[{"id":1309,"date":"2021-09-28T15:21:03","date_gmt":"2021-09-28T15:21:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=1309"},"modified":"2023-02-23T18:03:25","modified_gmt":"2023-02-23T18:03:25","slug":"yamb","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yamb\/","title":{"rendered":"Yamb"},"content":{"rendered":"

Synopsis<\/strong>. Suite \u00e0 un message t\u00e9l\u00e9phonique en dialecte africain, Diane, 50 ans, va acheter les services d\u2019une jeune prostitu\u00e9e gabonaise pour une grande occasion\u2026<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Apr\u00e8s un an pass\u00e9 en hypokh\u00e2gne lettres sup\u00e9rieures option cin\u00e9ma au lyc\u00e9e Saint Sernin \u00e0 Toulouse, Winnele VEYRET entre en Licence de Cin\u00e9ma \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne. Sa licence obtenue, elle entame un Bachelor Chef de projet Multim\u00e9dia \u00e0 Icad\u00e9mie. Elle int\u00e8gre ensuite Grand Angle Production o\u00f9 apr\u00e8s une p\u00e9riode de stage, elle obtient un CDD en tant qu\u2019assistante de production au p\u00f4le corporate et institution. Parall\u00e8lement, elle s\u2019investit dans le d\u00e9veloppement de son premier court-m\u00e9trage YAMB<\/strong>. Elle poursuit actuellement ses \u00e9tudes \u00e0 Icad\u00e9mie et effectue un stage \u00e0 Wild Bunch International.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Suite \u00e0 un message t\u00e9l\u00e9phonique en dialecte africain, Diane, 50 ans, va acheter les services d\u2019une jeune prostitu\u00e9e gabonaise pour une grande occasion\u2026 Biofilmographie\/Biofilmography Apr\u00e8s un an pass\u00e9 en hypokh\u00e2gne lettres sup\u00e9rieures option cin\u00e9ma au lyc\u00e9e Saint Sernin \u00e0 Toulouse, Winnele VEYRET entre en Licence de Cin\u00e9ma \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne. Sa licence obtenue, […]<\/p>\n","protected":false},"author":2,"featured_media":1310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1309"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1309\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1309\/revisions\/1339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1310"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1306,"date":"2021-09-28T15:18:01","date_gmt":"2021-09-28T15:18:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1306"},"modified":"2023-02-23T18:04:59","modified_gmt":"2023-02-23T18:04:59","slug":"quas-tu-reve-what-did-you-dream","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/quas-tu-reve-what-did-you-dream\/","title":{"rendered":"Qu\u2019as \u2013 tu r\u00eav\u00e9 ?\/What did you dream"},"content":{"rendered":"

Synopsis<\/strong>. Et\u00e9 1990, en Afrique du Sud. Boipelo, onze ans, passe les vacances chez sa grand-m\u00e8re. Mais un probl\u00e8me la turlupine\u00a0: contrairement \u00e0 ses deux cousins, elle n\u2019arrive plus \u00e0 se souvenir de ses r\u00eaves. Comment va-t-elle faire pour aider sa pauvre grand-m\u00e8re \u00e0 gagner \u00e0 la loterie\u00a0?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Karabo LEDIGA est sc\u00e9nariste, r\u00e9alisatrice et productrice pour la t\u00e9l\u00e9vision et le cin\u00e9ma. Elle a \u00e9crit et r\u00e9alis\u00e9 son court m\u00e9trage What Did You Dream?<\/em> \u00a0<\/strong>qui a \u00e9t\u00e9 projet\u00e9 en premi\u00e8re en comp\u00e9tition au Festival international du court m\u00e9trage de Clermont-Ferrand et en comp\u00e9tition au Festival international du court m\u00e9trage de Palm Springs. Elle a \u00e9crit le thriller d\u2019espionnage Queen Sono<\/em><\/strong> pour la premi\u00e8re s\u00e9rie africaine originale de Netflix. Elle a \u00e9galement r\u00e9alis\u00e9 2 saisons de l\u2019\u00e9mission de sketchs comiques The Bantu Hour<\/em><\/strong> et la com\u00e9die de situation The Mayor<\/em><\/strong>.<\/em> Elle travaille actuellement \u00e0 l\u2019\u00e9criture de son premier long m\u00e9trage intitul\u00e9 Sabbatical<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Et\u00e9 1990, en Afrique du Sud. Boipelo, onze ans, passe les vacances chez sa grand-m\u00e8re. Mais un probl\u00e8me la turlupine\u00a0: contrairement \u00e0 ses deux cousins, elle n\u2019arrive plus \u00e0 se souvenir de ses r\u00eaves. Comment va-t-elle faire pour aider sa pauvre grand-m\u00e8re \u00e0 gagner \u00e0 la loterie\u00a0? Biofilmographie\/Biofilmography Karabo LEDIGA est sc\u00e9nariste, r\u00e9alisatrice et […]<\/p>\n","protected":false},"author":2,"featured_media":1307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1306"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1306\/revisions"}],"predecessor-version":[{"id":1596,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1306\/revisions\/1596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1307"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1302,"date":"2021-09-28T15:15:40","date_gmt":"2021-09-28T15:15:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=1302"},"modified":"2023-02-23T18:06:54","modified_gmt":"2023-02-23T18:06:54","slug":"tuk-tuk","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tuk-tuk\/","title":{"rendered":"Tuk-Tuk"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Apr\u00e8s avoir \u00e9t\u00e9 abandonn\u00e9e par son mari qui clandestinement fuit le pays, Walaa n\u2019a d\u2019autre choix pour s\u2019assurer un revenu pour elle et sa famille que de conduire un Tuk-tuk dans un milieu domin\u00e9 par les hommes o\u00f9 les femmes ont fort \u00e0 faire. Au risque d\u2019\u00eatre ridiculis\u00e9e, harcel\u00e9e et rejet\u00e9e alors qu\u2019elle croupit dans la dette, elle se lance dans un combat pour assurer son gagne-pain.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

A l\u2019\u00e2ge de 14 ans, KHEIDR commence sa carri\u00e8re d\u2019artiste de story board et se fraye un chemin dans la conception graphique. En 2007, il d\u00e9cide de changer de cap et se lance dans des \u00e9tudes de cin\u00e9ma \u00e0 l\u2019Acad\u00e9mie du Cin\u00e9ma de New York. Il consacre sa carri\u00e8re \u00e0 changer la perspective de l\u2019industrie vis-\u00e0-vis des productions \u00e0 budget limit\u00e9 en cr\u00e9ant des illustrations et des dessins de premi\u00e8re qualit\u00e9. Il met en place sa propre maison de production avec laquelle il supervise, ex\u00e9cute et d\u00e9veloppe un grand nombre de projets impliquant la r\u00e9alisation de films, la cin\u00e9matographie, l\u2019\u00e9criture de sc\u00e9nario, la production ex\u00e9cutive, la photographie et la composition musicale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Apr\u00e8s avoir \u00e9t\u00e9 abandonn\u00e9e par son mari qui clandestinement fuit le pays, Walaa n\u2019a d\u2019autre choix pour s\u2019assurer un revenu pour elle et sa famille que de conduire un Tuk-tuk dans un milieu domin\u00e9 par les hommes o\u00f9 les femmes ont fort \u00e0 faire. Au risque d\u2019\u00eatre ridiculis\u00e9e, harcel\u00e9e et rejet\u00e9e alors qu\u2019elle croupit […]<\/p>\n","protected":false},"author":2,"featured_media":1303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1302"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1302\/revisions"}],"predecessor-version":[{"id":1599,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1302\/revisions\/1599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1303"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1299,"date":"2021-09-28T15:13:22","date_gmt":"2021-09-28T15:13:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1299"},"modified":"2023-02-23T18:51:35","modified_gmt":"2023-02-23T18:51:35","slug":"tabaski","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tabaski\/","title":{"rendered":"Tabaski"},"content":{"rendered":"

Synopsis<\/strong>. Dakar, \u00e0 quelques jours de la f\u00eate de Tabaski, un peintre, enferm\u00e9 dans son atelier, travaille sur le th\u00e8me du sacrifice rituel du b\u00e9lier. La peinture rouge coule des esquisses accroch\u00e9es \u00e0 des cordes \u00e0 linge. Une inscription trac\u00e9e au mur : \u00ab\u00a0Tabaski, \u00e0 qui le tour ?\u00a0\u00bb Trois personnages et un mouton gravitent autour de lui et le raccrochent \u00e0 la r\u00e9alit\u00e9.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Laurence ATTALI \u00e9tudie la philosophie, le cin\u00e9ma et le th\u00e9\u00e2tre, puis se tourne vite vers le montage qu\u2019elle enseigne \u00e0 l’Institut National de l’Audiovisuel en France, et \u00e0 travers le monde. Elle passe \u00e0 la r\u00e9alisation en 1992, avec la s\u00e9rie \u00ab\u00a0La petite minute de bonheur<\/strong>\u00ab\u00a0. Son premier documentaire s\u2019intitule Mourtala Diop voyageur de l’art<\/strong> (1993). Elle fonde alors la soci\u00e9t\u00e9 Autoproduction o\u00f9 elle r\u00e9alise et produit la plupart de ses films (S\u00e9n\u00e9galais S\u00e9n\u00e9galaise<\/strong>, Petit Pays<\/strong>, Baobab,<\/strong> etc.) qui ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s dans de nombreux festivals et ont obtenu plusieurs prix.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Dakar, \u00e0 quelques jours de la f\u00eate de Tabaski, un peintre, enferm\u00e9 dans son atelier, travaille sur le th\u00e8me du sacrifice rituel du b\u00e9lier. La peinture rouge coule des esquisses accroch\u00e9es \u00e0 des cordes \u00e0 linge. Une inscription trac\u00e9e au mur : \u00ab\u00a0Tabaski, \u00e0 qui le tour ?\u00a0\u00bb Trois personnages et un mouton gravitent […]<\/p>\n","protected":false},"author":2,"featured_media":1300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1299"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1299\/revisions"}],"predecessor-version":[{"id":1365,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1299\/revisions\/1365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1300"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1296,"date":"2021-09-28T15:11:16","date_gmt":"2021-09-28T15:11:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1296"},"modified":"2023-02-23T18:49:58","modified_gmt":"2023-02-23T18:49:58","slug":"les-tissus-blancs-ser-bi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-tissus-blancs-ser-bi\/","title":{"rendered":"Les tissus blancs \/S\u00ebr Bi"},"content":{"rendered":"

Synopsis<\/strong>. Demain, Zuzana se marie. Dor\u00e9navant, chaque minute compte pour effacer son pass\u00e9 et devenir la femme qu’on attend d’elle.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

N\u00e9 \u00e0 Pikine en 1986, Moly KANE a suivi divers formations en \u00e9criture audiovisuelle, r\u00e9alisation et art et culture, au S\u00e9n\u00e9gal et en France (F\u00e9mis). Les Tissus Blancs<\/strong> (2020) s’inscrit dans le projet humanitaire de ses deux pr\u00e9c\u00e9dents films, Moly<\/strong> (2011), portant sur le handicap, produit par Euzhan Palcy, projet\u00e9 \u00e0 Cannes (2011) et prim\u00e9 dans divers festivals ; et Muruna<\/strong> (2015), portant sur les violences sexuelles familiales, qui a remport\u00e9 le Grand Prix du jury au Festival d\u2019Amnesty Paris.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Demain, Zuzana se marie. Dor\u00e9navant, chaque minute compte pour effacer son pass\u00e9 et devenir la femme qu’on attend d’elle. Biofilmographie\/Biofilmography N\u00e9 \u00e0 Pikine en 1986, Moly KANE a suivi divers formations en \u00e9criture audiovisuelle, r\u00e9alisation et art et culture, au S\u00e9n\u00e9gal et en France (F\u00e9mis). Les Tissus Blancs (2020) s’inscrit dans le projet humanitaire […]<\/p>\n","protected":false},"author":2,"featured_media":1297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/vbvbvbvbvbvbvb.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1296"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1296\/revisions"}],"predecessor-version":[{"id":1606,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1296\/revisions\/1606"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1297"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1292,"date":"2021-09-28T15:03:59","date_gmt":"2021-09-28T15:03:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=1292"},"modified":"2023-02-23T18:48:24","modified_gmt":"2023-02-23T18:48:24","slug":"prisoner-and-jailer","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/prisoner-and-jailer\/","title":{"rendered":"Prisoner and Jailer"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Prisoner and Jailer<\/em><\/strong> raconte l\u2019histoire contrast\u00e9e de deux libyens : le premier est l\u2019un des principaux responsables de l\u2019ancien r\u00e9gime et l\u2019autre est l\u2019une des personnalit\u00e9s les plus importantes de l\u2019\u00e8re post-r\u00e9volutionnaire en Libye. Nous d\u00e9couvrons \u00e0 travers ces deux personnages les circonstances qui entourent l\u2019un des \u00e9v\u00e9nements les plus marquants de l\u2019histoire moderne de la Libye\u00a0: le massacre de la prison d\u2019Abu Salim.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Le cin\u00e9aste libyen Muhannad LAMIN est titulaire d\u2019un dipl\u00f4me en r\u00e9alisation et \u00e9criture de l\u2019Institut des Arts de Tripoli. Il participe \u00e0 la r\u00e9alisation de plusieurs projets de campagnes de sensibilisation du public pour des clients tels que la Haute autorit\u00e9 \u00e9lectorale, le minist\u00e8re de la justice, la Commission des anciens combattants, BBC Media Action et bien d\u2019autres institutions. En plus de collaborer sur plusieurs projets documentaires, Lamin a r\u00e9alis\u00e9 de nombreux courts m\u00e9trages qui ont \u00e9t\u00e9 projet\u00e9 \u00e0 diff\u00e9rents festivals internationaux. Il a co-fond\u00e9 \u201cKhayal\u201d,<\/em> une soci\u00e9t\u00e9 de production libyenne qui intervient dans la production m\u00e9dia et qui \u0153uvre au d\u00e9veloppement du cin\u00e9ma libyen.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Prisoner and Jailer raconte l\u2019histoire contrast\u00e9e de deux libyens : le premier est l\u2019un des principaux responsables de l\u2019ancien r\u00e9gime et l\u2019autre est l\u2019une des personnalit\u00e9s les plus importantes de l\u2019\u00e8re post-r\u00e9volutionnaire en Libye. Nous d\u00e9couvrons \u00e0 travers ces deux personnages les circonstances qui entourent l\u2019un des \u00e9v\u00e9nements les plus marquants de l\u2019histoire moderne […]<\/p>\n","protected":false},"author":2,"featured_media":1293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1292"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1292\/revisions"}],"predecessor-version":[{"id":1609,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1292\/revisions\/1609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1293"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1289,"date":"2021-09-28T15:01:29","date_gmt":"2021-09-28T15:01:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=1289"},"modified":"2023-02-23T18:46:58","modified_gmt":"2023-02-23T18:46:58","slug":"nos-voisins","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nos-voisins\/","title":{"rendered":"Nos voisins"},"content":{"rendered":"

Synopsis<\/strong>. Ren\u00e9 et Moussa sont deux jeunes hommes tr\u00e8s impliqu\u00e9s dans les activit\u00e9s de leur quartier \u00e0 Ouagadougou. Bons vivants, respectueux et sociables, ils sont appr\u00e9ci\u00e9s de tout leur voisinage. Mais qui sont-ils vraiment\u00a0?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Delphine KABORE, la vingtaine \u00e0 peine entam\u00e9e est \u00e9tudiante en montage \u00e0 l\u2019ISIS\/SE (Institut Sup\u00e9rieur de l\u2019Image et du Son\/ Studio Ecole) de Ouagadougou lorsqu\u2019elle remporte l\u2019op\u00e9ration 7 jours pour 1 film, d\u00e9ploy\u00e9e au Burkina Faso en f\u00e9vrier 2019 en partenariat avec le FESPACO. Nos voisins <\/strong>est son tout 1er<\/sup> film, r\u00e9alis\u00e9 en 7 jours seulement.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Ren\u00e9 et Moussa sont deux jeunes hommes tr\u00e8s impliqu\u00e9s dans les activit\u00e9s de leur quartier \u00e0 Ouagadougou. Bons vivants, respectueux et sociables, ils sont appr\u00e9ci\u00e9s de tout leur voisinage. Mais qui sont-ils vraiment\u00a0? Biofilmographie\/Biofilmography Delphine KABORE, la vingtaine \u00e0 peine entam\u00e9e est \u00e9tudiante en montage \u00e0 l\u2019ISIS\/SE (Institut Sup\u00e9rieur de l\u2019Image et du Son\/ […]<\/p>\n","protected":false},"author":2,"featured_media":1290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1289\/revisions"}],"predecessor-version":[{"id":1362,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1289\/revisions\/1362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1290"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1285,"date":"2021-09-28T14:59:53","date_gmt":"2021-09-28T14:59:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=1285"},"modified":"2023-02-23T18:45:27","modified_gmt":"2023-02-23T18:45:27","slug":"little-black-dress","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/little-black-dress\/","title":{"rendered":"Little black dress"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Coinc\u00e9e dans un cycle de routine, d\u2019obligations et de culpabilit\u00e9, une jeune femme trouve un moyen de refaire sa vie en plein milieu d\u2019une crise f\u00e9ministe.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Esteri TEBANDEKE est une cin\u00e9aste, actrice, danseuse et artiste plasticienne ougandaise. Elle est dipl\u00f4m\u00e9e de la Margaret Trowell School of Industrial and Fine Art<\/em> \u00e0 l\u2019Universit\u00e9 de Makerere. Little Black Dress<\/em><\/strong>, son tout premier film en tant que r\u00e9alisatrice, est un court m\u00e9trage tourn\u00e9 sur place \u00e0 Nairobi, au Kenya, en avril 2019. Le film a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re en comp\u00e9tition \u00e0 l\u2019\u00e9dition 2019 du Festival International du film africain \u00e0 Lagos, au Nig\u00e9ria, et en comp\u00e9tition au Festival du film africain de Luxor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Coinc\u00e9e dans un cycle de routine, d\u2019obligations et de culpabilit\u00e9, une jeune femme trouve un moyen de refaire sa vie en plein milieu d\u2019une crise f\u00e9ministe. Biofilmographie\/Biofilmography Esteri TEBANDEKE est une cin\u00e9aste, actrice, danseuse et artiste plasticienne ougandaise. Elle est dipl\u00f4m\u00e9e de la Margaret Trowell School of Industrial and Fine Art \u00e0 l\u2019Universit\u00e9 de […]<\/p>\n","protected":false},"author":2,"featured_media":1286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1285"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1285\/revisions"}],"predecessor-version":[{"id":1615,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1285\/revisions\/1615"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1286"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1282,"date":"2021-09-28T14:57:01","date_gmt":"2021-09-28T14:57:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1282"},"modified":"2023-02-23T18:43:55","modified_gmt":"2023-02-23T18:43:55","slug":"life-on-the-horn","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/life-on-the-horn\/","title":{"rendered":"Life on the Horn"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Depuis une d\u00e9cennie, des d\u00e9chets toxiques sont ill\u00e9galement d\u00e9vers\u00e9s sur le littoral somalien. Le tremblement de terre de 2004 a endommag\u00e9 les conteneurs toxiques et d\u00e9vers\u00e9 des d\u00e9chets, entrainant une prolif\u00e9ration de maladies. Beaucoup de gens ont d\u00fb quitter leur village, mais d\u2019autres y sont rest\u00e9s et vivent avec les cons\u00e9quences.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Depuis 2009, Mo HARAWE vit an Autriche o\u00f9 il a commenc\u00e9 sa carri\u00e8re de cin\u00e9aste. Il a particip\u00e9 \u00e0 plusieurs ateliers sur le cin\u00e9ma et r\u00e9alis\u00e9 cinq courts m\u00e9trages qui ont \u00e9t\u00e9 projet\u00e9 dans plusieurs festivals internationaux et ont remport\u00e9 de nombreux prix. En tant que sc\u00e9nariste, Harawe a \u00e9crit plusieurs scenarios pour des longs m\u00e9trages. Le scenario de son long m\u00e9trage To Mogadishu<\/em><\/strong>, qu\u2019il a d\u00e9velopp\u00e9 au DIVERSE GESCHICHTEN SCRIPT LAB, a remport\u00e9 le prix de DOR FILM en 2016. Il travaille actuellement sur son prochain long m\u00e9trage intitul\u00e9 The village next to Paradise<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Depuis une d\u00e9cennie, des d\u00e9chets toxiques sont ill\u00e9galement d\u00e9vers\u00e9s sur le littoral somalien. Le tremblement de terre de 2004 a endommag\u00e9 les conteneurs toxiques et d\u00e9vers\u00e9 des d\u00e9chets, entrainant une prolif\u00e9ration de maladies. Beaucoup de gens ont d\u00fb quitter leur village, mais d\u2019autres y sont rest\u00e9s et vivent avec les cons\u00e9quences. Biofilmographie\/Biofilmography Depuis 2009, […]<\/p>\n","protected":false},"author":2,"featured_media":1283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1282"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1282\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1282\/revisions\/1618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1283"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1279,"date":"2021-09-28T14:55:38","date_gmt":"2021-09-28T14:55:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=1279"},"modified":"2023-02-23T18:41:55","modified_gmt":"2023-02-23T18:41:55","slug":"gwacoulou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/gwacoulou\/","title":{"rendered":"Gwacoulou"},"content":{"rendered":"

Synopsis<\/strong>. Gwacoulou<\/em><\/strong> relate la l\u00e9gende de la sauvegarde de la paix \u00e0 travers la transformation de trois paires de jumelles en trois pierres du foyer traditionnel et de leur m\u00e8re en sa marmite (\u00ab le canari\u00a0\u00bb). De nos jours, ces pierres sont encore l\u2019un des piliers de la tradition africaine en milieu bambara. Elles nous rappellent, \u00e0 travers leur symbolique\u00a0: le mariage et la discr\u00e9tion, la fraternit\u00e9 et la solidarit\u00e9, l\u2019amiti\u00e9 et le soutien. Entre la tradition africaine et la modernit\u00e9, le film exprime l\u2019\u00e9volution des croyances d\u2019ordre aussi bien mystiques que comportementales.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Passionn\u00e9 par l\u2019art depuis son plus jeune \u00e2ge, Mo\u00efse TOGO a commenc\u00e9 ses \u00e9tudes universitaires en 2009-2010 \u00e0 la Facult\u00e9 des sciences juridiques et politiques. Ses ambitions artistiques l\u2019am\u00e8nent ensuite au conservatoire de Bamako, au Mali. Apr\u00e8s cinq ans d\u2019\u00e9tudes au conservatoire, il est d\u00e9tenteur d\u2019un master 2 en multim\u00e9dia et il \u00e9volue depuis dans le domaine du multim\u00e9dia. Il est actuellement boursier du gouvernement fran\u00e7ais \u00e0 travers le prix Bakary Diallo du Fresnoy \u2013 Studio national des arts contemporains.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Gwacoulou relate la l\u00e9gende de la sauvegarde de la paix \u00e0 travers la transformation de trois paires de jumelles en trois pierres du foyer traditionnel et de leur m\u00e8re en sa marmite (\u00ab le canari\u00a0\u00bb). De nos jours, ces pierres sont encore l\u2019un des piliers de la tradition africaine en milieu bambara. Elles nous […]<\/p>\n","protected":false},"author":2,"featured_media":1280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1279"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1279\/revisions"}],"predecessor-version":[{"id":1622,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1279\/revisions\/1622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1280"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1276,"date":"2021-09-28T14:53:47","date_gmt":"2021-09-28T14:53:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1276"},"modified":"2023-02-23T18:40:33","modified_gmt":"2023-02-23T18:40:33","slug":"daines","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/daines\/","title":{"rendered":"Da\u00efnes"},"content":{"rendered":"

Synopsis<\/strong>. Deux amis d\u2019enfance, Ashish et Pascal, se voient une derni\u00e8re fois avant que le premier ne parte en France pour poursuivre ses \u00e9tudes. Au cours de cette derni\u00e8re et longue nuit peupl\u00e9e de rencontres et d\u2019\u00e9changes, ce sera une mise \u00e0 nu de leur amiti\u00e9, de leurs pens\u00e9es et esp\u00e9rances mais aussi de leurs d\u00e9ceptions et fragilit\u00e9.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Gopalen Parthiben CHELLAPERMAL est un r\u00e9alisateur mauricien professionnel. Il est le sc\u00e9nariste de Bisanvil<\/strong> (Prix du Public \u00e0 Amiens en 2005 et Prix du Jury \u00e0 la R\u00e9union en 2006) court m\u00e9trage r\u00e9alis\u00e9 par David Constantin. Apr\u00e8s la r\u00e9alisation d\u2019un premier court m\u00e9trage (Ruz<\/strong> en 2009) et des documentaires dont Les Mo\u2019zars de Roche Bois<\/strong> (Prix du documentaire \u2018Fe Net Oc\u00e9an Indien\u2019, FIFAI, R\u00e9union), il poursuit son travail de r\u00e9alisation avec le projet Da\u00efnes<\/strong>. Il a aussi r\u00e9alis\u00e9 le documentaire intitul\u00e9 Philippe Thomas, le jazz du bout des l\u00e8vres<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Deux amis d\u2019enfance, Ashish et Pascal, se voient une derni\u00e8re fois avant que le premier ne parte en France pour poursuivre ses \u00e9tudes. Au cours de cette derni\u00e8re et longue nuit peupl\u00e9e de rencontres et d\u2019\u00e9changes, ce sera une mise \u00e0 nu de leur amiti\u00e9, de leurs pens\u00e9es et esp\u00e9rances mais aussi de leurs […]<\/p>\n","protected":false},"author":2,"featured_media":1277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1276"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1276\/revisions"}],"predecessor-version":[{"id":1358,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1276\/revisions\/1358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1277"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1272,"date":"2021-09-28T14:51:23","date_gmt":"2021-09-28T14:51:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=1272"},"modified":"2023-02-23T18:38:41","modified_gmt":"2023-02-23T18:38:41","slug":"bablinga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bablinga\/","title":{"rendered":"Bablinga"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Moktar a toujours dit que lorsqu\u2019il fermera son bar Bablinga, il retournera au Burkina. Ce jour est arriv\u00e9 mais il n\u2019est pas vraiment pr\u00eat \u00e0 partir. Contre sa volont\u00e9, des fant\u00f4mes s\u2019invitent chez lui pour f\u00eater une derni\u00e8re soir\u00e9e.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Fabien DAO est n\u00e9 \u00e0 Paris d\u2019une m\u00e8re enseignante fran\u00e7aise et d\u2019un p\u00e8re r\u00e9alisateur burkinab\u00e9. Apr\u00e8s des \u00e9tudes scientifiques, son go\u00fbt pour la musique et le cin\u00e9ma le conduit au d\u00e9partement du son de la FEMIS o\u00f9 il r\u00e9alise Le Ca\u00efman de Boromo<\/em><\/strong>. Deux ans plus tard, il r\u00e9alise It rains on Ouaga<\/em><\/strong>, laur\u00e9at du prix Canal + au Festival international du film de Clermont-Ferrand. En 2019, il termine sa trilogie sur la vie de son p\u00e8re avec le court m\u00e9trage Bablinga<\/em><\/strong>, prix de la meilleure \u0153uvre dramatique au festival du court m\u00e9trage de Aspen (Etats-Unis) en 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Moktar a toujours dit que lorsqu\u2019il fermera son bar Bablinga, il retournera au Burkina. Ce jour est arriv\u00e9 mais il n\u2019est pas vraiment pr\u00eat \u00e0 partir. Contre sa volont\u00e9, des fant\u00f4mes s\u2019invitent chez lui pour f\u00eater une derni\u00e8re soir\u00e9e. Biofilmographie\/Biofilmography Fabien DAO est n\u00e9 \u00e0 Paris d\u2019une m\u00e8re enseignante fran\u00e7aise et d\u2019un p\u00e8re r\u00e9alisateur […]<\/p>\n","protected":false},"author":2,"featured_media":1274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Still1_-Devant-le-bar-\u220fDonQuichotteFilms-Sudu-Connexion.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1272"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1272\/revisions"}],"predecessor-version":[{"id":1630,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1272\/revisions\/1630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1274"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1269,"date":"2021-09-28T14:47:22","date_gmt":"2021-09-28T14:47:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1269"},"modified":"2023-02-23T18:36:36","modified_gmt":"2023-02-23T18:36:36","slug":"aziya","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/aziya\/","title":{"rendered":"Aziya"},"content":{"rendered":"

Synopsis<\/strong>. Adil commande une prostitu\u00e9e pour la nuit. Quand elle arrive, il d\u00e9couvre qu\u2019elle est noire. Comment r\u00e9agir ?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Journaliste au long cours (30 ans de carri\u00e8re), m\u00e9decin de formation, po\u00e8te, nouvelliste, homme de culture et de cin\u00e9ma, progressiste et militant de l\u2019avant-garde marocaine, Karim BOUKHARI a dirig\u00e9 plusieurs r\u00e9dactions, dont le magazine hebdomadaire Telquel, fleuron de la presse ind\u00e9pendante au Maroc. Il a aussi publi\u00e9 et pris part \u00e0 plusieurs livres, et r\u00e9alis\u00e9 un court m\u00e9trage La Perruque<\/strong> (s\u00e9lection officielle du Festival international du court m\u00e9trage de Clermont- Ferrand et du Festival international du film de Stockholm).<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Adil commande une prostitu\u00e9e pour la nuit. Quand elle arrive, il d\u00e9couvre qu\u2019elle est noire. Comment r\u00e9agir ? Biofilmographie\/Biofilmography Journaliste au long cours (30 ans de carri\u00e8re), m\u00e9decin de formation, po\u00e8te, nouvelliste, homme de culture et de cin\u00e9ma, progressiste et militant de l\u2019avant-garde marocaine, Karim BOUKHARI a dirig\u00e9 plusieurs r\u00e9dactions, dont le magazine hebdomadaire […]<\/p>\n","protected":false},"author":2,"featured_media":1270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1269"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1269\/revisions"}],"predecessor-version":[{"id":1356,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1269\/revisions\/1356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1270"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1266,"date":"2021-09-28T14:45:22","date_gmt":"2021-09-28T14:45:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=1266"},"modified":"2023-02-23T18:35:26","modified_gmt":"2023-02-23T18:35:26","slug":"anonymes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/anonymes\/","title":{"rendered":"Anonymes"},"content":{"rendered":"

Synopsis<\/strong>. \u00ab Anonymes<\/strong> \u00bb raconte l\u2019histoire d\u2019une jeune fille le temps d\u2019une journ\u00e9e, sa famille, ses amis, son travail et ses r\u00eaves. On d\u00e9couvre son univers et ses pens\u00e9es \u00e0 travers la petite voix qu\u2019elle a dans la t\u00eate, et ses histoires imaginaires. Sans ne se douter de rien, elle vit sa routine quotidienne sans savoir comment va se terminer la journ\u00e9e.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Sc\u00e9nariste, R\u00e9alisatrice et Productrice, Fama Reyane SOW s\u2019est form\u00e9 \u00e0 Sup\u2019imax, \u00e9cole d\u2019audiovisuel de Dakar et en travaillant sur les tournages directement. En 2015, au FESPACO, elle gagne un prix avec son sc\u00e9nario de long m\u00e9trage Satch\u00e9<\/strong>. Elle devient ensuite assistante r\u00e9alisatrice pour Alassane SY sur le court m\u00e9trage Marabout<\/strong> (prix du meilleur court-m\u00e9trage au Festival de Carthage en 2016\/2017), pour Joseph ADESUNLOYE avec le long m\u00e9trage White color Black<\/strong> qui conna\u00eet un gros succ\u00e8s \u00e0 Londres, et aussi pour la r\u00e9alisatrice am\u00e9ricaine Idil IBRAHIM avec Sega<\/strong> et de nombreuses autres productions au S\u00e9n\u00e9gal.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. \u00ab Anonymes \u00bb raconte l\u2019histoire d\u2019une jeune fille le temps d\u2019une journ\u00e9e, sa famille, ses amis, son travail et ses r\u00eaves. On d\u00e9couvre son univers et ses pens\u00e9es \u00e0 travers la petite voix qu\u2019elle a dans la t\u00eate, et ses histoires imaginaires. Sans ne se douter de rien, elle vit sa routine quotidienne sans […]<\/p>\n","protected":false},"author":2,"featured_media":1267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1266"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1266\/revisions"}],"predecessor-version":[{"id":1355,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1266\/revisions\/1355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1267"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1263,"date":"2021-09-28T14:43:01","date_gmt":"2021-09-28T14:43:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1263"},"modified":"2023-02-23T18:34:01","modified_gmt":"2023-02-23T18:34:01","slug":"amani","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/amani\/","title":{"rendered":"Amani"},"content":{"rendered":"

Synopsis<\/strong>. Dans ce conte, situ\u00e9 \u00e0 mi-chemin entre r\u00e9alit\u00e9 et fantastique, un narrateur myst\u00e9rieux nous raconte l’histoire d’Amani, un jeune gar\u00e7on passionn\u00e9 par la danse. L’innocence et la joie de vivre d’Amani ouvrent les yeux du narrateur sur l’humanit\u00e9 dont il ne s’\u00e9tait jamais vraiment souci\u00e9 auparavant. Mais alors que la nuit se met \u00e0 gronder, la joie de vivre d\u2019Amani dispara\u00eet pour laisser place \u00e0 sa douleur qui r\u00e9sonne dans le silence de la plaine.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Apr\u00e8s des \u00e9tudes en r\u00e9alisation \u00e0 New-York, Alliah FAFIN r\u00e9alise des vid\u00e9oclips entre autres pour Dominique Fils-Aim\u00e9, ainsi que des vid\u00e9os promotionnelles pour des artistes comme Rafael Lozano Hemmer. Elle quitte le Qu\u00e9bec en 2016 pour le Tchad, o\u00f9 elle travaille avec UNICEF sur la r\u00e9alisation de plusieurs vid\u00e9os illustrant les probl\u00e9matiques rencontr\u00e9es par les populations locales, les r\u00e9fugi\u00e9s nig\u00e9rians et les retourn\u00e9s centrafricains. En 2018, son premier court-m\u00e9trage Amani<\/strong> qui s’inspire de son exp\u00e9rience au Burundi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Dans ce conte, situ\u00e9 \u00e0 mi-chemin entre r\u00e9alit\u00e9 et fantastique, un narrateur myst\u00e9rieux nous raconte l’histoire d’Amani, un jeune gar\u00e7on passionn\u00e9 par la danse. L’innocence et la joie de vivre d’Amani ouvrent les yeux du narrateur sur l’humanit\u00e9 dont il ne s’\u00e9tait jamais vraiment souci\u00e9 auparavant. Mais alors que la nuit se met \u00e0 […]<\/p>\n","protected":false},"author":2,"featured_media":1264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1263"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1263\/revisions"}],"predecessor-version":[{"id":1638,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1263\/revisions\/1638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1264"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1260,"date":"2021-09-28T14:40:30","date_gmt":"2021-09-28T14:40:30","guid":{"rendered":"https:\/\/fespaco.org\/?p=1260"},"modified":"2023-02-23T18:32:40","modified_gmt":"2023-02-23T18:32:40","slug":"about-a-girl","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/about-a-girl\/","title":{"rendered":"About a girl"},"content":{"rendered":"

Synopsis<\/strong>. Une journ\u00e9e normale (peut-\u00eatre stressante) dans la vie d’une jeune femme, et la fa\u00e7on dont toutes les personnes qu’elle rencontre, quelle que soit leur relation, la per\u00e7oivent, la juge diff\u00e9remment en fonction de leur propre point de vue et de leurs r\u00e9flexions, ce qui peut parfois \u00eatre totalement hors de propos pour elle.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Marawan NABIL est un r\u00e9alisateur, producteur et fondateur \u00e9gyptien de Harmony Production Company. IL a r\u00e9alis\u00e9 de nombreuses publicit\u00e9s. \u00ab\u00a0About a Girl<\/strong>\u00a0\u00bb est son premier film apr\u00e8s avoir \u00e9tudi\u00e9 le cin\u00e9ma \u00e0 la \u00ab\u00a0Raafat El-Mihy\u00a0\u00bb Film Academy.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Une journ\u00e9e normale (peut-\u00eatre stressante) dans la vie d’une jeune femme, et la fa\u00e7on dont toutes les personnes qu’elle rencontre, quelle que soit leur relation, la per\u00e7oivent, la juge diff\u00e9remment en fonction de leur propre point de vue et de leurs r\u00e9flexions, ce qui peut parfois \u00eatre totalement hors de propos pour elle. Biofilmographie\/Biofilmography […]<\/p>\n","protected":false},"author":2,"featured_media":1261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1260"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1260\/revisions"}],"predecessor-version":[{"id":1641,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1260\/revisions\/1641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1261"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1257,"date":"2021-09-28T14:39:10","date_gmt":"2021-09-28T14:39:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=1257"},"modified":"2023-02-23T18:30:46","modified_gmt":"2023-02-23T18:30:46","slug":"aboula-ngando","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/aboula-ngando\/","title":{"rendered":"Aboula Ngando"},"content":{"rendered":"

Synopsis<\/strong>. Apr\u00e8s une nuit pass\u00e9e chez sa ma\u00eetresse, Aboula Ngando rentre chez lui et d\u00e9couvrent une grande surprise.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

D\u2019abord animateur de t\u00e9l\u00e9, monteur et r\u00e9alisateur en R\u00e9publique D\u00e9mocratique du Congo, Marcus ONALUNDULA travaille \u00e0 partir de 2010 en Afrique du Sud comme Chef-Monteur pour une entreprise prestataire de la FIFA. En 2013 il s\u2019installe en France pour ses \u00e9tudes et obtient des dipl\u00f4mes en Digital Vid\u00e9o Producer et Film Making de \u00ab SAE Institute de Paris \u00bb. En 2016 il lance sa boite de production audiovisuelle ONADISPLAY films. Ses r\u00e9alisations sont\u00a0: Passy<\/strong>, Le prix de la m\u00e9moire<\/strong>, Ubuntu<\/strong>, Article 13<\/strong> et Je me cherche, je me d\u00e9brouille. <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Apr\u00e8s une nuit pass\u00e9e chez sa ma\u00eetresse, Aboula Ngando rentre chez lui et d\u00e9couvrent une grande surprise. Biofilmographie\/Biofilmography D\u2019abord animateur de t\u00e9l\u00e9, monteur et r\u00e9alisateur en R\u00e9publique D\u00e9mocratique du Congo, Marcus ONALUNDULA travaille \u00e0 partir de 2010 en Afrique du Sud comme Chef-Monteur pour une entreprise prestataire de la FIFA. En 2013 il s\u2019installe […]<\/p>\n","protected":false},"author":2,"featured_media":1258,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1257"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1257\/revisions"}],"predecessor-version":[{"id":1352,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1257\/revisions\/1352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1258"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1253,"date":"2021-09-28T14:35:07","date_gmt":"2021-09-28T14:35:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1253"},"modified":"2023-02-23T18:29:15","modified_gmt":"2023-02-23T18:29:15","slug":"womb-dance","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/womb-dance\/","title":{"rendered":"Womb Dance"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Le mouvement commence depuis le ventre. La danse c\u2019est des corps qui bougent et interagissent dans un espace. Les enfants \u00e0 na\u00eetre font l\u2019exp\u00e9rience de la libert\u00e9 dans le ventre en bougeant \u00e0 leur guise, sans ressentir le monde comme un obstacle. Ce documentaire nous emm\u00e8ne \u00e0 la rencontre de danseurs talentueux aux handicaps varies, qui, \u00e0 travers la danse, apprennent \u00e0 faire l\u2019exp\u00e9rience de la libert\u00e9 de mouvement et \u00e0 se reconnecter avec leur corps. Womb Dance<\/em><\/strong> fait choix de c\u00e9l\u00e9brer l\u2019unicit\u00e9 et non le handicap, avec l\u2019id\u00e9e que chaque personne est dot\u00e9e de capacit\u00e9s diff\u00e9rentes.<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

C\u2019est le deuxi\u00e8me film de Ratsbeke NTHITE sur les personnes en situation de handicap. Il ambitionne de faire toute une s\u00e9rie de films sur ce sujet et il en discussion avec des producteurs d\u2019Afrique de l\u2019Est pour doubler ses films en Swahili. Son premier film Sibusiso\u2019s Handprint<\/em><\/strong> a d\u00e9j\u00e0 remport\u00e9 des prix au festival du film de Zanzibar et en Chine. Il a \u00e9galement l\u2019intention de r\u00e9aliser une version pi\u00e8ce de th\u00e9\u00e2tre de The Womb Dance<\/em><\/strong>. Sa philosophie lorsqu\u2019il filme les personnes en situation de handicap n\u2019est pas de mettre l\u2019accent sur ce qu\u2019ils n\u2019arrivent pas \u00e0 faire, et de susciter donc la piti\u00e9, mais de mettre en avant ce qu\u2019ils savent faire, leur force interne et leur capacit\u00e9 \u00e0 s\u2019int\u00e9grer dans la soci\u00e9t\u00e9, si seulement la soci\u00e9t\u00e9 leur donnait cette chance.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Le mouvement commence depuis le ventre. La danse c\u2019est des corps qui bougent et interagissent dans un espace. Les enfants \u00e0 na\u00eetre font l\u2019exp\u00e9rience de la libert\u00e9 dans le ventre en bougeant \u00e0 leur guise, sans ressentir le monde comme un obstacle. Ce documentaire nous emm\u00e8ne \u00e0 la rencontre de danseurs talentueux aux handicaps […]<\/p>\n","protected":false},"author":2,"featured_media":1254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/dzsd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1253"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1253\/revisions"}],"predecessor-version":[{"id":1651,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1253\/revisions\/1651"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1254"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1249,"date":"2021-09-28T14:30:27","date_gmt":"2021-09-28T14:30:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=1249"},"modified":"2023-02-23T18:27:43","modified_gmt":"2023-02-23T18:27:43","slug":"nuit-debout","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nuit-debout\/","title":{"rendered":"Nuit Debout"},"content":{"rendered":"

Synopsis<\/strong>. Obscurit\u00e9<\/em><\/strong> > <\/em>dans la profondeur des quartiers populaires, dans l’absurdit\u00e9 des d\u00e9combres des nuits interminables\u00a0; nuit<\/em><\/strong> > <\/em>dans ce naufrage nocturne du d\u00e9lestage physique et symbolique\u00a0; R\u00e9sistance<\/em><\/strong> > <\/em>abandonn\u00e9e \u00e0 elle-m\u00eame comme un poussin sans m\u00e8re, comme une marmite sans couvercle, comme une maison sans fen\u00eatre, sans porte, comme une porte sans serrure, comme une serrure sans clef… \u00a0Lumi\u00e8re <\/em><\/strong>> <\/em>la r\u00e9silience\u00a0; Obscurit\u00e9<\/em><\/strong> > <\/em>et la beaut\u00e9 de la r\u00e9sistance ?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Photographe, r\u00e9alisateur et producteur, Nelson MAKENGO est dipl\u00f4m\u00e9 en communication visuelle \u00e0 l\u2019Acad\u00e9mie des Beaux-arts de Kinshasa. Apr\u00e8s avoir particip\u00e9 \u00e0 des master-classes en photographie, \u00e0 des r\u00e9sidences d\u2019\u00e9criture documentaire et s\u2019\u00eatre form\u00e9 en r\u00e9alisation \u00e0 la FEMIS\u00a0; il r\u00e9alise des courts m\u00e9trages documentaires et exp\u00e9rimentaux. Ses films dont Tabu<\/strong>, Souvenir d\u2019un \u00e9t\u00e9<\/strong> et Th\u00e9\u00e2tre Urbain<\/strong> ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s dans plusieurs festivals prestigieux tels que le festival de Court-m\u00e9trage de Clermont-Ferrand, le festival international de court-m\u00e9trage de Sao Paulo, le festival de film documentaire de Saint-Louis \u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Obscurit\u00e9 > dans la profondeur des quartiers populaires, dans l’absurdit\u00e9 des d\u00e9combres des nuits interminables\u00a0; nuit > dans ce naufrage nocturne du d\u00e9lestage physique et symbolique\u00a0; R\u00e9sistance > abandonn\u00e9e \u00e0 elle-m\u00eame comme un poussin sans m\u00e8re, comme une marmite sans couvercle, comme une maison sans fen\u00eatre, sans porte, comme une porte sans serrure, comme […]<\/p>\n","protected":false},"author":2,"featured_media":1250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/zsdzd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1249"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1249\/revisions"}],"predecessor-version":[{"id":1368,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1249\/revisions\/1368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1250"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1246,"date":"2021-09-28T14:27:16","date_gmt":"2021-09-28T14:27:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1246"},"modified":"2023-02-23T18:26:09","modified_gmt":"2023-02-23T18:26:09","slug":"mada-ou-lhistoire-du-premier-homme","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mada-ou-lhistoire-du-premier-homme\/","title":{"rendered":"MADA ou l\u2019histoire du premier homme"},"content":{"rendered":"

Synopsis<\/strong>. Il y a longtemps avant longtemps, les \u00eeles de l\u2019Oc\u00e9an Indien formaient un immense continent. Il y a longtemps avant longtemps, sur la province de Madagascar naquit le premier homme. Il y a longtemps, pas longtemps avant longtemps, juste longtemps, les hommes falsifi\u00e8rent cette histoire. Il est temps de r\u00e9tablir la v\u00e9rit\u00e9.<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

Apr\u00e8s un Bac Litt\u00e9raire \u00ab Cin\u00e9ma et Audiovisuel \u00bb et un Dipl\u00f4me National des Arts et Technique \u00e0 l’Ecole des Beaux-Arts de La R\u00e9union, Laurent PANTALEON s’installe en ind\u00e9pendant et r\u00e9alise des travaux photographique et vid\u00e9o autour de l’identit\u00e9 et du patrimoine r\u00e9unionnais. Ses courts m\u00e9trages La face cach\u00e9e du p\u00e8re no\u00ebl<\/strong> et Baba sifon<\/strong> ont \u00e9t\u00e9 s\u00e9lectionn\u00e9 au FESPACO. Santy\u00e9 papang\u00e8r<\/strong> est son premier long m\u00e9trage cin\u00e9ma. MADA<\/strong> ou l\u2019histoire du premier homme <\/strong>est son troisi\u00e8me court m\u00e9trage cin\u00e9ma.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Il y a longtemps avant longtemps, les \u00eeles de l\u2019Oc\u00e9an Indien formaient un immense continent. Il y a longtemps avant longtemps, sur la province de Madagascar naquit le premier homme. Il y a longtemps, pas longtemps avant longtemps, juste longtemps, les hommes falsifi\u00e8rent cette histoire. Il est temps de r\u00e9tablir la v\u00e9rit\u00e9. Biofilmographie\/Biofilmography Apr\u00e8s […]<\/p>\n","protected":false},"author":2,"featured_media":1247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/bef.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1246"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1246\/revisions"}],"predecessor-version":[{"id":1369,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1246\/revisions\/1369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1247"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1241,"date":"2021-09-28T14:25:24","date_gmt":"2021-09-28T14:25:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1241"},"modified":"2023-02-23T18:24:03","modified_gmt":"2023-02-23T18:24:03","slug":"linconnu-the-unknown","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/linconnu-the-unknown\/","title":{"rendered":"L\u2019Inconnu \/The Unknown"},"content":{"rendered":"

Synopsis<\/strong>. \u00a0Le cin\u00e9ma est la passion de Simplice. Au Burkina Faso, il filme g\u00e9n\u00e9ralement les relations humaines. Ce projet l’a conduit en Suisse, o\u00f9 il a du mal \u00e0 nouer des contacts. Comment trouver une histoire, si personne ne veut lui parler\u00a0? Ces soucis lui volent le sommeil. Jusqu’\u00e0 ce qu’il trouve une nouvelle id\u00e9e sur la fa\u00e7on d’\u00e9liminer la peur de l\u2019inconnu ….<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

Simplice Herman GANOU, R\u00e9alisateur-Sc\u00e9nariste, a travaill\u00e9 comme \u00e9ducateur aupr\u00e8s d’enfants des rues. Titulaire d\u2019un Master en Sociologie et d\u2019une Licence en Art, il obtient en 2010 une ma\u00eetrise en cin\u00e9ma documentaire \u00e0 l’Universit\u00e9 Gaston Berger de Saint Louis. Bakoroman<\/strong> (2011) est son premier film professionnel. En 2017, il remporte le Golden Tanit au Festival du Film de Carthage avec Le Koro de Bakoro, les Survivants du<\/strong> Faso <\/strong>\/ Le Koro du Bakoro, naufrag\u00e9s du Faso<\/strong> qui a eu sa premi\u00e8re mondiale en 2017 aux Visions du R\u00e9el, Nyon. En 2019, il pr\u00e9sente Organisme Religieusement Modifi\u00e9<\/strong> \u00e0 Cannes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. \u00a0Le cin\u00e9ma est la passion de Simplice. Au Burkina Faso, il filme g\u00e9n\u00e9ralement les relations humaines. Ce projet l’a conduit en Suisse, o\u00f9 il a du mal \u00e0 nouer des contacts. Comment trouver une histoire, si personne ne veut lui parler\u00a0? Ces soucis lui volent le sommeil. Jusqu’\u00e0 ce qu’il trouve une nouvelle id\u00e9e […]<\/p>\n","protected":false},"author":2,"featured_media":1242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hjyhj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1241"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1241\/revisions"}],"predecessor-version":[{"id":1370,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1241\/revisions\/1370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1242"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1237,"date":"2021-09-28T14:22:35","date_gmt":"2021-09-28T14:22:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1237"},"modified":"2023-02-23T18:22:40","modified_gmt":"2023-02-23T18:22:40","slug":"voyage-au-kenya-journey-to-kenya","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/voyage-au-kenya-journey-to-kenya\/","title":{"rendered":"Voyage au Kenya\/ Journey to Kenya"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Le film retrace le parcours de l\u2019\u00e9quipe des arts martiaux de MTC qui, en raison des moyens financiers limit\u00e9s, d\u00e9cide de se rendre par voie terrestre du Soudan au Kenya, en passant par l\u2019Ethiopie, pour y participer \u00e0 un championnat international. Un voyage dans la d\u00e9termination et l\u2019espoir, jonch\u00e9 des difficult\u00e9s et de d\u00e9fis afin de hisser haut le nom du Soudan dans les \u00e9v\u00e9nements sportifs \u00e0 l\u2019\u00e9chelle internationale.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Ibrahim Ahmad est un jeune cin\u00e9aste soudanais prime \u00e0 plusieurs reprises et l\u2019un des cin\u00e9astes les plus connus au Soudan ayant une vaste exp\u00e9rience de l\u2019Afrique de l\u2019Est et australe, avec plus de 15 films. Son court m\u00e9trage Journey To Kenya<\/em><\/strong> a re\u00e7u le prix sp\u00e9cial du jury \u00e0 la 6e \u00e9dition du Festival du film ind\u00e9pendant du Soudan en 2020. Il est \u00e9galement bien connu ses contributions aux films Khartoum Offside<\/em><\/strong>, meilleur documentaire \u00e0 African Movie Academy Award<\/em>. En outre, son film You Will Die in 20<\/em><\/strong>, Lion du futur au Festival du film de Venise en 2020, est \u00e9galement consid\u00e9r\u00e9 comme le premier long m\u00e9trage soudanais en plus d\u2019une d\u00e9cennie \u00e0 \u00eatre projet\u00e9 en Europe, au Moyen-Orient et en Afrique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Le film retrace le parcours de l\u2019\u00e9quipe des arts martiaux de MTC qui, en raison des moyens financiers limit\u00e9s, d\u00e9cide de se rendre par voie terrestre du Soudan au Kenya, en passant par l\u2019Ethiopie, pour y participer \u00e0 un championnat international. Un voyage dans la d\u00e9termination et l\u2019espoir, jonch\u00e9 des difficult\u00e9s et de d\u00e9fis […]<\/p>\n","protected":false},"author":2,"featured_media":1238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsqsqs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1237"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1237\/revisions"}],"predecessor-version":[{"id":1660,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1237\/revisions\/1660"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1233,"date":"2021-09-28T14:19:08","date_gmt":"2021-09-28T14:19:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=1233"},"modified":"2023-02-23T18:21:17","modified_gmt":"2023-02-23T18:21:17","slug":"je-me-suis-mordue-la-langue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/je-me-suis-mordue-la-langue\/","title":{"rendered":"Je me suis mordue la langue"},"content":{"rendered":"

Synopsis<\/strong>.\u00a0 Alors que je n\u2019arrive pas \u00e0 me rendre dans mon pays, je d\u00e9cide de faire un d\u00e9tour. Je d\u00e9ambule dans la ville de Tunis \u00e0 la recherche de ma langue d\u2019origine, l\u2019alg\u00e9rien.<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

Nina KHADA, <\/strong>R\u00e9alisatrice et monteuse franco-alg\u00e9rienne, n\u00e9e en France. Elle r\u00e9alise en 2016 son premier court-m\u00e9trage documentaire sur sa grandm\u00e8re \u00ab Fatima<\/strong> \u00bb. Le film est s\u00e9lectionn\u00e9 dans une cinquantaine de festivals et re\u00e7oit plusieurs prix.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis.\u00a0 Alors que je n\u2019arrive pas \u00e0 me rendre dans mon pays, je d\u00e9cide de faire un d\u00e9tour. Je d\u00e9ambule dans la ville de Tunis \u00e0 la recherche de ma langue d\u2019origine, l\u2019alg\u00e9rien. Biofilmographie\/Biofilmography Nina KHADA, R\u00e9alisatrice et monteuse franco-alg\u00e9rienne, n\u00e9e en France. Elle r\u00e9alise en 2016 son premier court-m\u00e9trage documentaire sur sa grandm\u00e8re \u00ab […]<\/p>\n","protected":false},"author":2,"featured_media":1234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsqs.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1233"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1233\/revisions"}],"predecessor-version":[{"id":1663,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1233\/revisions\/1663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1234"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1229,"date":"2021-09-28T14:15:23","date_gmt":"2021-09-28T14:15:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=1229"},"modified":"2023-02-23T18:19:58","modified_gmt":"2023-02-23T18:19:58","slug":"jacob-salem-rock-the-naaba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/jacob-salem-rock-the-naaba\/","title":{"rendered":"Jacob Salem Rock the Naaba"},"content":{"rendered":"

Synopsis<\/strong>. Ce documentaire raconte, en laissant la part belle \u00e0 la musique, comment Jacob Salem, petit page du roi des Mossi, chass\u00e9 de la cour royale car il jouait de la musique moderne, a r\u00e9ussi \u00e0 devenir le premier rockeur mossi du Burkina Faso, aujourd’hui reconnu par le Mogho Naaba qui l’encourage \u00e0 propager la culture mossi.\u00a0 Sa rencontre en 2016 avec le musicien suisse Andr\u00e9 Courbat, en s\u00e9jour au Burkina, sera le coup de pouce n\u00e9cessaire et essentiel pour lancer sa carri\u00e8re<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

Parateba YAMEOGO est un r\u00e9alisateur – cadreur burkinab\u00e8. Depuis 2009 il travaille \u00e0 Manivelle Productions o\u00f9 il cadre la majorit\u00e9 des films. Il a particip\u00e9 \u00e9galement au projet Web Edu TV pour lequel il a cor\u00e9alis\u00e9 avec des scientifiques des documentaires au service de l\u2019\u00e9ducation en Afrique subsaharienne. Deux films de ces films ont re\u00e7u des Mils d\u2019Or en 2015 et 2016. Jacob Salem Rock the Naaba <\/strong>est son premier film qu\u2019il a cor\u00e9alis\u00e9 avec Jean-Claude FRISQUE, Producteur-R\u00e9alisateur et Fondateur de Manivelle Productions.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Ce documentaire raconte, en laissant la part belle \u00e0 la musique, comment Jacob Salem, petit page du roi des Mossi, chass\u00e9 de la cour royale car il jouait de la musique moderne, a r\u00e9ussi \u00e0 devenir le premier rockeur mossi du Burkina Faso, aujourd’hui reconnu par le Mogho Naaba qui l’encourage \u00e0 propager la […]<\/p>\n","protected":false},"author":2,"featured_media":1230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bond.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1229"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1229\/revisions"}],"predecessor-version":[{"id":1373,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1229\/revisions\/1373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1230"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1225,"date":"2021-09-28T14:12:57","date_gmt":"2021-09-28T14:12:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1225"},"modified":"2023-02-23T18:18:32","modified_gmt":"2023-02-23T18:18:32","slug":"fin-end","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fin-end\/","title":{"rendered":"Fin \/ End"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Lara, une jeune cin\u00e9aste, se retrouve dans un vide entre Cuba et le Mozambique. Sur un balcon imaginaire en face de l\u2019Oc\u00e9an indien, Lara cherche des r\u00e9ponses au long silence de son p\u00e8re. Elle ressent la solitude pr\u00e9c\u00e9dant la mort imminente de son p\u00e8re Camilo. Elle se met \u00e0 tracer des chemins qui l\u2019emp\u00eachent du d\u00e9but \u00e0 la fin.<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

Lara SOUSA a \u00e9tudi\u00e9 le documentaire \u00e0 l\u2019EICTV (Cuba). Ses courts m\u00e9trages ont une esth\u00e9tique essayiste et auto-r\u00e9f\u00e9rentielle. Elle combine sa vision politique avec un langage po\u00e9tique, \u00e0 la recherche d\u2019un non-lieu<\/strong> entre le Mozambique et les autres r\u00e9alit\u00e9s. Les films de Lara ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s \u00e0 plusieurs festivals, dont la Biennale de Dakar en 2020. Elle a \u00e9t\u00e9 retenue au ColabNowNow,<\/em> la British Council Digital Arts Residence<\/em>, au titre de conteuse d\u2019Afrique australe et r\u00e9cemment s\u00e9lectionn\u00e9e \u00e0 Talent Campus de la Berlinale et Talent Campus DocStation. Son projet de film Katalina, Kalunga<\/em><\/strong>, Karonga – Sea Waved Tales<\/strong><\/em> a \u00e9t\u00e9 laur\u00e9at du Digital Lab Africa<\/em> dans la cat\u00e9gorie Art num\u00e9rique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Lara, une jeune cin\u00e9aste, se retrouve dans un vide entre Cuba et le Mozambique. Sur un balcon imaginaire en face de l\u2019Oc\u00e9an indien, Lara cherche des r\u00e9ponses au long silence de son p\u00e8re. Elle ressent la solitude pr\u00e9c\u00e9dant la mort imminente de son p\u00e8re Camilo. Elle se met \u00e0 tracer des chemins qui l\u2019emp\u00eachent […]<\/p>\n","protected":false},"author":2,"featured_media":1226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/qsdqd.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1225"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1225\/revisions"}],"predecessor-version":[{"id":1671,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1225\/revisions\/1671"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1226"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1221,"date":"2021-09-28T14:10:47","date_gmt":"2021-09-28T14:10:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1221"},"modified":"2023-02-23T20:08:16","modified_gmt":"2023-02-23T20:08:16","slug":"ethereality","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ethereality\/","title":{"rendered":"Ethereality"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Perdu dans l\u2019espace depuis 30 ans. Qu\u2019est-ce que \u00e7a fait de rentrer enfin \u00e0 la maison\u00a0? Une r\u00e9flexion sur le ph\u00e9nom\u00e8ne migratoire et le sentiment d\u2019appartenance.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

La sc\u00e9nariste et r\u00e9alisatrice suisse-rwandaise Kantarama GAHIGIRI s\u2019est form\u00e9e en cin\u00e9ma pendant ses 8 ann\u00e9es \u00e0 New York. Son premier long m\u00e9trage Tapis Rouge<\/em><\/strong> a \u00e9t\u00e9 projet\u00e9 et r\u00e9compens\u00e9 dans le monde entier, remportant entre autres le prix du meilleur long m\u00e9trage TV5 Monde au Festival international du film de Gen\u00e8ve en 2014 et le prix de la meilleure r\u00e9alisation au Festival du film de Chelsea \u00e0 NY en 2015, le tout couronn\u00e9 d\u2019une sortie en salles nationales en France en 2017. Elle travaille actuellement sur son deuxi\u00e8me long m\u00e9trage intitul\u00e9 Tanzanite<\/em><\/strong>, un thriller afro-dystopique qui se d\u00e9roule dans un Kenya futur.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Perdu dans l\u2019espace depuis 30 ans. Qu\u2019est-ce que \u00e7a fait de rentrer enfin \u00e0 la maison\u00a0? Une r\u00e9flexion sur le ph\u00e9nom\u00e8ne migratoire et le sentiment d\u2019appartenance. Biofilmographie\/Biofilmography La sc\u00e9nariste et r\u00e9alisatrice suisse-rwandaise Kantarama GAHIGIRI s\u2019est form\u00e9e en cin\u00e9ma pendant ses 8 ann\u00e9es \u00e0 New York. Son premier long m\u00e9trage Tapis Rouge a \u00e9t\u00e9 projet\u00e9 […]<\/p>\n","protected":false},"author":2,"featured_media":1222,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Bon.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1221"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1221\/revisions"}],"predecessor-version":[{"id":1676,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1221\/revisions\/1676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1222"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1217,"date":"2021-09-28T14:08:42","date_gmt":"2021-09-28T14:08:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=1217"},"modified":"2023-02-23T20:06:54","modified_gmt":"2023-02-23T20:06:54","slug":"boyi-biyo-double-poumon","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/boyi-biyo-double-poumon\/","title":{"rendered":"Boyi biyo \u2013 Double poumon"},"content":{"rendered":"

Synopsis<\/strong>. On les appelle Boyi Biyo ou Double-Poumon, ce sont les pousseurs de viande. Chaque matin, ils attendent \u00e0 l’abattoir qu’on remplisse leur pousse de grands quartiers de viande avant de courir \u00e0 travers la ville jusque chez leur patron boucher. Shilo est l’un d’eux. Il court, il court. Il a un r\u00eave : gagner le marathon de Bangui.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Anne-Bertille Ndeysseit VOPIANDE a \u00e9tudi\u00e9 la Gestion des Ressources Humaines \u00e0 l\u2019Universit\u00e9. Apr\u00e8s sa licence, en 2017, elle participe au premier atelier Varan en R\u00e9publique Centrafricaine pendant laquelle elle r\u00e9alise son premier court-m\u00e9trage I a wali<\/strong>. En 2018, elle participe au tournage du film Camille <\/strong>de Boris LOJKINE, comme assistante \u00e9lectricienne. En 2018-2019, elle r\u00e9alise son deuxi\u00e8me film documentaire Boyi Biyo-Double poumon.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. On les appelle Boyi Biyo ou Double-Poumon, ce sont les pousseurs de viande. Chaque matin, ils attendent \u00e0 l’abattoir qu’on remplisse leur pousse de grands quartiers de viande avant de courir \u00e0 travers la ville jusque chez leur patron boucher. Shilo est l’un d’eux. Il court, il court. Il a un r\u00eave : gagner […]<\/p>\n","protected":false},"author":2,"featured_media":1218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/a.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1217"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1217\/revisions"}],"predecessor-version":[{"id":1679,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1217\/revisions\/1679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1218"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1213,"date":"2021-09-28T14:05:42","date_gmt":"2021-09-28T14:05:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=1213"},"modified":"2023-02-23T20:04:54","modified_gmt":"2023-02-23T20:04:54","slug":"5-etoiles-fifire-do","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/5-etoiles-fifire-do\/","title":{"rendered":"5 Etoiles\/ Fifire Do"},"content":{"rendered":"

Synopsis<\/strong>. On parle souvent des dangers de la travers\u00e9e du d\u00e9sert et de la M\u00e9diterran\u00e9e. Mais ce dont on parle le moins, c\u2019est de ce qui se passe une fois que les migrants arrivent \u00e0 destination. Dans ce lieu appel\u00e9 5 Etoiles, maliens, s\u00e9n\u00e9galais, guin\u00e9ens, et autres, se retrouvent pris au pi\u00e8ge de leurs r\u00eaves. Commence alors un nouveau combat sous le regard du Gouverneur Faidherbe!<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Apr\u00e8s une Maitrise en G\u00e9ographie de l\u2019Universit\u00e9 Cheikh Anta Diop de Dakar, Mame Woury THIOUBOU choisit le journalisme. En 2009, elle int\u00e8gre le Master de r\u00e9alisation de Documentaire de cr\u00e9ation de l\u2019Universit\u00e9 Gaston Berger de Saint Louis (UGB) o\u00f9 elle r\u00e9alise son film de fin d’\u00e9tudes\u00a0Face \u00e0 Face.\u00a0<\/strong>Son premier moyen m\u00e9trage\u00a0Agora Braille\u00a0<\/strong>traite de l’inclusion\u00a0des non-voyants dans le syst\u00e8me scolaire s\u00e9n\u00e9galais. Une dimension sociale du documentaire que l\u2019on retrouve \u00e9galement dans ses derniers films\u00a0Fifiire en Pays Cuballo\u00a0et\u00a05 Etoiles.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. On parle souvent des dangers de la travers\u00e9e du d\u00e9sert et de la M\u00e9diterran\u00e9e. Mais ce dont on parle le moins, c\u2019est de ce qui se passe une fois que les migrants arrivent \u00e0 destination. Dans ce lieu appel\u00e9 5 Etoiles, maliens, s\u00e9n\u00e9galais, guin\u00e9ens, et autres, se retrouvent pris au pi\u00e8ge de leurs r\u00eaves. […]<\/p>\n","protected":false},"author":2,"featured_media":1214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/sans-titre-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1213"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1213\/revisions"}],"predecessor-version":[{"id":1529,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1213\/revisions\/1529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1209,"date":"2021-09-28T13:15:47","date_gmt":"2021-09-28T13:15:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=1209"},"modified":"2023-02-08T08:13:34","modified_gmt":"2023-02-08T08:13:34","slug":"une-histoire-damour-et-de-desir-a-tale-of-love-and-desire","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-histoire-damour-et-de-desir-a-tale-of-love-and-desire\/","title":{"rendered":"Une histoire d\u2019amour et de d\u00e9sir\/ A Tale of Love and Desire"},"content":{"rendered":"

Synopsis<\/strong>. Ahmed, 18 ans, fran\u00e7ais d\u2019origine alg\u00e9rienne, a grandi en banlieue parisienne. Sur les bancs de la fac, il rencontre Farah, une jeune tunisienne pleine d\u2019\u00e9nergie fra\u00eechement d\u00e9barqu\u00e9e \u00e0 Paris. Tout en d\u00e9couvrant un corpus de litt\u00e9rature arabe sensuelle et \u00e9rotique dont il ne soup\u00e7onnait pas l\u2019existence, Ahmed tombe tr\u00e8s amoureux d’elle et bien que litt\u00e9ralement submerg\u00e9 par le d\u00e9sir, il va tenter d\u2019y r\u00e9sister.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Leyla BOUZID a grandi \u00e0 Tunis o\u00f9 elle est n\u00e9e en 1984. En 2003, elle part \u00e0 Paris \u00e9tudier la litt\u00e9rature fran\u00e7aise \u00e0 la Sorbonne puis int\u00e8gre La F\u00e9mis en r\u00e9alisation. Elle r\u00e9alise son court m\u00e9trage de fin d\u2019\u00e9tudes, Soubresauts<\/strong>, en 2011 puis Zakaria <\/strong>en 2013. En 2015, son premier long m\u00e9trage, \u00c0 peine j\u2019ouvre les yeux<\/strong>, est prim\u00e9 \u00e0 la Mostra de Venise puis s\u00e9lectionn\u00e9 dans de nombreux festivals internationaux. Une histoire d\u2019amour<\/strong> et de d\u00e9sir<\/strong> <\/em>est son deuxi\u00e8me long-m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Ahmed, 18 ans, fran\u00e7ais d\u2019origine alg\u00e9rienne, a grandi en banlieue parisienne. Sur les bancs de la fac, il rencontre Farah, une jeune tunisienne pleine d\u2019\u00e9nergie fra\u00eechement d\u00e9barqu\u00e9e \u00e0 Paris. Tout en d\u00e9couvrant un corpus de litt\u00e9rature arabe sensuelle et \u00e9rotique dont il ne soup\u00e7onnait pas l\u2019existence, Ahmed tombe tr\u00e8s amoureux d’elle et bien que […]<\/p>\n","protected":false},"author":2,"featured_media":1210,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1209"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1209\/revisions"}],"predecessor-version":[{"id":1378,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1209\/revisions\/1378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1210"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1205,"date":"2021-09-28T13:13:26","date_gmt":"2021-09-28T13:13:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=1205"},"modified":"2023-02-08T08:12:38","modified_gmt":"2023-02-08T08:12:38","slug":"this-is-not-a-burial-its-a-resurrection","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/this-is-not-a-burial-its-a-resurrection\/","title":{"rendered":"This Is Not A Burial, It\u2019s A Resurrection"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Amongst the pythonic mountains of land-locked Lesotho, an 80 year old widow winds up her earthly affairs, makes arrangements for her burial and prepares to die. But when her village is threatened with forced resettlement due to the construction of a reservoir, she finds a new will to live and ignites a collective spirit of defiance within her community. In the final dramatic moments of her life, Mantoa\u2019s legend is forged and made eternal.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Lemohang Jeremiah MOSESE is a self-taught filmmaker and visual artist from Lesotho. His film \u00ab\u00a0Mother I am<\/em> Suffocating. This is My Last Film About You\u2019 <\/em>was selected for Final Cut in Venice 2018, where it won six awards. It premiered in the Berlinale Forum in 2019. MOSESE was one of three filmmakers selected for Biennale College – Cinema with his feature film This Is Not A Burial It\u2019s A Resurrection<\/em><\/strong>, which premiered at the Sundance Film Festival this year, where it won the Jury Award for Visionary Filmmaking. It has gone on to win 20 further awards, including 8 Best Film Awards and 2 Best Director awards.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Amongst the pythonic mountains of land-locked Lesotho, an 80 year old widow winds up her earthly affairs, makes arrangements for her burial and prepares to die. But when her village is threatened with forced resettlement due to the construction of a reservoir, she finds a new will to live and ignites a collective spirit […]<\/p>\n","protected":false},"author":2,"featured_media":1206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-9.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1205"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1205\/revisions"}],"predecessor-version":[{"id":1379,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1205\/revisions\/1379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1206"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1201,"date":"2021-09-28T13:10:56","date_gmt":"2021-09-28T13:10:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=1201"},"modified":"2023-02-08T08:11:38","modified_gmt":"2023-02-08T08:11:38","slug":"the-white-line","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-white-line\/","title":{"rendered":"The white line"},"content":{"rendered":"

Synopsis<\/strong>. La ligne blanche 1963, trois ans apr\u00e8s une r\u00e9volte qui secoua le Sud-Ouest africain. C\u2019est une histoire au nom de l\u2019espoir d\u2019un amour interdit. La vie d\u2019une femme noire change a jamais lorsqu\u2019un policier blanc tombe amoureux d\u2019elle. Leur amour illicite l\u2019un pour l\u2019autre grandit au fil du temps \u00e0 travers les lettres qu\u2019ils s\u2019\u00e9crivent mutuellement. Ils doivent surmonter plusieurs obtacles dont le plus grand, leur couleur de peau.<\/p>\n

Set in 1963, after the Old Location uprising which shook South West Africa, a black maid\u2019s life is changed forever when she encounters an Afrikaner police officer on a routine passbook check. Their illicit love for each other grows over time through the letters they write to each other, and they endure many obstacles beyond their different skin colours.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Desiree KAHIKOPO is an emerging female filmmaker from Namibia. She\u2019s participation in the Namibian film and theatre industry spans over 12 years as a performer, actress, creative director as well as playwright. She produced, wrote and directed a theatre play titled A Lifetime of Blues<\/strong> that won best set design at the Namibian Film and Theatre Awards. She has worked on countless film sets including Fish Out of Water<\/strong> as a Line Producer by the well-known Namibian filmmaker Vickson Hangula. KAHIKOPO was selected to be part of the Talents Durban 2018 class.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. La ligne blanche 1963, trois ans apr\u00e8s une r\u00e9volte qui secoua le Sud-Ouest africain. C\u2019est une histoire au nom de l\u2019espoir d\u2019un amour interdit. La vie d\u2019une femme noire change a jamais lorsqu\u2019un policier blanc tombe amoureux d\u2019elle. Leur amour illicite l\u2019un pour l\u2019autre grandit au fil du temps \u00e0 travers les lettres qu\u2019ils […]<\/p>\n","protected":false},"author":2,"featured_media":1202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":1380,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1201\/revisions\/1380"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1202"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1197,"date":"2021-09-28T13:07:50","date_gmt":"2021-09-28T13:07:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=1197"},"modified":"2023-02-08T08:10:38","modified_gmt":"2023-02-08T08:10:38","slug":"souad","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/souad\/","title":{"rendered":"Souad"},"content":{"rendered":"

Synopsis<\/strong>. Dans une petite ville sur le delta du Nil en Egypte, Souad, 19 ans, est tiraill\u00e9e entre les contraintes religieuses et conservatrices impos\u00e9es par sa famille et une vie secr\u00e8te et fantasm\u00e9e dans laquelle elle se projette \u00e0 travers les r\u00e9seaux sociaux. Perdue entre ces deux mondes, ses ambitions sont \u00e9cras\u00e9es par la r\u00e9alit\u00e9\u2026<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Ayten AMIN a \u00e9tudi\u00e9 le cin\u00e9ma de mani\u00e8re ind\u00e9pendante. Elle a r\u00e9alis\u00e9 son premier court m\u00e9trage de fiction Her Man<\/strong> en 2006. Son court m\u00e9trage suivant [apr\u00e8s \u00ab I know who she is<\/strong> \u00bb, en 2007], Spring 89<\/strong> r\u00e9alis\u00e9 en 2009 a re\u00e7u de nombreux prix nationaux. Son premier long m\u00e9trage fiction 69 Messaha Square<\/strong> (2013) a remport\u00e9 le prix du meilleur projet \u00e0 la Cairo Film Connection en 2010. Elle a cor\u00e9alis\u00e9 le documentaire \u00ab Tahrir 2011<\/strong> \u00bb, qui a \u00e9t\u00e9 nomin\u00e9 pour le prix du meilleur documentaire au cin\u00e9ma pour la paix \u00e0 la Berlinale 2012.<\/p>\n

Ayten AMIN was studied Cinema independently. She directed her first short fiction Her Man <\/strong>in 2006. Her next short fiction [after \u00ab I know who she is \u00bb, in 2007], \u00ab Spring 89<\/strong> \u00bb in 2009 received many national awards in Egypt. Her debut feature film \u2018Villa 69<\/strong>\u2032 (2013) won the prize of the Cairo film Connection for best project in 2010. She co-directed the documentary \u2018Tahrir 2011<\/strong> was nominated for Best Documentary in Cinema For Peace award Berlin 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Dans une petite ville sur le delta du Nil en Egypte, Souad, 19 ans, est tiraill\u00e9e entre les contraintes religieuses et conservatrices impos\u00e9es par sa famille et une vie secr\u00e8te et fantasm\u00e9e dans laquelle elle se projette \u00e0 travers les r\u00e9seaux sociaux. Perdue entre ces deux mondes, ses ambitions sont \u00e9cras\u00e9es par la r\u00e9alit\u00e9\u2026 […]<\/p>\n","protected":false},"author":2,"featured_media":1198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-7.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1197"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1197\/revisions"}],"predecessor-version":[{"id":1381,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1197\/revisions\/1381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1198"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1193,"date":"2021-09-28T13:05:32","date_gmt":"2021-09-28T13:05:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=1193"},"modified":"2023-02-08T08:09:58","modified_gmt":"2023-02-08T08:09:58","slug":"oliver-black","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/oliver-black\/","title":{"rendered":"Oliver Black"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Vendredi, a young Black African boy crosses the desert to reach Morocco, to make the art of circus. He meets an old man \u201cWhite Man\u201d who lost his dromadory in the desert. Both they travel together and a very complicated relationship grows between them. By the end White man sells the little boy to some mercenaries and let him become an ISIS terrorist.<\/em><\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Form\u00e9 en R\u00e9alisation \u00e0 l\u2019Ecole Fran\u00e7aise des Arts et M\u00e9dias (2008-2010) et en technique d\u2019\u00e9criture du sc\u00e9nario \u00e0 l\u2019Institut Royal de la Culture Amazigh \u00e0 Rabat (2009), Tawfik BABA a \u00e0 son actif plusieurs r\u00e9alisations dont\u00a0: Les cavernes de Tazaghte<\/strong> (Documentaire) en 2009, Le clown<\/strong> (court m\u00e9trage) en 2015, L\u2019homme de sable<\/strong> (court m\u00e9trage) en 2014, Winter time<\/strong> (court m\u00e9trage) en 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Vendredi, a young Black African boy crosses the desert to reach Morocco, to make the art of circus. He meets an old man \u201cWhite Man\u201d who lost his dromadory in the desert. Both they travel together and a very complicated relationship grows between them. By the end White man sells the little boy to […]<\/p>\n","protected":false},"author":2,"featured_media":1194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1382,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1193\/revisions\/1382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1194"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1188,"date":"2021-09-28T13:01:24","date_gmt":"2021-09-28T13:01:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1188"},"modified":"2023-02-08T08:09:08","modified_gmt":"2023-02-08T08:09:08","slug":"lingui-les-liens-sacres","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lingui-les-liens-sacres\/","title":{"rendered":"Lingui, les liens sacr\u00e9s"},"content":{"rendered":"

Synopsis<\/strong>. Dans les faubourgs de N\u2019Djam\u00e9na au Tchad, Amina vit seule avec Maria, sa fille unique de quinze ans. Son monde d\u00e9j\u00e0 fragile s\u2019\u00e9croule le jour o\u00f9 elle d\u00e9couvre que sa fille est enceinte. Cette grossesse, l\u2019adolescente n\u2019en veut pas. Dans un pays o\u00f9 l\u2019avortement est non seulement condamn\u00e9 par la religion, mais aussi par la loi, Amina se retrouve face \u00e0 un combat qui semble perdu d\u2019avance\u2026<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Mahamat Saleh HAROUN fait des \u00e9tudes de cin\u00e9ma \u00e0 Paris au Conservatoire libre du cin\u00e9ma fran\u00e7ais et se forme au journalisme \u00e0 l\u2019IUT de Bordeaux. En 1991, il r\u00e9alise son premier court m\u00e9trage Tan Koul<\/strong>, mais c\u2019est son film Maral Tani\u00e9<\/strong> (1994) qui le fait connaitre. En 1999, Mahamat signe son premier long m\u00e9trage Bye Bye Africa<\/strong>. En 2001, il r\u00e9alise Letter from New York City<\/strong> (Prix de la meilleure vid\u00e9o au 11e<\/sup> Festival du cin\u00e9ma africain de Milan), en 2002 Abouna<\/strong> (prix de la meilleure image au FESPACO) et en 2007, Daratt<\/strong> qui remporte l\u2019Etalon de bronze de Yennenga et le Prix de la meilleure image au FESPACO.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Dans les faubourgs de N\u2019Djam\u00e9na au Tchad, Amina vit seule avec Maria, sa fille unique de quinze ans. Son monde d\u00e9j\u00e0 fragile s\u2019\u00e9croule le jour o\u00f9 elle d\u00e9couvre que sa fille est enceinte. Cette grossesse, l\u2019adolescente n\u2019en veut pas. Dans un pays o\u00f9 l\u2019avortement est non seulement condamn\u00e9 par la religion, mais aussi par […]<\/p>\n","protected":false},"author":2,"featured_media":1190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1190"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1184,"date":"2021-09-28T12:57:50","date_gmt":"2021-09-28T12:57:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=1184"},"modified":"2023-02-08T08:08:27","modified_gmt":"2023-02-08T08:08:27","slug":"les-trois-lascars","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-trois-lascars\/","title":{"rendered":"Les trois lascars"},"content":{"rendered":"

Synopsis<\/strong>. Sous la pression de leur maitresse respective, leur \u00ab Tchiza \u00bb, trois amis organisent une vir\u00e9e extraconjugale hors de Ouagadougou. Une mission bidon \u00e0 Abidjan est l\u2019alibi parfait. Mais quel cauchemar lorsqu\u2019ils apprennent que l\u2019avion qu\u2019ils devaient prendre s\u2019est crash\u00e9 ! Comment revenir \u00e0 la vie lorsque l\u2019on est suppos\u00e9 \u00eatre mort ? La vengeance des femmes sera cuisante\u2026<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Sc\u00e9nariste-r\u00e9alisateur-producteur et romancier, cet autodidacte a \u00e9t\u00e9 pr\u00e9c\u00e9demment \u00e9diteur de presse avec un hebdomadaire satirique. F\u00e9ru de l\u2019\u00e9crit et de l\u2019image, il a \u00e0 son actif, 2 romans policiers, 1 recueil de contes africains, ainsi que 4 long-m\u00e9trages, 10 t\u00e9l\u00e9films et 5 s\u00e9ries t\u00e9l\u00e9visuelles.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Sous la pression de leur maitresse respective, leur \u00ab Tchiza \u00bb, trois amis organisent une vir\u00e9e extraconjugale hors de Ouagadougou. Une mission bidon \u00e0 Abidjan est l\u2019alibi parfait. Mais quel cauchemar lorsqu\u2019ils apprennent que l\u2019avion qu\u2019ils devaient prendre s\u2019est crash\u00e9 ! Comment revenir \u00e0 la vie lorsque l\u2019on est suppos\u00e9 \u00eatre mort ? La […]<\/p>\n","protected":false},"author":2,"featured_media":1185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1184"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1184\/revisions"}],"predecessor-version":[{"id":1384,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1184\/revisions\/1384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1185"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1179,"date":"2021-09-28T12:55:49","date_gmt":"2021-09-28T12:55:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=1179"},"modified":"2021-10-01T14:32:21","modified_gmt":"2021-10-01T14:32:21","slug":"la-nuit-des-rois","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-nuit-des-rois\/","title":{"rendered":"La nuit des rois"},"content":{"rendered":"

Synopsis<\/strong>. La MACA, la prison d\u2019Abidjan, l\u2019une des prisons les plus surpeupl\u00e9es d\u2019Afrique de l\u2019Ouest. Vieillissant et malade, Barbe Noire est un ca\u00efd de plus en plus contest\u00e9. Pour conserver son pouvoir, il renoue avec la tradition de \u201cRoman\u201d, un rituel qui consiste \u00e0 obliger un prisonnier \u00e0 raconter des histoires durant toute une nuit. Un jeune pickpocket est d\u00e9sign\u00e9. \u201cRoman\u201d ne sait pas raconter, mais il est hant\u00e9 par une seule histoire, celle de Zama King\u2026<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Philippe LAC\u00d4TE grandit \u00e0 Abidjan \u00e0 proximit\u00e9 d\u2019un cin\u00e9ma\u00a0: \u00ab\u00a0Le Magic\u00a0\u00bb. Son travail de r\u00e9alisateur a pris plusieurs formes avant de se fixer en 2002 sur l\u2019histoire r\u00e9cente de son pays avec Chroniques de Guerre en C\u00f4te D\u2019Ivoire<\/strong>, un film \u00e0 la fronti\u00e8re entre le documentaire et le journal intime. Puis le long m\u00e9trage Run<\/strong>, racontant l\u2019histoire d\u2019un fou errant, s\u00e9lectionn\u00e9 \u00e0 Cannes Un Certain Regard en 2014. Cette s\u00e9lection confirme son talent de cin\u00e9aste et fait d\u00e9couvrir une nouvelle voix issue du continent africain.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. La MACA, la prison d\u2019Abidjan, l\u2019une des prisons les plus surpeupl\u00e9es d\u2019Afrique de l\u2019Ouest. Vieillissant et malade, Barbe Noire est un ca\u00efd de plus en plus contest\u00e9. Pour conserver son pouvoir, il renoue avec la tradition de \u201cRoman\u201d, un rituel qui consiste \u00e0 obliger un prisonnier \u00e0 raconter des histoires durant toute une nuit. […]<\/p>\n","protected":false},"author":2,"featured_media":1181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1179\/revisions"}],"predecessor-version":[{"id":1385,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1179\/revisions\/1385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1175,"date":"2021-09-28T12:38:23","date_gmt":"2021-09-28T12:38:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=1175"},"modified":"2023-02-08T08:06:47","modified_gmt":"2023-02-08T08:06:47","slug":"la-femme-du-fossoyeur-the-gravediggers-wife","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-femme-du-fossoyeur-the-gravediggers-wife\/","title":{"rendered":"La femme du fossoyeur\/The gravedigger\u2019s wife"},"content":{"rendered":"

Synopsis<\/strong>. Guled et Nasra sont un couple amoureux, vivant dans les quartiers pauvres de Djibouti avec leur fils Mahad. Cependant, l\u2019\u00e9quilibre de leur famille est menac\u00e9. Nasra souffre d\u2019une grave maladie r\u00e9nale et doit se faire op\u00e9rer d\u2019urgence. L\u2019op\u00e9ration co\u00fbte cher et Guled trime d\u00e9j\u00e0 comme fossoyeur pour joindre les deux bouts. Comment r\u00e9unir l\u2019argent pour sauver Nasra et garder une famille unie ?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

L\u2019auteur-r\u00e9alisateur Khadar Ayderus AHMED, n\u00e9 \u00e0 Mogadiscio il y a 40 ans, a r\u00e9alis\u00e9 plusieurs court-m\u00e9trages couronn\u00e9s de succ\u00e8s, dont The Night Thief<\/strong> en 2017. Il poursuit \u00e9galement une carri\u00e8re remarquable en tant qu\u2019auteur. The Gravedigger\u2019s Wife<\/strong> est son premier long m\u00e9trage et a \u00e9t\u00e9 d\u00e9velopp\u00e9 dans le cadre de la R\u00e9sidence de la Cin\u00e9fondation en 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Guled et Nasra sont un couple amoureux, vivant dans les quartiers pauvres de Djibouti avec leur fils Mahad. Cependant, l\u2019\u00e9quilibre de leur famille est menac\u00e9. Nasra souffre d\u2019une grave maladie r\u00e9nale et doit se faire op\u00e9rer d\u2019urgence. L\u2019op\u00e9ration co\u00fbte cher et Guled trime d\u00e9j\u00e0 comme fossoyeur pour joindre les deux bouts. Comment r\u00e9unir l\u2019argent […]<\/p>\n","protected":false},"author":2,"featured_media":1176,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-6.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1175"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1175\/revisions"}],"predecessor-version":[{"id":1386,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1175\/revisions\/1386"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1176"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1171,"date":"2021-09-28T12:35:35","date_gmt":"2021-09-28T12:35:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1171"},"modified":"2023-02-08T08:04:56","modified_gmt":"2023-02-08T08:04:56","slug":"freda","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/freda\/","title":{"rendered":"Freda"},"content":{"rendered":"

Synopsis<\/strong>. Freda vit avec sa m\u00e8re, sa s\u0153ur et son fr\u00e8re dans un quartier pauvre d\u2019Ha\u00efti. Traumatis\u00e9e dans son enfance, elle s\u2019est construite par les \u00e9tudes et veut un autre destin que celui des femmes qui l\u2019entourent. Mais tandis que des pi\u00e8ges se referment sur les siens, son pass\u00e9 refait violemment surface.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Gessica GENEUS started her acting carreer at 17, playing in Barikad<\/em><\/strong>, by Richard S\u00e9n\u00e9cal. She then collaborated with various haitian and international film directors. Recently, she played in a TV movie on Toussaint Louverture, directed by Philippe Niang. In 2011, Gessica was granted a scholarship from the Acting International de Paris. Back in Haiti, she founded her own production company, Ayizian Productions. In 2014, she directed Vizaj Nou<\/em><\/strong>, a portrait series of contemporary haitian figures. Douvan jou ka leve<\/strong> (The sun will rise<\/strong>) is her first documentary for France T\u00e9l\u00e9visions.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Freda vit avec sa m\u00e8re, sa s\u0153ur et son fr\u00e8re dans un quartier pauvre d\u2019Ha\u00efti. Traumatis\u00e9e dans son enfance, elle s\u2019est construite par les \u00e9tudes et veut un autre destin que celui des femmes qui l\u2019entourent. Mais tandis que des pi\u00e8ges se referment sur les siens, son pass\u00e9 refait violemment surface. Biofilmographie\/Biofilmography Gessica GENEUS […]<\/p>\n","protected":false},"author":2,"featured_media":1172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1171\/revisions"}],"predecessor-version":[{"id":1387,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1171\/revisions\/1387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1172"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1167,"date":"2021-09-28T12:33:02","date_gmt":"2021-09-28T12:33:02","guid":{"rendered":"https:\/\/fespaco.org\/?p=1167"},"modified":"2023-02-08T08:04:14","modified_gmt":"2023-02-08T08:04:14","slug":"feathers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/feathers\/","title":{"rendered":"Feathers"},"content":{"rendered":"

Synopsis<\/strong>. Une m\u00e8re passive, d\u00e9vou\u00e9e corps et \u00e2me \u00e0 son mari et ses enfants. Enferm\u00e9e dans un quotidien monotone, rythm\u00e9 de t\u00e2ches banales et r\u00e9p\u00e9titives, elle se fait aussi petite que possible. Un simple tour de magie tourne mal pendant l\u2019anniversaire de son fils de quatre ans et c\u2019est une avalanche de catastrophes absurdes et improbables qui s\u2019abat sur la famille. Luttant pour sa survie et celle de ses enfants, elle devient peu \u00e0 peu une femme ind\u00e9pendante et forte.<\/p>\n

A passive mother who dedicates her life to her husband and children. Stuck in daily, repetitive, mundane chores, she has made herself as little as she possibly could. When a magic trick goes wrong at her 4-year-old son\u2019s birthday party, an avalanche of coincidental absurdities befalls the family. As she tries to survive, she goes through a rough and absurd transformation.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

R\u00e9alisateur et sc\u00e9nariste, Omar EL ZOHAIRY r\u00e9alise en 2011 son premier court-m\u00e9trage Breathe Out<\/strong> (Zafir<\/strong>), qui re\u00e7oit le Prix Sp\u00e9cial du Jury au festival de Dubai. Son second court-m\u00e9trage, The Aftermath of the Inauguration of the Public Toilet at Kilometer 375<\/strong>, r\u00e9alis\u00e9 en 2014, est le premier film \u00e9gyptien s\u00e9lectionn\u00e9 \u00e0 la Cin\u00e9fondation du Festival de Cannes. Son premier long m\u00e9trage Feathers<\/strong> (2021) fait sa Premi\u00e8re Mondiale au Festival de Cannes 2021 o\u00f9 il remporte le Grand Prix de la 60\u00e8 Semaine de la Critique.<\/p>\n

Omar EL ZOHAIRY is a film director and screenwriter. He\u2019s first short film, Breathe Out<\/strong> (Zafir<\/strong>), premiered at the 8th Dubai International Film Festival and won the Muhr Special Jury Prize for Short Films. His second short film, The Aftermath of the Inauguration of the Public Toilet at Kilometre 375<\/strong>, was the first Egyptian film to be selected for the Cin\u00e9fondation competition at the 2014 Cannes Film Festival. His debut feature Feathers<\/strong> (2021) World Premiered at the 2021 Cannes Film Festival (France) and won the Grand Prize of the 60th Critics Week.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Une m\u00e8re passive, d\u00e9vou\u00e9e corps et \u00e2me \u00e0 son mari et ses enfants. Enferm\u00e9e dans un quotidien monotone, rythm\u00e9 de t\u00e2ches banales et r\u00e9p\u00e9titives, elle se fait aussi petite que possible. Un simple tour de magie tourne mal pendant l\u2019anniversaire de son fils de quatre ans et c\u2019est une avalanche de catastrophes absurdes et […]<\/p>\n","protected":false},"author":2,"featured_media":1168,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-5.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1167"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1167\/revisions"}],"predecessor-version":[{"id":1388,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1167\/revisions\/1388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1168"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1164,"date":"2021-09-28T12:30:45","date_gmt":"2021-09-28T12:30:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=1164"},"modified":"2023-02-08T08:03:01","modified_gmt":"2023-02-08T08:03:01","slug":"farwell-amor","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/farwell-amor\/","title":{"rendered":"Farwell Amor"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

After being forced to leave his family in Angola, Walter must reconnect with his wife and daughter as they reunite in his one-bedroom Brooklyn apartment 17 years later. Struggling to overcome the emotional and physical distance that has grown between them, it\u2019s Walter\u2019s passion for dance that unearths a connection with his teenage daughter, and reminds him of why he fell in love with his wife all those years ago.<\/em><\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Ekwa\u00a0MSANGI is a Tanzanian American filmmaker who has written and directed for television and film, including her feature directorial debut, Farewell Amor<\/strong>. Msangi has also written and directed several drama series for mainstream broadcasters in Kenya and South Africa, including The Agency<\/strong>, MNET\u2019s first-ever original hour-long Kenyan drama series. Along her journey Msangi has been awarded the Jerome Foundation Grant, a NYSCA\/NYFA\u00a0Artist\u00a0Fellowship, and Tribeca Institute and Sundance Institute fellowships.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. After being forced to leave his family in Angola, Walter must reconnect with his wife and daughter as they reunite in his one-bedroom Brooklyn apartment 17 years later. Struggling to overcome the emotional and physical distance that has grown between them, it\u2019s Walter\u2019s passion for dance that unearths a connection with his teenage daughter, […]<\/p>\n","protected":false},"author":2,"featured_media":1165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1164"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1164\/revisions"}],"predecessor-version":[{"id":1389,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1164\/revisions\/1389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1165"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1160,"date":"2021-09-28T12:27:57","date_gmt":"2021-09-28T12:27:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=1160"},"modified":"2023-02-08T08:02:02","modified_gmt":"2023-02-08T08:02:02","slug":"eyimofe-this-is-my-desire","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/eyimofe-this-is-my-desire\/","title":{"rendered":"Eyimofe, this is my desire"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

\u00a0Eyimofe (This is My Desire) <\/strong>follows the stories of Mofe, a factory technician, and Rosa, a hairdresser, on their quest for what they believe will be a better life on foreign shores. A passport, photos and a visa form recurring elements. The characters\u2019 misfortunes are part of their everyday life and they are sketching out the need to leave Nigeria at the same time. <\/em><\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Finding photography in Paris, ARIE<\/strong> honed his craft before returning to England where he worked in the camera departments of a number of projects ranging from Audi <\/strong>to Vivienne Westwood <\/strong>and the BBC<\/strong>.<\/p>\n

After graduating law school miserable, CHUKO<\/strong> moved to New York and rattled around internships at The Gersh Agency and Innovative Artists where he learned about the film business and discovered the concept of film school. He went on to make two more short films: Goose<\/em><\/strong>, co-directed with twin brother, Arie, that premiered at the 2017 LA Film Festival <\/strong>and Besida, <\/em><\/strong>an official selection at the 2018 Berlin Film Festival<\/strong>. Eyimofe <\/strong>is their first feature film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. \u00a0Eyimofe (This is My Desire) follows the stories of Mofe, a factory technician, and Rosa, a hairdresser, on their quest for what they believe will be a better life on foreign shores. A passport, photos and a visa form recurring elements. The characters\u2019 misfortunes are part of their everyday life and they are sketching […]<\/p>\n","protected":false},"author":2,"featured_media":1161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-3.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1160"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1160\/revisions"}],"predecessor-version":[{"id":1390,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1160\/revisions\/1390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1161"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1156,"date":"2021-09-28T12:25:41","date_gmt":"2021-09-28T12:25:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=1156"},"modified":"2023-02-08T08:00:00","modified_gmt":"2023-02-08T08:00:00","slug":"bendskins","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bendskins\/","title":{"rendered":"Bendskins"},"content":{"rendered":"

Synopsis<\/strong>. Sani, Marie et Franck sont trois jeunes moto-taximan aux destins et histoires singuli\u00e8res. Sani doit affronter Charles, son employeur et par ailleurs p\u00e8re de Samedi, sa copine, qui attend un enfant de lui. Marie, viol\u00e9e il y a cinq ans, essaie de retrouver Tom, son violeur. Et Franck de son c\u00f4t\u00e9, doit tout faire pour se d\u00e9barrasser du corps sans vie d\u2019un enfant de 8 mois qui n\u2019est autre que le neveu de Alexa, sa copine.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Narcisse WANDJI pr\u00e9pare une th\u00e8se de doctorat en \u00e9tudes cin\u00e9matographiques \u00e0 l\u2019universit\u00e9 de Bayreuth en Allemagne. Il a \u00e9crit, produit et r\u00e9alis\u00e9 plusieurs courts m\u00e9trages s\u00e9lectionn\u00e9s et prim\u00e9s \u00e0 plusieurs festivals. Walls<\/strong>, son dernier court m\u00e9trage a \u00e9t\u00e9 laur\u00e9at de l\u2019\u00e9cran d\u2019or du meilleur court m\u00e9trage camerounais lors du Festival Ecrans Noirs 2016 et s\u00e9lectionn\u00e9 \u00e0 une vingtaine de festivals internationaux dont les Journ\u00e9es Cin\u00e9matographiques de Carthage, Festival Cinema Africano, Asia et America Latina de Milan, Black film festival de Philadelphie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Sani, Marie et Franck sont trois jeunes moto-taximan aux destins et histoires singuli\u00e8res. Sani doit affronter Charles, son employeur et par ailleurs p\u00e8re de Samedi, sa copine, qui attend un enfant de lui. Marie, viol\u00e9e il y a cinq ans, essaie de retrouver Tom, son violeur. Et Franck de son c\u00f4t\u00e9, doit tout faire […]<\/p>\n","protected":false},"author":2,"featured_media":1157,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1156"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1156\/revisions"}],"predecessor-version":[{"id":1391,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1156\/revisions\/1391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1157"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1152,"date":"2021-09-28T12:23:24","date_gmt":"2021-09-28T12:23:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1152"},"modified":"2023-02-08T07:58:14","modified_gmt":"2023-02-08T07:58:14","slug":"baamum-nafi-le-pere-de-nafi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/baamum-nafi-le-pere-de-nafi\/","title":{"rendered":"Baamum Nafi \/ Le p\u00e8re de Nafi"},"content":{"rendered":"

Synopsis<\/strong>. Deux fr\u00e8res, un imam et un candidat \u00e0 la mairie, se battent \u00e0 propos du mariage de leurs enfants. Cependant le vrai enjeu est comment une petite ville glisse vers l’extr\u00e9misme religieux.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Mamadou Dia a obtenu son master en R\u00e9alisation\/\u00c9criture de la New York University Tisch School of the Arts. Son long m\u00e9trage Baamum Nafi<\/strong> a fait sa premi\u00e8re au Festival International du Film de Locarno en 2019 o\u00f9 il a remport\u00e9 le prix de la meilleure premi\u00e8re \u0153uvre et le L\u00e9opard d’Or de la section \u00ab\u00a0cin\u00e9astes du pr\u00e9sent\u00a0\u00bb. Son pr\u00e9c\u00e9dent film Samedi Cinema<\/strong> a fait sa premi\u00e8re aux festivals de Venise et de Toronto en 2016. Mamadou essaie dans ses films d’explorer la fine fronti\u00e8re entre r\u00e9alit\u00e9 et fiction en puisant dans ses exp\u00e9riences.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Deux fr\u00e8res, un imam et un candidat \u00e0 la mairie, se battent \u00e0 propos du mariage de leurs enfants. Cependant le vrai enjeu est comment une petite ville glisse vers l’extr\u00e9misme religieux. Biofilmographie\/Biofilmography Mamadou Dia a obtenu son master en R\u00e9alisation\/\u00c9criture de la New York University Tisch School of the Arts. Son long m\u00e9trage […]<\/p>\n","protected":false},"author":2,"featured_media":1153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1.-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"predecessor-version":[{"id":1392,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1152\/revisions\/1392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1153"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1148,"date":"2021-09-28T12:20:07","date_gmt":"2021-09-28T12:20:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=1148"},"modified":"2023-02-08T07:57:17","modified_gmt":"2023-02-08T07:57:17","slug":"air-conditioner","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/air-conditioner\/","title":{"rendered":"Air conditioner"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

When the air-conditioners in the city of Luanda mysteriously began to fall, Matacedo (security guard) and Zezinha (maid) embarked on a mission to retrieve the boss\u2019s AC by the end of the day.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

FRADIQUE is one of the most talented and expressive voices in the Angola contemporary cinema. He graduated in Cinema in the U.S and is one of the founders of the production company Gera\u00e7\u00e3o 80. Among the few films he directed are the short film Alambamento<\/strong> (2010) and the documentary Independence<\/strong> (2015) the film was recognised as a remarkable step towards recovering Angola\u2019s collective memory. Currently, he\u2019s just finished his first fiction film, Air conditioner<\/strong>, that was premiered at Rotterdam International Film Festival in 2020, while at the same time he\u2019s developing his next feature film The kingdom of Casuarinas<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. When the air-conditioners in the city of Luanda mysteriously began to fall, Matacedo (security guard) and Zezinha (maid) embarked on a mission to retrieve the boss\u2019s AC by the end of the day. Biofilmographie\/Biofilmography FRADIQUE is one of the most talented and expressive voices in the Angola contemporary cinema. He graduated in Cinema in […]<\/p>\n","protected":false},"author":2,"featured_media":1149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Sans-titre-1..jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1393,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1148\/revisions\/1393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1149"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1144,"date":"2021-09-28T12:16:16","date_gmt":"2021-09-28T12:16:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1144"},"modified":"2023-02-15T17:57:34","modified_gmt":"2023-02-15T17:57:34","slug":"zinder","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/zinder\/","title":{"rendered":"Zinder"},"content":{"rendered":"

A Kara-Kara, quartier marginalis\u00e9 de Zinder au Niger, historiquement celui des l\u00e9preux, r\u00e8gne une culture de la violence entre gangs. Certains jeunes tentent de s\u2019en sortir, fonder une famille parfois et s\u2019offrir un avenir autre que celui de la prison. Aicha, originaire de Zinder, filme au plus pr\u00e8s leur quotidien partag\u00e9 entre leur gang, la famille, la d\u00e9brouille et cette volont\u00e9 de sortir du cycle de violence dans laquelle ils se sont construits.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A Kara-Kara, quartier marginalis\u00e9 de Zinder au Niger, historiquement celui des l\u00e9preux, r\u00e8gne une culture de la violence entre gangs. Certains jeunes tentent de s\u2019en sortir, fonder une famille parfois et s\u2019offrir un avenir autre que celui de la prison. Aicha, originaire de Zinder, filme au plus pr\u00e8s leur quotidien partag\u00e9 entre leur gang, la […]<\/p>\n","protected":false},"author":2,"featured_media":2145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/AICHA-MACKY_Plan-de-travail-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1144"}],"version-history":[{"count":6,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1144\/revisions"}],"predecessor-version":[{"id":2146,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1144\/revisions\/2146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2145"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1140,"date":"2021-09-28T12:13:16","date_gmt":"2021-09-28T12:13:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=1140"},"modified":"2023-02-15T17:55:41","modified_gmt":"2023-02-15T17:55:41","slug":"when-a-farm-goes-aflame","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/when-a-farm-goes-aflame\/","title":{"rendered":"When a farm goes aflame"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Un cin\u00e9aste est sur le point de terminer son tout premier film : une r\u00e9flexion sur le mariage monogame \u00e0 distance assum\u00e9 de ses parents ainsi que son origine et son identit\u00e9 nig\u00e9rianes. \u00a0Il tombe par la suite au d\u00e9tour d\u2019un hasard sur le secret de son p\u00e8re, une seconde famille au cours des 30 derni\u00e8res ann\u00e9es, un secret de vie qui a \u00e9chapp\u00e9 au film initial. Cette r\u00e9v\u00e9lation entraine le cin\u00e9aste dans une nouvelle qu\u00eate, mettant l\u2019accent d\u00e9sormais sur sa m\u00e8re danoise \u00e0 la retraite et son jeune demi-fr\u00e8re nig\u00e9rian qu\u2019il vient de rencontrer. \u00ab\u00a0When a farm goes aflame\u00a0\u00bb<\/em> se d\u00e9roule au lendemain d\u2019une vie de secret et de d\u00e9ni.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Jide Tom AKINLEMINU est un r\u00e9alisateur de film documentaire et chef op\u00e9rateur dano-nig\u00e9rian. Apr\u00e8s ses \u00e9tudes \u00e0 l\u2019Ecole danoise de photographie Fatamorgana<\/em>, il s\u2019installe en 2004 \u00e0 Berlin pour des \u00e9tudes cin\u00e9matographiques \u00e0 l\u2019\u00e9cole allemande du cin\u00e9ma. En sa qualit\u00e9 de chef op\u00e9rateur, il a travaill\u00e9 sur plusieurs films qui ont \u00e9t\u00e9 primes, notamment le court m\u00e9trage Kokon<\/em><\/strong>, acclam\u00e9 pour son style visuel unique et laur\u00e9at du Golden Lola, le plus prestigieux prix du film d\u2019Allemagne en 2010. Son film de fin d\u2019\u00e9tudes Portrait of a lone farmer<\/em><\/strong> a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 CPH : DOX en 2013. Il a \u00e9t\u00e9 distingu\u00e9 \u00e0 plusieurs festivals et a re\u00e7u le \u00ab\u00a0Prix de l\u2019acad\u00e9mie du film africain\u00a0\u00bb en 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Un cin\u00e9aste est sur le point de terminer son tout premier film : une r\u00e9flexion sur le mariage monogame \u00e0 distance assum\u00e9 de ses parents ainsi que son origine et son identit\u00e9 nig\u00e9rianes. \u00a0Il tombe par la suite au d\u00e9tour d\u2019un hasard sur le secret de son p\u00e8re, une seconde famille au cours des […]<\/p>\n","protected":false},"author":2,"featured_media":1141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/cvbbnjk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1140"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1140\/revisions"}],"predecessor-version":[{"id":1586,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1140\/revisions\/1586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1141"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1135,"date":"2021-09-28T12:09:54","date_gmt":"2021-09-28T12:09:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=1135"},"modified":"2023-02-15T17:54:44","modified_gmt":"2023-02-15T17:54:44","slug":"valdiodio-ndiaye-un-proces-pour-lhistoire","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/valdiodio-ndiaye-un-proces-pour-lhistoire\/","title":{"rendered":"Valdiodio N’Diaye, un proc\u00e8s pour l’histoire"},"content":{"rendered":"

Synopsis<\/strong>. 2020 au S\u00e9n\u00e9gal. C’est le jeune b\u00e2tonnier des Avocats de Dakar qui pr\u00e9sente de nouveaux \u00e9l\u00e9ments \u00e0 la Cour Supr\u00eame en vue de r\u00e9viser le fameux proc\u00e8s du \u00ab Coup d’\u00e9tat du 17 d\u00e9cembre 1962 \u00bb. Au banc des accus\u00e9s, le Pr\u00e9sident du Conseil Mamadou Dia et quatre ministres parmi lesquels Valdiodio N’Diaye. Ce proc\u00e8s politique dont l\u2019issue est \u00e9tablie par avance, sert d\u2019alibi \u00e0 L.S. Senghor avec la complicit\u00e9 de la France pour \u00e9liminer du pouvoir ses adversaires nationalistes.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

R\u00e9alisatrice Franco-s\u00e9n\u00e9galaise, Amina N\u2019DIAYE LECLERC cor\u00e9alise avec Eric CLOUE en 2000 un film documentaire intitul\u00e9 Valdiodio N’Diaye, l’Ind\u00e9pendance du S\u00e9n\u00e9gal. <\/strong>Ce film est s\u00e9lectionn\u00e9 dans de nombreux festivals dont le Festival International du Film de Namur, le Festival d’Amiens et le Festival de Fribourg en Suisse. Ce documentaire a \u00e9galement \u00e9t\u00e9 diffus\u00e9 par les cha\u00eenes Histoire, CFI, TV5 Afrique, TV 5 Monde et pr\u00e9sent\u00e9 \u00e0 Cannes en 2000.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. 2020 au S\u00e9n\u00e9gal. C’est le jeune b\u00e2tonnier des Avocats de Dakar qui pr\u00e9sente de nouveaux \u00e9l\u00e9ments \u00e0 la Cour Supr\u00eame en vue de r\u00e9viser le fameux proc\u00e8s du \u00ab Coup d’\u00e9tat du 17 d\u00e9cembre 1962 \u00bb. Au banc des accus\u00e9s, le Pr\u00e9sident du Conseil Mamadou Dia et quatre ministres parmi lesquels Valdiodio N’Diaye. Ce […]<\/p>\n","protected":false},"author":2,"featured_media":1136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/nbnbn.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1135"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1135\/revisions"}],"predecessor-version":[{"id":1349,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1135\/revisions\/1349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1131,"date":"2021-09-28T12:06:58","date_gmt":"2021-09-28T12:06:58","guid":{"rendered":"https:\/\/fespaco.org\/?p=1131"},"modified":"2023-02-15T17:49:38","modified_gmt":"2023-02-15T17:49:38","slug":"the-letter","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-letter\/","title":{"rendered":"The letter"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Margaret, la grand-m\u00e8re de Karisa, est une ancienne respect\u00e9e de son \u00e9glise qui passe ses journ\u00e9es \u00e0 cultiver ses champs pour nourrir sa famille. L\u2019oncle de Karisa pr\u00e9tend que grand-m\u00e8re s\u2019adonne \u00e0 l\u2019adoration du diable et qu\u2019elle doit \u00eatre exorcis\u00e9e par leurs pr\u00eates pentec\u00f4tistes. D\u00e9termin\u00e9es, les tantes de Karisa font tout ce qu\u2019elles peuvent pour prot\u00e9ger leur m\u00e8re. Alors que Karisa fait d\u00e9licatement le va et vient entre ses proches en conflit, son mour de sa grand-m\u00e8re doit surmonter le danger imminent des accusations qui p\u00e8sent sur elle.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Maia LEKOW est une cin\u00e9aste kenyane et musicienne de renom. Son tout premier long m\u00e9trage documentaire The Letter<\/em><\/strong> a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re \u00e0 IDFA 2019 avec des projections \u00e0 guichets ferm\u00e9s et des critiques \u00e9mouvantes. Elle a \u00e9t\u00e9 nomm\u00e9e ambassadrice de bonne volont\u00e9 du HCR lors de Journ\u00e9e mondiale des r\u00e9fugi\u00e9s en 2013 et a re\u00e7u un prix de l\u2019acad\u00e9mie du film africain pour la chanson Uko Wapi<\/em><\/strong>.<\/em><\/p>\n

Christopher KING est un cin\u00e9aste plusieurs fois prim\u00e9. D\u2019origine australienne, il vit et travaille au Kenya depuis 2007 lorsqu\u2019il a fond\u00e9 Circle & Square Productions<\/em> avec sa femme Maia Lekow \u00e0 Nairobi.\u00a0 The Letter<\/em><\/strong> est son premier long m\u00e9trage documentaire qu\u2019il a co-r\u00e9alis\u00e9 avec sa femme Maia.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Margaret, la grand-m\u00e8re de Karisa, est une ancienne respect\u00e9e de son \u00e9glise qui passe ses journ\u00e9es \u00e0 cultiver ses champs pour nourrir sa famille. L\u2019oncle de Karisa pr\u00e9tend que grand-m\u00e8re s\u2019adonne \u00e0 l\u2019adoration du diable et qu\u2019elle doit \u00eatre exorcis\u00e9e par leurs pr\u00eates pentec\u00f4tistes. D\u00e9termin\u00e9es, les tantes de Karisa font tout ce qu\u2019elles peuvent […]<\/p>\n","protected":false},"author":2,"featured_media":1132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/gvbgnju.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1131"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1131\/revisions"}],"predecessor-version":[{"id":1580,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1131\/revisions\/1580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1132"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1127,"date":"2021-09-28T12:04:32","date_gmt":"2021-09-28T12:04:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=1127"},"modified":"2023-02-15T17:46:48","modified_gmt":"2023-02-15T17:46:48","slug":"on-the-fence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/on-the-fence\/","title":{"rendered":"On the Fence"},"content":{"rendered":"

Synopsis<\/strong>. Apr\u00e8s que sa m\u00e8re ait fait un mauvais r\u00eave, Nesrine voyage du Caire jusqu’\u00e0 sa ville natale de Tima, en Haute-\u00c9gypte, pour tenter de sauver leur ancienne maison. Le cin\u00e9aste nous entra\u00eene entre deux mondes qui n’appartiennent \u00e0 aucun. Elle lutte avec l’id\u00e9e de vendre la maison, car elle d\u00e9tient les derniers souvenirs de son p\u00e8re bien-aim\u00e9. Elle essaie de le nettoyer et de faire les r\u00e9parations n\u00e9cessaires en vain car l’\u00e9pave est irr\u00e9parable. Elle trouve de vieilles cassettes enregistr\u00e9es par son p\u00e8re, des notes et une embuscade de souvenirs.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Nesrine EL-ZAYAT a commenc\u00e9 comme critique de cin\u00e9ma et journaliste au magazine Rosa El-Youssef. Elle a fait deux courts documents, le premier, Ward No. 6<\/strong>, a remport\u00e9 le Prix du Jury de la Comp\u00e9tition Droits de l’Homme au Festival International du Film de Bagdad et le Prix du Jury du Meilleur Court-m\u00e9trage Documentaire au Festival National du Cin\u00e9ma Egyptien en 2009. Le second, La Robe Noire<\/strong> (2013), a \u00e9t\u00e9 projet\u00e9 dans des festivals en Egypte, en Inde, en France et au Maroc. On the Fence<\/strong> est son dernier et premier long m\u00e9trage documentaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Apr\u00e8s que sa m\u00e8re ait fait un mauvais r\u00eave, Nesrine voyage du Caire jusqu’\u00e0 sa ville natale de Tima, en Haute-\u00c9gypte, pour tenter de sauver leur ancienne maison. Le cin\u00e9aste nous entra\u00eene entre deux mondes qui n’appartiennent \u00e0 aucun. Elle lutte avec l’id\u00e9e de vendre la maison, car elle d\u00e9tient les derniers souvenirs de […]<\/p>\n","protected":false},"author":2,"featured_media":1128,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/rtetr.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1127"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1127\/revisions"}],"predecessor-version":[{"id":1395,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1127\/revisions\/1395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1128"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1123,"date":"2021-09-28T12:01:24","date_gmt":"2021-09-28T12:01:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1123"},"modified":"2023-02-15T17:45:52","modified_gmt":"2023-02-15T17:45:52","slug":"nofinofy","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nofinofy\/","title":{"rendered":"Nofinofy"},"content":{"rendered":"

Synopsis<\/strong>. Lorsque son salon de coiffure est d\u00e9truit par la municipalit\u00e9, Rom\u00e9o doit quitter la grand-rue de Tamatave pour les quartiers populaires. Il s\u2019installe alors dans une petite cabane de fortune, mais r\u00eave de pouvoir un jour se construire un salon \u00ab\u00a0en dur\u00a0\u00bb.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

R\u00e9alisateur, producteur, monteur et photographe\u00a0; Michael ANDRIANALY, apr\u00e8s des \u00e9tudes universitaires en commerce international et en gestion des entreprises, s\u2019est orient\u00e9 ces derni\u00e8res ann\u00e9es vers le montage vid\u00e9o, les effets sp\u00e9ciaux, et couvre d\u00e9sormais le champ de la r\u00e9alisation cin\u00e9matographique. Ses r\u00e9alisations, s\u00e9lectionn\u00e9es et prim\u00e9es dans de nombreux festivals, sont\u00a0: Todisoa et les pierres noires<\/strong> (2013), Njaka kely<\/strong> (2015) et Nofinofy<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Lorsque son salon de coiffure est d\u00e9truit par la municipalit\u00e9, Rom\u00e9o doit quitter la grand-rue de Tamatave pour les quartiers populaires. Il s\u2019installe alors dans une petite cabane de fortune, mais r\u00eave de pouvoir un jour se construire un salon \u00ab\u00a0en dur\u00a0\u00bb. Biofilmographie\/Biofilmography R\u00e9alisateur, producteur, monteur et photographe\u00a0; Michael ANDRIANALY, apr\u00e8s des \u00e9tudes universitaires […]<\/p>\n","protected":false},"author":2,"featured_media":1124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/vdvdv.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1123"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1123\/revisions"}],"predecessor-version":[{"id":1396,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1123\/revisions\/1396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1124"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1119,"date":"2021-09-28T11:58:00","date_gmt":"2021-09-28T11:58:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=1119"},"modified":"2023-02-15T17:44:25","modified_gmt":"2023-02-15T17:44:25","slug":"marcher-sur-leau-walking-on-water","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/marcher-sur-leau-walking-on-water\/","title":{"rendered":"Marcher sur L\u2019Eau \/ Walking on water"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Houlaye, 12 ans, vit \u00e0 Tatis, un petit village du Niger. Elle parcourt plusieurs kilom\u00e8tres chaque jour pour aller chercher de l\u2019eau. Elle est abondante en saison pluvieuse mais rare en saison s\u00e8che. Cependant, \u00e0 deux cents m\u00e8tres de la surface, se trouve une source d\u2019eau qui d\u00e9passe de loin leur imagination. Suri, la tante de Houlaye arrive \u00e0 convaincre une ONG de r\u00e9aliser un puits dans le village. C\u2019est la promesse d\u2019une vie nouvelle pour ces hommes et femmes qui, sans le savoir, marchaient sur l\u2019eau depuis toujours.<\/p>\n

Biofilmographie\/Biofilmography <\/strong><\/p>\n

A\u00efssa MA\u00cfGA est une actrice fran\u00e7aise n\u00e9e \u00e0 Dakar au S\u00e9n\u00e9gal. C\u2019est son r\u00f4le dans le film Les Poup\u00e9es russes<\/em><\/strong> de C\u00e9dril Klapish qui l\u2019a r\u00e9v\u00e9l\u00e9e au public fran\u00e7ais. Depuis lors, elle n\u2019a cess\u00e9 de tenir des r\u00f4les principaux dans plusieurs films, y compris L’\u00c2ge d’homme… maintenant ou jamais !<\/em><\/strong> (2007), \u00ab\u00a0The Lawyer<\/strong>\u00ab\u00a0<\/em> (2010), The time for the fair is over<\/em><\/strong> (2010), Ready for anything<\/em><\/strong> (2013) et He already has your eyes<\/em><\/strong> (2017). A\u00efssa MA\u00cfGA est tr\u00e8s impliqu\u00e9e dans le travail humanitaire. Elle est notamment membre de l\u2019AMREF, une ONG africaine d\u00e9di\u00e9e \u00e0 la formation du personnel m\u00e9dical en soins maternels et infantiles. Walking on water<\/em><\/strong> est son tout premier film en tant que r\u00e9alisatrice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Houlaye, 12 ans, vit \u00e0 Tatis, un petit village du Niger. Elle parcourt plusieurs kilom\u00e8tres chaque jour pour aller chercher de l\u2019eau. Elle est abondante en saison pluvieuse mais rare en saison s\u00e8che. Cependant, \u00e0 deux cents m\u00e8tres de la surface, se trouve une source d\u2019eau qui d\u00e9passe de loin leur imagination. Suri, la […]<\/p>\n","protected":false},"author":2,"featured_media":1120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/tyrtfghvb.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1119"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1119\/revisions"}],"predecessor-version":[{"id":1571,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1119\/revisions\/1571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1120"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1115,"date":"2021-09-28T11:54:35","date_gmt":"2021-09-28T11:54:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=1115"},"modified":"2023-02-15T17:42:39","modified_gmt":"2023-02-15T17:42:39","slug":"makongo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/makongo\/","title":{"rendered":"Makongo"},"content":{"rendered":"

Synopsis<\/strong>. Andr\u00e9 et Albert sont deux jeunes pygm\u00e9es Aka de Mongoumba, pr\u00e8s de la fronti\u00e8re avec le Congo et la RDC. Malgr\u00e9 leurs difficult\u00e9s financi\u00e8res et la stigmatisation dont ils sont victimes au lyc\u00e9e, Andr\u00e9 et Albert se battent pour \u00e9tudier et se mettre au niveau des autres \u00e9l\u00e8ves. Mais ils ont aussi un r\u00eave : amener les autres enfants Aka \u00e0 l’\u00e9cole.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Dipl\u00f4m\u00e9 en g\u00e9ologie, Elvis Sabin NGA\u00cfBINO a toujours r\u00eav\u00e9 de se consacrer au cin\u00e9ma. En 2012, il fonde avec des amis l’Acad\u00e9mie du Cin\u00e9ma Centrafricain, une association regroupant des passionn\u00e9s de cin\u00e9ma. Il produit et r\u00e9alise avec les moyens du bord des petits films pour la t\u00e9l\u00e9vision centrafricaine, jusqu’au jour, en 2017, o\u00f9 son chemin croise celui des Ateliers Varan qui lui donnent une formation au cin\u00e9ma documentaire et lui permettent de tourner Docta Jefferson<\/strong>, qui sera s\u00e9lectionn\u00e9 dans plusieurs festivals internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Andr\u00e9 et Albert sont deux jeunes pygm\u00e9es Aka de Mongoumba, pr\u00e8s de la fronti\u00e8re avec le Congo et la RDC. Malgr\u00e9 leurs difficult\u00e9s financi\u00e8res et la stigmatisation dont ils sont victimes au lyc\u00e9e, Andr\u00e9 et Albert se battent pour \u00e9tudier et se mettre au niveau des autres \u00e9l\u00e8ves. Mais ils ont aussi un r\u00eave […]<\/p>\n","protected":false},"author":2,"featured_media":1116,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/kj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1115"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1115\/revisions"}],"predecessor-version":[{"id":1398,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1115\/revisions\/1398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1116"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1111,"date":"2021-09-28T11:50:31","date_gmt":"2021-09-28T11:50:31","guid":{"rendered":"https:\/\/fespaco.org\/?p=1111"},"modified":"2023-02-15T17:24:57","modified_gmt":"2023-02-15T17:24:57","slug":"le-dernier-refuge-the-last-shelter","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-dernier-refuge-the-last-shelter\/","title":{"rendered":"Le dernier refuge\/ the last shelter"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Aux portes du Sahel se dresse la Maison du Migrant, tel un refuge pour celles et ceux en route vers l\u2019Europe ou sur le retour. Ici, ils font face \u00e0 leurs propres histoires de migration. Que ressent-on, de quoi a-t-on besoin, lorsque nos r\u00eaves ont \u00e9t\u00e9 enfouis dans le sable ou attendent d\u2019\u00eatre v\u00e9cus\u00a0?<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Ousmane SAMASSEKOU est \u00e9tudiant au Master 2 de documentaire de cr\u00e9ation, option production audiovisuelle, \u00e0 l\u2019universit\u00e9 Gaston Berger de Saint Louis (S\u00e9n\u00e9gal). En 2012, il r\u00e9alise son 4\u00e8me court m\u00e9trage Made in USA<\/strong> un film d\u2019auteur. En 2015, il obtient le prix du meilleur sc\u00e9nario au Festival Clap Ivoire avec le film Une confession<\/strong>. SAMASSEKOU fut \u00e9tudiant \u00e0 l\u2019Universit\u00e9 de Bamako, \u00e0 l\u2019endroit m\u00eame o\u00f9 il pose sa cam\u00e9ra et r\u00e9alise son premier film documentaire \u00e9minemment politique Les h\u00e9ritiers de la colline<\/strong> (s\u00e9lectionn\u00e9 dans de nombreux festivals).<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Aux portes du Sahel se dresse la Maison du Migrant, tel un refuge pour celles et ceux en route vers l\u2019Europe ou sur le retour. Ici, ils font face \u00e0 leurs propres histoires de migration. Que ressent-on, de quoi a-t-on besoin, lorsque nos r\u00eaves ont \u00e9t\u00e9 enfouis dans le sable ou attendent d\u2019\u00eatre v\u00e9cus\u00a0? […]<\/p>\n","protected":false},"author":2,"featured_media":1112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/bnhnjfghj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1111\/revisions"}],"predecessor-version":[{"id":1565,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1111\/revisions\/1565"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1112"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1107,"date":"2021-09-28T11:46:36","date_gmt":"2021-09-28T11:46:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=1107"},"modified":"2023-02-14T19:11:56","modified_gmt":"2023-02-14T19:11:56","slug":"janitou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/janitou\/","title":{"rendered":"Janitou"},"content":{"rendered":"

Synopsis<\/strong>. Film bollywoodien des ann\u00e9es 70 qui a fait un flop en Inde et dans le monde, \u00ab Janitou \u00bb a \u00e9t\u00e9 un succ\u00e8s dans les ann\u00e9es 80 en Alg\u00e9rie o\u00f9 il a une place importante dans la m\u00e9moire collective des Alg\u00e9riens. Ce documentaire, \u00ab Janitou \u00bb, est un film de voyage qui permet de circuler dans l\u2019\u00e2me des Alg\u00e9riens, en s\u2019invitant chez les gens pour leur demander leurs histoires d\u2019amour.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Amine HATTOU est dipl\u00f4m\u00e9 de l\u2019Institut de Journalisme d\u2019Alger en 2000. En 2009, il est s\u00e9lectionn\u00e9 pour participer \u00e0 l\u2019Universit\u00e9 d\u2019\u00e9t\u00e9 de La F\u00e9mis \u00e0 Paris o\u00f9 il r\u00e9alise son premier court-m\u00e9trage documentaire, Two for Tango<\/strong>. En 2011, il a r\u00e9alis\u00e9 Down to earth<\/strong>, s\u00e9lectionn\u00e9 dans divers festivals \u00e0 travers le monde.\u00a0 En 2012, il rejoint l\u2019association project\u2019heurts et fonde en 2015 Bejaia Film Lab, une plateforme d\u00e9di\u00e9e aux cin\u00e9astes et producteurs de la r\u00e9gion. Janitou<\/strong> est son premier long-m\u00e9trage documentaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Film bollywoodien des ann\u00e9es 70 qui a fait un flop en Inde et dans le monde, \u00ab Janitou \u00bb a \u00e9t\u00e9 un succ\u00e8s dans les ann\u00e9es 80 en Alg\u00e9rie o\u00f9 il a une place importante dans la m\u00e9moire collective des Alg\u00e9riens. Ce documentaire, \u00ab Janitou \u00bb, est un film de voyage qui permet de […]<\/p>\n","protected":false},"author":2,"featured_media":1108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hygijblnl.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1107"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1107\/revisions"}],"predecessor-version":[{"id":1561,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1107\/revisions\/1561"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1108"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1103,"date":"2021-09-28T11:43:32","date_gmt":"2021-09-28T11:43:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=1103"},"modified":"2023-02-14T19:10:31","modified_gmt":"2023-02-14T19:10:31","slug":"garderie-nocturne-night-nursery","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/garderie-nocturne-night-nursery\/","title":{"rendered":"Garderie Nocturne \/ Night Nursery"},"content":{"rendered":"

Synopsis<\/strong>. Dans un quartier populaire de Bobo-Dioulasso, chaque soir, Madame Coda accueille chez elle les enfants des prostitu\u00e9es. Les jeunes femmes d\u00e9ambulent ensuite au \u00ab Black \u00bb, une ruelle tr\u00e8s anim\u00e9e du centre-ville, jusqu\u2019au lever du jour o\u00f9 elles viennent r\u00e9cup\u00e9rer leurs enfants. Mais Madame Coda, qui a plus de 80 ans, commence \u00e0 \u00eatre fatigu\u00e9e.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Moumouni SANOU is part of the new generation of Burkina Faso’s documentary film makers. He has been working as a DOP on several sets since 6 years. He has edited and directed short documentaries and is also very much involved in the Cin\u00e9 Guimbi refurbishing project in Bobo-Dioulasso. In 2014 he directed Ngonifo Sekouba, l’esprit des chasseurs<\/strong>. Garderie Nocturne \/ Night nursery<\/strong> is his first feature film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Dans un quartier populaire de Bobo-Dioulasso, chaque soir, Madame Coda accueille chez elle les enfants des prostitu\u00e9es. Les jeunes femmes d\u00e9ambulent ensuite au \u00ab Black \u00bb, une ruelle tr\u00e8s anim\u00e9e du centre-ville, jusqu\u2019au lever du jour o\u00f9 elles viennent r\u00e9cup\u00e9rer leurs enfants. Mais Madame Coda, qui a plus de 80 ans, commence \u00e0 \u00eatre […]<\/p>\n","protected":false},"author":2,"featured_media":1104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/kljhjk.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1103"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1103\/revisions"}],"predecessor-version":[{"id":1401,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1103\/revisions\/1401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1104"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1099,"date":"2021-09-28T11:40:38","date_gmt":"2021-09-28T11:40:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=1099"},"modified":"2023-02-14T19:07:28","modified_gmt":"2023-02-14T19:07:28","slug":"faya-dayi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/faya-dayi\/","title":{"rendered":"Faya Dayi"},"content":{"rendered":"

Synopsis<\/strong>.<\/p>\n

Ethiopian legend has it that khat, a stimulant leaf, was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi <\/em>is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a green leaf that Sufi Muslims chewed for religious meditations and Ethiopia\u2019s most lucrative cash crop today. Through the prism of the khat trade, Faya Dayi <\/em>weaves a tapestry of intimate stories of people caught between violent government repression, khat-induced fantasies and treacherous journeys beyond their borders, and offers a window into the dreams of the youth hunted by a repressive regime.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Jessica BESHIR is a Mexican-Ethiopian director, producer and cinematographer based in Brooklyn. She made her directorial debut with her short film Hairat<\/em>,<\/strong> which premiered at the 2017 Sundance Film Festival, (Criterion). Her short films, He Who Dances on Wood<\/em><\/strong> (PBS) and Heroin <\/em>(Topic)<\/strong>, have screened in festivals and museums around the world including Hot Docs, IFFR, IDFA, Tribeca Film Festival, the Eye Film Museum, and the Museum of the Moving Image in New York, among others. Faya Dayi<\/em><\/strong> is Jessica\u2019s feature debut.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Ethiopian legend has it that khat, a stimulant leaf, was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a green leaf that Sufi Muslims chewed for religious meditations and Ethiopia\u2019s most lucrative cash […]<\/p>\n","protected":false},"author":2,"featured_media":1100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/hfghj.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1099"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1099\/revisions"}],"predecessor-version":[{"id":1402,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1099\/revisions\/1402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1100"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1095,"date":"2021-09-28T11:38:05","date_gmt":"2021-09-28T11:38:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=1095"},"modified":"2023-02-14T19:05:56","modified_gmt":"2023-02-14T19:05:56","slug":"fanon-hier-aujourdhui","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fanon-hier-aujourdhui\/","title":{"rendered":"Fanon Hier, Aujourd\u2019hui"},"content":{"rendered":"

Synopsis<\/strong>. Qui \u00e9tait Frantz Fanon et quel est son h\u00e9ritage actuel\u00a0? Psychiatre, militant de la d\u00e9colonisation, auteur du livre Les damn\u00e9s de la terre<\/strong>, Fanon est mort en d\u00e9cembre 1961 mais sa pens\u00e9e irrigue de nombreux terrains de lutte \u00e0 travers la plan\u00e8te. Quels regards sur le penseur et homme d\u2019action portent ceux qui luttent aujourd\u2019hui sur diff\u00e9rents fronts contre l\u2019injustice et l\u2019arbitraire. Le r\u00e9alisateur fait voyager le spectateur du pays natal aux foyers de luttes politiques et sociales en passant par la terre ou il est inhum\u00e9. Au nord et au sud du monde, des activistes parlent de leurs combats et t\u00e9moignent de leurs rapports \u00e0 Fanon.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Hassane MEZINE, Photographe professionnel est n\u00e9 en 1972. Apr\u00e8s un passage \u00e0 l\u2019AFP photo et France soir, il devient photographe Freelance. Il est \u00e9galement formateur en photographie num\u00e9rique et multim\u00e9dias \u00e0 Paris. Il suit l\u2019actualit\u00e9 sociale en France et \u00e0 l\u2019\u00e9tranger.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Qui \u00e9tait Frantz Fanon et quel est son h\u00e9ritage actuel\u00a0? Psychiatre, militant de la d\u00e9colonisation, auteur du livre Les damn\u00e9s de la terre, Fanon est mort en d\u00e9cembre 1961 mais sa pens\u00e9e irrigue de nombreux terrains de lutte \u00e0 travers la plan\u00e8te. Quels regards sur le penseur et homme d\u2019action portent ceux qui luttent […]<\/p>\n","protected":false},"author":2,"featured_media":1096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/xcvilio.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1095"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1095\/revisions"}],"predecessor-version":[{"id":1403,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1095\/revisions\/1403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1096"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1090,"date":"2021-09-28T11:34:13","date_gmt":"2021-09-28T11:34:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=1090"},"modified":"2023-02-14T19:05:12","modified_gmt":"2023-02-14T19:05:12","slug":"en-route-pour-le-milliard","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en-route-pour-le-milliard\/","title":{"rendered":"En route pour le Milliard"},"content":{"rendered":"

Synopsis<\/strong>. Depuis vingt ans, les victimes de la Guerre des Six Jours, \u00e0 Kisangani en R\u00e9publique D\u00e9mocratique du Congo, luttent pour obtenir une reconnaissance du conflit, la condamnation des bellig\u00e9rants et des compensations financi\u00e8res. R\u00e9volt\u00e9s par l\u2019indiff\u00e9rence de leurs gouvernants, ils d\u00e9cident d\u2019entreprendre un p\u00e9rilleux voyage sur le fleuve Congo pour se rendre \u00e0 Kinshasa, la capitale du pays, et faire entendre leurs voix.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Dieudo HAMADI s\u2019est form\u00e9 au cin\u00e9ma en participant \u00e0 plusieurs ateliers documentaires. Il a d\u2019abord r\u00e9alis\u00e9 deux courts-m\u00e9trages documentaires Dames en attente<\/strong> (r\u00e9compens\u00e9 au Cin\u00e9ma du R\u00e9el \u00e0 Paris en 2009) et Tol\u00e9rance z\u00e9ro<\/strong> qui ont retenu l\u2019attention de plusieurs festivals \u00e0 l\u2019\u00e9tranger. Il r\u00e9alise ensuite 4 long m\u00e9trages documentaires \u00e0 la renomm\u00e9e internationale\u00a0: Atalaku<\/strong> (2013), Examen d\u2019Etat<\/strong> (2014), Maman Colonelle<\/strong> (2017), et Kinshasa Makambo<\/strong> (2018). En 2018, il re\u00e7oit le prix True Vision Award \u00e0 True\/False (USA) pour l\u2019ensemble de son \u0153uvre.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Depuis vingt ans, les victimes de la Guerre des Six Jours, \u00e0 Kisangani en R\u00e9publique D\u00e9mocratique du Congo, luttent pour obtenir une reconnaissance du conflit, la condamnation des bellig\u00e9rants et des compensations financi\u00e8res. R\u00e9volt\u00e9s par l\u2019indiff\u00e9rence de leurs gouvernants, ils d\u00e9cident d\u2019entreprendre un p\u00e9rilleux voyage sur le fleuve Congo pour se rendre \u00e0 Kinshasa, […]<\/p>\n","protected":false},"author":2,"featured_media":1092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/fgdfgdfg.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1090"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1090\/revisions"}],"predecessor-version":[{"id":1094,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1090\/revisions\/1094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1092"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1084,"date":"2021-09-27T18:52:24","date_gmt":"2021-09-27T18:52:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=1084"},"modified":"2023-02-14T19:04:23","modified_gmt":"2023-02-14T19:04:23","slug":"dans-la-maison-a-way-home","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dans-la-maison-a-way-home\/","title":{"rendered":"Dans la maison \/ A way home"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Apr\u00e8s des ann\u00e9es de s\u00e9paration, un cin\u00e9aste renouvelle sa relation avec sa m\u00e8re A\u00efcha souffrante maintenant de la maladie d\u2019Alzheimer. De Bruxelles \u00e0 Tanger, l\u2019odyss\u00e9e d\u2019une famille marqu\u00e9e par l\u2019exil est \u00e9voqu\u00e9e \u00e0 travers la discr\u00e9tion et la confession, la douleur, le chagrin et la joie.<\/p>\n

Biofilmographie\/Biofilmography<\/strong><\/p>\n

Karima Sa\u00efdi holds a degree from INSAS in film editing and script continuity as well as a Master’s degree in screenwriting and analysis from ULB. She has worked as an editor for Belgian television (RTBF) since 1997. In 2013, she created Murmurs et 10 voix<\/strong>, a series of sound portraits of Moroccan immigrants in Brussels. In 2016, she directed a short documentary, A\u00efcha,<\/strong> an evocation of her mother’s death, a prelude to A Way Home<\/strong>, her first feature-length documentary. She is a lecturer in the film departments of INSAS in Brussels and ESAV in Marrakech.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Apr\u00e8s des ann\u00e9es de s\u00e9paration, un cin\u00e9aste renouvelle sa relation avec sa m\u00e8re A\u00efcha souffrante maintenant de la maladie d\u2019Alzheimer. De Bruxelles \u00e0 Tanger, l\u2019odyss\u00e9e d\u2019une famille marqu\u00e9e par l\u2019exil est \u00e9voqu\u00e9e \u00e0 travers la discr\u00e9tion et la confession, la douleur, le chagrin et la joie. Biofilmographie\/Biofilmography Karima Sa\u00efdi holds a degree from INSAS […]<\/p>\n","protected":false},"author":2,"featured_media":1085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/dfsdfsefrgdrfgsdfsdf.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1084"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1084\/revisions"}],"predecessor-version":[{"id":1554,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1084\/revisions\/1554"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1085"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1078,"date":"2021-09-27T13:15:53","date_gmt":"2021-09-27T13:15:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=1078"},"modified":"2021-09-27T13:17:18","modified_gmt":"2021-09-27T13:17:18","slug":"sample-movie-the-title","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sample-movie-the-title\/","title":{"rendered":"Sample movie – The title"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.<\/p>\n

Biographie<\/strong><\/p>\n

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit […]<\/p>\n","protected":false},"author":2,"featured_media":558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[90],"tags":[],"class_list":["post-1078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-official-competition"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/06\/panorama_img.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1078"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1078\/revisions"}],"predecessor-version":[{"id":1080,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1078\/revisions\/1080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/558"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1076,"date":"2021-09-27T13:15:01","date_gmt":"2021-09-27T13:15:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=1076"},"modified":"2021-09-27T13:15:01","modified_gmt":"2021-09-27T13:15:01","slug":"example-de-film-le-titre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/example-de-film-le-titre\/","title":{"rendered":"Example de film – Le titre"},"content":{"rendered":"

Synopsis<\/strong><\/p>\n

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.<\/p>\n

Biographie<\/strong><\/p>\n

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit […]<\/p>\n","protected":false},"author":2,"featured_media":558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[74],"tags":[],"class_list":["post-1076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-competition-officielle"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/06\/panorama_img.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1076"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1076\/revisions"}],"predecessor-version":[{"id":1077,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1076\/revisions\/1077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/558"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":1056,"date":"2021-09-14T19:21:05","date_gmt":"2021-09-14T19:21:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=1056"},"modified":"2021-09-14T19:21:05","modified_gmt":"2021-09-14T19:21:05","slug":"1056-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/1056-2\/","title":{"rendered":""},"content":{"rendered":"

FESPACO 2021: Les demandes d’accr\u00e9ditations cl\u00f4tur\u00e9es \u00a0<\/b><\/p>\n

 <\/p>\n

LE D\u00c9LAI DE R\u00c9CEPTION DES FICHES D\u2019ACCR\u00c9DITATION ETANT LARGEMENT D\u00c9PASS\u00c9, LE FESTIVAL PANAFRICAIN DU CIN\u00c9MA ET DE LA T\u00c9L\u00c9VISION DE OUAGADOUGOU (FESPACO) INFORME TOUS CEUX QUI D\u00c9SIRENT PARTICIPER A LA 27e<\/sup> EDITION QUI SE D\u00c9ROULERA DU 16 AU 23 OCTOBRE 2021 A OUAGADOUGOU\u00a0 AU BURKINA FASO, QUE DES CARTES D\u2019ABONNEMENT APPEL\u00c9ES CARTES ETALON SERONT EN VENTE AU SI\u00c8GE DU FESTIVAL, QUELQUES JOURS AVANT L\u2019OUVERTURE DE LA MANIFESTATION.<\/strong><\/p>\n

\u00a0<\/strong>CETTE CARTE EST VALABLE POUR UNE PERSONNE ET POUR TOUTE LA DUR\u00c9E DE LA MANIFESTATION. ELLE OUVRE L\u2019ACC\u00c8S AUX SALLES DE CIN\u00c9MA ET AUX RENCONTRES DU FESTIVAL ET CO\u00dbTE\u00a0 VINGT CINQ MILLE (25.000) FRANCS CFA, SOIENT TRENTE NEUF (39) EUROS.<\/strong><\/p>\n

\u00a0<\/strong>LES RETARDATAIRES POURRONT S\u2019ACCREDITER SUR PLACE, MUNIS DE LA FICHE D\u2019ACCREDITATION D\u00dbMENT REMPLIE ET DE LEUR CARTE PROFESSIONNELLE (M\u00e9dia ou Cin\u00e9ma). <\/strong><\/p>\n

\u00a0<\/strong>A BIENT\u00d4T AU FESTIVAL ET VIVE LE CIN\u00c9MA AFRICAIN!<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong>AS THE DEADLINE FOR RECEPTION OF ACCREDITATION FORMS EXPIRED, THE PAN-AFRICAN FILM AND TELEVSION FESTIVAL OF OUAGADOUGOU (FESPACO) WOULD LIKE TO INFORM THOSE WILLING TO PARTICIPATE IN THE 27TH <\/sup>EDITION DUE 16th<\/sup> TO 23th<\/sup> OCTOBER 2021 IN OUAGADOUGOU, BURKINA FASO, THAT SEASON TICKETS ALSO KNOWN AS <\/strong>\u201cETALON PASS\u201d<\/strong> WILL BE ON SALE AT THE OFFICE OF FESPACO, FEW DAYS BEFORE THE OPENNING CEREMONY.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

THIS CARD IS VALID FOR A PERSON AND FOR ALL THE DURATION OF THE EVENT, IT GIVES ACCESS TO THE FESTIVAL CINEMA HALLS AND AMOUNTS TO TWENTY FIVE THOUSAND FRANCS CFA (25000) WHICH IS THIRTY NINE (39) EUROS.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

ACCREDITATION MAY BE ISSUED TO LATECOMERS WITH A COMPLETED ACCREDITATION FORM, AND THEIR PROFESSIONAL (MEDIA OR CINEMA) CARD.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

LONG LIVE TO AFRICAN CINEMA ! <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

FESPACO 2021: Les demandes d’accr\u00e9ditations cl\u00f4tur\u00e9es \u00a0   LE D\u00c9LAI DE R\u00c9CEPTION DES FICHES D\u2019ACCR\u00c9DITATION ETANT LARGEMENT D\u00c9PASS\u00c9, LE FESTIVAL PANAFRICAIN DU CIN\u00c9MA ET DE LA T\u00c9L\u00c9VISION DE OUAGADOUGOU (FESPACO) INFORME TOUS CEUX QUI D\u00c9SIRENT PARTICIPER A LA 27e EDITION QUI SE D\u00c9ROULERA DU 16 AU 23 OCTOBRE 2021 A OUAGADOUGOU\u00a0 AU BURKINA FASO, QUE […]<\/p>\n","protected":false},"author":2,"featured_media":1057,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-1056","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/Annonce_FESPACO27-01-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=1056"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1056\/revisions"}],"predecessor-version":[{"id":1058,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/1056\/revisions\/1058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/1057"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=1056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=1056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=1056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":997,"date":"2021-09-09T11:50:23","date_gmt":"2021-09-09T11:50:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=997"},"modified":"2021-09-09T13:36:32","modified_gmt":"2021-09-09T13:36:32","slug":"fespaco-2021-la-selection-officielle-connue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2021-la-selection-officielle-connue\/","title":{"rendered":"FESPACO 2021: La s\u00e9lection officielle connue"},"content":{"rendered":"

(Ouagadougou, le 09 septembre 2021) – La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a proclam\u00e9 la s\u00e9lection officielle de la 27e \u00e9dition du FESPACO.
\nC’\u00e9tait au cours d’une conf\u00e9rence de presse co-anim\u00e9e par la ministre burkinab\u00e8 en charge de la culture, Dr Elyse Foniyamba ILBOUDO\/ THIOMBIANO, et le D\u00e9l\u00e9gu\u00e9 G\u00e9n\u00e9ral du FESPACO, Monsieur Alex Moussa SAWADOGO, au sein du Cin\u00e9 Burkina.
\nT\u00e9l\u00e9charger la s\u00e9lection officielle ici.<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

(Ouagadougou, le 09 septembre 2021) – La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a proclam\u00e9 la s\u00e9lection officielle de la 27e \u00e9dition du FESPACO. C’\u00e9tait au cours d’une conf\u00e9rence de presse co-anim\u00e9e par la ministre burkinab\u00e8 en charge de la culture, Dr Elyse Foniyamba ILBOUDO\/ THIOMBIANO, et le D\u00e9l\u00e9gu\u00e9 G\u00e9n\u00e9ral du FESPACO, Monsieur Alex Moussa SAWADOGO, au […]<\/p>\n","protected":false},"author":2,"featured_media":998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/09\/ANNONCE_Selection_officielle_FESPACO27-01-01-01-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/997\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/997\/revisions\/1003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/998"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":983,"date":"2021-09-09T11:00:18","date_gmt":"2021-09-09T11:00:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=983"},"modified":"2021-09-06T19:12:59","modified_gmt":"2021-09-06T19:12:59","slug":"proclamation-des-resultats-des-ateliers-yennenga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/proclamation-des-resultats-des-ateliers-yennenga\/","title":{"rendered":"Proclamation des r\u00e9sultats des ateliers Yennenga"},"content":{"rendered":"

Lanc\u00e9s le 24 juin dernier, les appels \u00e0 candidatures et \u00e0 projets pour la premi\u00e8re \u00e9dition des Ateliers Yennenga a connu un r\u00e9el engouement avec environ deux cent (200) projets et candidatures r\u00e9ceptionn\u00e9s<\/strong><\/p>\n

Huit (8) semaines apr\u00e8s, nous sommes heureux de d\u00e9voiler la liste d\u00e9finitive des candidats et des projets retenus pour les Ateliers Yennenga qui auront lieu du 16 au 23 octobre prochain<\/strong>, pendant la 27\u00e8me<\/sup> \u00e9dition du Fespaco<\/p>\n

YENNENGA ACADEMY<\/u><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
NOM<\/strong><\/td>\nPRENOM<\/strong><\/td>\nPAYS<\/strong><\/td>\nSEXE<\/strong><\/td>\n<\/tr>\n
BEHANZIN<\/strong><\/td>\nNelly<\/strong> B.<\/strong> E<\/strong><\/td>\nB\u00e9nin<\/td>\nF<\/td>\n<\/tr>\n
BONKOUNGOU<\/strong><\/td>\nGaston<\/strong><\/td>\nBurkina Faso<\/td>\nM<\/td>\n<\/tr>\n
DIALLO<\/strong><\/td>\nAminata<\/strong><\/td>\nBurkina Faso<\/td>\nF<\/td>\n<\/tr>\n
DINDANE<\/strong><\/td>\nJ.<\/strong> Marc<\/strong><\/td>\nBurkina Faso<\/td>\nM<\/td>\n<\/tr>\n
OUEDRAOGO<\/strong><\/td>\nG.<\/strong> Gaetan<\/strong><\/td>\nBurkina Faso<\/td>\nM<\/td>\n<\/tr>\n
TIENDREBEOGO<\/strong><\/td>\nChristiane<\/strong> W<\/strong>.<\/strong><\/td>\nBurkina Faso<\/td>\nF<\/td>\n<\/tr>\n
KOUADIO<\/strong><\/td>\nB\u00e9n\u00e9dicte<\/strong><\/td>\nCote d’Ivoire<\/td>\nF<\/td>\n<\/tr>\n
YAO<\/strong><\/td>\nOlivia.<\/strong> A.<\/strong> M<\/strong><\/td>\nCote d’Ivoire<\/td>\nF<\/td>\n<\/tr>\n
ADISENU<\/strong><\/td>\nPatience Esiawonam<\/strong><\/td>\nGhana<\/td>\nF<\/td>\n<\/tr>\n
SOGOBA<\/strong><\/td>\nKadiatou<\/strong><\/td>\nMali<\/td>\nF<\/td>\n<\/tr>\n
DIALLO<\/strong><\/td>\nMaimouna<\/strong> Y<\/strong>.<\/strong><\/td>\nS\u00e9n\u00e9gal<\/td>\nF<\/td>\n<\/tr>\n
EKLU<\/strong><\/td>\nM.<\/strong> Amenuveve<\/strong><\/td>\nTogo<\/td>\nF<\/td>\n<\/tr>\n
SESSI<\/strong><\/td>\nK.<\/strong> Dieudonn\u00e9<\/strong><\/td>\nTogo<\/td>\nM<\/td>\n<\/tr>\n
D<\/strong>E<\/strong> SOUZA <\/strong><\/td>\nClemens Kokou Edem<\/strong><\/td>\nTogo<\/td>\nM<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

YENNENGA POST-PRODUCTION<\/u><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
TITRE<\/strong><\/td>\nGENRE<\/strong><\/td>\nNOM<\/strong><\/td>\nPAYS<\/strong><\/td>\n<\/tr>\n
DISTANCES<\/strong><\/td>\nDocumentaire<\/strong><\/td>\nHENKAM Reda<\/strong><\/td>\nMaroc<\/td>\n<\/tr>\n
FELAH, LE FERMIER<\/strong><\/td>\nDocumentaire<\/strong><\/td>\nDIAWARA MAMADOU HADY<\/strong><\/td>\nGuin\u00e9e<\/td>\n<\/tr>\n
MAMI WATTA<\/strong><\/td>\nFiction<\/strong><\/td>\nOBASI C.J. \u201cFiery\u201d<\/strong><\/td>\nNigeria<\/td>\n<\/tr>\n
REGARDER LES ETOILES<\/strong><\/td>\nFiction<\/strong><\/td>\nCONSTANTIN David<\/strong><\/td>\nMaurice<\/td>\n<\/tr>\n
MALLA, AUSSI LOIN QUE DURE LA NUIT<\/strong><\/td>\nFiction<\/strong><\/td>\nOUEDRAOGO Dramane<\/strong><\/td>\nBurkina Faso<\/td>\n<\/tr>\n
SHIMONI<\/strong><\/td>\nFiction<\/strong><\/td>\nWAMAI Angela Wanjiku<\/strong><\/td>\nKenya<\/td>\n<\/tr>\n
TRIBUNAL DU FLEUVE<\/strong><\/td>\nDocumentaire<\/strong><\/td>\nDIAGO Alassane<\/strong><\/td>\nS\u00e9n\u00e9gal<\/td>\n<\/tr>\n
UNE HISTOIRE DE CFA<\/strong><\/td>\nDocumentaire<\/strong><\/td>\nNDIAYE Katy<\/strong><\/td>\nS\u00e9n\u00e9gal<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n","protected":false},"excerpt":{"rendered":"

Lanc\u00e9s le 24 juin dernier, les appels \u00e0 candidatures et \u00e0 projets pour la premi\u00e8re \u00e9dition des Ateliers Yennenga a connu un r\u00e9el engouement avec environ deux cent (200) projets et candidatures r\u00e9ceptionn\u00e9s Huit (8) semaines apr\u00e8s, nous sommes heureux de d\u00e9voiler la liste d\u00e9finitive des candidats et des projets retenus pour les Ateliers Yennenga […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4,11],"tags":[],"class_list":["post-983","post","type-post","status-publish","format-standard","hentry","category-fespaco-news","category-non-classe-fr"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=983"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/983\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/983\/revisions\/986"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":966,"date":"2021-09-01T15:58:12","date_gmt":"2021-09-01T15:58:12","guid":{"rendered":"https:\/\/fespaco.org\/?p=966"},"modified":"2021-09-01T15:58:12","modified_gmt":"2021-09-01T15:58:12","slug":"appel-a-communication-au-colloque-du-fespaco-2021","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-communication-au-colloque-du-fespaco-2021\/","title":{"rendered":"Appel \u00e0 communication au colloque du FESPACO 2021"},"content":{"rendered":"

La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO informe le public de l\u2019ouverture de l\u2019appel \u00e0 communication au colloque de la 27e \u00e9dition du FESPACO qui se tiendra du 16 au 23 octobre 2021 sous le th\u00e8me : \u00ab Cin\u00e9mas d\u2019Afrique et de la Diaspora : nouveaux regards, nouveaux d\u00e9fis. \u00bb<\/p>\n

Le colloque sera organis\u00e9 du 18 au 19 octobre 2021 dans le but d\u2019approfondir la r\u00e9flexion sur le th\u00e8me de la 27e \u00e9dition. Il est ouvert aux chercheurs et aux professionnels du cin\u00e9ma et de l\u2019audiovisuel.<\/p>\n

Vos propositions de communication sont attendues \u00e0 l\u2019adresse colloque@fespaco.org avant le 10 septembre 2021, d\u00e9lais de rigueur.<\/p>\n

 <\/p>\n

Consultez l\u2019appel au lien suivant : https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/08\/Appel-a-communications-colloque-Fespaco21-OK.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO informe le public de l\u2019ouverture de l\u2019appel \u00e0 communication au colloque de la 27e \u00e9dition du FESPACO qui se tiendra du 16 au 23 octobre 2021 sous le th\u00e8me : \u00ab Cin\u00e9mas d\u2019Afrique et de la Diaspora : nouveaux regards, nouveaux d\u00e9fis. \u00bb Le colloque sera organis\u00e9 du 18 au […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-966","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=966"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/966\/revisions"}],"predecessor-version":[{"id":967,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/966\/revisions\/967"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":877,"date":"2021-07-29T18:12:30","date_gmt":"2021-07-29T18:12:30","guid":{"rendered":"https:\/\/fespaco.org\/?p=877"},"modified":"2021-07-30T13:30:35","modified_gmt":"2021-07-30T13:30:35","slug":"fespaco-2021-les-presidents-de-jury-devoiles","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2021-les-presidents-de-jury-devoiles\/","title":{"rendered":"FESPACO 2021: Les pr\u00e9sidents de jury d\u00e9voil\u00e9s"},"content":{"rendered":"

\n
La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a d\u00e9voil\u00e9 les noms des pr\u00e9sidents de jury des diff\u00e9rentes sections de la 27e \u00e9dition du FESPACO cet apr\u00e8s midi du 29 juillet 2021 \u00e0 son si\u00e8ge \u00e0 Ouagadougou. C’\u00e9tait au cours d’un point de presse o\u00f9 le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral, Monsieur Alex Moussa SAWADOGO, a aussi fait l’\u00e9tat d’avanc\u00e9e des pr\u00e9paratifs de la prochaine \u00e9dition.<\/div>\n<\/div>\n
<\/div>\n
\"\" \"\" \"\" \"\" \"\" \"\"<\/div>\n","protected":false},"excerpt":{"rendered":"

La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a d\u00e9voil\u00e9 les noms des pr\u00e9sidents de jury des diff\u00e9rentes sections de la 27e \u00e9dition du FESPACO cet apr\u00e8s midi du 29 juillet 2021 \u00e0 son si\u00e8ge \u00e0 Ouagadougou. C’\u00e9tait au cours d’un point de presse o\u00f9 le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral, Monsieur Alex Moussa SAWADOGO, a aussi fait l’\u00e9tat d’avanc\u00e9e des […]<\/p>\n","protected":false},"author":2,"featured_media":879,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2021\/07\/Annonce_Pre\u0301sident-de-Jury-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=877"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/877\/revisions"}],"predecessor-version":[{"id":892,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/877\/revisions\/892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/879"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":867,"date":"2021-07-26T18:21:49","date_gmt":"2021-07-26T18:21:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=867"},"modified":"2021-07-26T18:21:49","modified_gmt":"2021-07-26T18:21:49","slug":"info-ateliers-yennenga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/info-ateliers-yennenga\/","title":{"rendered":"INFO : Ateliers YENNENGA"},"content":{"rendered":"

La D\u00e9l\u00e9gation G\u00e9n\u00e9rale du Fespaco a le plaisir d\u2019informer les candidats au Yennenga Academy que l\u2019\u00e2ge limite de participation initialement fix\u00e9 \u00e0 28 ans <\/strong>est repouss\u00e9 \u00e0 35 ans.<\/strong> Cette d\u00e9cision vise \u00e0 permettre au plus grand nombre de candidats de postuler au Yennenga Academy.<\/strong><\/p>\n

Par ailleurs, les inscriptions aux Ateliers Yennenga se poursuivent jusqu\u2019au 15 ao\u00fbt 2021 \u00e0 minuit\u00a0!<\/strong><\/p>\n

Les\u00a0\u00ab\u00a0Ateliers\u00a0Yennenga\u00bb\u00a0s\u2019articulent autour de deux (02) axes\u00a0:\n<\/p>\n