[{"id":9087,"date":"2025-02-05T14:23:48","date_gmt":"2025-02-05T14:23:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9087"},"modified":"2025-02-05T14:23:51","modified_gmt":"2025-02-05T14:23:51","slug":"lhistoire-de-souleymane","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lhistoire-de-souleymane\/","title":{"rendered":"L\u2019Histoire de souleymane"},"content":{"rendered":"\n

Boris LOJKINE, France, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Tandis qu\u2019il p\u00e9dale dans les rues de Paris pour livrer des repas, Souleymane r\u00e9p\u00e8te son histoire. Dans deux jours, il doit passer son entretien de demande d\u2019asile, le s\u00e9same pour obtenir des papiers. Mais Souleymane n\u2019est pas pr\u00eat.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

N\u00e9 le 24 juillet 1969 \u00e0 Paris, Boris Lojkine, agr\u00e9g\u00e9 de philosophie se lance dans la r\u00e9alisation de documentaires apr\u00e8s avoir enseign\u00e9 \u00e0 l’universit\u00e9 d’Aix-Marseille. Il r\u00e9alise plusieurs films dont Ceux qui restent<\/em> (2001), Les \u00e2mes errantes<\/em> (2005), Hope <\/em>(2014) qui fut pr\u00e9sent\u00e9 \u00e0 la Semaine de la Critique \u00e0 Cannes et qui a \u00e9galement re\u00e7u des dizaines de prix dans des festivals internationaux\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Boris LOJKINE, France, 2024 SYNOPSIS Tandis qu\u2019il p\u00e9dale dans les rues de Paris pour livrer des repas, Souleymane r\u00e9p\u00e8te son histoire. Dans deux jours, il doit passer son entretien de demande d\u2019asile, le s\u00e9same pour obtenir des papiers. Mais Souleymane n\u2019est pas pr\u00eat. BIOFILMOGRAPHIE N\u00e9 le 24 juillet 1969 \u00e0 Paris, Boris Lojkine, agr\u00e9g\u00e9 de […]<\/p>\n","protected":false},"author":13,"featured_media":8973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-9087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9087"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9087\/revisions"}],"predecessor-version":[{"id":9088,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9087\/revisions\/9088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8973"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9085,"date":"2025-02-05T14:20:02","date_gmt":"2025-02-05T14:20:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9085"},"modified":"2025-02-05T14:20:06","modified_gmt":"2025-02-05T14:20:06","slug":"dans-la-peau-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/dans-la-peau-2\/","title":{"rendered":"Dans la peau"},"content":{"rendered":"\n

Pascal Tessaud, France, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Returning to the northern districts of Marseille, Kaleem takes a job in construction. He reconnects with his best friend Rachad, who wants to hire him as a manager in his new sports center. While training intensively in Krump, Kaleem meets Marie, a mysterious Greek architect.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Pascal Tessaud is a French producer, screenwriter, and director. After studying Literature and Cinema, he directed several fiction and documentary short films, including Noctambules, L\u2019\u00e9t\u00e9 de Noura, Faci\u00e8s, and La ville lumi\u00e8re, which have been selected in over a hundred international festivals. His first feature film, Brooklyn, was selected at the Cannes Film Festival in 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pascal Tessaud, France, 2024 SYNOPSIS Returning to the northern districts of Marseille, Kaleem takes a job in construction. He reconnects with his best friend Rachad, who wants to hire him as a manager in his new sports center. While training intensively in Krump, Kaleem meets Marie, a mysterious Greek architect. BIOFILMOGRAPHY Pascal Tessaud is a […]<\/p>\n","protected":false},"author":13,"featured_media":8961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-9085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9085"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9085\/revisions"}],"predecessor-version":[{"id":9086,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9085\/revisions\/9086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8961"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9082,"date":"2025-02-05T14:18:53","date_gmt":"2025-02-05T14:18:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9082"},"modified":"2025-02-05T14:18:56","modified_gmt":"2025-02-05T14:18:56","slug":"dans-la-peau","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dans-la-peau\/","title":{"rendered":"Dans la peau"},"content":{"rendered":"\n

Pascal Tessaud, France, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

De retour dans les quartiers nord de Marseille, Kaleem accepte un emploi dans le b\u00e2timent. Il renoue avec son meilleur ami Rachad qui veut l’embaucher comme manager dans son nouveau centre sportif. Kaleem s’entra\u00eene dur au Krump et rencontre Marie, une myst\u00e9rieuse architecte grecque.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Pascal Tessaud est un producteur, sc\u00e9nariste et r\u00e9alisateur fran\u00e7ais. Apr\u00e8s des \u00e9tudes en Lettres et cin\u00e9ma, il r\u00e9alise plusieurs courts m\u00e9trages de fiction et documentaire dont Noctambules<\/em>, L’\u00e9t\u00e9 de Noura<\/em>, Faci\u00e8s et La ville lumi\u00e8re<\/em> qui seront s\u00e9lectionn\u00e9s dans une centaine de festivals internationaux. Brooklyn<\/em>, son premier long m\u00e9trage a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au Festival de Cannes en 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pascal Tessaud, France, 2024 SYNOPSIS De retour dans les quartiers nord de Marseille, Kaleem accepte un emploi dans le b\u00e2timent. Il renoue avec son meilleur ami Rachad qui veut l’embaucher comme manager dans son nouveau centre sportif. Kaleem s’entra\u00eene dur au Krump et rencontre Marie, une myst\u00e9rieuse architecte grecque. BIOFILMOGRAPHIE Pascal Tessaud est un producteur, […]<\/p>\n","protected":false},"author":13,"featured_media":8961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-9082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9082"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9082\/revisions"}],"predecessor-version":[{"id":9084,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9082\/revisions\/9084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8961"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9076,"date":"2025-02-05T14:08:20","date_gmt":"2025-02-05T14:08:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9076"},"modified":"2025-02-06T14:04:05","modified_gmt":"2025-02-06T14:04:05","slug":"dingam","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/dingam\/","title":{"rendered":"DINGAM"},"content":{"rendered":"\n

Richade GAMI ASTOIGUETchad, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

DINGAM, a 12-year-old deaf-mute boy living in Doba, Chad, possesses a unique gift: the ability to draw and predict the future. His father, NGAR, secures a job at a Russian company, but this opportunity triggers a dark cycle of domestic violence when he breaks an old vow to never drink again. As NGAR spirals into aggression and abuse, DINGAM witnesses his mother\u2019s suffering and seeks divine intervention by pleading for forgiveness in the sacred forest.<\/p>\n\n\n\n

Determined to protect his mother, DINGAM exposes the abuse through his drawings, revealing the painful truth to those around him. In a desperate act, he stabs his father, believing he has killed him. However, NGAR survives, leading to a dramatic turning point in the family\u2019s fate. With the crucial support of his teacher, INNOCENT\u2014who interprets his drawings and testifies on his behalf\u2014DINGAM\u2019s actions initiate a process of reconciliation within his broken family.<\/p>\n","protected":false},"excerpt":{"rendered":"

Richade GAMI ASTOIGUETchad, 2024 SYNOPSIS DINGAM, a 12-year-old deaf-mute boy living in Doba, Chad, possesses a unique gift: the ability to draw and predict the future. His father, NGAR, secures a job at a Russian company, but this opportunity triggers a dark cycle of domestic violence when he breaks an old vow to never drink […]<\/p>\n","protected":false},"author":13,"featured_media":8929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9076"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9076\/revisions"}],"predecessor-version":[{"id":9077,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9076\/revisions\/9077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8929"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9074,"date":"2025-02-05T14:05:49","date_gmt":"2025-02-05T14:05:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9074"},"modified":"2025-02-06T15:17:46","modified_gmt":"2025-02-06T15:17:46","slug":"the-third-gele-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-third-gele-2\/","title":{"rendered":"THE THIRD G\u00c9L\u00c9"},"content":{"rendered":"\n

John Oluwole ADEKOJE, Nigeria<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

During a thrilling journey across the vibrant landscapes of Africa, The Third G\u00e9l\u00e9 follows an extraordinary league of Pan-African women, the AJUMOSE, whose mission is to find their third crown. Led by IYA, a 400-year-old Yoruba matriarch, the AJUMOSE warriors face off against a ruthless band of bots, the IKU, to reclaim their ancestral African powers.<\/p>\n\n\n\n

Their quest leads them to STELLAR, a woman trapped in grief and inner turmoil, whose fate is mysteriously intertwined with theirs. Together, they confront her pain, unlock a portal, and safeguard their heritage, forging an epic alliance that sets the stage for an imminent Awakening.<\/p>\n\n\n\n

BIOGRAPHY<\/strong><\/p>\n\n\n\n

John Oluwole ADEKOJE is a Nigerian filmmaker whose short film YE! was selected at numerous international film festivals, including FESPACO, the Festival Cin\u00e9mas d\u2019Afrique Lausanne, Afrikamera in Berlin, Film Initiative K\u00f6ln, and the Brussels International Film Festival. In 2024, The Third G\u00e9l\u00e9, the first feature film of ADEKOJE\u2019s Jagun Trilogy, was selected for the prestigious Atelier Grand Bassam in C\u00f4te d\u2019Ivoire.<\/p>\n","protected":false},"excerpt":{"rendered":"

John Oluwole ADEKOJE, Nigeria SYNOPSIS During a thrilling journey across the vibrant landscapes of Africa, The Third G\u00e9l\u00e9 follows an extraordinary league of Pan-African women, the AJUMOSE, whose mission is to find their third crown. Led by IYA, a 400-year-old Yoruba matriarch, the AJUMOSE warriors face off against a ruthless band of bots, the IKU, […]<\/p>\n","protected":false},"author":13,"featured_media":9313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-39-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9074"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9074\/revisions"}],"predecessor-version":[{"id":9075,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9074\/revisions\/9075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9313"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9072,"date":"2025-02-05T14:03:44","date_gmt":"2025-02-05T14:03:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9072"},"modified":"2025-02-06T14:00:41","modified_gmt":"2025-02-06T14:00:41","slug":"the-sunflowers-of-the-moon","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-sunflowers-of-the-moon\/","title":{"rendered":"THE SUNFLOWERS OF THE MOON"},"content":{"rendered":"\n

Ismail Louati, Tunisia<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

In 2001, in the red-light district of Tunis, Hayet is born. Her mother is stabbed to death on the very bed where she has just given birth. Hayet is raised by Kmar, a sex worker, and Fatma, a madam. She grows up confined within the district, finding solace only on the rooftops of the old city and in the company of Sboui, a talking cat.<\/p>\n\n\n\n

During the 2011 revolution, Hayet and Sboui escape and find themselves fending for themselves in a city caught in political turmoil. By 2033, Hayet, now living on the streets, surviving on begging and petty theft, meets Wahid, a younger man who is less accustomed to life on the margins. After a violent first encounter, the two slowly learn to trust each other, under the jealous gaze of Sboui, who struggles to break the growing bond between them. Together, Hayet and Wahid discover human connection and emotions, while trying to overcome the harsh reality of their lives. But Samy, a brilliant yet relentless police officer, is hot on their trail\u2026<\/p>\n\n\n\n

BIOGRAPHY<\/strong><\/p>\n\n\n\n

Isma\u00ebl Louati is a filmmaker, visual artist, and writer. His works include Babylon (Grand Prize, FID Marseille 2012), Leila\u2019s Blues (Directors\u2019 Fortnight, Cannes 2018), Fragments of Self-Phone-Destruction (Awarded at the Festival des Cin\u00e9mas Diff\u00e9rents et Exp\u00e9rimentaux de Paris, 2019), Black Medusa (Tiger Competition, IFFR 2021), and Hackers of the Borders (Documentary Competition, JCC 2024). He has also worked as a producer on several projects.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ismail Louati, Tunisia SYNOPSIS In 2001, in the red-light district of Tunis, Hayet is born. Her mother is stabbed to death on the very bed where she has just given birth. Hayet is raised by Kmar, a sex worker, and Fatma, a madam. She grows up confined within the district, finding solace only on the […]<\/p>\n","protected":false},"author":13,"featured_media":8935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-22.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9072"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9072\/revisions"}],"predecessor-version":[{"id":9073,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9072\/revisions\/9073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8935"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9067,"date":"2025-02-05T13:16:29","date_gmt":"2025-02-05T13:16:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9067"},"modified":"2025-02-05T14:01:44","modified_gmt":"2025-02-05T14:01:44","slug":"samiya-la-saison-des-amours-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/samiya-la-saison-des-amours-2\/","title":{"rendered":"SAMIYA, LA SAISON DES AMOURS"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Ousmane Diagana, Mauritania, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Bamby, an 18-year-old girl, arrives in the Sahelian village of Teremissi to celebrate her wedding during the Samiya, the \u201cseason of love,\u201d a traditional festival marking fertility and renewal after abundant rains. However, upon her arrival, she is deeply disappointed to learn that the Samiya has been canceled\u2014the village elders are desperately waiting for rain that has not come.<\/p>\n\n\n\n

Determined to revive the tradition, Bamby and her friends decide to invoke the rain through an initiatory dance. Their bold action angers Djibi and his group, young men advocating a strict religious ideology, seeking to impose their rigid beliefs on the villagers. Seeing their dance as blasphemous, Djibi and his followers violently attack the young women.<\/p>\n\n\n\n

As the clash between tradition and intolerance escalates, T\u00e9n\u00e9, a wise 80-year-old woman, takes Bamby and her friend Mally under her wing. With patience and wisdom, she passes down her ancestral knowledge, guiding them toward a way to restore the Samiya, a powerful symbol of life and renewal.<\/p>\n\n\n\n

BIOGRAPHY<\/p>\n\n\n\n

Born in Mauritania, Ousmane Diagana obtained his literary baccalaureate in Ka\u00e9di before pursuing commercial studies and filmmaking in Nouakchott. He directed his first short films within the Maison des Cin\u00e9astes, including The Color of Friendship and Cinema, My Country, and Me. He then moved on to medium-length films such as The Wound of Slavery and Black Memory, before directing his first feature film, Ganda, the Last Griot.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ousmane Diagana, Mauritania, 2024 SYNOPSIS Bamby, an 18-year-old girl, arrives in the Sahelian village of Teremissi to celebrate her wedding during the Samiya, the \u201cseason of love,\u201d a traditional festival marking fertility and renewal after abundant rains. However, upon her arrival, she is deeply disappointed to learn that the Samiya has been canceled\u2014the village elders […]<\/p>\n","protected":false},"author":13,"featured_media":8934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9067"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9067\/revisions"}],"predecessor-version":[{"id":9071,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9067\/revisions\/9071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8934"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9065,"date":"2025-02-05T13:12:30","date_gmt":"2025-02-05T13:12:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9065"},"modified":"2025-02-06T13:51:05","modified_gmt":"2025-02-06T13:51:05","slug":"retour-sans-la-boussole-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/retour-sans-la-boussole-2\/","title":{"rendered":"RETURN WITHOUT THE COMPASS"},"content":{"rendered":"\n

On\u00e9siphore M. ADONAI, B\u00e9nin, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Isma\u00ebl, a 20-year-old nomadic Nigerien shepherd, lives with his father Abou in the village of Yokon, in southern Benin, where their cows find green pastures. Their daily life is peaceful, punctuated by the care that Isma\u00ebl lavishes on his sick father with the help of medicinal plants. But everything changes when a farmer, Tokou, discovers his brother’s body in a field and accuses the Fulani community of being responsible for the murder.<\/p>\n\n\n\n

The tension rises quickly and turns into a manhunt. Caught in this spiral of violence, Tokou murders Abou, forcing Isma\u00ebl to flee for his life. On his way to Niger, he meets Sok\u00e8, a young woman whom he saves from a jihadist attack. In return, she helps him heal from his wounds. Between them, despite ethnic divisions and prejudices, a budding love defies the weight of resentment and conflict.<\/p>\n\n\n\n

BIOGRAPHY<\/p>\n\n\n\n

On\u00e9siphore M. ADONAI, director and at the Beninese author, has distinguished himself through several works of fiction and documentary. His short film \u00ab\u00a0SENS EXTINCTIONS\u00a0\u00bb was awarded the Silhouette d’or for Best Short Film at the International Independent Film Festival of Bafoussam (Cameroon), as well as the Best Screenplay Award at the International Festival Rencontre des Images du Zou. He also won the Djimon Hounsou Grand Prix at the national Cin\u00e9 229 Awards festival, thus consolidating his place among the promising talents of African cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"

On\u00e9siphore M. ADONAI, B\u00e9nin, 2024 SYNOPSIS Isma\u00ebl, a 20-year-old nomadic Nigerien shepherd, lives with his father Abou in the village of Yokon, in southern Benin, where their cows find green pastures. Their daily life is peaceful, punctuated by the care that Isma\u00ebl lavishes on his sick father with the help of medicinal plants. But everything […]<\/p>\n","protected":false},"author":13,"featured_media":8933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9065"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9065\/revisions"}],"predecessor-version":[{"id":9301,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9065\/revisions\/9301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8933"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9063,"date":"2025-02-05T13:09:51","date_gmt":"2025-02-05T13:09:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9063"},"modified":"2025-02-06T13:47:26","modified_gmt":"2025-02-06T13:47:26","slug":"rap-de-la-foret-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/rap-de-la-foret-2\/","title":{"rendered":"RAP DE LA FOR\u00caT"},"content":{"rendered":"\n


Ralff Therance LHYNNIAN, Congo, 2024 – Dates<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Cl\u00e9ment, a young Aka pygmy from Likouala, a remote region in northern Congo, discovered rap during a trip to Brazzaville, the capital. Fascinated by this urban music, he returned to his village with a dream: to become an artist. Determined, he leads his friends in this adventure by forming a music group. But reality quickly catches up with him: his people are oppressed and marginalized, and as a father, he bears heavy responsibilities.<\/p>\n\n\n\n

Despite the difficulties, Cl\u00e9ment is convinced that music can change mentalities. Through his songs, he wants to give voice to his people and hopes to open a new path of emancipation for his community. He can count on the unwavering support of his wife, Natacha, and his teacher, Mr. Moussa, who, despite their disagreements, encourage him to persevere.<\/p>\n\n\n\n

BIOGRAPHY<\/p>\n\n\n\n

Therance Ralff LHYNNIAN is a self-taught director whose passion for for documentary cinema has led him to explore themes related to cultural and social resilience. He made his debut in 2022 with his short documentary Okani, made as part of a training course at the Ateliers Varan. Her work is distinguished by its committed approach, mixing art and activism to defend and value Indigenous identities. His project Rap de la For\u00eat, which has won awards at several festivals, illustrates this vision by highlighting the struggle and aspirations of pygmy peoples through music.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ralff Therance LHYNNIAN, Congo, 2024 – Dates SYNOPSIS Cl\u00e9ment, a young Aka pygmy from Likouala, a remote region in northern Congo, discovered rap during a trip to Brazzaville, the capital. Fascinated by this urban music, he returned to his village with a dream: to become an artist. Determined, he leads his friends in this adventure […]<\/p>\n","protected":false},"author":13,"featured_media":8932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9063"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9063\/revisions"}],"predecessor-version":[{"id":9299,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9063\/revisions\/9299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8932"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9060,"date":"2025-02-05T13:03:07","date_gmt":"2025-02-05T13:03:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9060"},"modified":"2025-02-07T12:22:23","modified_gmt":"2025-02-07T12:22:23","slug":"ndatte-yalla-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ndatte-yalla-2\/","title":{"rendered":"NDATTE YALLA"},"content":{"rendered":"\n


Fatou Kand\u00e9 ESNGHOR, Senegal, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

On March 7, 1820, young Ndat\u00e9 Yalla and her elder sister, Ndieumbeut, witness a tragic event: their mother, Lingu\u00e8re Fati Yamar, along with the women of Nder, choose self-immolation rather than being captured during a Moorish attack on the Kingdom of Waalo. After the death of their father, Brack Amar Fati Borso Mbodj, Ndieumbeut becomes Lingu\u00e8re, while Ndat\u00e9 Yalla is married to her cousin, Brack Tenge Relle, whom she quickly divorces. Refusing to have a husband imposed upon her, Ndat\u00e9 Yalla chooses her own partner, the charming Sakoura Tass\u00e9 Diop from Cayor, with whom she has a son, Sidya Ndat\u00e9 Yalla Diop.<\/p>\n\n\n\n

Upon her sister\u2019s death, Ndat\u00e9 Yalla becomes Lingu\u00e8re of Waalo, a territory coveted by the French in Saint-Louis and the Moors across the river. Strong-willed and determined, she fiercely opposes Governor Protet, rejecting colonial expansion and French interference. However, she is eventually defeated and placed under house arrest. Until her death in 1860, she secretly exchanges letters with her son, continuing her fight for independence and the freedom of her people.<\/p>\n\n\n\n

BIOGRAPHY<\/p>\n\n\n\n

Passionate about cinema since adolescence, I first studied Geography and Land Use Planning before embarking fully on a filmmaking career, working mainly as first assistant director. Self-taught scriptwriter and director for almost 10 years now, I particularly have a thing for fiction, series, but also documentary\u00a0and\u00a0TV\u00a0films.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fatou Kand\u00e9 ESNGHOR, Senegal, 2024 SYNOPSIS On March 7, 1820, young Ndat\u00e9 Yalla and her elder sister, Ndieumbeut, witness a tragic event: their mother, Lingu\u00e8re Fati Yamar, along with the women of Nder, choose self-immolation rather than being captured during a Moorish attack on the Kingdom of Waalo. After the death of their father, Brack […]<\/p>\n","protected":false},"author":13,"featured_media":9369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9060","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9060"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9060\/revisions"}],"predecessor-version":[{"id":9376,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9060\/revisions\/9376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9369"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9057,"date":"2025-02-05T12:53:00","date_gmt":"2025-02-05T12:53:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9057"},"modified":"2025-02-05T12:53:03","modified_gmt":"2025-02-05T12:53:03","slug":"melodie-muette","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/melodie-muette\/","title":{"rendered":"M\u00c9LODIE MUETTE"},"content":{"rendered":"\n

Hawa Sogoba, Mali, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong>
In the city of LadiK, oppressed for a decade by jihadists, artistic freedom is suffocated. Yelen, a young griotte, dreams of pursuing her musical passion in the free part of the city. Her mute friend, Bintou, communicates with her through sign language. One day, Bintou is captured and sentenced to death by stoning for an illegitimate pregnancy under Sharia law. Her tragic fate leaves Yelen devastated. Overcome with anger, Yelen publicly blasphemes, drawing the attention of the authorities. She soon becomes a target of the city\u2019s guards, who chase her down. Determined to escape and fight against this injustice, Yelen joins a clandestine group to cross the river separating the two parts of the city.<\/p>\n\n\n\n

BIOGRAPHY<\/strong>
Hawa Sogoba is a Malian filmmaker and screenwriter. She wrote and directed her first short film in 2014. In 2020, she won a national competition, and her works have been featured in several international festivals. She was a member of UNCM\/FENACAM from 2017 to 2022 and is currently part of the Association of Screenwriters of Mali (ASM). Passionate about projects blending creativity and social impact, she aspires to inspire new generations through her storytelling.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hawa Sogoba, Mali, 2024 SYNOPSISIn the city of LadiK, oppressed for a decade by jihadists, artistic freedom is suffocated. Yelen, a young griotte, dreams of pursuing her musical passion in the free part of the city. Her mute friend, Bintou, communicates with her through sign language. One day, Bintou is captured and sentenced to death […]<\/p>\n","protected":false},"author":13,"featured_media":8930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9057"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9057\/revisions"}],"predecessor-version":[{"id":9058,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9057\/revisions\/9058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8930"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9055,"date":"2025-02-05T12:39:13","date_gmt":"2025-02-05T12:39:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9055"},"modified":"2025-02-05T12:39:16","modified_gmt":"2025-02-05T12:39:16","slug":"le-festin-de-laube-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-festin-de-laube-2\/","title":{"rendered":"LE FESTIN DE L\u2019AUBE"},"content":{"rendered":"\n

Yoro Lidel Niang, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Lieutenants Louis Boukinda and Herv\u00e9 Envame, from the gendarmerie, are investigating a series of murders of women, all found with venomous snake bites. Meanwhile, Captains Pierre Koumba and Jacqueline Owoula, from the police, are tasked with tracking down armed robbers who have stolen a military arsenal and are threatening to use the weapons in a terrorist attack. As both investigations unfold, the cases intersect, forcing the police and the gendarmerie to collaborate. Their mission: hunt down the serial killer and stop the robbers before it\u2019s too late.<\/p>\n\n\n\n

BIOGRAPHY<\/strong>
A passionate film enthusiast, Yoro Lidel Niang began his career producing theater performance videos. He later enrolled in various filmmaking workshops to acquire fundamental directing skills. His accumulated experience culminated in the short film La Danse des B\u00e9quilles, which had a successful festival run, winning the Best Short Film award at the prestigious Luxor Film Festival in Egypt.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yoro Lidel Niang, 2024 SYNOPSISLieutenants Louis Boukinda and Herv\u00e9 Envame, from the gendarmerie, are investigating a series of murders of women, all found with venomous snake bites. Meanwhile, Captains Pierre Koumba and Jacqueline Owoula, from the police, are tasked with tracking down armed robbers who have stolen a military arsenal and are threatening to use […]<\/p>\n","protected":false},"author":13,"featured_media":8928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9055"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9055\/revisions"}],"predecessor-version":[{"id":9056,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9055\/revisions\/9056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8928"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9052,"date":"2025-02-05T12:33:20","date_gmt":"2025-02-05T12:33:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9052"},"modified":"2025-02-05T12:33:23","modified_gmt":"2025-02-05T12:33:23","slug":"en-attendant-la-recolte","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/en-attendant-la-recolte\/","title":{"rendered":"EN ATTENDANT LA R\u00c9COLTE"},"content":{"rendered":"\n

Sagou Banou, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Timba, 14 years old, flees his village devastated by a terrorist attack with his mother Hallis and his sister Nafi, following the mysterious disappearance of his father, Kayara, a man marginalized by his own people. Seeking safety, the family takes refuge in the city at the home of Malick, Timba\u2019s uncle. However, the hostility of Malick\u2019s wife makes their stay unbearable. Desperate to help his family, Timba accepts a job offer from a friend he trusts, only to fall into a trap. He is captured and taken to a terrorist training camp engaged in a fierce war against the army and the president. Inside this brutal environment, Timba must fight for his survival, navigating a world of violence and manipulation.<\/p>\n\n\n\n

BIOGRAPHY<\/strong>
Sagou Banou is a director and assistant director trained at the Institut Sup\u00e9rieur de l\u2019Image et du Son (ISIS-SE) in Burkina Faso. Specializing in fiction and documentary, he has directed award-winning films, including Mon Jour de Chance (2020) and Le Serment de Boukary (2023). With expertise in film production management, directing actors, and screenwriting, he combines creativity and precision, backed by a dual background in business law and multimedia communication. Actively engaged in festivals and creative residencies, he is committed to innovative projects rooted in a deep understanding of African realities.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sagou Banou, Burkina Faso, 2024 SYNOPSISTimba, 14 years old, flees his village devastated by a terrorist attack with his mother Hallis and his sister Nafi, following the mysterious disappearance of his father, Kayara, a man marginalized by his own people. Seeking safety, the family takes refuge in the city at the home of Malick, Timba\u2019s […]<\/p>\n","protected":false},"author":13,"featured_media":8926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9052"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9052\/revisions"}],"predecessor-version":[{"id":9053,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9052\/revisions\/9053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8926"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9050,"date":"2025-02-05T12:30:01","date_gmt":"2025-02-05T12:30:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9050"},"modified":"2025-02-06T13:32:07","modified_gmt":"2025-02-06T13:32:07","slug":"claude-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/claude-2\/","title":{"rendered":"CLAUDE"},"content":{"rendered":"\n

NARCISSE WANDJI; CAMEROUN
SYNOPSIS
Mother and widow, Claude is a hairdresser in Yaound\u00e9 and lives alone with Petho, her 12-year-old son. One morning, she could no longer find the five hundred thousand francs offered by her tontine for the little hairdressing salon she had been running for several years. Claude immediately suspects his son. In order to teach him a lesson and make him forget any desire for delinquency, she takes him manu militari to a police station. Refusing to file a complaint against his son, Claude bribes a police officer and gets him to spend a night in a cell. When she comes back to pick him up the next day, her son is missing…
BIOGRAPHY
A film teacher at the Institute of Fine Arts in Foumban in Cameroon, Narcisse WANDJI is a Cameroonian screenwriter and director who has a dozen short films to his credit. Known for WALLS (2016), BENDSKINS (2021) and SADRACK (2023). He was also the founder of the international women’s film festival MIS ME BINGA and direct artistic director of the prestigious Ecrans Noirs festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

NARCISSE WANDJI; CAMEROUNSYNOPSISMother and widow, Claude is a hairdresser in Yaound\u00e9 and lives alone with Petho, her 12-year-old son. One morning, she could no longer find the five hundred thousand francs offered by her tontine for the little hairdressing salon she had been running for several years. Claude immediately suspects his son. In order to […]<\/p>\n","protected":false},"author":13,"featured_media":8925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-9050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9050"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9050\/revisions"}],"predecessor-version":[{"id":9296,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9050\/revisions\/9296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8925"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9043,"date":"2025-02-05T12:12:55","date_gmt":"2025-02-05T12:12:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9043"},"modified":"2025-02-09T12:35:25","modified_gmt":"2025-02-09T12:35:25","slug":"a-woman-at-kosyam-une-femme-a-kosyam","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-woman-at-kosyam-une-femme-a-kosyam\/","title":{"rendered":"A WOMAN AT KOSYAM \/ UNE FEMME \u00c0 KOSYAM"},"content":{"rendered":"\n

Serge Armel SAWADOGO, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
In one of the poorest countries in the world, Burkina Faso, Suzanne, a discreet 50-year-old businesswoman, has just been elected as the first female president of the nation. Shortly after the elections, a massive oil deposit is discovered in the country. Suzanne soon realizes that it was because of this oil that she was propelled to the presidency. However, she is determined to govern with integrity and according to her principles.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Serge Armel SAWADOGO is a Burkinab\u00e8 teacher, director, and producer. He holds a BTS and a Master\u2019s degree in audiovisual directing from Universit\u00e9 Mirail II in Toulouse, France. He has directed several series and films, including La Moto Rouge (2003), \u00c0 la Recherche de son Eau (2007), Timpoko (2008), B\u00e9n\u00e9r\u00e9 (2011), and Le Gang des \u00c9l\u00e8ves (2023), which have won awards at multiple festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Serge Armel SAWADOGO, Burkina Faso, 2024 SYNOPSISIn one of the poorest countries in the world, Burkina Faso, Suzanne, a discreet 50-year-old businesswoman, has just been elected as the first female president of the nation. Shortly after the elections, a massive oil deposit is discovered in the country. Suzanne soon realizes that it was because of […]<\/p>\n","protected":false},"author":13,"featured_media":8683,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440,749],"tags":[],"class_list":["post-9043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-92.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9043"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9043\/revisions"}],"predecessor-version":[{"id":9044,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9043\/revisions\/9044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8683"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9041,"date":"2025-02-05T12:11:58","date_gmt":"2025-02-05T12:11:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9041"},"modified":"2025-02-05T12:12:00","modified_gmt":"2025-02-05T12:12:00","slug":"white-gold-or-blanc","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/white-gold-or-blanc\/","title":{"rendered":"WHITE GOLD \/ OR BLANC"},"content":{"rendered":"\n

Johanna BOYER-DILOLO & Cl\u00e9ment BOYER-DILOLO, C\u00f4te d\u2019Ivoire, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Or Blanc is an Ivorian television series set in Man, a city in western C\u00f4te d\u2019Ivoire. The town is shaken by the disappearance of a young boy, followed by a series of ritual murders. A police investigation brings together an unlikely duo: Landry, an experienced fifty-year-old commissioner, and Rita, a medium.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Born in Abidjan in 1988, Johanna BOYER-DILOLO is a screenwriter and director who has worked on several films and series, including Entre-Deux and Tout Part en Live (2017). A theater enthusiast, she has made her mark as a lighting designer, working on over fifteen productions. She co-directed Or Blanc (2023) with Cl\u00e9ment BOYER-DILOLO, a French screenwriter, director, and composer.<\/p>\n","protected":false},"excerpt":{"rendered":"

Johanna BOYER-DILOLO & Cl\u00e9ment BOYER-DILOLO, C\u00f4te d\u2019Ivoire, 2023 SYNOPSISOr Blanc is an Ivorian television series set in Man, a city in western C\u00f4te d\u2019Ivoire. The town is shaken by the disappearance of a young boy, followed by a series of ritual murders. A police investigation brings together an unlikely duo: Landry, an experienced fifty-year-old commissioner, […]<\/p>\n","protected":false},"author":13,"featured_media":8686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-95.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9041"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9041\/revisions"}],"predecessor-version":[{"id":9042,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9041\/revisions\/9042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8686"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9038,"date":"2025-02-05T12:10:05","date_gmt":"2025-02-05T12:10:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9038"},"modified":"2025-02-05T12:10:09","modified_gmt":"2025-02-05T12:10:09","slug":"niabla-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/niabla-2\/","title":{"rendered":"NIABLA"},"content":{"rendered":"\n

Alex OGOU, C\u00f4te d\u2019Ivoire, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
After losing the last member of her family, SIA, a 28-year-old Franco-Ivorian, is contacted by ADJOUA, a woman from Abidjan claiming to be her half-sister. For 20 years, Sia believed she was dead. Shocked by the revelation, she decides to leave Paris for Abidjan. However, her world is turned upside down when she discovers that Adjoua is engaged in \u201cbizi\u201d to pay for her daughter AMELAN\u2019s medical expenses.<\/p>\n\n\n\n

BIOFILMOGRAPHY
<\/strong>Alex OGOU is an Ivorian actor, director, and producer. He has received multiple awards, including the Best Actor Award (1999) for the film \u00c0 la place du c\u0153ur, the Best Director Award at the African Talent Awards (2018), and the Best Francophone Series Award (2018). His series Invisibles won the NISA D\u2019OR (2019), followed by Cacao in 2022, and OBATANGA, which won Best Series at FESPACO 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alex OGOU, C\u00f4te d\u2019Ivoire, 2023 SYNOPSISAfter losing the last member of her family, SIA, a 28-year-old Franco-Ivorian, is contacted by ADJOUA, a woman from Abidjan claiming to be her half-sister. For 20 years, Sia believed she was dead. Shocked by the revelation, she decides to leave Paris for Abidjan. However, her world is turned upside […]<\/p>\n","protected":false},"author":13,"featured_media":8685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-94.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9038"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9038\/revisions"}],"predecessor-version":[{"id":9040,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9038\/revisions\/9040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8685"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9035,"date":"2025-02-05T12:07:28","date_gmt":"2025-02-05T12:07:28","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9035"},"modified":"2025-02-05T12:07:30","modified_gmt":"2025-02-05T12:07:30","slug":"monkan-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/monkan-2\/","title":{"rendered":"MONKAN"},"content":{"rendered":"\n

MONKANNarcisse WANDJI, Cameroon, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS
<\/strong>Monkam is an exemplary pastor whose only son, a promising football player, collapses during a match. Diagnosed with a serious heart condition, he urgently needs a transplant, but the operation is far too expensive for Monkam. Boko, a dynamic young church member, offers him a well-paid job as a delivery man. One day, Monkam makes a shocking discovery\u2014he has been transporting human organs.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Narcisse WANDJI is a filmmaker and professor at the Institute of Fine Arts in Foumban. He has directed over ten short films, including WALLS (2016), BENDSKINS (2021) \u2014 selected at FESPACO 2021, and SADRACK (2023), featured in the Perspectives section at FESPACO 2023. He is also the founder of the International Women\u2019s Film Festival MIS ME BINGA and the artistic director of the Ecrans Noirs Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

MONKANNarcisse WANDJI, Cameroon, 2024 SYNOPSISMonkam is an exemplary pastor whose only son, a promising football player, collapses during a match. Diagnosed with a serious heart condition, he urgently needs a transplant, but the operation is far too expensive for Monkam. Boko, a dynamic young church member, offers him a well-paid job as a delivery man. […]<\/p>\n","protected":false},"author":13,"featured_media":8684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-93.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9035"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9035\/revisions"}],"predecessor-version":[{"id":9036,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9035\/revisions\/9036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8684"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9033,"date":"2025-02-05T12:04:13","date_gmt":"2025-02-05T12:04:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9033"},"modified":"2025-02-05T12:04:17","modified_gmt":"2025-02-05T12:04:17","slug":"the-runners-and-the-whistlers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-runners-and-the-whistlers\/","title":{"rendered":"THE RUNNERS AND THE WHISTLERS"},"content":{"rendered":"\n

Nadine Otsobogo, Gabon, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
In Libreville, a high-security bank equipped with electronic surveillance is robbed. The aftermath: eight security guards dead and an empty vault. Strangely, the surveillance cameras recorded nothing. Fearing the case could turn into a political scandal, General Mathieu Agol assigns Captain Nathalie Obone to solve the mystery. The young officer has two weeks to crack the case.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Nadine Otsobogo, a Gabonese filmmaker, expresses her art through imagination. She began directing in 2001 and producing in 2010, while also excelling as a renowned makeup artist, collaborating with acclaimed filmmakers. In 2013, she won the Bronze Stallion at FESPACO for DIALEMI and later founded the Masuku Nature & Environment Film Festival. In 2021, she directed the series EKI.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nadine Otsobogo, Gabon, 2024 SYNOPSISIn Libreville, a high-security bank equipped with electronic surveillance is robbed. The aftermath: eight security guards dead and an empty vault. Strangely, the surveillance cameras recorded nothing. Fearing the case could turn into a political scandal, General Mathieu Agol assigns Captain Nathalie Obone to solve the mystery. The young officer has […]<\/p>\n","protected":false},"author":13,"featured_media":8676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-85.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9033"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9033\/revisions"}],"predecessor-version":[{"id":9034,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9033\/revisions\/9034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8676"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9031,"date":"2025-02-05T12:00:18","date_gmt":"2025-02-05T12:00:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9031"},"modified":"2025-02-05T15:49:03","modified_gmt":"2025-02-05T15:49:03","slug":"bio-timpi-tampa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bio-timpi-tampa\/","title":{"rendered":"TIMPI TAMPA"},"content":{"rendered":"\n

Adama Bineta SOW, S\u00e9n\u00e9gal, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Khalilou, a young student who, after his mother contracts cancer linked to depigmentation, decides to denounce dangerous beauty standards. To do this, he disguises himself as Leila and participates in the \u00ab\u00a0Miss Students\u00a0\u00bb competition, dominated by light skin, in order to allow dark-skinned young women to shine. This film addresses themes of self-esteem, identity and the fight against prejudice with humor and emotion.<\/p>\n\n\n\n

FILMOGRAPHY<\/strong><\/p>\n\n\n\n

In 2015, Adama Bineta Sow directed her first short film \u00ab\u00a0Aveugl\u00e9 par un aveugle\u00a0\u00bb (official selection in the Espace Junior section at FESPACO 2017).In 2017, she took part in a three-month screenwriting workshop organized by Cinekap Group and the European Union’s network of national cultural institutes in Dakar, with filmmakers including Moussa Tour\u00e9, Aduaka Newton, Vincent Smith, Neus Ballus, Marna Ke\u00efta, Michel Alexandre, Ramatoulaye Sy.<\/p>\n\n\n\n

In 2019, she released her second short film \u00ab\u00a0A nous laTabaski, which won the prize for best short film at the 2019 Fontenay-le-Fleury Women’s Film Festival in Paris, the jury’s special mention at the Nouakshort Film Festival (Mauritania), and was also selected in official competition at several other international festivals (Festival Lumi\u00e8res d’Afrique in Besan\u00e7on, Un Point c’est Court, Elles Tournent in Brussels, African Women Arts Film Festival in Tanzania, The Lift-Off Sessions in England…). She receives a diploma of recognition from the French Ministry of Culture. The same year, she took part in a two-week writing residency in Ouagadougou as part of the Rencontres Cin\u00e9matographiques de Ouagadougou (RECIO), organized by Issiaka Compaor\u00e9 and led by Marna Ke\u00efta.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adama Bineta SOW, S\u00e9n\u00e9gal, 2024 SYNOPSIS Khalilou, a young student who, after his mother contracts cancer linked to depigmentation, decides to denounce dangerous beauty standards. To do this, he disguises himself as Leila and participates in the \u00ab\u00a0Miss Students\u00a0\u00bb competition, dominated by light skin, in order to allow dark-skinned young women to shine. This film […]<\/p>\n","protected":false},"author":13,"featured_media":8979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426,462],"tags":[],"class_list":["post-9031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9031"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9031\/revisions"}],"predecessor-version":[{"id":9143,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9031\/revisions\/9143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8979"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9029,"date":"2025-02-05T11:58:29","date_gmt":"2025-02-05T11:58:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9029"},"modified":"2025-02-05T11:58:32","modified_gmt":"2025-02-05T11:58:32","slug":"charles-ornel-you-will-hate-to-love-me","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/charles-ornel-you-will-hate-to-love-me\/","title":{"rendered":"Charles Ornel \u2013 \u201cYou Will Hate to Love Me\u201d"},"content":{"rendered":"\n

Kismath Baguiri, C\u00f4te d\u2019Ivoire, 2024<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHY
<\/strong>Originally from Benin, Kismath Baguiri was born on April 30, 1994. Her film Suru won the \u201cAudience Award\u201d at the \u201cVues d\u2019Afrique\u201d Festival in April 2020 in Montreal, Canada. This 26-minute short film focuses on the theme of violence against women. She later directed Isabelle in 2023, followed by Charles Ornel in 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kismath Baguiri, C\u00f4te d\u2019Ivoire, 2024 BIOFILMOGRAPHYOriginally from Benin, Kismath Baguiri was born on April 30, 1994. Her film Suru won the \u201cAudience Award\u201d at the \u201cVues d\u2019Afrique\u201d Festival in April 2020 in Montreal, Canada. This 26-minute short film focuses on the theme of violence against women. She later directed Isabelle in 2023, followed by Charles […]<\/p>\n","protected":false},"author":13,"featured_media":8678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-9029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-87.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9029"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9029\/revisions"}],"predecessor-version":[{"id":9030,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9029\/revisions\/9030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8678"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9027,"date":"2025-02-05T11:54:54","date_gmt":"2025-02-05T11:54:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9027"},"modified":"2025-02-17T11:58:11","modified_gmt":"2025-02-17T11:58:11","slug":"timpi-tampa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/timpi-tampa\/","title":{"rendered":"TIMPI TAMPA"},"content":{"rendered":"\n

Adama Bineta SOW, S\u00e9n\u00e9gal, 2024<\/strong> SYNOPSIS<\/strong>Khalilou, un jeune \u00e9tudiant, apr\u00e8s que sa m\u00e8re a contract\u00e9 un cancer li\u00e9 \u00e0 la d\u00e9pigmentation, d\u00e9cide de d\u00e9noncer les standards de beaut\u00e9 dangereux. Pour cela, il se d\u00e9guise en Leila et participe au concours \u00ab\u00a0Miss \u00c9tudiantes\u00a0\u00bb, domin\u00e9 par les peaux claires, afin de permettre aux jeunes femmes \u00e0 la peau fonc\u00e9e de briller.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Adama Bineta Sow est une r\u00e9alisatrice s\u00e9n\u00e9galaise. Son premier film Aveugl\u00e9 par un aveugle a \u00e9t\u00e9 <\/em>s\u00e9lectionn\u00e9 du FESPACO 2017. En 2019, son deuxi\u00e8me court-m\u00e9trage A nous la Tabaski a<\/em> remport\u00e9 le prix du meilleur court-m\u00e9trage au festival du film de Femmes de Fontenay-le-Fleury \u00e0 Paris et a \u00e9t\u00e9 \u00e9galement s\u00e9lectionn\u00e9 en comp\u00e9tition officielle dans d\u2019autres festivals internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adama Bineta SOW, S\u00e9n\u00e9gal, 2024 SYNOPSISKhalilou, un jeune \u00e9tudiant, apr\u00e8s que sa m\u00e8re a contract\u00e9 un cancer li\u00e9 \u00e0 la d\u00e9pigmentation, d\u00e9cide de d\u00e9noncer les standards de beaut\u00e9 dangereux. Pour cela, il se d\u00e9guise en Leila et participe au concours \u00ab\u00a0Miss \u00c9tudiantes\u00a0\u00bb, domin\u00e9 par les peaux claires, afin de permettre aux jeunes femmes \u00e0 la […]<\/p>\n","protected":false},"author":13,"featured_media":8979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428,464],"tags":[],"class_list":["post-9027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9027"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9027\/revisions"}],"predecessor-version":[{"id":9897,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9027\/revisions\/9897"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8979"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9020,"date":"2025-02-05T11:53:27","date_gmt":"2025-02-05T11:53:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9020"},"modified":"2025-02-05T11:53:31","modified_gmt":"2025-02-05T11:53:31","slug":"apres-les-longues-pluies","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/apres-les-longues-pluies\/","title":{"rendered":"APR\u00c8S LES LONGUES PLUIES"},"content":{"rendered":"\n

Damien Hauser, Suisse, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS
<\/strong>Aisha, une fillette de dix ans, re\u00e7oit un devoir d\u2019\u00e9cole : r\u00e9fl\u00e9chir \u00e0 ce qu\u2019elle souhaite devenir plus tard. Elle remarque rapidement que tout le monde reprend l\u2019activit\u00e9 ou le m\u00e9tier de ses parents, mais elle r\u00eave plus grand. Son ambition est d\u2019aller en Europe et devenir actrice. Son plan ? Devenir p\u00eacheuse afin de pouvoir traverser la mer. Cependant, sa m\u00e8re pense que la p\u00eache est r\u00e9serv\u00e9e aux hommes. Malgr\u00e9 tout, elle rencontre Hassan, un p\u00eacheur alcoolique, qui lui promet de lui apprendre \u00e0 p\u00eacher.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>
Damien Hauser est un r\u00e9alisateur bas\u00e9 en Suisse. N\u00e9 \u00e0 Zurich en 2001, il commence \u00e0 r\u00e9aliser des courts-m\u00e9trages d\u00e8s l\u2019\u00e2ge de sept ans. Il \u00e9tudie le cin\u00e9ma \u00e0 SAE de 2016 \u00e0 2020 et travaille pour la soci\u00e9t\u00e9 de production commerciale FILME VON DRAUSSEN de 2018 \u00e0 2020. Afin de perfectionner son art, il r\u00e9alise plusieurs courts-m\u00e9trages, avec l\u2019aide de ses amis, et participe \u00e0 divers projets tels que des clips musicaux, des pi\u00e8ces de th\u00e9\u00e2tre et des publicit\u00e9s. Toutefois, sa plus grande passion reste la fiction. Il se concentre actuellement sur la r\u00e9alisation et l\u2019\u00e9criture de sc\u00e9narios.<\/p>\n","protected":false},"excerpt":{"rendered":"

Damien Hauser, Suisse, 2023 SYNOPSISAisha, une fillette de dix ans, re\u00e7oit un devoir d\u2019\u00e9cole : r\u00e9fl\u00e9chir \u00e0 ce qu\u2019elle souhaite devenir plus tard. Elle remarque rapidement que tout le monde reprend l\u2019activit\u00e9 ou le m\u00e9tier de ses parents, mais elle r\u00eave plus grand. Son ambition est d\u2019aller en Europe et devenir actrice. Son plan ? […]<\/p>\n","protected":false},"author":13,"featured_media":8958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-9020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9020"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9020\/revisions"}],"predecessor-version":[{"id":9026,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9020\/revisions\/9026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8958"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9018,"date":"2025-02-05T11:42:19","date_gmt":"2025-02-05T11:42:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9018"},"modified":"2025-02-05T11:42:24","modified_gmt":"2025-02-05T11:42:24","slug":"after-the-long-rains","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/after-the-long-rains\/","title":{"rendered":"AFTER THE LONG RAINS"},"content":{"rendered":"\n

Damien Hauser,<\/strong> Suisse, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ten year old Aisha is given a school assignment to figure out what she wants to be when she grows up. She soon realizes that everyone is taking over their parents\u2018 businesses and professions, but she has bigger dreams. She wants to go to Europe and become an actress. Her plan is to become a fisher so that she can sail to Europe, but her mother thinks that fishing should be left to men. Despite all this, she meets a fisherman and alcoholic named Hassan, who promises to teach her how to fish.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Damien Hauser is a Filmmaker based in Switzerland. Born in Zurich in 2001, he began producing short films by the age of seven. He later studied film at SAE from 2016 to 2020 and worked for a commercial production company called FILME VON DRAUSSEN from 2018 to 2020. In order to practice his craft, he created several short films with the help of friends and took on various projects such as music videos, plays and commercials. However his greatest passion has always been fictional storytelling. He is currently focusing on directing and scriptwriting<\/p>\n","protected":false},"excerpt":{"rendered":"

Damien Hauser, Suisse, 2023 SYNOPSIS Ten year old Aisha is given a school assignment to figure out what she wants to be when she grows up. She soon realizes that everyone is taking over their parents\u2018 businesses and professions, but she has bigger dreams. She wants to go to Europe and become an actress. Her […]<\/p>\n","protected":false},"author":13,"featured_media":8958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-9018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9018"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9018\/revisions"}],"predecessor-version":[{"id":9019,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9018\/revisions\/9019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8958"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9015,"date":"2025-02-05T11:39:11","date_gmt":"2025-02-05T11:39:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9015"},"modified":"2025-02-05T11:39:32","modified_gmt":"2025-02-05T11:39:32","slug":"the-statues-also-live-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-statues-also-live-2\/","title":{"rendered":"THE STATUES ALSO LIVE"},"content":{"rendered":"\n

Romain Fianu, France, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong>
What if African statues in French museums could speak? What if middle school students from Seine-Saint-Denis, with African immigrant backgrounds, voiced their thoughts on the restitution of African heritage to Africa?<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Romain Fianu is a producer, director, and educator. He obtained a State Diploma as a Specialized Educator in 2024 and a Master\u2019s degree in Cinema and Audiovisual Studies (Directing option) in 2009 from Paris 8 University, Saint-Denis. He has directed several films, including Les Facettes de l\u2019Amour (2023), Le Tour \u00e0 Repousser (2022), and Variations \u00e0 l\u2019Infini (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"

Romain Fianu, France, 2023 SYNOPSISWhat if African statues in French museums could speak? What if middle school students from Seine-Saint-Denis, with African immigrant backgrounds, voiced their thoughts on the restitution of African heritage to Africa? BIOFILMOGRAPHYRomain Fianu is a producer, director, and educator. He obtained a State Diploma as a Specialized Educator in 2024 and […]<\/p>\n","protected":false},"author":13,"featured_media":8675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-9015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-84.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9015"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9015\/revisions"}],"predecessor-version":[{"id":9016,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9015\/revisions\/9016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8675"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9011,"date":"2025-02-05T11:33:17","date_gmt":"2025-02-05T11:33:17","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9011"},"modified":"2025-02-05T11:33:39","modified_gmt":"2025-02-05T11:33:39","slug":"les-statues-vivent-aussi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-statues-vivent-aussi-2\/","title":{"rendered":"Les statues vivent aussi"},"content":{"rendered":"\n

Romain Fianu, France, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Et si les statues africaines des mus\u00e9es fran\u00e7ais se mettaient \u00e0 parler\u2026Et si des coll\u00e9giens de Seine-Saint-Denis issus de l\u2019immigration africaine parlaient de la restitution du patrimoine africain en Afrique.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Romain Fianu, est producteur, r\u00e9alisateur et \u00e9ducateur. Il obtient un Dipl\u00f4me d\u2019Etat d\u2019\u00e9ducateur sp\u00e9cialis\u00e9 en 2024 et un master 2 Cin\u00e9ma et audiovisuel – option r\u00e9alisation en 2009 \u00e0 l\u2019Universit\u00e9 Paris 8 Saint-Denis. Il est auteur de plusieurs films dont Les facettes de l\u2019amour<\/em> (2023), Le tour \u00e0 repousser<\/em> (2022) et Variations \u00e0 l\u2019infini<\/em> (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"

Romain Fianu, France, 2023 SYNOPSIS Et si les statues africaines des mus\u00e9es fran\u00e7ais se mettaient \u00e0 parler\u2026Et si des coll\u00e9giens de Seine-Saint-Denis issus de l\u2019immigration africaine parlaient de la restitution du patrimoine africain en Afrique. BIOFILMOGRAPHIE Romain Fianu, est producteur, r\u00e9alisateur et \u00e9ducateur. Il obtient un Dipl\u00f4me d\u2019Etat d\u2019\u00e9ducateur sp\u00e9cialis\u00e9 en 2024 et un master […]<\/p>\n","protected":false},"author":13,"featured_media":8675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-9011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-84.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9011"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9011\/revisions"}],"predecessor-version":[{"id":9012,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9011\/revisions\/9012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8675"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9006,"date":"2025-02-05T11:26:35","date_gmt":"2025-02-05T11:26:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9006"},"modified":"2025-02-05T11:26:44","modified_gmt":"2025-02-05T11:26:44","slug":"le-genie-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-genie-2\/","title":{"rendered":"Le G\u00e9nie"},"content":{"rendered":"\n

Enricka M.H, Martinique, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

English: Adam and Lina are brother and sister, but they fight like cats and dogs. One day, Lina purposely escapes her older brother’s supervision. He goes looking for her in the city and finds her with a strange man named Seydou, who offers to grant each of them a wish.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Enricka M.H wrote and directed her first short film \u00ab La K-Z \u00bb in 2019, a self-production which won several prizes in festivals. \u00ab Dorlis \u00bb, her second movie, was written at La Ruche de Gindou Residency, shot in Martinique and produced by Ca\u00efmans Productions. The film was selected in more than sixty festivals worldwide and won 42 prizes. \u00ab The Genie \u00bb is her third short film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Enricka M.H, Martinique, 2024 SYNOPSIS English: Adam and Lina are brother and sister, but they fight like cats and dogs. One day, Lina purposely escapes her older brother’s supervision. He goes looking for her in the city and finds her with a strange man named Seydou, who offers to grant each of them a wish. […]<\/p>\n","protected":false},"author":13,"featured_media":8967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-9006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9006"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9006\/revisions"}],"predecessor-version":[{"id":9007,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9006\/revisions\/9007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8967"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9003,"date":"2025-02-05T11:25:29","date_gmt":"2025-02-05T11:25:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9003"},"modified":"2025-02-05T11:25:32","modified_gmt":"2025-02-05T11:25:32","slug":"le-genie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-genie\/","title":{"rendered":"Le G\u00e9nie"},"content":{"rendered":"\n

Enricka M.H, Martinique, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Adam et Lina, fr\u00e8re et s\u0153ur, se disputent souvent. Le jour o\u00f9 Lina \u00e9chappe volontairement \u00e0 la surveillance de son grand fr\u00e8re, ce dernier part \u00e0 sa recherche dans la cit\u00e9 et la retrouve accompagn\u00e9e d’un homme \u00e9trange, Seydou, qui propose \u00e0 chacun d\u2019exaucer un souhait. <\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Enricka M.H est sc\u00e9nariste et r\u00e9alisatrice d\u2019origine martiniquaise. Elle \u00e9crit, r\u00e9alise et autoproduit son premier court m\u00e9trage La K-Z<\/em> (2019), laur\u00e9at de plusieurs prix. Son deuxi\u00e8me film, Dorlis<\/em> (2021), d\u00e9velopp\u00e9 dans le cadre de la r\u00e9sidence d’\u00e9criture La Ruche de Gindou Cin\u00e9ma et tourn\u00e9 en Martinique a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans plus d\u2019une soixantaine de festivals et a remport\u00e9 42 prix.<\/p>\n","protected":false},"excerpt":{"rendered":"

Enricka M.H, Martinique, 2024 SYNOPSIS Adam et Lina, fr\u00e8re et s\u0153ur, se disputent souvent. Le jour o\u00f9 Lina \u00e9chappe volontairement \u00e0 la surveillance de son grand fr\u00e8re, ce dernier part \u00e0 sa recherche dans la cit\u00e9 et la retrouve accompagn\u00e9e d’un homme \u00e9trange, Seydou, qui propose \u00e0 chacun d\u2019exaucer un souhait.  BIOFILMOGRAPHIE Enricka M.H est […]<\/p>\n","protected":false},"author":13,"featured_media":8967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-9003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9003"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9003\/revisions"}],"predecessor-version":[{"id":9004,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9003\/revisions\/9004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8967"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":9001,"date":"2025-02-05T11:23:25","date_gmt":"2025-02-05T11:23:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=9001"},"modified":"2025-02-05T11:24:08","modified_gmt":"2025-02-05T11:24:08","slug":"la-kreme-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/la-kreme-2\/","title":{"rendered":"LA KREME"},"content":{"rendered":"\n

Magaye GAYE, Mamadou Lmaine DIOP, Mariama Lindor DIOP, Elwis FATON, Mame Faty DIOP, S\u00e9n\u00e9gal, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Samba, an 8-year-old boy, lives on the streets of Dakar, surviving through small thefts and odd jobs. One day, he becomes fascinated by ice cream, something he has never tasted before. Determined to fulfill his dream, he decides to rob the ice cream parlor. Despite the hardships of marginalization and poverty, will Samba succeed in forming a team, devising a plan, and carrying out his daring heist?<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Step into the world of young visionary filmmakers\u2014five passionate film students who met at Kourtrajm\u00e9, a renowned film school. Their shared love for storytelling and artistic challenges led them to form a dynamic creative team, resulting in the collective production of La\u00a0Kreme\u00a0in\u00a02024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Magaye GAYE, Mamadou Lmaine DIOP, Mariama Lindor DIOP, Elwis FATON, Mame Faty DIOP, S\u00e9n\u00e9gal, 2024 SYNOPSISSamba, an 8-year-old boy, lives on the streets of Dakar, surviving through small thefts and odd jobs. One day, he becomes fascinated by ice cream, something he has never tasted before. Determined to fulfill his dream, he decides to rob […]<\/p>\n","protected":false},"author":13,"featured_media":8966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-9001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=9001"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9001\/revisions"}],"predecessor-version":[{"id":9002,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/9001\/revisions\/9002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8966"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=9001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=9001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=9001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8999,"date":"2025-02-05T11:09:35","date_gmt":"2025-02-05T11:09:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8999"},"modified":"2025-02-05T11:09:38","modified_gmt":"2025-02-05T11:09:38","slug":"la-kreme","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-kreme\/","title":{"rendered":"LA KREME"},"content":{"rendered":"\n

Magaye GAYE, Mamadou Lmaine DIOP, Mariama Lindor DIOP, Elwis FATON, Mame Faty DIOP, S\u00e9n\u00e9gal, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n

\u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n

Samba, 8 ans vit dans les rues de Dakar en commettant des petits vols et boulot pour survivre. Un jour, il est attir\u00e9 par des cr\u00e8mes glac\u00e9es qu’il n’a jamais go\u00fbt\u00e9es. Il d\u00e9cide alors de braquer le glacier pour r\u00e9aliser son fantasme. Malgr\u00e9 les d\u00e9fis li\u00e9s \u00e0 sa situation de marginalisation et de pauvret\u00e9, Samba r\u00e9ussira-t-il \u00e0 former une \u00e9quipe, \u00e9laborer un plan et mettre son projet \u00e0 ex\u00e9cution ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE\u00a0<\/strong><\/p>\n\n\n\n

Plongez dans l\u2019univers des jeunes visionnaires du cin\u00e9ma, cinq \u00e9tudiants passionn\u00e9s du cin\u00e9ma se rencontrent \u00e0 Kourtrajm\u00e9, une \u00e9cole de cin\u00e9ma. Leur amour commun pour les r\u00e9cits et les d\u00e9fis artistiques les pousse \u00e0 former une \u00e9quipe dynamique d\u2019o\u00f9 la production collective de La Kreme en 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Magaye GAYE, Mamadou Lmaine DIOP, Mariama Lindor DIOP, Elwis FATON, Mame Faty DIOP, S\u00e9n\u00e9gal, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0 Samba, 8 ans vit dans les rues de Dakar en commettant des petits vols et boulot pour survivre. Un jour, il est attir\u00e9 par des cr\u00e8mes glac\u00e9es qu’il n’a jamais go\u00fbt\u00e9es. Il d\u00e9cide alors de braquer le glacier pour […]<\/p>\n","protected":false},"author":13,"featured_media":8966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-8999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8999"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8999\/revisions"}],"predecessor-version":[{"id":9000,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8999\/revisions\/9000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8966"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8997,"date":"2025-02-05T10:47:21","date_gmt":"2025-02-05T10:47:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8997"},"modified":"2025-02-17T12:16:24","modified_gmt":"2025-02-17T12:16:24","slug":"brother-and-sister","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/brother-and-sister\/","title":{"rendered":"BROTHER AND SISTER"},"content":{"rendered":"\n

S\u00e8kam\u00e8 TCHAOU, Benin, 2024<\/strong> SYNOPSIS<\/strong> Cocou and Fifame, a brother and sister living in the countryside, survive on their harvests. One day, while attempting to steal from a farmer, they discover his wounded and dying body. Cocou suggests taking him to a nearby village for treatment, but Fifame strongly opposes. After much insistence from her brother, she reluctantly agrees. However, the arrival of two suspects searching for the farmer\u2019s body puts them on high alert, forcing them to flee with him.<\/p>\n\n\n\n

BIOFILMOGRAPHY
<\/strong>S\u00e8kam\u00e8 TCHAOU is a self-taught filmmaker with a degree in JRI (Journalism and Image Reporting). She has worked on several film projects, including Nonvi, her latest film. She also wrote the teen series Lumi\u00e8re sur le chemin. In 2022, she won the Best Documentary Screenplay Award at the Cin\u00e9 229 Awards with her documentary Quand les cam\u00e9ras s\u2019\u00e9teignent, which also opened the FIFF-Cotonou 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e8kam\u00e8 TCHAOU, Benin, 2024 SYNOPSIS Cocou and Fifame, a brother and sister living in the countryside, survive on their harvests. One day, while attempting to steal from a farmer, they discover his wounded and dying body. Cocou suggests taking him to a nearby village for treatment, but Fifame strongly opposes. After much insistence from her […]<\/p>\n","protected":false},"author":13,"featured_media":9613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-8997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8997"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8997\/revisions"}],"predecessor-version":[{"id":9903,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8997\/revisions\/9903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9613"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8995,"date":"2025-02-05T10:45:57","date_gmt":"2025-02-05T10:45:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8995"},"modified":"2025-02-17T12:15:30","modified_gmt":"2025-02-17T12:15:30","slug":"frere-et-soeur","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/frere-et-soeur\/","title":{"rendered":"Fr\u00e8re et s\u0153ur"},"content":{"rendered":"\n

S\u00e8kam\u00e8 TCHAOU, B\u00e9nin, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS<\/strong> Cocou et Fifame, fr\u00e8re et s\u0153ur habitant en brousse, vivent des r\u00e9coltes. Un jour, en volant un paysan, ils tombent sur son corps \u00e9tendu, bless\u00e9 et agonisant. Cocou sugg\u00e8re qu\u2019ils l\u2019am\u00e8nent dans un village pour des soins, Fifame s\u2019y oppose. Sous l\u2019insistance de son fr\u00e8re, elle accepte.\u00a0 L\u2019arriv\u00e9e de deux suspects recherchant le corps du paysan les met en alerte. Ils s\u2019enfuient avec celui-ci.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> <\/p>\n\n\n\n

S\u00e8kam\u00e8 TCHAOU est une cin\u00e9aste autodidacte avec une licence de JRI qui a travaill\u00e9 sur plusieurs projets de cin\u00e9ma dont Nonvi<\/em>son dernier film. Elle a \u00e9crit la s\u00e9rie adolescente Lumi\u00e8re sur le chemin<\/em>. S\u00e8kam\u00e8 TCHAOU a remport\u00e9 le prix du meilleur sc\u00e9nario documentaire au Cin\u00e9\u0301 229 awards- 2022 avec son documentaire Quand les cam\u00e9ras s<\/em>\u2019<\/em>\u00e9teignent<\/em>, qui a aussi ouvert le FIFF-Cotonou 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e8kam\u00e8 TCHAOU, B\u00e9nin, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS Cocou et Fifame, fr\u00e8re et s\u0153ur habitant en brousse, vivent des r\u00e9coltes. Un jour, en volant un paysan, ils tombent sur son corps \u00e9tendu, bless\u00e9 et agonisant. Cocou sugg\u00e8re qu\u2019ils l\u2019am\u00e8nent dans un village pour des soins, Fifame s\u2019y oppose. Sous l\u2019insistance de son fr\u00e8re, elle accepte.\u00a0 L\u2019arriv\u00e9e de deux suspects […]<\/p>\n","protected":false},"author":13,"featured_media":9613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-8995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8995"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8995\/revisions"}],"predecessor-version":[{"id":9902,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8995\/revisions\/9902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9613"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8993,"date":"2025-02-05T09:43:05","date_gmt":"2025-02-05T09:43:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8993"},"modified":"2025-02-05T09:43:07","modified_gmt":"2025-02-05T09:43:07","slug":"the-totem","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-totem\/","title":{"rendered":"THE TOTEM"},"content":{"rendered":"\n

Claver YAMEOGO, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
It is the rainy season in the savanna. Bouky decides to build a bamboo hut and seeks help from Panga, the squirrel. Near the river, incredible bamboo plants have grown, bringing greenery back to part of the steppe. On their way back, after cutting the bamboo, a mysterious encounter with a totem will change the lives of these two friends and the other animals forever.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Born on December 21, 1984, in Ouagadougou, Burkina Faso, Claver YAMEOGO has developed solid expertise in comic book illustration through various training programs. In 2013, he founded Africartoons Studio, a production company specializing in animation. Through this studio, he has directed several films, including Soamba, King of the Savanna (2013), Tapis Vert (2020), and Le Totem (2024).<\/p>\n","protected":false},"excerpt":{"rendered":"

Claver YAMEOGO, Burkina Faso, 2024 SYNOPSISIt is the rainy season in the savanna. Bouky decides to build a bamboo hut and seeks help from Panga, the squirrel. Near the river, incredible bamboo plants have grown, bringing greenery back to part of the steppe. On their way back, after cutting the bamboo, a mysterious encounter with […]<\/p>\n","protected":false},"author":13,"featured_media":8980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-8993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8993"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8993\/revisions"}],"predecessor-version":[{"id":8994,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8993\/revisions\/8994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8980"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8988,"date":"2025-02-05T09:37:37","date_gmt":"2025-02-05T09:37:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8988"},"modified":"2025-02-05T09:38:59","modified_gmt":"2025-02-05T09:38:59","slug":"le-totem","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-totem\/","title":{"rendered":"Le Totem"},"content":{"rendered":"\n

Claver YAMEOGO, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

C’est l’hivernage dans la savane. Bouky d\u00e9cide de se construire une hutte en bambou et sollicite l’aide de Panga, l’\u00e9cureuil. Pr\u00e8s de la rivi\u00e8re, d’incroyables bambous ont pouss\u00e9 et une partie de la steppe a retrouv\u00e9 sa couleur verd\u00e2tre. Sur le chemin de retour, apr\u00e8s avoir coup\u00e9 les bambous, une myst\u00e9rieuse rencontre avec un totem va changer la vie de nos deux amis ainsi que les autres animaux.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 le 21 d\u00e9cembre 1984 \u00e0 Ouagadougou au Burkina Faso, Claver YAMEOGO, apr\u00e8s une s\u00e9rie de formation a acquis une solide exp\u00e9rience dans le domaine de la bande dessin\u00e9e.  A travers sa structure de production Africartoons Studio cr\u00e9\u00e9e en 2013, il r\u00e9alise plusieurs films dont Soamba roi de la savane<\/em> (2013), Tapis vert <\/em>(2020), Le<\/em> Totem<\/em> (2024) \u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Claver YAMEOGO, Burkina Faso, 2024 SYNOPSIS C’est l’hivernage dans la savane. Bouky d\u00e9cide de se construire une hutte en bambou et sollicite l’aide de Panga, l’\u00e9cureuil. Pr\u00e8s de la rivi\u00e8re, d’incroyables bambous ont pouss\u00e9 et une partie de la steppe a retrouv\u00e9 sa couleur verd\u00e2tre. Sur le chemin de retour, apr\u00e8s avoir coup\u00e9 les bambous, […]<\/p>\n","protected":false},"author":13,"featured_media":8980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-8988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8988"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8988\/revisions"}],"predecessor-version":[{"id":8989,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8988\/revisions\/8989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8980"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8986,"date":"2025-02-05T09:33:20","date_gmt":"2025-02-05T09:33:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8986"},"modified":"2025-02-10T12:05:29","modified_gmt":"2025-02-10T12:05:29","slug":"the-adventures-of-kady-and-djudju","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-adventures-of-kady-and-djudju\/","title":{"rendered":"THE ADVENTURES OF KADY AND DJUDJU"},"content":{"rendered":"\n

THE ADVENTURES OF KADY AND DJUDJUYancouba DIEME, Senegal, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
Kady and Djudju are siblings living in the suburbs of Dakar. One day, on their way back from school, they encounter Latsouk, a mysterious dwarf with great powers who will change their lives forever.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Yancouba DIEME is a Senegalese director, producer, and animator who has worked on animated series and advertising animation films. After training in graphic design, he worked as a graphic designer at Publicom and has directed animated short films that have been selected at numerous film festivals worldwide.<\/p>\n","protected":false},"excerpt":{"rendered":"

THE ADVENTURES OF KADY AND DJUDJUYancouba DIEME, Senegal, 2024 SYNOPSISKady and Djudju are siblings living in the suburbs of Dakar. One day, on their way back from school, they encounter Latsouk, a mysterious dwarf with great powers who will change their lives forever. BIOFILMOGRAPHYYancouba DIEME is a Senegalese director, producer, and animator who has worked […]<\/p>\n","protected":false},"author":13,"featured_media":9614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8986"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8986\/revisions"}],"predecessor-version":[{"id":8987,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8986\/revisions\/8987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9614"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8984,"date":"2025-02-05T09:30:59","date_gmt":"2025-02-05T09:30:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8984"},"modified":"2025-02-10T12:04:38","modified_gmt":"2025-02-10T12:04:38","slug":"les-aventure-de-kady-et-djudju","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-aventure-de-kady-et-djudju\/","title":{"rendered":"Les aventure de Kady et Djudju"},"content":{"rendered":"\n

Yancouba DIEME, S\u00e9n\u00e9gal, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Kady et Djudju sont fr\u00e8re et s\u0153ur qui vivent dans la banlieue dakaroise. Un jour, de retour de l\u2019\u00e9cole, ils font la rencontre de Latsouk un nain myst\u00e9rieux aux grands pouvoirs qui va changer leur vie.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Yancouba DIEME est r\u00e9alisateur, producteur et animateur s\u00e9n\u00e9galais qui a travaill\u00e9 dans des productions de s\u00e9ries d\u2019animation et films d\u2019animation publicitaires. Apr\u00e8s une formation en infographie, il travaille comme infographiste \u00e0 Publicom et a r\u00e9alis\u00e9 des courts m\u00e9trages d\u2019animation s\u00e9lectionn\u00e9s \u00e0 de nombreux festivals de film \u00e0 travers le monde.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yancouba DIEME, S\u00e9n\u00e9gal, 2024 SYNOPSIS Kady et Djudju sont fr\u00e8re et s\u0153ur qui vivent dans la banlieue dakaroise. Un jour, de retour de l\u2019\u00e9cole, ils font la rencontre de Latsouk un nain myst\u00e9rieux aux grands pouvoirs qui va changer leur vie. BIOFILMOGRAPHIE Yancouba DIEME est r\u00e9alisateur, producteur et animateur s\u00e9n\u00e9galais qui a travaill\u00e9 dans des […]<\/p>\n","protected":false},"author":13,"featured_media":9614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-8984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8984"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8984\/revisions"}],"predecessor-version":[{"id":8985,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8984\/revisions\/8985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9614"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8982,"date":"2025-02-05T09:23:59","date_gmt":"2025-02-05T09:23:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8982"},"modified":"2025-02-05T09:24:01","modified_gmt":"2025-02-05T09:24:01","slug":"beauty-and-the-snake-la-belle-et-le-serpent","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/beauty-and-the-snake-la-belle-et-le-serpent\/","title":{"rendered":"BEAUTY AND THE SNAKE \/ LA BELLE ET LE SERPENT"},"content":{"rendered":"\n

QUENUM AHISSI MIRYAM AKISSI O., C\u00f4te d\u2019Ivoire, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS
<\/strong>In a distant village, Akassi, a demanding young girl, marries a perfect man with no scars, unaware that he is actually a serpent spirit. Trapped in a cave after their wedding, she sings for help. Thanks to a nomad, her family rescues her, and Akassi learns a valuable lesson about moderation and wisdom.<\/p>\n\n\n\n

BIOFILMOGRAPHY
<\/strong>Ivorian-born Miryam Quenum Ahissi Akissi O. is a 2D and 3D animator at AFRIKATOON. She has contributed to productions such as Les Blagues du Jour and Roi Keita and has also worked in voice acting. Beauty and the Snake is her latest short film, created to showcase the richness of African animation and to share stories that uphold cultural\u00a0values.<\/p>\n","protected":false},"excerpt":{"rendered":"

QUENUM AHISSI MIRYAM AKISSI O., C\u00f4te d\u2019Ivoire, 2024 SYNOPSISIn a distant village, Akassi, a demanding young girl, marries a perfect man with no scars, unaware that he is actually a serpent spirit. Trapped in a cave after their wedding, she sings for help. Thanks to a nomad, her family rescues her, and Akassi learns a […]<\/p>\n","protected":false},"author":13,"featured_media":8965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-8982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8982"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8982\/revisions"}],"predecessor-version":[{"id":8983,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8982\/revisions\/8983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8965"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8913,"date":"2025-02-05T09:21:04","date_gmt":"2025-02-05T09:21:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8913"},"modified":"2025-02-05T09:21:07","modified_gmt":"2025-02-05T09:21:07","slug":"la-belle-et-le-serpent-beauty-and-the-snake","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-belle-et-le-serpent-beauty-and-the-snake\/","title":{"rendered":"LA BELLE ET LE SERPENT\/ BEAUTY AND THE SNAKE"},"content":{"rendered":"\n

QUENUM AHISSI MIRYAM AKISSI O., C\u00f4te d\u2019ivoire, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans un village lointain, Akassi, une jeune fille exigeante, \u00e9pouse un homme parfait sans cicatrices, ignorant qu\u2019il s\u2019agit d\u2019un serpent g\u00e9nie. Enferm\u00e9e dans une grotte apr\u00e8s leur mariage, elle chante pour demander de l\u2019aide. Gr\u00e2ce \u00e0 un nomade, sa famille la sauve, et Akassi apprend une le\u00e7on sur la mod\u00e9ration et la sagesse.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

De nationalit\u00e9 Ivoirienne, Miryam est <\/strong>animatrice 2D et 3D chez AFRIKATOON. Elle a contribu\u00e9 \u00e0 des productions comme Les Blagues du Jour<\/em> et Roi Keita<\/em> et a particip\u00e9 \u00e0 des doublages.  LA BELLE ET LE SERPENT<\/em> est son dernier court m\u00e9trage qu\u2019elle a r\u00e9alis\u00e9 pour mettre en lumi\u00e8re la richesse de l\u2019animation africaine et partager des histoires qui portent les valeurs culturelles.<\/p>\n","protected":false},"excerpt":{"rendered":"

QUENUM AHISSI MIRYAM AKISSI O., C\u00f4te d\u2019ivoire, 2024 SYNOPSIS Dans un village lointain, Akassi, une jeune fille exigeante, \u00e9pouse un homme parfait sans cicatrices, ignorant qu\u2019il s\u2019agit d\u2019un serpent g\u00e9nie. Enferm\u00e9e dans une grotte apr\u00e8s leur mariage, elle chante pour demander de l\u2019aide. Gr\u00e2ce \u00e0 un nomade, sa famille la sauve, et Akassi apprend une […]<\/p>\n","protected":false},"author":13,"featured_media":8965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-8913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8913"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8913\/revisions"}],"predecessor-version":[{"id":8981,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8913\/revisions\/8981"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8965"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8897,"date":"2025-02-03T15:24:54","date_gmt":"2025-02-03T15:24:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8897"},"modified":"2025-02-19T14:35:34","modified_gmt":"2025-02-19T14:35:34","slug":"in-transit-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/in-transit-2\/","title":{"rendered":"IN TRANSIT"},"content":{"rendered":"\n

Samule Tomisin ADERUKU, Burkina Faso, 2024 SYNOPSIS<\/strong> \u00ab\u00a0In Transit\u00a0\u00bb follows my journey from Nigeria to Burkina Faso as an aspiring filmmaker, where I connect with Saada Sincere, a local footballer, and other migrants like Ndiaga, a Senegalese actor, and Mr. Oke, a Yoruba barber. Through their stories, the film explores the challenges, dreams, and resilience of migrants and natives, highlighting the power of community, hospitality and the shared pursuit of aspirations.<\/p>\n","protected":false},"excerpt":{"rendered":"

Samule Tomisin ADERUKU, Burkina Faso, 2024 SYNOPSIS \u00ab\u00a0In Transit\u00a0\u00bb follows my journey from Nigeria to Burkina Faso as an aspiring filmmaker, where I connect with Saada Sincere, a local footballer, and other migrants like Ndiaga, a Senegalese actor, and Mr. Oke, a Yoruba barber. Through their stories, the film explores the challenges, dreams, and resilience […]<\/p>\n","protected":false},"author":13,"featured_media":8600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452,749],"tags":[],"class_list":["post-8897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025","category-films-catalogue-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-09.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8897"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8897\/revisions"}],"predecessor-version":[{"id":10063,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8897\/revisions\/10063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8600"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8895,"date":"2025-02-03T15:23:53","date_gmt":"2025-02-03T15:23:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8895"},"modified":"2025-02-09T11:07:01","modified_gmt":"2025-02-09T11:07:01","slug":"in-transit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/in-transit\/","title":{"rendered":"IN TRANSIT"},"content":{"rendered":"\n

Samule Tomisin ADERUKU, Burkina Faso, 2024<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

\u00ab\u00a0In Transit\u00a0\u00bb suit mon voyage du Nig\u00e9ria au Burkina Faso en tant qu’aspirant cin\u00e9aste, o\u00f9 jerencontre Saada Sincere, un footballeur local, et d’autres migrants comme Ndiaga, un acteurs\u00e9n\u00e9galais, et M. Oke, un coiffeur yoruba. Ce film explore les d\u00e9fis, les r\u00eaves et la r\u00e9silience des migrants et des autochtones, en mettant en lumi\u00e8re le pouvoir de la communaut\u00e9, de l’hospitalit\u00e9 et la poursuite commune des aspirations.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Samule Tomisin ADERUKU, Burkina Faso, 2024 Synopsis \u00ab\u00a0In Transit\u00a0\u00bb suit mon voyage du Nig\u00e9ria au Burkina Faso en tant qu’aspirant cin\u00e9aste, o\u00f9 jerencontre Saada Sincere, un footballeur local, et d’autres migrants comme Ndiaga, un acteurs\u00e9n\u00e9galais, et M. Oke, un coiffeur yoruba. Ce film explore les d\u00e9fis, les r\u00eaves et la r\u00e9silience des migrants et des […]<\/p>\n","protected":false},"author":13,"featured_media":8600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751,450],"tags":[],"class_list":["post-8895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-09.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8895"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8895\/revisions"}],"predecessor-version":[{"id":9460,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8895\/revisions\/9460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8600"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8893,"date":"2025-02-03T15:19:15","date_gmt":"2025-02-03T15:19:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8893"},"modified":"2025-02-10T11:45:24","modified_gmt":"2025-02-10T11:45:24","slug":"hair-lover-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/hair-lover-2\/","title":{"rendered":"HAIR LOVER"},"content":{"rendered":"\n

Babacar NIANG, S\u00e9n\u00e9gal, [Ann\u00e9e]<\/p>\n\n\n\n

SYNOPSIS
Fanta, Seynabou, Halima, and Jamila are four women connected by blood and friendship. Despite their different life paths, they regularly meet at Fanta\u2019s hair salon, where they share the ups and downs of life\u2014fights, arguments, betrayals, and intrigues. Their friendship remains unshaken until Jamila\u2019s return, which changes everything.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born on November 10, 1998, in Dakar, Senegal, Babacar NIANG is a cinematographer, director, and founder of the Cin\u00e9banlieue Festival in Senegal. He has directed two series: Hair Lover Season 1 (2021) and WEERWI (2022).<\/p>\n","protected":false},"excerpt":{"rendered":"

Babacar NIANG, S\u00e9n\u00e9gal, [Ann\u00e9e] SYNOPSISFanta, Seynabou, Halima, and Jamila are four women connected by blood and friendship. Despite their different life paths, they regularly meet at Fanta\u2019s hair salon, where they share the ups and downs of life\u2014fights, arguments, betrayals, and intrigues. Their friendship remains unshaken until Jamila\u2019s return, which changes everything. BIOFILMOGRAPHYBorn on November […]<\/p>\n","protected":false},"author":13,"featured_media":9612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8893"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8893\/revisions"}],"predecessor-version":[{"id":9623,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8893\/revisions\/9623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9612"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8891,"date":"2025-02-03T15:16:12","date_gmt":"2025-02-03T15:16:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8891"},"modified":"2025-02-03T15:16:14","modified_gmt":"2025-02-03T15:16:14","slug":"debbo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/debbo-2\/","title":{"rendered":"DEBBO"},"content":{"rendered":"\n


Abdoulahad WONE, S\u00e9n\u00e9gal, [Ann\u00e9e]<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
After years of absence, Dr. Zia Bald\u00e9 returns to Senegal, deeply affected by the tragic loss of her sister Kalsoum, a victim of domestic violence. To give her life new meaning, she opens a support center for abused women. However, her return disrupts the family\u2019s fragile balance and brings to light troubling questions about the circumstances surrounding her sister\u2019s death.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Born in 1976, Abdoulahad Wone is a Senegalese director, producer, and the first AVID-certified editor in the country, trained at INA in 1998. Known for his expertise, he has contributed to training audiovisual technicians. A prolific filmmaker, he directed Justice Divine (2009), his first feature film, and the series Tundu Wundu (2013), which was broadcast on A+ and won Best Series at\u00a0FESPACO\u00a02017.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abdoulahad WONE, S\u00e9n\u00e9gal, [Ann\u00e9e] SYNOPSISAfter years of absence, Dr. Zia Bald\u00e9 returns to Senegal, deeply affected by the tragic loss of her sister Kalsoum, a victim of domestic violence. To give her life new meaning, she opens a support center for abused women. However, her return disrupts the family\u2019s fragile balance and brings to light […]<\/p>\n","protected":false},"author":13,"featured_media":8680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-89.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8891"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8891\/revisions"}],"predecessor-version":[{"id":8892,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8891\/revisions\/8892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8680"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8889,"date":"2025-02-03T15:11:07","date_gmt":"2025-02-03T15:11:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8889"},"modified":"2025-02-03T15:11:10","modified_gmt":"2025-02-03T15:11:10","slug":"cicatrices-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/cicatrices-2\/","title":{"rendered":"CICATRICES"},"content":{"rendered":"\n

Anurin Nwunembom, Cameroun, 2024<\/p>\n\n\n\n

SYNOPSIS
The pain of the ritual of female genital mutilation drives a young girl to flee her village. Her escape enrages Bakosso, the village chief, who seeks to punish her, but her mother fiercely opposes him. This confrontation reopens old wounds suffered by Mariamou, Souraya, and Zeinabou, who decide to fight against this degrading practice inflicted on women.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Anurin Nwunembom is a Cameroonian filmmaker. After university studies in theater, he transitioned into cinema. As an actor, he has appeared in Ninah\u2019s Dowry (2012) by Victor Viyuoh, Walls (2014) by Narcisse Wandji, and Enterer (2022) by Fran\u00e7oise Ellong. He later directed Nightfall (2015), Broken (2019), Chariots of the Gods (2021), Kikum Spirit (2022), Mosoroki, and Tales of Rape (2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Anurin Nwunembom, Cameroun, 2024 SYNOPSISThe pain of the ritual of female genital mutilation drives a young girl to flee her village. Her escape enrages Bakosso, the village chief, who seeks to punish her, but her mother fiercely opposes him. This confrontation reopens old wounds suffered by Mariamou, Souraya, and Zeinabou, who decide to fight against […]<\/p>\n","protected":false},"author":13,"featured_media":8679,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-88.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8889"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8889\/revisions"}],"predecessor-version":[{"id":8890,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8889\/revisions\/8890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8679"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8887,"date":"2025-02-03T15:08:08","date_gmt":"2025-02-03T15:08:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8887"},"modified":"2025-02-03T15:08:12","modified_gmt":"2025-02-03T15:08:12","slug":"challenge-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/challenge-2\/","title":{"rendered":"CHALLENGE"},"content":{"rendered":"\n

Adama ROAMBA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
A group of students from various social backgrounds anxiously await the results of their Brevet d\u2019\u00c9tudes exam\u2014some with fear, others with indifference. This moment not only determines their academic progress but also marks the beginning of their vacation. Challenge delves into the struggles of African teenagers, torn between tradition and modernity.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born in C\u00f4te d\u2019Ivoire, Adama ROAMBA is a Burkinab\u00e9 screenwriter, director, and producer. He has directed several successful television series, including Petit Sergent, C\u00e9libat\u00e9rium, and Du Jour au Lendemain. His fiction works include Le Neveu de l\u2019Homme Fort (2015) and La For\u00eat du Niolo (2016), which won Best Screenplay at FESPACO 2017. Over the years, his work has garnered multiple awards across the world.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adama ROAMBA, Burkina Faso, 2024 SYNOPSISA group of students from various social backgrounds anxiously await the results of their Brevet d\u2019\u00c9tudes exam\u2014some with fear, others with indifference. This moment not only determines their academic progress but also marks the beginning of their vacation. Challenge delves into the struggles of African teenagers, torn between tradition and […]<\/p>\n","protected":false},"author":13,"featured_media":8677,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-86.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8887"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8887\/revisions"}],"predecessor-version":[{"id":8888,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8887\/revisions\/8888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8677"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8885,"date":"2025-02-03T15:00:39","date_gmt":"2025-02-03T15:00:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8885"},"modified":"2025-02-03T15:00:41","modified_gmt":"2025-02-03T15:00:41","slug":"welcome-to-kikideni","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/welcome-to-kikideni\/","title":{"rendered":"WELCOME TO KIKIDENI"},"content":{"rendered":"\n

Aminata Diallo-Glez \/ \u00c9ric Herv\u00e9 Lengani, Burkina Faso, 2023<\/p>\n\n\n\n

SYNOPSIS
At the edge of an African savanna, a modest village navigates its daily struggles, torn between traditional chieftaincy and revealed religions, between machismo and feminism, between hardships and celebrations. With humor, the village confronts modern politics, environmental challenges, a pandemic, and even insecurity. Will their legendary unity overcome their endless squabbles?<\/p>\n\n\n\n

BIOFILMOGRAPHY
Aminata Diallo-Glez is a producer, director, and actress. Trained at EICAR-Paris and holding an MBA in International Business Management, she founded Jovial\u2019 Productions in 1999. She has produced and directed several successful television series, including Super Flics and Trois Hommes, Un Village, which won Best TV Series at FESPACO 2005. She has also directed documentaries such as Femmes en Peine and D\u00e9luge \u00e0 Ouaga<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Aminata Diallo-Glez \/ \u00c9ric Herv\u00e9 Lengani, Burkina Faso, 2023 SYNOPSISAt the edge of an African savanna, a modest village navigates its daily struggles, torn between traditional chieftaincy and revealed religions, between machismo and feminism, between hardships and celebrations. With humor, the village confronts modern politics, environmental challenges, a pandemic, and even insecurity. Will their legendary […]<\/p>\n","protected":false},"author":13,"featured_media":8682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8885","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-91.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8885"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8885\/revisions"}],"predecessor-version":[{"id":8886,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8885\/revisions\/8886"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8682"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8880,"date":"2025-02-03T14:54:39","date_gmt":"2025-02-03T14:54:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8880"},"modified":"2025-02-03T14:54:41","modified_gmt":"2025-02-03T14:54:41","slug":"ankara-lheritage-des-nanas-benz-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ankara-lheritage-des-nanas-benz-2\/","title":{"rendered":"Ankara, l’H\u00e9ritage des Nanas Benz"},"content":{"rendered":"\n

SITOU Ayit\u00e9, Togo, Ann\u00e9e<\/p>\n\n\n\n

SYNOPSIS
Ruth Lawson, a young and talented aspiring fashion designer, dreams of making a name for herself in the fashion industry. Driven by a desire for freedom and personal fulfillment, she faces strong opposition from her mother, Da Yovo. Trapped between her longing for independence and the restrictions imposed by her mother, Ruth sees the Visa Lottery as her only escape toward achieving her dreams in the West.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Sitou AYITE is a Togolese filmmaker with a diverse background in cinema and audiovisual production. Her versatility has allowed her to take on multiple roles on film sets, from directing to production. She has co-directed two documentaries and directed several short films, including Moi, cette \u00e9trang\u00e8re, Le Bouquet, and Adotevi aux mains d\u2019argent.<\/p>\n","protected":false},"excerpt":{"rendered":"

SITOU Ayit\u00e9, Togo, Ann\u00e9e SYNOPSISRuth Lawson, a young and talented aspiring fashion designer, dreams of making a name for herself in the fashion industry. Driven by a desire for freedom and personal fulfillment, she faces strong opposition from her mother, Da Yovo. Trapped between her longing for independence and the restrictions imposed by her mother, […]<\/p>\n","protected":false},"author":13,"featured_media":8881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[440],"tags":[],"class_list":["post-8880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8880"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8880\/revisions"}],"predecessor-version":[{"id":8882,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8880\/revisions\/8882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8881"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8874,"date":"2025-02-03T14:41:54","date_gmt":"2025-02-03T14:41:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8874"},"modified":"2025-02-03T14:41:58","modified_gmt":"2025-02-03T14:41:58","slug":"minimals-in-a-titanic-world-un-monde-titanic-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/minimals-in-a-titanic-world-un-monde-titanic-3\/","title":{"rendered":"MINIMALS IN A TITANIC WORLD – UN MONDE TITANIC"},"content":{"rendered":"\n

Mbabazi Sharangabo Philbert Aim\u00e9, Cameroun\/Allemagne\/ Rwanda, 2025<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Upon her release from a detention center, Anita, a dancer and aspiring songstress with anger management issues, finds out that Serge, her reclusive boyfriend, has suddenly died. Through the wake period, Anita finds comfort in her friendship with Shema, who also was Serge\u2019s best friend. As the ques0on of lust over loyalty torments the two friends, Anita tries to distance herself from Shema and dedicates herself en0rely to her music.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mbabazi Sharangabo Philbert Aim\u00e9 is a graduate of the Haute \u00c9cole d’Art et de Design in Geneva, cinema department. His short film I Got My Things And LeG, won the Oscar qualifying \u00ab\u00a0Grand Prize of Oberhausen\u201d in the 2019. He has made a dozen short films that have screened at over 50 film fesRvals world wide including IFF RoUerdam, Vision du R\u00e9el Nyon, InternaRonale Kurzfilmtage Winterthur, Tampere, Oberhausen, Go Short Nijmegen, Indie Lisboa, ISFF Hamburg, FIFF Namur and Uppsala Short Film FesRval. He is a Berlinale Talents and a Locarno Filmmakers Academy and Torino Film Lab almuni. The Oberhausen IFF dedicated a retrospecRve program to his work in 2020. Minimals In A Titanic World is his first feature film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mbabazi Sharangabo Philbert Aim\u00e9, Cameroun\/Allemagne\/ Rwanda, 2025 SYNOPSIS Upon her release from a detention center, Anita, a dancer and aspiring songstress with anger management issues, finds out that Serge, her reclusive boyfriend, has suddenly died. Through the wake period, Anita finds comfort in her friendship with Shema, who also was Serge\u2019s best friend. As the […]<\/p>\n","protected":false},"author":13,"featured_media":8722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-131.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8874"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8874\/revisions"}],"predecessor-version":[{"id":8875,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8874\/revisions\/8875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8722"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8870,"date":"2025-02-03T14:35:03","date_gmt":"2025-02-03T14:35:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8870"},"modified":"2025-02-17T11:56:31","modified_gmt":"2025-02-17T11:56:31","slug":"2g-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/2g-2\/","title":{"rendered":"2G"},"content":{"rendered":"\n

Karim Sayad, Alg\u00e9rie, 2023SYNOPSIS<\/strong>Agadez, 2021. Following the ban of unlawful migrants transportation by the Niger government, four former smugglers struggle to make a living. Facing the lack of perspectives, Ibrahim, Abdelsalam, Daouda and El Bak embark on a journey through the Sahara to join dozens of gold diggers lost in the middle of the desert. Between hopes and disillusions, these men fight to survive in an increasingly hostile and unstable environment.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Born in 1984 in Lausanne, Switzerland. Karim Sayad has both Swiss and Algerian citizenship. After earning a Master\u2019s degree in International Relations from Geneva\u2019s IHEID, he directed his first short documentary film, BABOR CASANOVA (2015). It was awarded at doclisboa, Festival dei Popoli and at Clermont-Ferrand International Short Film Festival among others. His first feature-length film OF SHEEP AND MEN (2017) premiered within TIFF DOCS and won the Prix de Soleure 2018. MY ENGLISH COUSIN also premiered in TIFF DOCS.<\/p>\n","protected":false},"excerpt":{"rendered":"

Karim Sayad, Alg\u00e9rie, 2023SYNOPSISAgadez, 2021. Following the ban of unlawful migrants transportation by the Niger government, four former smugglers struggle to make a living. Facing the lack of perspectives, Ibrahim, Abdelsalam, Daouda and El Bak embark on a journey through the Sahara to join dozens of gold diggers lost in the middle of the desert. […]<\/p>\n","protected":false},"author":13,"featured_media":9611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8870"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8870\/revisions"}],"predecessor-version":[{"id":9896,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8870\/revisions\/9896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9611"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8868,"date":"2025-02-03T14:34:07","date_gmt":"2025-02-03T14:34:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8868"},"modified":"2025-02-17T11:55:52","modified_gmt":"2025-02-17T11:55:52","slug":"2g","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/2g\/","title":{"rendered":"2G"},"content":{"rendered":"\n

Karim Sayad, Alg\u00e9rie, 2023 SYNOPSIS<\/strong>Agadez, 2021. Suite \u00e0 l’interdiction du transport de migrants ill\u00e9gaux par le gouvernement nig\u00e9rien, quatre anciens passeurs luttent pour gagner leur vie. Face au manque de perspectives, Ibrahim, Abdelsalam, Daouda et El Bak se lancent dans un p\u00e9riple \u00e0 travers le Sahara pour rejoindre des dizaines d’orpailleurs perdus dans le d\u00e9sert. Entre espoirs et d\u00e9sillusions, ceux-ci luttent pour survivre.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 en 1984 \u00e0 Lausanne, en Suisse, Karim Sayad poss\u00e8de la double nationalit\u00e9 suisse et alg\u00e9rienne. Apr\u00e8s avoir obtenu un Master en Relations Internationales \u00e0 l\u2019IHEID de Gen\u00e8ve, il r\u00e9alise son premier court-m\u00e9trage documentaire, BABOR CASANOVA (2015), r\u00e9compens\u00e9 notamment \u00e0 Doclisboa, Festival dei Popoli et au Festival international du court-m\u00e9trage de Clermont-Ferrand. Son premier long-m\u00e9trage, OF SHEEP AND MEN (2017), a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans la section TIFF DOCS et a remport\u00e9 le Prix de Soleure 2018. Son film MY ENGLISH COUSIN a \u00e9galement \u00e9t\u00e9 pr\u00e9sent\u00e9 en TIFF DOCS.<\/p>\n","protected":false},"excerpt":{"rendered":"

Karim Sayad, Alg\u00e9rie, 2023 SYNOPSISAgadez, 2021. Suite \u00e0 l’interdiction du transport de migrants ill\u00e9gaux par le gouvernement nig\u00e9rien, quatre anciens passeurs luttent pour gagner leur vie. Face au manque de perspectives, Ibrahim, Abdelsalam, Daouda et El Bak se lancent dans un p\u00e9riple \u00e0 travers le Sahara pour rejoindre des dizaines d’orpailleurs perdus dans le d\u00e9sert. […]<\/p>\n","protected":false},"author":13,"featured_media":9611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8868"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8868\/revisions"}],"predecessor-version":[{"id":9895,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8868\/revisions\/9895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9611"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8863,"date":"2025-02-03T13:57:43","date_gmt":"2025-02-03T13:57:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8863"},"modified":"2025-02-06T15:11:00","modified_gmt":"2025-02-06T15:11:00","slug":"la-legende-de-la-reine-vagabonde-de-lagos","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-legende-de-la-reine-vagabonde-de-lagos\/","title":{"rendered":"LA L\u00c9GENDE DE LA REINE VAGABONDE DE LAGOS"},"content":{"rendered":"\n

LA L\u00c9GENDE DE LA REINE VAGABONDE DE LAGOSThe Agbajowo Collective (Akinmuyiwa Bisola, Atinkpo Segun Elijah, Edukpo Tina, James Tayler, Mathew Cerf, Okechukwu Samuel, Ogungbamila Temitope), Nigeria \/ Afrique du Sud \/ Allemagne \/ USA, 2024<\/p>\n\n\n\n

SYNOPSIS
Jawu vit dans l\u2019un des bidonvilles flottants repouss\u00e9s vers le lagon, qui donne son nom \u00e0 la m\u00e9gapole de Lagos. Jeune m\u00e8re tentant de survivre dans une ville indiff\u00e9rente, elle est pourtant marqu\u00e9e par l\u2019esprit du grand roi guerrier Egbaezen, qui lui confie une lourde responsabilit\u00e9 et une \u00e9preuve redoutable.<\/p>\n\n\n\n

Le danger menace d\u00e9sormais son peuple, alors que des fonctionnaires corrompus complotent pour expulser des milliers d\u2019habitants de leurs terres ancestrales. L\u2019esprit d\u2019Egbaezen prend la forme d\u2019un perroquet gris d\u2019Afrique et d\u00e9clenche une s\u00e9rie d\u2019\u00e9v\u00e9nements qui bouleverseront \u00e0 jamais la vie de Jawu et de toute sa communaut\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
The Agbajowo Collective est un groupe de cin\u00e9astes issus de divers horizons, travaillant avec de jeunes conteurs des bidonvilles de Lagos. Leurs \u0153uvres traitent principalement du d\u00e9placement urbain, des droits humains et de la justice sociale. Parmi eux, Akinmuyiwa Bisola, membre fondateur de la F\u00e9d\u00e9ration des M\u00e9dias des Bidonvilles et Quartiers Informels du Nigeria, met en lumi\u00e8re les violations des droits humains dans ces communaut\u00e9s. Atinkpo Segun Elijah et Edukpo Tina, tous deux originaires d\u2019Otodo Gbame, apportent une perspective personnelle, ayant eux-m\u00eames v\u00e9cu des expulsions forc\u00e9es. Elijah a jou\u00e9 un r\u00f4le cl\u00e9 dans le d\u00e9veloppement de l\u2019histoire du film, tandis que Tina, militante communautaire, a insuffl\u00e9 au film son r\u00e9alisme magique inspir\u00e9 du folklore Egun.<\/p>\n\n\n\n

Le collectif comprend \u00e9galement des cin\u00e9astes internationaux exp\u00e9riment\u00e9s. James Tayler, r\u00e9alisateur prim\u00e9, a travaill\u00e9 sur des films de justice sociale \u00e0 travers l\u2019Afrique, contribuant \u00e0 la cr\u00e9ation de m\u00e9dias communautaires. Mathew Cerf, cin\u00e9aste et photographe, est sp\u00e9cialis\u00e9 dans la narration collaborative et a amplifi\u00e9 les voix des communaut\u00e9s marginalis\u00e9es \u00e0 Lagos. Okechukwu Samuel, directeur de la photographie et sc\u00e9nariste, a fa\u00e7onn\u00e9 l\u2019esth\u00e9tique visuelle du film en mettant l\u2019accent sur les in\u00e9galit\u00e9s urbaines. Ogungbamila Temitope, r\u00e9alisatrice d\u2019Isale Akoka, s\u2019engage \u00e0 autonomiser les femmes et<\/p>\n","protected":false},"excerpt":{"rendered":"

LA L\u00c9GENDE DE LA REINE VAGABONDE DE LAGOSThe Agbajowo Collective (Akinmuyiwa Bisola, Atinkpo Segun Elijah, Edukpo Tina, James Tayler, Mathew Cerf, Okechukwu Samuel, Ogungbamila Temitope), Nigeria \/ Afrique du Sud \/ Allemagne \/ USA, 2024 SYNOPSISJawu vit dans l\u2019un des bidonvilles flottants repouss\u00e9s vers le lagon, qui donne son nom \u00e0 la m\u00e9gapole de Lagos. […]<\/p>\n","protected":false},"author":13,"featured_media":8957,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8863"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8863\/revisions"}],"predecessor-version":[{"id":8864,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8863\/revisions\/8864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8957"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8860,"date":"2025-02-03T13:45:16","date_gmt":"2025-02-03T13:45:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8860"},"modified":"2025-02-06T15:09:42","modified_gmt":"2025-02-06T15:09:42","slug":"the-legend-of-the-vagabond-queen-of-lagos","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-legend-of-the-vagabond-queen-of-lagos\/","title":{"rendered":"THE LEGEND OF THE VAGABOND QUEEN OF LAGOS"},"content":{"rendered":"\n

The Agbajowo collective (Akinmuyiwa Bisola, Atinkpo Segun Elijah, Edukpo Tina, James Tayler, Mathew Cerf, Okechukwu Samuel, Ogungbamila Temitope), Nigeria \/Afrique du Sud \/ Allemagne \/ USA, 2024<\/p>\n\n\n\n

Nigeria   <\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

Jawu lives in one of the floating slums pushed into the lagoon which gives the megacity Lagos its name a young mother scraping by in an indifferent city. However, the spirit of the great warrior king Egbaezen has marked her for a terrible responsibility and ordeal. Danger now threatens his people, as corrupt officials conspire to evict thousands from their ancestral homes. Egbaezen\u2019s spirit takes the form of an African Grey parrot, and sets in motion a chain of events that will change Jawu and her entire community forever<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>                                                                                                         <\/strong><\/p>\n\n\n\n

The Agbajowo Collective is a group of filmmakers from different backgrounds, collaborating with young storytellers from Lagos\u2019 informal settlements. Their work is centered on themes of urban displacement, human rights, and social justice. Among them, Akinmuyiwa Bisola, a founding member of the Nigerian Slum \/ Informal Settlement Federation media team, highlights human rights abuses in Lagos\u2019 informal settlements. Atinkpo Segun Elijah and Edukpo Tina, both from Otodo Gbame, contribute deeply personal perspectives, having experienced forced evictions firsthand. Elijah played a crucial role in shaping the film\u2019s story, while Tina, a community activist, infused the film\u2019s magical realism with her knowledge of Egun folklore.<\/p>\n\n\n\n

The collective also includes experienced international filmmakers. James Tayler, an award-winning director, has worked on social justice films across Africa, helping establish grassroots media teams. Mathew Cerf, a filmmaker and photographer, specializes in collaborative storytelling and has worked in Lagos amplifying the voices of marginalized communities. Okechukwu Samuel, a cinematographer and writer, crafted the film\u2019s visual style, focusing on themes of urban inequality. Ogungbamila Temitope, a filmmaker from Isale Akoka, is dedicated to empowering women and young people through storytelling and digital media education. Together, they create powerful narratives that challenge perceptions and advocate for change.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Agbajowo collective (Akinmuyiwa Bisola, Atinkpo Segun Elijah, Edukpo Tina, James Tayler, Mathew Cerf, Okechukwu Samuel, Ogungbamila Temitope), Nigeria \/Afrique du Sud \/ Allemagne \/ USA, 2024 Nigeria    SYNOPSIS Jawu lives in one of the floating slums pushed into the lagoon which gives the megacity Lagos its name a young mother scraping by in an […]<\/p>\n","protected":false},"author":13,"featured_media":8957,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8860"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8860\/revisions"}],"predecessor-version":[{"id":8862,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8860\/revisions\/8862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8957"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8855,"date":"2025-02-03T13:36:59","date_gmt":"2025-02-03T13:36:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8855"},"modified":"2025-02-03T13:37:03","modified_gmt":"2025-02-03T13:37:03","slug":"a-very-long-letter","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-very-long-letter\/","title":{"rendered":"A VERY LONG LETTER"},"content":{"rendered":"\n

Ang\u00e8le Diabang, Senegal, 2024<\/p>\n\n\n\n

SYNOPSIS
Ramatoulaye, a 50-year-old teacher, has been married to lawyer Modou Fall for 25 years. The couple shares a deep bond and enjoys a happy life with their four children. However, when her husband takes a second wife\u2014her daughter\u2019s best friend\u2014the betrayal is devastating. This marks the beginning of a battle where tradition and modernity collide.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Ang\u00e8le Diabang is a Senegalese filmmaker and producer. Through her production company, Karoninka, which she founded in 2006, she has produced around fifteen films. Her short film Un Air de Kora won multiple awards at FESPACO 2019, including the Bronze Stallion and Best ECOWAS Director. Ang\u00e8le also served for two and a half years as the head of Senegal\u2019s copyright and neighboring rights society.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ang\u00e8le Diabang, Senegal, 2024 SYNOPSISRamatoulaye, a 50-year-old teacher, has been married to lawyer Modou Fall for 25 years. The couple shares a deep bond and enjoys a happy life with their four children. However, when her husband takes a second wife\u2014her daughter\u2019s best friend\u2014the betrayal is devastating. This marks the beginning of a battle where […]<\/p>\n","protected":false},"author":13,"featured_media":8752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-136.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8855"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8855\/revisions"}],"predecessor-version":[{"id":8856,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8855\/revisions\/8856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8752"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8853,"date":"2025-02-03T13:34:16","date_gmt":"2025-02-03T13:34:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8853"},"modified":"2025-02-03T13:34:19","modified_gmt":"2025-02-03T13:34:19","slug":"warassa-the-heritage","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/warassa-the-heritage\/","title":{"rendered":"WARASSA, THE HERITAGE"},"content":{"rendered":"\n

Aaron Padack\u00e9 Z\u00e9goub\u00e9, Chad, 2024<\/p>\n\n\n\n

SYNOPSIS:
SABOURA, 18, is the eldest daughter of a former military officer and a civil servant. She has a younger brother, MANDOUH, who is four years her junior. SABOURA and MANDOUH share a strong bond and are very close. Both were raised far from traditional customs, in a peaceful neighborhood of N\u2019Djamena, near the banks of the Chari River. Their family lives comfortably, free from financial worries.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Aaron Padack\u00e9 Z\u00e9goub\u00e9 is a Chadian director and producer with several fiction and documentary films to his credit, including Sur les traces de Toumai (2019), which won the Best Feature Documentary Award at CICAO 2024. He pursued higher education in film studies in Algeria and Cameroon.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aaron Padack\u00e9 Z\u00e9goub\u00e9, Chad, 2024 SYNOPSIS:SABOURA, 18, is the eldest daughter of a former military officer and a civil servant. She has a younger brother, MANDOUH, who is four years her junior. SABOURA and MANDOUH share a strong bond and are very close. Both were raised far from traditional customs, in a peaceful neighborhood of […]<\/p>\n","protected":false},"author":13,"featured_media":8749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-138.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8853"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8853\/revisions"}],"predecessor-version":[{"id":8854,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8853\/revisions\/8854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8749"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8851,"date":"2025-02-03T13:29:16","date_gmt":"2025-02-03T13:29:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8851"},"modified":"2025-02-03T13:29:18","modified_gmt":"2025-02-03T13:29:18","slug":"a-night-so-long","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-night-so-long\/","title":{"rendered":"A NIGHT SO LONG"},"content":{"rendered":"\n

Delphine YERBANGA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS:
The film depicts a night of horror in a West African city. That night, Alex, a thief, was waiting for the right moment to break into a house. Peering through the window, he observed the occupants\u2014St\u00e9phane and Aline, a young couple struggling with misunderstandings caused by late-night outings and alcoholism. As he watched, he became an unexpected witness to domestic violence.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Delphine Yerbanga is a Burkinab\u00e9 filmmaker. She holds a Master\u2019s degree in Audiovisual Studies from the Institut de Formation en Techniques de l\u2019Information et de la Communication in Niger and a Master\u2019s in Documentary Filmmaking from Gaston Berger University in Saint-Louis, Senegal. She has directed several films, including Sur les traces d\u2019un migrant (2021) and L\u2019\u00c2ge d\u2019or du FESPACO (2019).<\/p>\n","protected":false},"excerpt":{"rendered":"

Delphine YERBANGA, Burkina Faso, 2024 SYNOPSIS:The film depicts a night of horror in a West African city. That night, Alex, a thief, was waiting for the right moment to break into a house. Peering through the window, he observed the occupants\u2014St\u00e9phane and Aline, a young couple struggling with misunderstandings caused by late-night outings and alcoholism. […]<\/p>\n","protected":false},"author":13,"featured_media":8746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-137.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8851"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8851\/revisions"}],"predecessor-version":[{"id":8852,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8851\/revisions\/8852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8746"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8849,"date":"2025-02-03T13:24:49","date_gmt":"2025-02-03T13:24:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8849"},"modified":"2025-02-03T13:24:52","modified_gmt":"2025-02-03T13:24:52","slug":"phiona-umukobwa-uvuye-i-madrid-phiona-the-girl-from-madrid","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/phiona-umukobwa-uvuye-i-madrid-phiona-the-girl-from-madrid\/","title":{"rendered":"PHIONA, UMUKOBWA UVUYE I MADRID – PHIONA, THE GIRL FROM MADRID"},"content":{"rendered":"\n

Mutiganda wa Nkunda, Rwanda, Benin, Saudi Arabia, 2023<\/p>\n\n\n\n

SYNOPSIS:
Kigali, June 2020. It has been a few days since Phiona returned from Madrid\u2014a metaphorical city where she was cut off from the outside world for three years. After a day filled with friendly conversations with her cousin Yves, their discussion takes a critical turn regarding the decisions that led Phiona to go to Madrid. Their friendship is put to the test.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Mutiganda wa Nkunda is a Rwandan filmmaker. In 2014, he wrote, produced, and directed his first short film, Rayila. In 2015, he produced the short film Ishaba during a filmmaking workshop at the Mashariki African Film Festival. His first feature film, Nameless, was selected for the official competition at FESPACO 2021 and won the award for Best Screenplay.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mutiganda wa Nkunda, Rwanda, Benin, Saudi Arabia, 2023 SYNOPSIS:Kigali, June 2020. It has been a few days since Phiona returned from Madrid\u2014a metaphorical city where she was cut off from the outside world for three years. After a day filled with friendly conversations with her cousin Yves, their discussion takes a critical turn regarding the […]<\/p>\n","protected":false},"author":13,"featured_media":8725,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-134.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8849"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8849\/revisions"}],"predecessor-version":[{"id":8850,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8849\/revisions\/8850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8725"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8847,"date":"2025-02-03T13:03:40","date_gmt":"2025-02-03T13:03:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8847"},"modified":"2025-02-17T11:54:21","modified_gmt":"2025-02-17T11:54:21","slug":"nails-man-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nails-man-2\/","title":{"rendered":"NAIL\u2019S MAN"},"content":{"rendered":"\n

Twana Sheriya, Democratic Republic of the Congo, 2023 SYNOPSIS<\/strong>KUWA JIBIKA has just been fired, but he doesn\u2019t dare tell his partner, Nella. Every morning, he pretends to go to work, making her believe that he is still employed by \u201cthe Lebanese.\u201d One day, he meets Jasiri, who introduces him to a job he eventually masters, allowing him to make a good living. However, out of shame, he never reveals to Nella the nature of this unexpected profession.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Born in the Democratic Republic of the Congo, TWANA SHERIYA studied international law at the University of Kinshasa before training in film techniques at Actions de Kinshasa. He has directed and co-produced the short fiction film APRES COUP, which won Best Short Film at the Kinshasa International Film Festival and was nominated at\u00a0\u00c9crans\u00a0Noirs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Twana Sheriya, Democratic Republic of the Congo, 2023 SYNOPSISKUWA JIBIKA has just been fired, but he doesn\u2019t dare tell his partner, Nella. Every morning, he pretends to go to work, making her believe that he is still employed by \u201cthe Lebanese.\u201d One day, he meets Jasiri, who introduces him to a job he eventually masters, […]<\/p>\n","protected":false},"author":13,"featured_media":8724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-133.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8847"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8847\/revisions"}],"predecessor-version":[{"id":9894,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8847\/revisions\/9894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8724"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8845,"date":"2025-02-03T12:56:57","date_gmt":"2025-02-03T12:56:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8845"},"modified":"2025-02-03T12:57:03","modified_gmt":"2025-02-03T12:57:03","slug":"mougha-youchked-mora-is-here","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mougha-youchked-mora-is-here\/","title":{"rendered":"MOUGHA YOUCHKED – MORA IS HERE"},"content":{"rendered":"\n

Khalid Zairi, Morocco, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS
<\/strong>In the 1950s, faced with the coal crisis, Charbonnages de France turned to Felix Mora, a former officer of Indigenous Affairs in Morocco, to recruit Moroccan laborers. Mora was tasked with finding an illiterate, submissive, and low-cost workforce. This film uncovers the forgotten history of these Moroccan miners.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Khalid ZAIRI is a Moroccan producer and director, a member of the International Association of Independent Audiovisual Producers of the Mediterranean, and the initiator of Casablanca Film Lab, in collaboration with FESPACO. In 2017, he directed Sur les routes du Sahara, which won the Jury Prize and Best Music Award at the 2nd Al Jazeera Documentary\u00a0Film\u00a0Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Khalid Zairi, Morocco, 2023 SYNOPSISIn the 1950s, faced with the coal crisis, Charbonnages de France turned to Felix Mora, a former officer of Indigenous Affairs in Morocco, to recruit Moroccan laborers. Mora was tasked with finding an illiterate, submissive, and low-cost workforce. This film uncovers the forgotten history of these Moroccan miners. BIOFILMOGRAPHYKhalid ZAIRI is […]<\/p>\n","protected":false},"author":13,"featured_media":8723,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-132.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8845"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8845\/revisions"}],"predecessor-version":[{"id":8846,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8845\/revisions\/8846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8723"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8839,"date":"2025-02-03T12:34:06","date_gmt":"2025-02-03T12:34:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8839"},"modified":"2025-02-17T12:00:02","modified_gmt":"2025-02-17T12:00:02","slug":"les-miennes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-miennes-2\/","title":{"rendered":"LES MIENNES"},"content":{"rendered":"\n

Samira El Mouzghiba, Morocco, 2024<\/strong> SYNOPSIS<\/strong> As the youngest of five sisters, I know I have inherited a painful part of their story. In response to a tragic event that was kept silent, a sisterhood was formed\u2014one that excluded my mother. Since then, between us, we refer to her as \u201cYour mother,\u201d as if she were no longer one of us. Now, for the first time, she is ready to speak.<\/p>\n\n\n\n

BIOFILMOGRAPHY:<\/strong>
Samira El Mouzghiba is a Belgian-Moroccan filmmaker and editor. She studied at INSAS in Brussels, where she specialized in editing and script supervision. She has worked on various projects, collaborating with filmmakers from diverse backgrounds. Convinced of cinema\u2019s transformative power, she directed her first documentary, Les Miennes, in 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Samira El Mouzghiba, Morocco, 2024 SYNOPSIS As the youngest of five sisters, I know I have inherited a painful part of their story. In response to a tragic event that was kept silent, a sisterhood was formed\u2014one that excluded my mother. Since then, between us, we refer to her as \u201cYour mother,\u201d as if she […]<\/p>\n","protected":false},"author":13,"featured_media":8721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-130.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8839"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8839\/revisions"}],"predecessor-version":[{"id":9899,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8839\/revisions\/9899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8721"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8837,"date":"2025-02-03T12:17:44","date_gmt":"2025-02-03T12:17:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8837"},"modified":"2025-02-03T12:17:46","modified_gmt":"2025-02-03T12:17:46","slug":"cent-douze-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/cent-douze-2\/","title":{"rendered":"CENT DOUZE"},"content":{"rendered":"\n

CENT DOUZEJo\u00ebl M\u2019Maka, Togo, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
1934, the arrival of the first train. I stood majestically at the heart of Togo, in a place that would later become Blitta\u2014a cosmopolitan city that was built around me. I brought prosperity, a golden era that sparked envy\u2026 Then, nothing. Decline. Today, I am nothing more than a fading memory in the minds of the elders who still remember me.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>
Jo\u00ebl M\u2019Maka TCHEDRE is a Togolese director and producer, and head of Les Films du Si\u00e8cle. A graduate in journalism and cinema, he has made significant contributions to African filmmaking. His documentary Nanas Benz, Les Reines du textile africain won the Kodjo Eboucl\u00e9 Grand Prize for Best Film and the African Integration Award at Clap Ivoire in 2014. His film PACTE was officially selected at\u00a0FESPACO\u00a02017.<\/p>\n","protected":false},"excerpt":{"rendered":"

CENT DOUZEJo\u00ebl M\u2019Maka, Togo, 2024 SYNOPSIS1934, the arrival of the first train. I stood majestically at the heart of Togo, in a place that would later become Blitta\u2014a cosmopolitan city that was built around me. I brought prosperity, a golden era that sparked envy\u2026 Then, nothing. Decline. Today, I am nothing more than a fading […]<\/p>\n","protected":false},"author":13,"featured_media":8718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-127.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8837"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8837\/revisions"}],"predecessor-version":[{"id":8838,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8837\/revisions\/8838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8718"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8835,"date":"2025-02-03T12:13:36","date_gmt":"2025-02-03T12:13:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8835"},"modified":"2025-02-03T12:13:39","modified_gmt":"2025-02-03T12:13:39","slug":"catcher-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/catcher-2\/","title":{"rendered":"CATCHER"},"content":{"rendered":"\n

CATCHERDerhwa Kasunzu, Democratic Republic of the Congo (DRC), 2024<\/p>\n\n\n\n

SYNOPSIS
In Kisangani, Democratic Republic of the Congo, a fallen wrestling star and his fellow fighters struggle to organize a grand event in honor of their late mentor, a forgotten former world champion.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Based in Kisangani, DRC\u2014the city where he grew up\u2014Derhwa Kasunzu holds a law degree from the University of Kisangani. He trained in documentary writing and filmmaking techniques at Studios Kabako. In 2018-2019, he was part of the Lubunga Files project, under the artistic direction of Faustin Linyekula. In 2018, he directed his first short film, INKERSON.<\/p>\n","protected":false},"excerpt":{"rendered":"

CATCHERDerhwa Kasunzu, Democratic Republic of the Congo (DRC), 2024 SYNOPSISIn Kisangani, Democratic Republic of the Congo, a fallen wrestling star and his fellow fighters struggle to organize a grand event in honor of their late mentor, a forgotten former world champion. BIOFILMOGRAPHY:Based in Kisangani, DRC\u2014the city where he grew up\u2014Derhwa Kasunzu holds a law degree […]<\/p>\n","protected":false},"author":13,"featured_media":8717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-126.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8835"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8835\/revisions"}],"predecessor-version":[{"id":8836,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8835\/revisions\/8836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8717"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8832,"date":"2025-02-03T11:06:35","date_gmt":"2025-02-03T11:06:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8832"},"modified":"2025-02-06T13:56:10","modified_gmt":"2025-02-06T13:56:10","slug":"le-rendez-vous-du-siecle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-rendez-vous-du-siecle\/","title":{"rendered":"le rendez-vous du si\u00e8cle"},"content":{"rendered":"\n

Richard GAMI ASTOIGUE, Tchad<\/p>\n\n\n\n

DINGAM, un gar\u00e7on sourd-muet de 12 ans vivant \u00e0 Doba, Tchad, poss\u00e8de le don de dessiner et de pr\u00e9dire l’avenir. Son p\u00e8re, NGAR, trouve un emploi dans une entreprise russe, mais l’\u00e9v\u00e9nement d\u00e9clenche un cycle de violence conjugale apr\u00e8s qu’il brise un ancien serment de ne plus boire d’alcool. DINGAM, voyant la d\u00e9t\u00e9rioration de son p\u00e8re, implore le pardon dans la for\u00eat sacr\u00e9e et tente de prot\u00e9ger sa m\u00e8re en exposant les abus \u00e0 travers ses dessins. Un jour, dans un acte d\u00e9sesp\u00e9r\u00e9, DINGAM poignarde son p\u00e8re, croyant qu’il est mort, mais NGAR survit et la famille est r\u00e9concili\u00e9e. Son enseignant, INNOCENT, joue un r\u00f4le cl\u00e9 en d\u00e9chiffrant les dessins et en t\u00e9moignant en faveur\u00a0de\u00a0DINGAM.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Richard GAMI ASTOIGUE, Tchad DINGAM, un gar\u00e7on sourd-muet de 12 ans vivant \u00e0 Doba, Tchad, poss\u00e8de le don de dessiner et de pr\u00e9dire l’avenir. Son p\u00e8re, NGAR, trouve un emploi dans une entreprise russe, mais l’\u00e9v\u00e9nement d\u00e9clenche un cycle de violence conjugale apr\u00e8s qu’il brise un ancien serment de ne plus boire d’alcool. DINGAM, voyant […]<\/p>\n","protected":false},"author":13,"featured_media":8929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8832"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8832\/revisions"}],"predecessor-version":[{"id":8833,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8832\/revisions\/8833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8929"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8830,"date":"2025-02-03T09:40:01","date_gmt":"2025-02-03T09:40:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8830"},"modified":"2025-02-06T14:57:25","modified_gmt":"2025-02-06T14:57:25","slug":"the-third-gele","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-third-gele\/","title":{"rendered":"THE THIRD G\u00c9L\u00c9"},"content":{"rendered":"\n

John Oluwole ADEKOJE, Nig\u00e9ria<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Au cours d’un voyage \u00e9lectrisant \u00e0 travers les paysages vibrants de l’Afrique, THE THIRD G\u00c9L\u00c9 <\/strong>rencontre une extraordinaire ligue de femmes panafricaines, les AJUMOSE, qui ont pour mission de trouver leur troisi\u00e8me couronne. Dirig\u00e9es par la sage et puissante IYA, une matriarche de 400 ans de sang yoruba, les AJUMOSE affrontent une bande de bots sans piti\u00e9, les IKU, pour s’emparer de leurs pouvoirs africains ancestraux. Ils rencontrent STELLAR, une femme prise au pi\u00e8ge du chagrin et de la tourmente, dont le destin se confond avec le leur. Ensemble, ils affrontent sa douleur pour ouvrir un portail et sauvegarder leur h\u00e9ritage, forgeant une alliance \u00e9pique et pr\u00e9parant le terrain pour un R\u00e9veil imminent.<\/p>\n\n\n\n

BIOGRAPHIE <\/strong><\/p>\n\n\n\n

John Oluwole ADEKOJE est r\u00e9alisateur Nig\u00e9rian dont le court m\u00e9trage YE ! a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans de nombreux festivals internationaux de cin\u00e9ma, dont le FESPACO, le Festival Cin\u00e9mas d’Afrique Lausanne, Afrikamera \u00e0 Berlin, Film Initiative K\u00f6ln et le Festival International du Film de Bruxelles. En 2024, LE TROISI\u00c8ME G\u00c9L\u00c9, le premier long m\u00e9trage de la trilogie Jagun d’ADEKOJE, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans le prestigieux Atelier Grand Bassam en C\u00f4te d’Ivoire.<\/p>\n","protected":false},"excerpt":{"rendered":"

John Oluwole ADEKOJE, Nig\u00e9ria SYNOPSIS Au cours d’un voyage \u00e9lectrisant \u00e0 travers les paysages vibrants de l’Afrique, THE THIRD G\u00c9L\u00c9 rencontre une extraordinaire ligue de femmes panafricaines, les AJUMOSE, qui ont pour mission de trouver leur troisi\u00e8me couronne. Dirig\u00e9es par la sage et puissante IYA, une matriarche de 400 ans de sang yoruba, les AJUMOSE […]<\/p>\n","protected":false},"author":13,"featured_media":9313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-39-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8830"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8830\/revisions"}],"predecessor-version":[{"id":8831,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8830\/revisions\/8831"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9313"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8828,"date":"2025-02-03T09:37:55","date_gmt":"2025-02-03T09:37:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8828"},"modified":"2025-02-06T14:00:13","modified_gmt":"2025-02-06T14:00:13","slug":"les-tournesols-de-la-lune","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-tournesols-de-la-lune\/","title":{"rendered":"LES TOURNESOLS DE LA LUNE"},"content":{"rendered":"\n

Isma\u00ebl, Tunisie<\/p>\n\n\n\n

Synopsis<\/p>\n\n\n\n

2001, au quartier r\u00e9serv\u00e9 de Tunis, Hayet na\u00eet. Sa m\u00e8re est poignard\u00e9e sur le lit o\u00f9 elle vient d\u2019accoucher. Hayet est \u00e9lev\u00e9e par Kmar, une travailleuse du sexe et Fatma, une maquerelle. Elle grandit enferm\u00e9e dans le quartier r\u00e9serv\u00e9, avec pour seule \u00e9chappatoire les toits de la vieille ville et pour seul compagnon Sboui, un chat qui parle. Durant la r\u00e9volution de 2011, Hayet et Sboui s\u2019\u00e9chappent et sont livr\u00e9s \u00e0 eux-m\u00eames dans une ville en pleine \u00e9bullition. En 2033, Hayet, qui vit dans la rue de mendicit\u00e9 et de menus larcins, rencontre Wahid, plus jeune et moins habitu\u00e9 \u00e0 la marginalit\u00e9. Apr\u00e8s une rencontre violente, Hayet et Wahid s\u2019apprivoisent petit \u00e0 petit sous les regards jaloux de Sboui, qui essaie tant bien que mal de rompre le lien de plus en plus fort entre eux. Ensemble, Hayet et Wahid d\u00e9couvrent les liens et les sentiments humains pendant qu\u2019ils essaient de d\u00e9passer l\u2019adversit\u00e9 de leur situation. Mais Samy, un policier dou\u00e9 et intransigeant est \u00e0 leur trousse\u2026<\/p>\n\n\n\n

  Biographie<\/p>\n\n\n\n

Isma\u00ebl est cin\u00e9aste, artiste visuel et auteur. Il a entre autres r\u00e9alis\u00e9 Babylon (Grand Prix FID Marseille 2012), Leila\u2019s Blues (Quinzaine des R\u00e9alisateurs Cannes 2018), Fragments of self-phone-destruction (prim\u00e9 au Festival des Cin\u00e9mas Diff\u00e9rents et Exp\u00e9rimentaux de Paris 2019), Black Medusa (Tiger Competition, IFFR 2021), Hackers of the Borders (Comp\u00e9tition Documentaire JCC 2024)\u2026 Il a produit The Last of Us (Meilleur Premier Film Venise 2016).<\/p>\n","protected":false},"excerpt":{"rendered":"

Isma\u00ebl, Tunisie Synopsis 2001, au quartier r\u00e9serv\u00e9 de Tunis, Hayet na\u00eet. Sa m\u00e8re est poignard\u00e9e sur le lit o\u00f9 elle vient d\u2019accoucher. Hayet est \u00e9lev\u00e9e par Kmar, une travailleuse du sexe et Fatma, une maquerelle. Elle grandit enferm\u00e9e dans le quartier r\u00e9serv\u00e9, avec pour seule \u00e9chappatoire les toits de la vieille ville et pour seul […]<\/p>\n","protected":false},"author":13,"featured_media":8935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8828","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-22.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8828"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8828\/revisions"}],"predecessor-version":[{"id":8829,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8828\/revisions\/8829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8935"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8826,"date":"2025-02-03T09:33:58","date_gmt":"2025-02-03T09:33:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8826"},"modified":"2025-02-06T13:53:28","modified_gmt":"2025-02-06T13:53:28","slug":"samiya-la-saison-des-amours","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/samiya-la-saison-des-amours\/","title":{"rendered":"SAMIYA LA SAISON DES AMOURS"},"content":{"rendered":"\n

Ousmane Diagana, Mauritanie<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

Bamby, jeune fille de 18 ans, arrive dans le village sah\u00e9lien de Teremissi pour se marier durant la Samiya, la \u00ab\u00a0saison des amours,\u00a0\u00bb c\u00e9l\u00e9br\u00e9e apr\u00e8s des pluies abondantes. \u00c0 son arriv\u00e9e, elle apprend avec d\u00e9ception que la Samiya a \u00e9t\u00e9 annul\u00e9e, car les sages attendent les pluies, symbole de fertilit\u00e9 en vain. D\u00e9termin\u00e9es, Bamby et ses amies, d\u00e9cident d\u2019invoquer la pluie par une danse initiatique.<\/p>\n\n\n\n

Cette initiative provoque la col\u00e8re de Djibi et de ses amis, un groupe de jeunes hommes aux id\u00e9aux stricts, qui imposent leur vision radicale de la religion aux villageois. Bamby et ses amies dansent pour invoquer la pluie. Djibi et son groupe, consid\u00e9rant cet acte comme blasph\u00e9matoire, les attaquent violemment. T\u00e9n\u00e9, une femme \u00e2g\u00e9e de 80 ans, respect\u00e9e pour sa sagesse, prend Bamby et son amie Mally sous son aile. Elle leur transmet son savoir et les aide \u00e0 chercher des solutions pour restaurer la Samiya synonyme de vie.<\/p>\n\n\n\n

Biographie<\/strong><\/p>\n\n\n\n

N\u00e9 en Mauritanie, Ousmane Diagana a obtenu son baccalaur\u00e9at litt\u00e9raire \u00e0 Ka\u00e9di avant de rejoindre la capitale Nouakchott pour suivre des \u00e9tudes en Technique commerciale puis de cin\u00e9ma. Il r\u00e9alise ses premiers courts m\u00e9trages au sein de la Maison des cin\u00e9astes notamment : La couleur des amis, Le cin\u00e9ma, mon pays et moi, s\u2019en suivirent les moyens m\u00e9trages : La blessure de l\u2019esclavage, M\u00e9moire noire et son premier long m\u00e9trage Ganda le dernier griot.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ousmane Diagana, Mauritanie Synopsis Bamby, jeune fille de 18 ans, arrive dans le village sah\u00e9lien de Teremissi pour se marier durant la Samiya, la \u00ab\u00a0saison des amours,\u00a0\u00bb c\u00e9l\u00e9br\u00e9e apr\u00e8s des pluies abondantes. \u00c0 son arriv\u00e9e, elle apprend avec d\u00e9ception que la Samiya a \u00e9t\u00e9 annul\u00e9e, car les sages attendent les pluies, symbole de fertilit\u00e9 en […]<\/p>\n","protected":false},"author":13,"featured_media":8934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8826"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8826\/revisions"}],"predecessor-version":[{"id":8827,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8826\/revisions\/8827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8934"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8824,"date":"2025-02-03T09:31:27","date_gmt":"2025-02-03T09:31:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8824"},"modified":"2025-02-06T13:51:38","modified_gmt":"2025-02-06T13:51:38","slug":"retour-sans-la-boussole","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/retour-sans-la-boussole\/","title":{"rendered":"retour sans la boussole"},"content":{"rendered":"\n

On\u00e9siphore M ADONAI, B\u00e9nin<\/p>\n\n\n\n

Synopsis
Isma\u00ebl (20 ans) est un berger nomade du Niger. Il vit depuis plusieurs mois avec son p\u00e8re (Abou) dans le
village Yokon, au sud du B\u00e9nin o\u00f9 ils trouvent de verts p\u00e2turages pour leurs vaches. Abou, malade et alit\u00e9,
re\u00e7oit des soins \u00e0 base de plantes m\u00e9dicinales de la part de son fils. Leur vie paisible est boulevers\u00e9e lorsque
Tokou, un agriculteur d\u00e9couvre le cadavre de son fr\u00e8re dans un champ et accuse les Peuls. Ce meurtre
d\u00e9clenche une chasse \u00e0 l’homme contre ce e communaut\u00e9. Dans ce climat de violence, Tokou tue Abou.
Isma\u00ebl est contraint \u00e0 fuir pour \u00e9chapper \u00e0 la col\u00e8re des agriculteurs. En chemin vers le Niger, il rencontre
Sok\u00e8, qu’il sauve d’une a aque djihadiste. Sok\u00e8, \u00e0 son tour, l\u2019aide \u00e0 gu\u00e9rir de ses blessures. Malgr\u00e9 leur
querelle ethnique, l\u2019amour nait entre les deux\u2026<\/p>\n\n\n\n

Biographie
Auteur, r\u00e9alisateur B\u00e9ninois, On\u00e9siphore M ADONAI a r\u00e9alis\u00e9 plusieurs \u0153uvres de fic on et de
documentaire. Il a eu plusieurs dis nc ons avec son court-m\u00e9trage \u00ab SENS ETEINTS \u00bb telles que la
Silhoue e d\u2019or du Meilleur du court-m\u00e9trage au Fes val Interna onal du Cin\u00e9ma Ind\u00e9pendant de
Bafoussam (Cameroun), du meilleur sc\u00e9nario avec le film au Fes val Interna onal Rencontre des
Images du Zou, le Grand prix Djimon Hounsou au fes val na onal Cin\u00e9 229 Awards.<\/p>\n","protected":false},"excerpt":{"rendered":"

On\u00e9siphore M ADONAI, B\u00e9nin Synopsis Isma\u00ebl (20 ans) est un berger nomade du Niger. Il vit depuis plusieurs mois avec son p\u00e8re (Abou) dans levillage Yokon, au sud du B\u00e9nin o\u00f9 ils trouvent de verts p\u00e2turages pour leurs vaches. Abou, malade et alit\u00e9,re\u00e7oit des soins \u00e0 base de plantes m\u00e9dicinales de la part de son […]<\/p>\n","protected":false},"author":13,"featured_media":8933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8824"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8824\/revisions"}],"predecessor-version":[{"id":8825,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8824\/revisions\/8825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8933"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8822,"date":"2025-02-03T09:29:01","date_gmt":"2025-02-03T09:29:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8822"},"modified":"2025-02-06T13:57:56","modified_gmt":"2025-02-06T13:57:56","slug":"rap-de-la-foret","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/rap-de-la-foret\/","title":{"rendered":"RAP DE LA FORET"},"content":{"rendered":"\n

Therance Ralff LHYLIANN, Congo<\/p>\n\n\n\n

SYNOPSIS
Cl\u00e9ment, un jeune pygm\u00e9e Aka de la Likouala, une r\u00e9gion situ\u00e9e \u00e0 l’extr\u00eame nord
du Congo, au c\u0153ur de la for\u00eat \u00e9quatoriale, d\u00e9couvre le rap lors de son premier
voyage \u00e0 Brazzaville, la capitale.
De retour dans son village, il r\u00eave de devenir artiste et entra\u00eene ses amis dans son
aventure en formant un groupe de musique. Cependant, la r\u00e9alit\u00e9 lui rappelle
son triste sort : il appartient \u00e0 un peuple opprim\u00e9 et doit assumer de lourdes
responsabilit\u00e9s en tant que p\u00e8re de famille.
Malgr\u00e9 les difficult\u00e9s, Cl\u00e9ment est conscient de l’importance de son r\u00f4le dans le
changement des mentalit\u00e9s gr\u00e2ce \u00e0 la musique, esp\u00e9rant qu’ainsi sa
communaut\u00e9, victime de stigmatisation, puisse aspirer \u00e0 un avenir meilleur.
Dans sa qu\u00eate, il est soutenu par sa femme, Natacha, et son professeur, M.
Moussa, qui, malgr\u00e9 leurs d\u00e9saccords, demeurent des alli\u00e9s pr\u00e9cieux et
encouragent Cl\u00e9ment \u00e0 se d\u00e9passer.<\/p>\n\n\n\n

BIOGRAPHIE
Therance Ralff LHYLIANN est un r\u00e9alisateur autodidacte ayant d\u00e9but\u00e9 avec le
court-m\u00e9trage documentaire \u00ab Okani \u00bb en 2022, fruit d\u2019une formation aux Ateliers
Varan. Son travail explore les th\u00e8mes de la r\u00e9silience culturelle et sociale,
notamment \u00e0 travers son projet prim\u00e9 \u00ab Rap de la For\u00eat \u00bb, qui m\u00eale art et activisme
pour valoriser les identit\u00e9s autochtones.<\/p>\n","protected":false},"excerpt":{"rendered":"

Therance Ralff LHYLIANN, Congo SYNOPSISCl\u00e9ment, un jeune pygm\u00e9e Aka de la Likouala, une r\u00e9gion situ\u00e9e \u00e0 l’extr\u00eame norddu Congo, au c\u0153ur de la for\u00eat \u00e9quatoriale, d\u00e9couvre le rap lors de son premiervoyage \u00e0 Brazzaville, la capitale.De retour dans son village, il r\u00eave de devenir artiste et entra\u00eene ses amis dans sonaventure en formant un groupe […]<\/p>\n","protected":false},"author":13,"featured_media":8932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8822"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8822\/revisions"}],"predecessor-version":[{"id":8823,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8822\/revisions\/8823"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8932"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8820,"date":"2025-02-03T09:26:23","date_gmt":"2025-02-03T09:26:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8820"},"modified":"2025-02-07T12:28:10","modified_gmt":"2025-02-07T12:28:10","slug":"ndatte-yalla","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ndatte-yalla\/","title":{"rendered":"NDATTE YALLA"},"content":{"rendered":"\n

Fatou Kand\u00e9 SENGHOR, S\u00e9n\u00e9gal<\/p>\n\n\n\n

Synopsis<\/p>\n\n\n\n

Le 7 mars 1820, NDAT\u00c9 YALLA, et sa s\u0153ur a\u00een\u00e9e NDIEUMBEUT, enfants, sont t\u00e9moins du dernier acte h\u00e9ro\u00efque de leur m\u00e8re la Lingu\u00e8re FATI YAMAR et des femmes de Nder,<\/p>\n\n\n\n

capitale du royaume du Waalo attaqu\u00e9e par les Maures. Elles ont pr\u00e9f\u00e9r\u00e9 s\u2019immoler plut\u00f4t<\/p>\n\n\n\n

que d\u2019\u00eatre captives. NDIEUMBEUT prend sa succession en tant que Lingu\u00e8re, apr\u00e8s la mort de leur p\u00e8re, le Brack AMAR FATI BORSO MBODJ ,NDAT\u00c9 YALLA est mari\u00e9e au nouveau Brack TENGE RELLE, son cousin, elle divorce rapidement. Plus tard, NDAT\u00c9 YALLA se choisit un mari, le beau SAKOURA TASS\u00c9 DIOP, originaire du Cayor avec qui elle aura un unique enfant : SIDYA NDATE YALLA DIOP.<\/p>\n\n\n\n

A la mort de sa s\u0153ur, NDATE YALLA lui succ\u00e8de en tant que Lingu\u00e8re et gouverne ce<\/p>\n\n\n\n

territoire convoit\u00e9 tant par les fran\u00e7ais install\u00e9s \u00e0 Saint Louis que par les Maures de l’autre<\/p>\n\n\n\n

rive du fleuve qui traverse le Waalo. NDAT\u00c9 YALLA s’oppose au gouverneur PROTET, \u00e0 l’expansion et \u00e0 l’ing\u00e9rence fran\u00e7aise. Qui finit par la vaincre. En r\u00e9sidence surveill\u00e9e, elle communique par lettres, en secret, avec son fils, jusqu’\u00e0 sa mort en 1860<\/p>\n\n\n\n

Biographie<\/p>\n\n\n\n

Passionn\u00e9e de cin\u00e9ma depuis mon adolescence, c’est apr\u00e8s des \u00e9tudes de G\u00e9ographie et Am\u00e9nagement du territoire, que je d\u00e9cide de me lancer pleinement dans le cin\u00e9ma, notamment en tant que premi\u00e8re assistante r\u00e9alisatrice. Sc\u00e9nariste et r\u00e9alisatrice autodidacte depuis maintenant pr\u00e8s de 10 ans, j’affectionne particuli\u00e8rement la fiction, les s\u00e9ries, mais je travaille aussi sur du documentaire et de la t\u00e9l\u00e9vision.es\u00a0s<\/p>\n","protected":false},"excerpt":{"rendered":"

Fatou Kand\u00e9 SENGHOR, S\u00e9n\u00e9gal Synopsis Le 7 mars 1820, NDAT\u00c9 YALLA, et sa s\u0153ur a\u00een\u00e9e NDIEUMBEUT, enfants, sont t\u00e9moins du dernier acte h\u00e9ro\u00efque de leur m\u00e8re la Lingu\u00e8re FATI YAMAR et des femmes de Nder, capitale du royaume du Waalo attaqu\u00e9e par les Maures. Elles ont pr\u00e9f\u00e9r\u00e9 s\u2019immoler plut\u00f4t que d\u2019\u00eatre captives. NDIEUMBEUT prend sa […]<\/p>\n","protected":false},"author":13,"featured_media":9369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-Recupere-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8820"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8820\/revisions"}],"predecessor-version":[{"id":9378,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8820\/revisions\/9378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9369"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8816,"date":"2025-02-03T09:20:20","date_gmt":"2025-02-03T09:20:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8816"},"modified":"2025-02-06T13:40:27","modified_gmt":"2025-02-06T13:40:27","slug":"8816-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/8816-2\/","title":{"rendered":"m\u00e9lodie muette"},"content":{"rendered":"\n

Hawa SOGOBA, Mali<\/p>\n\n\n\n

Synopsis
Dans la cit\u00e9 de LadiK, opprim\u00e9e depuis une d\u00e9cennie par les djihadistes, la libert\u00e9 artistique est
\u00e9touff\u00e9e. Yelen, jeune griotte, r\u00eave de poursuivre sa passion musicale dans la partie libre de la
ville. Son amie muette, Bintou, communique avec elle par signes. Un jour, Bintou est captur\u00e9e
et condamn\u00e9e \u00e0 mort par lapidation pour une grossesse ill\u00e9gitime selon la charia. Sa perte laisse
Yelen d\u00e9vast\u00e9e. En proie \u00e0 la col\u00e8re, Yelen blasph\u00e8me publiquement, ce qui attire l\u2019attention
des autorit\u00e9s. Elle devient alors la cible de gardes qui lancent sa poursuite. D\u00e9termin\u00e9e \u00e0 fuir et
\u00e0 lutter contre cette injustice, Yelen rejoint un groupe clandestin pour franchir la rivi\u00e8re s\u00e9parant
les deux parties de la ville.<\/p>\n\n\n\n

Biographie
Hawa SOGOBA, r\u00e9alisatrice et sc\u00e9nariste malienne. J’ai \u00e9crit et r\u00e9alis\u00e9 mon premier court
m\u00e9trage en 2014. En 2020, j’ai remport\u00e9 un concours national, et mes \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es
dans plusieurs festivals internationaux. J’ai si\u00e9g\u00e9 \u00e0 l’UNCM\/FENACAM de 2017 \u00e0 2022 et je
suis aujourd’hui membre de l’Association des Sc\u00e9naristes du Mali (ASM). Je cr\u00e9e des projets
m\u00ealant cr\u00e9ativit\u00e9 et impact social, avec l’ambition d’inspirer les nouvelles g\u00e9n\u00e9rations.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hawa SOGOBA, Mali SynopsisDans la cit\u00e9 de LadiK, opprim\u00e9e depuis une d\u00e9cennie par les djihadistes, la libert\u00e9 artistique est\u00e9touff\u00e9e. Yelen, jeune griotte, r\u00eave de poursuivre sa passion musicale dans la partie libre de laville. Son amie muette, Bintou, communique avec elle par signes. Un jour, Bintou est captur\u00e9eet condamn\u00e9e \u00e0 mort par lapidation pour une […]<\/p>\n","protected":false},"author":13,"featured_media":8930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8816"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8816\/revisions"}],"predecessor-version":[{"id":8819,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8816\/revisions\/8819"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8930"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8814,"date":"2025-02-03T09:16:01","date_gmt":"2025-02-03T09:16:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8814"},"modified":"2025-02-06T13:38:08","modified_gmt":"2025-02-06T13:38:08","slug":"le-festin-de-laube","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-festin-de-laube\/","title":{"rendered":"le festin de l’aube"},"content":{"rendered":"\n

Yoro Lidel Niang , S\u00e9n\u00e9gal<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Les lieutenants Louis Boukinda et Herv\u00e9 Envame, de la gendarmerie, enqu\u00eatent sur une s\u00e9rie de meurtres de femmes qui sont retrouv\u00e9es avec des morsures de serpent venimeux. Pendant ce temps, les capitaines Pierre Koumba et Jacqueline Owoula, de la police, doivent retrouver des braqueurs qui ont vol\u00e9 un arsenal d’armes dans une caserne militaire et menacent d’utiliser ces armes pour commettre une attaque terroriste. Les deux affaires vont converger et pousser la police et la gendarmerie \u00e0 collaborer pour r\u00e9soudre leurs affaires respectives, d\u00e9busquer le serial killer et arr\u00eater les braqueurs avant qu’il ne soit trop tard.<\/p>\n\n\n\n

BIOGRAPHIE DU REALISATEUR<\/p>\n\n\n\n

Grand cin\u00e9phile, Yoro Lidel Niang a commenc\u00e9 avec la production de vid\u00e9os de pi\u00e8ces de th\u00e9\u00e2tre. Il s’est par la suite inscrit \u00e0 diff\u00e9rents ateliers pour acqu\u00e9rir les fondamentaux de la r\u00e9alisation. Cette somme d\u2019exp\u00e9rience a \u00e9t\u00e9 mise \u00e0 profit dans la r\u00e9alisation de son court m\u00e9trage La danse des b\u00e9quilles<\/em> qui a connu une belle carri\u00e8re en festivals, dont le prix du meilleur court au prestigieux Louxor Film Festival (\u00c9gypte).<\/p>\n","protected":false},"excerpt":{"rendered":"

Yoro Lidel Niang , S\u00e9n\u00e9gal SYNOPSIS Les lieutenants Louis Boukinda et Herv\u00e9 Envame, de la gendarmerie, enqu\u00eatent sur une s\u00e9rie de meurtres de femmes qui sont retrouv\u00e9es avec des morsures de serpent venimeux. Pendant ce temps, les capitaines Pierre Koumba et Jacqueline Owoula, de la police, doivent retrouver des braqueurs qui ont vol\u00e9 un arsenal […]<\/p>\n","protected":false},"author":13,"featured_media":8928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8814"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8814\/revisions"}],"predecessor-version":[{"id":8815,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8814\/revisions\/8815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8928"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8812,"date":"2025-02-03T09:13:45","date_gmt":"2025-02-03T09:13:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8812"},"modified":"2025-02-06T14:09:24","modified_gmt":"2025-02-06T14:09:24","slug":"isano-relatif","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/isano-relatif\/","title":{"rendered":"ISANO (RELATIF)"},"content":{"rendered":"\n

Sangwa Deus Dedit, Rwanda<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

KAMALIZA, une infirmi\u00e8re, travaille \u00e0 l’h\u00f4pital militaire de Kanombe. Elle est charg\u00e9e de surveiller un patient qui est dans le coma depuis 5 ans. Lorsque James, le patient commence \u00e0 se r\u00e9tablir, elle continue \u00e0 s’occuper de lui \u00e0 son domicile. C’est l\u00e0 qu’ils commencent \u00e0 s’aimer. Au bout d’un certain temps, Kamaliza d\u00e9couvre qu’elle est enceinte. Ils doivent se d\u00e9p\u00eacher de se marier. Lors de la pr\u00e9paration du mariage, James d\u00e9couvre qu’il va \u00e9pouser sa fille\u2026 <\/p>\n\n\n\n

Biographie <\/strong><\/p>\n\n\n\n

Sangwa Deus Dedit est un r\u00e9alisateur, sc\u00e9nariste, producteur et formateur exp\u00e9riment\u00e9, avec plus d’une d\u00e9cennie d’exp\u00e9rience dans les films narratifs, les documentaires et les publicit\u00e9s. Connu pour son approche professionnelle de la narration et de l’encadrement des cr\u00e9ateurs rwandais, ses films ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans des festivals tels que le Festival du film africain de Mashariki (meilleure photographie, Rwanda), le Festival C\u00e8dre Universel du Court m\u00e9trage (meilleur court m\u00e9trage, Maroc) et le Festival international du film de Durban (Afrique du Sud). En tant qu\u2019enseignant, Deus a form\u00e9 des jeunes dans des institutions telles que l’Ecole de cin\u00e9ma et de t\u00e9l\u00e9vision de Kigali et le Centre d’\u00e9ducation aux m\u00e9dias de Babelsberg. Il est une pierre angulaire des initiatives d’autonomisation cr\u00e9ative au Rwanda. <\/p>\n","protected":false},"excerpt":{"rendered":"

Sangwa Deus Dedit, Rwanda Synopsis KAMALIZA, une infirmi\u00e8re, travaille \u00e0 l’h\u00f4pital militaire de Kanombe. Elle est charg\u00e9e de surveiller un patient qui est dans le coma depuis 5 ans. Lorsque James, le patient commence \u00e0 se r\u00e9tablir, elle continue \u00e0 s’occuper de lui \u00e0 son domicile. C’est l\u00e0 qu’ils commencent \u00e0 s’aimer. Au bout d’un […]<\/p>\n","protected":false},"author":13,"featured_media":8927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8812"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8812\/revisions"}],"predecessor-version":[{"id":8813,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8812\/revisions\/8813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8809,"date":"2025-02-03T09:08:00","date_gmt":"2025-02-03T09:08:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8809"},"modified":"2025-02-06T13:33:59","modified_gmt":"2025-02-06T13:33:59","slug":"en-attenadant-la-recolte","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en-attenadant-la-recolte\/","title":{"rendered":"EN ATTENADANT LA RECOLTE"},"content":{"rendered":"\n

SYNOPSIS
Timba, 14 ans, fuit son village, d\u00e9truit par une attaque terroriste, avec sa m\u00e8re Hallis et sa
s\u0153ur Nafi, apr\u00e8s la myst\u00e9rieuse disparition de son p\u00e8re, Kayara, victime d\u2019exclusion et de
m\u00e9pris de la part des siens. \u00c0 la recherche de s\u00e9curit\u00e9, la famille trouve refuge en ville chez
Malick, l\u2019oncle de Timba. Cependant, l\u2019hostilit\u00e9 de la femme de Malick rend leur s\u00e9jour
insoutenable. D\u00e9sesp\u00e9r\u00e9 face \u00e0 la d\u00e9tresse de sa famille, Timba accepte un travail propos\u00e9 par
un ami qu\u2019il croit bienveillant. Malheureusement, il tombe dans un pi\u00e8ge et se retrouve
prisonnier d\u2019un camp terroriste engag\u00e9 dans une guerre acharn\u00e9e contre l\u2019arm\u00e9e et le
pr\u00e9sident. L\u00e0, il d\u00e9couvre un univers marqu\u00e9 par la violence et la manipulation, o\u00f9 il devra
lutter pour sa survie.<\/p>\n\n\n\n

BIOGRAPHIE DU REALISATEUR
Sagou Banou est un r\u00e9alisateur et assistant r\u00e9alisateur dipl\u00f4m\u00e9 de l\u2019Institut Sup\u00e9rieur de
l\u2019Image et du Son (ISIS-SE) au Burkina Faso. Sp\u00e9cialis\u00e9 en fiction et documentaire, il a sign\u00e9
des \u0153uvres prim\u00e9es telles que Mon Jour de Chance (2020) et Le Serment de Boukary (2023).
Fort d\u2019une expertise en gestion de tournages, direction d\u2019acteurs et \u00e9criture sc\u00e9naristique, il
allie cr\u00e9ativit\u00e9 et rigueur gr\u00e2ce \u00e0 une double formation en droit des affaires et communication
multim\u00e9dia. Actif dans les festivals et r\u00e9sidences, il s\u2019investit dans des projets novateurs,
port\u00e9s par une vision cin\u00e9matographique profond\u00e9ment ancr\u00e9e dans la r\u00e9alit\u00e9 africaine.<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSISTimba, 14 ans, fuit son village, d\u00e9truit par une attaque terroriste, avec sa m\u00e8re Hallis et sas\u0153ur Nafi, apr\u00e8s la myst\u00e9rieuse disparition de son p\u00e8re, Kayara, victime d\u2019exclusion et dem\u00e9pris de la part des siens. \u00c0 la recherche de s\u00e9curit\u00e9, la famille trouve refuge en ville chezMalick, l\u2019oncle de Timba. Cependant, l\u2019hostilit\u00e9 de la femme […]<\/p>\n","protected":false},"author":13,"featured_media":8926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8809"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8809\/revisions"}],"predecessor-version":[{"id":8810,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8809\/revisions\/8810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8926"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8807,"date":"2025-02-03T09:04:55","date_gmt":"2025-02-03T09:04:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8807"},"modified":"2025-02-06T14:11:17","modified_gmt":"2025-02-06T14:11:17","slug":"isano","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/isano\/","title":{"rendered":"ISANO"},"content":{"rendered":"\n

Sangwa Deus Dedit, RWANDA<\/p>\n\n\n\n

Synopsis
KAMALIZA, is a nurse works in the military hospital at Kanombe. She is tasked with monitoring a
patient who has been in a coma for 5 years. When James, the patient started to recover, she continues
to take care of him at his home. Is there they started being in love each other. After a period of time,
Kamaliza found that she is pregnant. they started to hurry up their wedding. During the wedding
introduction James discovered that he going to marry his daughter.<\/p>\n\n\n\n

Biofilmographie<\/p>\n\n\n\n

Sangwa Deus Dedit is a skilled Film Director, Writer, Producer, and Instructor with over a decade of
experience in narrative films, documentaries, and commercials. Known for a professional approach to
storytelling and mentoring Rwandan creatives, his films have featured in festivals such as Mashariki
African Film Festival (Best Cinematography, Rwanda), Festival C\u00e8dre Universel du Court m\u00e9trage (Best
Short, Morocco), and Durban International Film Festival (South Africa). As an instructor, Deus has
empowered youth at institutions like Kigali Film and Television School and Media Education
Babelsberg. He remains a cornerstone in Rwanda’s creative self-empowerment initiatives.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sangwa Deus Dedit, RWANDA SynopsisKAMALIZA, is a nurse works in the military hospital at Kanombe. She is tasked with monitoring apatient who has been in a coma for 5 years. When James, the patient started to recover, she continuesto take care of him at his home. Is there they started being in love each other. […]<\/p>\n","protected":false},"author":13,"featured_media":8927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[560],"tags":[],"class_list":["post-8807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8807"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8807\/revisions"}],"predecessor-version":[{"id":9304,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8807\/revisions\/9304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8927"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8803,"date":"2025-02-03T08:57:30","date_gmt":"2025-02-03T08:57:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8803"},"modified":"2025-02-06T13:28:52","modified_gmt":"2025-02-06T13:28:52","slug":"claude","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/claude\/","title":{"rendered":"CLAUDE"},"content":{"rendered":"\n

SYNOPSIS
M\u00e8re et veuve, Claude est coiffeuse \u00e0 Yaound\u00e9 et vit seule avec Petho, son fils de 12 ans.
Un matin, elle ne retrouve plus les cinq cent mille francs offerts par sa tontine pour le petit
salon de coiffure qu\u2019elle tient depuis quelques ann\u00e9es. Claude soup\u00e7onne imm\u00e9diatement son fils.
Afin de lui donner une le\u00e7on et lui faire passer toute envie de d\u00e9linquance, elle le conduit manu
militari dans un commissariat. Refusant de d\u00e9poser une plainte contre son fils, Claude
corrompt un policier et obtient de lui que son fils passe une nuit en cellule. Quand elle revient
le chercher le lendemain, son fils est port\u00e9 disparu \u2026<\/p>\n\n\n\n

Biographie
Enseignant en cin\u00e9ma \u00e0 l\u2019institut des beaux-arts de Foumban au Cameroun,
Narcisse WANDJI est un sc\u00e9nariste et r\u00e9alisateur camerounais qui compte \u00e0 son actif une
dizaine de courts m\u00e9trages. Connu pour WALLS (2016), BENDSKINS (2021) et
SADRACK (2023). Il a \u00e9t\u00e9 par ailleurs fondateur du festival international de films de
femmes MIS ME BINGA et directeur artistique du prestigieux festival Ecrans Noirs<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSISM\u00e8re et veuve, Claude est coiffeuse \u00e0 Yaound\u00e9 et vit seule avec Petho, son fils de 12 ans.Un matin, elle ne retrouve plus les cinq cent mille francs offerts par sa tontine pour le petitsalon de coiffure qu\u2019elle tient depuis quelques ann\u00e9es. Claude soup\u00e7onne imm\u00e9diatement son fils.Afin de lui donner une le\u00e7on et lui faire […]<\/p>\n","protected":false},"author":13,"featured_media":8925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[558],"tags":[],"class_list":["post-8803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-coproduction-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8803"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8803\/revisions"}],"predecessor-version":[{"id":8804,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8803\/revisions\/8804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8925"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8780,"date":"2025-02-01T14:33:38","date_gmt":"2025-02-01T14:33:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8780"},"modified":"2025-02-08T17:10:09","modified_gmt":"2025-02-08T17:10:09","slug":"sitabaomba-chez-les-zebus-francophones-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sitabaomba-chez-les-zebus-francophones-2\/","title":{"rendered":"SITABAOMBA, CHEZ LES ZEBUS FRANCOPHONES"},"content":{"rendered":"\n

Nantenaina LOVA, Madagascar, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ly is one of the last farmer orators in Madagascar’s capital. His life was turned upside down in 2016 when long-armed speculators began coveting the land he farms. Like an egg arguing with a pebble, Ly and his farmer friends battle it out, while their children and teasingly humorous puppets tell the story of the grown-ups!<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

After studying sociology and humanitarian management, Lova Nantenaina became a journalist in Madagascar, then followed audiovisual training in La R\u00e9union and cinema at ENSAV in Toulouse. In 2008, he set up Endemika Films, one of the few companies dedicated to cinema in Madagascar. His feature films \u2018Ady Gasy\u2019, \u2018Aza Kivy\u2019 and \u2018Chez les z\u00e9bus francophones\u2019 have won international awards. His first feature film Ady Gasy (released in 2015) sold over 10,000 tickets in French cinemas. His latest film, labelled \u2018Art et essai\u2019, was released in cinemas in France and R\u00e9union on 23 October 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nantenaina LOVA, Madagascar, 2023 SYNOPSIS Ly is one of the last farmer orators in Madagascar’s capital. His life was turned upside down in 2016 when long-armed speculators began coveting the land he farms. Like an egg arguing with a pebble, Ly and his farmer friends battle it out, while their children and teasingly humorous puppets […]<\/p>\n","protected":false},"author":13,"featured_media":8915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424,479],"tags":[],"class_list":["post-8780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8780"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8780\/revisions"}],"predecessor-version":[{"id":8781,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8780\/revisions\/8781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8915"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8778,"date":"2025-02-01T14:32:22","date_gmt":"2025-02-01T14:32:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8778"},"modified":"2025-02-05T12:14:50","modified_gmt":"2025-02-05T12:14:50","slug":"sitabaomba-chez-les-zebus-francophones","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sitabaomba-chez-les-zebus-francophones\/","title":{"rendered":"SITABAOMBA, CHEZ LES ZEBUS FRANCOPHONES"},"content":{"rendered":"\n

Nantenaina LOVA, Madagascar, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ly est l\u2019un des derniers paysans orateurs de la capitale de Madagascar. Sa vie bascule en 2016 quand des sp\u00e9culateurs aux bras longs se mettent \u00e0 convoiter les terres qu\u2019il cultive. Tel un \u0153uf qui se dispute avec un galet, Ly et ses amis paysans luttent tandis que leurs enfants et des marionnettes \u00e0 l’humour taquin content l\u2019histoire des grands !<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes en sciences sociales et gestion humanitaire, Lova Nantenaina devient journaliste \u00e0 Madagascar en se formant \u00e0 l\u2019audiovisuel puis au cin\u00e9ma \u00e0 l\u2019ENSAV de Toulouse. Il cr\u00e9e sa soci\u00e9t\u00e9 de production Endemika Films en 2008. Il r\u00e9alise son premier long m\u00e9trage Ady Gasy<\/em> (2015) puis Aza Kivy<\/em> et Chez les z\u00e9bus<\/em> tous prim\u00e9s \u00e0 l\u2019international. Art et essai<\/em> (2024) est son dernier film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nantenaina LOVA, Madagascar, 2023 SYNOPSIS Ly est l\u2019un des derniers paysans orateurs de la capitale de Madagascar. Sa vie bascule en 2016 quand des sp\u00e9culateurs aux bras longs se mettent \u00e0 convoiter les terres qu\u2019il cultive. Tel un \u0153uf qui se dispute avec un galet, Ly et ses amis paysans luttent tandis que leurs enfants […]<\/p>\n","protected":false},"author":13,"featured_media":8915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422,481],"tags":[],"class_list":["post-8778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8778"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8778\/revisions"}],"predecessor-version":[{"id":8779,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8778\/revisions\/8779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8915"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8776,"date":"2025-02-01T14:16:36","date_gmt":"2025-02-01T14:16:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8776"},"modified":"2025-02-09T12:32:53","modified_gmt":"2025-02-09T12:32:53","slug":"une-femme-a-kosyam","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-femme-a-kosyam\/","title":{"rendered":"Une femme \u00e0 Kosyam"},"content":{"rendered":"\n

Serge Armel SAWADOGO, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Dans un pays dit le plus pauvre, le Burkina Faso, une femme d\u2019affaires discr\u00e8te de 50 ans, Suzanne, vient d\u2019\u00eatre \u00e9lue la 1re<\/sup> pr\u00e9sidente de la Nation. Juste apr\u00e8s les \u00e9lections, un grand gisement de p\u00e9trole est d\u00e9couvert dans le pays. Suzanne d\u00e9couvre alors que c\u2019est \u00e0 cause de ce p\u00e9trole qu\u2019elle est parvenue \u00e0 la pr\u00e9sidence. Pourtant elle veut g\u00e9rer son pays selon les normes et ses convictions.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Serge Armel SAWADOGO est enseignant, r\u00e9alisateur et producteur burkinab\u00e8. Dipl\u00f4m\u00e9 d\u2019un BTS et d\u2019un Master II en audiovisuel option r\u00e9alisation de l\u2019Universit\u00e9 Mirail II de Toulouse, il a r\u00e9alis\u00e9 plusieurs s\u00e9ries et films dont La Moto rouge<\/em> (2003), A la Recherche de son eau<\/em> (2007), Timpoko <\/em>(2008), B\u00e9n\u00e9r\u00e9<\/em> (2011) et Le Gang des \u00e9l\u00e8ves<\/em> (2023) qui ont remport\u00e9 des prix dans plusieurs festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Serge Armel SAWADOGO, Burkina Faso, 2024 SYNOPSIS : Dans un pays dit le plus pauvre, le Burkina Faso, une femme d\u2019affaires discr\u00e8te de 50 ans, Suzanne, vient d\u2019\u00eatre \u00e9lue la 1re pr\u00e9sidente de la Nation. Juste apr\u00e8s les \u00e9lections, un grand gisement de p\u00e9trole est d\u00e9couvert dans le pays. Suzanne d\u00e9couvre alors que c\u2019est \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":8683,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[751,438],"tags":[],"class_list":["post-8776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-films-2025","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-92.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8776"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8776\/revisions"}],"predecessor-version":[{"id":8777,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8776\/revisions\/8777"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8683"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8774,"date":"2025-02-01T14:14:52","date_gmt":"2025-02-01T14:14:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8774"},"modified":"2025-02-01T14:14:54","modified_gmt":"2025-02-01T14:14:54","slug":"or-blanc","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/or-blanc\/","title":{"rendered":"OR BLANC"},"content":{"rendered":"\n

Johanna BOYER-DILOLO et Cl\u00e9ment BOYER-DILOLO, C\u00f4te d\u2019Ivoire, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Or blanc est une s\u00e9rie t\u00e9l\u00e9vis\u00e9e ivoirienne qui se d\u00e9roule \u00e0 Man, \u00e0 l’ouest de la C\u00f4te d’Ivoire. Cette ville est frapp\u00e9e par la disparition d’un jeune gar\u00e7on, puis par une s\u00e9rie de meurtres rituels. L’enqu\u00eate polici\u00e8re r\u00e9unit alors un duo totalement oppos\u00e9 : Landry, un commissaire quinquag\u00e9naire exp\u00e9riment\u00e9 et Rita, un m\u00e9dium.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

BOYER-DILOLO est n\u00e9e \u00e0 Abidjan en 1988. Sc\u00e9nariste et r\u00e9alisatrice, elle a r\u00e9alis\u00e9 plusieurs films et s\u00e9ries dont Entre-Deux<\/em> et Tout Part en Live<\/em> (2017). Passionn\u00e9e de th\u00e9\u00e2tre, elle s\u2019impose comme cr\u00e9atrice lumi\u00e8re et signe la mise en lumi\u00e8re d\u2019une quinzaine de spectacles. Johanna co-r\u00e9alise Or blanc<\/em> (2023) avec Cl\u00e9ment BOYER-DILOLO, sc\u00e9nariste, r\u00e9alisateur et compositeur fran\u00e7ais.<\/p>\n","protected":false},"excerpt":{"rendered":"

Johanna BOYER-DILOLO et Cl\u00e9ment BOYER-DILOLO, C\u00f4te d\u2019Ivoire, 2023 SYNOPSIS : Or blanc est une s\u00e9rie t\u00e9l\u00e9vis\u00e9e ivoirienne qui se d\u00e9roule \u00e0 Man, \u00e0 l’ouest de la C\u00f4te d’Ivoire. Cette ville est frapp\u00e9e par la disparition d’un jeune gar\u00e7on, puis par une s\u00e9rie de meurtres rituels. L’enqu\u00eate polici\u00e8re r\u00e9unit alors un duo totalement oppos\u00e9 : Landry, […]<\/p>\n","protected":false},"author":13,"featured_media":8686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-95.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8774"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8774\/revisions"}],"predecessor-version":[{"id":8775,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8774\/revisions\/8775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8686"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8772,"date":"2025-02-01T14:12:34","date_gmt":"2025-02-01T14:12:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8772"},"modified":"2025-02-01T14:12:37","modified_gmt":"2025-02-01T14:12:37","slug":"niabla","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/niabla\/","title":{"rendered":"NIABLA"},"content":{"rendered":"\n

Alex OGOU, C\u00f4te d\u2019Ivoire, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Alors qu\u2019elle vient de perdre le dernier membre de sa famille, SIA, une Franco-Ivoirienne de 28 ans, est contact\u00e9e par ADJOUA, une Abidjanaise qui pr\u00e9tend \u00eatre sa demi-s\u0153ur. Depuis 20 ans, elle la croyait morte. Assomm\u00e9e par la nouvelle, elle d\u00e9cida de quitter Paris pour Abidjan. Tout bascule lorsqu\u2019elle apprend qu\u2019ADJOUA pratique le \u00ab bizi \u00bb afin de payer les frais m\u00e9dicaux de sa fille AMELAN.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Alex OGOU est com\u00e9dien, r\u00e9alisateur et producteur ivoirien. Il a obtenu plusieurs prix dont le prix de l\u2019interpr\u00e9tation (1999) dans le film \u00c0 la place du c\u0153ur<\/em>, le prix du meilleur r\u00e9alisateur \u00e0 l’African Talent Awards (2018), le prix de la meilleure s\u00e9rie francophone (2018), NISA d\u2019OR (2019) avec Invisibles et <\/em>(2022) avec Cacao<\/em> et prix de la meilleure s\u00e9rie au FESPACO (2023) avec OBATANGA<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alex OGOU, C\u00f4te d\u2019Ivoire, 2023 SYNOPSIS : Alors qu\u2019elle vient de perdre le dernier membre de sa famille, SIA, une Franco-Ivoirienne de 28 ans, est contact\u00e9e par ADJOUA, une Abidjanaise qui pr\u00e9tend \u00eatre sa demi-s\u0153ur. Depuis 20 ans, elle la croyait morte. Assomm\u00e9e par la nouvelle, elle d\u00e9cida de quitter Paris pour Abidjan. Tout bascule […]<\/p>\n","protected":false},"author":13,"featured_media":8685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-94.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8772"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8772\/revisions"}],"predecessor-version":[{"id":8773,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8772\/revisions\/8773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8685"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8770,"date":"2025-02-01T14:11:13","date_gmt":"2025-02-01T14:11:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8770"},"modified":"2025-02-01T14:11:16","modified_gmt":"2025-02-01T14:11:16","slug":"monkan","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/monkan\/","title":{"rendered":"MONKAN"},"content":{"rendered":"\n

Narcisse WANDJI, Cameroun, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Monkam est un pasteur exemplaire. Son fils unique, footballeur prometteur, s’\u00e9croule lors d\u2019un match. Il est malade du c\u0153ur et doit subir au plus vite une transplantation. Cette op\u00e9ration est co\u00fbteuse pour Monkam. BOKO, un jeune dynamique de l\u2019\u00e9glise, lui propose son soutien avec un boulot de livreur bien r\u00e9mun\u00e9r\u00e9. Un jour, Monkam d\u00e9couvre qu’il transporte des organes humains.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Narcisse WANDJI est cin\u00e9aste et enseignant \u00e0 l\u2019Institut des beaux-arts de Foumban. Il a \u00e0 son actif une dizaine de courts m\u00e9trages dont WALLS<\/em> (2016), BENDSKINS<\/em> (2021) s\u00e9lectionn\u00e9 au FESPACO 2021 et SADRACK<\/em> (2023) retenu dans la section perspective au FESPACO 2023. Il est le fondateur du Festival international de films de femmes MIS ME BINGA et directeur artistique du festival Ecrans Noirs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Narcisse WANDJI, Cameroun, 2024 SYNOPSIS Monkam est un pasteur exemplaire. Son fils unique, footballeur prometteur, s’\u00e9croule lors d\u2019un match. Il est malade du c\u0153ur et doit subir au plus vite une transplantation. Cette op\u00e9ration est co\u00fbteuse pour Monkam. BOKO, un jeune dynamique de l\u2019\u00e9glise, lui propose son soutien avec un boulot de livreur bien r\u00e9mun\u00e9r\u00e9. […]<\/p>\n","protected":false},"author":13,"featured_media":8684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-93.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8770"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8770\/revisions"}],"predecessor-version":[{"id":8771,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8770\/revisions\/8771"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8684"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8768,"date":"2025-02-01T14:08:33","date_gmt":"2025-02-01T14:08:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8768"},"modified":"2025-02-01T14:08:36","modified_gmt":"2025-02-01T14:08:36","slug":"le-cavaleurs-et-les-siffleurs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-cavaleurs-et-les-siffleurs\/","title":{"rendered":"Le cavaleurs et les siffleurs"},"content":{"rendered":"\n

de Nadine Otsobogo<\/strong>, Gabon, 2024 <\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

A Libreville, une banque dot\u00e9e d\u2019\u00e9quipement \u00e9lectronique de surveillance est cambriol\u00e9e. Bilan, huit cadavres de vigiles et le co\ufb00re-fort vid\u00e9. Les cam\u00e9ras de surveillance n\u2019ont rien enregistr\u00e9. De peur que l\u2019a\ufb00aire ne devienne politique, le G\u00e9n\u00e9ral Mathieu AGOL charge le capitaine Nathalie OBONE de l\u2019enqu\u00eate. La jeune femme a deux semaines pour r\u00e9soudre l\u2019\u00e9nigme de la banque.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Nadine Otsobogo, cin\u00e9aste gabonaise, d\u00e9ploie son art \u00e0 travers l’imaginaire. Elle se lance dans la r\u00e9alisation en 2001 et la production en 2010. Chef-maquilleuse renomm\u00e9e, Nadine collabore avec des cin\u00e9astes de renom. En 2013, elle remporte le Poulain de bronze au FESPACO avec DIALEMI et initie le Festival du Film de Masuku Nature & Environnement. En 2021, elle r\u00e9alise la s\u00e9rie EKI<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

de Nadine Otsobogo, Gabon, 2024  SYNOPSIS : A Libreville, une banque dot\u00e9e d\u2019\u00e9quipement \u00e9lectronique de surveillance est cambriol\u00e9e. Bilan, huit cadavres de vigiles et le co\ufb00re-fort vid\u00e9. Les cam\u00e9ras de surveillance n\u2019ont rien enregistr\u00e9. De peur que l\u2019a\ufb00aire ne devienne politique, le G\u00e9n\u00e9ral Mathieu AGOL charge le capitaine Nathalie OBONE de l\u2019enqu\u00eate. La jeune femme […]<\/p>\n","protected":false},"author":13,"featured_media":8676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-85.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8768"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8768\/revisions"}],"predecessor-version":[{"id":8769,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8768\/revisions\/8769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8676"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8766,"date":"2025-02-01T14:06:14","date_gmt":"2025-02-01T14:06:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8766"},"modified":"2025-02-10T11:42:55","modified_gmt":"2025-02-10T11:42:55","slug":"hair-lover","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hair-lover\/","title":{"rendered":"HAIR LOVER"},"content":{"rendered":"\n

Babacar NIANG, S\u00e9n\u00e9gal, Ann\u00e9e<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Fanta, Seynabou, Halima et Jamila sont quatre femmes li\u00e9es par les liens de sang et d\u2019amiti\u00e9. Bien qu\u2019ayant des destins diff\u00e9rents, elles se rencontrent r\u00e9guli\u00e8rement dans le salon de coiffure de Fanta pour partager les tourments de la vie que sont les bagarres, les disputes, les trahisons et les intrigues. Leur amiti\u00e9 est rest\u00e9e intacte jusqu\u2019au retour de Jamila qui bouleverse tout.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 le 10 novembre 1998 \u00e0 Dakar, Babacar NIANG est cadreur, r\u00e9alisateur et promoteur du festival Cin\u00e9banlieue au S\u00e9n\u00e9gal. Il a \u00e0 son actif deux s\u00e9ries que sont Hair Lover Saison<\/em><\/strong> 1<\/em><\/strong> <\/em><\/strong>(2021) et WEERWI<\/em><\/strong> (2022).<\/p>\n","protected":false},"excerpt":{"rendered":"

Babacar NIANG, S\u00e9n\u00e9gal, Ann\u00e9e SYNOPSIS Fanta, Seynabou, Halima et Jamila sont quatre femmes li\u00e9es par les liens de sang et d\u2019amiti\u00e9. Bien qu\u2019ayant des destins diff\u00e9rents, elles se rencontrent r\u00e9guli\u00e8rement dans le salon de coiffure de Fanta pour partager les tourments de la vie que sont les bagarres, les disputes, les trahisons et les intrigues. […]<\/p>\n","protected":false},"author":13,"featured_media":9612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8766","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8766"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8766\/revisions"}],"predecessor-version":[{"id":8767,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8766\/revisions\/8767"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9612"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8764,"date":"2025-02-01T14:04:20","date_gmt":"2025-02-01T14:04:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8764"},"modified":"2025-02-01T14:04:22","modified_gmt":"2025-02-01T14:04:22","slug":"debbo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/debbo\/","title":{"rendered":"DEBBO"},"content":{"rendered":"\n

Abdoulahad WONE, S\u00e9n\u00e9gal, Ann\u00e9e<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Apr\u00e8s des ann\u00e9es d’absence, Dr Zia Bald\u00e9 revient au S\u00e9n\u00e9gal, profond\u00e9ment marqu\u00e9e par la perte tragique de sa s\u0153ur, Kalsoum, victime de violence conjugale. Pour redonner un sens \u00e0 sa vie, elle ouvre un centre de soutien pour les femmes battues. Mais ce retour bouleverse l\u2019\u00e9quilibre familial et fait resurgir des questions troublantes sur les circonstances de la mort de sa s\u0153ur.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 en 1976, Abdoulahad Wone est r\u00e9alisateur, producteur et premier monteur AVID s\u00e9n\u00e9galais form\u00e9 \u00e0 l\u2019INA en 1998. Reconnu pour son professionnalisme, il contribue \u00e0 la formation des techniciens de l\u2019audiovisuel. Cin\u00e9aste prolixe, il r\u00e9alise entre autres Justice Divine <\/em><\/strong>(2009), son premier long m\u00e9trage ou encore sa s\u00e9rie Tundu Wundu<\/em><\/strong> (2013) diffus\u00e9e par A+ et prim\u00e9e meilleure s\u00e9rie au FESPACO 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abdoulahad WONE, S\u00e9n\u00e9gal, Ann\u00e9e SYNOPSIS Apr\u00e8s des ann\u00e9es d’absence, Dr Zia Bald\u00e9 revient au S\u00e9n\u00e9gal, profond\u00e9ment marqu\u00e9e par la perte tragique de sa s\u0153ur, Kalsoum, victime de violence conjugale. Pour redonner un sens \u00e0 sa vie, elle ouvre un centre de soutien pour les femmes battues. Mais ce retour bouleverse l\u2019\u00e9quilibre familial et fait resurgir […]<\/p>\n","protected":false},"author":13,"featured_media":8680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-89.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8764"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8764\/revisions"}],"predecessor-version":[{"id":8765,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8764\/revisions\/8765"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8680"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8762,"date":"2025-02-01T14:02:15","date_gmt":"2025-02-01T14:02:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8762"},"modified":"2025-02-01T14:02:45","modified_gmt":"2025-02-01T14:02:45","slug":"cicatrices","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/cicatrices\/","title":{"rendered":"CICATRICES"},"content":{"rendered":"\n

Anurin NWUNEMBOM, Cameroun, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

La douleur du rituel de l’excision pousse une jeune fille \u00e0 fuir son village. Son action suscite la col\u00e8re de Bakosso, chef du village, qui d\u00e9cide de la punir, mais sa m\u00e8re s\u2019y oppose farouchement. S’ensuit une confrontation qui fait ressurgir des vieilles douleurs dont souffraient Mariamou, Souraya et Zeinabou, qui d\u00e9cident de se battre contre cette pratique avilissante pour la femme.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Anurin Nwunembom est un cin\u00e9aste camerounais. Apr\u00e8s des \u00e9tudes universitaires dans le th\u00e9\u00e2tre, il s’oriente vers le cin\u00e9ma. Acteur dans les films NINAH’S DOWRY<\/em><\/strong> (2012) de Victor Viyuoh, WALLS<\/em><\/strong> (2014) de Narcisse Wandji, ENTERER<\/em><\/strong> (2022) de Fran\u00e7oise Ellong\u2026 Anurin a par la suite r\u00e9alis\u00e9 NIGHTFALL<\/em><\/strong> (2015), BROKEN<\/em><\/strong> (2019), CHARIOTS OF THE GODS<\/em><\/strong> (2021), KIKUM SPIRIT<\/em><\/strong> (2022), MOSOROKI<\/em><\/strong> et Tales of Rape<\/em><\/strong> (2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Anurin NWUNEMBOM, Cameroun, 2024 SYNOPSIS La douleur du rituel de l’excision pousse une jeune fille \u00e0 fuir son village. Son action suscite la col\u00e8re de Bakosso, chef du village, qui d\u00e9cide de la punir, mais sa m\u00e8re s\u2019y oppose farouchement. S’ensuit une confrontation qui fait ressurgir des vieilles douleurs dont souffraient Mariamou, Souraya et Zeinabou, […]<\/p>\n","protected":false},"author":13,"featured_media":8679,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-88.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8762"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8762\/revisions"}],"predecessor-version":[{"id":8763,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8762\/revisions\/8763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8679"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8760,"date":"2025-02-01T13:59:52","date_gmt":"2025-02-01T13:59:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8760"},"modified":"2025-02-01T13:59:54","modified_gmt":"2025-02-01T13:59:54","slug":"charles-ornel-vous-allez-detester-maimer","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/charles-ornel-vous-allez-detester-maimer\/","title":{"rendered":"Charles Ornel\u00a0 \u00ab\u00a0vous allez d\u00e9tester m\u2019aimer\u00a0\u00bb"},"content":{"rendered":"\n

Kismath Baguiri, C\u00f4te d\u2019Ivoire, 2024<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Originaire du B\u00e9nin, Kismath Baguiri est n\u00e9e le 30 avril 1994. Son film Suru<\/em> remporte le \u00ab Prix du public \u00bb lors du festival \u00ab Vues d’Afrique \u00bb en avril 2020 \u00e0 Montr\u00e9al au Canada. Il s’agit d’un court m\u00e9trage de 26 minutes ayant pour th\u00e8me les violences faites aux femmes. Elle r\u00e9alise Isabelle<\/em> en 2023, puis Charles Ornel<\/em> en 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kismath Baguiri, C\u00f4te d\u2019Ivoire, 2024 BIOFILMOGRAPHIE : Originaire du B\u00e9nin, Kismath Baguiri est n\u00e9e le 30 avril 1994. Son film Suru remporte le \u00ab Prix du public \u00bb lors du festival \u00ab Vues d’Afrique \u00bb en avril 2020 \u00e0 Montr\u00e9al au Canada. Il s’agit d’un court m\u00e9trage de 26 minutes ayant pour th\u00e8me les violences […]<\/p>\n","protected":false},"author":13,"featured_media":8678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-87.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8760"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8760\/revisions"}],"predecessor-version":[{"id":8761,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8760\/revisions\/8761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8678"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8758,"date":"2025-02-01T13:57:27","date_gmt":"2025-02-01T13:57:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8758"},"modified":"2025-02-01T13:57:30","modified_gmt":"2025-02-01T13:57:30","slug":"challenge","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/challenge\/","title":{"rendered":"CHALLENGE"},"content":{"rendered":"\n

Adama ROAMBA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Un groupe d\u2019\u00e9l\u00e8ves issus de toutes les couches sociales attendent les r\u00e9sultats de leur examen du Brevet d\u2019\u00e9tudes, non sans peur pour certains et d\u00e9sinvolture pour d\u2019autres. Cette sanction de l\u2019ann\u00e9e scolaire annonce par la m\u00eame occasion une p\u00e9riode de repos pour les \u00e9l\u00e8ves, les vacances. Challenge<\/em> retrace les probl\u00e8mes inh\u00e9rents aux adolescents africains, d\u00e9chir\u00e9s entre tradition et modernit\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

N\u00e9 en C\u00f4te d\u2019ivoire, Adama ROAMBA est sc\u00e9nariste, r\u00e9alisateur et producteur burkinab\u00e8. Il r\u00e9alise des s\u00e9ries t\u00e9l\u00e9visuelles \u00e0 succ\u00e8s dont Petit Sergent, C\u00e9libat\u00e9rium, Du jour au lendemain<\/em>. Adama a \u00e0 son actif des fictions comme Le neveu de l\u2019homme<\/em> fort (2015) et La For\u00eat Du Niolo (2016)<\/em>, prix du meilleur sc\u00e9nario au FESPACO 2017. Il a re\u00e7u plusieurs autres r\u00e9compenses \u00e0 travers le monde.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adama ROAMBA, Burkina Faso, 2024 SYNOPSIS : Un groupe d\u2019\u00e9l\u00e8ves issus de toutes les couches sociales attendent les r\u00e9sultats de leur examen du Brevet d\u2019\u00e9tudes, non sans peur pour certains et d\u00e9sinvolture pour d\u2019autres. Cette sanction de l\u2019ann\u00e9e scolaire annonce par la m\u00eame occasion une p\u00e9riode de repos pour les \u00e9l\u00e8ves, les vacances. Challenge retrace […]<\/p>\n","protected":false},"author":13,"featured_media":8677,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-86.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8758"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8758\/revisions"}],"predecessor-version":[{"id":8759,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8758\/revisions\/8759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8677"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8756,"date":"2025-02-01T13:54:21","date_gmt":"2025-02-01T13:54:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8756"},"modified":"2025-02-01T13:54:23","modified_gmt":"2025-02-01T13:54:23","slug":"bienvenue-a-kikideni","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bienvenue-a-kikideni\/","title":{"rendered":"Bienvenue \u00e0 Kikid\u00e9ni"},"content":{"rendered":"\n

Aminata Diallo-Glez \/\u00c9ric Herv\u00e9 Lengani, Burkina Faso, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Aux confins d\u2019une savane africaine, un modeste village vit au rythme de ses crises, entre chefferie traditionnelle et religions r\u00e9v\u00e9l\u00e9es, entre machisme et f\u00e9minisme, entre gal\u00e8re et festivit\u00e9s. Avec humour, le village est confront\u00e9 \u00e0 la politique moderne, aux imp\u00e9ratifs \u00e9cologiques, \u00e0 une pand\u00e9mie ou encore \u00e0 l\u2019ins\u00e9curit\u00e9. Cette complicit\u00e9 l\u00e9gendaire aura-t-elle raison des chamailleries ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Aminata Diallo-Glez est productrice, r\u00e9alisatrice et actrice. Form\u00e9e \u00e0 l\u2019EICAR-Paris et titulaire d\u2019un MBA en management des Affaires internationales, elle cr\u00e9e en 1999 \u201cJovial\u2019 Productions\u201d. Elle produit et r\u00e9alise plusieurs s\u00e9ries t\u00e9l\u00e9visuelles \u00e0 succ\u00e8s dont Super flics ; Trois hommes un village, <\/em>Prix de la meilleure s\u00e9rie au Fespaco 2005 et des documentaires : Femmes en peine<\/em> et D\u00e9luge \u00e0 Ouaga<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aminata Diallo-Glez \/\u00c9ric Herv\u00e9 Lengani, Burkina Faso, 2023 SYNOPSIS : Aux confins d\u2019une savane africaine, un modeste village vit au rythme de ses crises, entre chefferie traditionnelle et religions r\u00e9v\u00e9l\u00e9es, entre machisme et f\u00e9minisme, entre gal\u00e8re et festivit\u00e9s. Avec humour, le village est confront\u00e9 \u00e0 la politique moderne, aux imp\u00e9ratifs \u00e9cologiques, \u00e0 une pand\u00e9mie ou […]<\/p>\n","protected":false},"author":13,"featured_media":8682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-91.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8756"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8756\/revisions"}],"predecessor-version":[{"id":8757,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8756\/revisions\/8757"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8682"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8754,"date":"2025-02-01T13:52:08","date_gmt":"2025-02-01T13:52:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8754"},"modified":"2025-02-09T21:19:20","modified_gmt":"2025-02-09T21:19:20","slug":"ankara-lheritage-des-nanas-benz","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ankara-lheritage-des-nanas-benz\/","title":{"rendered":"Ankara, l’H\u00e9ritage des Nanas Benz"},"content":{"rendered":"\n

SITOU Ayit\u00e9, Togo, Ann\u00e9e<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Ruth Lawson, une jeune et talentueuse aspirante styliste, r\u00eave de se faire un nom dans le monde de la mode. Anim\u00e9e par le d\u00e9sir de libert\u00e9 et d’accomplissement, elle est confront\u00e9e au refus de sa m\u00e8re, Da Yovo. Coinc\u00e9e entre le d\u00e9sir d’ind\u00e9pendance et les restrictions impos\u00e9es par sa m\u00e8re, Ruth voit dans la loterie Visa la seule \u00e9chappatoire vers ses r\u00eaves en Occident.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Cin\u00e9aste togolaise, Sitou AYITE a re\u00e7u une formation diversifi\u00e9e dans le domaine du cin\u00e9ma et de l\u2019audiovisuel. Gr\u00e2ce \u00e0 son adaptabilit\u00e9, elle devient polyvalente sur les plateaux de tournage, touchant aussi bien \u00e0 la r\u00e9alisation qu’\u00e0 la production. Elle co-r\u00e9alise deux documentaires et r\u00e9alise plusieurs courts-m\u00e9trages dont Moi, cette \u00e9trang\u00e8re ; Le Bouquet <\/em>et Adotevi aux mains d\u2019argent<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

SITOU Ayit\u00e9, Togo, Ann\u00e9e SYNOPSIS : Ruth Lawson, une jeune et talentueuse aspirante styliste, r\u00eave de se faire un nom dans le monde de la mode. Anim\u00e9e par le d\u00e9sir de libert\u00e9 et d’accomplissement, elle est confront\u00e9e au refus de sa m\u00e8re, Da Yovo. Coinc\u00e9e entre le d\u00e9sir d’ind\u00e9pendance et les restrictions impos\u00e9es par sa […]<\/p>\n","protected":false},"author":13,"featured_media":8919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[438],"tags":[],"class_list":["post-8754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-series-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-06-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8754"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8754\/revisions"}],"predecessor-version":[{"id":8755,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8754\/revisions\/8755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8919"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8751,"date":"2025-02-01T13:46:29","date_gmt":"2025-02-01T13:46:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8751"},"modified":"2025-02-01T13:46:32","modified_gmt":"2025-02-01T13:46:32","slug":"une-si-longue-lettre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-si-longue-lettre\/","title":{"rendered":"UNE SI LONGUE LETTRE"},"content":{"rendered":"\n

Ang\u00e8le Diabang, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ramatoulaye, enseignante de 50 ans est mari\u00e9e depuis 25 ans \u00e0 l\u2019avocat Modou Fall. Le couple est tr\u00e8s complice. Ils sont heureux avec leurs 4 enfants. Lorsque son \u00e9poux prend une seconde \u00e9pouse, la meilleure amie de sa fille, la d\u00e9sillusion est terrible. Commence une lutte o\u00f9 s\u2019affrontent tradition et modernit\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisatrice et productrice s\u00e9n\u00e9galaise, Ang\u00e8le Diabang produit une quinzaine de films avec la soci\u00e9t\u00e9 Karoninka cr\u00e9\u00e9e en 2006. Son court m\u00e9trage Un air de kora<\/em> est multi prim\u00e9 au FESPACO 2019 (poulain de bronze et meilleure r\u00e9alisatrice de la CEDEAO). Ang\u00e8le a aussi dirig\u00e9 deux ans et demi la soci\u00e9t\u00e9 des droits d\u2019auteurs et du droit voisin du S\u00e9n\u00e9gal.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ang\u00e8le Diabang, S\u00e9n\u00e9gal, 2024 SYNOPSIS Ramatoulaye, enseignante de 50 ans est mari\u00e9e depuis 25 ans \u00e0 l\u2019avocat Modou Fall. Le couple est tr\u00e8s complice. Ils sont heureux avec leurs 4 enfants. Lorsque son \u00e9poux prend une seconde \u00e9pouse, la meilleure amie de sa fille, la d\u00e9sillusion est terrible. Commence une lutte o\u00f9 s\u2019affrontent tradition et […]<\/p>\n","protected":false},"author":13,"featured_media":8752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-136.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8751"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8751\/revisions"}],"predecessor-version":[{"id":8753,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8751\/revisions\/8753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8752"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8748,"date":"2025-02-01T13:39:50","date_gmt":"2025-02-01T13:39:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8748"},"modified":"2025-02-01T13:39:52","modified_gmt":"2025-02-01T13:39:52","slug":"warassa-lheritage","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/warassa-lheritage\/","title":{"rendered":"WARASSA, L\u2019HERITAGE"},"content":{"rendered":"\n

Aaron Padack\u00e9 Z\u00e9goub\u00e9, Tchad, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

SABOURA, 18 ans, est la fille ain\u00e9e d\u2019un ancien officier militaire et d\u2019une fonctionnaire. Elle a un fr\u00e8re cadet, MANDOUH qui a quatre ans de moins qu\u2019elle. SABOURA et MANDOUH s\u2019entendent \u00e0 merveille et sont tr\u00e8s complices. Tous les deux ont \u00e9t\u00e9 \u00e9lev\u00e9s loin des traditions, dans un quartier paisible de N\u2019Djamena, aux abords du fleuve Chari. La famille est \u00e0 l\u2019abri du besoin.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Aaron Padack\u00e9 Zegoub\u00e9 est un r\u00e9alisateur, producteur tchadien qui a \u00e0 son actif plusieurs films fictions et documentaires dont Sur les traces de Touma<\/em>i (2019) qui a remport\u00e9 le Prix du documentaire long m\u00e9trage au CICAO 2024. Il a fait ses \u00e9tudes sup\u00e9rieures de cin\u00e9ma en Alg\u00e9rie et au Cameroun.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aaron Padack\u00e9 Z\u00e9goub\u00e9, Tchad, 2024 SYNOPSIS SABOURA, 18 ans, est la fille ain\u00e9e d\u2019un ancien officier militaire et d\u2019une fonctionnaire. Elle a un fr\u00e8re cadet, MANDOUH qui a quatre ans de moins qu\u2019elle. SABOURA et MANDOUH s\u2019entendent \u00e0 merveille et sont tr\u00e8s complices. Tous les deux ont \u00e9t\u00e9 \u00e9lev\u00e9s loin des traditions, dans un quartier […]<\/p>\n","protected":false},"author":13,"featured_media":8749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-138.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8748"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8748\/revisions"}],"predecessor-version":[{"id":8750,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8748\/revisions\/8750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8749"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8745,"date":"2025-02-01T10:40:13","date_gmt":"2025-02-01T10:40:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8745"},"modified":"2025-02-01T10:40:30","modified_gmt":"2025-02-01T10:40:30","slug":"une-si-longue-nuit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/une-si-longue-nuit\/","title":{"rendered":"Une si longue\u00a0 nuit"},"content":{"rendered":"\n

Delphine YERBANGA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Le film traite d\u2019une nuit d\u2019horreur dans une ville d\u2019Afrique occidentale. Cette nuit, Alex, un voleur attendait de rentrer dans une maison. Il \u00e9piait \u00e0 travers la fen\u00eatre, les occupants de la maison, St\u00e9phane et Aline, un jeune couple qui traverse des moments d\u2019incompr\u00e9hensions dus aux entr\u00e9es tardives et \u00e0 l\u2019alcoolisme. C\u2019est ainsi qu\u2019il sera t\u00e9moin de violences conjugales.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisatrice burkinab\u00e8, Delphine Yerbanga est titulaire d\u2019un Master I en audiovisuel de l\u2019Institut de Formation en Techniques de l\u2019Information et de la Communication du Niger et d\u2019un Master II en r\u00e9alisation documentaire de cr\u00e9ation de l\u2019Universit\u00e9 Gaston Berger de Saint Louis du S\u00e9n\u00e9gal.  Elle est auteure de plusieurs films dont, Sur les traces d\u2019un migrant <\/em>(2021), L\u2019Age d\u2019or du FESPACO<\/em> (2019).<\/p>\n","protected":false},"excerpt":{"rendered":"

Delphine YERBANGA, Burkina Faso, 2024 SYNOPSIS Le film traite d\u2019une nuit d\u2019horreur dans une ville d\u2019Afrique occidentale. Cette nuit, Alex, un voleur attendait de rentrer dans une maison. Il \u00e9piait \u00e0 travers la fen\u00eatre, les occupants de la maison, St\u00e9phane et Aline, un jeune couple qui traverse des moments d\u2019incompr\u00e9hensions dus aux entr\u00e9es tardives et […]<\/p>\n","protected":false},"author":13,"featured_media":8746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-137.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8745"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8745\/revisions"}],"predecessor-version":[{"id":8747,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8745\/revisions\/8747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8746"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8743,"date":"2025-02-01T10:32:57","date_gmt":"2025-02-01T10:32:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8743"},"modified":"2025-02-01T10:32:59","modified_gmt":"2025-02-01T10:32:59","slug":"pirinha","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/pirinha\/","title":{"rendered":"PIRINHA"},"content":{"rendered":"\n

Natasha Craveiro, Cap Vert, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Pirinha is a young woman’s journey through the recesses of her subconscious in search of herself and coming to terms with her past. On her journey, she encounters the so-called ‘evil’ creatures from Cape Verdean folklore that she feared so much as a child, only to discover that \u00ab\u00a0true evil\u00a0\u00bb has its roots in someone else. These encounters, however, are sweetened by memories of the most beautiful phase of her life – time spent with her grandmother, a woman ahead of her time who had a peculiar knowledge of traditional medicine and treated her granddaughter with it whenever needed. As a result, Pirinha is also a story of healing steeped in the cultural rituals of Cape Verde. It is a unique journey, but unfortunately one that is so familiar to many women, yet one that brings hope that wounds can be healed.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Natasha Craveiro is a Cape Verdean sociologist, producer and director born in Mindelo, on the island of S\u00e3o Vicente. In January 2017, she co-founded the independent production house Korikaxoru Films, Lda. with which she has made a unique journey through the world of cinema. She produced the award-winning documentary OMI NOBU and worked with big names such as Abderahmane Sissako and Pawel Pawlikowski. She wrote and directed the documentary \u201cMama\u201d in 2022 and the hybrid \u201cPirinha\u201d in 2024. Member of the Nucleo Nacional do Cinema de Cabo Verde, mentor of the project of the only film club on the island of Santiago, Cineclub Mankara, and<\/p>\n\n\n\n

founding member of Kuletivu Nhanha, collective that aims to support and promote women’s projects in cinema and audiovisual in Cape Verde. She did the Deental@Cannes program at the Cannes 2023 festival and in the<\/p>\n\n\n\n

same year she was part of the African Commission at the renowned IDFA festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Natasha Craveiro, Cap Vert, 2024 SYNOPSIS Pirinha is a young woman’s journey through the recesses of her subconscious in search of herself and coming to terms with her past. On her journey, she encounters the so-called ‘evil’ creatures from Cape Verdean folklore that she feared so much as a child, only to discover that \u00ab\u00a0true […]<\/p>\n","protected":false},"author":13,"featured_media":8726,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-135.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8743"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8743\/revisions"}],"predecessor-version":[{"id":8744,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8743\/revisions\/8744"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8726"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8740,"date":"2025-02-01T10:30:35","date_gmt":"2025-02-01T10:30:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8740"},"modified":"2025-02-02T17:52:08","modified_gmt":"2025-02-02T17:52:08","slug":"phiona-umukobwa-uvuye-i-madrid-phiona-la-fille-de-madrid","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/phiona-umukobwa-uvuye-i-madrid-phiona-la-fille-de-madrid\/","title":{"rendered":"PHIONA, UMUKOBWA UVUYE I MADRID – PHIONA, LA FILLE DE MADRID"},"content":{"rendered":"\n

Mutiganda wa Nkunda, Rwanda, Benin, Arabie Saudite,2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Kigali, Juin 2020. Cela fait quelques jours que Phiona est revenue de Madrid, une ville m\u00e9taphorique o\u00f9 elle \u00e9tait coup\u00e9e du monde ext\u00e9rieur pendant trois ans. Apr\u00e8s une journ\u00e9e remplie de conversations amicales avec son cousin Yves, la discussion prend une tournure critique concernant les d\u00e9cisions qui ont conduit Phiona \u00e0 se rendre \u00e0 Madrid. Leur amiti\u00e9 se trouve alors mise \u00e0 l\u2019\u00e9preuve.<\/a><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mutiganda wa Nkunda, est un cin\u00e9aste rwandais. En 2014, il \u00e9crit, produit et r\u00e9alise son premier court m\u00e9trage Rayila.<\/em> En 2015, il produit le court m\u00e9trage Ishaba <\/em>lors de l’atelier de r\u00e9alisation de films organis\u00e9 au Festival du film africain de Mashariki. Son premier long m\u00e9trage fiction Nameless<\/em> s\u00e9lectionn\u00e9 \u00e0 la comp\u00e9tition officielle du FESPACO 2021 a remport\u00e9 le prix du meilleur sc\u00e9nario.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mutiganda wa Nkunda, Rwanda, Benin, Arabie Saudite,2023 SYNOPSIS Kigali, Juin 2020. Cela fait quelques jours que Phiona est revenue de Madrid, une ville m\u00e9taphorique o\u00f9 elle \u00e9tait coup\u00e9e du monde ext\u00e9rieur pendant trois ans. Apr\u00e8s une journ\u00e9e remplie de conversations amicales avec son cousin Yves, la discussion prend une tournure critique concernant les d\u00e9cisions qui […]<\/p>\n","protected":false},"author":13,"featured_media":8725,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-134.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8740"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8740\/revisions"}],"predecessor-version":[{"id":8741,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8740\/revisions\/8741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8725"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8738,"date":"2025-02-01T10:28:50","date_gmt":"2025-02-01T10:28:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8738"},"modified":"2025-02-17T11:53:34","modified_gmt":"2025-02-17T11:53:34","slug":"nails-man","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nails-man\/","title":{"rendered":"NAIL’S MAN"},"content":{"rendered":"\n

TWANA SHERIYA, R\u00e9publique d\u00e9mocratique du Congo, 2023 SYNOPSIS<\/strong> KUWA JIBIKA vient d\u2019\u00eatre licenci\u00e9 mais il n\u2019ose pas le dire \u00e0 Nella, sa compagne. Ainsi, chaque matin il fait comme s\u2019il allait au boulot laissant croire \u00e0 sa femme qu\u2019il travaille toujours chez \u00ab les libanais \u00bb. Un jour, il rencontre Jasiri qui l\u2019initie \u00e0 un travail qu\u2019il finit par ma\u00eetriser et \u00e0 bien gagner sa vie. Mais, par honte, il n\u2019a jamais parl\u00e9 de ce sot m\u00e9tier \u00e0 Nella.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 en R\u00e9publique d\u00e9mocratique du Congo, TWANA SHERIYA a fait des \u00e9tudes en droit international \u00e0 l\u2019Universit\u00e9\u0301 de Kinshasa avant de se former en techniques cin\u00e9matographiques aux \u00ab Actions de Kinshasa \u00bb.  Il a \u00e0 son actif un court m\u00e9trage de fiction, APRES COUP, <\/em>(Meilleur court m\u00e9trage au Festival International du Film de Kinshasa et nomin\u00e9 aux \u00c9crans noirs) qu\u2019il a coproduit et r\u00e9alis\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

TWANA SHERIYA, R\u00e9publique d\u00e9mocratique du Congo, 2023 SYNOPSIS KUWA JIBIKA vient d\u2019\u00eatre licenci\u00e9 mais il n\u2019ose pas le dire \u00e0 Nella, sa compagne. Ainsi, chaque matin il fait comme s\u2019il allait au boulot laissant croire \u00e0 sa femme qu\u2019il travaille toujours chez \u00ab les libanais \u00bb. Un jour, il rencontre Jasiri qui l\u2019initie \u00e0 un […]<\/p>\n","protected":false},"author":13,"featured_media":8724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-133.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8738"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8738\/revisions"}],"predecessor-version":[{"id":9893,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8738\/revisions\/9893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8724"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8736,"date":"2025-02-01T10:27:08","date_gmt":"2025-02-01T10:27:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8736"},"modified":"2025-02-01T10:27:10","modified_gmt":"2025-02-01T10:27:10","slug":"mougha-youchked-mora-est-la","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mougha-youchked-mora-est-la\/","title":{"rendered":"MOUGHA YOUCHKED – MORA EST LA"},"content":{"rendered":"\n

Khalid Zairi, Maroc, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans les ann\u00e9es 50, confront\u00e9s \u00e0 la crise du charbon, les Charbonnages de France font appel \u00e0 Felix Mora, ancien officier des Affaires indig\u00e8nes au Maroc, pour recruter des travailleurs marocains. Mora est charg\u00e9 de recruter une main-d\u2019\u0153uvre marocaine, analphab\u00e8te, docile, et bon march\u00e9. Ce film d\u00e9voile l’histoire oubli\u00e9e de ces mineurs marocains.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Producteur et r\u00e9alisateur marocain, Khalid ZAIRI est membre de l\u2019Association internationale des producteurs audiovisuels ind\u00e9pendants de la M\u00e9diterran\u00e9e et initiateur de Casablanca Film Lab en collaboration avec le FESPACO. En 2017, il r\u00e9alise Sur les routes du Sahara<\/em>, prix du jury et prix de la meilleure musique au 2e<\/sup> Festival du film documentaire \u00e0 Al Jazeera documentary.<\/p>\n","protected":false},"excerpt":{"rendered":"

Khalid Zairi, Maroc, 2023 SYNOPSIS Dans les ann\u00e9es 50, confront\u00e9s \u00e0 la crise du charbon, les Charbonnages de France font appel \u00e0 Felix Mora, ancien officier des Affaires indig\u00e8nes au Maroc, pour recruter des travailleurs marocains. Mora est charg\u00e9 de recruter une main-d\u2019\u0153uvre marocaine, analphab\u00e8te, docile, et bon march\u00e9. Ce film d\u00e9voile l’histoire oubli\u00e9e de […]<\/p>\n","protected":false},"author":13,"featured_media":8723,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-132.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8736"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8736\/revisions"}],"predecessor-version":[{"id":8737,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8736\/revisions\/8737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8723"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8734,"date":"2025-02-01T10:24:50","date_gmt":"2025-02-01T10:24:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8734"},"modified":"2025-02-03T14:45:34","modified_gmt":"2025-02-03T14:45:34","slug":"minimals-in-a-titanic-world-un-monde-titanic","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/minimals-in-a-titanic-world-un-monde-titanic\/","title":{"rendered":"MINIMALS IN A TITANIC WORLD – UN MONDE TITANIC"},"content":{"rendered":"\n

Mbabazi Sharangabo Philbert Aim\u00e9, Cameroun\/Allemagne\/ Rwanda, 2025<\/p>\n\n\n\n

SYNOPSIS
\u00c0 sa sortie d\u2019un centre de d\u00e9tention, Anita, danseuse et chanteuse en devenir souffrant de probl\u00e8mes de gestion de la col\u00e8re, apprend que Serge, son petit ami reclus, est soudainement d\u00e9c\u00e9d\u00e9. Pendant la p\u00e9riode de deuil, Anita trouve du r\u00e9confort dans son amiti\u00e9 avec Shema, qui \u00e9tait \u00e9galement le meilleur ami de Serge. Alors que la tentation et la loyaut\u00e9 s\u2019opposent dans leur relation, Anita tente de s\u2019\u00e9loigner de Shema et se consacre enti\u00e8rement \u00e0 sa musique.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Mbabazi Sharangabo Philbert Aim\u00e9 est dipl\u00f4m\u00e9 de la Haute \u00c9cole d\u2019Art et de Design de Gen\u00e8ve, au d\u00e9partement cin\u00e9ma. Son court-m\u00e9trage I Got My Things And Left a remport\u00e9 en 2019 le Grand Prix d\u2019Oberhausen, une distinction qualificative pour les Oscars.<\/p>\n\n\n\n

Il a r\u00e9alis\u00e9 une dizaine de courts-m\u00e9trages projet\u00e9s dans plus de 50 festivals internationaux, dont IFF Rotterdam, Visions du R\u00e9el Nyon, Internationale Kurzfilmtage Winterthur, Tampere, Oberhausen, Go Short Nijmegen, IndieLisboa, ISFF Hamburg, FIFF Namur et Uppsala Short Film Festival. Il est \u00e9galement alumni du Berlinale Talents, de la Locarno Filmmakers Academy et du Torino Film Lab. En 2020, le Festival international du court-m\u00e9trage d\u2019Oberhausen lui a consacr\u00e9 une r\u00e9trospective. Minimals In A Titanic World est son premier long-m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mbabazi Sharangabo Philbert Aim\u00e9, Cameroun\/Allemagne\/ Rwanda, 2025 SYNOPSIS\u00c0 sa sortie d\u2019un centre de d\u00e9tention, Anita, danseuse et chanteuse en devenir souffrant de probl\u00e8mes de gestion de la col\u00e8re, apprend que Serge, son petit ami reclus, est soudainement d\u00e9c\u00e9d\u00e9. Pendant la p\u00e9riode de deuil, Anita trouve du r\u00e9confort dans son amiti\u00e9 avec Shema, qui \u00e9tait \u00e9galement […]<\/p>\n","protected":false},"author":13,"featured_media":8722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-131.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8734"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8734\/revisions"}],"predecessor-version":[{"id":8877,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8734\/revisions\/8877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8722"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8732,"date":"2025-02-01T10:20:09","date_gmt":"2025-02-01T10:20:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8732"},"modified":"2025-02-17T12:01:42","modified_gmt":"2025-02-17T12:01:42","slug":"les-miennes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-miennes\/","title":{"rendered":"LES MIENNES"},"content":{"rendered":"\n

Samira El Mouzghiba, \u00a0Maroc, 2024 SYNOPSIS<\/strong>\u00c9tant la derni\u00e8re de cinq s\u0153urs, je sais que j\u2019ai h\u00e9rit\u00e9 d\u2019une part douloureuse de leur histoire. En r\u00e9action \u00e0 un \u00e9v\u00e9nement tragique pass\u00e9 sous silence s\u2019est cr\u00e9\u00e9 un clan de s\u0153urs, dont ma m\u00e8re \u00e9tait exclue. Depuis lors, entre nous, nous l\u2019appelons \u201cTa m\u00e8re\u201d, comme si elle n\u2019\u00e9tait plus des n\u00f4tres. Elle va s\u2019exprimer pour la premi\u00e8re fois. \u00a0<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisatrice et monteuse belgo-marocaine, Samira a fait des \u00e9tudes \u00e0 <\/em>l’INSAS \u00e0 <\/em>Bruxelles, o\u00f9 elle a choisi de se concentrer sur le montage et  le travail de script. Elle a particip\u00e9 \u00e0 diff\u00e9rents projets, collaborant ainsi avec des cin\u00e9astes  de  diff\u00e9rents  horizons. Convaincue  du  pouvoir  transformateur  du  cin\u00e9ma, elle r\u00e9alise son premier documentaire, Les Miennes<\/em> en 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Samira El Mouzghiba, \u00a0Maroc, 2024 SYNOPSIS\u00c9tant la derni\u00e8re de cinq s\u0153urs, je sais que j\u2019ai h\u00e9rit\u00e9 d\u2019une part douloureuse de leur histoire. En r\u00e9action \u00e0 un \u00e9v\u00e9nement tragique pass\u00e9 sous silence s\u2019est cr\u00e9\u00e9 un clan de s\u0153urs, dont ma m\u00e8re \u00e9tait exclue. Depuis lors, entre nous, nous l\u2019appelons \u201cTa m\u00e8re\u201d, comme si elle n\u2019\u00e9tait plus […]<\/p>\n","protected":false},"author":13,"featured_media":8721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-130.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8732"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8732\/revisions"}],"predecessor-version":[{"id":9898,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8732\/revisions\/9898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8721"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8730,"date":"2025-02-01T10:18:28","date_gmt":"2025-02-01T10:18:28","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8730"},"modified":"2025-02-01T10:18:30","modified_gmt":"2025-02-01T10:18:30","slug":"disco-afrika-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/disco-afrika-2\/","title":{"rendered":"DISCO AFRIKA"},"content":{"rendered":"\n

Luck RAZANAJAONA, Madagascar, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Madagascar, nowadays. Twenty-year-old Kwame, who struggles to make a living in the clandestine sapphire mines, is taken back to his hometown by an unexpected turn of events. As he reunites with his mother and old friends, he finds himself confronted with the rampant corruption plaguing his country. Now, he will have to choose between easy money and loyalty; between individualism and political awakening.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

The director comes from Madagascar and studied at the Ecole Sup\u00e9rieure des Arts Visuels in Marrakech,<\/p>\n\n\n\n

Morocco. He has participated in and developed his projects at Berlinale Talents, Rotterdam Lab and La<\/p>\n\n\n\n

Fabrique des Cin\u00e9mas du Monde in Cannes. His short films and feature-length documentaries have screened at numerous festivals around the world. Disco Afrika: A Malagasy Story is his first feature-length fiction film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luck RAZANAJAONA, Madagascar, 2024 SYNOPSIS Madagascar, nowadays. Twenty-year-old Kwame, who struggles to make a living in the clandestine sapphire mines, is taken back to his hometown by an unexpected turn of events. As he reunites with his mother and old friends, he finds himself confronted with the rampant corruption plaguing his country. Now, he will […]<\/p>\n","protected":false},"author":13,"featured_media":8720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-8730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-129.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8730"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8730\/revisions"}],"predecessor-version":[{"id":8731,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8730\/revisions\/8731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8720"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8728,"date":"2025-02-01T10:17:42","date_gmt":"2025-02-01T10:17:42","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8728"},"modified":"2025-02-01T10:17:44","modified_gmt":"2025-02-01T10:17:44","slug":"disco-afrika","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/disco-afrika\/","title":{"rendered":"DISCO AFRIKA"},"content":{"rendered":"\n

Luck RAZANAJAONA, Madagascar, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Madagascar, Kwame 20 ans, tente de gagner sa vie dans les mines clandestines de saphir. Suite \u00e0 un \u00e9v\u00e9nement inattendu, il doit rejoindre sa ville natale o\u00f9 il retrouve sa m\u00e8re, d\u2019anciens amis, mais aussi la corruption qui gangr\u00e8ne son pays. Ballott\u00e9 par des sentiments contradictoires, il va devoir choisir entre argent facile et fraternit\u00e9, individualisme et \u00e9veil \u00e0 une conscience politique.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Originaire de Madagascar, Luck Razanajaona a \u00e9tudi\u00e9 \u00e0 l\u2019\u00c9cole sup\u00e9rieure des arts visuels de Marrakech. Il a particip\u00e9 et d\u00e9velopp\u00e9 ses projets \u00e0 la Berlinale Talents, au Rotterdam Lab et \u00e0 La Fabrique des Cin\u00e9mas du Monde \u00e0 Cannes. Ses films documentaires ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans de nombreux festivals \u00e0 travers le monde. Disco Afrika : une histoire malgache<\/em> est son premier long m\u00e9trage de fiction.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luck RAZANAJAONA, Madagascar, 2024 SYNOPSIS Madagascar, Kwame 20 ans, tente de gagner sa vie dans les mines clandestines de saphir. Suite \u00e0 un \u00e9v\u00e9nement inattendu, il doit rejoindre sa ville natale o\u00f9 il retrouve sa m\u00e8re, d\u2019anciens amis, mais aussi la corruption qui gangr\u00e8ne son pays. Ballott\u00e9 par des sentiments contradictoires, il va devoir choisir […]<\/p>\n","protected":false},"author":13,"featured_media":8720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-129.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8728"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8728\/revisions"}],"predecessor-version":[{"id":8729,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8728\/revisions\/8729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8720"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8590,"date":"2025-02-01T09:52:55","date_gmt":"2025-02-01T09:52:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8590"},"modified":"2025-02-01T10:14:29","modified_gmt":"2025-02-01T10:14:29","slug":"cent-douze","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/cent-douze\/","title":{"rendered":"CENT DOUZE"},"content":{"rendered":"\n

Joel M\u2019Maka, Togo, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

1934, accueil du premier train. Je me dressais majestueusement au centre du Togo, dans ce lieu qui deviendra plus tard Blitta, cette ville cosmopolite qui s\u2019est cr\u00e9\u00e9e gr\u00e2ce \u00e0 moi. J\u2019en ai fait les beaux jours, une gloire qui a fait des envieux… Puis, plus rien, le d\u00e9clin. Aujourd\u2019hui je ne suis plus qu\u2019un souvenir dans les m\u00e9moires des anciens encore vivants.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

R\u00e9alisateur et Producteur togolais, Jo\u00ebl M\u2019Maka TCHEDRE, responsable de la structure Les Films du Si\u00e8cle est dipl\u00f4m\u00e9 en journalisme et cin\u00e9ma. Son film documentaire, Nanas Benz, Les Reines du textile africain<\/em> a remport\u00e9 le grand prix Kodjo Eboucl\u00e9 du meilleur film et celui de l\u2019int\u00e9gration africaine \u00e0 Clap Ivoire en 2014. Son film PACTE<\/em> \u00e9tait en s\u00e9lection officielle au FESPACO 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"

Joel M\u2019Maka, Togo, 2024 SYNOPSIS : 1934, accueil du premier train. Je me dressais majestueusement au centre du Togo, dans ce lieu qui deviendra plus tard Blitta, cette ville cosmopolite qui s\u2019est cr\u00e9\u00e9e gr\u00e2ce \u00e0 moi. J\u2019en ai fait les beaux jours, une gloire qui a fait des envieux… Puis, plus rien, le d\u00e9clin. Aujourd\u2019hui […]<\/p>\n","protected":false},"author":13,"featured_media":8718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-127.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8590"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8590\/revisions"}],"predecessor-version":[{"id":8591,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8590\/revisions\/8591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8718"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8588,"date":"2025-02-01T09:47:07","date_gmt":"2025-02-01T09:47:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8588"},"modified":"2025-02-01T10:15:59","modified_gmt":"2025-02-01T10:15:59","slug":"catcher","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/catcher\/","title":{"rendered":"CATCHER"},"content":{"rendered":"\n

Derhwa Kasunzu, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

\u00c0 Kisangani, en R\u00e9publique D\u00e9mocratique du Congo, une star d\u00e9chue du catch et ses compagnons de lutte se battent pour organiser \u00e0 bout de bras un grand \u00e9v\u00e9nement en hommage \u00e0 leur mentor d\u00e9c\u00e9d\u00e9, un ex champion<\/p>\n\n\n\n

du monde oubli\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Bas\u00e9 \u00e0 Kisangani en RDC, la ville o\u00f9 il a grandi, Derhwa Kasunzu est d\u00e9tenteur d\u2019une licence en Droit de l\u2019Universit\u00e9 de Kisangani. Il se forme au sein des Studios Kabako \u00e0 l\u2019\u00e9criture documentaire et aux techniques cin\u00e9matographiques. Il fait partie en 2018-2019 du projet Lubunga Files, sous la direction artistique de Faustin Linyekula. En 2018, il r\u00e9alise son premier court-m\u00e9trage INKERSON.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Derhwa Kasunzu, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2024 SYNOPSIS \u00c0 Kisangani, en R\u00e9publique D\u00e9mocratique du Congo, une star d\u00e9chue du catch et ses compagnons de lutte se battent pour organiser \u00e0 bout de bras un grand \u00e9v\u00e9nement en hommage \u00e0 leur mentor d\u00e9c\u00e9d\u00e9, un ex champion du monde oubli\u00e9. BIOFILMOGRAPHIE Bas\u00e9 \u00e0 Kisangani en RDC, […]<\/p>\n","protected":false},"author":13,"featured_media":8717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-8588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-126.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8588"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8588\/revisions"}],"predecessor-version":[{"id":8727,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8588\/revisions\/8727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8717"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]