Fara KONAT\u00c9, S\u00e9n\u00e9gal<\/p>\n\n\n\n
September 2017. A violent wind toppled the statue of General Louis L\u00e9on Faidherbe, which had stood for 130 years at the heart of Saint-Louis, Senegal. The youth of the 21st century, who denounce symbols of colonialism, celebrated with joy.<\/p>\n\n\n\n
As the son of a former soldier (indig\u00e8ne) from French Sudan, this event ignited my desire to finally confront our shared history tied to the actions of Governor Faidherbe and French colonization against Indigenous peoples. More than half a century after decolonization, I embark on a journey in search of the remnants of the past.<\/p>\n","protected":false},"excerpt":{"rendered":"
Fara KONAT\u00c9, S\u00e9n\u00e9gal September 2017. A violent wind toppled the statue of General Louis L\u00e9on Faidherbe, which had stood for 130 years at the heart of Saint-Louis, Senegal. The youth of the 21st century, who denounce symbols of colonialism, celebrated with joy. As the son of a former soldier (indig\u00e8ne) from French Sudan, this event […]<\/p>\n","protected":false},"author":13,"featured_media":8936,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8561"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8561\/revisions"}],"predecessor-version":[{"id":8564,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8561\/revisions\/8564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8936"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8558,"date":"2025-01-30T15:35:13","date_gmt":"2025-01-30T15:35:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8558"},"modified":"2025-02-05T17:28:40","modified_gmt":"2025-02-05T17:28:40","slug":"vestiges-du-passe-sur-les-traces-du-gouverneur-faidherbe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/vestiges-du-passe-sur-les-traces-du-gouverneur-faidherbe\/","title":{"rendered":"VESTIGES DU PASSE, SUR LES TRACES DU GOUVERNEUR FAIDHERBE"},"content":{"rendered":"\n
Fara KONAT\u00c9, S\u00e9n\u00e9gal<\/p>\n\n\n\n
Septembre 2017. Un vent violent fait tomber de son pi\u00e9destal la statue du g\u00e9n\u00e9ral Louis L\u00e9onFaidherbe qui tr\u00f4nait depuis 130 ans au c\u0153ur de Saint-Louis du S\u00e9n\u00e9gal. La jeunesse, n\u00e9e en ce 21\u00e8me si\u00e8cle, et qui d\u00e9nonce les symboles du colonialisme, jubile. Fils d\u2019un ancien soldat( indig\u00e9ne) du Soudan fran\u00e7ais, cet \u00e9pisode a d\u00e9clench\u00e9 mon d\u00e9sir d\u2019affronter enfin notre propre histoire li\u00e9e \u00e0 l\u2019action du Gouverneur Faidherbe et \u00e0 lacolonisation fran\u00e7aise contre les peuples autochtones. Plus d\u2019un demi-si\u00e8cle apr\u00e8s lad\u00e9colonisation j\u2019entame un voyage \u00e0 la qu\u00eate des vestiges du pass\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"
Fara KONAT\u00c9, S\u00e9n\u00e9gal Septembre 2017. Un vent violent fait tomber de son pi\u00e9destal la statue du g\u00e9n\u00e9ral Louis L\u00e9onFaidherbe qui tr\u00f4nait depuis 130 ans au c\u0153ur de Saint-Louis du S\u00e9n\u00e9gal. La jeunesse, n\u00e9e en ce 21\u00e8me si\u00e8cle, et qui d\u00e9nonce les symboles du colonialisme, jubile. Fils d\u2019un ancien soldat( indig\u00e9ne) du Soudan fran\u00e7ais, cet \u00e9pisode […]<\/p>\n","protected":false},"author":13,"featured_media":8936,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8558"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8558\/revisions"}],"predecessor-version":[{"id":8559,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8558\/revisions\/8559"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8936"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8556,"date":"2025-01-30T15:32:48","date_gmt":"2025-01-30T15:32:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8556"},"modified":"2025-02-09T20:29:40","modified_gmt":"2025-02-09T20:29:40","slug":"nzonzing-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nzonzing-2\/","title":{"rendered":"NZONZING"},"content":{"rendered":"\n
Moimi WEZAM, Congo<\/p>\n\n\n\n
Six days out of seven, Lordi, Andria, H\u00e9noch, and Tychique dress up to perform comedy sketches for customers at the terraces of Kinshasa\u2019s bistros. Since humor no longer pays, they turn to music and dream of organizing a popular show.<\/p>\n\n\n\n
Despite the widespread chaos in the Democratic Republic of Congo, Lordi, H\u00e9noch, Andria, Tychique, and others use their resourcefulness and creativity to try to improve their living conditions.<\/p>\n","protected":false},"excerpt":{"rendered":"
Moimi WEZAM, Congo Six days out of seven, Lordi, Andria, H\u00e9noch, and Tychique dress up to perform comedy sketches for customers at the terraces of Kinshasa\u2019s bistros. Since humor no longer pays, they turn to music and dream of organizing a popular show. Despite the widespread chaos in the Democratic Republic of Congo, Lordi, H\u00e9noch, […]<\/p>\n","protected":false},"author":13,"featured_media":8920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8556"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8556\/revisions"}],"predecessor-version":[{"id":8557,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8556\/revisions\/8557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8920"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8554,"date":"2025-01-30T15:29:06","date_gmt":"2025-01-30T15:29:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8554"},"modified":"2025-02-05T17:25:59","modified_gmt":"2025-02-05T17:25:59","slug":"nzonzing","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nzonzing\/","title":{"rendered":"NZONZING"},"content":{"rendered":"\n
Moimi WEZAM, Congo<\/p>\n\n\n\n
Six jours sur sept, Lordi, Andria, H\u00e9noch et Tychique se d\u00e9guisent pour pr\u00e9senter des sketchs \u00e0 la client\u00e8le des terrasses des bistrots de Kinshasa. Comme l\u2019humour ne paye plus, ils s\u2019essayent \u00e0 la musique et ambitionnent d\u2019organiser un spectacle populaire. Malgr\u00e9 le chaos g\u00e9n\u00e9ralis\u00e9 en r\u00e9publique d\u00e9mocratique du Congo, Lordi, H\u00e9noch, Andria, Tychique et d\u2019autres personnes usent de leur intelligence pour essayer d\u2019am\u00e9liorer leurs conditions de vie.<\/p>\n","protected":false},"excerpt":{"rendered":"
Moimi WEZAM, Congo Six jours sur sept, Lordi, Andria, H\u00e9noch et Tychique se d\u00e9guisent pour pr\u00e9senter des sketchs \u00e0 la client\u00e8le des terrasses des bistrots de Kinshasa. Comme l\u2019humour ne paye plus, ils s\u2019essayent \u00e0 la musique et ambitionnent d\u2019organiser un spectacle populaire. Malgr\u00e9 le chaos g\u00e9n\u00e9ralis\u00e9 en r\u00e9publique d\u00e9mocratique du Congo, Lordi, H\u00e9noch, Andria, […]<\/p>\n","protected":false},"author":13,"featured_media":8920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8554"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8554\/revisions"}],"predecessor-version":[{"id":8555,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8554\/revisions\/8555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8920"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8552,"date":"2025-01-30T15:24:26","date_gmt":"2025-01-30T15:24:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8552"},"modified":"2025-02-09T12:26:34","modified_gmt":"2025-02-09T12:26:34","slug":"to-daniel-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/to-daniel-2\/","title":{"rendered":"TO DANIEL"},"content":{"rendered":"\n
Marwa Ali ELSHARKAWI, Egypte<\/p>\n\n\n\n
An old Armenian man, a saint of cinema, creates an imaginary world of distant dreams for his young director friend, so that she can return to her love of life again after a crisis of isolation and illness. They embark on a challenging, transformative journey to achieve those dreams together. He seeks to direct his first film in his seventies, and she documents that journey as her second film. During which she discovers many things about her and him, seeking a new beginning for both of them. In the end, the trip turned into a close friendship filled with stories about love, life, and cinema, until they feared it would end<\/p>\n","protected":false},"excerpt":{"rendered":"
Marwa Ali ELSHARKAWI, Egypte An old Armenian man, a saint of cinema, creates an imaginary world of distant dreams for his young director friend, so that she can return to her love of life again after a crisis of isolation and illness. They embark on a challenging, transformative journey to achieve those dreams together. He […]<\/p>\n","protected":false},"author":13,"featured_media":9427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-14-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8552"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8552\/revisions"}],"predecessor-version":[{"id":8553,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8552\/revisions\/8553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9427"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8550,"date":"2025-01-30T15:20:56","date_gmt":"2025-01-30T15:20:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8550"},"modified":"2025-02-09T12:23:31","modified_gmt":"2025-02-09T12:23:31","slug":"to-daniel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/to-daniel\/","title":{"rendered":"TO DANIEL"},"content":{"rendered":"\n
Marwa Ali ELSHARKAWI, Egypte<\/p>\n\n\n\n
Un vieil homme arm\u00e9nien, un saint du cin\u00e9ma, cr\u00e9e un monde imaginaire de r\u00eaves lointains pour son amie r\u00e9alisatrice, afin qu\u2019elle retrouve son amour pour la vie apr\u00e8s une crise d\u2019isolement et de maladie. Ensemble, ils entreprennent un voyage difficile et transformateur pour r\u00e9aliser ces r\u00eaves.<\/p>\n\n\n\n
Lui, dans sa soixantaine, aspire \u00e0 r\u00e9aliser son premier film, tandis qu\u2019elle documente cette aventure comme son deuxi\u00e8me film. Au cours de ce voyage, elle d\u00e9couvre beaucoup sur lui et sur elle-m\u00eame, cherchant un nouveau d\u00e9part pour eux deux.<\/p>\n\n\n\n
Finalement, ce p\u00e9riple se transforme en une amiti\u00e9 profonde, remplie d\u2019histoires sur l\u2019amour, la vie et le cin\u00e9ma, jusqu\u2019\u00e0 ce qu\u2019ils craignent que cette aventure ne prenne fin.<\/p>\n","protected":false},"excerpt":{"rendered":"
Marwa Ali ELSHARKAWI, Egypte Un vieil homme arm\u00e9nien, un saint du cin\u00e9ma, cr\u00e9e un monde imaginaire de r\u00eaves lointains pour son amie r\u00e9alisatrice, afin qu\u2019elle retrouve son amour pour la vie apr\u00e8s une crise d\u2019isolement et de maladie. Ensemble, ils entreprennent un voyage difficile et transformateur pour r\u00e9aliser ces r\u00eaves. Lui, dans sa soixantaine, aspire […]<\/p>\n","protected":false},"author":13,"featured_media":9427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8550","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-14-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8550"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8550\/revisions"}],"predecessor-version":[{"id":8551,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8550\/revisions\/8551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9427"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8548,"date":"2025-01-30T15:17:15","date_gmt":"2025-01-30T15:17:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8548"},"modified":"2025-02-11T16:16:23","modified_gmt":"2025-02-11T16:16:23","slug":"au-de-la-des-illusions-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/au-de-la-des-illusions-2\/","title":{"rendered":"AU DE-LA DES ILLUSIONS"},"content":{"rendered":"\n
Salif KONE, C\u00f4te d’Ivoire<\/p>\n\n\n\n
William and Jack, two childhood friends from humble backgrounds, dream of escaping their everyday lives. Their fate takes a dramatic turn when William stumbles upon a bag of drugs, dragging them into the criminal underworld under the influence of Lucas.<\/p>\n\n\n\n
Although their endeavors bring them a taste of wealth, the consequences of their choices soon catch up with them. Confronted with increasingly difficult trials, they consider leaving it all behind. However, one final proposition from Lucas convinces them to push forward.<\/p>\n\n\n\n
A tragic event shakes everything, forcing William to confront his illusions and choose the path that will shape his future.<\/p>\n","protected":false},"excerpt":{"rendered":"
Salif KONE, C\u00f4te d’Ivoire William and Jack, two childhood friends from humble backgrounds, dream of escaping their everyday lives. Their fate takes a dramatic turn when William stumbles upon a bag of drugs, dragging them into the criminal underworld under the influence of Lucas. Although their endeavors bring them a taste of wealth, the consequences […]<\/p>\n","protected":false},"author":13,"featured_media":9752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8548"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8548\/revisions"}],"predecessor-version":[{"id":8549,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8548\/revisions\/8549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9752"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8546,"date":"2025-01-30T15:14:22","date_gmt":"2025-01-30T15:14:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8546"},"modified":"2025-02-11T16:15:45","modified_gmt":"2025-02-11T16:15:45","slug":"au-de-la-des-illusions","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/au-de-la-des-illusions\/","title":{"rendered":"AU DE-LA DES ILLUSIONS"},"content":{"rendered":"\n
Salif KONE, C\u00f4te d’Ivoire<\/p>\n\n\n\n
William et Jack, deux amis d’enfance issus de milieux modestes, r\u00eavent d’\u00e9chapper \u00e0 leur quotidien. Leur destin bascule lorsque William tombe sur un sac de drogue, les entra\u00eenant dans le monde criminel sous l’influence de Lucas. Bien que leurs efforts leur apportent une certaine richesse, les cons\u00e9quences de leur choix commencent \u00e0 les rattraper. Face \u00e0 des \u00e9preuves de plus en plus difficiles, ils envisagent de tout abandonner. Cependant, une ultime proposition de Lucas les pousse \u00e0 continuer. Un \u00e9v\u00e9nement tragique remet tout en question, for\u00e7ant William \u00e0 faire face \u00e0 ses illusions et \u00e0 choisir la voie qui d\u00e9terminera son avenir.<\/p>\n","protected":false},"excerpt":{"rendered":"
Salif KONE, C\u00f4te d’Ivoire William et Jack, deux amis d’enfance issus de milieux modestes, r\u00eavent d’\u00e9chapper \u00e0 leur quotidien. Leur destin bascule lorsque William tombe sur un sac de drogue, les entra\u00eenant dans le monde criminel sous l’influence de Lucas. Bien que leurs efforts leur apportent une certaine richesse, les cons\u00e9quences de leur choix commencent […]<\/p>\n","protected":false},"author":13,"featured_media":9752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8546"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8546\/revisions"}],"predecessor-version":[{"id":8547,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8546\/revisions\/8547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9752"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8544,"date":"2025-01-30T15:11:00","date_gmt":"2025-01-30T15:11:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8544"},"modified":"2025-02-09T20:35:58","modified_gmt":"2025-02-09T20:35:58","slug":"shades-of-us-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/shades-of-us-2\/","title":{"rendered":"SHADES OF US"},"content":{"rendered":"\n
Twamsan DANAAN, Nigeria<\/p>\n\n\n\n
What is takes to redeem any person whom has lost it all including their affinity for life its self is explored in the shades that exists in every one of us through the ability to create newness in this identity driven African psychological and socio-environmental drama that follows the story of a visual artist QUAME and his beautiful wife YIL both in the creative industry. Shades of us is set in authentic everyday life of a typical couple as life comes calling and the decisions made sets ripple effects on the world of suicide, mental health and rehabilitation as viewed in most African cultures.<\/p>\n","protected":false},"excerpt":{"rendered":"
Twamsan DANAAN, Nigeria What is takes to redeem any person whom has lost it all including their affinity for life its self is explored in the shades that exists in every one of us through the ability to create newness in this identity driven African psychological and socio-environmental drama that follows the story of a […]<\/p>\n","protected":false},"author":13,"featured_media":8921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8544"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8544\/revisions"}],"predecessor-version":[{"id":8545,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8544\/revisions\/8545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8921"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8542,"date":"2025-01-30T15:09:22","date_gmt":"2025-01-30T15:09:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8542"},"modified":"2025-02-05T17:21:19","modified_gmt":"2025-02-05T17:21:19","slug":"shades-of-us","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/shades-of-us\/","title":{"rendered":"SHADES OF US"},"content":{"rendered":"\n
Twamsan DANAAN, Nigeria<\/p>\n\n\n\n
Ce qu\u2019il faut pour racheter une personne qui a tout perdu, y compris son affinit\u00e9 pour la vie elle-m\u00eame, est explor\u00e9 \u00e0 travers les nuances qui existent en chacun de nous, gr\u00e2ce \u00e0 la capacit\u00e9 de cr\u00e9er du renouveau. Ce drame psychologique et socio-environnemental africain ax\u00e9 sur l\u2019identit\u00e9 suit l\u2019histoire de QUAME, un artiste visuel, et de sa magnifique \u00e9pouse YIL, tous deux issus du milieu cr\u00e9atif.<\/p>\n\n\n\n
Shades of Us se d\u00e9roule dans le quotidien authentique d\u2019un couple typique, o\u00f9 la vie leur impose des choix. Les d\u00e9cisions qu\u2019ils prennent cr\u00e9ent des r\u00e9percussions dans le monde du suicide, de la sant\u00e9 mentale et de la r\u00e9habilitation, tels qu\u2019ils sont per\u00e7us dans la plupart des cultures africaines.<\/p>\n","protected":false},"excerpt":{"rendered":"
Twamsan DANAAN, Nigeria Ce qu\u2019il faut pour racheter une personne qui a tout perdu, y compris son affinit\u00e9 pour la vie elle-m\u00eame, est explor\u00e9 \u00e0 travers les nuances qui existent en chacun de nous, gr\u00e2ce \u00e0 la capacit\u00e9 de cr\u00e9er du renouveau. Ce drame psychologique et socio-environnemental africain ax\u00e9 sur l\u2019identit\u00e9 suit l\u2019histoire de QUAME, […]<\/p>\n","protected":false},"author":13,"featured_media":8921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8542"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8542\/revisions"}],"predecessor-version":[{"id":8543,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8542\/revisions\/8543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8921"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8540,"date":"2025-01-30T15:07:10","date_gmt":"2025-01-30T15:07:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8540"},"modified":"2025-02-09T20:37:34","modified_gmt":"2025-02-09T20:37:34","slug":"djeliya-memory-du-mandingue-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/djeliya-memory-du-mandingue-2\/","title":{"rendered":"DJELIYA, MEMORY DU MANDINGUE"},"content":{"rendered":"\n
Boubacar SANGAR\u00c9,Burkina Faso<\/p>\n\n\n\n
S\u00e9kou Timit\u00e9 has one ambition: to follow in the footsteps of a father he never knew and become a Djeli, a griot\u2014one of the guardians of oral memory in West Africa. As the only member of his family interested in the fading art of the griot, he leaves his family and his Malian village behind to explore the world along the legendary routes of the Manding Empire.<\/p>\n\n\n\n
Torn between his dreams of greatness, the material needs of his family, and the long journey of learning, he faces the challenges of a sometimes chaotic present. Along the way, he encounters some of the greatest griots in the region as well as ordinary individuals grappling with daily life.<\/p>\n\n\n\n
His journey of initiation becomes a poetic portrait of a West Africa searching for its shared memory.<\/p>\n","protected":false},"excerpt":{"rendered":"
Boubacar SANGAR\u00c9,Burkina Faso S\u00e9kou Timit\u00e9 has one ambition: to follow in the footsteps of a father he never knew and become a Djeli, a griot\u2014one of the guardians of oral memory in West Africa. As the only member of his family interested in the fading art of the griot, he leaves his family and his […]<\/p>\n","protected":false},"author":13,"featured_media":8923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8540"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8540\/revisions"}],"predecessor-version":[{"id":8541,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8540\/revisions\/8541"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8923"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8538,"date":"2025-01-30T15:05:33","date_gmt":"2025-01-30T15:05:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8538"},"modified":"2025-02-05T17:16:48","modified_gmt":"2025-02-05T17:16:48","slug":"djeliya-memory-du-mandingue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/djeliya-memory-du-mandingue\/","title":{"rendered":"DJELIYA, MEMORY DU MANDINGUE"},"content":{"rendered":"\n
Boubacar SANGAR\u00c9,Burkina Faso<\/p>\n\n\n\n
S\u00e9kou Timit\u00e9 a une ambition : suivre la voie d\u2019un p\u00e8re qu\u2019il n\u2019a jamais connu pour devenir un \u00ab\u00a0Djeli\u00a0\u00bb, un griot, ces gardiens de la m\u00e9moire orale en Afrique de l’Ouest. Seul de la fratrie \u00e0 s’int\u00e9resser \u00e0 l’art en d\u00e9su\u00e9tude du griot, il laisse sa famille et son village malien derri\u00e8re lui et part se confronter au monde sur les routes du l\u00e9gendaire Empire mandingue. Tiraill\u00e9 entre ses envies de grandeur, les besoins mat\u00e9riels de sa famille et le temps long de l\u2019apprentissage, il se confronte aux obstacles d\u2019un pr\u00e9sent parfois chaotique et croise sur son chemin les plus grands griots de la r\u00e9gion ou de simples individus en prise avec le quotidien. Son voyage initiatique devient le portrait po\u00e9tique d\u2019une Afrique de l’Ouest \u00e0 la recherche de sa m\u00e9moire commune.<\/p>\n","protected":false},"excerpt":{"rendered":"
Boubacar SANGAR\u00c9,Burkina Faso S\u00e9kou Timit\u00e9 a une ambition : suivre la voie d\u2019un p\u00e8re qu\u2019il n\u2019a jamais connu pour devenir un \u00ab\u00a0Djeli\u00a0\u00bb, un griot, ces gardiens de la m\u00e9moire orale en Afrique de l’Ouest. Seul de la fratrie \u00e0 s’int\u00e9resser \u00e0 l’art en d\u00e9su\u00e9tude du griot, il laisse sa famille et son village malien derri\u00e8re […]<\/p>\n","protected":false},"author":13,"featured_media":8923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8538"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8538\/revisions"}],"predecessor-version":[{"id":8539,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8538\/revisions\/8539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8923"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8536,"date":"2025-01-30T15:01:50","date_gmt":"2025-01-30T15:01:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8536"},"modified":"2025-02-09T20:39:42","modified_gmt":"2025-02-09T20:39:42","slug":"broken-drums-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/broken-drums-2\/","title":{"rendered":"BROKEN DRUMS"},"content":{"rendered":"\n
Marcelin BOSSOU Arnold SETOHOU, TOGO<\/p>\n\n\n\n
Manu, a 15-year-old girl, discovers her family\u2019s history of slavery and the curse that comes with it. Guided by an EGUNGUN (Spirit of the Ancestors), Manu embarks on a journey to redeem her family through percussion.<\/p>\n","protected":false},"excerpt":{"rendered":"
Marcelin BOSSOU Arnold SETOHOU, TOGO Manu, a 15-year-old girl, discovers her family\u2019s history of slavery and the curse that comes with it. Guided by an EGUNGUN (Spirit of the Ancestors), Manu embarks on a journey to redeem her family through percussion.<\/p>\n","protected":false},"author":13,"featured_media":8922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[552],"tags":[],"class_list":["post-8536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8536"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8536\/revisions"}],"predecessor-version":[{"id":8537,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8536\/revisions\/8537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8534,"date":"2025-01-30T14:59:57","date_gmt":"2025-01-30T14:59:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8534"},"modified":"2025-02-05T17:15:32","modified_gmt":"2025-02-05T17:15:32","slug":"broken-drums","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/broken-drums\/","title":{"rendered":"BROKEN DRUMS"},"content":{"rendered":"\n
Marcelin BOSSOU Arnold SETOHOU, TOGO<\/p>\n\n\n\n
Manu, jeune fille de 15 ans, d\u00e9couvre le pass\u00e9 esclavagiste de sa familleet lamal\u00e9diction qui en d\u00e9coule. Aid\u00e9e par un EGUNGUN (Revenant), Manuentreprend de racheter sa famille par les percussions.<\/p>\n","protected":false},"excerpt":{"rendered":"
Marcelin BOSSOU Arnold SETOHOU, TOGO Manu, jeune fille de 15 ans, d\u00e9couvre le pass\u00e9 esclavagiste de sa familleet lamal\u00e9diction qui en d\u00e9coule. Aid\u00e9e par un EGUNGUN (Revenant), Manuentreprend de racheter sa famille par les percussions.<\/p>\n","protected":false},"author":13,"featured_media":8922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[550],"tags":[],"class_list":["post-8534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yennenga-post-production-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8534"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8534\/revisions"}],"predecessor-version":[{"id":8535,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8534\/revisions\/8535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8922"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8488,"date":"2025-01-29T14:32:14","date_gmt":"2025-01-29T14:32:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8488"},"modified":"2025-01-29T14:32:16","modified_gmt":"2025-01-29T14:32:16","slug":"serr-victoria","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/serr-victoria\/","title":{"rendered":"SERR VICTORIA"},"content":{"rendered":"\n
Synopsis<\/p>\n\n\n\n
Adam (27) accidentally drops his wife\u2019s thong onto the balcony of his neighbor, Bassem (45). When Adam tries to explain, Bassem ignores him and slams the door in his face. Desperate to retrieve the thong, Adam attempts but fails.<\/p>\n\n\n\n
Convinced that Bassem has taken it, Adam manages to sneak into his apartment to search for it. However, Bassem calls the police to report Adam\u2019s intrusion\u2014leading to bloody consequences.<\/p>\n","protected":false},"excerpt":{"rendered":"
Synopsis Adam (27) accidentally drops his wife\u2019s thong onto the balcony of his neighbor, Bassem (45). When Adam tries to explain, Bassem ignores him and slams the door in his face. Desperate to retrieve the thong, Adam attempts but fails. Convinced that Bassem has taken it, Adam manages to sneak into his apartment to search […]<\/p>\n","protected":false},"author":13,"featured_media":8486,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-121.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8488"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8488\/revisions"}],"predecessor-version":[{"id":8489,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8488\/revisions\/8489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8486"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8485,"date":"2025-01-29T14:30:49","date_gmt":"2025-01-29T14:30:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8485"},"modified":"2025-01-29T14:30:52","modified_gmt":"2025-01-29T14:30:52","slug":"le-secrtet-de-victoria","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-secrtet-de-victoria\/","title":{"rendered":"LE SECRTET DE VICTORIA"},"content":{"rendered":"\n
SYNOPSIS <\/p>\n\n\n\n
Adam (27) laisse accidentellement tomber le string de sa femme sur le balcon de son voisin Bassem (45). Bassem ignore les tentatives d’Adam pour s’expliquer et lui claque la porte au nez. Adam essaie de r\u00e9cup\u00e9rer le string mais \u00e9choue. Supposant que Bassem l’a pris, Adam parvient \u00e0 entrer dans l’appartement de Bassem pour le chercher. Bassem appelle la police pour l’intrusion d’Adam, ce qui conduit \u00e0 des cons\u00e9quences sanglantes<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
SYNOPSIS Adam (27) laisse accidentellement tomber le string de sa femme sur le balcon de son voisin Bassem (45). Bassem ignore les tentatives d’Adam pour s’expliquer et lui claque la porte au nez. Adam essaie de r\u00e9cup\u00e9rer le string mais \u00e9choue. Supposant que Bassem l’a pris, Adam parvient \u00e0 entrer dans l’appartement de Bassem pour […]<\/p>\n","protected":false},"author":13,"featured_media":8486,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-121.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8485"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8485\/revisions"}],"predecessor-version":[{"id":8487,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8485\/revisions\/8487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8486"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8483,"date":"2025-01-29T14:26:34","date_gmt":"2025-01-29T14:26:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8483"},"modified":"2025-01-29T14:26:37","modified_gmt":"2025-01-29T14:26:37","slug":"the-oath-of-boukary","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-oath-of-boukary\/","title":{"rendered":"The Oath of Boukary"},"content":{"rendered":"\n
Synopsis<\/strong><\/p>\n\n\n\n In a small village in West Africa during the colonial period, Boukary and Minata, young lovers, experience a deep passion. They plan to marry at the end of the harvest. However, their project is abruptly compromised by the announcement of the arrival of European colonizers. Boukary is then chosen to lead a group of young fighters mobilized by the king to protect the village against this threat. Thus, a conflict arises between their romantic dreams and the challenges imposed by Boukary’s crucial mission.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis In a small village in West Africa during the colonial period, Boukary and Minata, young lovers, experience a deep passion. They plan to marry at the end of the harvest. However, their project is abruptly compromised by the announcement of the arrival of European colonizers. Boukary is then chosen to lead a group of […]<\/p>\n","protected":false},"author":13,"featured_media":8481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-120.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8483"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8483\/revisions"}],"predecessor-version":[{"id":8484,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8483\/revisions\/8484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8481"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8480,"date":"2025-01-29T14:25:06","date_gmt":"2025-01-29T14:25:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8480"},"modified":"2025-01-29T14:25:07","modified_gmt":"2025-01-29T14:25:07","slug":"le-serment-de-boukary","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-serment-de-boukary\/","title":{"rendered":"Le Serment de Boukary"},"content":{"rendered":"\n Synopsis<\/strong><\/p>\n\n\n\n Dans un petit village d’Afrique de l’Ouest pendant la p\u00e9riode coloniale, Boukary et Minata, jeunes amoureux, vivent une passion profonde. Ils envisagent de se marier \u00e0 la fin des r\u00e9coltes. Cependant, leur projet est brusquement compromis par l’annonce de l’arriv\u00e9e des colonisateurs europ\u00e9ens. Boukary est alors choisi pour diriger une troupe de jeunes combattants mobilis\u00e9s par le roi afin de prot\u00e9ger le village contre cette menace. Ainsi, un conflit \u00e9merge entre leurs r\u00eaves romantiques et les d\u00e9fis impos\u00e9s par la mission cruciale de Boukary.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Dans un petit village d’Afrique de l’Ouest pendant la p\u00e9riode coloniale, Boukary et Minata, jeunes amoureux, vivent une passion profonde. Ils envisagent de se marier \u00e0 la fin des r\u00e9coltes. Cependant, leur projet est brusquement compromis par l’annonce de l’arriv\u00e9e des colonisateurs europ\u00e9ens. Boukary est alors choisi pour diriger une troupe de jeunes combattants […]<\/p>\n","protected":false},"author":13,"featured_media":8481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8480","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-120.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8480"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8480\/revisions"}],"predecessor-version":[{"id":8482,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8480\/revisions\/8482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8481"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8478,"date":"2025-01-29T14:20:57","date_gmt":"2025-01-29T14:20:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8478"},"modified":"2025-01-29T14:20:59","modified_gmt":"2025-01-29T14:20:59","slug":"madi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/madi-2\/","title":{"rendered":"MADI"},"content":{"rendered":"\n Synopsis <\/p>\n\n\n\n Madi, a competent and principled executive, has just been appointed as the National Director of Transport. His family and friends are overjoyed, showering him with congratulations. However, his excitement quickly fades.<\/p>\n\n\n\n He soon finds himself under immense pressure\u2014from relatives, acquaintances, political allies, and even his supervising minister\u2014each seeking personal gain. Torn between his commitment to integrity and the unethical norms of governance, Madi struggles to uphold his values.<\/p>\n\n\n\n In an administration plagued by corruption, his efforts to bring change collide with deeply entrenched practices. In the eyes of those around him, he becomes the outcast\u2014the one who refuses to seize an \u201copportunity.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Madi, a competent and principled executive, has just been appointed as the National Director of Transport. His family and friends are overjoyed, showering him with congratulations. However, his excitement quickly fades. He soon finds himself under immense pressure\u2014from relatives, acquaintances, political allies, and even his supervising minister\u2014each seeking personal gain. Torn between his commitment […]<\/p>\n","protected":false},"author":13,"featured_media":8471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-119.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8478"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8478\/revisions"}],"predecessor-version":[{"id":8479,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8478\/revisions\/8479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8471"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8476,"date":"2025-01-29T14:19:16","date_gmt":"2025-01-29T14:19:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8476"},"modified":"2025-01-29T14:19:17","modified_gmt":"2025-01-29T14:19:17","slug":"madi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/madi\/","title":{"rendered":"Madi"},"content":{"rendered":"\n Synopsis <\/p>\n\n\n\n Madi, un cadre comp\u00e9tent et int\u00e8gre, vient d’\u00eatre nomm\u00e9 directeur national des transports. C’est l’effervescence dans son cercle familial et amical. Les v\u0153ux pleuvent. Mais il va vite d\u00e9chanter. Les pressions l’assaillissent. Des parents aux connaissances, en passant par sa famille politique, sans oublier son ministre de tutelle, chacun cherche son compte. Il est tenaill\u00e9 entre son v\u0153u de probit\u00e9 et le conformisme non \u00e9thique de la gestion. <\/p>\n\n\n\n Dans une administration gangr\u00e9n\u00e9e, sa volont\u00e9 d’insuffler un changement se bute au mur de r\u00e9sistance des pratiques bien ancr\u00e9es Pour tous, finalement, c’est lui le maudit qui refuse de profiter d’une aubaine.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Madi, un cadre comp\u00e9tent et int\u00e8gre, vient d’\u00eatre nomm\u00e9 directeur national des transports. C’est l’effervescence dans son cercle familial et amical. Les v\u0153ux pleuvent. Mais il va vite d\u00e9chanter. Les pressions l’assaillissent. Des parents aux connaissances, en passant par sa famille politique, sans oublier son ministre de tutelle, chacun cherche son compte. Il est […]<\/p>\n","protected":false},"author":13,"featured_media":8471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-119.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8476"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8476\/revisions"}],"predecessor-version":[{"id":8477,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8476\/revisions\/8477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8471"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8474,"date":"2025-01-29T14:16:50","date_gmt":"2025-01-29T14:16:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8474"},"modified":"2025-01-29T14:16:52","modified_gmt":"2025-01-29T14:16:52","slug":"instinct-virtuel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/instinct-virtuel\/","title":{"rendered":"INSTINCT VIRTUEL"},"content":{"rendered":"\n SYNOPSYS SYNOPSYSFatim, a wayward 16-year-old teenager, lives with her aunt in Conarky. She aspires to fame on social media in order to live in luxury. To achieve her goal, she exploits her charm to gain more Followers on her social pages and organizes meetings with men to extort money from them. Despite the repeated advice of […]<\/p>\n","protected":false},"author":13,"featured_media":8472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-117.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8474"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8474\/revisions"}],"predecessor-version":[{"id":8475,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8474\/revisions\/8475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8472"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8470,"date":"2025-01-29T14:15:23","date_gmt":"2025-01-29T14:15:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8470"},"modified":"2025-02-14T14:11:26","modified_gmt":"2025-02-14T14:11:26","slug":"instintct-virtuel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/instintct-virtuel\/","title":{"rendered":"INSTINTCT VIRTUEL"},"content":{"rendered":"\n SYNOPSYS<\/p>\n\n\n\n Fatim, une adolescente capricieuse de 16 ans vit chez sa tante \u00e0 Conarky. Elle aspire \u00e0 la c\u00e9l\u00e9brit\u00e9 sur les r\u00e9seaux sociaux afin de vivre dans le luxe. Pour atteindre son objectif, elle exploite son charme pour gagner davantage de Followers sur ses pages sociales et organise des rencontres avec des hommes pour leurs extorquer de l\u2019argent. Malgr\u00e9 les conseils r\u00e9p\u00e9t\u00e9s de Facinet, son petit ami, Fatim ne suit que son instinct jusqu\u2019au jour o\u00f9 sa sextape se retrouve en t\u00eate d\u2019affiche sur les r\u00e9seaux sociaux.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n M\u2019mah SOUMAH est une p\u00e9pite du cin\u00e9ma guin\u00e9en. Pensionnaire de l\u2019ISAMK au d\u00e9partement cin\u00e9ma-audiovisuel, elle fut assistante \u00e0 la r\u00e9alisation en 2024 sur le film Ma d\u00e9cision<\/em>. M\u2019mah a b\u00e9n\u00e9fici\u00e9 de plusieurs formations dont celle portant sur l\u2019inclusion par innovation et le digital organis\u00e9es par le Minist\u00e8re de l\u2019enseignement sup\u00e9rieur, de la recherche scientifique et de l\u2019innovation en 2023.<\/p>\n","protected":false},"excerpt":{"rendered":" SYNOPSYS Fatim, une adolescente capricieuse de 16 ans vit chez sa tante \u00e0 Conarky. Elle aspire \u00e0 la c\u00e9l\u00e9brit\u00e9 sur les r\u00e9seaux sociaux afin de vivre dans le luxe. Pour atteindre son objectif, elle exploite son charme pour gagner davantage de Followers sur ses pages sociales et organise des rencontres avec des hommes pour leurs […]<\/p>\n","protected":false},"author":13,"featured_media":8472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-117.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8470"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8470\/revisions"}],"predecessor-version":[{"id":9810,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8470\/revisions\/9810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8472"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8468,"date":"2025-01-29T14:12:18","date_gmt":"2025-01-29T14:12:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8468"},"modified":"2025-02-14T14:12:48","modified_gmt":"2025-02-14T14:12:48","slug":"imihanda-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/imihanda-2\/","title":{"rendered":"IMIHANDA"},"content":{"rendered":"\n Azam NDAHIRO, Rwanda, [Ann\u00e9e]<\/p>\n\n\n\n SYNOPSIS<\/p>\n\n\n\n L\u2019histoire se d\u00e9roule dans un quartier de la ville o\u00f9 un adolescent, impliqu\u00e9 dans le trafic de drogue avec ses amis, est traqu\u00e9 jour et nuit par les forces de s\u00e9curit\u00e9 d\u00e9termin\u00e9es \u00e0 mettre fin \u00e0 cette activit\u00e9 ill\u00e9gale.<\/p>\n\n\n\n BIOGRAPHIE<\/p>\n\n\n\n SHINGIRO est un dipl\u00f4m\u00e9 du secondaire qui a choisi d\u2019\u00e9tudier le cin\u00e9ma, une passion qu\u2019il nourrit depuis le lyc\u00e9e. Il a r\u00e9cemment r\u00e9alis\u00e9 son premier film en tant que sc\u00e9nariste et r\u00e9alisateur, intitul\u00e9 IMIHANDA \/ STREETS. Ce projet a \u00e9t\u00e9 produit dans le cadre d\u2019ateliers organis\u00e9s par la KAREKEZI FILM RESIDENCY \/ KAREKEZI FILM PRODUCTION.<\/p>\n","protected":false},"excerpt":{"rendered":" Azam NDAHIRO, Rwanda, [Ann\u00e9e] SYNOPSIS L\u2019histoire se d\u00e9roule dans un quartier de la ville o\u00f9 un adolescent, impliqu\u00e9 dans le trafic de drogue avec ses amis, est traqu\u00e9 jour et nuit par les forces de s\u00e9curit\u00e9 d\u00e9termin\u00e9es \u00e0 mettre fin \u00e0 cette activit\u00e9 ill\u00e9gale. BIOGRAPHIE SHINGIRO est un dipl\u00f4m\u00e9 du secondaire qui a choisi d\u2019\u00e9tudier […]<\/p>\n","protected":false},"author":13,"featured_media":8466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-116.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8468"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8468\/revisions"}],"predecessor-version":[{"id":9811,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8468\/revisions\/9811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8466"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8465,"date":"2025-01-29T14:06:31","date_gmt":"2025-01-29T14:06:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8465"},"modified":"2025-02-14T14:14:02","modified_gmt":"2025-02-14T14:14:02","slug":"imihanda","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/imihanda\/","title":{"rendered":"IMIHANDA"},"content":{"rendered":"\n Azam NDAHIRO, Rwanda, [Year]<\/p>\n\n\n\n SYNOPSIS<\/p>\n\n\n\n The story follows a neighborhood in the city where tension builds between a teenage boy involved in drug dealing among his friends and the security forces who tirelessly search for him day and night to put an end to this illegal activity.<\/p>\n\n\n\n BIOGRAPHY<\/p>\n\n\n\n SHINGIRO is a high school graduate who pursued filmmaking because of a passion that began during high school. He has now directed his debut film, IMIHANDA \/ STREETS, as a writer-director. The film was produced through workshops organized by KAREKEZI FILM RESIDENCY \/ KAREKEZI FILM PRODUCTION.<\/p>\n","protected":false},"excerpt":{"rendered":" Azam NDAHIRO, Rwanda, [Year] SYNOPSIS The story follows a neighborhood in the city where tension builds between a teenage boy involved in drug dealing among his friends and the security forces who tirelessly search for him day and night to put an end to this illegal activity. BIOGRAPHY SHINGIRO is a high school graduate who […]<\/p>\n","protected":false},"author":13,"featured_media":8466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-116.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8465"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8465\/revisions"}],"predecessor-version":[{"id":9812,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8465\/revisions\/9812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8466"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8461,"date":"2025-01-29T13:47:39","date_gmt":"2025-01-29T13:47:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8461"},"modified":"2025-01-29T13:47:41","modified_gmt":"2025-01-29T13:47:41","slug":"ebu-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ebu-2\/","title":{"rendered":"EBU"},"content":{"rendered":"\n SYNOPSIS SYNOPSISPERDITA, (11) , a very rude young girl who has lived in the city all her life visits her grandma at the village with her mom for the first time. She is unable to adapt to the life at the village mainly due to her inability to communicate in her native dialect.She gets missing in […]<\/p>\n","protected":false},"author":13,"featured_media":8457,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-115.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8461"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8461\/revisions"}],"predecessor-version":[{"id":8462,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8461\/revisions\/8462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8457"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8456,"date":"2025-01-29T13:30:51","date_gmt":"2025-01-29T13:30:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8456"},"modified":"2025-01-29T13:49:55","modified_gmt":"2025-01-29T13:49:55","slug":"ebu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ebu\/","title":{"rendered":"EBU"},"content":{"rendered":"\n SYNOPSIS<\/p>\n\n\n\n PERDITA, 11 ans, est une jeune fille tr\u00e8s impolie qui a toujours v\u00e9cu en ville. Pour la premi\u00e8re fois, elle se rend au village avec sa m\u00e8re pour rendre visite \u00e0 sa grand-m\u00e8re. Cependant, elle peine \u00e0 s\u2019adapter \u00e0 la vie au village, principalement en raison de son incapacit\u00e9 \u00e0 communiquer dans son dialecte natal.<\/p>\n\n\n\n Cherchant \u00e0 retrouver sa m\u00e8re apr\u00e8s avoir quitt\u00e9 seule la cour de sa grand-m\u00e8re, Perdita se perd et se retrouve dans une for\u00eat, incapable de demander de l\u2019aide \u00e0 cause de la barri\u00e8re linguistique. Elle erre dans la for\u00eat jusqu\u2019\u00e0 ce qu\u2019elle rencontre un chasseur, AMENYO (30 ans), qui d\u00e9cide de l\u2019aider \u00e0 retrouver ses parents.<\/p>\n\n\n\n Cependant, son incapacit\u00e9 \u00e0 communiquer avec Amenyo rend les recherches vaines, et elle finit par se retrouver dans un nouveau foyer..\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":" SYNOPSIS PERDITA, 11 ans, est une jeune fille tr\u00e8s impolie qui a toujours v\u00e9cu en ville. Pour la premi\u00e8re fois, elle se rend au village avec sa m\u00e8re pour rendre visite \u00e0 sa grand-m\u00e8re. Cependant, elle peine \u00e0 s\u2019adapter \u00e0 la vie au village, principalement en raison de son incapacit\u00e9 \u00e0 communiquer dans son dialecte […]<\/p>\n","protected":false},"author":13,"featured_media":8457,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-115.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8456"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8456\/revisions"}],"predecessor-version":[{"id":8463,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8456\/revisions\/8463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8457"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8454,"date":"2025-01-29T13:27:16","date_gmt":"2025-01-29T13:27:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8454"},"modified":"2025-02-14T14:06:53","modified_gmt":"2025-02-14T14:06:53","slug":"double-esprit-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/double-esprit-2\/","title":{"rendered":"DOUBLE ESPRIT"},"content":{"rendered":"\n Lavie Rock, Democratic Republic of Congo (DRC), 2023<\/p>\n\n\n\n SYNOPSIS<\/p>\n\n\n\n Kevine, a 16-year-old girl, suffers from psychological disorders caused by the atrocities she endured during the war that took the lives of her parents and led to the loss of her virginity.<\/p>\n\n\n\n BIOFILMOGRAPHY<\/p>\n\n\n\n Lavie Rock is a filmmaker, screenwriter, and actor born in 2000 in Bukavu, Democratic Republic of Congo. In 2018, he founded and coordinated IGC FILMS Bukavu and directed several films that have been showcased at various international festivals. His works include Vers le Ch\u00f4mage, Double Esprit, and Kidogokidogo, which have won awards.<\/p>\n","protected":false},"excerpt":{"rendered":" Lavie Rock, Democratic Republic of Congo (DRC), 2023 SYNOPSIS Kevine, a 16-year-old girl, suffers from psychological disorders caused by the atrocities she endured during the war that took the lives of her parents and led to the loss of her virginity. BIOFILMOGRAPHY Lavie Rock is a filmmaker, screenwriter, and actor born in 2000 in Bukavu, […]<\/p>\n","protected":false},"author":13,"featured_media":8452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-118.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8454"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8454\/revisions"}],"predecessor-version":[{"id":9808,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8454\/revisions\/9808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8452"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8451,"date":"2025-01-29T13:25:59","date_gmt":"2025-01-29T13:25:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8451"},"modified":"2025-02-14T12:26:43","modified_gmt":"2025-02-14T12:26:43","slug":"double-esprit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/double-esprit\/","title":{"rendered":"DOUBLE ESPRIT"},"content":{"rendered":"\n Lavie Rock, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2023<\/p>\n\n\n\n SYNOPSIS<\/strong> : <\/strong><\/p>\n\n\n\n Kevine, ag\u00e9e de 16 ans, souffre de troubles psychologiques suite aux atrocit\u00e9s qu\u2019elle a subies pendant la guerre qui a co\u00fbt\u00e9 la vie \u00e0 ses parents et caus\u00e9 la perte de sa virginit\u00e9.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Lavie Rock est r\u00e9alisateur, sc\u00e9nariste et acteur du cin\u00e9ma n\u00e9 en 2000 \u00e0 Bukavu au RD Congo. En 2018, il a fond\u00e9 et coordonn\u00e9 l’IGC FILMS Bukavu et r\u00e9alis\u00e9 plusieurs films qui ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans divers festivals internationaux. Parmi ses \u0153uvres figurent Vers le Ch\u00f4mage<\/em>, Double Esprits<\/em>, Kidogokidogo<\/em> qui ont remport\u00e9 des prix.<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Lavie Rock, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2023 SYNOPSIS : Kevine, ag\u00e9e de 16 ans, souffre de troubles psychologiques suite aux atrocit\u00e9s qu\u2019elle a subies pendant la guerre qui a co\u00fbt\u00e9 la vie \u00e0 ses parents et caus\u00e9 la perte de sa virginit\u00e9. BIOFILMOGRAPHIE Lavie Rock est r\u00e9alisateur, sc\u00e9nariste et acteur du cin\u00e9ma n\u00e9 en […]<\/p>\n","protected":false},"author":13,"featured_media":8452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-118.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8451"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8451\/revisions"}],"predecessor-version":[{"id":9806,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8451\/revisions\/9806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8452"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8449,"date":"2025-01-29T13:24:15","date_gmt":"2025-01-29T13:24:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8449"},"modified":"2025-01-29T13:24:17","modified_gmt":"2025-01-29T13:24:17","slug":"enfer-du-decor-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/enfer-du-decor-2\/","title":{"rendered":"ENFER DU D\u00c9COR"},"content":{"rendered":"\n Synopsis<\/p>\n\n\n\n Sourou (35 years old) scolds and belittles his wife, Ashake (33 years old), after she arrives home late, despite her explanations. Later, in their bedroom, he is startled by a statuette that his mother brought from the village. Strange lights disturb them, angering him, and then, inexplicably, he finds himself in his wife\u2019s body.<\/p>\n\n\n\n Determined to understand her struggles, he decides to attend Ashake\u2019s work presentation, which could earn her a promotion. At the office, her colleague Alex (34 years old) takes credit for her work and gets the promotion in her place. Ashake is then fired after rejecting the advances of Mr. IDOH (55 years old).<\/p>\n\n\n\n Exhausted and suffering from cramps, she takes refuge in the restroom with Modupke, where she realizes she is on her period. As soon as she opens her eyes, Sourou suddenly finds himself back in his own body. Deeply shaken by the experience, he sincerely apologizes to Ashake and promises to change.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Sourou (35 years old) scolds and belittles his wife, Ashake (33 years old), after she arrives home late, despite her explanations. Later, in their bedroom, he is startled by a statuette that his mother brought from the village. Strange lights disturb them, angering him, and then, inexplicably, he finds himself in his wife\u2019s body. […]<\/p>\n","protected":false},"author":13,"featured_media":8447,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-114.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8449"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8449\/revisions"}],"predecessor-version":[{"id":8450,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8449\/revisions\/8450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8447"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8446,"date":"2025-01-29T13:07:59","date_gmt":"2025-01-29T13:07:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8446"},"modified":"2025-01-29T13:08:01","modified_gmt":"2025-01-29T13:08:01","slug":"enfer-du-decor","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/enfer-du-decor\/","title":{"rendered":"ENFER DU DECOR"},"content":{"rendered":"\n Sourou (35 ans)<\/strong> gronde et rabaisse sa femme Ashake(33 ans)<\/strong>apr\u00e8s son retour tardif \u00e0 la maison, malgr\u00e9 ses explications. Plus tard, dans la chambre, il est surpris par une statuette que sa m\u00e8re a ramen\u00e9e du village. Des lumi\u00e8res les d\u00e9rangent, le mettant en col\u00e8re, puis il se retrouve inexplicablement dans le corps de sa femme. Il d\u00e9cide alors d’assister \u00e0 la pr\u00e9sentation de travail d’Ashake, qui pourrait lui valoir une promotion. Au travail, son coll\u00e8gue Alex(34 ans)<\/strong> prend le cr\u00e9dit pour le travail d’Ashake et obtient la promotion \u00e0 sa place. Ashake est vir\u00e9e apr\u00e8s avoir refus\u00e9 les avances de M. IDOH (55 ans)<\/strong>. \u00c9puis\u00e9e et souffrant de crampes, elle se r\u00e9fugie aux toilettes avec Modupke, o\u00f9 elle d\u00e9couvre qu’elle a ses r\u00e8gles. Au moment o\u00f9 elle ouvre les yeux, Sourou retrouve son propre corps et s’excuse aupr\u00e8s d’Ashake, promettant de changer.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Sourou (35 ans) gronde et rabaisse sa femme Ashake(33 ans)apr\u00e8s son retour tardif \u00e0 la maison, malgr\u00e9 ses explications. Plus tard, dans la chambre, il est surpris par une statuette que sa m\u00e8re a ramen\u00e9e du village. Des lumi\u00e8res les d\u00e9rangent, le mettant en col\u00e8re, puis il se retrouve inexplicablement dans le corps de […]<\/p>\n","protected":false},"author":13,"featured_media":8447,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-114.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8446"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8446\/revisions"}],"predecessor-version":[{"id":8448,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8446\/revisions\/8448"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8447"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8444,"date":"2025-01-29T13:04:19","date_gmt":"2025-01-29T13:04:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8444"},"modified":"2025-01-29T13:06:17","modified_gmt":"2025-01-29T13:06:17","slug":"decide-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/decide-2\/","title":{"rendered":"DECIDE"},"content":{"rendered":"\n Synopsis<\/p>\n\n\n\n Habiba, a 23-year-old young woman, is trapped in a destructive cycle of heroin addiction and prostitution. After a violent altercation with a client, she ends up in the hospital, accompanied by her friend Rash. Their unusual appearance draws the attention of both patients and staff.<\/p>\n\n\n\n Rash lets Habiba enter the consultation room alone, where a doctor informs her that she is pregnant. Shocked but determined to keep the baby, Habiba asks for help. The doctor refers her to a specialized center for medical follow-up and future childbirth. As she leaves, a nurse named Sarah, who recognizes Habiba as a former friend, discreetly takes her number to contact her later.<\/p>\n\n\n\n Back home, Rash insists that Habiba get an abortion, but she firmly refuses. Deeply moved by Habiba\u2019s story and struggling with her own infertility, Sarah decides to convince her husband, Tibo, to help her friend. Initially reluctant, Tibo eventually supports Sarah\u2019s decision. Together, they provide Habiba with the financial assistance she needs for her treatment, strengthening her resolve to carry her pregnancy to term.<\/p>\n\n\n\n Habiba joins the specialized center, where she begins an addiction treatment program and prepares for motherhood. Thanks to Sarah\u2019s support and the center\u2019s guidance, she successfully overcomes the effects of drug withdrawal and gives birth to a healthy baby. This marks a new chapter in her life, filled with responsibility and hope.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Habiba, a 23-year-old young woman, is trapped in a destructive cycle of heroin addiction and prostitution. After a violent altercation with a client, she ends up in the hospital, accompanied by her friend Rash. Their unusual appearance draws the attention of both patients and staff. Rash lets Habiba enter the consultation room alone, where […]<\/p>\n","protected":false},"author":13,"featured_media":8442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8444","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-113.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8444"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8444\/revisions"}],"predecessor-version":[{"id":8445,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8444\/revisions\/8445"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8442"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8441,"date":"2025-01-29T13:02:31","date_gmt":"2025-01-29T13:02:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8441"},"modified":"2025-02-14T11:59:28","modified_gmt":"2025-02-14T11:59:28","slug":"decide","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/decide\/","title":{"rendered":"DECIDE"},"content":{"rendered":"\n SYNOPSIS<\/strong><\/p>\n\n\n\n Habiba, une jeune femme de 23 ans, fait face \u00e0 une d\u00e9pendance \u00e0 l’h\u00e9ro\u00efne et \u00e0 la prostitution. Apr\u00e8s une altercation, elle se rend \u00e0 l’h\u00f4pital avec son ami Rash et d\u00e9couvre qu’elle est enceinte. En qu\u00eate d’aide, elle retrouve l’infirmi\u00e8re Sarah, une ancienne amie. Bien que Rash souhaite qu’elle avorte, Sarah convainc son mari Tibo de soutenir Habiba.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Auteur-r\u00e9alisateur n\u00e9 le 5 mai 2000 au Togo, Jude KOUDAYA est titulaire d\u2019une licence en communication audiovisuelle et cin\u00e9ma obtenue en 2022. Il a particip\u00e9 \u00e0 des ateliers organis\u00e9s par Canal+ University, Film Forward, Offcourt et Goethe-Institut. En 2023, il est s\u00e9lectionn\u00e9 pour la Yennenga Academy du FESPACO et produit trois courts-m\u00e9trages. Il travaille \u00e9galement pour Intello Art Industry.<\/p>\n","protected":false},"excerpt":{"rendered":" SYNOPSIS Habiba, une jeune femme de 23 ans, fait face \u00e0 une d\u00e9pendance \u00e0 l’h\u00e9ro\u00efne et \u00e0 la prostitution. Apr\u00e8s une altercation, elle se rend \u00e0 l’h\u00f4pital avec son ami Rash et d\u00e9couvre qu’elle est enceinte. En qu\u00eate d’aide, elle retrouve l’infirmi\u00e8re Sarah, une ancienne amie. Bien que Rash souhaite qu’elle avorte, Sarah convainc son […]<\/p>\n","protected":false},"author":13,"featured_media":8442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-113.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8441"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8441\/revisions"}],"predecessor-version":[{"id":9801,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8441\/revisions\/9801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8442"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8439,"date":"2025-01-29T12:54:57","date_gmt":"2025-01-29T12:54:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8439"},"modified":"2025-01-29T12:54:59","modified_gmt":"2025-01-29T12:54:59","slug":"wheres-the-daylight-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/wheres-the-daylight-2\/","title":{"rendered":"where\u2019s the daylight"},"content":{"rendered":"\n Synopsis<\/strong><\/p>\n\n\n\n Between the shadows of society and fleeting reflections of his own being, Zak is captive in his house, a prisoner of his own abode. He wanders, searching for an elusive gleam. Zak dances in the darkness, hoping to finally discover his own inner light.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Between the shadows of society and fleeting reflections of his own being, Zak is captive in his house, a prisoner of his own abode. He wanders, searching for an elusive gleam. Zak dances in the darkness, hoping to finally discover his own inner light.<\/p>\n","protected":false},"author":13,"featured_media":8437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8439","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-112.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8439"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8439\/revisions"}],"predecessor-version":[{"id":8440,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8439\/revisions\/8440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8437"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8436,"date":"2025-01-29T12:53:33","date_gmt":"2025-01-29T12:53:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8436"},"modified":"2025-01-29T12:53:35","modified_gmt":"2025-01-29T12:53:35","slug":"wheres-the-daylight","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/wheres-the-daylight\/","title":{"rendered":"where\u2019s the daylight"},"content":{"rendered":"\n Synopsis<\/strong><\/p>\n\n\n\n Synopsis : Entre les ombres de la soci\u00e9t\u00e9 et les reflets furtifs de son propre \u00eatre, Zak est dans sa maison captif de sa propre demeure. Il erre, en qu\u00eate d\u2019un \u00e9clat insaisissable. Zak danse dans l’obscurit\u00e9 esp\u00e9rant trouver enfin sa propre lumi\u00e8re int\u00e9rieure.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis Synopsis : Entre les ombres de la soci\u00e9t\u00e9 et les reflets furtifs de son propre \u00eatre, Zak est dans sa maison captif de sa propre demeure. Il erre, en qu\u00eate d\u2019un \u00e9clat insaisissable. Zak danse dans l’obscurit\u00e9 esp\u00e9rant trouver enfin sa propre lumi\u00e8re int\u00e9rieure.<\/p>\n","protected":false},"author":13,"featured_media":8437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-112.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8436"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8436\/revisions"}],"predecessor-version":[{"id":8438,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8436\/revisions\/8438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8437"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8434,"date":"2025-01-29T12:49:21","date_gmt":"2025-01-29T12:49:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8434"},"modified":"2025-01-29T12:49:23","modified_gmt":"2025-01-29T12:49:23","slug":"chut-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/chut-2\/","title":{"rendered":"CHUT"},"content":{"rendered":"\n Synopsis<\/p>\n\n\n\n JESSICA is a brilliant student in 3rd grade who is preparing to take her Bepc exam. She lives with her mother, MARIE, a flight attendant. Given MARIE’s frequent travels and other occupations, she decides to send her daughter to boarding school. Alas, the absence of JESSICA’s mother and the influence of her roommates at the boarding school will transform or reveal from JESSICA the secret life she has acquired on social networks. Synopsis JESSICA is a brilliant student in 3rd grade who is preparing to take her Bepc exam. She lives with her mother, MARIE, a flight attendant. Given MARIE’s frequent travels and other occupations, she decides to send her daughter to boarding school. Alas, the absence of JESSICA’s mother and the influence of her roommates at […]<\/p>\n","protected":false},"author":13,"featured_media":8432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-111.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8434"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8434\/revisions"}],"predecessor-version":[{"id":8435,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8434\/revisions\/8435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8432"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8431,"date":"2025-01-29T12:42:36","date_gmt":"2025-01-29T12:42:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8431"},"modified":"2025-01-29T12:42:38","modified_gmt":"2025-01-29T12:42:38","slug":"chut","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/chut\/","title":{"rendered":"CHUT"},"content":{"rendered":"\n Synopsis<\/p>\n\n\n\n JESSICA est une \u00e9l\u00e8ve brillante en classe de 3eme <\/sup>qui s\u2019appr\u00eate \u00e0 passer son examen de Bepc. E<\/strong>lle vit avec sa m\u00e8re , MARIE<\/strong> , une h\u00f4tesse de l\u2019air. Compte tenu des fr\u00e9quents voyages et autres occupations de MARIE ,<\/strong> Celle-ci d\u00e9cide d\u2019envoyer sa fille \u00e0 l\u2019internat. H\u00e9las , l\u2019absence de la m\u00e8re de JESSICA<\/strong> et l\u2019influence de ses voisines de chambre \u00e0 l\u2019internat vont transformer ou r\u00e9v\u00e9ler de chez JESSICA <\/strong> la vie secr\u00e8te qu\u2019elle a acquise sur les r\u00e9seaux sociaux .<\/p>\n\n\n\n Seule dans sa chambre un soir pendant qu\u2019elle fait une vid\u00e9o, quelqu\u2019un frappe \u00e0 sa porte. D\u00e8s que Jessica ouvre la porte. Elle re\u00e7oit un gros coup sur la t\u00eate . Elle tombe . Couch\u00e9e , inerte ,une silhouette l\u2019enveloppe et la viole. A son r\u00e9veil, elle est perturb\u00e9e . Elle veut savoir ce qui s\u2019est pass\u00e9 mais ses pens\u00e9es sont floues . Elle remarque du sang sur sa culotte. Elle conclue qu\u2019elle a \u00e9t\u00e9 viol\u00e9e .<\/p>\n\n\n\n Lorsque Miss AYEW <\/strong>met \u00e0 nu les faits, une v\u00e9rit\u00e9 audiovisuelle de se rel\u00e8ve de la part de Gracia qui a film\u00e9 \u00e0 l\u2019aide de son t\u00e9l\u00e9phone portable , la sc\u00e8ne de viol. <\/p>\n\n\n\n Pour pouvoir attraper en flagrant d\u00e9lit le pr\u00e9sum\u00e9 coupable, Miss AYEW met en place un plan pour attirer sa proie \u00e0 commettre un second viol.<\/p>\n\n\n\n Le plan mis en place fonctionne et l\u2019on s\u2019aper\u00e7oit qu\u2019il s\u2019agit de DELMAS,<\/strong> un \u00e9l\u00e8ve \u00e2g\u00e9 de 16 ans de la m\u00eame classe que JESSICA <\/strong>qui aid\u00e9 par deux des compagnons de classe aurait commis l\u2019acte.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis JESSICA est une \u00e9l\u00e8ve brillante en classe de 3eme qui s\u2019appr\u00eate \u00e0 passer son examen de Bepc. Elle vit avec sa m\u00e8re , MARIE , une h\u00f4tesse de l\u2019air. Compte tenu des fr\u00e9quents voyages et autres occupations de MARIE , Celle-ci d\u00e9cide d\u2019envoyer sa fille \u00e0 l\u2019internat. H\u00e9las , l\u2019absence de la m\u00e8re de […]<\/p>\n","protected":false},"author":13,"featured_media":8432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-111.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8431"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8431\/revisions"}],"predecessor-version":[{"id":8433,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8431\/revisions\/8433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8432"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8428,"date":"2025-01-29T12:39:36","date_gmt":"2025-01-29T12:39:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8428"},"modified":"2025-02-14T11:33:03","modified_gmt":"2025-02-14T11:33:03","slug":"brisee-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/brisee-2\/","title":{"rendered":"SHATTERED"},"content":{"rendered":"\n COMPAORE Abd\u00e9el, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY<\/p>\n\n\n\n Born on November 11, 2002, in Ouagadougou, Burkina Faso, Abd\u00e9el Tong-Noma COMPAORE has a deep passion for cinema. After earning his high school diploma, he pursued studies at the Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio-\u00c9cole (ISIS\/SE), where he obtained a Bachelor\u2019s degree in filmmaking. Currently pursuing a Master\u2019s degree, he co-wrote and co-directed the series Envers et contre tout, produced by UNICEF, in collaboration with ISIS-SE.<\/p>\n","protected":false},"excerpt":{"rendered":" COMPAORE Abd\u00e9el, Burkina Faso, 2023 SYNOPSIS:Nathalie, a bureaucrat married to Robert, a chief accountant, struggles in a complicated relationship due to Robert\u2019s sexual impotence, which he refuses to discuss. This issue creates tensions, especially when Nathalie confides in her mother, triggering Robert\u2019s shame and another act of aggression. Hurt and wounded, Nathalie decides not to […]<\/p>\n","protected":false},"author":13,"featured_media":8426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8428","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-110.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8428"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8428\/revisions"}],"predecessor-version":[{"id":9800,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8428\/revisions\/9800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8425,"date":"2025-01-29T12:38:02","date_gmt":"2025-01-29T12:38:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8425"},"modified":"2025-02-14T11:28:34","modified_gmt":"2025-02-14T11:28:34","slug":"brisee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/brisee\/","title":{"rendered":"BRISEE"},"content":{"rendered":"\n COMPAORE Abd\u00e9el, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS<\/strong> : <\/p>\n\n\n\n Nathalie, bureaucrate mari\u00e9e \u00e0 Robert, chef comptable, traverse une relation compliqu\u00e9e en raison de l’impuissance sexuelle de Robert qui refuse d\u2019en discuter. Cette situation engendre des tensions, notamment lorsque Nathalie \u00e9voque leur probl\u00e8me avec sa m\u00e8re, provoquant la honte de Robert et une nouvelle agression. Bless\u00e9e, Nathalie choisit de ne pas rester passive face \u00e0 la violence.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n N\u00e9 le 11 novembre 2002 \u00e0 Ouagadougou au Burkina Faso, Abd\u00e9el Tong-Noma COMPAORE est passionn\u00e9 de cin\u00e9ma. Apr\u00e8s son baccalaur\u00e9at, il \u00e9tudie \u00e0 l’Institut sup\u00e9rieur de l’image et du son\/Studio-Ecole (ISIS\/SE) d\u2019o\u00f9 il obtient une Licence en r\u00e9alisation. Actuellement en Master 1, il a co\u00e9crit et cor\u00e9alis\u00e9 avec ISIS-SE la s\u00e9rie Envers et contre tout<\/em>, produite par l’UNICEF.<\/p>\n","protected":false},"excerpt":{"rendered":" COMPAORE Abd\u00e9el, Burkina Faso, 2023 SYNOPSIS : Nathalie, bureaucrate mari\u00e9e \u00e0 Robert, chef comptable, traverse une relation compliqu\u00e9e en raison de l’impuissance sexuelle de Robert qui refuse d\u2019en discuter. Cette situation engendre des tensions, notamment lorsque Nathalie \u00e9voque leur probl\u00e8me avec sa m\u00e8re, provoquant la honte de Robert et une nouvelle agression. Bless\u00e9e, Nathalie choisit […]<\/p>\n","protected":false},"author":13,"featured_media":8426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-110.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8425"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8425\/revisions"}],"predecessor-version":[{"id":9799,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8425\/revisions\/9799"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8423,"date":"2025-01-29T12:33:45","date_gmt":"2025-01-29T12:33:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8423"},"modified":"2025-01-29T12:33:48","modified_gmt":"2025-01-29T12:33:48","slug":"lien-damertume-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lien-damertume-2\/","title":{"rendered":"lien d’amertume"},"content":{"rendered":"\n SYNOPSIS<\/p>\n\n\n\n OLIVIA, a beautiful, intelligent, and caring 25-year-old woman, was a victim of sexual assault in her younger years. She marries the love of her life, BRICE (27), but hides a painful secret\u2014she is sterile and will never be able to give him a child.<\/p>\n\n\n\n One day, during a confrontation between the two, OLIVIA decides to confess her secret to BRICE and reveal her past. As she tells her story, BRICE comes to a shocking realization\u2014he is the very cause of his own household\u2019s misfortune.<\/p>\n","protected":false},"excerpt":{"rendered":" SYNOPSIS OLIVIA, a beautiful, intelligent, and caring 25-year-old woman, was a victim of sexual assault in her younger years. She marries the love of her life, BRICE (27), but hides a painful secret\u2014she is sterile and will never be able to give him a child. One day, during a confrontation between the two, OLIVIA decides […]<\/p>\n","protected":false},"author":13,"featured_media":8421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[448],"tags":[],"class_list":["post-8423","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-109.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8423"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8423\/revisions"}],"predecessor-version":[{"id":8424,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8423\/revisions\/8424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8421"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8420,"date":"2025-01-29T12:30:45","date_gmt":"2025-01-29T12:30:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8420"},"modified":"2025-01-29T12:30:47","modified_gmt":"2025-01-29T12:30:47","slug":"lien-damertume","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lien-damertume\/","title":{"rendered":"lien d’amertume"},"content":{"rendered":"\n \u00a0\u00a0<\/strong>SYNOPSIS<\/p>\n\n\n\n OLIVIA<\/strong> (25ans)<\/strong> est une belle jeune fille, intelligente et tr\u00e8s attentionn\u00e9e qui a \u00e9t\u00e9 victime d\u2019un viol un peu plus jeune. Elle se marie avec l\u2019amour de sa vie Brice (27ans)<\/strong> mais elle lui cache qu\u2019elle est st\u00e9rile et qu\u2019elle ne pourrait jamais lui donner un enfant. Un jour lors d\u2019une confrontation entre les deux protagonistes, OLIVIA<\/strong> d\u00e9cide d\u2019avouer son secret \u00e0 Brice et de lui raconter son histoire. A travers son r\u00e9cit, BRICE<\/strong> se rend \u00e0 l\u2019\u00e9vidence qu\u2019il est l\u2019auteur du malheur de son foyer.<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0\u00a0SYNOPSIS OLIVIA (25ans) est une belle jeune fille, intelligente et tr\u00e8s attentionn\u00e9e qui a \u00e9t\u00e9 victime d\u2019un viol un peu plus jeune. Elle se marie avec l\u2019amour de sa vie Brice (27ans) mais elle lui cache qu\u2019elle est st\u00e9rile et qu\u2019elle ne pourrait jamais lui donner un enfant. Un jour lors d\u2019une confrontation entre les […]<\/p>\n","protected":false},"author":13,"featured_media":8421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[446],"tags":[],"class_list":["post-8420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-109.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8420"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8420\/revisions"}],"predecessor-version":[{"id":8422,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8420\/revisions\/8422"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8421"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8418,"date":"2025-01-29T12:21:45","date_gmt":"2025-01-29T12:21:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8418"},"modified":"2025-01-29T12:21:47","modified_gmt":"2025-01-29T12:21:47","slug":"kidnapping-inc","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kidnapping-inc\/","title":{"rendered":"kidnapping INC."},"content":{"rendered":"\n SYNOPSIS<\/p>\n\n\n\n In Port-au-Prince, the son of a wealthy presidential candidate has just been kidnapped. The kidnappers demand a hefty ransom. Doc and Zoe, two amateur gangsters obsessed with soccer, are tasked with delivering the young man to their ruthless boss. However, impulsive Zoe accidentally kills the candidate\u2019s son.<\/p>\n\n\n\n With a hitman now on their trail, Doc and Zoe unexpectedly cross paths with Patrick and Laura, a young couple on their way to the airport. Laura, nine months pregnant, is determined to give birth to an American citizen. Unfortunately, Patrick bears an uncanny resemblance to the senator\u2019s son.<\/p>\n\n\n\n Seizing the opportunity, Doc and Zoe decide to kidnap the couple and replace the candidate\u2019s son with his lookalike, Patrick. In the midst of a controversial presidential election and a political conspiracy, Doc and Zoe embark on one of the craziest kidnappings in Haiti\u2019s history.<\/p>\n","protected":false},"excerpt":{"rendered":" SYNOPSIS In Port-au-Prince, the son of a wealthy presidential candidate has just been kidnapped. The kidnappers demand a hefty ransom. Doc and Zoe, two amateur gangsters obsessed with soccer, are tasked with delivering the young man to their ruthless boss. However, impulsive Zoe accidentally kills the candidate\u2019s son. With a hitman now on their trail, […]<\/p>\n","protected":false},"author":13,"featured_media":8414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-82.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8418"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8418\/revisions"}],"predecessor-version":[{"id":8419,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8418\/revisions\/8419"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8414"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8413,"date":"2025-01-29T12:19:53","date_gmt":"2025-01-29T12:19:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8413"},"modified":"2025-01-29T12:21:00","modified_gmt":"2025-01-29T12:21:00","slug":"synopsis-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/synopsis-3\/","title":{"rendered":"kidnapping INC."},"content":{"rendered":"\n Synopsis<\/p>\n\n\n\n \u00c0 Port-au-Prince, le fils d’un riche candidat \u00e0 la pr\u00e9sidence vient d’\u00eatre enlev\u00e9. Les kidnappeurs exigent une forte ran\u00e7on. Doc et Zoe sont deux gangsters amateurs mordus de foot qui doivent livrer le jeune homme \u00e0 leur impitoyable patron. Impulsif, Zoe tue accidentellement le fils du candidat.<\/p>\n\n\n\n Avec un tueur \u00e0 gages \u00e0 leur trousse, Doc et Zoe tombent par hasard sur Patrick et Laura, un jeune couple en route pour l’a\u00e9roport. Laura, enceinte de neuf mois, veut \u00e0 tout prix accoucher d’un b\u00e9b\u00e9 am\u00e9ricain. Malheureusement, Patrick ressemble comme deux gouttes d\u2019eau au fils du s\u00e9nateur.<\/p>\n\n\n\n Doc et Zoe d\u00e9cident de kidnapper le couple et de remplacer le fils du candidat par son sosie Patrick. En plein milieu d\u2019une \u00e9lection pr\u00e9sidentielle controvers\u00e9e et d\u2019un complot politique, Doc et Zoe se lancent dans l\u2019un des enl\u00e8vements les plus fous d\u2019Ha\u00efti.<\/p>\n","protected":false},"excerpt":{"rendered":" Synopsis \u00c0 Port-au-Prince, le fils d’un riche candidat \u00e0 la pr\u00e9sidence vient d’\u00eatre enlev\u00e9. Les kidnappeurs exigent une forte ran\u00e7on. Doc et Zoe sont deux gangsters amateurs mordus de foot qui doivent livrer le jeune homme \u00e0 leur impitoyable patron. Impulsif, Zoe tue accidentellement le fils du candidat. Avec un tueur \u00e0 gages \u00e0 leur […]<\/p>\n","protected":false},"author":13,"featured_media":8414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-82.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8413"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8413\/revisions"}],"predecessor-version":[{"id":8417,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8413\/revisions\/8417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8414"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8398,"date":"2025-01-29T10:20:36","date_gmt":"2025-01-29T10:20:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8398"},"modified":"2025-01-29T10:20:38","modified_gmt":"2025-01-29T10:20:38","slug":"ressacs-a-tuareg-story","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ressacs-a-tuareg-story\/","title":{"rendered":"RESSACS, A TUAREG STORY"},"content":{"rendered":"\n Intagrist el Ansari, Algeria, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Intagrist el Ansari, Algeria, 2024 SYNOPSIS:RESSACS, A Tuareg Story is a film that explores the memory and identity of the Tuareg people through a filmmaker\u2019s letter to his son. It recounts the history of the Kel Ansar, a tribe from Timbuktu, highlighting their resilience and culture in the face of challenges such as colonization, sedentarization, […]<\/p>\n","protected":false},"author":13,"featured_media":8396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[479],"tags":[],"class_list":["post-8398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-31-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8398"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8398\/revisions"}],"predecessor-version":[{"id":8400,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8398\/revisions\/8400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8396"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8395,"date":"2025-01-29T10:19:09","date_gmt":"2025-01-29T10:19:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8395"},"modified":"2025-02-01T10:34:14","modified_gmt":"2025-02-01T10:34:14","slug":"ressacs-une-histoire-touaregue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ressacs-une-histoire-touaregue\/","title":{"rendered":"RESSACS, une histoire touar\u00e8gue"},"content":{"rendered":"\n Intagrist el Ansari, Alg\u00e9rie, 2024<\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong> : <\/p>\n\n\n\n RESSACS, une histoire touar\u00e8gue est un film qui examine la m\u00e9moire et l’identit\u00e9 du peuple touareg \u00e0 travers une lettre d’un cin\u00e9aste \u00e0 son fils. Il raconte l’histoire des Kel Ansar, une tribu de Tombouctou, en soulignant leur r\u00e9sistance et leur culture face \u00e0 des d\u00e9fis tels que la colonisation, la s\u00e9dentarisation, les s\u00e9cheresses, les r\u00e9bellions et les exils.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Documentariste et \u00e9crivain originaire de Tombouctou, Intagrist el Ansari a v\u00e9cu en Mauritanie pendant 15 ans avant de s’installer en France en raison du conflit au Nord du Mali. Il a publi\u00e9 son premier roman, Echo Saharien, l’inconsolable nostalgie<\/em>, en 2014 et a r\u00e9alis\u00e9 des films comme Echo nomade<\/em> et R\u00eave d’Afrique<\/em>. Il est \u00e9galement Ecrivain de magazines et auteur de reportages t\u00e9l\u00e9vis\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":" Intagrist el Ansari, Alg\u00e9rie, 2024 SYNOPSIS : RESSACS, une histoire touar\u00e8gue est un film qui examine la m\u00e9moire et l’identit\u00e9 du peuple touareg \u00e0 travers une lettre d’un cin\u00e9aste \u00e0 son fils. Il raconte l’histoire des Kel Ansar, une tribu de Tombouctou, en soulignant leur r\u00e9sistance et leur culture face \u00e0 des d\u00e9fis tels que […]<\/p>\n","protected":false},"author":13,"featured_media":8396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[428,481],"tags":[],"class_list":["post-8395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-31-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8395"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8395\/revisions"}],"predecessor-version":[{"id":8397,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8395\/revisions\/8397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8396"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8393,"date":"2025-01-29T10:17:22","date_gmt":"2025-01-29T10:17:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8393"},"modified":"2025-02-09T22:14:51","modified_gmt":"2025-02-09T22:14:51","slug":"this-jungo-life-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/this-jungo-life-2\/","title":{"rendered":"THIS JUNGO LIFE"},"content":{"rendered":"\n David Fedele & the Jungo of Rabat, Morocco, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: David Fedele & the Jungo of Rabat, Morocco, 2024 SYNOPSIS:THIS JUNGO LIFE explores the lives of young refugees and asylum seekers from Sudan and South Sudan who live on the streets of Morocco after fleeing violence in Libya. Unable to return home due to ongoing war, they struggle to improve their situation and support their […]<\/p>\n","protected":false},"author":13,"featured_media":8674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/Affiche-film-83.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8393"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8393\/revisions"}],"predecessor-version":[{"id":8394,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8393\/revisions\/8394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8674"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8389,"date":"2025-01-29T10:15:11","date_gmt":"2025-01-29T10:15:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8389"},"modified":"2025-02-09T22:23:19","modified_gmt":"2025-02-09T22:23:19","slug":"this-jungo-life","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/this-jungo-life\/","title":{"rendered":"THIS JUNGO LIFE"},"content":{"rendered":"\n David Fedele et les Jungo de Rabat<\/strong>, Maroc 2024<\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong> : <\/p>\n\n\n\n THIS JUNGO LIFE<\/em> explore la vie de jeunes r\u00e9fugi\u00e9s et demandeurs d’asile du Soudan et Soudan du Sud, qui vivent dans la rue au Maroc apr\u00e8s avoir fui la violence en Libye. Incapables de retourner chez eux en raison de la guerre, ils luttent pour am\u00e9liorer leur situation et celle de leurs familles rest\u00e9es au pays. Le film offre un aper\u00e7u poignant de leur r\u00e9silience et de leur volont\u00e9 de survie.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n David Fedele, documentariste ind\u00e9pendant, est sp\u00e9cialis\u00e9 dans les questions culturelles, humanitaires, environnementales et de justice sociale. Ses films explorent des th\u00e8mes tels que les r\u00e9fugi\u00e9s, les migrations, les d\u00e9chets \u00e9lectroniques et l’exploitation foresti\u00e8re ill\u00e9gale. Ses \u0153uvres sont REVENIR (2018),<\/em> THE LAND BETWEEN (2014)<\/em>, E-WASTELAND (2012) et BIKPELA BAGARAP \/ Big Damage (2011).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" David Fedele et les Jungo de Rabat, Maroc 2024 SYNOPSIS : THIS JUNGO LIFE explore la vie de jeunes r\u00e9fugi\u00e9s et demandeurs d’asile du Soudan et Soudan du Sud, qui vivent dans la rue au Maroc apr\u00e8s avoir fui la violence en Libye. Incapables de retourner chez eux en raison de la guerre, ils luttent […]<\/p>\n","protected":false},"author":13,"featured_media":8918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8389"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8389\/revisions"}],"predecessor-version":[{"id":8392,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8389\/revisions\/8392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8918"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8386,"date":"2025-01-29T10:11:02","date_gmt":"2025-01-29T10:11:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8386"},"modified":"2025-02-10T15:11:07","modified_gmt":"2025-02-10T15:11:07","slug":"sirens","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sirens\/","title":{"rendered":"SIRENS"},"content":{"rendered":"\n Sarah Mall\u00e9on, Martinique, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Sarah Mall\u00e9on, Martinique, 2024 SYNOPSIS:Daniel, a widowed father, lives in the north of Martinique with his 8-year-old daughter, Soraya. A fisherman and restaurant owner, he struggles to survive in a socio-economic crisis. His daily life is turned upside down when his daughter tries to summon mermaids using a conch shell. While the little girl simply […]<\/p>\n","protected":false},"author":13,"featured_media":9676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8386"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8386\/revisions"}],"predecessor-version":[{"id":8388,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8386\/revisions\/8388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9676"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8382,"date":"2025-01-29T10:10:00","date_gmt":"2025-01-29T10:10:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8382"},"modified":"2025-02-10T15:11:56","modified_gmt":"2025-02-10T15:11:56","slug":"sirenes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sirenes\/","title":{"rendered":"SIRENES"},"content":{"rendered":"\n Sarah Mall\u00e9on, Martinique, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Daniel, p\u00e8re veuf, vit au Nord de la Martinique avec sa fille de 8 ans, Soraya. P\u00eacheur et restaurateur, il tente de survivre dans un contexte de crise socio-\u00e9conomique. Son quotidien est chamboul\u00e9 le jour o\u00f9 sa fille tente d’invoquer des sir\u00e8nes \u00e0 l’aide d’une conque de lambi. Si la petite veut juste s’en faire des amies, Daniel voit dans sa nouvelle obsession le risque d’une dangereuse invasion.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Dipl\u00f4m\u00e9e en 2015 du CEEA, Sarah Mall\u00e9on a \u00e9crit les \u00e9pisodes de plusieurs s\u00e9ries comme Sam<\/em> ou Mercato<\/em> et co-r\u00e9alise Dubout<\/em>. Elle a co-\u00e9crit r\u00e9cemment le t\u00e9l\u00e9film Le Fant\u00f4me des Saintes<\/em> pour France 3. Actuellement, elle travaille sur Black Musketeer<\/em>, une nouvelle s\u00e9rie Disney+, ainsi que sur le biopic La Gu\u00eape<\/em> pour LincolnTV et au d\u00e9veloppement de sa premi\u00e8re s\u00e9rie avec Aux Singuliers.<\/p>\n","protected":false},"excerpt":{"rendered":" Sarah Mall\u00e9on, Martinique, 2024 SYNOPSIS Daniel, p\u00e8re veuf, vit au Nord de la Martinique avec sa fille de 8 ans, Soraya. P\u00eacheur et restaurateur, il tente de survivre dans un contexte de crise socio-\u00e9conomique. Son quotidien est chamboul\u00e9 le jour o\u00f9 sa fille tente d’invoquer des sir\u00e8nes \u00e0 l’aide d’une conque de lambi. Si la […]<\/p>\n","protected":false},"author":13,"featured_media":9676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-11-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8382"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8382\/revisions"}],"predecessor-version":[{"id":8385,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8382\/revisions\/8385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9676"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8380,"date":"2025-01-29T10:07:08","date_gmt":"2025-01-29T10:07:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8380"},"modified":"2025-01-29T10:07:10","modified_gmt":"2025-01-29T10:07:10","slug":"the-statues-also-live","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-statues-also-live\/","title":{"rendered":"THE STATUES ALSO LIVE"},"content":{"rendered":"\n Romain Fianu, France, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Romain Fianu, France, 2023 SYNOPSIS:What if the African statues in French museums started to speak? What if middle school students from Seine-Saint-Denis, with African immigrant backgrounds, shared their thoughts on the restitution of African heritage to Africa? BIOFILMOGRAPHY:Romain Fianu is a producer, director, and educator. He earned a State Diploma as a specialized educator in […]<\/p>\n","protected":false},"author":13,"featured_media":8377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-84.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8380"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8380\/revisions"}],"predecessor-version":[{"id":8381,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8380\/revisions\/8381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8377"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8375,"date":"2025-01-29T10:04:21","date_gmt":"2025-01-29T10:04:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8375"},"modified":"2025-01-29T10:04:24","modified_gmt":"2025-01-29T10:04:24","slug":"les-statues-vivent-aussi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-statues-vivent-aussi\/","title":{"rendered":"Les statues vivent aussi"},"content":{"rendered":"\n Romain Fianu, France, 2023<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Et si les statues africaines des mus\u00e9es fran\u00e7ais se mettaient \u00e0 parler\u2026Et si des coll\u00e9giens de Seine-Saint-Denis issus de l\u2019immigration africaine parlaient de la restitution du patrimoine africain en Afrique.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Romain Fianu, est producteur, r\u00e9alisateur et \u00e9ducateur. Il obtient un Dipl\u00f4me d\u2019Etat d\u2019\u00e9ducateur sp\u00e9cialis\u00e9 en 2024 et un master 2 Cin\u00e9ma et audiovisuel – option r\u00e9alisation en 2009 \u00e0 l\u2019Universit\u00e9 Paris 8 Saint-Denis. Il est auteur de plusieurs films dont Les facettes de l\u2019amour<\/em> (2023), Le tour \u00e0 repousser<\/em> (2022) et Variations \u00e0 l\u2019infini<\/em> (2021).<\/p>\n","protected":false},"excerpt":{"rendered":" Romain Fianu, France, 2023 SYNOPSIS Et si les statues africaines des mus\u00e9es fran\u00e7ais se mettaient \u00e0 parler\u2026Et si des coll\u00e9giens de Seine-Saint-Denis issus de l\u2019immigration africaine parlaient de la restitution du patrimoine africain en Afrique. BIOFILMOGRAPHIE Romain Fianu, est producteur, r\u00e9alisateur et \u00e9ducateur. Il obtient un Dipl\u00f4me d\u2019Etat d\u2019\u00e9ducateur sp\u00e9cialis\u00e9 en 2024 et un master […]<\/p>\n","protected":false},"author":13,"featured_media":8377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-84.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8375"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8375\/revisions"}],"predecessor-version":[{"id":8378,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8375\/revisions\/8378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8377"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8372,"date":"2025-01-29T10:01:50","date_gmt":"2025-01-29T10:01:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8372"},"modified":"2025-02-10T15:21:03","modified_gmt":"2025-02-10T15:21:03","slug":"the-empty-grave-la-tombe-vide-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-empty-grave-la-tombe-vide-2\/","title":{"rendered":"The Empty Grave\/ La tombe vide"},"content":{"rendered":"\n Agnes Lisa Wegner et Cece Mlay, Allemagne, Tanzanie, 2024<\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Songea, Tanzania. John Mbano is on a mission to find the human remains of his great-grandfather, Songea Mbano, who was executed by the German colonial army. The family\u2019s mourning has been passed down through the generations at Songea\u2019s grave in which his head never found a resting place. Instead, it was shipped to Germany for racist research. John and his wife Cesilia embark on a life-changing journey. Buoyed by their resilience as they research, they finally decide to travel to Berlin to find the remains of John\u2019s ancestor. There, they encounter activists whose voices are fighting Germany\u2019s culture of denial. Along with them, the Mbanos confront those in power with their need to bring their ancestor home. What follows is a rollercoaster ride of new hopes and familiar disappointments. Even the historic visit of the German Federal President to John\u2019s hometown fails to bring the beloved ancestor back home. The family\u2019s search continues.<\/p>\n\n\n\n BIOFILMOGRAPHY<\/p>\n\n\n\n German filmmaker Agnes-Lisa Wegner, known for directing several films including K\u00f6nig Bansah und seine Tochter (2020), and Tanzanian filmmaker Cece Mlay, the creator of works such as Aisha (2016), joined forces to co-direct The Empty Grave. This remarkable film has been selected for numerous festivals, including the 74th edition of the Berlinale in Germany.<\/p>\n","protected":false},"excerpt":{"rendered":" Agnes Lisa Wegner et Cece Mlay, Allemagne, Tanzanie, 2024 SYNOPSIS Songea, Tanzania. John Mbano is on a mission to find the human remains of his great-grandfather, Songea Mbano, who was executed by the German colonial army. The family\u2019s mourning has been passed down through the generations at Songea\u2019s grave in which his head never found […]<\/p>\n","protected":false},"author":13,"featured_media":8914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8372"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8372\/revisions"}],"predecessor-version":[{"id":8373,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8372\/revisions\/8373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8914"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8370,"date":"2025-01-29T10:00:27","date_gmt":"2025-01-29T10:00:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8370"},"modified":"2025-02-05T17:29:41","modified_gmt":"2025-02-05T17:29:41","slug":"the-empty-grave-la-tombe-vide","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-empty-grave-la-tombe-vide\/","title":{"rendered":"The Empty Grave\/ La tombe vide"},"content":{"rendered":"\n Agnes Lisa Wegner et Cece Mlay, Allemagne, Tanzanie, 2024<\/strong><\/p>\n\n\n\n SYNOPSIS<\/p>\n\n\n\n Songea, Tanzanie. John Mbano est en qu\u00eate des restes humains de son arri\u00e8re-grand-p\u00e8re, Songea Mbano, ex\u00e9cut\u00e9 par l\u2019arm\u00e9e coloniale allemande. Le deuil familial s\u2019est transmis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration, autour de la tombe de Songea, o\u00f9 sa t\u00eate n\u2019a jamais trouv\u00e9 de repos. Envoy\u00e9e en Allemagne pour des recherches racistes, elle est rest\u00e9e introuvable.<\/p>\n\n\n\n John et sa femme Cesilia entreprennent alors un voyage qui changera leur vie. Port\u00e9s par leur r\u00e9silience et leurs recherches, ils d\u00e9cident finalement de se rendre \u00e0 Berlin pour retrouver les restes de leur anc\u00eatre. Sur place, ils rencontrent des militants qui luttent contre la culture du d\u00e9ni en Allemagne. Avec leur soutien, les Mbano interpellent les autorit\u00e9s et r\u00e9clament le retour de leur a\u00efeul.<\/p>\n\n\n\n S\u2019ensuit une montagne russe d\u2019espoirs et de d\u00e9ceptions. M\u00eame la visite historique du pr\u00e9sident f\u00e9d\u00e9ral allemand dans la ville natale de John ne suffit pas \u00e0 ramener l\u2019anc\u00eatre bien-aim\u00e9 chez lui. La qu\u00eate de la famille continue.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Agnes-Lisa Wegner<\/strong> d\u2019origine allemande, r\u00e9alisatrice de nombreux films dont K\u00f6nig Bansah und seine Tochter<\/em> (2020) et Cece Mlay<\/em><\/strong> de nationalit\u00e9 tanzanienne et auteure des \u0153uvres filmiques comme Aisha<\/em> (2016), d\u00e9cident d\u2019unir leurs forces pour co-r\u00e9aliser The Empty Grave<\/em>. Cette \u0153uvre de belle facture a \u00e9t\u00e9 s\u00e9lectionn\u00e9e dans de nombreux festivals dont la 74e<\/sup> \u00e9dition de la Berlinale en Allemagne.<\/p>\n","protected":false},"excerpt":{"rendered":" Agnes Lisa Wegner et Cece Mlay, Allemagne, Tanzanie, 2024 SYNOPSIS Songea, Tanzanie. John Mbano est en qu\u00eate des restes humains de son arri\u00e8re-grand-p\u00e8re, Songea Mbano, ex\u00e9cut\u00e9 par l\u2019arm\u00e9e coloniale allemande. Le deuil familial s\u2019est transmis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration, autour de la tombe de Songea, o\u00f9 sa t\u00eate n\u2019a jamais trouv\u00e9 de repos. Envoy\u00e9e en […]<\/p>\n","protected":false},"author":13,"featured_media":8914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8370"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8370\/revisions"}],"predecessor-version":[{"id":8371,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8370\/revisions\/8371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8914"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8368,"date":"2025-01-29T09:56:31","date_gmt":"2025-01-29T09:56:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8368"},"modified":"2025-02-07T10:34:09","modified_gmt":"2025-02-07T10:34:09","slug":"kanaval-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kanaval-2\/","title":{"rendered":"KANAVAL"},"content":{"rendered":"\n Henri Pardo, Haiti, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Henri Pardo, Haiti, 2024 SYNOPSIS:In the mid-1970s, Rico, a 9-year-old Haitian boy, is abruptly torn from his homeland and thrust, along with his mother Erzulie, onto a strange new planet called Canada. Since their arrival, a distance has grown between mother and son. To win back his mother\u2019s love, Rico must navigate this unfamiliar world, […]<\/p>\n","protected":false},"author":13,"featured_media":8366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468,462],"tags":[],"class_list":["post-8368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-81.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8368"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8368\/revisions"}],"predecessor-version":[{"id":9347,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8368\/revisions\/9347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8366"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8365,"date":"2025-01-29T09:55:44","date_gmt":"2025-01-29T09:55:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8365"},"modified":"2025-01-29T16:31:24","modified_gmt":"2025-01-29T16:31:24","slug":"kanaval","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kanaval\/","title":{"rendered":"KANAVAL"},"content":{"rendered":"\n Henri Pardo, Ha\u00efti, 2024<\/p>\n\n\n\n SYNOPSIS <\/strong><\/p>\n\n\n\n Au milieu des ann\u00e9es 70, Rico, jeune ha\u00eftien de 9 ans est brutalement arrach\u00e9 \u00e0 sa terre natale pour \u00eatre propuls\u00e9 en compagnie d\u2019Erzulie, sa m\u00e8re, sur une \u00e9trange plan\u00e8te baptis\u00e9e Canada. Depuis leur arriv\u00e9e, une distance semble s\u2019\u00eatre install\u00e9e entre la m\u00e8re et le fils. Pour regagner l\u2019amour de sa maman, Rico devra appr\u00e9hender ce nouveau monde peupl\u00e9 d\u2019individus aux us et coutumes \u00e9tranges. <\/strong><\/p>\n\n\n\n BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n Henri Pardo est un cin\u00e9aste qu\u00e9b\u00e9cois d’origine ha\u00eftienne. Il est dipl\u00f4m\u00e9 de l’INIS et fondateur de Black on Black Films. En 2019 et 2021, il r\u00e9alise les s\u00e9ries documentaires Black Wealth Matters<\/em> et Afro-Prosp\u00e9rit\u00e9<\/em>. Cette derni\u00e8re \u00e9tant produite par Black Wealth Media, une soci\u00e9t\u00e9 fond\u00e9e par Pardo en 2016. En 2020-2021, il tourne Dear Jackie,<\/em> un documentaire prim\u00e9 aux RIDM 2021.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Henri Pardo, Ha\u00efti, 2024 SYNOPSIS Au milieu des ann\u00e9es 70, Rico, jeune ha\u00eftien de 9 ans est brutalement arrach\u00e9 \u00e0 sa terre natale pour \u00eatre propuls\u00e9 en compagnie d\u2019Erzulie, sa m\u00e8re, sur une \u00e9trange plan\u00e8te baptis\u00e9e Canada. Depuis leur arriv\u00e9e, une distance semble s\u2019\u00eatre install\u00e9e entre la m\u00e8re et le fils. Pour regagner l\u2019amour de […]<\/p>\n","protected":false},"author":13,"featured_media":8366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466,464],"tags":[],"class_list":["post-8365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-81.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8365"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8365\/revisions"}],"predecessor-version":[{"id":8367,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8365\/revisions\/8367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8366"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8363,"date":"2025-01-29T09:53:24","date_gmt":"2025-01-29T09:53:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8363"},"modified":"2025-02-10T15:28:17","modified_gmt":"2025-02-10T15:28:17","slug":"100-kreol-guaranteed","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/100-kreol-guaranteed\/","title":{"rendered":"100% KREOL GUARANTEED"},"content":{"rendered":"\n Laurent PANTALEON, R\u00e9union Island, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Laurent PANTALEON, R\u00e9union Island, 2024 SYNOPSIS:In R\u00e9union Island, when buying a car, starting a new job, moving into an apartment, or simply seeking protection from bad luck, people turn to a diviner, a talisman, a shield of protection. This object, which can be as simple as a piece of red fabric, is called a garantie […]<\/p>\n","protected":false},"author":13,"featured_media":8515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8363"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8363\/revisions"}],"predecessor-version":[{"id":8364,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8363\/revisions\/8364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8515"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8361,"date":"2025-01-29T09:51:54","date_gmt":"2025-01-29T09:51:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8361"},"modified":"2025-01-30T13:18:34","modified_gmt":"2025-01-30T13:18:34","slug":"garanti-100-kreol","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/garanti-100-kreol\/","title":{"rendered":"GARANTI 100% KREOL"},"content":{"rendered":"\n Laurent PANTALEON, L\u2019\u00eele de la R\u00e9union, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Dans l\u2019Ile de la R\u00e9union, lorsqu\u2019on ach\u00e8te une voiture, commence un travail, emm\u00e9nage dans un appartement ou tout simplement lorsqu\u2019on veut repousser le mauvais \u0153il, on demande \u00e0 un devineur, un talisman, une protection, un bouclier. Cet objet, qui peut juste \u00eatre un bout de tissu rouge, est appel\u00e9 garantie. Et si moi aussi, pour r\u00e9ussir ce film, j\u2019allais en qu\u00eate d\u2019une garantie ?<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Dipl\u00f4m\u00e9 en cin\u00e9ma et audiovisuel et titulaire d\u2019un dipl\u00f4me de l\u2019\u00e9cole des Beaux-Arts de La R\u00e9union, Laurent Pantal\u00e9on r\u00e9alise des travaux photographique et vid\u00e9o autour de l\u2019identit\u00e9 et du patrimoine r\u00e9unionnais. En 2004, il met en image plusieurs de ses sc\u00e9narii qui marquent les pr\u00e9mices de son univers. Ce sont entre autres Gromonmon<\/em> (2022), Mada <\/em>(2021), Santy\u00e9 papang\u00e8r<\/em> (2020).<\/p>\n","protected":false},"excerpt":{"rendered":" Laurent PANTALEON, L\u2019\u00eele de la R\u00e9union, 2024 SYNOPSIS Dans l\u2019Ile de la R\u00e9union, lorsqu\u2019on ach\u00e8te une voiture, commence un travail, emm\u00e9nage dans un appartement ou tout simplement lorsqu\u2019on veut repousser le mauvais \u0153il, on demande \u00e0 un devineur, un talisman, une protection, un bouclier. Cet objet, qui peut juste \u00eatre un bout de tissu rouge, […]<\/p>\n","protected":false},"author":13,"featured_media":8515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8361"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8361\/revisions"}],"predecessor-version":[{"id":8362,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8361\/revisions\/8362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8515"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8359,"date":"2025-01-29T09:50:56","date_gmt":"2025-01-29T09:50:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8359"},"modified":"2025-02-10T15:24:43","modified_gmt":"2025-02-10T15:24:43","slug":"latitude-fenix-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/latitude-fenix-2\/","title":{"rendered":"LATITUDE FENIX"},"content":{"rendered":"\n <\/strong>Welket Bungu\u00e9, Guin\u00e9e-Bissau, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n On this island, the Ebony Princess, Maria Correia, is summoned by the voice of contemporary artists. Phoenix-like, she is received by the Baron of \u00c1gua Iz\u00e9. In this latitude, we dialogue with quilombism<\/em>o<\/em> and transmutation, we dance and celebrate the here and now. If you want to go fast, go alone. If you want to go further, come with us.<\/p>\n\n\n\n BIOFILMOGRAPHY<\/p>\n\n\n\n Welket Bungu\u00e9 is a Berlin-based actor born in Guinea-Bissau. He is the co-founder of the production company KUSSA. As an actor, Welket has appeared in over 40 films and series. In 2022, he was a member of the International Jury at the Ghent Film Festival and, in 2023, a member of the International Jury at the S\u00e3o Paulo International Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":" Welket Bungu\u00e9, Guin\u00e9e-Bissau, 2024 SYNOPSIS On this island, the Ebony Princess, Maria Correia, is summoned by the voice of contemporary artists. Phoenix-like, she is received by the Baron of \u00c1gua Iz\u00e9. In this latitude, we dialogue with quilombismo and transmutation, we dance and celebrate the here and now. If you want to go fast, go […]<\/p>\n","protected":false},"author":13,"featured_media":8516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[468],"tags":[],"class_list":["post-8359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8359"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8359\/revisions"}],"predecessor-version":[{"id":8360,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8359\/revisions\/8360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8516"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8357,"date":"2025-01-29T09:48:35","date_gmt":"2025-01-29T09:48:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8357"},"modified":"2025-01-30T13:40:11","modified_gmt":"2025-01-30T13:40:11","slug":"latitude-fenix","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/latitude-fenix\/","title":{"rendered":"LATITUDE FENIX"},"content":{"rendered":"\n <\/strong>Welket Bungu\u00e9, Guin\u00e9e-Bissau, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Sur cette \u00eele, la princesse \u00e9b\u00e8ne Maria Correia, est convoqu\u00e9e par les voix d’artistes contemporains. Aux allures de Ph\u00e9nix, elle est re\u00e7ue par le baron d’\u00c1gua Iz\u00e9. Sous cette latitude, on dialogue avec le quilombismo et la transmutation, on danse et on c\u00e9l\u00e8bre l’ici et maintenant. Si vous voulez aller vite, partez seul. Si vous souhaitez aller plus loin, venez avec nous.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Welket Bungu\u00e9 est un acteur berlinois n\u00e9 en Guin\u00e9e-Bissau. Il est co-fondateur de la soci\u00e9t\u00e9 de production KUSSA. En tant qu’acteur, Welket a jou\u00e9 dans plus de 40 films et s\u00e9ries. En 2022, il fait partie du Jury International du FIF de Gand et du Jury international du FFI de S\u00e3o Paulo 2023.<\/p>\n","protected":false},"excerpt":{"rendered":" Welket Bungu\u00e9, Guin\u00e9e-Bissau, 2024 SYNOPSIS Sur cette \u00eele, la princesse \u00e9b\u00e8ne Maria Correia, est convoqu\u00e9e par les voix d’artistes contemporains. Aux allures de Ph\u00e9nix, elle est re\u00e7ue par le baron d’\u00c1gua Iz\u00e9. Sous cette latitude, on dialogue avec le quilombismo et la transmutation, on danse et on c\u00e9l\u00e8bre l’ici et maintenant. Si vous voulez aller […]<\/p>\n","protected":false},"author":13,"featured_media":8516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[466],"tags":[],"class_list":["post-8357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8357"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8357\/revisions"}],"predecessor-version":[{"id":8358,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8357\/revisions\/8358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8516"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8354,"date":"2025-01-29T09:39:11","date_gmt":"2025-01-29T09:39:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8354"},"modified":"2025-01-29T09:39:13","modified_gmt":"2025-01-29T09:39:13","slug":"zinet-algiers-happiness","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/zinet-algiers-happiness\/","title":{"rendered":"ZINET, ALGIERS, HAPPINESS"},"content":{"rendered":"\n MOHAMMED LATRECHE, Algeria, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: MOHAMMED LATRECHE, Algeria, 2023 SYNOPSIS:Apart from a few cinephiles who still revere his legacy, the name Mohammed Zinet has faded into obscurity\u2026 or almost. Yet, his gentle face and distinctive mustache seem familiar. Zinet was the Algerian worker who killed Jean Carmet at the end of DUPONT LAJOIE, directed by Yves Boisset in 1974. BIOFILMOGRAPHY:At […]<\/p>\n","protected":false},"author":13,"featured_media":8214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452],"tags":[],"class_list":["post-8354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-39-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8354"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8354\/revisions"}],"predecessor-version":[{"id":8355,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8354\/revisions\/8355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8352,"date":"2025-01-29T09:37:56","date_gmt":"2025-01-29T09:37:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8352"},"modified":"2025-01-29T09:37:58","modified_gmt":"2025-01-29T09:37:58","slug":"zinet-alger-le-bonheur","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/zinet-alger-le-bonheur\/","title":{"rendered":"ZINET, ALGER, LE BONHEUR"},"content":{"rendered":"\n MOHAMMED LATRECHE, Alg\u00e9rie ,2023<\/strong><\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Hormis quelques cin\u00e9philes v\u00e9n\u00e9rant sa m\u00e9moire, le nom de Mohammed Zinet ne dit plus rien \u00e0 personne\u2026 ou presque. Pourtant, ce visage doux et cette moustache nous semblent familiers. Zinet est l\u2019ouvrier alg\u00e9rien qui tue Jean Carmet \u00e0 la fin de DUPONT LAJOIE d’Yves Boisset en1974.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/strong><\/p>\n\n\n\n A 19 ans, Mohammed LATRECHE quitte Sidi Bel-Abb\u00e8s et part rejoindre son fr\u00e8re \u00e0 Paris. Passionn\u00e9 des Sciences Politiques et du cin\u00e9ma, il multiplie les stages et les petits boulots sur les productions fran\u00e7aises. Autodidacte, de retour en Alg\u00e9rie, il fonde sa soci\u00e9t\u00e9 de production en 2003 pour produire ses propres films, ceux des copains, distribuer des films d\u2019auteur et organiser des festivals.<\/p>\n","protected":false},"excerpt":{"rendered":" MOHAMMED LATRECHE, Alg\u00e9rie ,2023 SYNOPSIS Hormis quelques cin\u00e9philes v\u00e9n\u00e9rant sa m\u00e9moire, le nom de Mohammed Zinet ne dit plus rien \u00e0 personne\u2026 ou presque. Pourtant, ce visage doux et cette moustache nous semblent familiers. Zinet est l\u2019ouvrier alg\u00e9rien qui tue Jean Carmet \u00e0 la fin de DUPONT LAJOIE d’Yves Boisset en1974. BIOFILMOGRAPHIE A 19 ans, Mohammed […]<\/p>\n","protected":false},"author":13,"featured_media":8214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450],"tags":[],"class_list":["post-8352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-39-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8352"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8352\/revisions"}],"predecessor-version":[{"id":8353,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8352\/revisions\/8353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8350,"date":"2025-01-29T09:36:46","date_gmt":"2025-01-29T09:36:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8350"},"modified":"2025-01-29T09:36:49","modified_gmt":"2025-01-29T09:36:49","slug":"qui-est-elle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/qui-est-elle\/","title":{"rendered":"Qui est-elle ?"},"content":{"rendered":"\n Mariana Jaspe, Br\u00e9sil, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n SYNOPSIS BIOFILMOGRAPHIE Elle est sc\u00e9nariste et r\u00e9alisatrice de la s\u00e9rie documentaire Flordelis : Questiona ou Adora et sc\u00e9nariste de la s\u00e9rie Resist\u00eancia Negra. Sp\u00e9cialiste en cin\u00e9ma, t\u00e9l\u00e9vision et m\u00e9dias interactifs, elle a \u00e9tudi\u00e9 \u00e0 l\u2019Universit\u00e9 Rey Juan Carlos de Madrid et s\u2019est form\u00e9e \u00e0 la r\u00e9alisation cin\u00e9matographique.<\/p>\n","protected":false},"excerpt":{"rendered":" Mariana Jaspe, Br\u00e9sil, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS Originaire de la p\u00e9riph\u00e9rie de Salvador, Mayara entreprend un voyage surprenant et captivant \u00e0 travers les routes de Bahia pour retracer les pas de Maria Od\u00edlia Teixeira, petite-fille d\u2019une ancienne esclave devenue la premi\u00e8re femme noire m\u00e9decin au Br\u00e9sil. \u00c0 travers ses yeux, nous d\u00e9couvrons avec \u00e9merveillement chaque nouvelle r\u00e9v\u00e9lation […]<\/p>\n","protected":false},"author":13,"featured_media":8204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450],"tags":[],"class_list":["post-8350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-29-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8350"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8350\/revisions"}],"predecessor-version":[{"id":8351,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8350\/revisions\/8351"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8204"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8348,"date":"2025-01-29T09:28:49","date_gmt":"2025-01-29T09:28:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8348"},"modified":"2025-01-29T09:40:38","modified_gmt":"2025-01-29T09:40:38","slug":"synopsis-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/synopsis-2\/","title":{"rendered":"\u00a0Who is she?"},"content":{"rendered":"\n \u00a0<\/p>\n\n\n\n Mariana Jaspe, Br\u00e9sil, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n SYNOPSIS<\/p>\n\n\n\n Coming from the outskirts of Salvador, Mayara embarks on a surprising and compelling journey through the roads of Bahia, to retrace the steps of Maria Od\u00edlia Teixeira, granddaughter of a former slave, who became the first black doctor in Brazil. Through her eyes, we are gasped by each new discovery about the story of this brilliant young woman who lived a century ago.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Mariana Jaspe made her film debut with the short film \u00ab\u00a0CARNE\u00a0\u00bb, released in 2018, selected for more than 30 festivals around the world. In 2023, she released \u00ab\u00a0DEIXA\u00a0\u00bb, starring Zez\u00e9 Motta, for which won the Kikito for Best Director at the Gramado Festival and the Special Jury Prize at the Vit\u00f3ria, Panorama de Cinema and Havana Festival festivals. Collaborated with Anna Muylaert on the script for the film \u201cThe Best Mother in the World\u201d, which is still unreleased. She is the writer and director of the documentary series \u201cFlordelis: Questiona ou Adora\u201d and the writer of the series \u201cResist\u00eancia Negra\u201d. Specialist in Cinema, Television and Interactive Media from the Rey Juan Carlos University of Madrid and Film Direction.<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0 Mariana Jaspe, Br\u00e9sil, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS Coming from the outskirts of Salvador, Mayara embarks on a surprising and compelling journey through the roads of Bahia, to retrace the steps of Maria Od\u00edlia Teixeira, granddaughter of a former slave, who became the first black doctor in Brazil. Through her eyes, we are gasped by each new […]<\/p>\n","protected":false},"author":13,"featured_media":8204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452],"tags":[],"class_list":["post-8348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-29-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8348"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8348\/revisions"}],"predecessor-version":[{"id":8356,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8348\/revisions\/8356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8204"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8345,"date":"2025-01-29T09:26:56","date_gmt":"2025-01-29T09:26:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8345"},"modified":"2025-01-29T09:26:59","modified_gmt":"2025-01-29T09:26:59","slug":"we-are-all-migrants","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/we-are-all-migrants\/","title":{"rendered":"WE ARE ALL MIGRANTS"},"content":{"rendered":"\n Gopalen P. CHELLAPERMAL, Mauritius, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Gopalen P. CHELLAPERMAL, Mauritius, 2023 SYNOPSIS:From the arrival of my first ancestors from India in 1856 as indentured laborers in the sugarcane fields of Mauritius, to my family\u2019s nine-month journey in 1962, and the generations of Mauritians who left in the 1960s and 1970s in search of \u201cgold under the rocks,\u201d this film explores the […]<\/p>\n","protected":false},"author":13,"featured_media":8343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452],"tags":[],"class_list":["post-8345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-26-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8345"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8345\/revisions"}],"predecessor-version":[{"id":8346,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8345\/revisions\/8346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8343"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8342,"date":"2025-01-29T09:25:21","date_gmt":"2025-01-29T09:25:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8342"},"modified":"2025-01-29T09:25:24","modified_gmt":"2025-01-29T09:25:24","slug":"nous-sommes-tous-des-migrants","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nous-sommes-tous-des-migrants\/","title":{"rendered":"NOUS SOMMES TOUS DES MIGRANTS"},"content":{"rendered":"\n Gopalen P. CHELLAPERMAL, Ile Maurice,2023<\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n De l\u2019arriv\u00e9e de mes premiers anc\u00eatres venus de l\u2019Inde en 1856 en tant que travailleurs engag\u00e9s dans les champs de cannes \u00e0 Maurice, du p\u00e9riple de 9 mois de ma famille en 1962 et des g\u00e9n\u00e9rations de mauriciens partis dans les ann\u00e9es 60 et 70 pour trouver l\u2019or sous les rochers ; le film est un questionnement sur le pourquoi de la migration et comment nous concevons et vivons notre identit\u00e9.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/strong><\/p>\n\n\n\n Gopalen P. Chellapermal r\u00e9alise son premier documentaire \u00ab Les Mo\u2019zars de Roche Bois \u00bb en 2011. Il poursuit son travail de r\u00e9alisation et de production avec le court m\u00e9trage \u201cDa\u00efnes\u201d en s\u00e9lection officielle au Festival International Vues d\u2019Afrique \u00e0 Montr\u00e9al en 2020 et au FESPACO en 2021. Actuellement, il travaille \u00e0 l\u2019\u00e9criture d\u2019un long m\u00e9trage intitul\u00e9 \u00ab Au pays de l\u2019Autre \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":" Gopalen P. CHELLAPERMAL, Ile Maurice,2023 SYNOPSIS De l\u2019arriv\u00e9e de mes premiers anc\u00eatres venus de l\u2019Inde en 1856 en tant que travailleurs engag\u00e9s dans les champs de cannes \u00e0 Maurice, du p\u00e9riple de 9 mois de ma famille en 1962 et des g\u00e9n\u00e9rations de mauriciens partis dans les ann\u00e9es 60 et 70 pour trouver l\u2019or sous […]<\/p>\n","protected":false},"author":13,"featured_media":8343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450],"tags":[],"class_list":["post-8342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-26-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8342"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8342\/revisions"}],"predecessor-version":[{"id":8344,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8342\/revisions\/8344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8343"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8339,"date":"2025-01-28T17:11:11","date_gmt":"2025-01-28T17:11:11","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8339"},"modified":"2025-01-28T17:11:14","modified_gmt":"2025-01-28T17:11:14","slug":"lukas-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lukas-2\/","title":{"rendered":"Lukas"},"content":{"rendered":"\n Philippe Talavera, Namibie, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Lukas,11 years, witnesses the brutal murder of his mum and grand-mum by his step dad. Sent to Windhoek, he meets with Samora and his gang. His life then become intimately intertwined with the one of Samora. Spanning over 15 years, the film follows Lukas story, discusses how street kids survive in the streets of Windhoek and how the past constantly influences the present.<\/p>\n\n\n\n BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n Born in France, Philippe Talavera has been based in Namibia to Namibia since 1997. Films include International Multi-Award winner \u2018Kapana\u2019 (2020 \u2013 winner best feature on four different continents), \u2018Kukuri\u2019 (2018), International Award winner \u2018Salute!\u2019 (2017), \u2018Pap and milk\u2019 (2016), Award winner \u2018now that I can talk about it\u2019 (2013) and \u2018Stinky boy\u2019 (2012).<\/p>\n","protected":false},"excerpt":{"rendered":" Philippe Talavera, Namibie, 2024 SYNOPSIS Lukas,11 years, witnesses the brutal murder of his mum and grand-mum by his step dad. Sent to Windhoek, he meets with Samora and his gang. His life then become intimately intertwined with the one of Samora. Spanning over 15 years, the film follows Lukas story, discusses how street kids survive […]<\/p>\n","protected":false},"author":13,"featured_media":8338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452],"tags":[],"class_list":["post-8339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-22-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8339"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8339\/revisions"}],"predecessor-version":[{"id":8340,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8339\/revisions\/8340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8338"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8336,"date":"2025-01-28T16:55:19","date_gmt":"2025-01-28T16:55:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8336"},"modified":"2025-01-28T17:10:21","modified_gmt":"2025-01-28T17:10:21","slug":"lukas","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lukas\/","title":{"rendered":"Lukas"},"content":{"rendered":"\n Philippe Talavera, Namibie, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Lukas,11 ans, est t\u00e9moin du meurtre brutal de sa m\u00e8re et de sa grand-m\u00e8re par son beau-p\u00e8re. Envoy\u00e9 \u00e0 Windhoek, il rencontre Samora et sa bande. Sa vie devient alors intimement li\u00e9e \u00e0 celle de Samora. S’\u00e9talant sur plus de 15 ans, le film suit l’histoire de Lukas, explique comment les enfants survivent dans les rues de Windhoek et comment le pass\u00e9 influence constamment le pr\u00e9sent.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n N\u00e9 en France, Philippe Talavera est install\u00e9 en Namibie depuis 1997. Auteur de plusieurs films dont \u00ab\u00a0Stinky boy\u00a0\u00bb (2012), \u00ab\u00a0Maintenant que je peux en parler\u00a0\u00bb (2013), \u00ab\u00a0Pap and milk\u00a0\u00bb (2016), \u00ab\u00a0Salute!\u00a0\u00bb (2017), \u00ab\u00a0Kukuri\u00a0\u00bb (2018), \u00ab\u00a0Kapana\u00a0\u00bb (2019), il est laur\u00e9at de plusieurs prix nationaux et internationaux sur quatre continents.<\/p>\n","protected":false},"excerpt":{"rendered":" Philippe Talavera, Namibie, 2024 SYNOPSIS Lukas,11 ans, est t\u00e9moin du meurtre brutal de sa m\u00e8re et de sa grand-m\u00e8re par son beau-p\u00e8re. Envoy\u00e9 \u00e0 Windhoek, il rencontre Samora et sa bande. Sa vie devient alors intimement li\u00e9e \u00e0 celle de Samora. S’\u00e9talant sur plus de 15 ans, le film suit l’histoire de Lukas, explique comment […]<\/p>\n","protected":false},"author":13,"featured_media":8338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450],"tags":[],"class_list":["post-8336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-22-2.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8336"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8336\/revisions"}],"predecessor-version":[{"id":8337,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8336\/revisions\/8337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8338"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8334,"date":"2025-01-28T16:53:47","date_gmt":"2025-01-28T16:53:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8334"},"modified":"2025-01-28T16:53:49","modified_gmt":"2025-01-28T16:53:49","slug":"faithful-chronicles-from-the-last-century","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/faithful-chronicles-from-the-last-century\/","title":{"rendered":"Faithful Chronicles from the Last Century\u2026"},"content":{"rendered":"\n Abdenour Zahzah, Algeria, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Abdenour Zahzah, Algeria, 2024 SYNOPSIS:1953, colonized Algeria. Fanon, a young Black psychiatrist, is appointed chief physician at the Blida-Joinville hospital. He implements his theories of \u201cInstitutional Psychotherapy\u201d in opposition to the racist doctrines of the Algiers School of Psychiatry. However, the war infiltrates even his own services. BIOFILMOGRAPHY:Abdenour Zahzah is a director of both documentary […]<\/p>\n","protected":false},"author":13,"featured_media":8332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[452],"tags":[],"class_list":["post-8334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-79-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8334"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8334\/revisions"}],"predecessor-version":[{"id":8335,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8334\/revisions\/8335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8332"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8331,"date":"2025-01-28T16:52:26","date_gmt":"2025-01-28T16:52:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8331"},"modified":"2025-01-28T16:52:30","modified_gmt":"2025-01-28T16:52:30","slug":"chroniques-fideles-survenues-au-siecle-dernier","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/chroniques-fideles-survenues-au-siecle-dernier\/","title":{"rendered":"Chroniques Fid\u00e8les survenues au Si\u00e8cle Dernier\u2026"},"content":{"rendered":"\n Abdenour Zahzah<\/strong>, Alg\u00e9rie, 2024 <\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n 1953, Alg\u00e9rie colonis\u00e9e, Fanon, jeune psychiatre noir, est nomm\u00e9 m\u00e9decin-chef de l’h\u00f4pital de Blida-Joinville. Il met en pratique ses th\u00e9ories de \u00ab Psychoth\u00e9rapie institutionnelle \u00bb en opposition aux th\u00e9ories racistes de l’\u00c9cole de psychiatrie d’Algie, quand la guerre surgit \u00e0 l’int\u00e9rieur de ses propres services.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong>\u00a0\u00a0\u00a0<\/p>\n\n\n\n Abdenour Zahzah est r\u00e9alisateur de films documentaires et de fiction. Apr\u00e8s des \u00e9tudes universitaires en audiovisuel, il dirige la cin\u00e9math\u00e8que de Blida entre 1998 et 2003. Frantz Fanon, m\u00e9moire d\u2019asile<\/em>, son premier film sort en 2002. Depuis, il a r\u00e9alis\u00e9 plusieurs documentaires et un court m\u00e9trage de fiction en 2010.<\/p>\n","protected":false},"excerpt":{"rendered":" Abdenour Zahzah, Alg\u00e9rie, 2024 SYNOPSIS 1953, Alg\u00e9rie colonis\u00e9e, Fanon, jeune psychiatre noir, est nomm\u00e9 m\u00e9decin-chef de l’h\u00f4pital de Blida-Joinville. Il met en pratique ses th\u00e9ories de \u00ab Psychoth\u00e9rapie institutionnelle \u00bb en opposition aux th\u00e9ories racistes de l’\u00c9cole de psychiatrie d’Algie, quand la guerre surgit \u00e0 l’int\u00e9rieur de ses propres services. BIOFILMOGRAPHIE\u00a0\u00a0\u00a0 Abdenour Zahzah est […]<\/p>\n","protected":false},"author":13,"featured_media":8332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[450],"tags":[],"class_list":["post-8331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-79-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8331"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8331\/revisions"}],"predecessor-version":[{"id":8333,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8331\/revisions\/8333"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8332"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8256,"date":"2025-01-28T16:32:12","date_gmt":"2025-01-28T16:32:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8256"},"modified":"2025-02-17T12:09:17","modified_gmt":"2025-02-17T12:09:17","slug":"daniel-ouezzin-coulibaly-voie-dafrqique","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/daniel-ouezzin-coulibaly-voie-dafrqique\/","title":{"rendered":"DANIEL OUEZZIN COULIBALY, VOIE D\u2019AFRQIQUE"},"content":{"rendered":"\n S. Bernard YAMEOGO, Burkina Faso,2024 SYNOPSIS<\/strong> N\u00e9 en 1909 \u00e0 Pouy au Burkina Faso, Ou\u00e9zzin Daniel Coulibaly s\u2019impose par son charisme en figure embl\u00e9matique de la lutte pour l\u2019ind\u00e9pendance de l\u2019AOF. Il lance avec F\u00e9lix H. Boigny le Rassemblement D\u00e9mocratique Africain pour l\u2019unit\u00e9 et la libert\u00e9. D\u00e9put\u00e9, Conseiller G\u00e9n\u00e9ral, S\u00e9nateur et Conseiller territorial, il acc\u00e8de \u00e0 la vice- pr\u00e9sidence du Conseil de Gouvernement de la Haute Volta en 1957. <\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n N\u00e9 en 1965 au Burkina Faso, sc\u00e9nariste, producteur et r\u00e9alisateur, Sidbewende Bernard YAMEOGO est auteur de nombreux films de fictions et documentaires \u00e0 travers sa soci\u00e9t\u00e9 AfricaVision.Tv. En s\u00e9lection officielle au FESPACO 2005, 2009, 2011, 2015 et 2017, il est laur\u00e9at du Gallian 2005 cat\u00e9gorie documentaire t\u00e9l\u00e9vision et mention Panorama Festival Nord Sud de Gen\u00e8ve en 2006.<\/p>\n","protected":false},"excerpt":{"rendered":" S. Bernard YAMEOGO, Burkina Faso,2024 SYNOPSIS N\u00e9 en 1909 \u00e0 Pouy au Burkina Faso, Ou\u00e9zzin Daniel Coulibaly s\u2019impose par son charisme en figure embl\u00e9matique de la lutte pour l\u2019ind\u00e9pendance de l\u2019AOF. Il lance avec F\u00e9lix H. Boigny le Rassemblement D\u00e9mocratique Africain pour l\u2019unit\u00e9 et la libert\u00e9. D\u00e9put\u00e9, Conseiller G\u00e9n\u00e9ral, S\u00e9nateur et Conseiller territorial, il acc\u00e8de […]<\/p>\n","protected":false},"author":13,"featured_media":8240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430,751,481],"tags":[],"class_list":["post-8256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025","category-catalogue-films-2025","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-65-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8256"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8256\/revisions"}],"predecessor-version":[{"id":9900,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8256\/revisions\/9900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8240"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8327,"date":"2025-01-28T15:52:07","date_gmt":"2025-01-28T15:52:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8327"},"modified":"2025-02-07T11:30:37","modified_gmt":"2025-02-07T11:30:37","slug":"yikian-leave","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yikian-leave\/","title":{"rendered":"YIKIAN! \/ LEAVE!"},"content":{"rendered":"\n Alidou BADINI, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Alidou BADINI, Burkina Faso, 2024 SYNOPSIS:Mamoud lives in the countryside with his small family and his ailing father. One day, terrorists invade the village, kill the chief and his family, and order the population to leave. Mamoud refuses to abandon his home and tries to convince his fellow villagers to stay and form a self-defense […]<\/p>\n","protected":false},"author":13,"featured_media":8514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8327"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8327\/revisions"}],"predecessor-version":[{"id":8328,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8327\/revisions\/8328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8514"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8325,"date":"2025-01-28T15:50:46","date_gmt":"2025-01-28T15:50:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8325"},"modified":"2025-01-30T12:55:57","modified_gmt":"2025-01-30T12:55:57","slug":"yikian-quittez","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yikian-quittez\/","title":{"rendered":"YIKIAN ! \/QUITTEZ !"},"content":{"rendered":"\n Alidou BADINI, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Mamoud vit dans la campagne avec sa petite famille et son p\u00e8re malade. Un jour, des terroristes arrivent dans le village, tuent le chef et sa famille, et ordonnent \u00e0 la population de quitter les lieux. Mamoud refuse de partir et tente de convaincre ses camarades de rester pour organiser une unit\u00e9 d\u2019auto-d\u00e9fense. Les terroristes s\u2019en prennent \u00e0 lui et \u00e0 sa famille.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Passionn\u00e9 de cin\u00e9ma, Alidou BADINI s\u2019y engage depuis les ann\u00e9es 1994 et travaille comme directeur photo-cadreur, R\u00e9gisseur g\u00e9n\u00e9ral et Assistant r\u00e9alisateur. Il est auteur de plusieurs films dont FLEURS D\u2019EPINES<\/em> qui \u00e9tait en comp\u00e9tition officielle au FESPACO 2001 dans la cat\u00e9gorie TV-Vid\u00e9o. <\/p>\n","protected":false},"excerpt":{"rendered":" Alidou BADINI, Burkina Faso, 2024 SYNOPSIS Mamoud vit dans la campagne avec sa petite famille et son p\u00e8re malade. Un jour, des terroristes arrivent dans le village, tuent le chef et sa famille, et ordonnent \u00e0 la population de quitter les lieux. Mamoud refuse de partir et tente de convaincre ses camarades de rester pour […]<\/p>\n","protected":false},"author":13,"featured_media":8533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-08-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8325"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8325\/revisions"}],"predecessor-version":[{"id":8326,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8325\/revisions\/8326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8533"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8323,"date":"2025-01-28T15:49:38","date_gmt":"2025-01-28T15:49:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8323"},"modified":"2025-01-28T15:49:40","modified_gmt":"2025-01-28T15:49:40","slug":"waongo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/waongo-2\/","title":{"rendered":"WAONGO"},"content":{"rendered":"\n Augusta B. PALENFO, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Augusta B. PALENFO, Burkina Faso, 2024 SYNOPSIS:Piiga, a young woman in her twenties, dreams of becoming a renowned fashion designer. However, her life takes a tragic turn after a terrorist attack on her village. She loses her best friend and cannot find her mother. Taken to a refugee camp in the city, Piiga embarks on […]<\/p>\n","protected":false},"author":13,"featured_media":8321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-75-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8323"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8323\/revisions"}],"predecessor-version":[{"id":8324,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8323\/revisions\/8324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8321"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8320,"date":"2025-01-28T15:48:54","date_gmt":"2025-01-28T15:48:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8320"},"modified":"2025-01-28T15:48:56","modified_gmt":"2025-01-28T15:48:56","slug":"waongo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/waongo\/","title":{"rendered":"WAONGO"},"content":{"rendered":"\n Augusta B. PALENFO, Burkina Faso, 2024<\/strong><\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Piiga est une jeune femme d\u2019une vingtaine d\u2019ann\u00e9es qui r\u00eave d\u2019\u00eatre une styliste renomm\u00e9e. Mais la vie de Piiga va basculer apr\u00e8s une attaque terroriste dans son village. Elle perd sa meilleure amie et ne retrouve pas sa m\u00e8re. Conduite dans un camp de r\u00e9fugi\u00e9s en ville, Piiga se lance \u00e0 la recherche de sa m\u00e8re.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Augusta B. PALENFO, com\u00e9dienne, r\u00e9alisatrice et productrice, int\u00e9gra l\u2019Atelier Th\u00e9\u00e2tre Burkinab\u00e8 (ATB) en 1996 pour quatre ann\u00e9es de formation. Elle a jou\u00e9 dans de nombreux films dont une vingtaine de longs m\u00e9trages et dix-sept s\u00e9ries. En 2016 elle a r\u00e9alis\u00e9 son premier long m\u00e9trage, Carton rouge, <\/em>en 2021 Madame l\u2019Ambassadrice<\/em> et en 2023 WAONGO<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":" Augusta B. PALENFO, Burkina Faso, 2024 SYNOPSIS Piiga est une jeune femme d\u2019une vingtaine d\u2019ann\u00e9es qui r\u00eave d\u2019\u00eatre une styliste renomm\u00e9e. Mais la vie de Piiga va basculer apr\u00e8s une attaque terroriste dans son village. Elle perd sa meilleure amie et ne retrouve pas sa m\u00e8re. Conduite dans un camp de r\u00e9fugi\u00e9s en ville, Piiga […]<\/p>\n","protected":false},"author":13,"featured_media":8321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-75-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8320"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8320\/revisions"}],"predecessor-version":[{"id":8322,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8320\/revisions\/8322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8321"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8318,"date":"2025-01-28T15:47:09","date_gmt":"2025-01-28T15:47:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8318"},"modified":"2025-01-28T15:47:22","modified_gmt":"2025-01-28T15:47:22","slug":"verites-de-coeurs-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/verites-de-coeurs-2\/","title":{"rendered":"VERITES DE C\u0152URS"},"content":{"rendered":"\n Delphine YERBANGA, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Arly, in the early hours of the morning, hooded men on large two-wheeled machines. Koumbo’s family did not escape the violence. Her husband, Am\u00e9d\u00e9e, was shot dead in cold blood.<\/p>\n\n\n\n After the attackers had left, Koumbo followed the example of the villagers, who feared further reprisals to take refuge with their in-laws in Ouagadougou. But her family-in-law refused to help her give her husband a burial, accusing her of having caused the death of their son.<\/p>\n\n\n\n BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n Delphine Yerbanga was born on 20 November 1985 in Ouagadougou. She holds a Master I in audiovisual studies from the Institut de Formation en Technique de l’Information et de la Communication (IFTIC) in Niger and a Master II in creative documentary filmmaking from the Universit\u00e9 Gaston Berger in Saint Louis, Senegal. She began her career as a director in 2012 and set up a production company in 2016. She has been president of the Africadoc Burkina association since 2013 and a member of the Fespaco Junior Space organising committee since 2011. She was a member of the national organising committee for FESPACO 2019 and chaired the Espace Junior committee for youth and children.<\/p>\n\n\n\n FILMOGRAPHY <\/p>\n\n\n\n \uf0fc L’Age d’or du FESPACO, 52′, February 2019<\/p>\n\n\n\n \uf0fc Les violences faites aux femmes et aux hommes : Parlons-en, September 2017<\/p>\n\n\n\n \uf0fc Biba la Taxiwoman, 16’42, August 2017<\/p>\n\n\n\n \uf0fc Th\u00e9ophane mon fils, 10’10 Paris, FEMIS 2013<\/p>\n\n\n\n \uf0fc Entre nous, 26mn, Senegal 2012<\/p>\n\n\n\n \uf0fc Avec Bachir, Senegal, March 2012<\/p>\n\n\n\n \uf0fc Saidou \u00e0 l’h\u00f4pital des pneus, 13mn IFTIC – Niger, April 2011).<\/p>\n","protected":false},"excerpt":{"rendered":" Delphine YERBANGA, Burkina Faso, 2024 SYNOPSIS Arly, in the early hours of the morning, hooded men on large two-wheeled machines. Koumbo’s family did not escape the violence. Her husband, Am\u00e9d\u00e9e, was shot dead in cold blood. After the attackers had left, Koumbo followed the example of the villagers, who feared further reprisals to take refuge […]<\/p>\n","protected":false},"author":13,"featured_media":8316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-74-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8318"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8318\/revisions"}],"predecessor-version":[{"id":8319,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8318\/revisions\/8319"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8316"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8315,"date":"2025-01-28T15:46:20","date_gmt":"2025-01-28T15:46:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8315"},"modified":"2025-01-28T15:46:29","modified_gmt":"2025-01-28T15:46:29","slug":"verites-de-coeurs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/verites-de-coeurs\/","title":{"rendered":"VERITES DE C\u0152URS"},"content":{"rendered":"\n Delphine YERBANGA, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n A Arly, des individus enturbann\u00e9s abattent des hommes au petit matin dont Am\u00e9d\u00e9e \u00e9poux de Koumbo. Craignant de nouvelles repr\u00e9sailles apr\u00e8s le d\u00e9part des assaillants, Koumbo, docteur v\u00e9t\u00e9rinaire et son fils Aziz de 11 ans trouvent refuge aupr\u00e8s de la belle-famille \u00e0 Ouagadougou. Mais celle-ci refuse de l\u2019aider \u00e0 offrir une s\u00e9pulture \u00e0 son \u00e9poux, l\u2019accusant d\u2019avoir caus\u00e9 la mort de leur fils.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n R\u00e9alisatrice burkinab\u00e8, Delphine Yerbanga est titulaire d\u2019un Master I en audiovisuel de l\u2019Institut de Formation en Techniques de l\u2019Information et de la Communication du Niger et d\u2019un Master II en r\u00e9alisation documentaire de cr\u00e9ation de l\u2019Universit\u00e9 Gaston Berger de Saint Louis du S\u00e9n\u00e9gal. Elle est auteure de plusieurs films dont, Sur les traces d\u2019un migrant <\/em>(2021), L\u2019Age d\u2019or du FESPACO<\/em> (2019).<\/p>\n","protected":false},"excerpt":{"rendered":" Delphine YERBANGA, Burkina Faso, 2024 SYNOPSIS A Arly, des individus enturbann\u00e9s abattent des hommes au petit matin dont Am\u00e9d\u00e9e \u00e9poux de Koumbo. Craignant de nouvelles repr\u00e9sailles apr\u00e8s le d\u00e9part des assaillants, Koumbo, docteur v\u00e9t\u00e9rinaire et son fils Aziz de 11 ans trouvent refuge aupr\u00e8s de la belle-famille \u00e0 Ouagadougou. Mais celle-ci refuse de l\u2019aider \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":8316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-74-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8315"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8315\/revisions"}],"predecessor-version":[{"id":8317,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8315\/revisions\/8317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8316"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8313,"date":"2025-01-28T15:44:01","date_gmt":"2025-01-28T15:44:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8313"},"modified":"2025-02-10T11:39:01","modified_gmt":"2025-02-10T11:39:01","slug":"seventy-five-thousand-francs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/seventy-five-thousand-francs\/","title":{"rendered":"SEVENTY-FIVE THOUSAND FRANCS"},"content":{"rendered":"\n Jean Claude Kiswendsida Ou\u00e9draogo, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: Jean Claude Kiswendsida Ou\u00e9draogo, Burkina Faso, 2023 SYNOPSIS:Ren\u00e9, the only son of Robert and Odile, suffers from an illness requiring surgery estimated at 75,000 FCFA. Unemployed, Robert cannot afford the cost. The family reaches out to relatives, friends, and acquaintances to seek help and save their son. BIOFILMOGRAPHY:Kiswendsida Jean Claude Ou\u00e9draogo is a Burkinab\u00e9 editor, […]<\/p>\n","protected":false},"author":13,"featured_media":9610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8313"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8313\/revisions"}],"predecessor-version":[{"id":9620,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8313\/revisions\/9620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9610"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8311,"date":"2025-01-28T15:43:26","date_gmt":"2025-01-28T15:43:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8311"},"modified":"2025-02-10T11:37:55","modified_gmt":"2025-02-10T11:37:55","slug":"soixante-quinze-mille-francs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/soixante-quinze-mille-francs\/","title":{"rendered":"SOIXANTE QUINZE MILLE FRANCS"},"content":{"rendered":"\n Jean Claude Kiswendsida Ou\u00e9draogo, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS :<\/strong><\/p>\n\n\n\n R\u00e9n\u00e9, fils unique de Robert et Odile, souffre d\u2019un mal n\u00e9cessitant une intervention chirurgicale dont le co\u00fbt est estim\u00e9 75 000 FCFA. Au ch\u00f4mage, Robert n\u2019a pas les moyens pour y faire face. Ils font le tour des parents, amis et connaissances pour solliciter de l\u2019aide afin de sauver leur fils.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Kiswendsida Jean Claude Ou\u00e9draogo est un monteur, cadreur et r\u00e9alisateur burkinab\u00e8. Il a \u00e0 son actif plusieurs documentaires dont La Ferraille une richesse<\/em> r\u00e9alis\u00e9e en 2018, La Marmite<\/em> et un documentaire long m\u00e9trage intitul\u00e9 Dimdolobsom, m\u00e9moire \u00e9clips\u00e9e et devoir de soumission<\/em>, r\u00e9alis\u00e9 en 2020.bsom, m\u00e9moire \u00e9clips\u00e9e et\u00a0devoir de soumission<\/em>, r\u00e9alis\u00e9 en 2020.<\/p>\n","protected":false},"excerpt":{"rendered":" Jean Claude Kiswendsida Ou\u00e9draogo, Burkina Faso, 2023 SYNOPSIS : R\u00e9n\u00e9, fils unique de Robert et Odile, souffre d\u2019un mal n\u00e9cessitant une intervention chirurgicale dont le co\u00fbt est estim\u00e9 75 000 FCFA. Au ch\u00f4mage, Robert n\u2019a pas les moyens pour y faire face. Ils font le tour des parents, amis et connaissances pour solliciter de l\u2019aide […]<\/p>\n","protected":false},"author":13,"featured_media":9610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8311"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8311\/revisions"}],"predecessor-version":[{"id":9619,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8311\/revisions\/9619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9610"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8309,"date":"2025-01-28T15:40:46","date_gmt":"2025-01-28T15:40:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8309"},"modified":"2025-01-28T15:40:48","modified_gmt":"2025-01-28T15:40:48","slug":"mon-avenir-ton-avenir-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mon-avenir-ton-avenir-2\/","title":{"rendered":"MON AVENIR TON AVENIR"},"content":{"rendered":"\n SAIDOU DERRA, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: SAIDOU DERRA, Burkina Faso, 2023 SYNOPSIS:SAALAPO, a 42-year-old man with a disability since childhood, dropped out of school in the sixth grade. After losing his mother, he started selling aprons and newspapers but dreamed of creating art objects. He travels to Ouagadougou, lives on the streets, and eventually discovers an artisan village. There, he supports […]<\/p>\n","protected":false},"author":13,"featured_media":8237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-62-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8309"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8309\/revisions"}],"predecessor-version":[{"id":8310,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8309\/revisions\/8310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8237"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8306,"date":"2025-01-28T15:38:05","date_gmt":"2025-01-28T15:38:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8306"},"modified":"2025-01-28T15:38:07","modified_gmt":"2025-01-28T15:38:07","slug":"mon-avenir-ton-avenir","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mon-avenir-ton-avenir\/","title":{"rendered":"MON AVENIR TON AVENIR"},"content":{"rendered":"\n SAIDOU DERRA, Burkina Faso, 2023<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n SAALAPO, 42 ans, handicap\u00e9 depuis la jeunesse, abandonne l’\u00e9cole en 6\u00e8me. Apr\u00e8s la perte de sa m\u00e8re, il vend tabliers et journaux, mais r\u00eave de cr\u00e9er des objets d’art. Il part \u00e0 Ouagadougou, vit dans la rue, puis d\u00e9couvre un village artisanal. Il aide d’autres artisans et ouvre son atelier, cr\u00e9ant des \u0153uvres admir\u00e9es, dont une repr\u00e9sentation du virus corona.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n Sa\u00efdou DERRA est un jeune r\u00e9alisateur et \u00e9tudiant en Master 2 production au Burkina Faso. Il a marqu\u00e9 les festivals avec son court m\u00e9trage Mon avenir, ton avenir<\/em> dont Vues d\u2019Afrique et Clap Ivoire 2024. Laur\u00e9at de plusieurs prix, Sa\u00efdou DERRA est responsable de la structure de production cin\u00e9ma ‘LOCRE FILM VISION’ cr\u00e9\u00e9e en 2022.<\/p>\n","protected":false},"excerpt":{"rendered":" SAIDOU DERRA, Burkina Faso, 2023 SYNOPSIS SAALAPO, 42 ans, handicap\u00e9 depuis la jeunesse, abandonne l’\u00e9cole en 6\u00e8me. Apr\u00e8s la perte de sa m\u00e8re, il vend tabliers et journaux, mais r\u00eave de cr\u00e9er des objets d’art. Il part \u00e0 Ouagadougou, vit dans la rue, puis d\u00e9couvre un village artisanal. Il aide d’autres artisans et ouvre son […]<\/p>\n","protected":false},"author":13,"featured_media":8237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-62-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8306"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8306\/revisions"}],"predecessor-version":[{"id":8308,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8306\/revisions\/8308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8237"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8304,"date":"2025-01-28T15:34:26","date_gmt":"2025-01-28T15:34:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8304"},"modified":"2025-01-28T15:34:28","modified_gmt":"2025-01-28T15:34:28","slug":"yand-baanga-shameful-disease","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yand-baanga-shameful-disease\/","title":{"rendered":"YAND BAANGA \/ SHAMEFUL DISEASE"},"content":{"rendered":"\n SIDIBE S\u00e9kou Oumar, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: SIDIBE S\u00e9kou Oumar, Burkina Faso, 2024 SYNOPSIS:Odile, a 39-year-old woman living in Ouagadougou with her six children from different fathers, has suffered from obstetric fistula for 20 years. She learns that she can be treated for free with the support of the Burkinab\u00e9 government. Her dilemma, however, is finding someone to take care of her […]<\/p>\n","protected":false},"author":13,"featured_media":8302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-76-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8304"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8304\/revisions"}],"predecessor-version":[{"id":8305,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8304\/revisions\/8305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8302"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8301,"date":"2025-01-28T15:30:40","date_gmt":"2025-01-28T15:30:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8301"},"modified":"2025-01-28T15:30:42","modified_gmt":"2025-01-28T15:30:42","slug":"yand-baanga-maladie-honteuse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yand-baanga-maladie-honteuse\/","title":{"rendered":"YAND BAANGA\/MALADIE HONTEUSE\u00a0\u00a0"},"content":{"rendered":"\n SIDIBE S\u00e9kou Oumar, Burkina Faso,2024<\/p>\n\n\n\n SYNOPSIS<\/strong><\/p>\n\n\n\n Odile, une femme de 39 ans, vit avec ses six enfants de p\u00e8res diff\u00e9rents \u00e0 Ouagadougou. Victime de fistule obst\u00e9tricale depuis 20 ans, elle apprend qu\u2019elle peut gu\u00e9rir de son mal gratuitement avec l\u2019accompagnement de l\u2019Etat burkinab\u00e8. Son probl\u00e8me, c\u2019est \u00e0 qui confier ses enfants pour les soins qui peuvent prendre une longue dur\u00e9e.<\/p>\n\n\n\n BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n N\u00e9 le 11 octobre 1976, S\u00e9kou Oumar SIDIBE, est dipl\u00f4m\u00e9 d\u2019un Master 2 Production\/r\u00e9alisation documentaire \u00e0 l\u2019Universit\u00e9 Gaston Berger au S\u00e9n\u00e9gal et d\u2019Ing\u00e9nieur des travaux en cin\u00e9ma de l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son (ISIS-SE). Il est r\u00e9alisateur et producteur de plusieurs films dont FOUROUKONO DE (2024)<\/em>, YAND BAANGA (2024), NINYAALGA (2022).<\/p>\n","protected":false},"excerpt":{"rendered":" SIDIBE S\u00e9kou Oumar, Burkina Faso,2024 SYNOPSIS Odile, une femme de 39 ans, vit avec ses six enfants de p\u00e8res diff\u00e9rents \u00e0 Ouagadougou. Victime de fistule obst\u00e9tricale depuis 20 ans, elle apprend qu\u2019elle peut gu\u00e9rir de son mal gratuitement avec l\u2019accompagnement de l\u2019Etat burkinab\u00e8. Son probl\u00e8me, c\u2019est \u00e0 qui confier ses enfants pour les soins qui […]<\/p>\n","protected":false},"author":13,"featured_media":8302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-76-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8301"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8301\/revisions"}],"predecessor-version":[{"id":8303,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8301\/revisions\/8303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8302"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8299,"date":"2025-01-28T15:29:19","date_gmt":"2025-01-28T15:29:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8299"},"modified":"2025-01-28T15:29:21","modified_gmt":"2025-01-28T15:29:21","slug":"lionne-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lionne-2\/","title":{"rendered":"LIONNE"},"content":{"rendered":"\n LIONNEKABORE Rodrigue Rakisyaoba, Burkina Faso, 2024<\/p>\n\n\n\n SYNOPSIS: BIOFILMOGRAPHY: LIONNEKABORE Rodrigue Rakisyaoba, Burkina Faso, 2024 SYNOPSIS:Lionne tells the story of Lioncella, who has admired and cherished military attire since childhood. Determined to pursue her dream, she does everything to convince her parents and those around her of her choice. Through perseverance, Lioncella is recruited into the army and assigned to an elite unit. However, […]<\/p>\n","protected":false},"author":13,"featured_media":8246,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-70-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8299"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8299\/revisions"}],"predecessor-version":[{"id":8300,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8299\/revisions\/8300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8246"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8297,"date":"2025-01-28T15:24:06","date_gmt":"2025-01-28T15:24:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8297"},"modified":"2025-01-28T15:24:09","modified_gmt":"2025-01-28T15:24:09","slug":"lionne","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lionne\/","title":{"rendered":"LIONNE"},"content":{"rendered":"\n
Fatim, a wayward 16-year-old teenager, lives with her aunt in Conarky. She aspires to fame on social media in order to live in luxury. To achieve her goal, she exploits her charm to gain more Followers on her social pages and organizes meetings with men to extort money from them. Despite the repeated advice of Facinet, her boyfriend, Fatim only follows her instinct until the day her sex tape finds itself at the top of the bill on social networks<\/p>\n","protected":false},"excerpt":{"rendered":"
PERDITA, (11) , a very rude young girl who has lived in the city all her life visits her grandma at the village with her mom for the first time. She is unable to adapt to the life at the village mainly due to her inability to communicate in her native dialect.
She gets missing in a bid to find her mom after leaving her grandma\u2019s compound by herself and finds herself in a forest due to the lack of communication. Perdita wanders around the forest trying to find her way back home until she comes across a hunter, AMENYO (30) who decides to help her search for her parents.
Her inability to communicate with Amenyo means the search is futile and she ends up in a new home.<\/p>\n","protected":false},"excerpt":{"rendered":"Synopsis<\/h3>\n\n\n\n
Alone in her room one evening while she is making a video, someone knocks on her door. As soon as Jessica opens the door. She receives a big blow to the head. She falls. Lying down, inert, a silhouette envelopes her and rapes her. When she wakes up, she is disturbed. She wants to know what happened but her thoughts are fuzzy. She notices blood on her panties. She concludes that she was raped.
When Miss AYEW lays bare the facts, an audiovisual truth emerges from Gracia who filmed the rape scene using her cell phone.
To be able to catch the alleged culprit in the act, Miss AYEW sets up a plan to lure her prey to commit a second rape.
The plan put in place works and we realize that it is DELMAS, a 16-year-old student in the same class as JESSICA who, helped by two classmates, allegedly committed the act.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nathalie, a bureaucrat married to Robert, a chief accountant, struggles in a complicated relationship due to Robert\u2019s sexual impotence, which he refuses to discuss. This issue creates tensions, especially when Nathalie confides in her mother, triggering Robert\u2019s shame and another act of aggression. Hurt and wounded, Nathalie decides not to remain passive in the face of violence.<\/p>\n\n\n\n
RESSACS, A Tuareg Story is a film that explores the memory and identity of the Tuareg people through a filmmaker\u2019s letter to his son. It recounts the history of the Kel Ansar, a tribe from Timbuktu, highlighting their resilience and culture in the face of challenges such as colonization, sedentarization, droughts, rebellions, and exile.<\/p>\n\n\n\n
A documentary filmmaker and writer from Timbuktu, Intagrist el Ansari lived in Mauritania for 15 years before moving to France due to the conflict in northern Mali. He published his first novel, Echo Saharien, l\u2019inconsolable nostalgie, in 2014 and has directed films such as Echo Nomade and R\u00eave d\u2019Afrique. He is also a magazine writer and a television reporter.<\/p>\n","protected":false},"excerpt":{"rendered":"
THIS JUNGO LIFE explores the lives of young refugees and asylum seekers from Sudan and South Sudan who live on the streets of Morocco after fleeing violence in Libya. Unable to return home due to ongoing war, they struggle to improve their situation and support their families back home. The film offers a poignant insight into their resilience and determination to survive.<\/p>\n\n\n\n
David Fedele is an independent documentary filmmaker specializing in cultural, humanitarian, environmental, and social justice issues. His films explore themes such as refugees, migration, electronic waste, and illegal logging. His works include REVENIR (2018), THE LAND BETWEEN (2014), E-WASTELAND (2012), and BIKPELA BAGARAP \/ Big Damage (2011).<\/p>\n","protected":false},"excerpt":{"rendered":"
Daniel, a widowed father, lives in the north of Martinique with his 8-year-old daughter, Soraya. A fisherman and restaurant owner, he struggles to survive in a socio-economic crisis. His daily life is turned upside down when his daughter tries to summon mermaids using a conch shell. While the little girl simply wants to befriend them, Daniel fears her growing obsession could lead to a dangerous invasion.<\/p>\n\n\n\n
A 2015 graduate of the CEEA (Conservatoire Europ\u00e9en d\u2019\u00c9criture Audiovisuelle), Sarah Mall\u00e9on has written episodes for several series, including Sam and Mercato, and co-directed Dubout. She recently co-wrote the TV movie Le Fant\u00f4me des Saintes for France 3. Currently, she is working on Black Musketeer, a new Disney+ series, as well as the biopic La Gu\u00eape for LincolnTV, and is developing her first series with Aux Singuliers.<\/p>\n","protected":false},"excerpt":{"rendered":"
What if the African statues in French museums started to speak? What if middle school students from Seine-Saint-Denis, with African immigrant backgrounds, shared their thoughts on the restitution of African heritage to Africa?<\/p>\n\n\n\n
Romain Fianu is a producer, director, and educator. He earned a State Diploma as a specialized educator in 2024 and a Master\u2019s degree in Cinema and Audiovisual Studies, with a focus on directing, in 2009 from Paris 8 University in Saint-Denis. He has directed several films, including Les Facettes de l\u2019Amour (2023), Le Tour \u00e0 Repousser (2022), and Variations \u00e0 l\u2019Infini (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"
In the mid-1970s, Rico, a 9-year-old Haitian boy, is abruptly torn from his homeland and thrust, along with his mother Erzulie, onto a strange new planet called Canada. Since their arrival, a distance has grown between mother and son. To win back his mother\u2019s love, Rico must navigate this unfamiliar world, populated by people with strange customs and traditions.<\/p>\n\n\n\n
Henri Pardo is a Quebecois filmmaker of Haitian origin. A graduate of INIS, he is the founder of Black on Black Films. In 2019 and 2021, he directed the documentary series Black Wealth Matters and Afro-Prosp\u00e9rit\u00e9, the latter produced by Black Wealth Media, a company he founded in 2016. In 2020-2021, he directed Dear Jackie, a documentary that won awards at the 2021 RIDM (Montreal International Documentary Festival).<\/p>\n","protected":false},"excerpt":{"rendered":"
In R\u00e9union Island, when buying a car, starting a new job, moving into an apartment, or simply seeking protection from bad luck, people turn to a diviner, a talisman, a shield of protection. This object, which can be as simple as a piece of red fabric, is called a garantie (guarantee). But what if I, too, needed a garantie to ensure the success of this film?<\/p>\n\n\n\n
Graduated in cinema and audiovisual studies and holding a degree from the School of Fine Arts of La R\u00e9union, Laurent Pantal\u00e9on creates photographic and video works exploring Reunionese identity and heritage. In 2004, he began visualizing several of his scripts, laying the foundation for his cinematic universe. Among his notable works are Gromonmon (2022), Mada (2021), and Santy\u00e9 Papang\u00e8r (2020).<\/p>\n","protected":false},"excerpt":{"rendered":"
Apart from a few cinephiles who still revere his legacy, the name Mohammed Zinet has faded into obscurity\u2026 or almost. Yet, his gentle face and distinctive mustache seem familiar. Zinet was the Algerian worker who killed Jean Carmet at the end of DUPONT LAJOIE, directed by Yves Boisset in 1974.<\/p>\n\n\n\n
At the age of 19, Mohammed LATRECHE left Sidi Bel-Abb\u00e8s to join his brother in Paris. Passionate about Political Science and cinema, he undertook multiple internships and worked various small jobs on French productions. A self-taught filmmaker, he returned to Algeria and founded his production company in 2003 to produce his own films and those of his friends, distribute auteur films, and organize festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"
Originaire de la p\u00e9riph\u00e9rie de Salvador, Mayara entreprend un voyage surprenant et captivant \u00e0 travers les routes de Bahia pour retracer les pas de Maria Od\u00edlia Teixeira, petite-fille d\u2019une ancienne esclave devenue la premi\u00e8re femme noire m\u00e9decin au Br\u00e9sil. \u00c0 travers ses yeux, nous d\u00e9couvrons avec \u00e9merveillement chaque nouvelle r\u00e9v\u00e9lation sur l\u2019histoire de cette brillante jeune femme qui a v\u00e9cu il y a un si\u00e8cle.<\/p>\n\n\n\n
Mariana Jaspe fait ses d\u00e9buts au cin\u00e9ma avec le court-m\u00e9trage CARNE, sorti en 2018 et s\u00e9lectionn\u00e9 dans plus de 30 festivals \u00e0 travers le monde. En 2023, elle r\u00e9alise DEIXA, avec Zez\u00e9 Motta, film qui lui vaut le Kikito de la meilleure r\u00e9alisatrice au Festival de Gramado, ainsi que le Prix Sp\u00e9cial du Jury aux festivals de Vit\u00f3ria, Panorama de Cinema et Havana. Elle a \u00e9galement collabor\u00e9 avec Anna Muylaert sur le sc\u00e9nario du film The Best Mother in the World, encore in\u00e9dit.<\/p>\n\n\n\n
From the arrival of my first ancestors from India in 1856 as indentured laborers in the sugarcane fields of Mauritius, to my family\u2019s nine-month journey in 1962, and the generations of Mauritians who left in the 1960s and 1970s in search of \u201cgold under the rocks,\u201d this film explores the reasons behind migration and how we perceive and experience our identity.<\/p>\n\n\n\n
Gopalen P. Chellapermal directed his first documentary, Les Mo\u2019zars de Roche Bois, in 2011. He continued his work in filmmaking and production with the short film Da\u00efnes, which was selected for the Festival International Vues d\u2019Afrique in Montreal in 2020 and FESPACO in 2021. He is currently working on the script for a feature film titled Au pays de l\u2019Autre.<\/p>\n","protected":false},"excerpt":{"rendered":"
1953, colonized Algeria. Fanon, a young Black psychiatrist, is appointed chief physician at the Blida-Joinville hospital. He implements his theories of \u201cInstitutional Psychotherapy\u201d in opposition to the racist doctrines of the Algiers School of Psychiatry. However, the war infiltrates even his own services.<\/p>\n\n\n\n
Abdenour Zahzah is a director of both documentary and fiction films. After studying audiovisual arts at university, he managed the Blida Cinematheque from 1998 to 2003. His first film, Frantz Fanon, m\u00e9moire d\u2019asile, was released in 2002. Since then, he has directed several documentaries and a short fiction film in 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"
Mamoud lives in the countryside with his small family and his ailing father. One day, terrorists invade the village, kill the chief and his family, and order the population to leave. Mamoud refuses to abandon his home and tries to convince his fellow villagers to stay and form a self-defense unit. The terrorists retaliate against him and his family.<\/p>\n\n\n\n
A cinema enthusiast since 1994, Alidou BADINI has worked as a cinematographer, general production manager, and assistant director. He is the author of several films, including FLEURS D\u2019\u00c9PINES, which was in the official competition at FESPACO 2001 in the TV-Video category.<\/p>\n","protected":false},"excerpt":{"rendered":"
Piiga, a young woman in her twenties, dreams of becoming a renowned fashion designer. However, her life takes a tragic turn after a terrorist attack on her village. She loses her best friend and cannot find her mother. Taken to a refugee camp in the city, Piiga embarks on a journey to search for her missing mother.<\/p>\n\n\n\n
Augusta B. PALENFO, an actress, director, and producer, joined the Atelier Th\u00e9\u00e2tre Burkinab\u00e8 (ATB) in 1996 for four years of training. She has appeared in numerous films, including around twenty feature films and seventeen series. In 2016, she directed her first feature film, Carton rouge, followed by Madame l\u2019Ambassadrice in 2021 and WAONGO in 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ren\u00e9, the only son of Robert and Odile, suffers from an illness requiring surgery estimated at 75,000 FCFA. Unemployed, Robert cannot afford the cost. The family reaches out to relatives, friends, and acquaintances to seek help and save their son.<\/p>\n\n\n\n
Kiswendsida Jean Claude Ou\u00e9draogo is a Burkinab\u00e9 editor, cameraman, and filmmaker. He has directed several documentaries, including La Ferraille une richesse (2018), La Marmite, and a feature-length documentary titled Dimdolobsom, m\u00e9moire \u00e9clips\u00e9e et devoir de soumission (2020).<\/p>\n","protected":false},"excerpt":{"rendered":"
SAALAPO, a 42-year-old man with a disability since childhood, dropped out of school in the sixth grade. After losing his mother, he started selling aprons and newspapers but dreamed of creating art objects. He travels to Ouagadougou, lives on the streets, and eventually discovers an artisan village. There, he supports other artisans and opens his own workshop, creating admired pieces, including a depiction of the coronavirus.<\/p>\n\n\n\n
Sa\u00efdou DERRA is a young filmmaker and a Master\u2019s student in production in Burkina Faso. He gained recognition at festivals with his short film Mon avenir, ton avenir, showcased at Vues d\u2019Afrique and Clap Ivoire 2024. A recipient of several awards, Sa\u00efdou DERRA is the founder of the cinema production company \u2018LOCRE FILM VISION,\u2019 established in 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"
Odile, a 39-year-old woman living in Ouagadougou with her six children from different fathers, has suffered from obstetric fistula for 20 years. She learns that she can be treated for free with the support of the Burkinab\u00e9 government. Her dilemma, however, is finding someone to take care of her children during the potentially lengthy treatment process.<\/p>\n\n\n\n
Born on October 11, 1976, S\u00e9kou Oumar SIDIBE holds a Master\u2019s degree in Documentary Production\/Directing from Gaston Berger University in Senegal and an Engineering degree in Cinema from the Institut Sup\u00e9rieur de l\u2019Image et du Son (ISIS-SE). He is a director and producer of several films, including FOUROUKONO DE (2024), YAND BAANGA (2024), and NINYAALGA (2022).<\/p>\n","protected":false},"excerpt":{"rendered":"
Lionne tells the story of Lioncella, who has admired and cherished military attire since childhood. Determined to pursue her dream, she does everything to convince her parents and those around her of her choice. Through perseverance, Lioncella is recruited into the army and assigned to an elite unit. However, she soon learns that life within the military is far from restful, especially for a woman.<\/p>\n\n\n\n
Rodrigue R. KABOR\u00c9 is a Burkinab\u00e9 screenwriter, director, producer, and distributor. A cinema manager and president of Burkina Faso\u2019s cinema exhibitors, he founded PUB NEERE, a production and distribution company, in 2005. He has directed several films, including DOCTEUR FOLIE (2010), FASO FURIE (2012), COUP D\u2019ETAT (2019), ELLE (2020), and LIONNE (2024).<\/p>\n","protected":false},"excerpt":{"rendered":"