem Togolais de nationalit\u00e9. Du haut de mes 35ans Je suis producteur r\u00e9alisateur passionn\u00e9e des films du r\u00e9el et de la fiction d\u2019espoir. Depuis 2007 dans ce beau m\u00e9tier de la cin\u00e9matographie j\u2019ai fait l\u2019exp\u00e9rience du vid\u00e9o journalisme au Kenya, en Italie puis une sp\u00e9cialisation en r\u00e9alisation au CEMECA [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1447"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1447\/revisions"}],"predecessor-version":[{"id":1449,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1447\/revisions\/1449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1448"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1444,"date":"2021-10-03T18:47:12","date_gmt":"2021-10-03T18:47:12","guid":{"rendered":"https:\/\/fespaco.org\/?p=1444"},"modified":"2023-02-06T13:15:59","modified_gmt":"2023-02-06T13:15:59","slug":"wendkoagnda-gaston-bonkoungou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/wendkoagnda-gaston-bonkoungou\/","title":{"rendered":"Wendkoagnda Gaston BONKOUNGOU"},"content":{"rendered":"<p style=\"text-align: left;\">Pers\u00e9v\u00e9rant, Imaginatif et ambitieux, Gaston est inscrit \u00e0 l\u2019Institut Sup\u00e9rieur de l\u2019image et du Son (ISIS-SE) en deuxi\u00e8me ann\u00e9e R\u00e9alisation. Je d\u00e9sire favoriser mon \u00e9volution professionnelle en \u00e9largissant mon domaine de comp\u00e9tence.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pers\u00e9v\u00e9rant, Imaginatif et ambitieux, Gaston est inscrit \u00e0 l\u2019Institut Sup\u00e9rieur de l\u2019image et du Son (ISIS-SE) en deuxi\u00e8me ann\u00e9e R\u00e9alisation. Je d\u00e9sire favoriser mon \u00e9volution professionnelle en \u00e9largissant mon domaine de comp\u00e9tence.<\/p>\n","protected":false},"author":2,"featured_media":1445,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1444","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1444"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1444\/revisions"}],"predecessor-version":[{"id":2047,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1444\/revisions\/2047"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1445"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1440,"date":"2021-10-03T18:43:28","date_gmt":"2021-10-03T18:43:28","guid":{"rendered":"https:\/\/fespaco.org\/?p=1440"},"modified":"2023-02-06T13:16:32","modified_gmt":"2023-02-06T13:16:32","slug":"nelly-behanzin","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nelly-behanzin\/","title":{"rendered":"Nelly BEHANZIN"},"content":{"rendered":"<p style=\"text-align: left;\">Nelly BEHANZIN est n\u00e9e le 21 d\u00e9cembre. Elle est titulaire d\u2019une licence en journalisme audiovisuel \u00e0 ISMA-BENIN. Apr\u00e8s certaines exp\u00e9riences comme assistante r\u00e9alisatrice et la gestion de plusieurs projets de films documentaires, elle a r\u00e9alis\u00e9 en 2019 \u00ab ELLE \u00bb qui a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au FIFF (festival international des films de femmes de Cotonou) F\u00e9ministe et actrice du changement elle se penche beaucoup sur les questions li\u00e9es aux droits des enfants et des femmes et pr\u00e9pare de nombreux<br \/>\nprojets cin\u00e9matographiques dans ce sens.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nelly BEHANZIN est n\u00e9e le 21 d\u00e9cembre. Elle est titulaire d\u2019une licence en journalisme audiovisuel \u00e0 ISMA-BENIN. Apr\u00e8s certaines exp\u00e9riences comme assistante r\u00e9alisatrice et la gestion de plusieurs projets de films documentaires, elle a r\u00e9alis\u00e9 en 2019 \u00ab ELLE \u00bb qui a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au FIFF (festival international des films de femmes de Cotonou) F\u00e9ministe [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/10\/1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1440"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1440\/revisions"}],"predecessor-version":[{"id":2046,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1440\/revisions\/2046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1441"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1347,"date":"2021-09-30T21:23:14","date_gmt":"2021-09-30T21:23:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=1347"},"modified":"2023-02-23T19:54:54","modified_gmt":"2023-02-23T19:54:54","slug":"zalissa-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/zalissa-2\/","title":{"rendered":"Zalissa"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Synopsis<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Zalissa, 11-year-old girl in 5th year of primary school, sells peanuts in the evening in the neighbourhood to help her family living in precarious conditions. Her life is turned upside down when she starts dreaming of another life, to be someone other than who she is. So, she lies and steals and is about to fall into prostitution. Is she going to fall or not? Can she get out of it? The film is not only about the life of night street child vendors but also about the difficulty of keeping them in school.<\/em><\/p>\n<p style=\"text-align: left;\"><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Carine BADO has worked with well-known directors like Abdoulaye DAO, Pierre YAMEOGO, Idrissa OUEDRAOGO, to name a few. She has produced and directed mainly documentaries and fictionals, including <strong>Les Douleurs Muettes\u00a0; Des D\u00e9chets \u00e0 Valeur d\u2019Or<\/strong> (official selection at FESPACO, FIFE and CINE DROIT LIBRE). She has also served as executive producer and director for numerous sub-regional and international films, including <strong>les droits en Actions<\/strong>. In 2008, she made <strong>On ne mange pas les merci<\/strong>\u00a0and co-directed <strong>Fille de sa m\u00e8re<\/strong> in 2015, which showed at many festivals. Drawing from her experience, she co-directed the series <strong>Une femme \u00e0 Kosyam,<\/strong> official selection at the Ouagadougou Series series Festivals in 2018.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Zalissa, 11-year-old girl in 5th year of primary school, sells peanuts in the evening in the neighbourhood to help her family living in precarious conditions. Her life is turned upside down when she starts dreaming of another life, to be someone other than who she is. So, she lies and steals and is about [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1347"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1347\/revisions"}],"predecessor-version":[{"id":1592,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1347\/revisions\/1592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1314"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1343,"date":"2021-09-30T21:17:54","date_gmt":"2021-09-30T21:17:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1343"},"modified":"2023-02-24T15:18:50","modified_gmt":"2023-02-24T15:18:50","slug":"zinder-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/zinder-2\/","title":{"rendered":"Zinder"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><em>Indolent young people, most of whom are unsuccessful candidates for exile, are adding up to the ranks of gangs that spread violence in Zinder, Niger. Sinia Boy, Bawo and Ramsess are the characters who take me into this universe at the heart of trafficking. I capture on a daily basis their logic of survival and their attempt to get out of illegality.<\/em><\/p>\n<p><strong>Biofilmographie\/Biofilmography<\/strong><\/p>\n<p><em>A graduate of Sociology and passionate about the motion picture, Aicha MACKY attended the Niamey-based FAFD (African Forum for Documentary Film) to become a documentary filmmaker. She began her career as a filmmaker with \u201c<strong>Moi et ma maigreur<\/strong> in 2011. She obtained a Master I in Audio-visual and Creative Documentary and later on a Master II in <\/em><em>Creative documentary filmmaking in 2013 with her graduation film \u201c<strong>Savoir faire le lit<\/strong>\u201d. \u201c<strong>L\u2019Arbre sans fruit<\/strong>\u201d is her debut feature documentary.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Indolent young people, most of whom are unsuccessful candidates for exile, are adding up to the ranks of gangs that spread violence in Zinder, Niger. Sinia Boy, Bawo and Ramsess are the characters who take me into this universe at the heart of trafficking. I capture on a daily basis their logic of survival [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-1343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/klk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1343"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1343\/revisions"}],"predecessor-version":[{"id":1591,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1343\/revisions\/1591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1145"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1313,"date":"2021-09-28T15:23:18","date_gmt":"2021-09-28T15:23:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=1313"},"modified":"2023-02-23T18:00:07","modified_gmt":"2023-02-23T18:00:07","slug":"zalissa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/zalissa\/","title":{"rendered":"Zalissa"},"content":{"rendered":"<p><strong>Synopsis<\/strong>. Zalissa, une petite fille de 11 ans en classe de CM1 vend des arachides dans le quartier le soir pour aider sa famille qui vit dans la pr\u00e9carit\u00e9. Sa vie bascule le jour o\u00f9 elle commence \u00e0 vouloir une autre vie, \u00e0 vouloir \u00eatre une autre que celle qu\u2019elle est. Alors elle tombe dans le mensonge et le vol et est \u00e0 deux doigts de tomber dans la prostitution. Va-t-elle succomber ou pas ? Pourra-t-elle s\u2019en sortir ? A travers l\u2019histoire de Zalissa, c\u2019est non seulement la vie des enfants vendeurs ambulants de nuit qui est retrac\u00e9e, mais \u00e9galement la difficult\u00e9 de les maintenir \u00e0 l\u2019\u00e9cole.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p>Carine BADO a travaill\u00e9 aux c\u00f4t\u00e9s de r\u00e9alisateurs tels que Abdoulaye DAO, Pierre YAMEOGO, Idrissa OUEDRAOGO. Elle produit et r\u00e9alise essentiellement des films documentaires et de fictions tels<strong> Les Douleurs Muettes<\/strong>,<strong> Des D\u00e9chets \u00e0 Valeur d\u2019Or<\/strong> (s\u00e9lection FESPACO, FIFE et CINE DROIT LIBRE).\u00a0 Elle a \u00e9galement assur\u00e9 la production ex\u00e9cutive et la r\u00e9alisation de nombreux films d\u2019envergures sous r\u00e9gionales et internationales dont <strong>les droits en Actions<\/strong>. En 2008, elle r\u00e9alise<strong>\u00a0On ne mange pas les merci<\/strong>\u00a0et cor\u00e9alise en 2015, <strong>Fille de sa m\u00e8re<\/strong> qui a connu un parcours remarquable en Festival. Forte de ses exp\u00e9riences, elle co-\u00e9crit la s\u00e9rie <strong>Une femme \u00e0 Kosyam<\/strong> qui \u00e9tait en s\u00e9lection aux Festivals s\u00e9rie s\u00e9ries de Ouagadougou en 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis. Zalissa, une petite fille de 11 ans en classe de CM1 vend des arachides dans le quartier le soir pour aider sa famille qui vit dans la pr\u00e9carit\u00e9. Sa vie bascule le jour o\u00f9 elle commence \u00e0 vouloir une autre vie, \u00e0 vouloir \u00eatre une autre que celle qu\u2019elle est. Alors elle tombe dans [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1313"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1313\/revisions"}],"predecessor-version":[{"id":1346,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1313\/revisions\/1346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1314"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]