[{"id":9496,"date":"2025-02-09T12:22:40","date_gmt":"2025-02-09T12:22:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9496"},"modified":"2025-02-09T12:22:42","modified_gmt":"2025-02-09T12:22:42","slug":"la-pensee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-pensee\/","title":{"rendered":"LA PENSEE"},"content":{"rendered":"\n

SYNOPSIS\u00a0: LA PENSEE<\/p>\n\n\n\n

L\u2019Afrique ! Mon Afrique ! Jadis, havre de paix et d\u2019\u00e9quit\u00e9, aujourd\u2019hui nid d\u2019injustices et d\u2019in\u00e9galit\u00e9s. L\u2019introspection du jeune Rabi le met face \u00e0 la crois\u00e9e des chemins : comment vaincre ces fl\u00e9aux. S\u2019ouvrant \u00e0 sa m\u00e8re, il se retrouve confort\u00e9 dans ses convictions apr\u00e8s les sages conseils maternels.<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSIS\u00a0: LA PENSEE L\u2019Afrique ! Mon Afrique ! Jadis, havre de paix et d\u2019\u00e9quit\u00e9, aujourd\u2019hui nid d\u2019injustices et d\u2019in\u00e9galit\u00e9s. L\u2019introspection du jeune Rabi le met face \u00e0 la crois\u00e9e des chemins : comment vaincre ces fl\u00e9aux. S\u2019ouvrant \u00e0 sa m\u00e8re, il se retrouve confort\u00e9 dans ses convictions apr\u00e8s les sages conseils maternels.<\/p>\n","protected":false},"author":13,"featured_media":9421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9496"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9496\/revisions"}],"predecessor-version":[{"id":9497,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9496\/revisions\/9497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9421"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9494,"date":"2025-02-09T12:15:38","date_gmt":"2025-02-09T12:15:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9494"},"modified":"2025-02-09T12:15:46","modified_gmt":"2025-02-09T12:15:46","slug":"sylla-forever-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sylla-forever-2\/","title":{"rendered":"SYLLA FOREVER"},"content":{"rendered":"\n

Mamadou SAMASSA, United States, 2022<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Ibrahima Sylla is an undeniable icon of African music worldwide. A Senegalese producer of African and Afro-Latin music, he is the founder of Syllart Records, a label that could be compared to STAX, BLUE NOTE, or TAMLA MOTOWN. Many legendary African musicians have passed through his hands.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mamadou SAMASSA, United States, 2022 SYNOPSIS Ibrahima Sylla is an undeniable icon of African music worldwide. A Senegalese producer of African and Afro-Latin music, he is the founder of Syllart Records, a label that could be compared to STAX, BLUE NOTE, or TAMLA MOTOWN. Many legendary African musicians have passed through his hands.<\/p>\n","protected":false},"author":13,"featured_media":9420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-08-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9494"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9494\/revisions"}],"predecessor-version":[{"id":9495,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9494\/revisions\/9495"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9420"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9492,"date":"2025-02-09T12:14:11","date_gmt":"2025-02-09T12:14:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9492"},"modified":"2025-02-09T13:07:28","modified_gmt":"2025-02-09T13:07:28","slug":"sylla-forever","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sylla-forever\/","title":{"rendered":"SYLLA FOREVER"},"content":{"rendered":"\n

Mamadou SAMASSA, \u00c9tats-Unis, 2022<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

Ibrahima Sylla est une figure incontestable de la musique africaine \u00e0 travers le monde entier. Producteur de musiques africaines et afro-latines de nationalit\u00e9 s\u00e9n\u00e9galaise, il est le fondateur du label Syllart Records qui pourrait \u00eatre consid\u00e9r\u00e9 comme l\u2019\u00e9quivalent de compagnies comme STAX, BLUE NOTE ou TAMLA MOTOWN. De grandes l\u00e9gendes de la musique africaine sont pass\u00e9es entre ses mains.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mamadou SAMASSA, \u00c9tats-Unis, 2022 Synopsis Ibrahima Sylla est une figure incontestable de la musique africaine \u00e0 travers le monde entier. Producteur de musiques africaines et afro-latines de nationalit\u00e9 s\u00e9n\u00e9galaise, il est le fondateur du label Syllart Records qui pourrait \u00eatre consid\u00e9r\u00e9 comme l\u2019\u00e9quivalent de compagnies comme STAX, BLUE NOTE ou TAMLA MOTOWN. De grandes l\u00e9gendes […]<\/p>\n","protected":false},"author":13,"featured_media":9420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-08-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9492"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9492\/revisions"}],"predecessor-version":[{"id":9493,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9492\/revisions\/9493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9420"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9490,"date":"2025-02-09T12:12:54","date_gmt":"2025-02-09T12:12:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9490"},"modified":"2025-02-09T12:12:58","modified_gmt":"2025-02-09T12:12:58","slug":"s-o-s-climate-change-and-flooding","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/s-o-s-climate-change-and-flooding\/","title":{"rendered":"S.O.S (CLIMATE CHANGE AND FLOODING)"},"content":{"rendered":"\n

Serge KOUACOU, C\u00f4te d\u2019Ivoire, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

This documentary film immerses us in a world of chaos, where tradition and religion claim ownership of knowledge, politics and local residents shift blame onto one another, and victims grieve their lost loved ones. Confronted with the harsh realities of climate change, resource depletion, desertification, and the submersion of our homes by rising waters, urgent action is needed.<\/p>\n","protected":false},"excerpt":{"rendered":"

Serge KOUACOU, C\u00f4te d\u2019Ivoire, 2024 SYNOPSIS This documentary film immerses us in a world of chaos, where tradition and religion claim ownership of knowledge, politics and local residents shift blame onto one another, and victims grieve their lost loved ones. Confronted with the harsh realities of climate change, resource depletion, desertification, and the submersion of […]<\/p>\n","protected":false},"author":13,"featured_media":9419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9490","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-07-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9490"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9490\/revisions"}],"predecessor-version":[{"id":9491,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9490\/revisions\/9491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9419"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9488,"date":"2025-02-09T12:11:53","date_gmt":"2025-02-09T12:11:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9488"},"modified":"2025-02-09T12:11:55","modified_gmt":"2025-02-09T12:11:55","slug":"s-o-s-le-dereglement-climatique-et-les-inondations","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/s-o-s-le-dereglement-climatique-et-les-inondations\/","title":{"rendered":"S.O.S (LE DEREGLEMENT CLIMATIQUE ET LES INONDATIONS)"},"content":{"rendered":"\n

 Serge KOUACOU, C\u00f4te d\u2019Ivoire, 2024<\/strong><\/p>\n\n\n\n

 Synopsis<\/p>\n\n\n\n

Ce film documentaire nous plonge dans un univers de chaos o\u00f9 coutume et religion s\u2019approprient le savoir, politique et riverain se rejettent r\u00e9ciproquement la faute, o\u00f9 les victimes pleurent leurs disparues. Confront\u00e9 \u00e0 cette r\u00e9alit\u00e9 du d\u00e9r\u00e8glement climatique, \u00e0 l\u2019\u00e9puisement des ressources, \u00e0 la d\u00e9sertification et \u00e0 cette submersion de nos habitats par les eaux, il faut donc agir.<\/p>\n\n\n\n

This documentary film plunges us into a world of knockouts. Where custom and religion appropriate knowledge, politics and local residents mutually blame each other, where victims mourn their loss. Faced with this reality of climate change, the exhaustion of resources, desertification and the submergence of our habitats by water, We must therefore act.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Serge KOUACOU, C\u00f4te d\u2019Ivoire, 2024  Synopsis Ce film documentaire nous plonge dans un univers de chaos o\u00f9 coutume et religion s\u2019approprient le savoir, politique et riverain se rejettent r\u00e9ciproquement la faute, o\u00f9 les victimes pleurent leurs disparues. Confront\u00e9 \u00e0 cette r\u00e9alit\u00e9 du d\u00e9r\u00e8glement climatique, \u00e0 l\u2019\u00e9puisement des ressources, \u00e0 la d\u00e9sertification et \u00e0 cette submersion […]<\/p>\n","protected":false},"author":13,"featured_media":9419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-07-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9488"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9488\/revisions"}],"predecessor-version":[{"id":9489,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9488\/revisions\/9489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9419"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9486,"date":"2025-02-09T12:09:17","date_gmt":"2025-02-09T12:09:17","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9486"},"modified":"2025-02-09T12:09:19","modified_gmt":"2025-02-09T12:09:19","slug":"reconstitution-of-haute-volta-1947","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/reconstitution-of-haute-volta-1947\/","title":{"rendered":"RECONSTITUTION OF HAUTE-VOLTA 1947"},"content":{"rendered":"\n

S. Bernard YAMEOGO, Kodini Alphonse SANOU, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

On September 5, 1932, the colony of Haute-Volta was abolished. His Majesty the Moogh Naaba Kom II strongly opposed this decision and, in 1938, initiated efforts for its restoration. After his death in 1942, his successor, Moogh Naaba Saagha II, took up the cause. By 1945, the people of Haute-Volta rallied around the traditional chieftaincy in a struggle to reestablish the colony.<\/p>\n","protected":false},"excerpt":{"rendered":"

S. Bernard YAMEOGO, Kodini Alphonse SANOU, Burkina Faso, 2024 SYNOPSIS On September 5, 1932, the colony of Haute-Volta was abolished. His Majesty the Moogh Naaba Kom II strongly opposed this decision and, in 1938, initiated efforts for its restoration. After his death in 1942, his successor, Moogh Naaba Saagha II, took up the cause. By […]<\/p>\n","protected":false},"author":13,"featured_media":9418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-06-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9486"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9486\/revisions"}],"predecessor-version":[{"id":9487,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9486\/revisions\/9487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9418"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9484,"date":"2025-02-09T12:07:56","date_gmt":"2025-02-09T12:07:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9484"},"modified":"2025-02-09T12:08:29","modified_gmt":"2025-02-09T12:08:29","slug":"reconstitution-de-la-haute-volta-1947","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reconstitution-de-la-haute-volta-1947\/","title":{"rendered":"RECONSTITUTION DE LA HAUTE VOLTA 1947"},"content":{"rendered":"\n

S.Bernard YAMEOGO, Kodini Alphonse SANOU, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

 <\/strong>5 septembre 1932, suppression de la colonie de Haute Volta. Sa Majest\u00e9 le Moogh Naaba Kom II manifeste son total d\u00e9saccord et entreprend, en 1938, des d\u00e9marches pour son r\u00e9tablissement. A sa mort en 1942, son successeur, Le Moogh Naaba Saagha II reprend le flambeau. 1945, les Volta\u00efques se mobilisent autour de la chefferie traditionnelle dans une lutte pour la reconstitution de la colonie.<\/p>\n","protected":false},"excerpt":{"rendered":"

S.Bernard YAMEOGO, Kodini Alphonse SANOU, Burkina Faso, 2024 SYNOPSIS  5 septembre 1932, suppression de la colonie de Haute Volta. Sa Majest\u00e9 le Moogh Naaba Kom II manifeste son total d\u00e9saccord et entreprend, en 1938, des d\u00e9marches pour son r\u00e9tablissement. A sa mort en 1942, son successeur, Le Moogh Naaba Saagha II reprend le flambeau. 1945, […]<\/p>\n","protected":false},"author":13,"featured_media":9418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-06-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9484"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9484\/revisions"}],"predecessor-version":[{"id":9485,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9484\/revisions\/9485"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9418"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9481,"date":"2025-02-09T12:05:32","date_gmt":"2025-02-09T12:05:32","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9481"},"modified":"2025-02-09T12:05:35","modified_gmt":"2025-02-09T12:05:35","slug":"the-secret-life-of-the-woods","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-secret-life-of-the-woods\/","title":{"rendered":"THE SECRET LIFE OF THE WOODS"},"content":{"rendered":"\n

Claude PFAFFMANN, France, 2024<\/p>\n\n\n\n

SYNOPSIS
Arno, the main character, is a mobile sawyer and a nomadic lumberjack. A skilled educator, he has a deep respect for trees and forests. As he goes about his sawing and logging activities, renowned experts provide insight into recent scientific discoveries. A nomad at heart, he learned his trade while traveling through Eastern Europe with two pack mules.<\/p>\n","protected":false},"excerpt":{"rendered":"

Claude PFAFFMANN, France, 2024 SYNOPSISArno, the main character, is a mobile sawyer and a nomadic lumberjack. A skilled educator, he has a deep respect for trees and forests. As he goes about his sawing and logging activities, renowned experts provide insight into recent scientific discoveries. A nomad at heart, he learned his trade while traveling […]<\/p>\n","protected":false},"author":13,"featured_media":9417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9481","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9481"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9481\/revisions"}],"predecessor-version":[{"id":9483,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9481\/revisions\/9483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9417"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9479,"date":"2025-02-09T12:04:32","date_gmt":"2025-02-09T12:04:32","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9479"},"modified":"2025-02-09T12:04:37","modified_gmt":"2025-02-09T12:04:37","slug":"la-vie-secrete-des-bois","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-vie-secrete-des-bois\/","title":{"rendered":"LA VIE SECRETE DES BOIS"},"content":{"rendered":"\n

Claude-PFAFFMANN, FRANCE, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Arno le personnage principal est scieur mobile et bucheron nomade. Fin p\u00e9dagogue, il a un profond respect pour les arbres et les bois. Pendant ses activit\u00e9s de sciage et de bucheronnage le regard \u00e9clair\u00e9 d\u2019\u00e9minents sp\u00e9cialistes font le point sur les r\u00e9centes d\u00e9couvertes scientifiques. Nomade dans l\u2019\u00e2me, il a appris son m\u00e9tier en voyageant avec deux mules bat\u00e9es dans les pays de l\u2019est de l\u2019Europe.<\/p>\n","protected":false},"excerpt":{"rendered":"

Claude-PFAFFMANN, FRANCE, 2024 SYNOPSIS Arno le personnage principal est scieur mobile et bucheron nomade. Fin p\u00e9dagogue, il a un profond respect pour les arbres et les bois. Pendant ses activit\u00e9s de sciage et de bucheronnage le regard \u00e9clair\u00e9 d\u2019\u00e9minents sp\u00e9cialistes font le point sur les r\u00e9centes d\u00e9couvertes scientifiques. Nomade dans l\u2019\u00e2me, il a appris son […]<\/p>\n","protected":false},"author":13,"featured_media":9417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9479"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9479\/revisions"}],"predecessor-version":[{"id":9480,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9479\/revisions\/9480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9417"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9477,"date":"2025-02-09T12:00:22","date_gmt":"2025-02-09T12:00:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9477"},"modified":"2025-02-09T12:00:25","modified_gmt":"2025-02-09T12:00:25","slug":"the-dance-of-the-diviners","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-dance-of-the-diviners\/","title":{"rendered":"THE DANCE OF THE DIVINERS"},"content":{"rendered":"\n

Issa TIENDREBEOGO, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
The B\u00f4ro, a Toussian fetish, possesses its children\u2014they emerge from the bush, moving and crying out to deliver a message. The Dozos offer water to the ancestors on various sacred altars, pleading for the mercy of gods and spirits. They heal, cure, and bring prosperity, peace, and love. All these cultural beliefs and ancestral practices share a single purpose: fostering social cohesion and togetherness.<\/p>\n","protected":false},"excerpt":{"rendered":"

Issa TIENDREBEOGO, Burkina Faso, 2024 SYNOPSISThe B\u00f4ro, a Toussian fetish, possesses its children\u2014they emerge from the bush, moving and crying out to deliver a message. The Dozos offer water to the ancestors on various sacred altars, pleading for the mercy of gods and spirits. They heal, cure, and bring prosperity, peace, and love. All these […]<\/p>\n","protected":false},"author":13,"featured_media":9416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9477"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9477\/revisions"}],"predecessor-version":[{"id":9478,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9477\/revisions\/9478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9416"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9474,"date":"2025-02-09T11:59:00","date_gmt":"2025-02-09T11:59:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9474"},"modified":"2025-02-09T13:13:32","modified_gmt":"2025-02-09T13:13:32","slug":"la-danse-des-devins","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-danse-des-devins\/","title":{"rendered":"\u00a0LA DANSE DES DEVINS"},"content":{"rendered":"\n

Issa TIENDREBEOGO, Burkina Faso, 2024<\/p>\n\n\n\n

 SYNOPSIS<\/strong><\/p>\n\n\n\n

Le B\u00f4ro, f\u00e9tiche Toussian, poss\u00e8de ses enfants, ils viennent de la brousse en mouvement et par des cris pour livrer un message. Les dozos donnent l\u2019eau aux anc\u00eatres sur les diff\u00e9rents autels sacr\u00e9s. Ils implorent la cl\u00e9mence des dieux, des g\u00e9nies. Ils soignent, gu\u00e9rissent, apportent la prosp\u00e9rit\u00e9, la paix, l\u2019amour. Toutes ces croyances culturelles et pratiques ancestrales n\u2019ont qu\u2019un seul objectif : la coh\u00e9sion sociale et le vivre ensemble.<\/p>\n","protected":false},"excerpt":{"rendered":"

Issa TIENDREBEOGO, Burkina Faso, 2024  SYNOPSIS Le B\u00f4ro, f\u00e9tiche Toussian, poss\u00e8de ses enfants, ils viennent de la brousse en mouvement et par des cris pour livrer un message. Les dozos donnent l\u2019eau aux anc\u00eatres sur les diff\u00e9rents autels sacr\u00e9s. Ils implorent la cl\u00e9mence des dieux, des g\u00e9nies. Ils soignent, gu\u00e9rissent, apportent la prosp\u00e9rit\u00e9, la paix, […]<\/p>\n","protected":false},"author":13,"featured_media":9416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9474"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9474\/revisions"}],"predecessor-version":[{"id":9475,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9474\/revisions\/9475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9416"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9471,"date":"2025-02-09T11:56:39","date_gmt":"2025-02-09T11:56:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9471"},"modified":"2025-02-09T11:56:41","modified_gmt":"2025-02-09T11:56:41","slug":"fate-of-a-migrant","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fate-of-a-migrant\/","title":{"rendered":"FATE OF A MIGRANT"},"content":{"rendered":"\n

Omar Brams MBAYE, Senegal, 2024<\/p>\n\n\n\n

Synopsis
Fate of a Migrant is a feature-length documentary that explores migration, the living conditions, and the journeys of African migrants, whether documented or undocumented, as well as political asylum seekers. Through a series of interviews, this documentary gives a voice to major international institutions, returning migrants, and undocumented Africans living on European soil.<\/p>\n","protected":false},"excerpt":{"rendered":"

Omar Brams MBAYE, Senegal, 2024 SynopsisFate of a Migrant is a feature-length documentary that explores migration, the living conditions, and the journeys of African migrants, whether documented or undocumented, as well as political asylum seekers. Through a series of interviews, this documentary gives a voice to major international institutions, returning migrants, and undocumented Africans living […]<\/p>\n","protected":false},"author":13,"featured_media":9415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9471"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9471\/revisions"}],"predecessor-version":[{"id":9472,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9471\/revisions\/9472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9415"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9468,"date":"2025-02-09T11:54:37","date_gmt":"2025-02-09T11:54:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9468"},"modified":"2025-02-09T11:54:39","modified_gmt":"2025-02-09T11:54:39","slug":"destin-dun-migrant","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/destin-dun-migrant\/","title":{"rendered":"DESTIN D\u2019UN MIGRANT"},"content":{"rendered":"\n

Omar Brams MBAYE, S\u00e9n\u00e9gal , 2024<\/p>\n\n\n\n

Synopsis<\/p>\n\n\n\n

 \u00ab Destin d\u2019un Migrant \u00bb est un documentaire long m\u00e9trage qui traite la migration et les conditions de vies et parcours des migrants africains en situation r\u00e9guli\u00e8re ou irr\u00e9guli\u00e8re mais aussi des demandeurs d\u2019asile politique. Ce documentaire donne la parole aux grandes institutions internationales par une s\u00e9rie d\u2019interviews, aux migrants de retour et sans papiers africains vivants sur les terres europ\u00e9ennes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Omar Brams MBAYE, S\u00e9n\u00e9gal , 2024 Synopsis  \u00ab Destin d\u2019un Migrant \u00bb est un documentaire long m\u00e9trage qui traite la migration et les conditions de vies et parcours des migrants africains en situation r\u00e9guli\u00e8re ou irr\u00e9guli\u00e8re mais aussi des demandeurs d\u2019asile politique. Ce documentaire donne la parole aux grandes institutions internationales par une s\u00e9rie d\u2019interviews, […]<\/p>\n","protected":false},"author":13,"featured_media":9415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9468"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9468\/revisions"}],"predecessor-version":[{"id":9469,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9468\/revisions\/9469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9415"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9466,"date":"2025-02-09T11:52:10","date_gmt":"2025-02-09T11:52:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9466"},"modified":"2025-02-09T11:52:14","modified_gmt":"2025-02-09T11:52:14","slug":"straight-from-the-streets","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/straight-from-the-streets\/","title":{"rendered":"STRAIGHT FROM THE STREETS"},"content":{"rendered":"\n

Abdoul Karim SAWADOGO, Burkina Faso, 2024<\/p>\n\n\n\n

Synopsis
This film explores the evolution of hip-hop culture in Burkina Faso. A journey through time that takes us to meet the pioneers of this cultural movement. Originating from the United States in the 1990s, this artistic wave, initially seen as a passing trend, has defied all odds to stand the test of time, conquering the world and transforming into a true way of life.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abdoul Karim SAWADOGO, Burkina Faso, 2024 SynopsisThis film explores the evolution of hip-hop culture in Burkina Faso. A journey through time that takes us to meet the pioneers of this cultural movement. Originating from the United States in the 1990s, this artistic wave, initially seen as a passing trend, has defied all odds to stand […]<\/p>\n","protected":false},"author":13,"featured_media":9414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9466"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9466\/revisions"}],"predecessor-version":[{"id":9467,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9466\/revisions\/9467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9414"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9463,"date":"2025-02-09T11:46:30","date_gmt":"2025-02-09T11:46:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9463"},"modified":"2025-02-09T11:46:34","modified_gmt":"2025-02-09T11:46:34","slug":"ca-vient-de-la-rue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ca-vient-de-la-rue\/","title":{"rendered":"\u00a0\u00c7A VIENT DE LA RUE"},"content":{"rendered":"\n

 Abdoul Karim SAWADOGO, Burkina Faso, 2024<\/p>\n\n\n\n

Synopsis <\/strong><\/p>\n\n\n\n

Ce film explore l’\u00e9volution de la culture hip-hop au Burkina Faso.  Un voyage \u00e0 travers le temps qui nous emm\u00e8ne \u00e0 la rencontre des pionniers de ce mouvement culturel.  Venue des \u00c9tats-Unis dans les ann\u00e9es 90, cette vague artistique, initialement per\u00e7ue comme une mode passag\u00e8re, a, contre vents et mar\u00e9es, travers\u00e9 le temps pour conqu\u00e9rir le monde entier et se transformer en un v\u00e9ritable style de vie.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Abdoul Karim SAWADOGO, Burkina Faso, 2024 Synopsis  Ce film explore l’\u00e9volution de la culture hip-hop au Burkina Faso.  Un voyage \u00e0 travers le temps qui nous emm\u00e8ne \u00e0 la rencontre des pionniers de ce mouvement culturel.  Venue des \u00c9tats-Unis dans les ann\u00e9es 90, cette vague artistique, initialement per\u00e7ue comme une mode passag\u00e8re, a, contre vents […]<\/p>\n","protected":false},"author":13,"featured_media":9414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9463"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9463\/revisions"}],"predecessor-version":[{"id":9464,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9463\/revisions\/9464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9414"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9457,"date":"2025-02-09T11:05:19","date_gmt":"2025-02-09T11:05:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9457"},"modified":"2025-02-09T11:07:20","modified_gmt":"2025-02-09T11:07:20","slug":"aline-sitoe-diatta-a-warrior-without-an-army","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/aline-sitoe-diatta-a-warrior-without-an-army\/","title":{"rendered":"ALINE SITOE DIATTA, A WARRIOR WITHOUT AN ARMY"},"content":{"rendered":"\n

ALINE SITOE DIATTA, A WARRIOR WITHOUT AN ARMYDosseh DABLAH VOSSAH, Senegal, 2024<\/p>\n\n\n\n

Synopsis
Nialou, a neighborhood in the small village of Kabrousse, lies at the heart of the lush landscapes of Casamance. Aline Sito\u00e9 Diatta is a young girl like many others, living in harmony with the dense forests and spiritual traditions of her people. Yet, her destiny is bound to be extraordinary. This docu-fiction retraces her remarkable journey.<\/p>\n","protected":false},"excerpt":{"rendered":"

ALINE SITOE DIATTA, A WARRIOR WITHOUT AN ARMYDosseh DABLAH VOSSAH, Senegal, 2024 SynopsisNialou, a neighborhood in the small village of Kabrousse, lies at the heart of the lush landscapes of Casamance. Aline Sito\u00e9 Diatta is a young girl like many others, living in harmony with the dense forests and spiritual traditions of her people. Yet, […]<\/p>\n","protected":false},"author":13,"featured_media":9413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[749],"tags":[],"class_list":["post-9457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9457"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9457\/revisions"}],"predecessor-version":[{"id":9458,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9457\/revisions\/9458"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9413"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9412,"date":"2025-02-09T11:02:34","date_gmt":"2025-02-09T11:02:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9412"},"modified":"2025-02-09T11:03:08","modified_gmt":"2025-02-09T11:03:08","slug":"aline-sitoe-diatta-une-guerriere-sans-armee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/aline-sitoe-diatta-une-guerriere-sans-armee\/","title":{"rendered":"ALINE SITOE DIATTA, UNE GUERRIERE SANS ARMEE"},"content":{"rendered":"\n

Dosseh DABLAH VOSSAH, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

Synopsis<\/p>\n\n\n\n

Nialou, un quartier dans le petit village de Kabrousse, au coeur des paysages<\/p>\n\n\n\n

verdoyants de la Casamance, Aline Sito\u00e9 Diatta est une jeune fille comme tant d\u2019autres,vivant en harmonie avec les for\u00eats denses et les traditions spirituelles de son peuple. Pourtant, son destin est appel\u00e9 \u00e0 \u00eatre hors du commun. Ce documentaire-fiction retrace son parcours singulier.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dosseh DABLAH VOSSAH, S\u00e9n\u00e9gal, 2024 Synopsis Nialou, un quartier dans le petit village de Kabrousse, au coeur des paysages verdoyants de la Casamance, Aline Sito\u00e9 Diatta est une jeune fille comme tant d\u2019autres,vivant en harmonie avec les for\u00eats denses et les traditions spirituelles de son peuple. Pourtant, son destin est appel\u00e9 \u00e0 \u00eatre hors du […]<\/p>\n","protected":false},"author":13,"featured_media":9413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751],"tags":[],"class_list":["post-9412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9412"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9412\/revisions"}],"predecessor-version":[{"id":9456,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9412\/revisions\/9456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9413"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9372,"date":"2025-02-07T12:20:21","date_gmt":"2025-02-07T12:20:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9372"},"modified":"2025-02-07T12:20:23","modified_gmt":"2025-02-07T12:20:23","slug":"black-tea-opening-film-of-the-29th-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/black-tea-opening-film-of-the-29th-fespaco\/","title":{"rendered":"BLACK TEA: OPENING FILM OF THE 29TH FESPACO"},"content":{"rendered":"\n

The Pan-African Film and Television Festival of Ouagadougou (FESPACO)<\/strong> is set to unveil its 29th edition<\/strong>, taking place from February 22 to March 1, 2025<\/strong>. To kick off this much-anticipated event, the organizers have chosen \u201cBlack Tea\u201d<\/strong>, a film directed by the renowned Abderrahmane Sissako<\/strong>, winner of the Yennenga Gold Stallion in 2003.<\/p>\n\n\n\n

A Film by Abderrahmane Sissako, a Master of African Cinema<\/strong><\/p>\n\n\n\n

Acclaimed filmmaker Abderrahmane Sissako<\/strong> has left his mark on the global cinema scene with masterpieces like Timbuktu<\/em> (2014), widely praised at major international festivals. With Black Tea<\/em>, he delivers yet another cinematic gem, exploring themes of identity, culture, and human connections<\/strong> in a deeply universal narrative.<\/p>\n\n\n\n

An Exceptional Cast for a Captivating Story<\/strong><\/p>\n\n\n\n

Featuring a talented international cast, Black Tea<\/em> stars Nina Melo, Han Chang, and Ke-Xi Wu<\/strong>, who bring to life compelling characters searching for meaning and truth. Through unexpected encounters and intercultural dialogues, the film offers an emotional journey where borders fade, making way for shared humanity<\/strong>.<\/p>\n\n\n\n

A 29th FESPACO Edition Focused on Excellence<\/strong><\/p>\n\n\n\n

With this spectacular opening, FESPACO 2025<\/strong> promises to be an unmissable event for cinema lovers. The festival remains a leading platform for celebrating and promoting African and diaspora cinema<\/strong>, showcasing outstanding talents from across the continent and beyond.<\/p>\n\n\n\n

\ud83d\udccc Stay tuned<\/strong> for the full program of this edition, featuring unforgettable screenings, inspiring discussions, and moments of pure cinematic magic.<\/p>\n\n\n\n

\ud83d\udd1c See you in Ouagadougou from February 22 to March 1, 2025!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The Pan-African Film and Television Festival of Ouagadougou (FESPACO) is set to unveil its 29th edition, taking place from February 22 to March 1, 2025. To kick off this much-anticipated event, the organizers have chosen \u201cBlack Tea\u201d, a film directed by the renowned Abderrahmane Sissako, winner of the Yennenga Gold Stallion in 2003. A Film […]<\/p>\n","protected":false},"author":2,"featured_media":9370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[407],"tags":[],"class_list":["post-9372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-une_en-1"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Film-douverture-2025.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9372"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9372\/revisions"}],"predecessor-version":[{"id":9373,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9372\/revisions\/9373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9370"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9368,"date":"2025-02-07T12:19:35","date_gmt":"2025-02-07T12:19:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9368"},"modified":"2025-02-07T12:19:38","modified_gmt":"2025-02-07T12:19:38","slug":"black-tea-film-douverture-du-29e-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/black-tea-film-douverture-du-29e-fespaco\/","title":{"rendered":"BLACK TEA, FILM D\u2019OUVERTURE DU 29E FESPACO"},"content":{"rendered":"\n

Le Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO)<\/strong> s\u2019appr\u00eate \u00e0 lever le rideau sur sa 29e \u00e9dition<\/strong>, qui se tiendra du 22 f\u00e9vrier au 1er mars 2025<\/strong>. Pour cette ouverture tant attendue, les organisateurs ont choisi de marquer les esprits avec \u201cBlack Tea\u201d<\/strong>, un film r\u00e9alis\u00e9 par l\u2019illustre Abderrahmane Sissako<\/strong>, laur\u00e9at de l\u2019\u00c9talon d\u2019or de Yennenga en 2003.<\/p>\n\n\n\n

Un film sign\u00e9 Abderrahmane Sissako, ma\u00eetre du cin\u00e9ma africain<\/strong><\/p>\n\n\n\n

R\u00e9alisateur de renom, Abderrahmane Sissako<\/strong> a su imposer sa vision et son art \u00e0 travers des \u0153uvres marquantes comme Timbuktu<\/em> (2014), salu\u00e9 dans les plus grands festivals internationaux. Avec Black Tea<\/em>, il nous livre une nouvelle fresque cin\u00e9matographique explorant les th\u00e8mes de l\u2019identit\u00e9, de la culture et des connexions humaines<\/strong>, dans un r\u00e9cit profond\u00e9ment universel.<\/p>\n\n\n\n

Un casting d\u2019exception pour une \u0153uvre captivante<\/strong><\/p>\n\n\n\n

Port\u00e9 par une distribution internationale de talent, Black Tea<\/em> met en sc\u00e8ne Nina Melo, Han Chang et Ke-Xi Wu<\/strong>, qui incarnent avec finesse des personnages en qu\u00eate de sens et de v\u00e9rit\u00e9. Entre rencontres improbables et dialogues interculturels, le film promet une immersion poignante au c\u0153ur d\u2019une histoire o\u00f9 les fronti\u00e8res s\u2019effacent pour laisser place \u00e0 l\u2019humanit\u00e9 partag\u00e9e<\/strong>.<\/p>\n\n\n\n

Une 29e \u00e9dition du FESPACO sous le signe de l\u2019excellence<\/strong><\/p>\n\n\n\n

Avec cette ouverture magistrale, le FESPACO 2025<\/strong> s\u2019annonce comme un rendez-vous incontournable pour les amoureux du 7e art. Le festival continue ainsi de c\u00e9l\u00e9brer et de promouvoir le cin\u00e9ma africain et de la diaspora<\/strong>, offrant une vitrine exceptionnelle aux talents du continent et d\u2019ailleurs.<\/p>\n\n\n\n

\ud83d\udccc Restez connect\u00e9s<\/strong> pour d\u00e9couvrir le programme complet de cette \u00e9dition qui promet des projections inoubliables, des rencontres enrichissantes et des moments de pur \u00e9merveillement cin\u00e9matographique.<\/p>\n\n\n\n

\ud83d\udd1c Rendez-vous du 22 f\u00e9vrier au 1er mars 2025 \u00e0 Ouagadougou !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Le Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO) s\u2019appr\u00eate \u00e0 lever le rideau sur sa 29e \u00e9dition, qui se tiendra du 22 f\u00e9vrier au 1er mars 2025. Pour cette ouverture tant attendue, les organisateurs ont choisi de marquer les esprits avec \u201cBlack Tea\u201d, un film r\u00e9alis\u00e9 par l\u2019illustre Abderrahmane Sissako, laur\u00e9at […]<\/p>\n","protected":false},"author":2,"featured_media":9370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[401],"tags":[],"class_list":["post-9368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-une-1"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Film-douverture-2025.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9368"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9368\/revisions"}],"predecessor-version":[{"id":9371,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9368\/revisions\/9371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9370"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9330,"date":"2025-02-07T08:49:57","date_gmt":"2025-02-07T08:49:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9330"},"modified":"2025-02-07T08:50:01","modified_gmt":"2025-02-07T08:50:01","slug":"othelo-o-grande-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/othelo-o-grande-2\/","title":{"rendered":"OTHELO, O GRANDE,"},"content":{"rendered":"\n

Lucas H. Rossi dos Santos, Rio de Janeiro, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> : <\/p>\n\n\n\n

Sebasti\u00e3o Bernardes de Souza Prata, Grande Otelo, was one of Brazil’s greatest actors and comedians, using the spotlight to shape his own narrative and discuss the institutional racism that haunted him for eight decades, two dictatorships and over a hundred films.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

 Lucas H. Rossi is a black director based in Rio de Janeiro. Together, his short films \u00ab\u00a0Vestido de Myriam\u00a0\u00bb (2017), \u00ab\u00a0Ser Feliz no V\u00e3o\u00a0\u00bb (2020) and \u00ab\u00a0Atordoado, Eu Permane\u00e7o Atento\u00a0\u00bb (2020) add up to almost 300 official selections around the world. He produced series and features such as \u00ab\u00a0Eu Sou Maria\u00a0\u00bb, \u00ab\u00a0Mal\u00eas\u00a0\u00bb, \u00ab\u00a0Canastra Suja\u00a0\u00bb, \u00ab\u00a0Candel\u00e1ria\u00a0\u00bb, \u00ab\u00a0Vizinhos\u00a0\u00bb, \u00ab\u00a0A Morte Habita \u00e0 Noite\u00a0\u00bb (Rotterdam Festival 2020), among others, in addition to award-winning shorts such as \u00ab\u00a0At the end of the conversation, they say goodbye with a hug\u00a0\u00bb, \u00ab\u00a0Repulsa\u00a0\u00bb, \u00ab\u00a0Auto-falo\u00a0\u00bb and \u00ab\u00a0\u00daltimo Domingo\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lucas H. Rossi dos Santos, Rio de Janeiro, 2023 SYNOPSIS :  Sebasti\u00e3o Bernardes de Souza Prata, Grande Otelo, was one of Brazil’s greatest actors and comedians, using the spotlight to shape his own narrative and discuss the institutional racism that haunted him for eight decades, two dictatorships and over a hundred films. BIOFILMOGRAPHIE  Lucas H. […]<\/p>\n","protected":false},"author":13,"featured_media":9327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-9330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9330"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9330\/revisions"}],"predecessor-version":[{"id":9331,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9330\/revisions\/9331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9327"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9325,"date":"2025-02-07T08:48:14","date_gmt":"2025-02-07T08:48:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9325"},"modified":"2025-02-07T08:48:17","modified_gmt":"2025-02-07T08:48:17","slug":"othelo-o-grande","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/othelo-o-grande\/","title":{"rendered":"OTHELO, O GRANDE,"},"content":{"rendered":"\n

Lucas H. Rossi dos Santos, Rio de Janeiro, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> : <\/p>\n\n\n\n

Sebasti\u00e3o Bernardes de Souza Prata, <\/strong>OTHELO, O GRANDE, a \u00e9t\u00e9 l’un des plus grands acteurs et com\u00e9diens br\u00e9siliens. Il a utilis\u00e9 les feux de la rampe pour fa\u00e7onner son propre r\u00e9cit et discuter du racisme institutionnel qui l’a hant\u00e9 pendant huit d\u00e9cennies, deux dictatures et plus d’une centaine de films.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Lucas H. Rossi a r\u00e9alis\u00e9 des courts m\u00e9trages \u00ab Vestido de Myriam \u00bb (2017), \u00ab Ser Feliz no V\u00e3o \u00bb (2020), des s\u00e9ries et des longs m\u00e9trages \u00ab Eu Sou Maria \u00bb, \u00ab Mal\u00eas \u00bb, \u00ab Canastra Suja \u00bb, \u00ab Candel\u00e1ria \u00bb, \u00ab Vizinhos \u00bb, \u00ab A Morte Habita \u00e0 Noite \u00bb … Les courts m\u00e9trages prim\u00e9s : \u00ab At the end of the conversation, they say goodbye with a hug \u00bb, \u00ab Repulsa \u00bb, \u00ab Auto-falo \u00bb et \u00ab \u00daltimo Domingo \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lucas H. Rossi dos Santos, Rio de Janeiro, 2023 SYNOPSIS :  Sebasti\u00e3o Bernardes de Souza Prata, OTHELO, O GRANDE, a \u00e9t\u00e9 l’un des plus grands acteurs et com\u00e9diens br\u00e9siliens. Il a utilis\u00e9 les feux de la rampe pour fa\u00e7onner son propre r\u00e9cit et discuter du racisme institutionnel qui l’a hant\u00e9 pendant huit d\u00e9cennies, deux dictatures […]<\/p>\n","protected":false},"author":13,"featured_media":9327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-9325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9325"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9325\/revisions"}],"predecessor-version":[{"id":9328,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9325\/revisions\/9328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9327"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9322,"date":"2025-02-06T15:40:27","date_gmt":"2025-02-06T15:40:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9322"},"modified":"2025-02-06T15:40:30","modified_gmt":"2025-02-06T15:40:30","slug":"pirinha-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/pirinha-3\/","title":{"rendered":"PIRINHA"},"content":{"rendered":"\n

PIRINHA Natasha Craveiro, Cap Vert, 2024<\/p>\n\n\n\n

SYNOPSIS
Pirinha est le voyage d\u2019une jeune femme \u00e0 travers les recoins de son subconscient \u00e0 la recherche d\u2019elle-m\u00eame et pour accepter son pass\u00e9. Lors de son p\u00e9riple, elle rencontre les soi-disant \u201ccr\u00e9atures mal\u00e9fiques\u201d du folklore cap-verdien qu\u2019elle craignait tant \u00e9tant enfant, pour d\u00e9couvrir que le \u201cvrai mal\u201d prend racine ailleurs. Cependant, ces rencontres sont adoucies par les souvenirs de la plus belle phase de sa vie \u2013 le temps pass\u00e9 avec sa grand-m\u00e8re, une femme en avance sur son temps, poss\u00e9dant une connaissance particuli\u00e8re de la m\u00e9decine traditionnelle et qui traitait sa petite-fille avec cela chaque fois que n\u00e9cessaire. Ainsi, Pirinha est aussi une histoire de gu\u00e9rison, impr\u00e9gn\u00e9e des rituels culturels du Cap-Vert. C\u2019est un voyage unique, mais malheureusement trop familier pour de nombreuses femmes, et pourtant, il porte l\u2019espoir que les blessures peuvent \u00eatre gu\u00e9ries.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Natasha Craveiro est une sociologue, productrice et r\u00e9alisatrice cap-verdienne, n\u00e9e \u00e0 Mindelo, sur l\u2019\u00eele de S\u00e3o Vicente. En janvier 2017, elle cofonde la soci\u00e9t\u00e9 de production ind\u00e9pendante Korikaxoru Films, Lda., avec laquelle elle entame un parcours unique dans le monde du cin\u00e9ma. Elle a produit le documentaire prim\u00e9 OMI NOBU et collabor\u00e9 avec de grands noms comme Abderahmane Sissako et Pawel Pawlikowski. En 2022, elle a \u00e9crit et r\u00e9alis\u00e9 le documentaire Mama et le film hybride Pirinha en 2024. Natasha est membre du Nucleo Nacional do Cinema de Cabo Verde, mentor du seul cin\u00e9-club de l\u2019\u00eele de Santiago, Cineclub Mankara, et membre fondatrice de Kuletivu Nhanha, un collectif visant \u00e0 soutenir et promouvoir les projets f\u00e9minins dans le cin\u00e9ma et l\u2019audiovisuel au Cap-Vert. Elle a particip\u00e9 au programme Deental@Cannes lors du festival de Cannes 2023 et a fait partie de la commission africaine au prestigieux festival IDFA la m\u00eame ann\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"

PIRINHA Natasha Craveiro, Cap Vert, 2024 SYNOPSISPirinha est le voyage d\u2019une jeune femme \u00e0 travers les recoins de son subconscient \u00e0 la recherche d\u2019elle-m\u00eame et pour accepter son pass\u00e9. Lors de son p\u00e9riple, elle rencontre les soi-disant \u201ccr\u00e9atures mal\u00e9fiques\u201d du folklore cap-verdien qu\u2019elle craignait tant \u00e9tant enfant, pour d\u00e9couvrir que le \u201cvrai mal\u201d prend racine […]<\/p>\n","protected":false},"author":13,"featured_media":9316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-9322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-39-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9322"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9322\/revisions"}],"predecessor-version":[{"id":9323,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9322\/revisions\/9323"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9316"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9315,"date":"2025-02-06T15:36:29","date_gmt":"2025-02-06T15:36:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9315"},"modified":"2025-02-06T15:36:32","modified_gmt":"2025-02-06T15:36:32","slug":"pirinha-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/pirinha-2\/","title":{"rendered":"PIRINHA"},"content":{"rendered":"\n

Natasha Craveiro, Cap Vert, 2024.<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Pirinha is a young woman’s journey through the recesses of her subconscious in search of herself and coming to terms with her past. On her journey, she encounters the so-called ‘evil’ creatures from Cape Verdean folklore that she feared so much as a child, only to discover that \u00ab\u00a0true evil\u00a0\u00bb has its roots in someone else. These encounters, however, are sweetened by memories of the most beautiful phase of her life – time spent with her grandmother, a woman ahead of her time who had a peculiar knowledge of traditional medicine and treated her granddaughter with it whenever needed. As a result, Pirinha is also a story of healing steeped in the cultural rituals of Cape Verde. It is a unique journey, but unfortunately one that is so familiar to many women, yet one that brings hope that wounds can be healed.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Natasha Craveiro is a Cape Verdean sociologist, producer and director born in Mindelo, on the island of S\u00e3o Vicente. In January 2017, she co-founded the independent production house Korikaxoru Films, Lda. with which she has made a unique journey through the world of cinema. She produced the award-winning documentary OMI NOBU and worked with big names such as Abderahmane Sissako and Pawel Pawlikowski. She wrote and directed the documentary \u201cMama\u201d in 2022 and the hybrid \u201cPirinha\u201d in 2024. Member of the Nucleo Nacional do Cinema de Cabo Verde, mentor of the project of the only film club on the island of Santiago, Cineclub Mankara, and<\/p>\n\n\n\n

founding member of Kuletivu Nhanha, collective that aims to support and promote women’s projects in cinema and audiovisual in Cape Verde. She did the Deental@Cannes program at the Cannes 2023 festival and in the<\/p>\n\n\n\n

same year she was part of the African Commission at the renowned IDFA festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Natasha Craveiro, Cap Vert, 2024. SYNOPSIS Pirinha is a young woman’s journey through the recesses of her subconscious in search of herself and coming to terms with her past. On her journey, she encounters the so-called ‘evil’ creatures from Cape Verdean folklore that she feared so much as a child, only to discover that \u00ab\u00a0true […]<\/p>\n","protected":false},"author":13,"featured_media":9316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-9315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-39-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9315"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9315\/revisions"}],"predecessor-version":[{"id":9317,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9315\/revisions\/9317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9316"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9291,"date":"2025-02-06T13:21:10","date_gmt":"2025-02-06T13:21:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9291"},"modified":"2025-02-07T12:12:28","modified_gmt":"2025-02-07T12:12:28","slug":"au-dela-des-barreaux-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/au-dela-des-barreaux-2\/","title":{"rendered":"Au-d\u00e9la des barreaux"},"content":{"rendered":"\n

Aim\u00e9 BADO, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Germain, a thirty-year-old carpenter, well-liked by everyone, is accused of Igor\u2019s murder and sentenced to 15 years in prison. Upon his release, he embarks on a tumultuous journey for truth and redemption. Determined to prove his innocence and restore his reputation, Germain sets out to investigate the mysterious events of that tragic night. With the help of a watchmaker, a former journalist turned craftsman, he delves into the dark underbelly of society, uncovering dangerous connections between young criminals and powerful figures in the political sphere.<\/p>\n\n\n\n

BIOGRAPHY<\/strong>
Born in 1985, Aim\u00e9 BADO is a talented Burkinab\u00e8 filmmaker, a graduate of the National School of Administration and Judiciary (ENAM) in Burkina Faso. His academic journey at ENAM was marked by an unwavering passion for cinema, which he nurtured by developing skills in directing and cinematography. He made a name for himself with his film \u201cLa DETTE\u201d, released in 202<\/p>\n","protected":false},"excerpt":{"rendered":"

Aim\u00e9 BADO, Burkina Faso, 2024 SYNOPSISGermain, a thirty-year-old carpenter, well-liked by everyone, is accused of Igor\u2019s murder and sentenced to 15 years in prison. Upon his release, he embarks on a tumultuous journey for truth and redemption. Determined to prove his innocence and restore his reputation, Germain sets out to investigate the mysterious events of […]<\/p>\n","protected":false},"author":13,"featured_media":9364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9291"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9291\/revisions"}],"predecessor-version":[{"id":9292,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9291\/revisions\/9292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9364"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9289,"date":"2025-02-06T13:20:04","date_gmt":"2025-02-06T13:20:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9289"},"modified":"2025-02-07T12:12:56","modified_gmt":"2025-02-07T12:12:56","slug":"au-dela-des-barreaux","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/au-dela-des-barreaux\/","title":{"rendered":"Au-d\u00e9la des barreaux"},"content":{"rendered":"\n

Aim\u00e9 BADO, Burkina Faso<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Germain, un menuisier d’environ trente ans, appr\u00e9ci\u00e9 de tous, a \u00e9t\u00e9 accus\u00e9 du meurtre d\u2019Igor et condamn\u00e9 \u00e0 15 ans de prison ferme. Sa sortie de prison marque le d\u00e9but d’une qu\u00eate mouvement\u00e9e pour la v\u00e9rit\u00e9 et la r\u00e9demption. D\u00e9termin\u00e9 \u00e0 prouver son innocence et \u00e0 r\u00e9tablir sa r\u00e9putation, Germain d\u00e9cide d’enqu\u00eater sur les circonstances de cette nuit tragique. Il est \u00e9paul\u00e9 par un horloger, ancien journaliste reconverti, entamant ainsi une qu\u00eate de v\u00e9rit\u00e9 \u00e0 travers les bas-fonds de la soci\u00e9t\u00e9, o\u00f9 des connexions troubles entre des jeunes criminels et des personnes influentes du pouvoir se r\u00e9v\u00e8lent.<\/p>\n\n\n\n

BIOGRAPHIE<\/p>\n\n\n\n

N\u00e9 en 1985, Aim\u00e9 BADO est un jeune r\u00e9alisateur burkinab\u00e8 talentueux, dipl\u00f4m\u00e9 de l\u2019Ecole nationale d\u2019Administration et de Magistrature au Burkina Faso. Son parcours acad\u00e9mique \u00e0 l’ENAM a \u00e9t\u00e9 marqu\u00e9 par une passion ind\u00e9fectible pour le cin\u00e9ma, qu’il a su d\u00e9velopper en acqu\u00e9rant des comp\u00e9tences en r\u00e9alisation, et en cadrage. Il s\u2019est r\u00e9v\u00e9l\u00e9 au public avec son film \u00ab La DETTE \u00bb r\u00e9alis\u00e9 en 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aim\u00e9 BADO, Burkina Faso SYNOPSIS Germain, un menuisier d’environ trente ans, appr\u00e9ci\u00e9 de tous, a \u00e9t\u00e9 accus\u00e9 du meurtre d\u2019Igor et condamn\u00e9 \u00e0 15 ans de prison ferme. Sa sortie de prison marque le d\u00e9but d’une qu\u00eate mouvement\u00e9e pour la v\u00e9rit\u00e9 et la r\u00e9demption. D\u00e9termin\u00e9 \u00e0 prouver son innocence et \u00e0 r\u00e9tablir sa r\u00e9putation, Germain […]<\/p>\n","protected":false},"author":13,"featured_media":9364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-9289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9289"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9289\/revisions"}],"predecessor-version":[{"id":9310,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9289\/revisions\/9310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9364"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9285,"date":"2025-02-06T13:11:38","date_gmt":"2025-02-06T13:11:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9285"},"modified":"2025-02-06T14:20:57","modified_gmt":"2025-02-06T14:20:57","slug":"black-voltafloriane-zoundi-burkina-faso-2024","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/black-voltafloriane-zoundi-burkina-faso-2024\/","title":{"rendered":"BLACK VOLTA"},"content":{"rendered":"\n

Floriane ZOUNDI, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
In a small village, illegal gold miners cause a mine collapse, resulting in the death of a farmer in his field. Outraged, the villagers expel the miners and block access to the mine. However, the terrorist group backing the miners retaliates swiftly, issuing an ultimatum: reopen the mine or abandon the village. Desperate, the entire community turns to the wisdom of their village elder, a centenarian, to guide their next move.<\/p>\n\n\n\n

BIOGRAPHY
Floriane ZOUNDI is a cinematographer, screenwriter, and director from D\u00e9dougou, Burkina Faso. She trained at the ISIS Film School (Institut Sup\u00e9rieur de l\u2019Image et du Son) in 2009 and later at Institut Imagine in 2013. Her first short film, Le Botaniste (2023), won multiple awards worldwide. Her second film, Juste instruite, is set to be released in 2025.<\/p>\n","protected":false},"excerpt":{"rendered":"

Floriane ZOUNDI, Burkina Faso, 2024 SYNOPSISIn a small village, illegal gold miners cause a mine collapse, resulting in the death of a farmer in his field. Outraged, the villagers expel the miners and block access to the mine. However, the terrorist group backing the miners retaliates swiftly, issuing an ultimatum: reopen the mine or abandon […]<\/p>\n","protected":false},"author":13,"featured_media":8924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9285"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9285\/revisions"}],"predecessor-version":[{"id":9308,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9285\/revisions\/9308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8924"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9283,"date":"2025-02-06T13:09:40","date_gmt":"2025-02-06T13:09:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9283"},"modified":"2025-02-06T14:49:08","modified_gmt":"2025-02-06T14:49:08","slug":"floriane-zoundi-burkina-faso","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/floriane-zoundi-burkina-faso\/","title":{"rendered":"BLACK VOLTA"},"content":{"rendered":"\n

Floriane ZOUNDI , Burkina Faso<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Dans un petit village, des orpailleurs clandestins provoquent l\u2019effondrement d\u2019une galerie de la mine qui cause la mort d\u2019un agriculteur dans son champ. Cette situation provoque la furie des villageois qui chassent les orpailleurs de la mine et bloquent ses diff\u00e9rents acc\u00e8s. Mais la r\u00e9action des terroristes pour qui travaillent les orpailleurs ne tarde pas. Le village re\u00e7oit imm\u00e9diatement un ultimatum : rouvrir la mine ou quitter le village. D\u00e9sempar\u00e9, le village entier se remet au choix \u00e9clair\u00e9 de l\u2019ancien du village, un vieil homme centenaire\u2026<\/p>\n\n\n\n

BIOGRAPHIE<\/p>\n\n\n\n

Op\u00e9ratrice de prises de vue, sc\u00e9nariste et r\u00e9alisatrice, Floriane ZOUNDI est n\u00e9e \u00e0 D\u00e9dou gou au Burkina Faso. Elle se forme \u00e0 l\u2019\u00e9cole de cin\u00e9ma ISIS (Institut Sup\u00e9rieur de l\u2019Image et du Son) en 2009, puis \u00e0 l\u2019Institut Imagine en 2013. Son premier court m\u00e9trage \u00ab Le Botaniste \u00bb (2023) a remport\u00e9 des prix un peu partout dans le monde. La sortie de son deuxi\u00e8me film, \u00ab Juste instruite \u00bb, est pr\u00e9vue en 2025<\/p>\n","protected":false},"excerpt":{"rendered":"

Floriane ZOUNDI , Burkina Faso SYNOPSIS Dans un petit village, des orpailleurs clandestins provoquent l\u2019effondrement d\u2019une galerie de la mine qui cause la mort d\u2019un agriculteur dans son champ. Cette situation provoque la furie des villageois qui chassent les orpailleurs de la mine et bloquent ses diff\u00e9rents acc\u00e8s. Mais la r\u00e9action des terroristes pour qui […]<\/p>\n","protected":false},"author":13,"featured_media":8924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-9283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9283"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9283\/revisions"}],"predecessor-version":[{"id":9312,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9283\/revisions\/9312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8924"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9275,"date":"2025-02-06T12:51:25","date_gmt":"2025-02-06T12:51:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9275"},"modified":"2025-02-06T12:51:29","modified_gmt":"2025-02-06T12:51:29","slug":"emir-dimassi-tunisie-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/emir-dimassi-tunisie-2\/","title":{"rendered":"Emir DIMASSI, Tunisie"},"content":{"rendered":"\n

A young Tunisian director, Emir Dimassi initially worked in the camera department on several film and documentary shoots in Tunisia. He participated in the 2023 edition of the La F\u00e9mis Summer University and is now fully dedicated to directing\u00a0films.<\/p>\n","protected":false},"excerpt":{"rendered":"

A young Tunisian director, Emir Dimassi initially worked in the camera department on several film and documentary shoots in Tunisia. He participated in the 2023 edition of the La F\u00e9mis Summer University and is now fully dedicated to directing\u00a0films.<\/p>\n","protected":false},"author":13,"featured_media":9191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9275"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9275\/revisions"}],"predecessor-version":[{"id":9277,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9275\/revisions\/9277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9191"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9272,"date":"2025-02-06T12:50:37","date_gmt":"2025-02-06T12:50:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9272"},"modified":"2025-02-06T12:50:40","modified_gmt":"2025-02-06T12:50:40","slug":"emir-dimassi-tunisie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/emir-dimassi-tunisie\/","title":{"rendered":"Emir DIMASSI, Tunisie"},"content":{"rendered":"\n

Jeune r\u00e9alisateur Tunisien, Emir Dimassi a d\u2019abord travaill\u00e9 dans le d\u00e9partement cam\u00e9ra de plusieurs tournages en Tunisie de fictions et documentaires. Il a particip\u00e9 \u00e0 l’\u00e9dition 2023 de l’universit\u00e9 d’\u00e9t\u00e9 de La Femis et se consacre d\u00e9sormais \u00e0 la r\u00e9alisation de films.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jeune r\u00e9alisateur Tunisien, Emir Dimassi a d\u2019abord travaill\u00e9 dans le d\u00e9partement cam\u00e9ra de plusieurs tournages en Tunisie de fictions et documentaires. Il a particip\u00e9 \u00e0 l’\u00e9dition 2023 de l’universit\u00e9 d’\u00e9t\u00e9 de La Femis et se consacre d\u00e9sormais \u00e0 la r\u00e9alisation de films.<\/p>\n","protected":false},"author":13,"featured_media":9191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9272"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9272\/revisions"}],"predecessor-version":[{"id":9273,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9272\/revisions\/9273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9191"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9270,"date":"2025-02-06T12:47:40","date_gmt":"2025-02-06T12:47:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9270"},"modified":"2025-02-06T12:48:39","modified_gmt":"2025-02-06T12:48:39","slug":"birregah-dogossa-togo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/birregah-dogossa-togo\/","title":{"rendered":"BIRREGAH DOGOSSA, Togo"},"content":{"rendered":"\n

BIRREGAH Dogossa is a history and geography teacher with a passion for cinema. He writes screenplays and simultaneously participates in training sessions to hone his skills and realize his dream of becoming\u00a0a\u00a0filmmaker.<\/p>\n","protected":false},"excerpt":{"rendered":"

BIRREGAH Dogossa is a history and geography teacher with a passion for cinema. He writes screenplays and simultaneously participates in training sessions to hone his skills and realize his dream of becoming\u00a0a\u00a0filmmaker.<\/p>\n","protected":false},"author":13,"featured_media":9190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9270"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9270\/revisions"}],"predecessor-version":[{"id":9410,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9270\/revisions\/9410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9190"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9268,"date":"2025-02-06T12:46:36","date_gmt":"2025-02-06T12:46:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9268"},"modified":"2025-02-09T12:14:23","modified_gmt":"2025-02-09T12:14:23","slug":"dogossa-birregah-togo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dogossa-birregah-togo\/","title":{"rendered":"Dogossa BIRREGAH, Togo"},"content":{"rendered":"\n

BIRREGAH Dogossa est professeur d’histoire g\u00e9ographie et passionn\u00e9 de cin\u00e9ma. Il \u00e9crit des sc\u00e9narios et suit parall\u00e8ment des formations afin de s’acguerir et r\u00e9alis\u00e9 son r\u00eave de devenir cin\u00e9aste.<\/p>\n","protected":false},"excerpt":{"rendered":"

BIRREGAH Dogossa est professeur d’histoire g\u00e9ographie et passionn\u00e9 de cin\u00e9ma. Il \u00e9crit des sc\u00e9narios et suit parall\u00e8ment des formations afin de s’acguerir et r\u00e9alis\u00e9 son r\u00eave de devenir cin\u00e9aste.<\/p>\n","protected":false},"author":13,"featured_media":9190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9268"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9268\/revisions"}],"predecessor-version":[{"id":9269,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9268\/revisions\/9269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9190"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9265,"date":"2025-02-06T12:44:55","date_gmt":"2025-02-06T12:44:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9265"},"modified":"2025-02-06T12:44:57","modified_gmt":"2025-02-06T12:44:57","slug":"edem-estelle-agbegninou-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/edem-estelle-agbegninou-2\/","title":{"rendered":"Edem Estelle AGBEGNINOU"},"content":{"rendered":"\n

Edem Estelle is a young filmmaker who studied at the University of Cape Coast in Ghana, where she earned a bachelor\u2019s degree in Film and Theatre Studies. In 2023, she directed a short film titled Djeyna, which won the first prize in the national selection of Clap Ivoire 2023 in Abidjan. She has also participated in training workshops and worked on film sets, which has allowed her to gain valuable experience in her field\u00a0of\u00a0passion.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edem Estelle is a young filmmaker who studied at the University of Cape Coast in Ghana, where she earned a bachelor\u2019s degree in Film and Theatre Studies. In 2023, she directed a short film titled Djeyna, which won the first prize in the national selection of Clap Ivoire 2023 in Abidjan. She has also participated […]<\/p>\n","protected":false},"author":13,"featured_media":9185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9265","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9265"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9265\/revisions"}],"predecessor-version":[{"id":9267,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9265\/revisions\/9267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9185"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9261,"date":"2025-02-06T12:42:25","date_gmt":"2025-02-06T12:42:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9261"},"modified":"2025-02-06T12:42:27","modified_gmt":"2025-02-06T12:42:27","slug":"edem-estelle-agbegninou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/edem-estelle-agbegninou\/","title":{"rendered":"Edem Estelle AGBEGNINOU"},"content":{"rendered":"\n

Edem Estelle est une jeune cin\u00e9aste qui \u00e9 \u00e9tudi\u00e9 \u00e0 l’Universit\u00e9 de Cape Coast au Ghana, o\u00f9 elle a obtenu une licence en \u00e9tudes cin\u00e9matographiques et th\u00e9\u00e2trales. En 2023, j’ai r\u00e9alis\u00e9 un court-m\u00e9trage intitul\u00e9 Djeyna, qui a remport\u00e9 le premier prix de la s\u00e9lection nationale Clap Ivoire 2023 \u00e0 Abidjan.Elle a aussi particip\u00e9 \u00e0 des atemlier de formation et travaill\u00e9 sur des plateaux de tournag. Ce qui lui a permis d’acqu\u00e9rir une exp\u00e9rience dans ce domaine qui est sa passion.<\/p>\n","protected":false},"excerpt":{"rendered":"

Edem Estelle est une jeune cin\u00e9aste qui \u00e9 \u00e9tudi\u00e9 \u00e0 l’Universit\u00e9 de Cape Coast au Ghana, o\u00f9 elle a obtenu une licence en \u00e9tudes cin\u00e9matographiques et th\u00e9\u00e2trales. En 2023, j’ai r\u00e9alis\u00e9 un court-m\u00e9trage intitul\u00e9 Djeyna, qui a remport\u00e9 le premier prix de la s\u00e9lection nationale Clap Ivoire 2023 \u00e0 Abidjan.Elle a aussi particip\u00e9 \u00e0 des […]<\/p>\n","protected":false},"author":13,"featured_media":9185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9261"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9261\/revisions"}],"predecessor-version":[{"id":9264,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9261\/revisions\/9264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9185"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9259,"date":"2025-02-06T12:39:49","date_gmt":"2025-02-06T12:39:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9259"},"modified":"2025-02-06T12:39:52","modified_gmt":"2025-02-06T12:39:52","slug":"appolinaire-djelassem-tchad-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/appolinaire-djelassem-tchad-2\/","title":{"rendered":"Appolinaire DJELASSEM, Tchad"},"content":{"rendered":"\n

Djelassem Appolinaire was born on February 9, 1999. He completed primary school in 2010 before attending Lyc\u00e9e Coll\u00e8ge Saint-\u00c9tienne, where he obtained his A4 baccalaureate in 2017.<\/p>\n\n\n\n

In 2012, Chadian director Achille Ronaimou spotted his talent and gave him the opportunity to play a leading role in his film. In 2018, he moved to Ouagadougou for his studies, where he had the chance to meet actors like Ismael (L\u2019As du Lyc\u00e9e) and Oyou (Le Commissariat de Tampis).<\/p>\n\n\n\n

After completing his studies in 2021, he traveled to Ghana to learn the language and undergo professional training. He returned home in 2022, where he now works as a cameraman on various films and writes screenplays.<\/p>\n","protected":false},"excerpt":{"rendered":"

Djelassem Appolinaire was born on February 9, 1999. He completed primary school in 2010 before attending Lyc\u00e9e Coll\u00e8ge Saint-\u00c9tienne, where he obtained his A4 baccalaureate in 2017. In 2012, Chadian director Achille Ronaimou spotted his talent and gave him the opportunity to play a leading role in his film. In 2018, he moved to Ouagadougou […]<\/p>\n","protected":false},"author":13,"featured_media":9189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9259"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9259\/revisions"}],"predecessor-version":[{"id":9260,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9259\/revisions\/9260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9189"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9257,"date":"2025-02-06T12:38:44","date_gmt":"2025-02-06T12:38:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9257"},"modified":"2025-02-06T12:38:46","modified_gmt":"2025-02-06T12:38:46","slug":"appolinaire-djelassem-tchad","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appolinaire-djelassem-tchad\/","title":{"rendered":"Appolinaire DJELASSEM, Tchad"},"content":{"rendered":"\n

je suis Djelassem Appolinaire, n\u00e9 le 09\/02\/1999. j’ai finis le primaire en 2010, apr\u00e8s \u00e7a suis all\u00e9 au lyc\u00e9e coll\u00e8ge Saint-Etienne o\u00f9 j’ai eu mon bac A4 en 2017. En 2012 un r\u00e9alisateur tchadien Achille Ronaimou m’a rep\u00e9r\u00e9 et m’as donn\u00e9 l’opportunit\u00e9 de jouer un r\u00f4le principal dans son film. En 2018, j’arrive \u00e0 Ouagadougou pour les \u00e9tudes o\u00f9 j’ai eu la chance croiser des acteurs comme Ismael(dans l’as du lyc\u00e9e), Oyou (dans le commissariat de tampis) je finis alors en 2021, je m’envol au Ghana pour la langue et une formation professionnelle. je finis au Ghana en 2022 et je rentre chez moi o\u00f9 je cadre dans certains films et j’\u00e9cris quelques sc\u00e9narios.<\/p>\n","protected":false},"excerpt":{"rendered":"

je suis Djelassem Appolinaire, n\u00e9 le 09\/02\/1999. j’ai finis le primaire en 2010, apr\u00e8s \u00e7a suis all\u00e9 au lyc\u00e9e coll\u00e8ge Saint-Etienne o\u00f9 j’ai eu mon bac A4 en 2017. En 2012 un r\u00e9alisateur tchadien Achille Ronaimou m’a rep\u00e9r\u00e9 et m’as donn\u00e9 l’opportunit\u00e9 de jouer un r\u00f4le principal dans son film. En 2018, j’arrive \u00e0 Ouagadougou […]<\/p>\n","protected":false},"author":13,"featured_media":9189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9257"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9257\/revisions"}],"predecessor-version":[{"id":9258,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9257\/revisions\/9258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9189"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9255,"date":"2025-02-06T12:36:21","date_gmt":"2025-02-06T12:36:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9255"},"modified":"2025-02-06T12:36:24","modified_gmt":"2025-02-06T12:36:24","slug":"fata-ngom-senegal-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fata-ngom-senegal-2\/","title":{"rendered":"Fata NGOM, S\u00e9n\u00e9gal"},"content":{"rendered":"\n

Fata Ngom is a first-year master\u2019s student in dramatic arts at the Department of Arts and Culture at Gaston Berger University in Saint-Louis, Senegal. A CultureLab laureate, she has also participated in training sessions in playwriting, acting, and directing.<\/p>\n\n\n\n

Her first short film, SEMENCES, won an award at La Semaine de la Cr\u00e9a, organized by Gaston Berger University, and was also selected for the official competition at Festiprev in France.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fata Ngom is a first-year master\u2019s student in dramatic arts at the Department of Arts and Culture at Gaston Berger University in Saint-Louis, Senegal. A CultureLab laureate, she has also participated in training sessions in playwriting, acting, and directing. Her first short film, SEMENCES, won an award at La Semaine de la Cr\u00e9a, organized by […]<\/p>\n","protected":false},"author":13,"featured_media":9187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9255"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9255\/revisions"}],"predecessor-version":[{"id":9256,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9255\/revisions\/9256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9187"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9253,"date":"2025-02-06T12:35:08","date_gmt":"2025-02-06T12:35:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9253"},"modified":"2025-02-06T12:35:26","modified_gmt":"2025-02-06T12:35:26","slug":"fata-ngom-senegal","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fata-ngom-senegal\/","title":{"rendered":"Fata NGOM, S\u00e9n\u00e9gal"},"content":{"rendered":"\n

Fata Ngom est \u00e9tudiante en premi\u00e8re ann\u00e9e de master en art dramatique au d\u00e9partement des m\u00e9tiers des arts et de la culture de l\u2019universit\u00e9 Gaston Berger de Saint-Louis du S\u00e9n\u00e9gal. Laur\u00e9ate \u00e0 culturelab, elle a aussi particip\u00e9 \u00e0 des sessions de formations en \u00e9criture dramatique, jeu d\u2019acteur, et mise en sc\u00e8ne.
Son premier court m\u00e9trage, SEMENCES a \u00e9t\u00e9 prim\u00e9 lors de la Semaine de la cr\u00e9a, organis\u00e9 par l\u2019universit\u00e9 Gaston Berger, le film a aussi \u00e9t\u00e9 en s\u00e9lection officielle au festiprev en France.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fata Ngom est \u00e9tudiante en premi\u00e8re ann\u00e9e de master en art dramatique au d\u00e9partement des m\u00e9tiers des arts et de la culture de l\u2019universit\u00e9 Gaston Berger de Saint-Louis du S\u00e9n\u00e9gal. Laur\u00e9ate \u00e0 culturelab, elle a aussi particip\u00e9 \u00e0 des sessions de formations en \u00e9criture dramatique, jeu d\u2019acteur, et mise en sc\u00e8ne.Son premier court m\u00e9trage, SEMENCES […]<\/p>\n","protected":false},"author":13,"featured_media":9187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9253"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9253\/revisions"}],"predecessor-version":[{"id":9254,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9253\/revisions\/9254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9187"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9251,"date":"2025-02-06T12:33:01","date_gmt":"2025-02-06T12:33:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9251"},"modified":"2025-02-06T12:33:04","modified_gmt":"2025-02-06T12:33:04","slug":"abdoul-aziz-mounkaila-djibo-niger-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/abdoul-aziz-mounkaila-djibo-niger-2\/","title":{"rendered":"Abdoul Aziz MOUNKAILA DJIBO, Niger"},"content":{"rendered":"\n

Rigorous and adventurous at heart, Abdoul Aziz has a strong desire to learn. For this curious young talent, anything\u00a0is\u00a0possible.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rigorous and adventurous at heart, Abdoul Aziz has a strong desire to learn. For this curious young talent, anything\u00a0is\u00a0possible.<\/p>\n","protected":false},"author":13,"featured_media":9188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9251"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9251\/revisions"}],"predecessor-version":[{"id":9252,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9251\/revisions\/9252"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9188"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9249,"date":"2025-02-06T12:30:43","date_gmt":"2025-02-06T12:30:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9249"},"modified":"2025-02-06T12:30:46","modified_gmt":"2025-02-06T12:30:46","slug":"abdoul-aziz-mounkaila-djibo-niger","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/abdoul-aziz-mounkaila-djibo-niger\/","title":{"rendered":"Abdoul Aziz MOUNKAILA DJIBO, Niger"},"content":{"rendered":"\n

Rigoureux et avanturier dans l’\u00e2me, Abdoul Aziz a un fort desir d’apprentissage. Et tout est possible \u00e0 ce jeune curieux<\/p>\n","protected":false},"excerpt":{"rendered":"

Rigoureux et avanturier dans l’\u00e2me, Abdoul Aziz a un fort desir d’apprentissage. Et tout est possible \u00e0 ce jeune curieux<\/p>\n","protected":false},"author":13,"featured_media":9188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9249"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9249\/revisions"}],"predecessor-version":[{"id":9250,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9249\/revisions\/9250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9188"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9245,"date":"2025-02-06T12:28:08","date_gmt":"2025-02-06T12:28:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9245"},"modified":"2025-02-06T12:28:10","modified_gmt":"2025-02-06T12:28:10","slug":"paty-demba-ka-mali-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/paty-demba-ka-mali-2\/","title":{"rendered":"Paty Demba KA, Mali"},"content":{"rendered":"\n

Passionate about cinema since childhood, \u2026 has deepened their knowledge in the field through numerous training workshops. They have acted in several films and have recently begun directing their own short films, including L\u2019Esprit\u00a0du\u00a0Djemb\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Passionate about cinema since childhood, \u2026 has deepened their knowledge in the field through numerous training workshops. They have acted in several films and have recently begun directing their own short films, including L\u2019Esprit\u00a0du\u00a0Djemb\u00e9.<\/p>\n","protected":false},"author":13,"featured_media":9186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9245"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9245\/revisions"}],"predecessor-version":[{"id":9248,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9245\/revisions\/9248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9186"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9241,"date":"2025-02-06T12:26:13","date_gmt":"2025-02-06T12:26:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9241"},"modified":"2025-02-06T12:26:15","modified_gmt":"2025-02-06T12:26:15","slug":"paty-demba-ka-mali","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/paty-demba-ka-mali\/","title":{"rendered":"Paty Demba KA, Mali"},"content":{"rendered":"\n

Passionn\u00e9e de cin\u00e9ma depuis sa tendre enfance, \u2026a approfondi ses connaissances dans le domaine \u00e0 travers de nombreux atelierrs de formations. ..a jou\u00e9 comme acteur dans des films et r\u00e9alise depuis peu ses propres courts-m\u00e9trages, notamment \u00ab\u00a0L\u2019esprit du Djemb\u00e9\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

Passionn\u00e9e de cin\u00e9ma depuis sa tendre enfance, \u2026a approfondi ses connaissances dans le domaine \u00e0 travers de nombreux atelierrs de formations. ..a jou\u00e9 comme acteur dans des films et r\u00e9alise depuis peu ses propres courts-m\u00e9trages, notamment \u00ab\u00a0L\u2019esprit du Djemb\u00e9\u00a0\u00bb<\/p>\n","protected":false},"author":13,"featured_media":9186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9241"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9241\/revisions"}],"predecessor-version":[{"id":9242,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9241\/revisions\/9242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9186"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9239,"date":"2025-02-06T12:24:12","date_gmt":"2025-02-06T12:24:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9239"},"modified":"2025-02-06T12:24:14","modified_gmt":"2025-02-06T12:24:14","slug":"thompson-lordson-ghana-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/thompson-lordson-ghana-2\/","title":{"rendered":"Thompson LORDSON, Ghana"},"content":{"rendered":"\n

After several unsuccessful attempts at auditions for a film role, Thompson finally took his first steps into the film industry in 2017 as a production assistant, immersing himself in the intricacies of the filmmaking process. Since then, he has earned a certificate in directing from the National Film and Television Institute (NAFTI) in Ghana and has directed several short films, earning the award for Best Student\u00a0Director.<\/p>\n","protected":false},"excerpt":{"rendered":"

After several unsuccessful attempts at auditions for a film role, Thompson finally took his first steps into the film industry in 2017 as a production assistant, immersing himself in the intricacies of the filmmaking process. Since then, he has earned a certificate in directing from the National Film and Television Institute (NAFTI) in Ghana and […]<\/p>\n","protected":false},"author":13,"featured_media":9193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9239"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9239\/revisions"}],"predecessor-version":[{"id":9240,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9239\/revisions\/9240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9193"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9237,"date":"2025-02-06T12:23:26","date_gmt":"2025-02-06T12:23:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9237"},"modified":"2025-02-06T12:23:28","modified_gmt":"2025-02-06T12:23:28","slug":"thompson-lordson-ghana","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/thompson-lordson-ghana\/","title":{"rendered":"Thompson LORDSON, Ghana"},"content":{"rendered":"\n

Apr\u00e8s plusieurs vaines tentatives de participation \u00e0 des auditions pour jouer un r\u00f4le dans un film, c’est en 2017 que Thompson parvient \u00e0 faire ses premiers pas dans l’industrie cin\u00e9matographique en en tant qu’assistant de production, s’immergeant dans les subtilit\u00e9s du processus de r\u00e9alisation. Depuis, il a obtenu un certificat en r\u00e9alisation de l’Institut national du cin\u00e9ma et de la t\u00e9l\u00e9vision (NAFTI) au Ghana et a r\u00e9alis\u00e9 queslques courts-m\u00e9trages a re\u00e7u le prix du meilleur r\u00e9alisateur \u00e9tudiant.<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s plusieurs vaines tentatives de participation \u00e0 des auditions pour jouer un r\u00f4le dans un film, c’est en 2017 que Thompson parvient \u00e0 faire ses premiers pas dans l’industrie cin\u00e9matographique en en tant qu’assistant de production, s’immergeant dans les subtilit\u00e9s du processus de r\u00e9alisation. Depuis, il a obtenu un certificat en r\u00e9alisation de l’Institut national […]<\/p>\n","protected":false},"author":13,"featured_media":9193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9237"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9237\/revisions"}],"predecessor-version":[{"id":9238,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9237\/revisions\/9238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9193"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9235,"date":"2025-02-06T12:21:36","date_gmt":"2025-02-06T12:21:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9235"},"modified":"2025-02-06T12:21:38","modified_gmt":"2025-02-06T12:21:38","slug":"affoue-thabita-dorcas-kouadio-cote-divoire-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/affoue-thabita-dorcas-kouadio-cote-divoire-2\/","title":{"rendered":"Affou\u00e9 Thabita Dorcas KOUADIO, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"\n

Artist and producer, Dorcas Kouadio holds a Professional Bachelor\u2019s Degree in Cinema and Audiovisual Studies. She began her career in film by working on the second season of the series Le Futur Est \u00c0 Nous, first as a production manager and later as an assistant\u00a0producer.<\/p>\n","protected":false},"excerpt":{"rendered":"

Artist and producer, Dorcas Kouadio holds a Professional Bachelor\u2019s Degree in Cinema and Audiovisual Studies. She began her career in film by working on the second season of the series Le Futur Est \u00c0 Nous, first as a production manager and later as an assistant\u00a0producer.<\/p>\n","protected":false},"author":13,"featured_media":9184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9235"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9235\/revisions"}],"predecessor-version":[{"id":9236,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9235\/revisions\/9236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9184"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9232,"date":"2025-02-06T12:20:49","date_gmt":"2025-02-06T12:20:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9232"},"modified":"2025-02-06T12:20:51","modified_gmt":"2025-02-06T12:20:51","slug":"affoue-thabita-dorcas-kouadio-cote-divoire","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/affoue-thabita-dorcas-kouadio-cote-divoire\/","title":{"rendered":"Affou\u00e9 Thabita Dorcas KOUADIO, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"\n

Artiste et Productrice Dorcas KOUADIO est titulaire d\u2019une Licence Professionnelle en Cin\u00e9ma et Audiovisuel.Elle a debut\u00e9 au cin\u00e9ma en travaillant sur les projet de la s\u00e9rie Le Futur Est \u00c0 Nous saison 2 en qualit\u00e9 de R\u00e9gisseuse et ensuite en tant qu\u2019Assistante de Production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Artiste et Productrice Dorcas KOUADIO est titulaire d\u2019une Licence Professionnelle en Cin\u00e9ma et Audiovisuel.Elle a debut\u00e9 au cin\u00e9ma en travaillant sur les projet de la s\u00e9rie Le Futur Est \u00c0 Nous saison 2 en qualit\u00e9 de R\u00e9gisseuse et ensuite en tant qu\u2019Assistante de Production.<\/p>\n","protected":false},"author":13,"featured_media":9184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9232"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9232\/revisions"}],"predecessor-version":[{"id":9233,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9232\/revisions\/9233"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9184"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9230,"date":"2025-02-06T12:15:10","date_gmt":"2025-02-06T12:15:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9230"},"modified":"2025-02-06T12:15:14","modified_gmt":"2025-02-06T12:15:14","slug":"said-ali-mohamed-nassem-comores-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/said-ali-mohamed-nassem-comores-2\/","title":{"rendered":"Sa\u00efd Ali Mohamed NASSEM, Comores"},"content":{"rendered":"\n

A versatile professional in the digital and audiovisual fields, Sa\u00efd holds a degree in Computer Engineering and has gained extensive experience in various organizations. He now aims to develop innovative digital solutions for the production of engaging audiovisual\u00a0content.<\/p>\n","protected":false},"excerpt":{"rendered":"

A versatile professional in the digital and audiovisual fields, Sa\u00efd holds a degree in Computer Engineering and has gained extensive experience in various organizations. He now aims to develop innovative digital solutions for the production of engaging audiovisual\u00a0content.<\/p>\n","protected":false},"author":13,"featured_media":9183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9230"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9230\/revisions"}],"predecessor-version":[{"id":9231,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9230\/revisions\/9231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9183"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9228,"date":"2025-02-06T12:12:38","date_gmt":"2025-02-06T12:12:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9228"},"modified":"2025-02-06T12:12:41","modified_gmt":"2025-02-06T12:12:41","slug":"said-ali-mohamed-nassem-comores","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/said-ali-mohamed-nassem-comores\/","title":{"rendered":"Sa\u00efd Ali Mohamed NASSEM, Comores"},"content":{"rendered":"\n

Professionnel polyvalent dans le domaine du num\u00e9rique et de l’audiovisuel, Sa\u00efd est dipl\u00f4m\u00e9 en G\u00e9nie Informatique et poss\u00e8de une solide exp\u00e9rience dans de nombreuses organisations. Il souhaite desormais d\u00e9velopper des solutions num\u00e9riques innovantes pour la production de contenus audiovisuels enrichissants.<\/p>\n","protected":false},"excerpt":{"rendered":"

Professionnel polyvalent dans le domaine du num\u00e9rique et de l’audiovisuel, Sa\u00efd est dipl\u00f4m\u00e9 en G\u00e9nie Informatique et poss\u00e8de une solide exp\u00e9rience dans de nombreuses organisations. Il souhaite desormais d\u00e9velopper des solutions num\u00e9riques innovantes pour la production de contenus audiovisuels enrichissants.<\/p>\n","protected":false},"author":13,"featured_media":9183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9228"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9228\/revisions"}],"predecessor-version":[{"id":9229,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9228\/revisions\/9229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9183"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9225,"date":"2025-02-06T12:08:48","date_gmt":"2025-02-06T12:08:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9225"},"modified":"2025-02-06T12:08:55","modified_gmt":"2025-02-06T12:08:55","slug":"charnelle-stelle-ndengue-muele-cameroun-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/charnelle-stelle-ndengue-muele-cameroun-2\/","title":{"rendered":"Charnelle Stelle NDENGUE MUELE, Cameroun"},"content":{"rendered":"\n

With an academic background far from the arts, she had a breakthrough in 2021 that led her to fully dedicate herself to cinema. Since then, she has immersed herself in every space dedicated to promoting the seventh art, convinced that she has found her\u00a0true\u00a0calling.<\/p>\n","protected":false},"excerpt":{"rendered":"

With an academic background far from the arts, she had a breakthrough in 2021 that led her to fully dedicate herself to cinema. Since then, she has immersed herself in every space dedicated to promoting the seventh art, convinced that she has found her\u00a0true\u00a0calling.<\/p>\n","protected":false},"author":13,"featured_media":9194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9225"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9225\/revisions"}],"predecessor-version":[{"id":9226,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9225\/revisions\/9226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9194"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9223,"date":"2025-02-06T12:07:32","date_gmt":"2025-02-06T12:07:32","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9223"},"modified":"2025-02-06T12:07:34","modified_gmt":"2025-02-06T12:07:34","slug":"charnelle-stelle-ndengue-muele-cameroun","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/charnelle-stelle-ndengue-muele-cameroun\/","title":{"rendered":"Charnelle Stelle NDENGUE MUELE, Cameroun"},"content":{"rendered":"\n

Avec un parcours scolaire et universitaire loin des arts, c\u2019est en 2021 qu’intervient pour elle le d\u00e9clic pour le cin\u00e9ma auquel elle se consacre d\u00e9sormais enti\u00e8rement Depuis, elle \u00e9cume tous les lieux d\u00e9di\u00e9es \u00e0 la promotion du 7e art convaincu d’avoir trouv\u00e9 sa vocation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec un parcours scolaire et universitaire loin des arts, c\u2019est en 2021 qu’intervient pour elle le d\u00e9clic pour le cin\u00e9ma auquel elle se consacre d\u00e9sormais enti\u00e8rement Depuis, elle \u00e9cume tous les lieux d\u00e9di\u00e9es \u00e0 la promotion du 7e art convaincu d’avoir trouv\u00e9 sa vocation.<\/p>\n","protected":false},"author":13,"featured_media":9194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9223"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9223\/revisions"}],"predecessor-version":[{"id":9224,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9223\/revisions\/9224"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9194"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9221,"date":"2025-02-06T12:05:18","date_gmt":"2025-02-06T12:05:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9221"},"modified":"2025-02-06T12:18:40","modified_gmt":"2025-02-06T12:18:40","slug":"roberto-michael-molisho-burundi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/roberto-michael-molisho-burundi-2\/","title":{"rendered":"Roberto Michael MOLISHO, Burundi"},"content":{"rendered":"\n

Actor, playwright, and director, Roberto is a graduate in dramatic arts from the Jean Pierre Guingan\u00e9 Higher School of Theatre (ESTPJG – CFRAV) in Burkina Faso. He was the winner of the 2024 Langue d\u2019Afrique reading cycle at the R\u00e9cr\u00e9\u00e2trales festival with his text Les cinq minutes du quartier ne sont que poussi\u00e8re.<\/p>\n\n\n\n

Currently working between Burkina Faso and Burundi, he has already produced and staged several performances. Passionate about adaptation, Michael specializes in transforming novels into theatrical plays.<\/p>\n","protected":false},"excerpt":{"rendered":"

Actor, playwright, and director, Roberto is a graduate in dramatic arts from the Jean Pierre Guingan\u00e9 Higher School of Theatre (ESTPJG – CFRAV) in Burkina Faso. He was the winner of the 2024 Langue d\u2019Afrique reading cycle at the R\u00e9cr\u00e9\u00e2trales festival with his text Les cinq minutes du quartier ne sont que poussi\u00e8re. Currently working […]<\/p>\n","protected":false},"author":13,"featured_media":9182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9221"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9221\/revisions"}],"predecessor-version":[{"id":9222,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9221\/revisions\/9222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9182"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9219,"date":"2025-02-06T12:03:41","date_gmt":"2025-02-06T12:03:41","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9219"},"modified":"2025-02-06T12:17:56","modified_gmt":"2025-02-06T12:17:56","slug":"roberto-michael-molisho-burundi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/roberto-michael-molisho-burundi\/","title":{"rendered":"Roberto Michael MOLISHO, Burundi"},"content":{"rendered":"\n

Com\u00e9dien, Dramaturge et Metteur en sc\u00e8ne, Roberto est dipl\u00f4m\u00e9 en art dramatique de l’\u00e9cole sup\u00e9rieure de th\u00e9\u00e2tre Jean Pierre GUINGANE (ESTPJG – CFRAV) au Burkina Faso, laur\u00e9at du cycle de lecture \u00ab\u00a0Langue d’Afrique\u00a0\u00bb du festival les R\u00e9cr\u00e9\u00e2trales 2024 avec son texte \u00ab\u00a0Les cinq minutes du quartier ne sont que poussi\u00e8re\u00a0\u00bb. Il travaille actuellement entre le Burkina Faso et le Burundi.
Avec d\u00e9j\u00e0 plusieurs productions et spectacles \u00e0 son actif, Michael se passionne dans le travail d’adaptation des romans en pi\u00e8ce de th\u00e9\u00e2tre.<\/p>\n","protected":false},"excerpt":{"rendered":"

Com\u00e9dien, Dramaturge et Metteur en sc\u00e8ne, Roberto est dipl\u00f4m\u00e9 en art dramatique de l’\u00e9cole sup\u00e9rieure de th\u00e9\u00e2tre Jean Pierre GUINGANE (ESTPJG – CFRAV) au Burkina Faso, laur\u00e9at du cycle de lecture \u00ab\u00a0Langue d’Afrique\u00a0\u00bb du festival les R\u00e9cr\u00e9\u00e2trales 2024 avec son texte \u00ab\u00a0Les cinq minutes du quartier ne sont que poussi\u00e8re\u00a0\u00bb. Il travaille actuellement entre le […]<\/p>\n","protected":false},"author":13,"featured_media":9182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9219"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9219\/revisions"}],"predecessor-version":[{"id":9220,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9219\/revisions\/9220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9182"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9217,"date":"2025-02-06T12:01:15","date_gmt":"2025-02-06T12:01:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9217"},"modified":"2025-02-06T12:01:17","modified_gmt":"2025-02-06T12:01:17","slug":"kiswendsida-boris-kabre-burkina-faso-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kiswendsida-boris-kabre-burkina-faso-2\/","title":{"rendered":"Kiswendsida Boris KABRE, Burkina Faso"},"content":{"rendered":"\n

Boris is a film directing student at the Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio \u00c9cole (ISIS\/SE). Passionate about storytelling, he completed an internship on the set of the Burkinab\u00e8 series Bienvenue \u00e0 Kikideni. This experience motivated him to pursue further internships on various short and feature films, continuously seeking to expand his knowledge and skills.<\/p>\n\n\n\n

An active member of the Charly Chaplin film club, which he co-hosts with his peers, Boris is also dedicated to screenwriting, participating in workshops and writing residencies.<\/p>\n","protected":false},"excerpt":{"rendered":"

Boris is a film directing student at the Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio \u00c9cole (ISIS\/SE). Passionate about storytelling, he completed an internship on the set of the Burkinab\u00e8 series Bienvenue \u00e0 Kikideni. This experience motivated him to pursue further internships on various short and feature films, continuously seeking to expand his knowledge and […]<\/p>\n","protected":false},"author":13,"featured_media":9192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9217"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9217\/revisions"}],"predecessor-version":[{"id":9218,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9217\/revisions\/9218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9192"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9215,"date":"2025-02-06T11:59:39","date_gmt":"2025-02-06T11:59:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9215"},"modified":"2025-02-06T11:59:41","modified_gmt":"2025-02-06T11:59:41","slug":"kiswendsida-boris-kabre-burkina-faso","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kiswendsida-boris-kabre-burkina-faso\/","title":{"rendered":"Kiswendsida Boris KABRE, Burkina Faso"},"content":{"rendered":"\n

Boris est \u00e9tudiant en r\u00e9alisation \u00e0 l’Institut Sup\u00e9rieur de l’Image et du Son\/Studio Ecole (ISIS\/SE). Passionn\u00e9 par l\u2019art de raconter des histoires, il a effectu\u00e9 un stage sur le plateau de la s\u00e9rie burkinab\u00e8 \u00ab Bienvenue \u00e0 Kikideni \u00bb. Cette exp\u00e9rience l\u2019a incit\u00e9 \u00e0 multiplier les stages sur divers courts et longs m\u00e9trages, cherchant sans rel\u00e2che \u00e0 approfondir ses connaissances et comp\u00e9tences.
Membre actif du cin\u00e9-club Charly Chaplin, qu’il anime avec ses camarades, Boris se consacre \u00e9galement \u00e0 l’\u00e9criture de sc\u00e9narios en participant \u00e0 des ateliers et r\u00e9sidences d’\u00e9criture.<\/p>\n","protected":false},"excerpt":{"rendered":"

Boris est \u00e9tudiant en r\u00e9alisation \u00e0 l’Institut Sup\u00e9rieur de l’Image et du Son\/Studio Ecole (ISIS\/SE). Passionn\u00e9 par l\u2019art de raconter des histoires, il a effectu\u00e9 un stage sur le plateau de la s\u00e9rie burkinab\u00e8 \u00ab Bienvenue \u00e0 Kikideni \u00bb. Cette exp\u00e9rience l\u2019a incit\u00e9 \u00e0 multiplier les stages sur divers courts et longs m\u00e9trages, cherchant sans […]<\/p>\n","protected":false},"author":13,"featured_media":9192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9215"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9215\/revisions"}],"predecessor-version":[{"id":9216,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9215\/revisions\/9216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9192"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9213,"date":"2025-02-06T11:57:33","date_gmt":"2025-02-06T11:57:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9213"},"modified":"2025-02-06T11:57:36","modified_gmt":"2025-02-06T11:57:36","slug":"edouard-nadinga-burkina-faso-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/edouard-nadinga-burkina-faso-2\/","title":{"rendered":"Edouard NADINGA, Burkina Faso"},"content":{"rendered":"\n

Holder of a degree in Sociology and Anthropology, he entered the world of film and audiovisual production in 2021. He is currently working as a cameraman and editor for a communications company\u00a0in\u00a0Ouagadougou.<\/p>\n","protected":false},"excerpt":{"rendered":"

Holder of a degree in Sociology and Anthropology, he entered the world of film and audiovisual production in 2021. He is currently working as a cameraman and editor for a communications company\u00a0in\u00a0Ouagadougou.<\/p>\n","protected":false},"author":13,"featured_media":9181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9213"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9213\/revisions"}],"predecessor-version":[{"id":9214,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9213\/revisions\/9214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9211,"date":"2025-02-06T11:56:15","date_gmt":"2025-02-06T11:56:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9211"},"modified":"2025-02-06T11:56:18","modified_gmt":"2025-02-06T11:56:18","slug":"edouard-nadinga-burkina-faso","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/edouard-nadinga-burkina-faso\/","title":{"rendered":"Edouard NADINGA, Burkina Faso"},"content":{"rendered":"\n

Titulaire d’un dipl\u00f4me en sociologie et anthropologie, c’est en 2021 qu’il se lance dans le milieu du cin\u00e9ma et del’audiovisuel. Il exerce en ce moment en tant cadreur, et monteur au sein d’une structure de communication \u00e0 Ouagadougou.<\/p>\n","protected":false},"excerpt":{"rendered":"

Titulaire d’un dipl\u00f4me en sociologie et anthropologie, c’est en 2021 qu’il se lance dans le milieu du cin\u00e9ma et del’audiovisuel. Il exerce en ce moment en tant cadreur, et monteur au sein d’une structure de communication \u00e0 Ouagadougou.<\/p>\n","protected":false},"author":13,"featured_media":9181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9211"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9211\/revisions"}],"predecessor-version":[{"id":9212,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9211\/revisions\/9212"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9209,"date":"2025-02-06T11:53:59","date_gmt":"2025-02-06T11:53:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9209"},"modified":"2025-02-06T11:54:02","modified_gmt":"2025-02-06T11:54:02","slug":"maimouna-ouedraogo-burtkina-faso-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/maimouna-ouedraogo-burtkina-faso-2\/","title":{"rendered":"Ma\u00efmouna OU\u00c9DRAOGO, Burtkina Faso"},"content":{"rendered":"\n

After earning her degree in Modern Literature from Norbert Zongo University in Koudougou, she enrolled at ISIS\/SE in Ouagadougou, where she obtained a bachelor\u2019s degree in production.<\/p>\n\n\n\n

Ma\u00efmouna has also explored theater and completed internships on film sets, working alongside well-known producers and directors in Burkina Faso.<\/p>\n","protected":false},"excerpt":{"rendered":"

After earning her degree in Modern Literature from Norbert Zongo University in Koudougou, she enrolled at ISIS\/SE in Ouagadougou, where she obtained a bachelor\u2019s degree in production. Ma\u00efmouna has also explored theater and completed internships on film sets, working alongside well-known producers and directors in Burkina Faso.<\/p>\n","protected":false},"author":13,"featured_media":9180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9209"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9209\/revisions"}],"predecessor-version":[{"id":9210,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9209\/revisions\/9210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9207,"date":"2025-02-06T11:53:13","date_gmt":"2025-02-06T11:53:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9207"},"modified":"2025-02-06T11:53:15","modified_gmt":"2025-02-06T11:53:15","slug":"maimouna-ouedraogo-burtkina-faso","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/maimouna-ouedraogo-burtkina-faso\/","title":{"rendered":"Ma\u00efmouna OU\u00c9DRAOGO, Burtkina Faso"},"content":{"rendered":"\n

Apr\u00e8s l’obtention de son dipl\u00f4me en Lettres modernes \u00e0 l\u2019universit\u00e9 Norbert Zongo (Koudougou), elle s’inscrit \u00e0 l\u2019ISIS\/SE de Ouagadougou d’o\u00f9 elle sort avec une licence en production. Ma\u00efmouna a fait un passage au th\u00e9\u00e2tre ainsi que des stages sur des plateaux de tournage de film aupr\u00e8s de producteurs et r\u00e9alisateurs bien connus au Burkina Faso<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s l’obtention de son dipl\u00f4me en Lettres modernes \u00e0 l\u2019universit\u00e9 Norbert Zongo (Koudougou), elle s’inscrit \u00e0 l\u2019ISIS\/SE de Ouagadougou d’o\u00f9 elle sort avec une licence en production. Ma\u00efmouna a fait un passage au th\u00e9\u00e2tre ainsi que des stages sur des plateaux de tournage de film aupr\u00e8s de producteurs et r\u00e9alisateurs bien connus au Burkina Faso<\/p>\n","protected":false},"author":13,"featured_media":9180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9207"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9207\/revisions"}],"predecessor-version":[{"id":9208,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9207\/revisions\/9208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9180"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9205,"date":"2025-02-06T11:51:03","date_gmt":"2025-02-06T11:51:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9205"},"modified":"2025-02-06T11:51:06","modified_gmt":"2025-02-06T11:51:06","slug":"barkissa-kobreogo-burkina-faso-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/barkissa-kobreogo-burkina-faso-2\/","title":{"rendered":"Barkissa KOBREOGO, Burkina Faso"},"content":{"rendered":"\n

A student of anthropology at Nazi Boni University in Bobo, she has recently developed an interest in cinema and takes part in numerous training sessions organized by Burkinab\u00e8 film professionals, particularly in screenwriting\u00a0and\u00a0directing.<\/p>\n","protected":false},"excerpt":{"rendered":"

A student of anthropology at Nazi Boni University in Bobo, she has recently developed an interest in cinema and takes part in numerous training sessions organized by Burkinab\u00e8 film professionals, particularly in screenwriting\u00a0and\u00a0directing.<\/p>\n","protected":false},"author":13,"featured_media":9179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9205"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9205\/revisions"}],"predecessor-version":[{"id":9206,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9205\/revisions\/9206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9179"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9203,"date":"2025-02-06T11:49:50","date_gmt":"2025-02-06T11:49:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9203"},"modified":"2025-02-06T11:49:52","modified_gmt":"2025-02-06T11:49:52","slug":"barkissa-kobreogo-burkina-faso","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/barkissa-kobreogo-burkina-faso\/","title":{"rendered":"BARKISSA KOBREOGO, Burkina Faso"},"content":{"rendered":"\n

Etudiante en anthropologie \u00e0 l’universit\u00e9 Nazi Boni de Bobo. Elle s’interesse depuis peu au cin\u00e9ma et participe \u00e0 de nombreuses sessions de formation organis\u00e9es par des professionnels burkinab\u00e8 du cin\u00e9ma, notamment en \u00e9criture de sc\u00e9nario et en r\u00e9alisation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Etudiante en anthropologie \u00e0 l’universit\u00e9 Nazi Boni de Bobo. Elle s’interesse depuis peu au cin\u00e9ma et participe \u00e0 de nombreuses sessions de formation organis\u00e9es par des professionnels burkinab\u00e8 du cin\u00e9ma, notamment en \u00e9criture de sc\u00e9nario et en r\u00e9alisation.<\/p>\n","protected":false},"author":13,"featured_media":9179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9203"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9203\/revisions"}],"predecessor-version":[{"id":9204,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9203\/revisions\/9204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9179"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9201,"date":"2025-02-06T11:44:54","date_gmt":"2025-02-06T11:44:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9201"},"modified":"2025-02-06T11:44:57","modified_gmt":"2025-02-06T11:44:57","slug":"kate-mondoukpe-djiwan-benin","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kate-mondoukpe-djiwan-benin\/","title":{"rendered":"Kate Mondoukp\u00e9 Djiwan, B\u00e9nin"},"content":{"rendered":"\n

A student at the Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel in Benin, she directed CLASSE VERTE in 2022 as part of a European Union competition on the environment.<\/p>\n\n\n\n

During her training, she gained experience on several school film sets as a script supervisor, props manager, and assistant director. In January 2024, she earned her bachelor\u2019s degree in Film and Television Directing with a 13-minute short film titled VICTIME SILENCIEUSE.<\/p>\n","protected":false},"excerpt":{"rendered":"

A student at the Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel in Benin, she directed CLASSE VERTE in 2022 as part of a European Union competition on the environment. During her training, she gained experience on several school film sets as a script supervisor, props manager, and assistant director. In January 2024, she earned her bachelor\u2019s […]<\/p>\n","protected":false},"author":13,"featured_media":9178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9201"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9201\/revisions"}],"predecessor-version":[{"id":9202,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9201\/revisions\/9202"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9178"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9199,"date":"2025-02-06T11:42:31","date_gmt":"2025-02-06T11:42:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9199"},"modified":"2025-02-06T11:42:49","modified_gmt":"2025-02-06T11:42:49","slug":"djiwan-kate-mondoukpe-benin","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/djiwan-kate-mondoukpe-benin\/","title":{"rendered":"DJIWAN Kate Mondoukp\u00e9, B\u00e9nin"},"content":{"rendered":"\n

Etudiante \u00e0 l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel au B\u00e9nin, elle r\u00e9alise en 2022 CLASSE VERTE dans le cadre d\u2019un concours de l\u2019Union Europ\u00e9enne sur l\u2019environnement.
Durant sa formation, elle s\u2019exerce sur plusieurs plateaux d\u2019\u00e9cole comme scripte, accessoiriste et assistante r\u00e9alisatrice. En Janvier 2024, elle soutient sa licence en r\u00e9alisation Cin\u00e9ma et T\u00e9l\u00e9vision avec un court-m\u00e9trage de 13 min intitul\u00e9 VICTIME SILENCIEUSE.<\/p>\n","protected":false},"excerpt":{"rendered":"

Etudiante \u00e0 l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel au B\u00e9nin, elle r\u00e9alise en 2022 CLASSE VERTE dans le cadre d\u2019un concours de l\u2019Union Europ\u00e9enne sur l\u2019environnement.Durant sa formation, elle s\u2019exerce sur plusieurs plateaux d\u2019\u00e9cole comme scripte, accessoiriste et assistante r\u00e9alisatrice. En Janvier 2024, elle soutient sa licence en r\u00e9alisation Cin\u00e9ma et T\u00e9l\u00e9vision avec un court-m\u00e9trage […]<\/p>\n","protected":false},"author":13,"featured_media":9178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9199"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9199\/revisions"}],"predecessor-version":[{"id":9200,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9199\/revisions\/9200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9178"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9196,"date":"2025-02-06T11:34:01","date_gmt":"2025-02-06T11:34:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9196"},"modified":"2025-02-08T18:17:12","modified_gmt":"2025-02-08T18:17:12","slug":"ntokozo-mlaba-afrique-du-sud-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ntokozo-mlaba-afrique-du-sud-2\/","title":{"rendered":"Ntokozo Mlaba, Afrique du Sud"},"content":{"rendered":"\n

Holder of a degree in commerce, Ntokozo Mlaba is a young and versatile artist. He has already directed several short films, including his latest, To Be Seen (2022), which won the award for Best Narrative Short Film at the Blackboard International Film Festival. He is also the winner of the Young Voices 2024 award at the Joburg\u00a0Film\u00a0Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Holder of a degree in commerce, Ntokozo Mlaba is a young and versatile artist. He has already directed several short films, including his latest, To Be Seen (2022), which won the award for Best Narrative Short Film at the Blackboard International Film Festival. He is also the winner of the Young Voices 2024 award at […]<\/p>\n","protected":false},"author":13,"featured_media":9177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[554],"tags":[],"class_list":["post-9196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9196"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9196\/revisions"}],"predecessor-version":[{"id":9197,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9196\/revisions\/9197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9177"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9176,"date":"2025-02-06T11:31:38","date_gmt":"2025-02-06T11:31:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9176"},"modified":"2025-02-08T18:18:14","modified_gmt":"2025-02-08T18:18:14","slug":"ntokozo-mlaba-afrique-du-sud","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ntokozo-mlaba-afrique-du-sud\/","title":{"rendered":"Ntokozo Mlaba, Afrique du Sud"},"content":{"rendered":"\n

Titulaire d’une licence en commerce Ntokozo Mlaba, est jeune artiste, polyvalent. Il a d\u00e9j\u00e0 r\u00e9alis\u00e9 des courts m\u00e9trages dont le dernier To Be Seen (2022), a remport\u00e9 le prix du meilleur court m\u00e9trage narratif au Blackboard International Film Festival. Il est \u00e9galement laur\u00e9at du prix Young Voices 2024 au festival du film de Joburg.<\/p>\n","protected":false},"excerpt":{"rendered":"

Titulaire d’une licence en commerce Ntokozo Mlaba, est jeune artiste, polyvalent. Il a d\u00e9j\u00e0 r\u00e9alis\u00e9 des courts m\u00e9trages dont le dernier To Be Seen (2022), a remport\u00e9 le prix du meilleur court m\u00e9trage narratif au Blackboard International Film Festival. Il est \u00e9galement laur\u00e9at du prix Young Voices 2024 au festival du film de Joburg.<\/p>\n","protected":false},"author":13,"featured_media":9177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[556],"tags":[],"class_list":["post-9176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-academy-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/accademy-suite-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9176"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9176\/revisions"}],"predecessor-version":[{"id":9408,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9176\/revisions\/9408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9177"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9170,"date":"2025-02-05T17:08:36","date_gmt":"2025-02-05T17:08:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9170"},"modified":"2025-02-05T17:08:39","modified_gmt":"2025-02-05T17:08:39","slug":"echange","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/echange\/","title":{"rendered":"\u00c9CHANGE"},"content":{"rendered":"\n


Zakro Bali Alfred, C\u00f4te d\u2019Ivoire

Synopsis
Un jeune voyou, dont la famille se plaint et esp\u00e8re d\u00e9sesp\u00e9r\u00e9ment qu\u2019il changera, est pris dans un engrenage dangereux. Accus\u00e9 de vol, il est menac\u00e9 de mort jusqu\u2019\u00e0 ce que son fr\u00e8re d\u00e9cide de le sauver en se sacrifiant pour lui.
Je suis Zakro Bali Alfred, r\u00e9alisateur, animateur et chara-designer chez AFRIKATOON le studio d\u2019animation num\u00e9ro 1 en C\u00f4te d\u2019Ivoire o\u00f9 j\u2019ai tout appris depuis fin 2021 apr\u00e8s mon BTS en D\u00e9veloppement d\u2019Applications Informatiques (IDA).
J\u2019ai travaill\u00e9 sur de nombreux projets tels que :

La r\u00e9alisation des blagues du jour o\u00f9 j\u2019\u00e9tais en charge du character design et de l\u2019animation, l\u2019animation du film King Keita saison 3 o\u00f9 j\u2019\u00e9tais animateur
Et aussi travailler sur de nombreuses publicit\u00e9s et autres animations.
\u00catre inspir\u00e9 par toutes ces merveilleuses r\u00e9alisations auxquelles j\u2019ai particip\u00e9.
J\u2019ai d\u00e9cid\u00e9 de faire mon propre deuxi\u00e8me court-m\u00e9trage, REDEMPTION, qui a \u00e9t\u00e9 soumis dans des festivals.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Zakro Bali Alfred, C\u00f4te d\u2019Ivoire SynopsisUn jeune voyou, dont la famille se plaint et esp\u00e8re d\u00e9sesp\u00e9r\u00e9ment qu\u2019il changera, est pris dans un engrenage dangereux. Accus\u00e9 de vol, il est menac\u00e9 de mort jusqu\u2019\u00e0 ce que son fr\u00e8re d\u00e9cide de le sauver en se sacrifiant pour lui.Je suis Zakro Bali Alfred, r\u00e9alisateur, animateur et chara-designer chez […]<\/p>\n","protected":false},"author":13,"featured_media":9168,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-9170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-1-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9170"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9170\/revisions"}],"predecessor-version":[{"id":9171,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9170\/revisions\/9171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9168"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9167,"date":"2025-02-05T17:07:24","date_gmt":"2025-02-05T17:07:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9167"},"modified":"2025-02-05T17:07:27","modified_gmt":"2025-02-05T17:07:27","slug":"redemption","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/redemption\/","title":{"rendered":"REDEMPTION"},"content":{"rendered":"\n

Zakro Bali Alfred, Cote d\u2019Ivoire<\/strong><\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

 <\/strong>A young thug whose family complains and desperately hopes that he will change is caught in a dangerous gear. Accused of stealing, he is threatened with death until his brother decides to save him by sacrificing himself for him.<\/p>\n\n\n\n

BIOFILMGRAPHY<\/strong><\/p>\n\n\n\n

   I am Zakro Bali Alfred, a director, animator and chara-designer at AFRIKATOON the number 1 animation studio in C\u00f4te d’Ivoire where I learned everything since late 2021 after my BTS in Computer Applications Development (IDA).<\/p>\n\n\n\n

I have worked on many projects such as:<\/p>\n\n\n\n

The making of jokes from the day I was in charge of character design and animation, the animation of the movie King Keita season 3 where I was animator<\/p>\n\n\n\n

And also working on many commercials and other animation.<\/p>\n\n\n\n

Being inspired by all these wonderful achievements in which I was a participant.<\/p>\n\n\n\n

I decided to make my own, second short film REDEMPTION that has been submitted in festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Zakro Bali Alfred, Cote d\u2019Ivoire Synopsis  A young thug whose family complains and desperately hopes that he will change is caught in a dangerous gear. Accused of stealing, he is threatened with death until his brother decides to save him by sacrificing himself for him. BIOFILMGRAPHY    I am Zakro Bali Alfred, a director, animator […]<\/p>\n","protected":false},"author":13,"featured_media":9168,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-9167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-1-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9167"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9167\/revisions"}],"predecessor-version":[{"id":9169,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9167\/revisions\/9169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9168"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9164,"date":"2025-02-05T17:01:56","date_gmt":"2025-02-05T17:01:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9164"},"modified":"2025-02-05T17:11:25","modified_gmt":"2025-02-05T17:11:25","slug":"wan-kate","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/wan-kate\/","title":{"rendered":"Victime Silencieuse"},"content":{"rendered":"\n

DJIWAN Kate L\u00e9oncia Mondoukp\u00e8 2024 – Benin – Dates<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Christelle, the daughter of OLA, an un employed man, and SENA, an accountant, grew up in a household marked by domestic violence where her mother physically and verbally abused her father. Powerless in the face of this situation, she tries in vain to put an end to it. One night, a tragic event turns her life upside down and plunges her into deep unease. Having become a shadow of her former self, Christelle finally decides to confide in her best friend, Anita.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/p>\n\n\n\n

Kate DJIWAN began her film career in 2021 at the Institut Sup\u00e9rieur des M\u00e9tiers de l’Audiovisuel in Benin. In 2022, she directed Classe Verte, a short film produced as part of a European Union competition on the environment. In 2024, she completed her degree in Film and Television Directing with Silent Victim, a 13-minute short film addressing the theme of domestic violence and its psychological repercussionsenne sur l\u2019environnement. En 2024, Kate soutient sa licence en r\u00e9alisation Cin\u00e9ma et T\u00e9l\u00e9vision avec un court m\u00e9trage de 13 mn intitul\u00e9 VICTIME SILENCIEUSE.<\/p>\n","protected":false},"excerpt":{"rendered":"

DJIWAN Kate L\u00e9oncia Mondoukp\u00e8 2024 – Benin – Dates SYNOPSIS Christelle, the daughter of OLA, an un employed man, and SENA, an accountant, grew up in a household marked by domestic violence where her mother physically and verbally abused her father. Powerless in the face of this situation, she tries in vain to put an […]<\/p>\n","protected":false},"author":13,"featured_media":8916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9164"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9164\/revisions"}],"predecessor-version":[{"id":9173,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9164\/revisions\/9173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8916"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9162,"date":"2025-02-05T16:50:37","date_gmt":"2025-02-05T16:50:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9162"},"modified":"2025-02-05T16:50:41","modified_gmt":"2025-02-05T16:50:41","slug":"victime-silencieuse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/victime-silencieuse\/","title":{"rendered":"Victime silencieuse"},"content":{"rendered":"\n

DJIWAN Kate L\u00e9oncia Mondoukp\u00e8, B\u00e9nin, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Christelle, est la fille de OLA un ch\u00f4meur et SENA une comptable. Elle assiste quotidiennement aux violences verbales et physiques de sa m\u00e8re sur son p\u00e8re et essaie de les arr\u00eater. Une nuit, le pire se produit et la vie de Christelle est boulevers\u00e9e. Elle grandit en \u00e9tant l\u2019ombre d\u2019elle-m\u00eame et d\u00e9cide un jour de se confier \u00e0 sa copine Anita.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Kate DJIWAN fait ses d\u00e9buts dans le cin\u00e9ma en 2021 \u00e0 l\u2019Institut sup\u00e9rieur des m\u00e9tiers de l\u2019audiovisuel au B\u00e9nin. Elle r\u00e9alise en 2022 CLASSE VERTE<\/em> dans le cadre d\u2019un concours de l\u2019Union europ\u00e9enne sur l\u2019environnement. En 2024, Kate soutient sa licence en r\u00e9alisation Cin\u00e9ma et T\u00e9l\u00e9vision avec un court m\u00e9trage de 13 mn intitul\u00e9 VICTIME SILENCIEUSE<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

DJIWAN Kate L\u00e9oncia Mondoukp\u00e8, B\u00e9nin, 2024 SYNOPSIS Christelle, est la fille de OLA un ch\u00f4meur et SENA une comptable. Elle assiste quotidiennement aux violences verbales et physiques de sa m\u00e8re sur son p\u00e8re et essaie de les arr\u00eater. Une nuit, le pire se produit et la vie de Christelle est boulevers\u00e9e. Elle grandit en \u00e9tant […]<\/p>\n","protected":false},"author":13,"featured_media":8916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9162"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9162\/revisions"}],"predecessor-version":[{"id":9163,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9162\/revisions\/9163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8916"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9160,"date":"2025-02-05T16:48:39","date_gmt":"2025-02-05T16:48:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9160"},"modified":"2025-02-05T16:48:42","modified_gmt":"2025-02-05T16:48:42","slug":"la-couleur-de-lesprit-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-couleur-de-lesprit-2\/","title":{"rendered":"La couleur de l\u2019esprit"},"content":{"rendered":"\n

CISSE Mariama, Guin\u00e9e, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Maadjou, a young man in his thirties, struggles with mental illness, family abandonment, and society\u2019s disdain. Every day is a battle for his survival.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mariama CISSE is a Guinean filmmaker dedicated to addressing social issues through cinema. She has worked on several film projects that explore human resilience, mental health, and social marginalization. La couleur de l\u2019esprit is her latest work, aiming to shed light on the struggles of individuals battling mental illness.<\/p>\n","protected":false},"excerpt":{"rendered":"

CISSE Mariama, Guin\u00e9e, 2024 SYNOPSIS Maadjou, a young man in his thirties, struggles with mental illness, family abandonment, and society\u2019s disdain. Every day is a battle for his survival. BIOFILMOGRAPHIE Mariama CISSE is a Guinean filmmaker dedicated to addressing social issues through cinema. She has worked on several film projects that explore human resilience, mental […]<\/p>\n","protected":false},"author":13,"featured_media":9158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-21-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9160"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9160\/revisions"}],"predecessor-version":[{"id":9161,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9160\/revisions\/9161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9158"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9157,"date":"2025-02-05T16:46:44","date_gmt":"2025-02-05T16:46:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9157"},"modified":"2025-02-05T16:46:47","modified_gmt":"2025-02-05T16:46:47","slug":"la-couleur-de-lesprit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-couleur-de-lesprit\/","title":{"rendered":"La couleur de l\u2019esprit"},"content":{"rendered":"\n

CISSE Mariama, Guin\u00e9e, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Maadjou est un jeune homme dans la trentaine, luttant contre la maladie mentale, l\u2019abandon familial et le m\u00e9pris de la soci\u00e9t\u00e9. Chaque jour est un combat pour sa survie<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mariama CISSE est une cin\u00e9aste guin\u00e9enne qui se consacre \u00e0 l\u2019approche des questions sociales \u00e0 travers le cin\u00e9ma. Elle a travaill\u00e9 sur plusieurs projets de films qui explorent la r\u00e9silience humaine, la sant\u00e9 mentale et la marginalisation sociale. La couleur de l\u2019esprit est sa derni\u00e8re \u0153uvre, qui vise \u00e0 mettre en lumi\u00e8re les luttes des personnes aux prises avec la maladie mentale.<\/p>\n","protected":false},"excerpt":{"rendered":"

CISSE Mariama, Guin\u00e9e, 2024 SYNOPSIS Maadjou est un jeune homme dans la trentaine, luttant contre la maladie mentale, l\u2019abandon familial et le m\u00e9pris de la soci\u00e9t\u00e9. Chaque jour est un combat pour sa survie BIOFILMOGRAPHIE Mariama CISSE est une cin\u00e9aste guin\u00e9enne qui se consacre \u00e0 l\u2019approche des questions sociales \u00e0 travers le cin\u00e9ma. Elle a […]<\/p>\n","protected":false},"author":13,"featured_media":9158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-21-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9157"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9157\/revisions"}],"predecessor-version":[{"id":9159,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9157\/revisions\/9159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9158"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9155,"date":"2025-02-05T16:32:58","date_gmt":"2025-02-05T16:32:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9155"},"modified":"2025-02-05T16:33:00","modified_gmt":"2025-02-05T16:33:00","slug":"gnf-198000-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/gnf-198000-2\/","title":{"rendered":"GNF 198000"},"content":{"rendered":"\n

Mamadou Korka CAMARA, Guin\u00e9e, Ann\u00e9e<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

ALAMAKO, an unemployed painter, struggles with the high cost of living, accumulating unpaid rent. Though people admire his creativity, he is unable to sell his artwork on the market. Fascinated by migration, he recalls a promise made to his mother and an enticing job offer that requires extensive documentation. Will he manage to gather everything he needs?<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Guinean filmmaker Mamadou Korka CAMARA has worked on numerous student films. In 2021, he served as a script assistant in the graduation film of the 16th class of the Department of Dramatic Arts. In 2022, he was an assistant director and lead actor in the film Thedoungal. In 2023, he directed multiple films, including Pigment Naturel and Le Pacte.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mamadou Korka CAMARA, Guin\u00e9e, Ann\u00e9e SYNOPSIS ALAMAKO, an unemployed painter, struggles with the high cost of living, accumulating unpaid rent. Though people admire his creativity, he is unable to sell his artwork on the market. Fascinated by migration, he recalls a promise made to his mother and an enticing job offer that requires extensive documentation. […]<\/p>\n","protected":false},"author":13,"featured_media":8917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9155"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9155\/revisions"}],"predecessor-version":[{"id":9156,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9155\/revisions\/9156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9153,"date":"2025-02-05T16:31:54","date_gmt":"2025-02-05T16:31:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9153"},"modified":"2025-02-05T16:31:58","modified_gmt":"2025-02-05T16:31:58","slug":"gnf-198000","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/gnf-198000\/","title":{"rendered":"GNF 198000"},"content":{"rendered":"\n

GNF 198000<\/strong><\/p>\n\n\n\n

Mamadou Korka CAMARA, Guin\u00e9e, Ann\u00e9e<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

ALAMAKO est un artiste peintre au ch\u00f4mage. Par l\u2019effet de la chert\u00e9 de la vie, il accumule des arri\u00e9r\u00e9s de loyer. Les gens appr\u00e9cient sa cr\u00e9ativit\u00e9, mais il n\u2019arrive pas \u00e0 \u00e9couler ses \u0153uvres sur le march\u00e9. Fascin\u00e9 par la migration, ALAMAKO se rappelle d\u2019une promesse faite \u00e0 sa m\u00e8re et d\u2019une offre d\u2019emplois qui demande beaucoup de documents. Arrivera-t-il \u00e0 les r\u00e9unir ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisateur d\u2019origine guin\u00e9enne, Mamadou Korka CAMARA a travaill\u00e9 sur plusieurs films d\u2019\u00e9coles. En 2021, il est script dans le film de licence de la 16e<\/sup> promotion du d\u00e9partement des arts dramatiques. En 2022, il est assistant-r\u00e9alisateur et acteur principal du film Thedoungal<\/em>. En 2023, il a r\u00e9alis\u00e9 plusieurs films dont Pigment naturel<\/em> et Le Pacte<\/em>. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

GNF 198000 Mamadou Korka CAMARA, Guin\u00e9e, Ann\u00e9e SYNOPSIS ALAMAKO est un artiste peintre au ch\u00f4mage. Par l\u2019effet de la chert\u00e9 de la vie, il accumule des arri\u00e9r\u00e9s de loyer. Les gens appr\u00e9cient sa cr\u00e9ativit\u00e9, mais il n\u2019arrive pas \u00e0 \u00e9couler ses \u0153uvres sur le march\u00e9. Fascin\u00e9 par la migration, ALAMAKO se rappelle d\u2019une promesse faite […]<\/p>\n","protected":false},"author":13,"featured_media":8917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9153"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9153\/revisions"}],"predecessor-version":[{"id":9154,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9153\/revisions\/9154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8917"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9150,"date":"2025-02-05T16:28:26","date_gmt":"2025-02-05T16:28:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9150"},"modified":"2025-02-05T16:28:30","modified_gmt":"2025-02-05T16:28:30","slug":"baddjo-an-on-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/baddjo-an-on-2\/","title":{"rendered":"Baddjo an on"},"content":{"rendered":"\n

Bald\u00e9 Alhassane, Guin\u00e9e, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Aissatou, a 9-year-old girl, loses her mother in a tragic road accident that also leaves her father blind. Left alone with him, she dreams of going to school but is forced to help him beg on the streets for survival.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Bald\u00e9 Alhassane is a Guinean filmmaker committed to telling human-centered stories that highlight social injustices and resilience. His works explore themes of childhood struggles, family bonds, and survival in difficult circumstances. Baddjo an on is his latest film, shedding light on the harsh realities faced by vulnerable children.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bald\u00e9 Alhassane, Guin\u00e9e, 2024 SYNOPSIS Aissatou, a 9-year-old girl, loses her mother in a tragic road accident that also leaves her father blind. Left alone with him, she dreams of going to school but is forced to help him beg on the streets for survival. BIOFILMOGRAPHIE Bald\u00e9 Alhassane is a Guinean filmmaker committed to telling […]<\/p>\n","protected":false},"author":13,"featured_media":8959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-9150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9150"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9150\/revisions"}],"predecessor-version":[{"id":9151,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9150\/revisions\/9151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8959"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9148,"date":"2025-02-05T16:26:04","date_gmt":"2025-02-05T16:26:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9148"},"modified":"2025-02-14T11:02:06","modified_gmt":"2025-02-14T11:02:06","slug":"baddjo-an-on","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/baddjo-an-on\/","title":{"rendered":"Baddjo an on"},"content":{"rendered":"\n

Bald\u00e9 Alhassane, Guin\u00e9e, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Aissatou a 9 ans. Devenue orpheline de m\u00e8re \u00e0 la suite d\u2019un accident de circulation dans lequel son p\u00e8re est devenu aveugle, elle vit seule avec lui. Aissatou voudrait aller \u00e0 l\u2019\u00e9cole, mais elle est oblig\u00e9e d\u2019aider son p\u00e8re \u00e0 mendier dans la rue.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Bald\u00e9 Alhassane est un cin\u00e9aste guin\u00e9en qui s\u2019engage \u00e0 raconter des histoires centr\u00e9es sur l\u2019humain qui mettent en lumi\u00e8re les injustices sociales et la r\u00e9silience. Ses \u0153uvres explorent les th\u00e8mes des luttes de l\u2019enfance, des liens familiaux et de la survie dans des circonstances difficiles. Baddjo an on est son dernier film, mettant en lumi\u00e8re les dures r\u00e9alit\u00e9s auxquelles est confront\u00e9 le vuln\u00e9rable enfant. <\/p>\n","protected":false},"excerpt":{"rendered":"

Bald\u00e9 Alhassane, Guin\u00e9e, 2024 SYNOPSIS Aissatou a 9 ans. Devenue orpheline de m\u00e8re \u00e0 la suite d\u2019un accident de circulation dans lequel son p\u00e8re est devenu aveugle, elle vit seule avec lui. Aissatou voudrait aller \u00e0 l\u2019\u00e9cole, mais elle est oblig\u00e9e d\u2019aider son p\u00e8re \u00e0 mendier dans la rue. BIOFILMOGRAPHIE Bald\u00e9 Alhassane est un cin\u00e9aste […]<\/p>\n","protected":false},"author":13,"featured_media":8959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-9148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9148"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9148\/revisions"}],"predecessor-version":[{"id":9798,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9148\/revisions\/9798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8959"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9146,"date":"2025-02-05T16:23:34","date_gmt":"2025-02-05T16:23:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9146"},"modified":"2025-02-05T16:23:38","modified_gmt":"2025-02-05T16:23:38","slug":"the-vanishing-leffacement","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-vanishing-leffacement\/","title":{"rendered":"The Vanishing (L\u2019effacement)"},"content":{"rendered":"\n

Karim MOUSSAOUI, Algeria, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

R\u00e9da lives with his parents in an upscale neighborhood of Algiers. He holds a position in the country\u2019s largest oil company, which is run by his cold and authoritarian father. Beneath this outward success, R\u00e9da conceals a profound inner distress. One day, after his father\u2019s death, an inexplicable event occurs\u2014R\u00e9da\u2019s reflection disappears from the mirror\u2026<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Karim Moussaoui is an Algerian filmmaker whose works have been selected for renowned festivals such as Locarno, Clermont-Ferrand, Brive, and Plans d\u2019Angers. His debut feature film, Waiting for the Swallows (En attendant les hirondelles, 2016), won the Fondation Gan award and was selected in the Un Certain Regard section at the Cannes Film Festival in 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"

Karim MOUSSAOUI, Algeria, 2024 SYNOPSIS R\u00e9da lives with his parents in an upscale neighborhood of Algiers. He holds a position in the country\u2019s largest oil company, which is run by his cold and authoritarian father. Beneath this outward success, R\u00e9da conceals a profound inner distress. One day, after his father\u2019s death, an inexplicable event occurs\u2014R\u00e9da\u2019s […]<\/p>\n","protected":false},"author":13,"featured_media":8971,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-9146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9146"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9146\/revisions"}],"predecessor-version":[{"id":9147,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9146\/revisions\/9147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8971"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9144,"date":"2025-02-05T15:53:50","date_gmt":"2025-02-05T15:53:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9144"},"modified":"2025-02-05T15:53:53","modified_gmt":"2025-02-05T15:53:53","slug":"leffacement-the-vanishing","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/leffacement-the-vanishing\/","title":{"rendered":"L\u2019effacement\/ The Vanishing"},"content":{"rendered":"\n

Karim MOUSSAOUI, Alg\u00e9rie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

R\u00e9da vit chez ses parents dans un quartier bourgeois d’Alger. Il occupe un poste dans la plus grande entreprise d\u2019hydrocarbures du pays dirig\u00e9e par son p\u00e8re, un homme froid et autoritaire. Sous tous ces vernis apparents, R\u00e9da dissimule un mal-\u00eatre profond.  Un jour, le p\u00e8re meurt et un \u00e9v\u00e9nement inattendu se produit : le reflet de R\u00e9da dispara\u00eet du miroir\u2026 <\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisateur alg\u00e9rien, Karim Moussaoui est auteur de nombreux films dont certains ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s \u00e0 de grands festivals tels que Locarno, Clermont-Ferrand, Brive, Plans d’Angers etc.  Son premier long-m\u00e9trage En attendant les hirondelles<\/em> a \u00e9t\u00e9 laur\u00e9at de la Fondation Gan (2016), et s\u00e9lectionn\u00e9 au Festival de Cannes (2017) dans la cat\u00e9gorie Un Certain Regard.<\/p>\n","protected":false},"excerpt":{"rendered":"

Karim MOUSSAOUI, Alg\u00e9rie, 2024 SYNOPSIS R\u00e9da vit chez ses parents dans un quartier bourgeois d’Alger. Il occupe un poste dans la plus grande entreprise d\u2019hydrocarbures du pays dirig\u00e9e par son p\u00e8re, un homme froid et autoritaire. Sous tous ces vernis apparents, R\u00e9da dissimule un mal-\u00eatre profond.  Un jour, le p\u00e8re meurt et un \u00e9v\u00e9nement inattendu […]<\/p>\n","protected":false},"author":13,"featured_media":8971,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-9144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9144"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9144\/revisions"}],"predecessor-version":[{"id":9145,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9144\/revisions\/9145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8971"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9140,"date":"2025-02-05T15:41:56","date_gmt":"2025-02-05T15:41:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9140"},"modified":"2025-02-05T15:41:59","modified_gmt":"2025-02-05T15:41:59","slug":"the-widow-la-veuve","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-widow-la-veuve\/","title":{"rendered":"The Widow (La Veuve)"},"content":{"rendered":"\n

Fousseny MAIGA, Mali, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ishaq TRAORE founded TRAORE CONSTRUCTION, a family-owned construction company specializing in the supply of building materials and the execution of major infrastructure projects across Mali. His success has made the TRAORE family one of the wealthiest and most respected in the country. The Widow unravels the hidden struggles within this affluent family, exposing secrets, rivalries, and deep-seated jealousy that threaten to destroy their legacy.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Fousseyni MAIGA has been the General Director of the National Center for Cinematography of Mali since June 2022. His career began in 2006 as a journalist and writer. In 2018, he shifted his focus entirely to cinema and audiovisual production, undertaking extensive training in screenwriting and directing. He has directed several films, including Wheels of Destiny (Roues du destin, 2020) and On the Road (Sur la route, 2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseny MAIGA, Mali, 2023 SYNOPSIS Ishaq TRAORE founded TRAORE CONSTRUCTION, a family-owned construction company specializing in the supply of building materials and the execution of major infrastructure projects across Mali. His success has made the TRAORE family one of the wealthiest and most respected in the country. The Widow unravels the hidden struggles within this […]<\/p>\n","protected":false},"author":13,"featured_media":8939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-26.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9140"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9140\/revisions"}],"predecessor-version":[{"id":9141,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9140\/revisions\/9141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8939"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9138,"date":"2025-02-05T15:39:38","date_gmt":"2025-02-05T15:39:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9138"},"modified":"2025-02-05T15:39:41","modified_gmt":"2025-02-05T15:39:41","slug":"la-veuve","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-veuve\/","title":{"rendered":"La Veuve"},"content":{"rendered":"\n

Fousseny MAIGA, Mali, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ishaq TRAORE a fond\u00e9\u0301 TRAORE CONSTRUCTION, une entreprise familiale de BTP sp\u00e9cialis\u00e9e dans la fourniture de mat\u00e9riaux de construction et la r\u00e9alisation de grands \u00e9difices \u00e0 travers tout le Mali, faisant de leur famille l\u2019une des plus nanties et des plus glorieuses du Mali. La veuve<\/em>, nous retrace les dessous d\u2019une famille riche, tiraill\u00e9e par des secrets, des rivalit\u00e9s et de la jalousie. <\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Directeur G\u00e9n\u00e9ral du Centre National de la Cin\u00e9matographie du Mali depuis juin 2022, Fousseyni MAIGA d\u00e9bute sa carri\u00e8re en 2006 en tant que journaliste et \u00e9crivain. A partir de 2018, il d\u00e9cide de se consacrer enti\u00e8rement \u00e0 au cin\u00e9ma et l\u2019audiovisuel en suivant plusieurs formations en Sc\u00e9nario et R\u00e9alisation. Il est auteur de plusieurs films dont Roues du destin<\/em> (2020), Sur la route<\/em> (2023) etc.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseny MAIGA, Mali, 2023 SYNOPSIS Ishaq TRAORE a fond\u00e9\u0301 TRAORE CONSTRUCTION, une entreprise familiale de BTP sp\u00e9cialis\u00e9e dans la fourniture de mat\u00e9riaux de construction et la r\u00e9alisation de grands \u00e9difices \u00e0 travers tout le Mali, faisant de leur famille l\u2019une des plus nanties et des plus glorieuses du Mali. La veuve, nous retrace les dessous […]<\/p>\n","protected":false},"author":13,"featured_media":8939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-9138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-26.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9138"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9138\/revisions"}],"predecessor-version":[{"id":9139,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9138\/revisions\/9139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8939"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9136,"date":"2025-02-05T15:38:39","date_gmt":"2025-02-05T15:38:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9136"},"modified":"2025-02-05T15:38:43","modified_gmt":"2025-02-05T15:38:43","slug":"manmzel-new-york-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/manmzel-new-york-2\/","title":{"rendered":"MANMZEL NEW YORK"},"content":{"rendered":"\n

Mariette MONPIERRE, Guadeloupe, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Everything was meticulously planned for the wedding of Iza 971, a 22-year-old Guadeloupean influencer. But just as she is about to say \u201cyes,\u201d a heated altercation erupts on the church steps between her and Steve, her fianc\u00e9, a wealthy car dealership owner. Insults fly, resentments explode. Humiliated and furious at being belittled, Isabelle runs away. But how can she disappear when she is an influencer followed by thousands?<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Mariette Monpierre was born in Guadeloupe and raised in Paris. She began her career in advertising at BBDO NY before transitioning to cinema. In 2002, her short film Rendez-Vous was nominated for the Djibril Diop Mambety Award at the Cannes Film Festival. Her first feature film, Le Bonheur d\u2019Elza (2011), won several international awards, including the Paul Robeson Prize at FESPACO 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariette MONPIERRE, Guadeloupe, 2024 SYNOPSIS Everything was meticulously planned for the wedding of Iza 971, a 22-year-old Guadeloupean influencer. But just as she is about to say \u201cyes,\u201d a heated altercation erupts on the church steps between her and Steve, her fianc\u00e9, a wealthy car dealership owner. Insults fly, resentments explode. Humiliated and furious at […]<\/p>\n","protected":false},"author":13,"featured_media":8940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-27.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9136"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9136\/revisions"}],"predecessor-version":[{"id":9137,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9136\/revisions\/9137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8940"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9134,"date":"2025-02-05T15:36:25","date_gmt":"2025-02-05T15:36:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9134"},"modified":"2025-02-05T15:36:28","modified_gmt":"2025-02-05T15:36:28","slug":"manmzel-new-york","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/manmzel-new-york\/","title":{"rendered":"MANMZEL NEW YORK"},"content":{"rendered":"\n

Mariette MONPIERRE, Guadeloupe, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Tout a \u00e9t\u00e9 pr\u00e9par\u00e9, calcul\u00e9, mis en sc\u00e8ne au millim\u00e8tre pour le mariage d’Iza 971, influenceuse guadeloup\u00e9enne de 22 ans. Mais un clash violent survient sur le parvis de l’\u00e9glise. Entre Isabelle, d’origine modeste, et Steve, son fianc\u00e9, propri\u00e9taire d’une concession automobile, les insultes fusent. Furieuse d\u2019\u00eatre rabaiss\u00e9e, elle fuit mais peut-elle se cacher \u00e9tant l\u2019influenceuse ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mariette Monpierre est n\u00e9e en Guadeloupe et a grandi \u00e0 Paris.  Auteure de plusieurs films, Sa carri\u00e8re d\u00e9bute \u00e0 l\u2019agence BBDO NY avec des productions de publicit\u00e9s. Son court m\u00e9trage Rendez-Vou<\/em>s est nomin\u00e9 en 2002 au prix Djibril Diop Mambety \u00e0 Cannes. Avec son film Le Bonheur d\u2019Elza<\/em> (2011), elle remporte plusieurs prix \u00e0 l\u2019international dont le prix Paul Robeson au FESPACO 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariette MONPIERRE, Guadeloupe, 2024 SYNOPSIS Tout a \u00e9t\u00e9 pr\u00e9par\u00e9, calcul\u00e9, mis en sc\u00e8ne au millim\u00e8tre pour le mariage d’Iza 971, influenceuse guadeloup\u00e9enne de 22 ans. Mais un clash violent survient sur le parvis de l’\u00e9glise. Entre Isabelle, d’origine modeste, et Steve, son fianc\u00e9, propri\u00e9taire d’une concession automobile, les insultes fusent. Furieuse d\u2019\u00eatre rabaiss\u00e9e, elle fuit […]<\/p>\n","protected":false},"author":13,"featured_media":8940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-9134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-27.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9134"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9134\/revisions"}],"predecessor-version":[{"id":9135,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9134\/revisions\/9135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8940"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9132,"date":"2025-02-05T15:33:23","date_gmt":"2025-02-05T15:33:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9132"},"modified":"2025-02-18T12:41:35","modified_gmt":"2025-02-18T12:41:35","slug":"a-qui-jappartiens","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-qui-jappartiens\/","title":{"rendered":"WHO DO I BELONG"},"content":{"rendered":"\n

Meryam Joobeur, Tuinisie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Aicha lives in the isolated north of Tunisia with her husband and youngest son. The family lives in anguish after the departure of the eldest sons Mehdi and Amine to the violent embrace of war. When Mehdi unexpectedly returns home with a mysterious pregnant wife, a darkness emerges, threatening to consume the entire village. Aicha is caught between her maternal love and her search for the truth.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Meryam Joobeur believes wholeheartedly in the transformative power of storytelling and hopes that her films can capture the beauty, complexity and universal nature of the human condition. Her short films Gods, Weeds and Revolutions (2012) and Born in the Maelstrom (2017) screened internationally. Her Oscar nominated short Brotherhood (2018) screened at 150+ festivals and won 75 international prizes. \u201cWho Do I Belong To\u201d is her first feature film.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Meryam Joobeur, Tuinisie, 2024 SYNOPSIS Aicha lives in the isolated north of Tunisia with her husband and youngest son. The family lives in anguish after the departure of the eldest sons Mehdi and Amine to the violent embrace of war. When Mehdi unexpectedly returns home with a mysterious pregnant wife, a darkness emerges, threatening to […]<\/p>\n","protected":false},"author":13,"featured_media":8943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-9132","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-30.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9132"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9132\/revisions"}],"predecessor-version":[{"id":10058,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9132\/revisions\/10058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8943"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9130,"date":"2025-02-05T15:32:21","date_gmt":"2025-02-05T15:32:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9130"},"modified":"2025-02-18T12:39:23","modified_gmt":"2025-02-18T12:39:23","slug":"who-do-i-belong","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/who-do-i-belong\/","title":{"rendered":"\u00c0 QUI J\u2019APPARTIENS"},"content":{"rendered":"\n

Meryam Joobeur, Tunisie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

A\u00efcha vit dans le nord isol\u00e9 de la Tunisie avec son mari et son plus jeune fils. La famille vit dans l\u2019angoisse apr\u00e8s le d\u00e9part des fils a\u00een\u00e9s, Mehdi et Amine, qui ont \u00e9t\u00e9 happ\u00e9s par la guerre. Lorsque Mehdi revient soudainement avec une myst\u00e9rieuse \u00e9pouse enceinte, une ombre inqui\u00e9tante s\u2019installe, mena\u00e7ant de plonger tout le village dans le chaos. D\u00e9chir\u00e9e entre son amour maternel et sa qu\u00eate de v\u00e9rit\u00e9, A\u00efcha devra affronter ses propres d\u00e9mons.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Meryam Joobeur croit profond\u00e9ment au pouvoir transformateur du r\u00e9cit et esp\u00e8re que ses films capturent la beaut\u00e9, la complexit\u00e9 et la nature universelle de la condition humaine. Ses courts-m\u00e9trages Gods, Weeds and Revolutions (2012) et Born in the Maelstrom (2017) ont \u00e9t\u00e9 projet\u00e9s \u00e0 l\u2019international. Son court-m\u00e9trage Brotherhood (2018), nomm\u00e9 aux Oscars, a \u00e9t\u00e9 diffus\u00e9 dans plus de 150 festivals et a remport\u00e9 75 prix internationaux. \u00c0 qui j\u2019appartiens est son premier long-m\u00e9trage.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Meryam Joobeur, Tunisie, 2024 SYNOPSIS A\u00efcha vit dans le nord isol\u00e9 de la Tunisie avec son mari et son plus jeune fils. La famille vit dans l\u2019angoisse apr\u00e8s le d\u00e9part des fils a\u00een\u00e9s, Mehdi et Amine, qui ont \u00e9t\u00e9 happ\u00e9s par la guerre. Lorsque Mehdi revient soudainement avec une myst\u00e9rieuse \u00e9pouse enceinte, une ombre inqui\u00e9tante […]<\/p>\n","protected":false},"author":13,"featured_media":8943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-9130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-30.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9130"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9130\/revisions"}],"predecessor-version":[{"id":10056,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9130\/revisions\/10056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8943"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9128,"date":"2025-02-05T15:29:36","date_gmt":"2025-02-05T15:29:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9128"},"modified":"2025-02-05T15:29:39","modified_gmt":"2025-02-05T15:29:39","slug":"mikoko-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mikoko-2\/","title":{"rendered":"MIKOKO"},"content":{"rendered":"\n

Angela Aquereburu Rabatel, Togo, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

D\u00e9la Otimi, a market vendor at Mikoko, constantly complains to her husband, Apollinaire, the Mayor of the Commune, about the severe water infiltration problems affecting the market during the rainy season. He reassures her that the market will finally be renovated, a decision that delights both D\u00e9la and the Market Vendors\u2019 Association. However, the mayor has a secret plan: instead of renovating the market, he intends to replace it with a shopping mall.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Angela Aquereburu was born in 1977 in Togo. She pursued part of her education in her home country before continuing her studies in Pointe-\u00e0-Pitre, Guadeloupe, her mother\u2019s birthplace. After working in raw material distribution and human resources, she ventured into audiovisual production alongside her husband, Jean-Luc Rabatel. Together, they have created several successful television series.<\/p>\n","protected":false},"excerpt":{"rendered":"

Angela Aquereburu Rabatel, Togo, 2024 SYNOPSIS D\u00e9la Otimi, a market vendor at Mikoko, constantly complains to her husband, Apollinaire, the Mayor of the Commune, about the severe water infiltration problems affecting the market during the rainy season. He reassures her that the market will finally be renovated, a decision that delights both D\u00e9la and the […]<\/p>\n","protected":false},"author":13,"featured_media":8974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452],"tags":[],"class_list":["post-9128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9128"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9128\/revisions"}],"predecessor-version":[{"id":9129,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9128\/revisions\/9129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8974"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9126,"date":"2025-02-05T15:27:23","date_gmt":"2025-02-05T15:27:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9126"},"modified":"2025-02-05T15:27:26","modified_gmt":"2025-02-05T15:27:26","slug":"mikoko","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mikoko\/","title":{"rendered":"MIKOKO"},"content":{"rendered":"\n

Angela AQUEREBURU RABATEL, Togo, 2024<\/strong><\/p>\n\n\n\n

 SYNOPSIS<\/strong><\/p>\n\n\n\n

D\u00e9la Otimi, commer\u00e7ante au march\u00e9 de Mikoko se plaint r\u00e9guli\u00e8rement \u00e0 son mari, Apollinaire, Maire de la Commune, des nombreux probl\u00e8mes d\u2019infiltration qui minent le march\u00e9 en saison pluvieuse. Il lui annonce que le march\u00e9 sera finalement r\u00e9nov\u00e9 la mettant avec l’Association des commer\u00e7ants du march\u00e9 aux anges. Mais Le maire a plut\u00f4t un plan secret : remplacer le march\u00e9 par un centre commercial.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Angela Aquereburu est n\u00e9e en 1977 au Togo. Elle a effectu\u00e9 une partie de ses \u00e9tudes dans son pays natal et ensuite \u00e0 Pointe-\u00e0-Pitre en Guadeloupe (ville natale de sa m\u00e8re). Apr\u00e8s un parcours dans la distribution de mati\u00e8re premi\u00e8res puis dans les ressources humaines, elle se lance dans l’audiovisuel avec son \u00e9poux Jean-Luc RABATEL et ils r\u00e9alisent plusieurs s\u00e9ries \u00e0 succ\u00e8s.<\/p>\n","protected":false},"excerpt":{"rendered":"

Angela AQUEREBURU RABATEL, Togo, 2024  SYNOPSIS D\u00e9la Otimi, commer\u00e7ante au march\u00e9 de Mikoko se plaint r\u00e9guli\u00e8rement \u00e0 son mari, Apollinaire, Maire de la Commune, des nombreux probl\u00e8mes d\u2019infiltration qui minent le march\u00e9 en saison pluvieuse. Il lui annonce que le march\u00e9 sera finalement r\u00e9nov\u00e9 la mettant avec l’Association des commer\u00e7ants du march\u00e9 aux anges. Mais […]<\/p>\n","protected":false},"author":13,"featured_media":8974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450],"tags":[],"class_list":["post-9126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9126"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9126\/revisions"}],"predecessor-version":[{"id":9127,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9126\/revisions\/9127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8974"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9123,"date":"2025-02-05T15:04:44","date_gmt":"2025-02-05T15:04:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9123"},"modified":"2025-02-05T15:04:50","modified_gmt":"2025-02-05T15:04:50","slug":"half-heaven-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/half-heaven-2\/","title":{"rendered":"Half Heaven"},"content":{"rendered":"\n

Enah Johnscott, Cameroon, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Kizito, a selfish and legalistic preacher, is sent on a one-month journey to Mboko, a feared and atheist ghetto, to validate his eligibility for ordination. During his stay, he is saved and assisted by Bisona, an infamous prostitute who shelters him while he carries out his mission. This unlikely and forbidden bond creates a rare chemistry that ultimately blossoms into love.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Enah Johnscott is a Cameroonian director, screenwriter, and producer known for his film The Fisherman\u2019s Diary (2020), which won approximately 34 awards in various film festivals, including four at \u00c9crans Noirs in 2020. In 2015, he received the Best Director award for Rose on the Grave at the Eleganzza Entertainment Awards in Cameroon. His other notable works include Decoded (2012) and Whispers (2013).<\/p>\n","protected":false},"excerpt":{"rendered":"

Enah Johnscott, Cameroon, 2023 SYNOPSIS Kizito, a selfish and legalistic preacher, is sent on a one-month journey to Mboko, a feared and atheist ghetto, to validate his eligibility for ordination. During his stay, he is saved and assisted by Bisona, an infamous prostitute who shelters him while he carries out his mission. This unlikely and […]<\/p>\n","protected":false},"author":13,"featured_media":8964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-9123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9123"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9123\/revisions"}],"predecessor-version":[{"id":9124,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9123\/revisions\/9124"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8964"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9121,"date":"2025-02-05T15:03:38","date_gmt":"2025-02-05T15:03:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9121"},"modified":"2025-02-07T08:58:37","modified_gmt":"2025-02-07T08:58:37","slug":"half-heaven","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/half-heaven\/","title":{"rendered":"Half Heaven"},"content":{"rendered":"\n

Enah JOHNSCOTT, Cameroun, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Kizito, un pr\u00e9dicateur \u00e9go\u00efste et l\u00e9galiste, est charg\u00e9 pour effectuer un voyage d\u2019un mois \u00e0 Mboko, un ghetto redout\u00e9 et ath\u00e9e, afin de valider son \u00e9ligibilit\u00e9 \u00e0 l\u2019ordination. Il est sauv\u00e9 et aid\u00e9 par une prostitu\u00e9e inf\u00e2me, Bisona, qui l\u2019h\u00e9berge le temps qu\u2019il accomplit sa mission. Cette combinaison ill\u00e9gale fait na\u00eetre une alchimie rare qui finit par se transformer en amour.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> <\/p>\n\n\n\n

Enah Johnscott, r\u00e9alisateur, sc\u00e9nariste et producteur camerounais est connu pour son film The Fisherman\u2019s Dairy<\/em> (2020), qui a remport\u00e9 environ 34 prix dans des festivals dont 04 aux Ecrans Noirs en 2020. En 2015, il remporte le prix du meilleur r\u00e9alisateur avec Rose on the Grave<\/em> par Eleganzza Entertainment Awards au Cameroun. Il r\u00e9alise aussi  Decoded<\/em> (2012) et Whispers<\/em> (2013). <\/p>\n","protected":false},"excerpt":{"rendered":"

Enah JOHNSCOTT, Cameroun, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS Kizito, un pr\u00e9dicateur \u00e9go\u00efste et l\u00e9galiste, est charg\u00e9 pour effectuer un voyage d\u2019un mois \u00e0 Mboko, un ghetto redout\u00e9 et ath\u00e9e, afin de valider son \u00e9ligibilit\u00e9 \u00e0 l\u2019ordination. Il est sauv\u00e9 et aid\u00e9 par une prostitu\u00e9e inf\u00e2me, Bisona, qui l\u2019h\u00e9berge le temps qu\u2019il accomplit sa mission. Cette combinaison ill\u00e9gale fait […]<\/p>\n","protected":false},"author":13,"featured_media":8964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-9121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9121"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9121\/revisions"}],"predecessor-version":[{"id":9334,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9121\/revisions\/9334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8964"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9119,"date":"2025-02-05T14:59:52","date_gmt":"2025-02-05T14:59:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9119"},"modified":"2025-02-05T14:59:55","modified_gmt":"2025-02-05T14:59:55","slug":"behind-the-mountains-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/behind-the-mountains-2\/","title":{"rendered":"BEHIND THE MOUNTAINS"},"content":{"rendered":"\n

Mohamed Ben Attia, Tunisia, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Rafik, an ordinary-looking man, seemed to have everything in life. That was until he was sentenced to four years in prison for an unexplained outburst of madness that left those around him bewildered. Upon his release, he makes a drastic decision\u2014he kidnaps his child and takes him to the mountains, determined to reveal an incredible secret.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Mohamed Ben Attia is a Tunisian screenwriter and director. He has directed three films that have won several awards, including Behind the Mountains (2023), which received the Monstra Prize at the Venice Film Festival, Dear Son (2018), and Hedi, a Wind of Freedom (2016), which won the Best Francophone Film Award and the City of Amiens Prize.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mohamed Ben Attia, Tunisia, 2023 SYNOPSIS Rafik, an ordinary-looking man, seemed to have everything in life. That was until he was sentenced to four years in prison for an unexplained outburst of madness that left those around him bewildered. Upon his release, he makes a drastic decision\u2014he kidnaps his child and takes him to the […]<\/p>\n","protected":false},"author":13,"featured_media":8960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-9119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9119"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9119\/revisions"}],"predecessor-version":[{"id":9120,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9119\/revisions\/9120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8960"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9117,"date":"2025-02-05T14:58:21","date_gmt":"2025-02-05T14:58:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9117"},"modified":"2025-02-05T14:58:24","modified_gmt":"2025-02-05T14:58:24","slug":"behind-the-mountains","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/behind-the-mountains\/","title":{"rendered":"BEHIND THE MOUNTAINS"},"content":{"rendered":"\n

Mohamed Ben Attia, Tunisie, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Rafik, un homme d\u2019apparence ordinaire, semblait avoir tout pour lui. Jusqu\u2019\u00e0 sa condamnation \u00e0 quatre ans de prison pour un acc\u00e8s de folie que son entourage ne parvient pas \u00e0 expliquer. \u00c0 sa sortie, il d\u00e9cide d\u2019enlever son enfant et de l\u2019emmener dans les montagnes pour lui r\u00e9v\u00e9ler son incroyable secret.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mohamed Ben Attia est un sc\u00e9nariste et r\u00e9alisateur tunisien. Il a \u00e0 son actif trois (03) films qui ont remport\u00e9 des prix dont Par-del\u00e0 des montagnes <\/em>(2023), prix de Monstra de Venise, Mon cher enfant <\/em>(2018) et Hedi, un vent de Libert\u00e9 <\/em>(2016), meilleur film francophone et prix de la ville d’Amiens.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mohamed Ben Attia, Tunisie, 2023 SYNOPSIS Rafik, un homme d\u2019apparence ordinaire, semblait avoir tout pour lui. Jusqu\u2019\u00e0 sa condamnation \u00e0 quatre ans de prison pour un acc\u00e8s de folie que son entourage ne parvient pas \u00e0 expliquer. \u00c0 sa sortie, il d\u00e9cide d\u2019enlever son enfant et de l\u2019emmener dans les montagnes pour lui r\u00e9v\u00e9ler son […]<\/p>\n","protected":false},"author":13,"featured_media":8960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-9117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9117"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9117\/revisions"}],"predecessor-version":[{"id":9118,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9117\/revisions\/9118"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8960"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9115,"date":"2025-02-05T14:54:19","date_gmt":"2025-02-05T14:54:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9115"},"modified":"2025-02-10T12:12:07","modified_gmt":"2025-02-10T12:12:07","slug":"le-pere-probablement-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-pere-probablement-2\/","title":{"rendered":"LE P\u00c8RE PROBABLEMENT"},"content":{"rendered":"\n

Tayib Tolba et Sidi Mohamed Tolba, Mauritanie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Nous ne savons pas grand-chose sur cette jeune fille. Nous ne connaissons m\u00eame pas son nom. Elle est impliqu\u00e9e dans un accident dont aucun t\u00e9moin ne peut attester, ce qui pousse ses parents, en particulier son p\u00e8re, \u00e0 g\u00e9rer la situation avec une flexibilit\u00e9 inattendue. Cependant, la r\u00e9action du p\u00e8re ne correspond pas aux attentes de la jeune fille.<\/p>\n\n\n\n

Le film explore la relation entre la jeune fille et son p\u00e8re. Il n\u2019y a ni tension ni attraction entre eux, seulement une attente silencieuse, o\u00f9 chacun esp\u00e8re que l\u2019autre finira par clarifier les choses.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tayib Tolba et Sidi Mohamed Tolba, Mauritanie, 2024 SYNOPSIS Nous ne savons pas grand-chose sur cette jeune fille. Nous ne connaissons m\u00eame pas son nom. Elle est impliqu\u00e9e dans un accident dont aucun t\u00e9moin ne peut attester, ce qui pousse ses parents, en particulier son p\u00e8re, \u00e0 g\u00e9rer la situation avec une flexibilit\u00e9 inattendue. Cependant, […]<\/p>\n","protected":false},"author":13,"featured_media":9631,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-9115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9115"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9115\/revisions"}],"predecessor-version":[{"id":9116,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9115\/revisions\/9116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9631"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9113,"date":"2025-02-05T14:52:21","date_gmt":"2025-02-05T14:52:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9113"},"modified":"2025-02-10T12:12:54","modified_gmt":"2025-02-10T12:12:54","slug":"le-pere-probablement","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-pere-probablement\/","title":{"rendered":"LE PERE PROBABLEMENT"},"content":{"rendered":"\n

Tayib Tolba et Sidi Mohamed Tolba, Mauritanie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

We don’t know much about our girl. We don’t even know her name. She is involved in an accident that is not confirmed by witnesses, therefore her parents, especially the father, deal with the situation in a more flexible way than the girl expects. The relationship between the girl and her father is what awaits us in this movie. There is no tension nor attraction between the two sides. No conversations, just the wait for both sides to clarify things.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tayib Tolba et Sidi Mohamed Tolba, Mauritanie, 2024 SYNOPSIS We don’t know much about our girl. We don’t even know her name. She is involved in an accident that is not confirmed by witnesses, therefore her parents, especially the father, deal with the situation in a more flexible way than the girl expects. The relationship […]<\/p>\n","protected":false},"author":13,"featured_media":9631,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-9113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/mica-societte-12-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9113"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9113\/revisions"}],"predecessor-version":[{"id":9114,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9113\/revisions\/9114"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9631"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9110,"date":"2025-02-05T14:50:30","date_gmt":"2025-02-05T14:50:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9110"},"modified":"2025-02-05T14:50:33","modified_gmt":"2025-02-05T14:50:33","slug":"laudition-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/laudition-2\/","title":{"rendered":"L\u2019AUDITION"},"content":{"rendered":"\n

\u00a0Kayaba Ana\u00efs Irma KERE, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

Deborah, a young autistic woman with a passion for music, harbors the dream of later becoming a great singer. In order to achieve his goal, he must overcome his fears of being confronted with the outside world which judges his difference. So, determined to face the challenges linked to her disability and thanks to the unfailing support of her brother Yoann, Deborah goes to a musical audition.<\/p>\n\n\n\n

Biofilmography<\/strong><\/strong><\/p>\n\n\n\n

Kayaba Ana\u00efs Irma KERE is passionate about cinema. After her journalism studies at Joseph KI-ZERBO University, she specialized in film criticism, of which she is a member of the office of the Association of Cinema Critics of Burkina Faso (ASCRIC-B<\/strong>). Also, thanks to her profile as a screenwriter, she is one of the authors who developed the original series Canal Plus, \u201cDe plus en plus loin\u201d. In addition, after years of training on film sets, including that of Dani KOUYATE on \u201cKatanga, la danse des scorpions<\/em><\/strong>\u201d and workshops in particular, Thrillers et Talent, La Maison Junior<\/strong>, Taaf\u00e9 Vision<\/strong>, Les Elles du Cin\u00e9ma<\/strong>, she directed her first short footage. Entitled \u201cl\u2019audition \u201d, it addresses the theme of autism.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Kayaba Ana\u00efs Irma KERE, Burkina Faso, 2024 Synopsis Deborah, a young autistic woman with a passion for music, harbors the dream of later becoming a great singer. In order to achieve his goal, he must overcome his fears of being confronted with the outside world which judges his difference. So, determined to face the challenges […]<\/p>\n","protected":false},"author":13,"featured_media":8968,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-9110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9110"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9110\/revisions"}],"predecessor-version":[{"id":9111,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9110\/revisions\/9111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8968"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9108,"date":"2025-02-05T14:49:52","date_gmt":"2025-02-05T14:49:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9108"},"modified":"2025-02-05T14:49:55","modified_gmt":"2025-02-05T14:49:55","slug":"laudition","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/laudition\/","title":{"rendered":"L\u2019AUDITION"},"content":{"rendered":"\n

 Kayaba Ana\u00efs Irma KERE, Burkina Faso, 2024<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

D\u00e9borah, une jeune autiste passionn\u00e9e de musique, nourrit le r\u00eave de devenir plus tard une grande chanteuse. Afin de pouvoir atteindre son objectif, il lui faut surmonter ses peurs d\u2019\u00eatre confront\u00e9e au monde ext\u00e9rieur qui juge sa diff\u00e9rence. Alors, d\u00e9cid\u00e9e \u00e0 faire face aux d\u00e9fis li\u00e9s \u00e0 son handicap et gr\u00e2ce au soutien sans faille de son fr\u00e8re Yoann, D\u00e9borah se rend \u00e0 une audition musicale.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Kayaba Ana\u00efs Irma KERE, apr\u00e8s ses \u00e9tudes de journalisme \u00e0 l\u2019Universit\u00e9 Joseph KI-ZERBO, se sp\u00e9cialise en critique cin\u00e9matographique. Sc\u00e9nariste, elle fait partie des auteurs qui ont d\u00e9velopp\u00e9 la s\u00e9rie originale de Canal+, De plus en plus loin<\/em>. Apr\u00e8s des ann\u00e9es de formation sur des plateaux de tournage et des ateliers de formation, elle r\u00e9alise son premier court m\u00e9trage l\u2019audition.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Kayaba Ana\u00efs Irma KERE, Burkina Faso, 2024 Synopsis D\u00e9borah, une jeune autiste passionn\u00e9e de musique, nourrit le r\u00eave de devenir plus tard une grande chanteuse. Afin de pouvoir atteindre son objectif, il lui faut surmonter ses peurs d\u2019\u00eatre confront\u00e9e au monde ext\u00e9rieur qui juge sa diff\u00e9rence. Alors, d\u00e9cid\u00e9e \u00e0 faire face aux d\u00e9fis li\u00e9s \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":8968,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-9108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9108"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9108\/revisions"}],"predecessor-version":[{"id":9109,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9108\/revisions\/9109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8968"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9106,"date":"2025-02-05T14:48:21","date_gmt":"2025-02-05T14:48:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9106"},"modified":"2025-02-09T12:41:12","modified_gmt":"2025-02-09T12:41:12","slug":"les-murmures-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-murmures-2\/","title":{"rendered":"Les Murmures"},"content":{"rendered":"\n

Kivu Ruhorahoza, Rwanda, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

The inner turmoil of an imprisoned man. This film immerses the audience in the emotional and psychological states of a prisoner. Through dance, he attempts to transform his surrounding reality as he awaits his release and possible reintegration into society.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Kivu Ruhorahoza, a Rwandan filmmaker, screenwriter, and producer, was born in 1982 in Kigali. He has won multiple awards at international festivals, including Father\u2019s Day (Berlinale Encounters Competition, 2022), the docufiction Europa (IDFA Feature Competition, 2019), as well as the dramas Things of the Aimless Wanderer (Sundance, 2015) and Mati\u00e8re Grise (TriBeCa & FESPACO, 2011).<\/p>\n","protected":false},"excerpt":{"rendered":"

Kivu Ruhorahoza, Rwanda, 2024 SYNOPSIS The inner turmoil of an imprisoned man. This film immerses the audience in the emotional and psychological states of a prisoner. Through dance, he attempts to transform his surrounding reality as he awaits his release and possible reintegration into society. BIOFILMOGRAPHY Kivu Ruhorahoza, a Rwandan filmmaker, screenwriter, and producer, was […]<\/p>\n","protected":false},"author":13,"featured_media":9174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-9106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-26-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9106"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9106\/revisions"}],"predecessor-version":[{"id":9107,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9106\/revisions\/9107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9174"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9104,"date":"2025-02-05T14:46:42","date_gmt":"2025-02-05T14:46:42","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9104"},"modified":"2025-02-14T16:24:28","modified_gmt":"2025-02-14T16:24:28","slug":"les-murmures","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-murmures\/","title":{"rendered":"Les murmures"},"content":{"rendered":"\n

Kivu Ruhorahoza, Rwanda, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Les \u00e9tats d’\u00e2me d’un homme emprisonn\u00e9. Ce film am\u00e8ne le spectateur \u00e0 saisir les \u00e9tats d’\u00e2me d’un prisonnier. Celui-ci tente, par la danse, de transformer la r\u00e9alit\u00e9 qui l’entoure, en attendant sa lib\u00e9ration et sa possible r\u00e9insertion.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Kivu Ruhorahoza<\/strong>, r\u00e9alisateur, sc\u00e9nariste et producteur rwandais est n\u00e9 en 1982 \u00e0 Kigali multi-prim\u00e9 dans plusieurs festivals tels que Father\u2019s Day (Berlinale Encounters Competition, 2022), le docufiction Europa (IDFA FeatureCompetition 2019), les drames Things of the Aimless Wanderer (Sundance 2015) et Mati\u00e8re Grise. (TriBeCa & Fespaco 2011).<\/p>\n","protected":false},"excerpt":{"rendered":"

Kivu Ruhorahoza, Rwanda, 2024 SYNOPSIS Les \u00e9tats d’\u00e2me d’un homme emprisonn\u00e9. Ce film am\u00e8ne le spectateur \u00e0 saisir les \u00e9tats d’\u00e2me d’un prisonnier. Celui-ci tente, par la danse, de transformer la r\u00e9alit\u00e9 qui l’entoure, en attendant sa lib\u00e9ration et sa possible r\u00e9insertion. BIOFILMOGRAPHIE Kivu Ruhorahoza, r\u00e9alisateur, sc\u00e9nariste et producteur rwandais est n\u00e9 en 1982 \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":9821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-9104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-03-2.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9104"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9104\/revisions"}],"predecessor-version":[{"id":9105,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9104\/revisions\/9105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9821"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9102,"date":"2025-02-05T14:41:18","date_gmt":"2025-02-05T14:41:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9102"},"modified":"2025-02-05T14:41:21","modified_gmt":"2025-02-05T14:41:21","slug":"fatow-the-madmen","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fatow-the-madmen\/","title":{"rendered":"FATOW \/ THE MADMEN"},"content":{"rendered":"\n

Fousseyni MAIGA, Mali, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Culture is, by essence, the alpha and omega of all development. It serves as the foundation for identity formation and social advocacy. For a society, culture is as vital as the heart to the human body. The director\u2019s goal is to use cinema as a tool for preserving Malian cultural heritage, placing it at the core of community resilience.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Fousseyni MAIGA, a Malian screenwriter, director, and producer, has directed over twenty films and produced more than 50 projects, including films, series, and documentaries. Among his most notable works, WOLONWULA (SEPT) has won over twenty international awards across Africa and the USA. In 2023, he launched FAT\u00d4W \/ THE MADMEN (documentary), LA VEUVE (series), and LE R\u00caVE DE DIEU (fiction).<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseyni MAIGA, Mali, 2024 SYNOPSIS Culture is, by essence, the alpha and omega of all development. It serves as the foundation for identity formation and social advocacy. For a society, culture is as vital as the heart to the human body. The director\u2019s goal is to use cinema as a tool for preserving Malian cultural […]<\/p>\n","protected":false},"author":13,"featured_media":8945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-9102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-32.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9102"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9102\/revisions"}],"predecessor-version":[{"id":9103,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9102\/revisions\/9103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8945"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9100,"date":"2025-02-05T14:40:04","date_gmt":"2025-02-05T14:40:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9100"},"modified":"2025-02-05T14:40:07","modified_gmt":"2025-02-05T14:40:07","slug":"fatow-les-fous","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fatow-les-fous\/","title":{"rendered":"FATOW\/LES FOUS"},"content":{"rendered":"\n

Fousseyni MAIGA<\/strong>, Mali, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

La culture est, par essence, l\u2019alpha et l\u2019om\u00e9ga de tout d\u00e9veloppement. Elle est le substrat o\u00f9 se fondent toute construction identitaire et toute revendication sociale. Elle est pour une soci\u00e9t\u00e9, ce que repr\u00e9sente le c\u0153ur pour l\u2019organisme. L\u2019objectif du r\u00e9alisateur est de mettre le cin\u00e9ma au service de la sauvegarde du patrimoine culturel malien et au c\u0153ur de la r\u00e9silience des communaut\u00e9s. <\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Fousseyni MAIGA sc\u00e9nariste, r\u00e9alisateur-producteur malien a r\u00e9alis\u00e9 une vingtaine de films et produit plus de 50 projets (films, s\u00e9ries et documentaires). Au nombre de ses films, nous avons WOLONWULA (SEPT)<\/em> qui remporte plus d\u2019une vingtaine de prix internationaux en Afrique et aux USA.  En 2023, il lance FAT\u00d4W\/LES FOUS<\/em> (documentaire), LA VEUVE<\/em> (s\u00e9rie) et LE R\u00caVE DE DIEU<\/em> (fiction).<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseyni MAIGA, Mali, 2024 SYNOPSIS La culture est, par essence, l\u2019alpha et l\u2019om\u00e9ga de tout d\u00e9veloppement. Elle est le substrat o\u00f9 se fondent toute construction identitaire et toute revendication sociale. Elle est pour une soci\u00e9t\u00e9, ce que repr\u00e9sente le c\u0153ur pour l\u2019organisme. L\u2019objectif du r\u00e9alisateur est de mettre le cin\u00e9ma au service de la sauvegarde […]<\/p>\n","protected":false},"author":13,"featured_media":8945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-9100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-32.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9100"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9100\/revisions"}],"predecessor-version":[{"id":9101,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9100\/revisions\/9101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8945"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9098,"date":"2025-02-05T14:34:30","date_gmt":"2025-02-05T14:34:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9098"},"modified":"2025-02-05T14:34:33","modified_gmt":"2025-02-05T14:34:33","slug":"abo-zaabal-89-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/abo-zaabal-89-2\/","title":{"rendered":"ABO ZAABAL 89"},"content":{"rendered":"\n

Bassam Mortada, \u00c9gypte, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Bassam Mortada n\u2019avait que cinq ans lorsqu\u2019il a rendu visite \u00e0 son p\u00e8re Mahmoud pour la premi\u00e8re fois dans la prison tristement c\u00e9l\u00e8bre d\u2019Abo Zaabal. L\u2019exp\u00e9rience, marqu\u00e9e par le raid policier encore frais dans sa m\u00e9moire, \u00e9tait domin\u00e9e par l\u2019incompr\u00e9hension. Mais au fil des ann\u00e9es, un sentiment de ressentiment s\u2019est install\u00e9. Bassam a \u00e9t\u00e9 \u00e9lev\u00e9 par sa m\u00e8re, Fardous, une militante socialiste elle-m\u00eame. M\u00e8re c\u00e9libataire, elle a d\u00fb surmonter de nombreuses difficult\u00e9s, et lorsque Mahmoud a enfin \u00e9t\u00e9 lib\u00e9r\u00e9, il semblait \u00eatre un homme chang\u00e9. Peu apr\u00e8s, il s\u2019est exil\u00e9 \u00e0 Vienne, laissant Fardous une seconde fois, cette fois avec amertume.<\/p>\n\n\n\n

Bassam s\u2019est peu \u00e0 peu \u00e9loign\u00e9 de ses parents, r\u00e9primant ses propres traumatismes et confusions. Dans ce documentaire introspectif, il filme sa tentative de renouer avec eux et de retrouver une v\u00e9rit\u00e9 historique, cherchant \u00e0 comprendre et \u00e0 gu\u00e9rir. \u00c0 travers des conversations avec ses parents et leurs amis, les cassettes enregistr\u00e9es par son p\u00e8re depuis Vienne, un monologue th\u00e9\u00e2tral du meilleur ami de son p\u00e8re, ainsi que des archives et des images d\u2019\u00e9poque, il met en lumi\u00e8re l\u2019impact de la \u201cgrande\u201d histoire de l\u2019\u00c9gypte sur la \u201cpetite\u201d histoire de sa famille.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Bassam Mortada est un r\u00e9alisateur, producteur et militant. Co-fondateur de See Media Production, il a \u00e9tudi\u00e9 le cin\u00e9ma ind\u00e9pendant \u00e0 l\u2019\u00e9cole de cin\u00e9ma des J\u00e9suites du Caire. Cin\u00e9aste ind\u00e9pendant, Mortada a collabor\u00e9 avec de nombreuses ONG et activistes, documentant leur vie, luttes et engagements.<\/p>\n\n\n\n

En 2008, il rejoint Al-Masry Media Corporation en tant que producteur cr\u00e9atif et r\u00e9alisateur, contribuant \u00e0 la mise en place de la premi\u00e8re Web-TV documentaire ind\u00e9pendante en \u00c9gypte. Il a form\u00e9 plusieurs journalistes et dirig\u00e9 une \u00e9quipe de jeunes vid\u00e9ojournalistes qui ont produit des contenus devenus viraux. Son premier long-m\u00e9trage documentaire, Reporting\u2026 a Revolution (2012), sur ces journalistes, a \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 la Berlinale 2012 et projet\u00e9 dans de nombreux festivals \u00e0 travers le monde.<\/p>\n\n\n\n

Par la suite, il a fond\u00e9 See Media Production avec Kesmat El Sayed, se consacrant \u00e0 son documentaire cr\u00e9atif Abo Zabaal 1989 et soutenant d\u2019autres r\u00e9alisateurs. Il a \u00e9galement r\u00e9alis\u00e9 trois courts documentaires, dont Waiting for his Descent, qui a remport\u00e9 le premier prix du documentaire au Festival du Film des J\u00e9suites, et Searching for Ghazala, pr\u00e9sent\u00e9 au Festival International du Film du Caire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bassam Mortada, \u00c9gypte, 2024 SYNOPSIS Bassam Mortada n\u2019avait que cinq ans lorsqu\u2019il a rendu visite \u00e0 son p\u00e8re Mahmoud pour la premi\u00e8re fois dans la prison tristement c\u00e9l\u00e8bre d\u2019Abo Zaabal. L\u2019exp\u00e9rience, marqu\u00e9e par le raid policier encore frais dans sa m\u00e9moire, \u00e9tait domin\u00e9e par l\u2019incompr\u00e9hension. Mais au fil des ann\u00e9es, un sentiment de ressentiment s\u2019est […]<\/p>\n","protected":false},"author":13,"featured_media":8944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-9098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-31.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9098"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9098\/revisions"}],"predecessor-version":[{"id":9099,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9098\/revisions\/9099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9096,"date":"2025-02-05T14:29:56","date_gmt":"2025-02-05T14:29:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9096"},"modified":"2025-02-05T14:29:58","modified_gmt":"2025-02-05T14:29:58","slug":"abo-zaabal-89","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/abo-zaabal-89\/","title":{"rendered":"ABO ZAABAL 89"},"content":{"rendered":"\n

Bassam Mortada, Egypte, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Bassam Mortada was five years old when he first visited father Mahmoud in the notorious Abo Zaabal prison. With the police raid still fresh in his mind, his experience was dominated by incomprehension. But in the years that followed, resentment took hold. Bassam was raised by his mother Fardous, a socialist activist herself. As a single parent, her life was hard, and when Mahmoud was finally released from prison he seemed like different person. He left for Vienna, and for a second time she was left behind, this time embittered. Bassam grew alienated from both, suppressing his own trauma and confusion. In this documentary, he films his efforts to renew and restor relationships with his parents and find a path to historica truth, emotional comprehension and psychological healing, as he tries to reconstruct how his parents\u2019 political activism has shaped their family. Through conversations with his parents and their friends, the cassette tapes his father sent from Vienna, a theatrical monologue by his father\u2019s best friend, newspaper archives and found footage, he shows the impact of the \u201cbig\u201d history of Egypt on the \u201csmall\u201d history of his family.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Bassam Mortada is a director, producer and activist. He is also a co-founder of See media production. He studied Independent filmmaking at the Jesuite Cairo Cinema School. As an independent filmmaker, Mortada worked with a number of independent institutions, NGOs, activists, to help document their life, struggle and work. In 2008, Mortada joined Al-Masry Media Corporation as a creative producer and director where he helped set up the first independent Web-documentary TV in Egypt. He trained many journalists and managed to create a team of young video journalists, who broke grounds in the area of video journalism and produced many stories that went viral. His first feature documentary \u2018Reporting…a Revolution\u2019 in 2012 was about these journalists. It premiered in the Berlinale film festival in Berlin 2012 and toured many festivals worldwide. Mortada then moved to start his own independent production See Media Production with producers Kesmat EL Sayed to focus on developing his creative feature documentary \u201cAbo Zabaal prison 1989\u201d and support others. Since then he has also directed three short documentaries, one of which \u201cWaiting for his Descent\u201d won the first prize for documentary at the Jesuite film festival. \u201cSearching for Ghazala\u201d which premiered at the Cairo International film festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bassam Mortada, Egypte, 2024 SYNOPSIS Bassam Mortada was five years old when he first visited father Mahmoud in the notorious Abo Zaabal prison. With the police raid still fresh in his mind, his experience was dominated by incomprehension. But in the years that followed, resentment took hold. Bassam was raised by his mother Fardous, a […]<\/p>\n","protected":false},"author":13,"featured_media":8944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-9096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-31.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9096"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9096\/revisions"}],"predecessor-version":[{"id":9097,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9096\/revisions\/9097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9093,"date":"2025-02-05T14:27:27","date_gmt":"2025-02-05T14:27:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9093"},"modified":"2025-02-05T14:27:29","modified_gmt":"2025-02-05T14:27:29","slug":"ni-chaines-ni-maitres-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ni-chaines-ni-maitres-2\/","title":{"rendered":"NI CHAINES NI MAITRES"},"content":{"rendered":"\n

Simon MOUTA\u00cfROU, Benin, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

    \n
  1. The island of Mauritius is under French rule. Massamba and Mati, enslaved on Eug\u00e8ne Larcenet\u2019s plantation, live in constant fear. Massamba dreams of securing his daughter\u2019s freedom, while Mati longs to escape the green hell of the sugarcane fields. One night, she flees. In response, Madame La Victoire, a notorious slave hunter, is hired to track her down. Massamba has no choice but to run as well.<\/li>\n<\/ol>\n\n\n\n

    BIOFILMOGRAPHY<\/p>\n\n\n\n

    Simon Mouta\u00efrou is a Franco-Beninese screenwriter and director. Initially pursuing literary studies, he later transitioned to cinema in 2006. In 2008, his project Les ann\u00e9es sauvages won recognition from the Lagard\u00e8re Foundation. In 2020, he co-wrote the film Bo\u00eete Noire alongside Yann Gozlan and Nicolas Bouvet, which was nominated for Best Original Screenplay at the 2021 C\u00e9sar Awards.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Simon MOUTA\u00cfROU, Benin, 2024 SYNOPSIS BIOFILMOGRAPHY Simon Mouta\u00efrou is a Franco-Beninese screenwriter and director. Initially pursuing literary studies, he later transitioned to cinema in 2006. In 2008, his project Les ann\u00e9es sauvages won recognition from the Lagard\u00e8re Foundation. In 2020, he co-wrote the film Bo\u00eete Noire alongside Yann Gozlan and Nicolas Bouvet, which was nominated […]<\/p>\n","protected":false},"author":13,"featured_media":8977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-9093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9093"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9093\/revisions"}],"predecessor-version":[{"id":9094,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9093\/revisions\/9094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8977"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9091,"date":"2025-02-05T14:26:39","date_gmt":"2025-02-05T14:26:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9091"},"modified":"2025-02-05T14:26:42","modified_gmt":"2025-02-05T14:26:42","slug":"ni-chaines-ni-maitres","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ni-chaines-ni-maitres\/","title":{"rendered":"NI CHAINES NI MAITRES"},"content":{"rendered":"\n

    Simon MOUTA\u00ceROU, Benin, 2024<\/p>\n\n\n\n

    SYNOPSIS<\/strong><\/p>\n\n\n\n

    1759. L’\u00eele Maurice est aux mains du Royaume de France. Massamba et Mati, esclaves dans la plantation d’Eug\u00e8ne Larcenet, vivent dans la peur. Lui r\u00eave que sa fille soit affranchie, elle de quitter l’enfer vert de la canne \u00e0 sucre. Une nuit, elle s’enfuit. Madame La Victoire, c\u00e9l\u00e8bre chasseuse d’esclaves, est engag\u00e9e pour la traquer. Massamba n’a d’autre choix que de s’\u00e9vader \u00e0 son tour.<\/p>\n\n\n\n

    BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

    Simon Mouta\u00efrou est un sc\u00e9nariste et r\u00e9alisateur franco-b\u00e9ninois. Il suit des \u00e9tudes litt\u00e9raires avant de s\u2019orienter en cin\u00e9ma en 2006. En 2008, son projet Les ann\u00e9es sauvages<\/em> est prim\u00e9 par la Fondation Lagard\u00e8re.  en 2020, le film Bo\u00eete Noire<\/em>, co-\u00e9crit avec Yann Gozlan et Nicolas Bouvet est nomm\u00e9 au C\u00e9sar 2021 du meilleur sc\u00e9nario original.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Simon MOUTA\u00ceROU, Benin, 2024 SYNOPSIS 1759. L’\u00eele Maurice est aux mains du Royaume de France. Massamba et Mati, esclaves dans la plantation d’Eug\u00e8ne Larcenet, vivent dans la peur. Lui r\u00eave que sa fille soit affranchie, elle de quitter l’enfer vert de la canne \u00e0 sucre. Une nuit, elle s’enfuit. Madame La Victoire, c\u00e9l\u00e8bre chasseuse d’esclaves, […]<\/p>\n","protected":false},"author":13,"featured_media":8977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-9091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9091"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9091\/revisions"}],"predecessor-version":[{"id":9092,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9091\/revisions\/9092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8977"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9089,"date":"2025-02-05T14:25:15","date_gmt":"2025-02-05T14:25:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9089"},"modified":"2025-02-05T14:25:18","modified_gmt":"2025-02-05T14:25:18","slug":"lhistoire-de-souleymane-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lhistoire-de-souleymane-2\/","title":{"rendered":"L\u2019Histoire de Souleymane"},"content":{"rendered":"\n

    Boris Lojkine, France, 2024<\/p>\n\n\n\n

    SYNOPSIS<\/p>\n\n\n\n

    As he cycles through the streets of Paris delivering food, Souleymane rehearses his story. In two days, he must face his asylum interview, the crucial step to obtaining legal residency. But Souleymane is not ready.<\/p>\n\n\n\n

    BIOFILMOGRAPHY<\/p>\n\n\n\n

    Born on July 24, 1969, in Paris, Boris Lojkine is a philosophy graduate who turned to filmmaking after teaching at Aix-Marseille University. He has directed several films, including Ceux qui restent (2001) and Les \u00e2mes errantes (2005). His feature film Hope (2014) was selected for the Cannes Critics\u2019 Week and went on to win numerous international awards.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Boris Lojkine, France, 2024 SYNOPSIS As he cycles through the streets of Paris delivering food, Souleymane rehearses his story. In two days, he must face his asylum interview, the crucial step to obtaining legal residency. But Souleymane is not ready. BIOFILMOGRAPHY Born on July 24, 1969, in Paris, Boris Lojkine is a philosophy graduate who […]<\/p>\n","protected":false},"author":13,"featured_media":8973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-9089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9089"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9089\/revisions"}],"predecessor-version":[{"id":9090,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9089\/revisions\/9090"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8973"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]