[{"id":8259,"date":"2025-01-28T14:50:48","date_gmt":"2025-01-28T14:50:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8259"},"modified":"2025-01-28T14:50:51","modified_gmt":"2025-01-28T14:50:51","slug":"dans-la-peau-de-lautre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dans-la-peau-de-lautre\/","title":{"rendered":"DANS LA PEAU DE L’AUTRE"},"content":{"rendered":"\n

OUEDRAOGO Patind\u00e9 Constant, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Moulaye, un jeune homme de 8 ans et sa s\u0153ur Yasmine, plus d\u2019autres personnes dont le p\u00e8re, sont enlev\u00e9s par un groupe arm\u00e9 lors d\u2019une campagne de vaccination. Yasmine est froidement abattue et Moulaye suivra un lavage de cerveau pour devenir un tueur impitoyable. Il assassine Bilal le fils de l\u2019imam de kiriba et usurpe son identit\u00e9 pour pr\u00e9parer un attentat.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Patind\u00e9 Constant OUEDRAOGO est un r\u00e9alisateur et cadreur burkinab\u00e8, titulaire d\u2019un BTS en image et en son de PROFIS \u2013 actuel ISIS. Apr\u00e8s plusieurs autres formations, il a particip\u00e9 \u00e0 la r\u00e9alisation de plusieurs films dont Watinonma<\/em> (2018) de Bede Modeste GANAFE, La <\/em>F<\/em>or\u00eat du <\/em>N<\/em>iolo<\/em> (2017), de Adama ROUAMBA, Une femme pas comme les autres<\/em> (2009) de Abdoulaye DAO.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

OUEDRAOGO Patind\u00e9 Constant, Burkina Faso, 2024 SYNOPSIS Moulaye, un jeune homme de 8 ans et sa s\u0153ur Yasmine, plus d\u2019autres personnes dont le p\u00e8re, sont enlev\u00e9s par un groupe arm\u00e9 lors d\u2019une campagne de vaccination. Yasmine est froidement abattue et Moulaye suivra un lavage de cerveau pour devenir un tueur impitoyable. Il assassine Bilal le […]<\/p>\n","protected":false},"author":13,"featured_media":8247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-71-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8259"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8259\/revisions"}],"predecessor-version":[{"id":8260,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8259\/revisions\/8260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8247"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8257,"date":"2025-01-28T14:48:53","date_gmt":"2025-01-28T14:48:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8257"},"modified":"2025-02-17T12:10:22","modified_gmt":"2025-02-17T12:10:22","slug":"daniel-ouezzin-coulibaly-africas-paths","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/daniel-ouezzin-coulibaly-africas-paths\/","title":{"rendered":"DANIEL OUEZZIN COULIBALY, AFRICA\u2019S PATHS."},"content":{"rendered":"\n

Bernard YAMEOGO, Burkina Faso, 2024<\/strong> SYNOPSIS:<\/strong> Born in 1909 in Pouy, Burkina Faso, Ou\u00e9zzin Daniel Coulibaly emerged as a charismatic and iconic figure in the struggle for the independence of French West Africa (AOF). Alongside F\u00e9lix Houphou\u00ebt-Boigny, he launched the African Democratic Rally (RDA) for unity and freedom. Serving as a Deputy, General Councilor, Senator, and Territorial Advisor, he rose to become the Vice-President of the Government Council of Upper Volta in 1957.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Born in 1965 in Burkina Faso, Sidbewende Bernard YAMEOGO is a screenwriter, producer, and director. Through his company, AfricaVision.Tv, he has created numerous fiction and documentary films. His works have been officially selected for FESPACO in 2005, 2009, 2011, 2015, and 2017. He won the Gallian Award in 2005 in the television documentary category and received a special mention at the North-South Panorama Festival in Geneva in 2006.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bernard YAMEOGO, Burkina Faso, 2024 SYNOPSIS: Born in 1909 in Pouy, Burkina Faso, Ou\u00e9zzin Daniel Coulibaly emerged as a charismatic and iconic figure in the struggle for the independence of French West Africa (AOF). Alongside F\u00e9lix Houphou\u00ebt-Boigny, he launched the African Democratic Rally (RDA) for unity and freedom. Serving as a Deputy, General Councilor, Senator, […]<\/p>\n","protected":false},"author":13,"featured_media":8240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432,749,479],"tags":[],"class_list":["post-8257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en","category-films-catalogue-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-65-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8257"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8257\/revisions"}],"predecessor-version":[{"id":9901,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8257\/revisions\/9901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8240"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8254,"date":"2025-01-28T14:35:10","date_gmt":"2025-01-28T14:35:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8254"},"modified":"2025-01-28T14:35:13","modified_gmt":"2025-01-28T14:35:13","slug":"ca-suffit-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ca-suffit-2\/","title":{"rendered":"\u00c7A SUFFIT!"},"content":{"rendered":"\n

Alimata OUEDRAOGO, Burkina Faso, 2023<\/p>\n\n\n\n

SYNOPSIS:
Manuella, a young woman from Ouagadougou in her early forties, can no longer bear her husband\u2019s sexual appetite and his daily advances, which turn violent when she refuses. At her wit\u2019s end, she files a complaint at the police station without fully considering the consequences, as marital rape remains a taboo subject in society.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Alimata OUEDRAOGO was born in 1981 in Abidjan, C\u00f4te d\u2019Ivoire. After earning a degree in marketing communication and public relations, she began her acting career in 2003, performing in several films. In 2009, she founded her production company, Star Events Production. She directed her first feature-length fiction film, GRAINE, in 2021, which garnered numerous awards.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alimata OUEDRAOGO, Burkina Faso, 2023 SYNOPSIS:Manuella, a young woman from Ouagadougou in her early forties, can no longer bear her husband\u2019s sexual appetite and his daily advances, which turn violent when she refuses. At her wit\u2019s end, she files a complaint at the police station without fully considering the consequences, as marital rape remains a […]<\/p>\n","protected":false},"author":13,"featured_media":8249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-73-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8254"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8254\/revisions"}],"predecessor-version":[{"id":8255,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8254\/revisions\/8255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8249"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8252,"date":"2025-01-28T14:33:42","date_gmt":"2025-01-28T14:33:42","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8252"},"modified":"2025-01-28T14:33:44","modified_gmt":"2025-01-28T14:33:44","slug":"ca-suffit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ca-suffit\/","title":{"rendered":"\u00c7A SUFFIT!"},"content":{"rendered":"\n

Alimata OUEDRAOGO, Burkina Faso, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Manuella, jeune femme ouagalaise d’\u00e0 peine quarante ans, ne supporte plus l’app\u00e9tit sexuel de son mari et ses assauts quotidiens qui deviennent violents quand elle refuse. \u00c0 bout, elle finit alors par porter plainte au commissariat, sans avoir pens\u00e9 \u00e0 toutes les cons\u00e9quences, le viol conjugal \u00e9tant un sujet tabou dans la soci\u00e9t\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Alimata OUEDRAOGO est n\u00e9e en 1981 \u00e0 Abidjan en C\u00f4te d’Ivoire. Apr\u00e8s une licence en communication marketing et relations publiques, elle commence d\u00e8s 2003 une carri\u00e8re d’actrice et joue dans plusieurs films. En 2009, elle cr\u00e9e sa structure de production Star events production. <\/strong>Elle r\u00e9alise son premier long m\u00e9trage fiction GRAINE<\/em><\/strong> en 2021qui lui vaut de nombreux prix.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alimata OUEDRAOGO, Burkina Faso, 2023 SYNOPSIS Manuella, jeune femme ouagalaise d’\u00e0 peine quarante ans, ne supporte plus l’app\u00e9tit sexuel de son mari et ses assauts quotidiens qui deviennent violents quand elle refuse. \u00c0 bout, elle finit alors par porter plainte au commissariat, sans avoir pens\u00e9 \u00e0 toutes les cons\u00e9quences, le viol conjugal \u00e9tant un sujet […]<\/p>\n","protected":false},"author":13,"featured_media":8249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-73-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8252"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8252\/revisions"}],"predecessor-version":[{"id":8253,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8252\/revisions\/8253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8249"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8250,"date":"2025-01-28T14:30:48","date_gmt":"2025-01-28T14:30:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8250"},"modified":"2025-01-28T14:30:51","modified_gmt":"2025-01-28T14:30:51","slug":"heist-in-ouaga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/heist-in-ouaga\/","title":{"rendered":"Heist in Ouaga"},"content":{"rendered":"\n

Abdoul Aziz NIKIEMA, Burkina Faso<\/p>\n\n\n\n

SYNOPSIS:
Bouba dreams of a job worthy of his qualifications. His girlfriend Fatou, a customer relations officer at a financial institution, tries to help by speaking to her boss, Beno\u00eet. However, Beno\u00eet suggests a meeting at a hotel. Meanwhile, Bouba\u2019s friend, C\u00e9lestin, an IT technician, stumbles upon the incriminating messages while repairing Fatou\u2019s computer and forwards them to Bouba.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Abdoul Aziz NIKIEMA, a native of Ouagadougou, graduated in 2008 with a degree in audiovisual engineering and directing from ISIS. He has directed numerous short films, primarily documentaries, including Le Recueillement, La guerre des terres, Agrobusiness, and Iqra. In 2021, his television series Une vie de r\u00eave was an official competitor at FESPACO.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abdoul Aziz NIKIEMA, Burkina Faso SYNOPSIS:Bouba dreams of a job worthy of his qualifications. His girlfriend Fatou, a customer relations officer at a financial institution, tries to help by speaking to her boss, Beno\u00eet. However, Beno\u00eet suggests a meeting at a hotel. Meanwhile, Bouba\u2019s friend, C\u00e9lestin, an IT technician, stumbles upon the incriminating messages while […]<\/p>\n","protected":false},"author":13,"featured_media":8238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[432],"tags":[],"class_list":["post-8250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-63-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8250"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8250\/revisions"}],"predecessor-version":[{"id":8251,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8250\/revisions\/8251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8175,"date":"2025-01-28T14:28:52","date_gmt":"2025-01-28T14:28:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8175"},"modified":"2025-01-28T14:28:55","modified_gmt":"2025-01-28T14:28:55","slug":"braquage-a-ouaga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/braquage-a-ouaga\/","title":{"rendered":"Braquage \u00e0 Ouaga"},"content":{"rendered":"\n

Abdoul Aziz NIKIEMA, Burkina Faso<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Bouba veut un travail \u00e0 la hauteur de ses dipl\u00f4mes et Fatou sa copine, charg\u00e9e de client\u00e8le dans une institution financi\u00e8re tente de l\u2019aider en parlant au patron Beno\u00eet. Il lui propose un rendez-vous \u00e0 l\u2019h\u00f4tel. C\u00e9lestin, ami de Bouba, un informaticien, d\u00e9couvre les messages d\u2019invitations en r\u00e9parant l\u2019ordinateur de Fatou. Il transfert les messages \u00e0 Bouba.<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Originaire de Ouagadougou, Abdoul Aziz NIKIEMA est titulaire d\u2019un dipl\u00f4me d\u2019ing\u00e9nieur des travaux audiovisuels et de r\u00e9alisation en 2008 \u00e0 l\u2019ISIS. Il r\u00e9alise de nombreux courts m\u00e9trages, en grande partie des documentaires dont Le Recueillement<\/em>, La guerre des terres<\/em>, Agrobusiness<\/em> et Iqra. En 2021, sa s\u00e9rie t\u00e9l\u00e9 Une vie de r\u00eave<\/em> \u00e9tait en comp\u00e9tition officielle au FESPACO.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abdoul Aziz NIKIEMA, Burkina Faso SYNOPSIS Bouba veut un travail \u00e0 la hauteur de ses dipl\u00f4mes et Fatou sa copine, charg\u00e9e de client\u00e8le dans une institution financi\u00e8re tente de l\u2019aider en parlant au patron Beno\u00eet. Il lui propose un rendez-vous \u00e0 l\u2019h\u00f4tel. C\u00e9lestin, ami de Bouba, un informaticien, d\u00e9couvre les messages d\u2019invitations en r\u00e9parant l\u2019ordinateur […]<\/p>\n","protected":false},"author":13,"featured_media":8238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[430],"tags":[],"class_list":["post-8175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-burkina-films-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-63-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8175"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8175\/revisions"}],"predecessor-version":[{"id":8245,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8175\/revisions\/8245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8169,"date":"2025-01-28T14:06:38","date_gmt":"2025-01-28T14:06:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8169"},"modified":"2025-01-28T14:06:41","modified_gmt":"2025-01-28T14:06:41","slug":"zion-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/zion-2\/","title":{"rendered":"ZION"},"content":{"rendered":"\n

ZIONLic\u00ednio Janu\u00e1rio, Br\u00e9sil<\/p>\n\n\n\n

SYNOPSIS :
Niara, une jeune femme ind\u00e9pendante au pass\u00e9 tumultueux, croise la route d\u2019Akin, un jeune homme en qu\u00eate d\u2019identit\u00e9. Leurs vies s\u2019entrelacent lors d\u2019une f\u00eate, o\u00f9 une connexion instantan\u00e9e se forme. \u00c0 mesure qu\u2019ils se rapprochent, ils affrontent ensemble des d\u00e9fis personnels et sociaux, notamment des crises d\u2019anxi\u00e9t\u00e9, le racisme et les violences polici\u00e8res. Dans un voyage d\u2019amour et de r\u00e9silience, Niara et Akin d\u00e9couvrent la force de leur union et l\u2019importance d\u2019affronter les fant\u00f4mes de l\u2019avenir ensemble.<\/p>\n\n\n\n

BIOFILMOGRAPHIE :
Lic\u00ednio Janu\u00e1rio est acteur, sc\u00e9nariste et r\u00e9alisateur, dipl\u00f4m\u00e9 de la London Film Academy (Royaume-Uni). Il est le fondateur de Wolo TV, une plateforme de streaming br\u00e9silienne ax\u00e9e sur des productions men\u00e9es par des cr\u00e9ateurs noirs. Originaire d\u2019Angola, Lic\u00ednio a co-r\u00e9alis\u00e9 la version br\u00e9silienne de la production \u201cCreator Spotlight\u201d de YouTube Originals. Parmi ses \u0153uvres notables figurent le court-m\u00e9trage prim\u00e9 A Namoradeira, la s\u00e9rie t\u00e9l\u00e9vis\u00e9e Casa da V\u00f3 (La Maison de Grand-M\u00e8re) avec la chanteuse br\u00e9silienne Margareth Menezes, Eu, Minha House e a Minha Quebrada (The New Millionaire) avec Leozito Rocha, ainsi que le documentaire A Arte da Sobreviv\u00eancia Africana (L\u2019Art de la Survie Africaine), qui met en lumi\u00e8re des artistes visuels africains r\u00e9sidant \u00e0 S\u00e3o Paulo, Br\u00e9sil.<\/p>\n","protected":false},"excerpt":{"rendered":"

ZIONLic\u00ednio Janu\u00e1rio, Br\u00e9sil SYNOPSIS :Niara, une jeune femme ind\u00e9pendante au pass\u00e9 tumultueux, croise la route d\u2019Akin, un jeune homme en qu\u00eate d\u2019identit\u00e9. Leurs vies s\u2019entrelacent lors d\u2019une f\u00eate, o\u00f9 une connexion instantan\u00e9e se forme. \u00c0 mesure qu\u2019ils se rapprochent, ils affrontent ensemble des d\u00e9fis personnels et sociaux, notamment des crises d\u2019anxi\u00e9t\u00e9, le racisme et les […]<\/p>\n","protected":false},"author":13,"featured_media":8167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-108.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8169"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8169\/revisions"}],"predecessor-version":[{"id":8170,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8169\/revisions\/8170"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8167"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8166,"date":"2025-01-28T14:03:58","date_gmt":"2025-01-28T14:03:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8166"},"modified":"2025-01-28T14:04:00","modified_gmt":"2025-01-28T14:04:00","slug":"zion","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/zion\/","title":{"rendered":"ZION"},"content":{"rendered":"\n

Lic\u00ednio Janu\u00e1rio, Br\u00e9sil<\/p>\n\n\n\n

SYNOPSIS :<\/p>\n\n\n\n

Niara, an independent young woman with a troubled past, crosses paths with Akin, a young man in search of his identity. Their lives intertwine at a party, where an instant connection forms. As they grow closer, they face challenges personal and social, including anxiety attacks, racism and police violence. In a journey of love and overcoming, Niara and Akin discover the strength of their union and the importance of facing the ghosts of the future together.<\/p>\n\n\n\n

BIOFILMOGRAPHY :<\/strong><\/strong><\/p>\n\n\n\n

Lic\u00ednio Janu\u00e1rio is an actor, screenwriter, and filmmaker certified by the London Film Academy (United Kingdom). He is the founder of Wolo TV, a brasilian streaming platform focused on productions led by Black creators. Originally from Angola, Lic\u00ednio won co-directed the brasilian version of the YouTube Originals production \u00ab\u00a0Creator Spotlight. \u00ab\u00a0Among his notable works are the award-winning short film \u00ab\u00a0A Namoradeira,\u00a0\u00bb the tv series \u00ab\u00a0Casa da V\u00f3\u00a0\u00bb (Grandma\u2019s House) featuring Brazilian singer Margareth Menezes, \u00ab\u00a0Eu, Minha House e a Minha Quebrada\u00a0\u00bb (The New Milionaire) with Leozito Rocha, and the documentary \u00ab\u00a0A Arte da Sobreviv\u00eancia Africana,\u00a0\u00bb (The art of African Survival) which highlights African visual artists residing in S\u00e3o Paulo, Brazil.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lic\u00ednio Janu\u00e1rio, Br\u00e9sil SYNOPSIS : Niara, an independent young woman with a troubled past, crosses paths with Akin, a young man in search of his identity. Their lives intertwine at a party, where an instant connection forms. As they grow closer, they face challenges personal and social, including anxiety attacks, racism and police violence. In a […]<\/p>\n","protected":false},"author":13,"featured_media":8167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-108.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8166"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8166\/revisions"}],"predecessor-version":[{"id":8168,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8166\/revisions\/8168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8167"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8163,"date":"2025-01-28T13:59:39","date_gmt":"2025-01-28T13:59:39","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8163"},"modified":"2025-02-09T13:09:48","modified_gmt":"2025-02-09T13:09:48","slug":"zanatany-the-imprint-of-lonely-shrouds","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/zanatany-the-imprint-of-lonely-shrouds\/","title":{"rendered":"Zanatany, The Imprint of Lonely Shrouds"},"content":{"rendered":"\n

Hachimiya Ahamada, Comoros, 2024<\/p>\n\n\n\n

SYNOPSIS:
In December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower and second-in-command in a bookbinding workshop, is raising his two teenage daughters alone. One morning, before going to work, he witnesses what seems to be a simple neighborhood quarrel, which becomes the spark that ignites the neighborhood. Amidst the chaos, Ali searches for his daughters. \ufffc<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Born into the Comorian diaspora, Hachimiya Ahamada was born in Dunkirk and lives in Brussels. She directed her first short film, \u201cLa R\u00e9sidence Ylang-Ylang,\u201d presented at the International Critics\u2019 Week in Cannes in 2008, followed by \u201cL\u2019Ivresse d\u2019une Oasis.\u201d Currently, she is working on writing her first feature-length fiction film, \u201cMa\u00efssane ou le Cantique des Astres.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Hachimiya Ahamada, Comoros, 2024 SYNOPSIS:In December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower and second-in-command in a bookbinding workshop, is raising his two teenage daughters alone. One morning, before going to work, he witnesses what seems to be a simple neighborhood quarrel, which becomes the spark that […]<\/p>\n","protected":false},"author":13,"featured_media":8531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8163"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8163\/revisions"}],"predecessor-version":[{"id":8164,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8163\/revisions\/8164"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8531"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8161,"date":"2025-01-28T13:58:45","date_gmt":"2025-01-28T13:58:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8161"},"modified":"2025-01-30T13:17:06","modified_gmt":"2025-01-30T13:17:06","slug":"zanatany-lempreinte-des-linceuls-esseules","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/zanatany-lempreinte-des-linceuls-esseules\/","title":{"rendered":"Zanatany, L’empreinte des linceuls esseul\u00e9s"},"content":{"rendered":"\n

 <\/strong>Hachimiya Ahamada, Comores, 2024<\/p>\n\n\n\n

SYNOPSIS <\/strong><\/p>\n\n\n\n

Majunga, d\u00e9cembre 1976, un vent de r\u00e9volte traverse la ville. Ali, chef-second dans un atelier de reliure, \u00e9l\u00e8ve seul ses deux filles adolescentes. Un matin, avant d\u2019aller travailler, il est t\u00e9moin de ce qui semble \u00eatre une simple dispute de voisinage\u2026<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

Issue de la diaspora comorienne, Hachimiya Ahamada est n\u00e9e \u00e0 Dunkerque et vit \u00e0 Bruxelles. Elle r\u00e9alise son premier court-m\u00e9trage \u00ab La R\u00e9sidence Ylang-Ylang \u00bb<\/em> pr\u00e9sent\u00e9 \u00e0 la Semaine internationale de la critique \u00e0 Cannes en 2008, puis \u00ab L\u2019Ivresse d\u2019une Oasis \u00bb<\/em>. Actuellement, elle travaille \u00e0 l’\u00e9criture de son premier long-m\u00e9trage de fiction,\u00ab Ma\u00efssane ou le Cantique des Astres \u00bb<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Hachimiya Ahamada, Comores, 2024 SYNOPSIS  Majunga, d\u00e9cembre 1976, un vent de r\u00e9volte traverse la ville. Ali, chef-second dans un atelier de reliure, \u00e9l\u00e8ve seul ses deux filles adolescentes. Un matin, avant d\u2019aller travailler, il est t\u00e9moin de ce qui semble \u00eatre une simple dispute de voisinage\u2026 BIOFILMOGRAPHIE  Issue de la diaspora comorienne, Hachimiya Ahamada est […]<\/p>\n","protected":false},"author":13,"featured_media":8531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8161"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8161\/revisions"}],"predecessor-version":[{"id":8162,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8161\/revisions\/8162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8531"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8159,"date":"2025-01-28T13:58:05","date_gmt":"2025-01-28T13:58:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8159"},"modified":"2025-01-28T13:58:07","modified_gmt":"2025-01-28T13:58:07","slug":"victoria-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/victoria-2\/","title":{"rendered":"VICTORIA"},"content":{"rendered":"\n


Sam Soko, Kenya, 2025<\/p>\n\n\n\n

SYNOPSIS :
Victoria entame un nouveau chapitre de sa vie. Apr\u00e8s avoir \u00e9chapp\u00e9 \u00e0 une relation abusive, elle a cr\u00e9\u00e9 une entreprise de ballons \u00e0 l\u2019h\u00e9lium \u00e0 Nairobi pour s\u2019entourer de joie et trouver une certaine s\u00e9curit\u00e9. Cinq ans plus tard, elle red\u00e9finit ses r\u00f4les de fille, de m\u00e8re et de femme. Le film la suit pendant l\u2019une des semaines les plus charg\u00e9es de l\u2019ann\u00e9e, mettant en lumi\u00e8re son parcours de gu\u00e9rison et son nouvel \u00e9panouissement.<\/p>\n\n\n\n

BIOFILMOGRAPHIE :
Sam Soko est un r\u00e9alisateur, producteur et monteur prim\u00e9, bas\u00e9 \u00e0 Nairobi, au Kenya. Il est cofondateur de LBx Africa, une soci\u00e9t\u00e9 de production k\u00e9nyane qui vise \u00e0 apporter des perspectives africaines uniques \u00e0 un public mondial. Son premier long m\u00e9trage documentaire, Softie, qui raconte l\u2019histoire de Boniface Mwangi et de son engagement politique au Kenya, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au Festival de Sundance en 2020, remportant un prix sp\u00e9cial du jury pour le montage. Soko a \u00e9galement re\u00e7u des nominations aux Emmy, Peabody et PGA pour son travail. Il est un d\u00e9fenseur fervent de la libert\u00e9 d\u2019expression et participe activement aux discussions mondiales sur l\u2019importance des m\u00e9dias dans un monde en crise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sam Soko, Kenya, 2025 SYNOPSIS :Victoria entame un nouveau chapitre de sa vie. Apr\u00e8s avoir \u00e9chapp\u00e9 \u00e0 une relation abusive, elle a cr\u00e9\u00e9 une entreprise de ballons \u00e0 l\u2019h\u00e9lium \u00e0 Nairobi pour s\u2019entourer de joie et trouver une certaine s\u00e9curit\u00e9. Cinq ans plus tard, elle red\u00e9finit ses r\u00f4les de fille, de m\u00e8re et de femme. […]<\/p>\n","protected":false},"author":13,"featured_media":8157,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-107.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8159"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8159\/revisions"}],"predecessor-version":[{"id":8160,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8159\/revisions\/8160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8157"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8156,"date":"2025-01-28T13:51:33","date_gmt":"2025-01-28T13:51:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8156"},"modified":"2025-01-28T13:51:35","modified_gmt":"2025-01-28T13:51:35","slug":"victoria","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/victoria\/","title":{"rendered":"VICTORIA"},"content":{"rendered":"\n

Sam SOKO, Kenya, 2025<\/p>\n\n\n\n

SYNOPSIS :<\/p>\n\n\n\n

Victoria is on a new journey in life. She set up a helium balloon business in Nairobi as a means of surrounding herself with joy, as well as finding security after escaping an abusive relationship. Five years later, she is redefining her existence as a daughter, a mother, and a woman. The film follows her through one of the busiest weeks of the year, where we witness her healing and newfound empowerment.<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHY :<\/strong><\/strong><\/p>\n\n\n\n

Sam Soko is an award-winning director, producer, and editor based in Nairobi, Kenya and known for his socio-political storytelling. His first feature-documentary Softie, a story about balancing the deep love of country with the needs of family, premiered at Sundance 2020, winning a special jury prize for editing. His work has been featured at prestigious festivals, earning him awards and Emmy, Peabody, and PGA nominations. A vocal advocate for freedom of expression, he co-founded LBx Africa to promote African perspectives globally.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sam SOKO, Kenya, 2025 SYNOPSIS : Victoria is on a new journey in life. She set up a helium balloon business in Nairobi as a means of surrounding herself with joy, as well as finding security after escaping an abusive relationship. Five years later, she is redefining her existence as a daughter, a mother, and a […]<\/p>\n","protected":false},"author":13,"featured_media":8157,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-107.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8156"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8156\/revisions"}],"predecessor-version":[{"id":8158,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8156\/revisions\/8158"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8157"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8153,"date":"2025-01-28T13:49:31","date_gmt":"2025-01-28T13:49:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8153"},"modified":"2025-01-28T13:49:33","modified_gmt":"2025-01-28T13:49:33","slug":"under-the-palm-tree-sous-le-ronier-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/under-the-palm-tree-sous-le-ronier-2\/","title":{"rendered":"UNDER THE PALM TREE \/ SOUS LE RONIER"},"content":{"rendered":"\n

BARO Orokiatou, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS:
Gnine, an unhappy wife in her forties and mother of two, is informed by her doctor that her days are numbered. She decides to pursue her suppressed desires, including reconnecting with her first love.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
BARO Orokiatou is a Burkinab\u00e9 director. In 2014, she contributed to the writing of the television series \u201cWaga Love\u201d by Guy D\u00e9sir\u00e9 YAMEOGO. A communicator and engineer in cinema and audiovisuals, she directed five COVID-19 awareness capsules in 2020 and her first short film, \u201cCE SOURIRE.\u201d She is also the author of a collection of short stories titled \u201cENFIN L\u2019AURORE.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

BARO Orokiatou, Burkina Faso, 2024 SYNOPSIS:Gnine, an unhappy wife in her forties and mother of two, is informed by her doctor that her days are numbered. She decides to pursue her suppressed desires, including reconnecting with her first love. BIOFILMOGRAPHY:BARO Orokiatou is a Burkinab\u00e9 director. In 2014, she contributed to the writing of the television […]<\/p>\n","protected":false},"author":13,"featured_media":8151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-104.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8153"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8153\/revisions"}],"predecessor-version":[{"id":8154,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8153\/revisions\/8154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8151"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8150,"date":"2025-01-28T13:47:43","date_gmt":"2025-01-28T13:47:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8150"},"modified":"2025-01-28T13:47:45","modified_gmt":"2025-01-28T13:47:45","slug":"under-the-palm-tree-sous-le-ronier","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/under-the-palm-tree-sous-le-ronier\/","title":{"rendered":"UNDER THE PALM TREE\/ SOUS LE RONIER\u00a0"},"content":{"rendered":"\n

BARO Orokiatou, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Lorsque le m\u00e9decin de Gnine, \u00e9pouse malheureuse, la quarantaine r\u00e9volue et m\u00e8re de deux enfants, lui apprend que ses jours sont compt\u00e9s, sa d\u00e9cision est prise : vivre ses d\u00e9sirs refoul\u00e9s parmi lesquels retrouver les bras de son amour de jeunesse.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

BARO Orokiatou est une r\u00e9alisatrice burkinab\u00e8. En 2014, elle participe \u00e0 l\u2019\u00e9criture du sc\u00e9nario de la s\u00e9rie t\u00e9l\u00e9vis\u00e9e Waga love<\/em> de Guy D\u00e9sir\u00e9 YAMEOGO. Communicatrice et ing\u00e9nieur du cin\u00e9ma et de l’audiovisuel, elle r\u00e9alise en 2020 cinq (05) capsules de sensibilisation sur la COVID 19<\/em> et son premier court m\u00e9trage CE SOURIRE<\/em>. Elle est auteure d\u2019un recueil de nouvel intitul\u00e9 ENFIN L\u2019AURORE<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

BARO Orokiatou, Burkina Faso, 2024 SYNOPSIS : Lorsque le m\u00e9decin de Gnine, \u00e9pouse malheureuse, la quarantaine r\u00e9volue et m\u00e8re de deux enfants, lui apprend que ses jours sont compt\u00e9s, sa d\u00e9cision est prise : vivre ses d\u00e9sirs refoul\u00e9s parmi lesquels retrouver les bras de son amour de jeunesse. BIOFILMOGRAPHIE : BARO Orokiatou est une r\u00e9alisatrice burkinab\u00e8. […]<\/p>\n","protected":false},"author":13,"featured_media":8151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-104.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8150"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8150\/revisions"}],"predecessor-version":[{"id":8152,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8150\/revisions\/8152"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8151"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8148,"date":"2025-01-28T13:41:49","date_gmt":"2025-01-28T13:41:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8148"},"modified":"2025-01-28T13:41:57","modified_gmt":"2025-01-28T13:41:57","slug":"tile-sun","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tile-sun\/","title":{"rendered":"TILE\/SUN"},"content":{"rendered":"\n

Madougu\u00e9 Diabat\u00e9, Mali, 2024<\/p>\n\n\n\n

SYNOPSIS:<\/p>\n\n\n\n

In a Malian village, Binta, engaged to Bakary, discreetly maintains a romantic relationship with Rama. In a place where homosexuality is severely punished, Bakary feels dishonored upon this discovery. When the two young women flee, they find themselves in an even more dangerous situation.<\/p>\n\n\n\n

BIOFILMOGRAPHY:<\/p>\n\n\n\n

Madougu\u00e9 Diabat\u00e9 was born in 1987 in Mali. In 2014, he decided to leave Mali to pursue his passion for cinema in France. He joined Walter Films, a renowned production company, where he worked on several projects, allowing him to become familiar with the European film industry. TILE is his first short film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Madougu\u00e9 Diabat\u00e9, Mali, 2024 SYNOPSIS: In a Malian village, Binta, engaged to Bakary, discreetly maintains a romantic relationship with Rama. In a place where homosexuality is severely punished, Bakary feels dishonored upon this discovery. When the two young women flee, they find themselves in an even more dangerous situation. BIOFILMOGRAPHY: Madougu\u00e9 Diabat\u00e9 was born in […]<\/p>\n","protected":false},"author":13,"featured_media":8146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-106.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8148"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8148\/revisions"}],"predecessor-version":[{"id":8149,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8148\/revisions\/8149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8146"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8145,"date":"2025-01-28T13:40:54","date_gmt":"2025-01-28T13:40:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8145"},"modified":"2025-01-28T13:40:56","modified_gmt":"2025-01-28T13:40:56","slug":"tile-soleil","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tile-soleil\/","title":{"rendered":"TILE\/SOLEIL"},"content":{"rendered":"\n

 Madougu\u00e9 Diabat\u00e9, Mali, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

 Dans un village malien, Binta la fianc\u00e9e de Bakary, entretient discr\u00e8tement une relation amoureuse avec Rama. L\u00e0 o\u00f9 l\u2019homosexualit\u00e9 est s\u00e9v\u00e8rement punie, Bakary est d\u00e9shonor\u00e9 \u00e0 cette d\u00e9couverte. Quand les deux jeunes femmes fuient, elles se retrouvent alors dans une situation beaucoup plus dangereuse\u2026<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Madougue Diabat\u00e9 est n\u00e9 en 1987 au Mali. En 2014, il d\u00e9cide de quitter le Mali pour poursuivre son d\u00e9sir de faire le cin\u00e9ma en France. Il rejoint Walter Films, une soci\u00e9t\u00e9 de production renomm\u00e9e o\u00f9 il travaille sur plusieurs projets, ce qui lui permet de se familiariser avec l’industrie cin\u00e9matographique europ\u00e9enne. TILE<\/em> est son premier court m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Madougu\u00e9 Diabat\u00e9, Mali, 2024 SYNOPSIS :  Dans un village malien, Binta la fianc\u00e9e de Bakary, entretient discr\u00e8tement une relation amoureuse avec Rama. L\u00e0 o\u00f9 l\u2019homosexualit\u00e9 est s\u00e9v\u00e8rement punie, Bakary est d\u00e9shonor\u00e9 \u00e0 cette d\u00e9couverte. Quand les deux jeunes femmes fuient, elles se retrouvent alors dans une situation beaucoup plus dangereuse\u2026 BIOFILMOGRAPHIE : Madougue Diabat\u00e9 est […]<\/p>\n","protected":false},"author":13,"featured_media":8146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-106.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8145"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8145\/revisions"}],"predecessor-version":[{"id":8147,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8145\/revisions\/8147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8146"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8143,"date":"2025-01-28T13:33:29","date_gmt":"2025-01-28T13:33:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8143"},"modified":"2025-02-09T13:16:51","modified_gmt":"2025-02-09T13:16:51","slug":"the-rwhoo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-rwhoo-2\/","title":{"rendered":"THE RWHOO"},"content":{"rendered":"\n

Safari SENGAIRE, Congo, 2024<\/p>\n\n\n\n

SYNOPSIS:
In the war-displaced persons camp in Goma, UMWARI sits on a bench, recounting her various lives across refugee camps. From BULENGO to B\u00c2LE, she narrates an endless journey as a refugee and migrant in the world.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Born in 1982 in Goma, Safari SENGAIRE Ally is a filmmaker from the Democratic Republic of Congo. In 2011, after training in documentary film techniques and production organized by the Yole!Africa cultural center, he directed his first short documentary, LA DANSE EST UNE PASSION. In 2015, he directed R\u00caVE DE BOKULAKA, and in 2018, his short fiction film PENS\u00c9ES CROIS\u00c9ES.<\/p>\n","protected":false},"excerpt":{"rendered":"

Safari SENGAIRE, Congo, 2024 SYNOPSIS:In the war-displaced persons camp in Goma, UMWARI sits on a bench, recounting her various lives across refugee camps. From BULENGO to B\u00c2LE, she narrates an endless journey as a refugee and migrant in the world. BIOFILMOGRAPHY:Born in 1982 in Goma, Safari SENGAIRE Ally is a filmmaker from the Democratic Republic […]<\/p>\n","protected":false},"author":13,"featured_media":8530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8143"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8143\/revisions"}],"predecessor-version":[{"id":8144,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8143\/revisions\/8144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8530"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8141,"date":"2025-01-28T13:26:29","date_gmt":"2025-01-28T13:26:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8141"},"modified":"2025-01-30T13:15:48","modified_gmt":"2025-01-30T13:15:48","slug":"the-rwhoo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-rwhoo\/","title":{"rendered":"THE RWHOO"},"content":{"rendered":"\n

Safari SENGAIRE, Congo, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Sur son banc d\u2019attente dans le camp des d\u00e9plac\u00e9es de guerre de Goma, UMWARI nous raconte ses diff\u00e9rentes vies \u00e0 travers les camps de r\u00e9fugi\u00e9s. De BULENGO \u00e0 B\u00c2LE, une travers\u00e9e sans fin pour elle, r\u00e9fugi\u00e9e et migrant dans le monde.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Safari SENGAIRE Ally est n\u00e9 en 1982 \u00e0 Goma. En 2011, apr\u00e8s une formation sur les techniques et la r\u00e9alisation des films documentaires organis\u00e9e par le centre culturel Yole !Africa, il r\u00e9alise son premier court m\u00e9trage documentaire LA DANSE EST UNE PASSION<\/em>. En 2015, il r\u00e9alise R\u00caVE DE BOKULAKA<\/em> et en 2018 son court m\u00e9trage de fiction PENS\u00c9ES CROIS\u00c9ES<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Safari SENGAIRE, Congo, 2024 SYNOPSIS : Sur son banc d\u2019attente dans le camp des d\u00e9plac\u00e9es de guerre de Goma, UMWARI nous raconte ses diff\u00e9rentes vies \u00e0 travers les camps de r\u00e9fugi\u00e9s. De BULENGO \u00e0 B\u00c2LE, une travers\u00e9e sans fin pour elle, r\u00e9fugi\u00e9e et migrant dans le monde. BIOFILMOGRAPHIE : Safari SENGAIRE Ally est n\u00e9 en […]<\/p>\n","protected":false},"author":13,"featured_media":8530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-24.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8141"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8141\/revisions"}],"predecessor-version":[{"id":8142,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8141\/revisions\/8142"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8530"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8139,"date":"2025-01-28T13:01:06","date_gmt":"2025-01-28T13:01:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8139"},"modified":"2025-02-09T20:34:26","modified_gmt":"2025-02-09T20:34:26","slug":"the-medaillion-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-medaillion-2\/","title":{"rendered":"THE MEDAILLION"},"content":{"rendered":"\n

Ruth Hunduma, Ethiopie, 2023<\/strong><\/p>\n\n\n\n

Ruth was a teenager when her mother entrusted her with a medallion engraved with a golden portrait of Nefertiti. This piece of jewelry symbolizes her mother\u2019s unimaginable ordeal: captured by Mengistu Haile Mariam\u2019s communist military regime during the Red Terror genocide in Ethiopia. The story follows her earliest memories of this period and how she came into possession of the medallion during her escape. The medallion represents her freedom and was passed down to Ruth to keep their family\u2019s and country\u2019s story alive.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong> :<\/p>\n\n\n\n

Ruth Hunduma is an Ethiopian- Australian writer, director, photographer, actor and poet. She is the recipient of the John Hay Lobban prize in English Literature from Birkbeck, University of London and has been featured in publications such as Dazed and Perfect Magazine. Ruth won the 2022 Film Fund as well as the 2022 BFI short documentary fund, to which she has now released two films. Her debut narrative film A BAND APART, premiered at the London Independent Film Festival and won Best Short Film (Directors UK Award). Writer, Ruth was shortlisted and accepted into the 2021 Guy Ritchie Creative Access mentorship program, and was selected to join the Independent Film Trust\u2019s Catalyst program in 2022, for the top emerging talent in London. Ruth\u2019s script WASTEMAN, was shortlisted for Centre Frame\u2019s Get It Made Scheme, and is currently in development. Ruth also wrote a novel which won The Literary Consultancy\u2019s Free Reads Scheme, she is currently editing the novel.<\/p>\n\n\n\n

Ruth is based in London.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ruth Hunduma, Ethiopie, 2023 Ruth was a teenager when her mother entrusted her with a medallion engraved with a golden portrait of Nefertiti. This piece of jewelry symbolizes her mother\u2019s unimaginable ordeal: captured by Mengistu Haile Mariam\u2019s communist military regime during the Red Terror genocide in Ethiopia. The story follows her earliest memories of this […]<\/p>\n","protected":false},"author":13,"featured_media":8529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8139"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8139\/revisions"}],"predecessor-version":[{"id":8140,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8139\/revisions\/8140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8529"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8137,"date":"2025-01-28T12:57:54","date_gmt":"2025-01-28T12:57:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8137"},"modified":"2025-01-30T13:14:54","modified_gmt":"2025-01-30T13:14:54","slug":"the-medaillion","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-medaillion\/","title":{"rendered":"THE MEDAILLION"},"content":{"rendered":"\n

Ruth Hunduma, Ethiopie, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ruth est adolescente lorsque sa m\u00e8re lui transmet son m\u00e9daillon, grav\u00e9 d\u2019un portrait dor\u00e9 de N\u00e9fertiti. Ce m\u00e9daillon, un bijou, est un embl\u00e8me du sort inconcevable de sa m\u00e8re, captur\u00e9e par le r\u00e9gime militaire communiste de Mengistu Haile Mariam. Cette histoire suit ses premiers souvenirs du g\u00e9nocide de la Terreur Rouge et comment elle s\u2019est retrouv\u00e9e en possession du m\u00e9daillon lors de son \u00e9vasion.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Ruth Hunduma est une \u00e9crivaine, r\u00e9alisatrice, photographe, actrice et po\u00e8te \u00e9thiopienne-australienne. Elle est la r\u00e9cipiendaire du prix John Hay Lobban de litt\u00e9rature anglaise de Birkbeck, Universit\u00e9 de Londres et a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que Dazed et Perfect Magazine. Ruth a remport\u00e9 le Roundhouse Film 2022 ainsi que le fonds BFI Short Documentary 2022, gr\u00e2ce auquel elle a d\u00e9sormais sorti deux films. Son premier court de fiction, A BAND APART, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au London Independent Film Festival et a remport\u00e9 le prix du meilleur court m\u00e9trage (Prix des r\u00e9alisateurs britanniques). En tant que sc\u00e9nariste et r\u00e9alisatrice, Ruth a \u00e9t\u00e9 pr\u00e9s\u00e9lectionn\u00e9e et accept\u00e9e par le programme de mentorat Guy Ritchie Creative Access 2021. Elle a \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour rejoindre le programme Catalyst de l\u2019Independent Film Trust en 2022 pourles meilleurs talents \u00e9mergents de Londres. Le sc\u00e9nario de Ruth, WASTEMAN, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour Get It du Center Frame Made Scheme et est actuellement en d\u00e9veloppement. Ruth a \u00e9galement \u00e9crit un roman qui a remport\u00e9 le prix The Literary Consultancy\u2019s Free Reads Scheme. Elle \u00e9dite actuellement son roman.Ruth est bas\u00e9e \u00e0 Londres<\/p>\n","protected":false},"excerpt":{"rendered":"

Ruth Hunduma, Ethiopie, 2023 SYNOPSIS Ruth est adolescente lorsque sa m\u00e8re lui transmet son m\u00e9daillon, grav\u00e9 d\u2019un portrait dor\u00e9 de N\u00e9fertiti. Ce m\u00e9daillon, un bijou, est un embl\u00e8me du sort inconcevable de sa m\u00e8re, captur\u00e9e par le r\u00e9gime militaire communiste de Mengistu Haile Mariam. Cette histoire suit ses premiers souvenirs du g\u00e9nocide de la Terreur […]<\/p>\n","protected":false},"author":13,"featured_media":8529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-23.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8137"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8137\/revisions"}],"predecessor-version":[{"id":8138,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8137\/revisions\/8138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8529"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8133,"date":"2025-01-28T12:29:16","date_gmt":"2025-01-28T12:29:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8133"},"modified":"2025-01-28T12:29:27","modified_gmt":"2025-01-28T12:29:27","slug":"sita-bella-the-first","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sita-bella-the-first\/","title":{"rendered":"Sita Bella, the First"},"content":{"rendered":"\n

Eug\u00e9nie Metala, Cameroon, 2023<\/p>\n\n\n\n

SYNOPSIS:
An anonymous grave between those of her parents, a dilapidated cinema hall within the Ministry of Arts and Culture\u2014these are the remaining signs of Sita Bella\u2019s presence on earth. Yet, she was the first female journalist, the first airline pilot in Cameroon, and one of Africa\u2019s pioneering filmmakers. This film pays tribute to this exceptional woman. \ufffc<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Eug\u00e9nie Metala is a Cameroonian editor and director. After studying languages at the Universities of Yaound\u00e9 I and Buea, she pursued professional training in audiovisual editing. Initially aiming for a career as a television editor, she turned to cinema in 2020 through the Mwinda workshops, a program introducing documentary filmmaking. Upon completion, she co-directed her first short documentary, \u201cL\u2019autre match du Football f\u00e9minin,\u201d in 2021. In 2023, she directed \u201cSita Bella, la premi\u00e8re<\/p>\n","protected":false},"excerpt":{"rendered":"

Eug\u00e9nie Metala, Cameroon, 2023 SYNOPSIS:An anonymous grave between those of her parents, a dilapidated cinema hall within the Ministry of Arts and Culture\u2014these are the remaining signs of Sita Bella\u2019s presence on earth. Yet, she was the first female journalist, the first airline pilot in Cameroon, and one of Africa\u2019s pioneering filmmakers. This film pays […]<\/p>\n","protected":false},"author":13,"featured_media":8131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-105.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8133"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8133\/revisions"}],"predecessor-version":[{"id":8134,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8133\/revisions\/8134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8131"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8130,"date":"2025-01-28T12:27:21","date_gmt":"2025-01-28T12:27:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8130"},"modified":"2025-01-28T12:27:23","modified_gmt":"2025-01-28T12:27:23","slug":"sita-bella-la-premiere","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sita-bella-la-premiere\/","title":{"rendered":"Sita Bella, la premi\u00e8re"},"content":{"rendered":"\n

Eug\u00e9nie Metala, Cameroun, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Une tombe anonyme entre celles de ses parents, une salle de cin\u00e9ma v\u00e9tuste dans les locaux du Minist\u00e8re des Arts et de la Culture, c\u2019est ce qui reste comme signes du passage de Sita Bella sur terre. Et pourtant elle fut la premi\u00e8re femme journaliste, la premi\u00e8re pilote d\u2019avion de ligne du Cameroun, l\u2019une des premi\u00e8res cin\u00e9astes d\u2019Afrique. Ce film rend hommage \u00e0 cette femme exceptionnelle.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Eug\u00e9nie Metala est une monteuse et r\u00e9alisatrice camerounaise. Apr\u00e8s des \u00e9tudes de langue aux Universit\u00e9s de Yaound\u00e9 I et Buea, elle d\u00e9cide de suivre une formation professionnelle en montage audiovisuel. En 2020, elle suit un atelier de formation en cin\u00e9ma documentaire, \u00e0 l’issue duquel elle co-r\u00e9alise L’autre match du Football f\u00e9minin<\/em> en 2021. Elle r\u00e9alise Sita Bella, la premi\u00e8re <\/em>en 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Eug\u00e9nie Metala, Cameroun, 2023 SYNOPSIS Une tombe anonyme entre celles de ses parents, une salle de cin\u00e9ma v\u00e9tuste dans les locaux du Minist\u00e8re des Arts et de la Culture, c\u2019est ce qui reste comme signes du passage de Sita Bella sur terre. Et pourtant elle fut la premi\u00e8re femme journaliste, la premi\u00e8re pilote d\u2019avion de […]<\/p>\n","protected":false},"author":13,"featured_media":8131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-105.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8130"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8130\/revisions"}],"predecessor-version":[{"id":8132,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8130\/revisions\/8132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8131"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8128,"date":"2025-01-28T12:23:57","date_gmt":"2025-01-28T12:23:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8128"},"modified":"2025-02-09T20:47:02","modified_gmt":"2025-02-09T20:47:02","slug":"we-are-griots","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/we-are-griots\/","title":{"rendered":"WE ARE GRIOTS"},"content":{"rendered":"\n

Demba Konat\u00e9, Senegal\/France, 2023<\/p>\n\n\n\n

SYNOPSIS:
Daouda, a father from Senegal living in France, is preparing for a meeting between his family and that of Mariama, the fianc\u00e9e of his eldest son, Malik. During the gathering, Daouda discovers that while his family belongs to the griot caste, Mariama\u2019s family is of noble caste. \ufffc<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Demba Konat\u00e9 is a self-taught director who graduated with a Master\u2019s degree in Political Science. In 2014, he began exploring filmmaking during the G\u00e9n\u00e9ration Court festival in Aubervilliers. The following year, he was selected for a residency at the C\u00f4t\u00e9-Court festival and Cin\u00e9mas 93: Cin\u00e9astes en Seine-Saint-Denis, where he developed his first short film, Nous les griots. The film premiered in 2023 at the Vues d\u2019Afrique festival in Montreal.<\/p>\n","protected":false},"excerpt":{"rendered":"

Demba Konat\u00e9, Senegal\/France, 2023 SYNOPSIS:Daouda, a father from Senegal living in France, is preparing for a meeting between his family and that of Mariama, the fianc\u00e9e of his eldest son, Malik. During the gathering, Daouda discovers that while his family belongs to the griot caste, Mariama\u2019s family is of noble caste. \ufffc BIOFILMOGRAPHY:Demba Konat\u00e9 is […]<\/p>\n","protected":false},"author":13,"featured_media":8528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-22.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8128"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8128\/revisions"}],"predecessor-version":[{"id":8129,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8128\/revisions\/8129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8528"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8126,"date":"2025-01-28T12:17:04","date_gmt":"2025-01-28T12:17:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8126"},"modified":"2025-01-30T13:13:44","modified_gmt":"2025-01-30T13:13:44","slug":"nous-les-griots","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nous-les-griots\/","title":{"rendered":"NOUS LES GRIOTS"},"content":{"rendered":"\n

Demba Konate, SENEGAL\/FRANCE, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Daouda est un p\u00e8re de famille originaire du S\u00e9n\u00e9gal. Son fils ain\u00e9 Malik souhaite \u00e9pouser Mariama. Une rencontre s\u2019organise autour d\u2019un repas. Daouda y d\u00e9couvre que les familles sont de deux castes sociales diff\u00e9rentes : lui est griot, l\u2019autre famille est noble.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Demba Konate est r\u00e9alisateur autodidacte dipl\u00f4m\u00e9 d\u2019un Master en Sciences Politiques. En 2014, il s\u2019initie \u00e0 la r\u00e9alisation lors du festival G\u00e9n\u00e9ration Court \u00e0 Aubervilliers. En 2015, Demba est s\u00e9lectionn\u00e9 pour la r\u00e9sidence du festival C\u00f4t\u00e9-Court et Cin\u00e9mas 93 : Cin\u00e9astes en Seine-Saint-Denis. Nous les griots<\/em>, son premier court m\u00e9trage fait sa premi\u00e8re en 2023 au festival Vues d\u2019Afrique \u00e0 Montr\u00e9al.<\/p>\n","protected":false},"excerpt":{"rendered":"

Demba Konate, SENEGAL\/FRANCE, 2023 SYNOPSIS Daouda est un p\u00e8re de famille originaire du S\u00e9n\u00e9gal. Son fils ain\u00e9 Malik souhaite \u00e9pouser Mariama. Une rencontre s\u2019organise autour d\u2019un repas. Daouda y d\u00e9couvre que les familles sont de deux castes sociales diff\u00e9rentes : lui est griot, l\u2019autre famille est noble. BIOFILMOGRAPHIE Demba Konate est r\u00e9alisateur autodidacte dipl\u00f4m\u00e9 d\u2019un […]<\/p>\n","protected":false},"author":13,"featured_media":8528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-22.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8126"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8126\/revisions"}],"predecessor-version":[{"id":8127,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8126\/revisions\/8127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8528"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8124,"date":"2025-01-28T12:15:20","date_gmt":"2025-01-28T12:15:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8124"},"modified":"2025-01-28T12:31:26","modified_gmt":"2025-01-28T12:31:26","slug":"lobi-ecosimba-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lobi-ecosimba-2\/","title":{"rendered":"LOBI ECOSIMBA"},"content":{"rendered":"\n

ELI Maene, Democratic Republic of Congo, 2023<\/p>\n\n\n\n

SYNOPSIS:
This film narrates the resilience and resistance of the inhabitants of Goma, a city in eastern DR Congo, a region marked by war for several decades.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Born in 1994 in the Democratic Republic of Congo, ELI Maene is an independent filmmaker and human rights activist whose works have been showcased in film festivals and major exhibitions. From writing to filming, Maene\u2019s work often employs words, images, and sound as means of expression.<\/p>\n","protected":false},"excerpt":{"rendered":"

ELI Maene, Democratic Republic of Congo, 2023 SYNOPSIS:This film narrates the resilience and resistance of the inhabitants of Goma, a city in eastern DR Congo, a region marked by war for several decades. BIOFILMOGRAPHY:Born in 1994 in the Democratic Republic of Congo, ELI Maene is an independent filmmaker and human rights activist whose works have […]<\/p>\n","protected":false},"author":13,"featured_media":8136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-103.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8124"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8124\/revisions"}],"predecessor-version":[{"id":8125,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8124\/revisions\/8125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8122,"date":"2025-01-28T12:14:10","date_gmt":"2025-01-28T12:14:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8122"},"modified":"2025-01-28T12:31:58","modified_gmt":"2025-01-28T12:31:58","slug":"lobi-ecosimba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lobi-ecosimba\/","title":{"rendered":"LOBI ECOSIMBA"},"content":{"rendered":"\n

ELI Maene, Congo RDC, 2023<\/p>\n\n\n\n

SYNOSPIS<\/strong><\/p>\n\n\n\n

Ce film est l\u2019histoire de la r\u00e9silience et de la r\u00e9sistance des habitants de Goma, ville situ\u00e9e \u00e0 l\u2019Est de la RD Congo, une zone marqu\u00e9e par la guerre depuis plusieurs d\u00e9cennies.<\/p>\n\n\n\n

BIO<\/strong>FILMO<\/strong>GRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 en 1994, en R\u00e9publique d\u00e9mocratique du Congo, ELI Maene est un cin\u00e9aste et activiste ind\u00e9pendant des droits de l’homme dont les \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des festivals de cin\u00e9ma et dans le cadre d’expositions majeures. De l’\u00e9criture au tournage, le travail de Maene utilise souvent les mots, les images et le son comme moyen d’expression.<\/p>\n","protected":false},"excerpt":{"rendered":"

ELI Maene, Congo RDC, 2023 SYNOSPIS Ce film est l\u2019histoire de la r\u00e9silience et de la r\u00e9sistance des habitants de Goma, ville situ\u00e9e \u00e0 l\u2019Est de la RD Congo, une zone marqu\u00e9e par la guerre depuis plusieurs d\u00e9cennies. BIOFILMOGRAPHIE N\u00e9 en 1994, en R\u00e9publique d\u00e9mocratique du Congo, ELI Maene est un cin\u00e9aste et activiste ind\u00e9pendant […]<\/p>\n","protected":false},"author":13,"featured_media":8136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-103.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8122"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8122\/revisions"}],"predecessor-version":[{"id":8123,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8122\/revisions\/8123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8120,"date":"2025-01-28T12:12:03","date_gmt":"2025-01-28T12:12:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8120"},"modified":"2025-02-09T21:21:07","modified_gmt":"2025-02-09T21:21:07","slug":"lees-waxul-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lees-waxul-2\/","title":{"rendered":"LEES WAXUL"},"content":{"rendered":"\n


Yoro MBAYE, Senegal, 2024<\/p>\n\n\n\n

SYNOPSIS:
In his village, where bread is scarce, Ousseynou, a former fisherman and family patriarch, finds modest economic stability by selling stale bread. However, the opening of his sister-in-law\u2019s traditional bakery is an affront to him, creating unspoken tension between them and gradually jeopardizing his business and his role as a family man. \ufffc<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Yoro MBAYE is a Senegalese director and producer born in 1992 in Ndiob, Fatick region, Senegal. After studying history, he turned to cinema and directed several short films, including \u201cJourn\u00e9e Noire\u201d (2020) and \u201cFamara\u201d (2019), which were selected in various international festivals, notably Clermont-Ferrand. In 2021, he participated in the Ouaga Film Lab with \u201cFagadaga,\u201d his first feature film project, winning four awards. In 2024, he directed \u201cLEES WAXUL,\u201d a short film co-produced by Senegal, France, Belgium, and the Central African Republic. As a producer, he also co-produced \u201cLa Nuit des Rois,\u201d nominated for an Oscar in 2021, and Alain Gomis\u2019 \u201cDAO,\u201d currently in post-production.L<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yoro MBAYE, Senegal, 2024 SYNOPSIS:In his village, where bread is scarce, Ousseynou, a former fisherman and family patriarch, finds modest economic stability by selling stale bread. However, the opening of his sister-in-law\u2019s traditional bakery is an affront to him, creating unspoken tension between them and gradually jeopardizing his business and his role as a family […]<\/p>\n","protected":false},"author":13,"featured_media":8527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8120"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8120\/revisions"}],"predecessor-version":[{"id":8121,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8120\/revisions\/8121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8527"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8118,"date":"2025-01-28T12:10:19","date_gmt":"2025-01-28T12:10:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8118"},"modified":"2025-01-30T13:12:52","modified_gmt":"2025-01-30T13:12:52","slug":"lees-waxul","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lees-waxul\/","title":{"rendered":"LEES WAXUL"},"content":{"rendered":"\n

Yoro MBAYE, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Dans son village o\u00f9 le pain est rare, Ousseynou, ancien p\u00eacheur et pilier de sa famille, trouve une modeste stabilit\u00e9 \u00e9conomique en vendant des pains rassis. Cependant, l\u2019ouverture de la boulangerie traditionnelle de sa belle-s\u0153ur constitue un affront pour lui, laissant un non-dit palpable entre eux, mettant en p\u00e9ril progressivement son business ainsi que son r\u00f4le de p\u00e8re de famille.  <\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Yoro MBAYE est un r\u00e9alisateur et producteur s\u00e9n\u00e9galais. Ses \u0153uvres, telles que Journ\u00e9e Noire<\/em> et Famara<\/em> ont \u00e9t\u00e9 s\u00e9lectionn\u00e9es dans plusieurs festivals internationaux, dont celui de Clermont-Ferrand. En octobre 2021, Yoro a particip\u00e9 au Ouaga Film Lab avec Fagadaga<\/em>, son premier projet de long-m\u00e9trage, remportant quatre prix. En 2024, il r\u00e9alise son dernier court m\u00e9trage, LEES WAXUL<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yoro MBAYE, S\u00e9n\u00e9gal, 2024 SYNOPSIS : Dans son village o\u00f9 le pain est rare, Ousseynou, ancien p\u00eacheur et pilier de sa famille, trouve une modeste stabilit\u00e9 \u00e9conomique en vendant des pains rassis. Cependant, l\u2019ouverture de la boulangerie traditionnelle de sa belle-s\u0153ur constitue un affront pour lui, laissant un non-dit palpable entre eux, mettant en p\u00e9ril […]<\/p>\n","protected":false},"author":13,"featured_media":8527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-21.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8118"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8118\/revisions"}],"predecessor-version":[{"id":8119,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8118\/revisions\/8119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8527"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8115,"date":"2025-01-28T11:53:47","date_gmt":"2025-01-28T11:53:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8115"},"modified":"2025-02-10T12:20:05","modified_gmt":"2025-02-10T12:20:05","slug":"langue-maternelle-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/langue-maternelle-3\/","title":{"rendered":"LANGUE MATERNELLE"},"content":{"rendered":"\n

Mariame N\u2019Diaye,Mali, 2023<\/p>\n\n\n\n

SYNOPSIS:
In the 1980s, Sira, a young Malian woman, leads a peaceful life in France with her husband Malick and their daughter Abi. Their daily life is conducted in Sonink\u00e9, the only language Sira knows. When Abi struggles with French at school, the institution suggests placing her in an adaptation class and advises the parents to prioritize using French at home. Sira opposes this recommendation. \ufffc<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Mariame N\u2019Diaye is a Malienne director who began writing film and theater projects in 2017, focusing on themes such as the celibacy of young women and the experience of the French language by immigrants. Langue Maternelle is her first short film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariame N\u2019Diaye,Mali, 2023 SYNOPSIS:In the 1980s, Sira, a young Malian woman, leads a peaceful life in France with her husband Malick and their daughter Abi. Their daily life is conducted in Sonink\u00e9, the only language Sira knows. When Abi struggles with French at school, the institution suggests placing her in an adaptation class and advises […]<\/p>\n","protected":false},"author":13,"featured_media":9617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8115"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8115\/revisions"}],"predecessor-version":[{"id":9634,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8115\/revisions\/9634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9617"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8113,"date":"2025-01-28T11:52:56","date_gmt":"2025-01-28T11:52:56","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8113"},"modified":"2025-02-10T12:20:54","modified_gmt":"2025-02-10T12:20:54","slug":"langue-maternelle-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/langue-maternelle-2\/","title":{"rendered":"LANGUE MATERNELLE"},"content":{"rendered":"\n

Mariame N\u2019Diaye, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans les ann\u00e9es 80, Sira, jeune femme malienne, m\u00e8ne en France une existence paisible entre son mari Malick et sa fille Abi. Son quotidien se vit en Sonink\u00e9, la seule langue qu\u2019elle connaisse. Abi parlant mal le fran\u00e7ais, l\u2019\u00e9cole propose de l\u2019orienter vers une classe d\u2019adaptation et invite les parents \u00e0 privil\u00e9gier l\u2019usage du fran\u00e7ais \u00e0 la maison. Sira s\u2019y oppose.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mariame N\u2019Diaye est une r\u00e9alisatrice malienne. En 2017, elle a commenc\u00e9 \u00e0 \u00e9crire des projets de cin\u00e9ma et de th\u00e9\u00e2tre. Langue maternelle<\/em> est son premier court m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariame N\u2019Diaye, Mali, 2023 SYNOPSIS Dans les ann\u00e9es 80, Sira, jeune femme malienne, m\u00e8ne en France une existence paisible entre son mari Malick et sa fille Abi. Son quotidien se vit en Sonink\u00e9, la seule langue qu\u2019elle connaisse. Abi parlant mal le fran\u00e7ais, l\u2019\u00e9cole propose de l\u2019orienter vers une classe d\u2019adaptation et invite les parents […]<\/p>\n","protected":false},"author":13,"featured_media":9617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8113"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8113\/revisions"}],"predecessor-version":[{"id":9633,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8113\/revisions\/9633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9617"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8109,"date":"2025-01-28T11:42:38","date_gmt":"2025-01-28T11:42:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8109"},"modified":"2025-02-10T12:25:36","modified_gmt":"2025-02-10T12:25:36","slug":"khamsinette-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/khamsinette-2\/","title":{"rendered":"KHAMSINETTE"},"content":{"rendered":"\n

Assia Khemici, Alg\u00e9rie, France, 2023<\/p>\n\n\n\n

SYNOPSIS
Through sound archives and contemporary images, Khamsinette delves into the memory of southern Algeria. Guided by captivating narratives, the filmmaker weaves a connection between the past and present lives in Timimoun, unveiling a timeless story and the resilience of a culture in the face of oblivion. A visual and sound journey that honors the enduring echoes of a community.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Assia Khemici, an Algerian sound engineer and filmmaker, graduated from the National Audiovisual Institute. She trained in documentary creation through Lab DZ and various residencies and workshops, including the Ateliers Varan in France. Initially focusing on sound, she earned international acclaim with her first sound documentary El Mendjour, before exploring image with Khamsinette and L\u2019Autre C\u00f4t\u00e9 du Soleil.<\/p>\n","protected":false},"excerpt":{"rendered":"

Assia Khemici, Alg\u00e9rie, France, 2023 SYNOPSISThrough sound archives and contemporary images, Khamsinette delves into the memory of southern Algeria. Guided by captivating narratives, the filmmaker weaves a connection between the past and present lives in Timimoun, unveiling a timeless story and the resilience of a culture in the face of oblivion. A visual and sound […]<\/p>\n","protected":false},"author":13,"featured_media":9616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8109"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8109\/revisions"}],"predecessor-version":[{"id":9637,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8109\/revisions\/9637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9616"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8106,"date":"2025-01-28T11:39:24","date_gmt":"2025-01-28T11:39:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8106"},"modified":"2025-02-10T12:24:18","modified_gmt":"2025-02-10T12:24:18","slug":"khamsinette","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/khamsinette\/","title":{"rendered":"KHAMSINETTE"},"content":{"rendered":"\n

Assia Khemici, Alg\u00e9rie, France, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

A travers des archives sonores et des images contemporaines, \u00ab\u00a0Khamsinette<\/em>\u00a0\u00bb explore la m\u00e9moire du Sud alg\u00e9rien. Guid\u00e9e par des r\u00e9cits captivants, la r\u00e9alisatrice tisse un lien entre la vie d’hier et celle d’aujourd’hui \u00e0 Timimoun, d\u00e9voilant une histoire intemporelle et la r\u00e9silience d’une culture face \u00e0 l’oubli. Un voyage visuel et sonore, rendant hommage aux \u00e9chos persistants d’une communaut\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Assia Khemici, ing\u00e9nieure son et r\u00e9alisatrice alg\u00e9rienne, est dipl\u00f4m\u00e9e de l’Institut national d’audiovisuel. Form\u00e9e \u00e0 la cr\u00e9ation documentaire \u00e0 travers Lab DZ, ainsi que diverses r\u00e9sidences et ateliers, dont les Ateliers Varan en France, elle explore d\u2019abord le son avec son premier documentaire sonore El Mendjour<\/em>, prim\u00e9 \u00e0 l\u2019international, puis l\u2019image avec  Khamsinette <\/em>et L\u2019Autre C\u00f4t\u00e9 du Soleil<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Assia Khemici, Alg\u00e9rie, France, 2023 SYNOPSIS A travers des archives sonores et des images contemporaines, \u00ab\u00a0Khamsinette\u00a0\u00bb explore la m\u00e9moire du Sud alg\u00e9rien. Guid\u00e9e par des r\u00e9cits captivants, la r\u00e9alisatrice tisse un lien entre la vie d’hier et celle d’aujourd’hui \u00e0 Timimoun, d\u00e9voilant une histoire intemporelle et la r\u00e9silience d’une culture face \u00e0 l’oubli. Un voyage […]<\/p>\n","protected":false},"author":13,"featured_media":9616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8106"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8106\/revisions"}],"predecessor-version":[{"id":9636,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8106\/revisions\/9636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9616"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8104,"date":"2025-01-28T11:37:21","date_gmt":"2025-01-28T11:37:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8104"},"modified":"2025-02-09T21:52:52","modified_gmt":"2025-02-09T21:52:52","slug":"katope-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/katope-2\/","title":{"rendered":"KATOPE"},"content":{"rendered":"\n

Walt Mzengi Core, Tanzanie, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

As a young child struggles to find their place in the village, a mythical rain bird appears and sets them on a journey to discover the secret of their strange origins and a chance to end the drought that is devastating their community.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Walt Mzengi Corey is a Tanzanian writer, director, and cinematographer. Walt is a true believer in the responsibility and power of the visual media creative. He pursues the production of stories that hold the more delicate and often unspoken truths of humanity. It is through his compassion and keen visual eye that Walt produces his work.<\/p>\n","protected":false},"excerpt":{"rendered":"

Walt Mzengi Core, Tanzanie, 2023 SYNOPSIS As a young child struggles to find their place in the village, a mythical rain bird appears and sets them on a journey to discover the secret of their strange origins and a chance to end the drought that is devastating their community. BIOFILMOGRAPHY Walt Mzengi Corey is a Tanzanian […]<\/p>\n","protected":false},"author":13,"featured_media":8526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8104"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8104\/revisions"}],"predecessor-version":[{"id":8105,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8104\/revisions\/8105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8526"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8102,"date":"2025-01-28T11:36:28","date_gmt":"2025-01-28T11:36:28","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8102"},"modified":"2025-02-09T21:53:46","modified_gmt":"2025-02-09T21:53:46","slug":"katope","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/katope\/","title":{"rendered":"KATOPE"},"content":{"rendered":"\n

Walt Mzengi Core, Tanzanie, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Alors qu’un jeune enfant lutte pour trouver sa place dans le village, un oiseau de pluie mythique appara\u00eet et l’emm\u00e8ne dans un voyage pour d\u00e9couvrir le secret de ses \u00e9tranges origines et une chance de mettre fin \u00e0 la s\u00e9cheresse qui d\u00e9vaste leur communaut\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Walt Mzengi Corey est un \u00e9crivain, r\u00e9alisateur et directeur de photographie tanzanien. Walt croit sinc\u00e8rement \u00e0 la responsabilit\u00e9 et au pouvoir des cr\u00e9ateurs de m\u00e9dias visuels. Il poursuit la production d\u2019histoires qui contiennent les v\u00e9rit\u00e9s les plus d\u00e9licates et souvent tacites de l\u2019humanit\u00e9. C’est gr\u00e2ce \u00e0 sa compassion et \u00e0 son \u0153il visuel aiguis\u00e9 que Walt produit son travail.<\/p>\n","protected":false},"excerpt":{"rendered":"

Walt Mzengi Core, Tanzanie, 2023 SYNOPSIS Alors qu’un jeune enfant lutte pour trouver sa place dans le village, un oiseau de pluie mythique appara\u00eet et l’emm\u00e8ne dans un voyage pour d\u00e9couvrir le secret de ses \u00e9tranges origines et une chance de mettre fin \u00e0 la s\u00e9cheresse qui d\u00e9vaste leur communaut\u00e9. BIOFILMOGRAPHIE Walt Mzengi Corey est un […]<\/p>\n","protected":false},"author":13,"featured_media":8526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-20.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8102"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8102\/revisions"}],"predecessor-version":[{"id":8103,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8102\/revisions\/8103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8526"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8100,"date":"2025-01-28T11:35:44","date_gmt":"2025-01-28T11:35:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8100"},"modified":"2025-01-28T11:35:47","modified_gmt":"2025-01-28T11:35:47","slug":"kapital-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kapital-2\/","title":{"rendered":"KAPITAL"},"content":{"rendered":"\n

Simplice Herman GNANOU, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS:
In northern Burkina Faso, water is a very scarce commodity. The effects of human actions on the climate have led to migrations. The Oursi pond is the only water point in the vicinity. Children and animals travel kilometers to fetch water. Yet, human achievements in technology are as fascinating as they are intriguing. What is the meaning of science?<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Simplice Herman GNANOU is a Burkinab\u00e9 director. He studied sociology, arts, and cultural administration at the University of Ouagadougou. In 2010, he obtained a Master\u2019s degree in creative documentary filmmaking from Gaston Berger University in Saint Louis, Senegal. He is the author of several works, including Bakoroman (2012) and Koro du bakoro (2017), which won the Tanit d\u2019or in Carthage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Simplice Herman GNANOU, Burkina Faso, 2024 SYNOPSIS:In northern Burkina Faso, water is a very scarce commodity. The effects of human actions on the climate have led to migrations. The Oursi pond is the only water point in the vicinity. Children and animals travel kilometers to fetch water. Yet, human achievements in technology are as fascinating […]<\/p>\n","protected":false},"author":13,"featured_media":8098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-100.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8100"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8100\/revisions"}],"predecessor-version":[{"id":8101,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8100\/revisions\/8101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8098"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8097,"date":"2025-01-28T11:33:22","date_gmt":"2025-01-28T11:33:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8097"},"modified":"2025-01-28T11:33:25","modified_gmt":"2025-01-28T11:33:25","slug":"kapital","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kapital\/","title":{"rendered":"KAPITAL"},"content":{"rendered":"\n

Simplice Herman GNANOU, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans le nord du Burkina Faso, l\u2019eau est une denr\u00e9e tr\u00e8s rare. Les effets de l\u2019action humaine sur le climat sont \u00e0 l\u2019origine des migrations.  La marre d\u2019Oursi est le seul point d\u2019eau dans les environs. Les enfants et les animaux font des kilom\u00e8tres pour se ravitailler. Pourtant, les prouesses humaines en mati\u00e8re de technologie sont aussi fascinantes qu\u2019intrigantes. Quel est le sens de la science ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Simplice Herman GNANOU est un r\u00e9alisateur burkinab\u00e8. Il a fait des \u00e9tudes en sociologie, en arts et administration culturelle \u00e0 l\u2019Universit\u00e9 de Ouagadougou. En 2010, il obtient un Master 2 en r\u00e9alisation documentaire de cr\u00e9ation \u00e0 l\u2019Universit\u00e9 Gaston Berger de Saint Louis au S\u00e9n\u00e9gal. Il est auteur de plusieurs \u0153uvres dont Bakoroman<\/em> (2012), et Koro du bakoro<\/em> (2017) Tanit d\u2019or \u00e0 Carthage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Simplice Herman GNANOU, Burkina Faso, 2024 SYNOPSIS Dans le nord du Burkina Faso, l\u2019eau est une denr\u00e9e tr\u00e8s rare. Les effets de l\u2019action humaine sur le climat sont \u00e0 l\u2019origine des migrations.  La marre d\u2019Oursi est le seul point d\u2019eau dans les environs. Les enfants et les animaux font des kilom\u00e8tres pour se ravitailler. Pourtant, […]<\/p>\n","protected":false},"author":13,"featured_media":8098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-100.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8097"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8097\/revisions"}],"predecessor-version":[{"id":8099,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8097\/revisions\/8099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8098"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8095,"date":"2025-01-28T11:31:29","date_gmt":"2025-01-28T11:31:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8095"},"modified":"2025-02-09T21:44:42","modified_gmt":"2025-02-09T21:44:42","slug":"i-promise-you-paradise-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/i-promise-you-paradise-2\/","title":{"rendered":"I promise you paradise"},"content":{"rendered":"\n

Morad Mostafa, Egypte, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Following a violent incident ; Eissa a 17 years old African migrant in Egypt is in a quest against time to save his loved ones whatever it takes<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Morad, He worked in several independent films. He wrote and directed three short films all of them were selected in \u00ab\u00a0Clermont-Ferrand\u00a0\u00bb in three consecutive years and were screened in more than 300 festivals worldwide and won several awards. His latest short film \u00ab I PROMISE YOU PARADISE \u00bb is selected in Cannes Film Festival \u00ab\u00a0Critics Week\u00a0\u00bb 2023 and it was in the official selections for the C\u00e9sar Awards. Morad is developing his debut feature film \u00ab\u00a0Aisha Can’t Fly Away\u00a0\u00bb in \u00ab\u00a0Cin\u00e9fondation\u00a0\u00bb the residency of Cannes Film Festival beside Torino Film Lab and Rotterdam Lab IFFR.<\/p>\n","protected":false},"excerpt":{"rendered":"

Morad Mostafa, Egypte, 2023 SYNOPSIS Following a violent incident ; Eissa a 17 years old African migrant in Egypt is in a quest against time to save his loved ones whatever it takes BIOFILMOGRAPHY Morad, He worked in several independent films. He wrote and directed three short films all of them were selected in \u00ab\u00a0Clermont-Ferrand\u00a0\u00bb […]<\/p>\n","protected":false},"author":13,"featured_media":8525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8095"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8095\/revisions"}],"predecessor-version":[{"id":8096,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8095\/revisions\/8096"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8525"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8093,"date":"2025-01-28T11:30:21","date_gmt":"2025-01-28T11:30:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8093"},"modified":"2025-01-30T13:08:57","modified_gmt":"2025-01-30T13:08:57","slug":"i-promise-you-paradise","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/i-promise-you-paradise\/","title":{"rendered":"I promise you paradise"},"content":{"rendered":"\n

Morad Mostafa, Egypte, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Suite \u00e0 un incident violent, Eissa, un migrant africain de 17 ans en \u00c9gypte, est dans une course contre la montre pour sauver ses proches quoi qu’il en co\u00fbte.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Mostafa Morad est sc\u00e9nariste et r\u00e9alisateur \u00e9gyptien. Il a \u00e9crit et r\u00e9alis\u00e9 trois courts m\u00e9trages, tous s\u00e9lectionn\u00e9s \u00e0 Clermont-Ferrand pendant trois ann\u00e9es cons\u00e9cutives, projet\u00e9s dans plus de 300 festivals \u00e0 travers le monde et remport\u00e9s plusieurs prix. Son dernier court m\u00e9trage \u00ab I PROMISE YOU PARADISE \u00bb est s\u00e9lectionn\u00e9 \u00e0 la Semaine de la critique du Festival de Cannes en 2023. <\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Morad Mostafa, Egypte, 2023 SYNOPSIS Suite \u00e0 un incident violent, Eissa, un migrant africain de 17 ans en \u00c9gypte, est dans une course contre la montre pour sauver ses proches quoi qu’il en co\u00fbte. BIOFILMOGRAPHIE Mostafa Morad est sc\u00e9nariste et r\u00e9alisateur \u00e9gyptien. Il a \u00e9crit et r\u00e9alis\u00e9 trois courts m\u00e9trages, tous s\u00e9lectionn\u00e9s \u00e0 Clermont-Ferrand pendant […]<\/p>\n","protected":false},"author":13,"featured_media":8525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-19.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8093"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8093\/revisions"}],"predecessor-version":[{"id":8094,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8093\/revisions\/8094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8525"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8091,"date":"2025-01-28T11:27:52","date_gmt":"2025-01-28T11:27:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8091"},"modified":"2025-02-09T21:49:46","modified_gmt":"2025-02-09T21:49:46","slug":"foulsare-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/foulsare-2\/","title":{"rendered":"Foulsar\u00e9"},"content":{"rendered":"\n

Isma\u00ebl COMPAORE, Burkina Faso, 2024<\/p>\n\n\n\n

 SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

In a badly-lit room, Bouba of the special forces is in the middle of an interrogation with an Ansarul Islam fighter apprehended following a joint military operation carried out in the Foulsar\u00e9 forest, at the border between Burkina Faso and Mali. What could possibly come out of the exchanges between these two men consumed by pain, the thirst for revenge and who are completely opposed? This dialogue is that of a Nation under construction facing its own demons.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Isma\u00ebl COMPAORE is a passionate of cinema and audiovisual. He has directed several reports and documentaries for television and the web, worked on film productions and followed various master classes and training courses dedicated to television and cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"

Isma\u00ebl COMPAORE, Burkina Faso, 2024  SYNOPSIS In a badly-lit room, Bouba of the special forces is in the middle of an interrogation with an Ansarul Islam fighter apprehended following a joint military operation carried out in the Foulsar\u00e9 forest, at the border between Burkina Faso and Mali. What could possibly come out of the exchanges […]<\/p>\n","protected":false},"author":13,"featured_media":8524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8091"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8091\/revisions"}],"predecessor-version":[{"id":8092,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8091\/revisions\/8092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8524"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8089,"date":"2025-01-28T11:27:19","date_gmt":"2025-01-28T11:27:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8089"},"modified":"2025-01-30T13:07:48","modified_gmt":"2025-01-30T13:07:48","slug":"foulsare","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/foulsare\/","title":{"rendered":"Foulsar\u00e9"},"content":{"rendered":"\n

Isma\u00ebl COMPAORE, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans une salle mal \u00e9clair\u00e9e, Bouba des forces sp\u00e9ciales est en plein interrogatoire avec un combattant d\u2019Ansarul Islam appr\u00e9hend\u00e9 suite \u00e0 une op\u00e9ration militaire conjointe men\u00e9e dans la for\u00eat de Foulsar\u00e9, \u00e0 la fronti\u00e8re entre le Burkina Faso et le Mali. Qu\u2019est-ce qui peut bien sortir des \u00e9changes entre ces deux hommes rong\u00e9s par la douleur et la soif de vengeance que tout oppose ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Isma\u00ebl COMPAORE est un r\u00e9alisateur burkinab\u00e8 passionn\u00e9 de cin\u00e9ma et d’audiovisuel. Il a r\u00e9alis\u00e9 plusieurs reportages et documentaires pour la t\u00e9l\u00e9vision et le web, et a travaill\u00e9 sur des productions cin\u00e9matographiques. Apr\u00e8s des masters class et formations en t\u00e9l\u00e9vision et cin\u00e9ma, il cor\u00e9alise Kolgweogo Land (2017), <\/em>r\u00e9alise Pierre Jo, l\u2019enfant du village <\/em>(2022) etla s\u00e9rie ARTuelles<\/em> (2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Isma\u00ebl COMPAORE, Burkina Faso, 2024 SYNOPSIS Dans une salle mal \u00e9clair\u00e9e, Bouba des forces sp\u00e9ciales est en plein interrogatoire avec un combattant d\u2019Ansarul Islam appr\u00e9hend\u00e9 suite \u00e0 une op\u00e9ration militaire conjointe men\u00e9e dans la for\u00eat de Foulsar\u00e9, \u00e0 la fronti\u00e8re entre le Burkina Faso et le Mali. Qu\u2019est-ce qui peut bien sortir des \u00e9changes entre […]<\/p>\n","protected":false},"author":13,"featured_media":8524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-18.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8089"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8089\/revisions"}],"predecessor-version":[{"id":8090,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8089\/revisions\/8090"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8524"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8087,"date":"2025-01-28T11:21:22","date_gmt":"2025-01-28T11:21:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8087"},"modified":"2025-02-09T21:59:20","modified_gmt":"2025-02-09T21:59:20","slug":"des-reves-en-bateaux-papiers-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/des-reves-en-bateaux-papiers-2\/","title":{"rendered":"Des r\u00eaves en bateaux papiers"},"content":{"rendered":"\n

Samuel Suffren, Ha\u00efti, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Edouard has been living in Port-au-Prince with just his daughter Zara for five years. Since his wife left, his daughter and him have only received a cassette from her, and that was a long time ago. After years of absence, what can we expect from a distant love ?<\/p>\n\n\n\n

BIOFILMOGRAPHY:<\/strong><\/p>\n\n\n\n

Samuel Suffren is a Haitian director and pro\u00adducer. He\u2019s working on a short film trilogy. The first film Agwe was selected at Locarno and won the best diaspora film at FESPACO 2023. Des r\u00eaves en bateaux papiers is the second. He\u2019s developing a feature documentary L\u00f2tb\u00f2 and his first fiction feature Je m\u2019appelle Nina Shakira.<\/p>\n","protected":false},"excerpt":{"rendered":"

Samuel Suffren, Ha\u00efti, 2024 SYNOPSIS : Edouard has been living in Port-au-Prince with just his daughter Zara for five years. Since his wife left, his daughter and him have only received a cassette from her, and that was a long time ago. After years of absence, what can we expect from a distant love ? BIOFILMOGRAPHY: […]<\/p>\n","protected":false},"author":13,"featured_media":8523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8087"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8087\/revisions"}],"predecessor-version":[{"id":8088,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8087\/revisions\/8088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8523"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8085,"date":"2025-01-28T11:20:41","date_gmt":"2025-01-28T11:20:41","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8085"},"modified":"2025-01-30T13:06:51","modified_gmt":"2025-01-30T13:06:51","slug":"des-reves-en-bateaux-papiers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/des-reves-en-bateaux-papiers\/","title":{"rendered":"Des r\u00eaves en bateaux papiers"},"content":{"rendered":"\n

Samuel Suffren, Ha\u00efti, 2024<\/p>\n\n\n\n

SYNOPSIS <\/strong><\/p>\n\n\n\n

Edouard vit \u00e0 Port-au-Prince avec sa fille Zara depuis cinq ans. Depuis le d\u00e9part de sa femme, sa fille et lui n’ont re\u00e7u d’elle qu’une cassette, et cela fait longtemps. Apr\u00e8s des ann\u00e9es d’absence, que peut-on attendre d’un amour lointain ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong>:<\/strong><\/p>\n\n\n\n

Samuel Suffren est un r\u00e9alisateur et producteur ha\u00eftien. Il travaille sur une trilogie de courts m\u00e9trages. Le premier film Agwe a \u00e9t\u00e9 s\u00e9lectionn\u00e9 \u00e0 Locarno et a remport\u00e9 le prix du meilleur film de la diaspora au FESPACO 2023. \u00ab Des r\u00eaves en bateaux papiers \u00bb est le deuxi\u00e8me. Il d\u00e9veloppe un long m\u00e9trage documentaire L\u00f2tb\u00f2 et son premier long m\u00e9trage de fiction \u00ab Je m’appelle Nina Shakira \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Samuel Suffren, Ha\u00efti, 2024 SYNOPSIS  Edouard vit \u00e0 Port-au-Prince avec sa fille Zara depuis cinq ans. Depuis le d\u00e9part de sa femme, sa fille et lui n’ont re\u00e7u d’elle qu’une cassette, et cela fait longtemps. Apr\u00e8s des ann\u00e9es d’absence, que peut-on attendre d’un amour lointain ? BIOFILMOGRAPHIE : Samuel Suffren est un r\u00e9alisateur et producteur ha\u00eftien. […]<\/p>\n","protected":false},"author":13,"featured_media":8523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-17.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8085"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8085\/revisions"}],"predecessor-version":[{"id":8086,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8085\/revisions\/8086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8523"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8083,"date":"2025-01-28T11:18:35","date_gmt":"2025-01-28T11:18:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8083"},"modified":"2025-02-09T22:04:25","modified_gmt":"2025-02-09T22:04:25","slug":"deixa-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/deixa-2\/","title":{"rendered":"Deixa"},"content":{"rendered":"\n

Mariana Jaspe, Brazil, 2023<\/p>\n\n\n\n

SYNOPSIS:
A woman lives her last day of freedom before her husband is released from prison.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Mariana Jaspe is a director and screenwriter. She has directed the short films CARNE (2018) and DEIXA (2023). She is also the screenwriter of the films NEUROS by Guilherme Coelho, as well as the documentaries BATEKOO \u2013 A Film of Affection and Who Is This Woman.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariana Jaspe, Brazil, 2023 SYNOPSIS:A woman lives her last day of freedom before her husband is released from prison. BIOFILMOGRAPHY:Mariana Jaspe is a director and screenwriter. She has directed the short films CARNE (2018) and DEIXA (2023). She is also the screenwriter of the films NEUROS by Guilherme Coelho, as well as the documentaries BATEKOO […]<\/p>\n","protected":false},"author":13,"featured_media":8522,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8083"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8083\/revisions"}],"predecessor-version":[{"id":8084,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8083\/revisions\/8084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8522"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8080,"date":"2025-01-28T11:17:52","date_gmt":"2025-01-28T11:17:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8080"},"modified":"2025-01-30T13:04:52","modified_gmt":"2025-01-30T13:04:52","slug":"deixa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/deixa\/","title":{"rendered":"Deixa"},"content":{"rendered":"\n

Mariana Jaspe, Br\u00e9sil, 2023<\/p>\n\n\n\n

SYNOPSIS <\/strong><\/p>\n\n\n\n

Une femme vit son dernier jour de libert\u00e9 avant que son mari ne sorte de pris.<\/p>\n\n\n\n

BIOFILMOGRAPHIE :<\/strong><\/p>\n\n\n\n

Mariana Jaspe est r\u00e9alisatrice et sc\u00e9nariste. Elle a r\u00e9alis\u00e9 ses courts m\u00e9trages \u00ab CARNE \u00bb (2018) et \u00ab DEIXA \u00bb (2023). Elle est la sc\u00e9nariste des films \u00ab NEUROS \u00bb, de Guilherme Coelho, des documentaires \u00ab BATEKOO-Um film d’affection \u00bb, et \u00ab Qui est cette femme \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mariana Jaspe, Br\u00e9sil, 2023 SYNOPSIS  Une femme vit son dernier jour de libert\u00e9 avant que son mari ne sorte de pris. BIOFILMOGRAPHIE : Mariana Jaspe est r\u00e9alisatrice et sc\u00e9nariste. Elle a r\u00e9alis\u00e9 ses courts m\u00e9trages \u00ab CARNE \u00bb (2018) et \u00ab DEIXA \u00bb (2023). Elle est la sc\u00e9nariste des films \u00ab NEUROS \u00bb, de Guilherme Coelho, […]<\/p>\n","protected":false},"author":13,"featured_media":8522,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-16.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8080"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8080\/revisions"}],"predecessor-version":[{"id":8082,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8080\/revisions\/8082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8522"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8077,"date":"2025-01-28T11:09:12","date_gmt":"2025-01-28T11:09:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8077"},"modified":"2025-01-28T11:09:21","modified_gmt":"2025-01-28T11:09:21","slug":"boussa-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/boussa-2\/","title":{"rendered":"Boussa"},"content":{"rendered":"\n

Azedine Kasri, Alg\u00e9rie, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Meriem and Reda are two Algerian lovers, who have still not managed to exchange a kiss. This simple desire will turn into a real obstacle course. The remaining question is : are they going to make it ?<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Azedine Kasri is a French and Algerian filmmaker. He started his carreer as an actor and played in several feature films. In 2017, he directs his first short film 507 HOURS<\/em>, and then attends La F\u00e9mis where he directed TERRITORIES<\/em>, his second short film. In 2023 he directed a new short movie \u201cBoussa\u201d and developed his first long future film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Azedine Kasri, Alg\u00e9rie, 2023 SYNOPSIS Meriem and Reda are two Algerian lovers, who have still not managed to exchange a kiss. This simple desire will turn into a real obstacle course. The remaining question is : are they going to make it ? BIOFILMOGRAPHY Azedine Kasri is a French and Algerian filmmaker. He started his […]<\/p>\n","protected":false},"author":13,"featured_media":8075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-99.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8077"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8077\/revisions"}],"predecessor-version":[{"id":8078,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8077\/revisions\/8078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8075"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8074,"date":"2025-01-28T11:08:01","date_gmt":"2025-01-28T11:08:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8074"},"modified":"2025-01-28T11:08:07","modified_gmt":"2025-01-28T11:08:07","slug":"boussa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/boussa\/","title":{"rendered":"Boussa"},"content":{"rendered":"\n

Azedine Kasri, Alg\u00e9rie, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Meriem et Reda sont deux jeunes alg\u00e9riens amoureux. Ils n\u2019ont ni le droit de s\u2019embrasser en public, ni un endroit o\u00f9 se retrouver dans l\u2019intimit\u00e9. Ce simple bisou va se transformer en un v\u00e9ritable parcours du combattant. Une question subsiste, vont-ils parvenir \u00e0 s\u2019embrasser ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> Azedine Kasri est un r\u00e9alisateur franco-alg\u00e9rien. Com\u00e9dien de formation, il a jou\u00e9 dans plusieurs films. En 2017, il r\u00e9alise son premier court m\u00e9trage 507 HEURES <\/em>puis int\u00e8gre l\u2019\u00e9cole La F\u00e9mis o\u00f9 il a r\u00e9alis\u00e9 TIMOURA<\/em>, son second court m\u00e9trage. Actuellement, son premier long m\u00e9trage est en d\u00e9veloppement<\/p>\n","protected":false},"excerpt":{"rendered":"

Azedine Kasri, Alg\u00e9rie, 2023 SYNOPSIS Meriem et Reda sont deux jeunes alg\u00e9riens amoureux. Ils n\u2019ont ni le droit de s\u2019embrasser en public, ni un endroit o\u00f9 se retrouver dans l\u2019intimit\u00e9. Ce simple bisou va se transformer en un v\u00e9ritable parcours du combattant. Une question subsiste, vont-ils parvenir \u00e0 s\u2019embrasser ? BIOFILMOGRAPHIE Azedine Kasri est un […]<\/p>\n","protected":false},"author":13,"featured_media":8075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-99.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8074"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8074\/revisions"}],"predecessor-version":[{"id":8076,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8074\/revisions\/8076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8075"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8072,"date":"2025-01-28T11:03:35","date_gmt":"2025-01-28T11:03:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8072"},"modified":"2025-02-09T22:10:14","modified_gmt":"2025-02-09T22:10:14","slug":"beutset-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/beutset-2\/","title":{"rendered":"BEUTSET"},"content":{"rendered":"\n

Alicia MENDY, Senegal, 2023<\/p>\n\n\n\n

SYNOPSIS:
When a parasite contaminates all the drinking water in Dakar, pills are developed to neutralize it. Alioune, a young man, can no longer afford the pills and begins to experience the parasite\u2019s symptoms: madness and insanity. As the days go by, he realizes he has never been more clear-minded. He embarks on a journey of political and spiritual awakening.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Alicia Mendy is a young Senegalese filmmaker born in 2000. She graduated from HEAD in 2023 and focuses on cinema that represents and uplifts African and Afro-descendant communities through the genres of fantasy and science fiction. Spirituality is a central theme in her work, which explores both utopias and dystopias. She also composes film scores.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alicia MENDY, Senegal, 2023 SYNOPSIS:When a parasite contaminates all the drinking water in Dakar, pills are developed to neutralize it. Alioune, a young man, can no longer afford the pills and begins to experience the parasite\u2019s symptoms: madness and insanity. As the days go by, he realizes he has never been more clear-minded. He embarks […]<\/p>\n","protected":false},"author":13,"featured_media":8521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8072"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8072\/revisions"}],"predecessor-version":[{"id":8073,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8072\/revisions\/8073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8521"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8070,"date":"2025-01-28T10:59:50","date_gmt":"2025-01-28T10:59:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8070"},"modified":"2025-02-09T22:15:04","modified_gmt":"2025-02-09T22:15:04","slug":"beutset","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/beutset\/","title":{"rendered":"BEUTSET"},"content":{"rendered":"\n

Alicia MENDY, S\u00e9n\u00e9gal, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Lorsqu\u2019un parasite contamine toute l\u2019eau potable de Dakar, des pilules sont cr\u00e9\u00e9es pour le neutraliser. Alioune, un jeune homme n\u2019a plus les moyens de payer ses pilules et est expos\u00e9 aux sympt\u00f4mes du parasite : folie et d\u00e9mence. Au fil des jours, il se rend compte qu\u2019il n\u2019a jamais \u00e9t\u00e9 aussi lucide, il entame alors un voyage d\u2019\u00e9veil politique et spirituel.<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Alicia Mendy est une jeune r\u00e9alisatrice s\u00e9n\u00e9galaise n\u00e9e en 2000. Dipl\u00f4m\u00e9e de la HEAD en 2023, elle s\u2019int\u00e9resse \u00e0 un cin\u00e9ma qui repr\u00e9sente et valorise les peuples africains et afro-descendants par le biais du genre fantastique ou science-fiction. Les spiritualit\u00e9s sont un point central dans ses \u0153uvres qui explorent les utopies et les dystopies. Elle compose aussi des musiques de films.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alicia MENDY, S\u00e9n\u00e9gal, 2023 SYNOPSIS : Lorsqu\u2019un parasite contamine toute l\u2019eau potable de Dakar, des pilules sont cr\u00e9\u00e9es pour le neutraliser. Alioune, un jeune homme n\u2019a plus les moyens de payer ses pilules et est expos\u00e9 aux sympt\u00f4mes du parasite : folie et d\u00e9mence. Au fil des jours, il se rend compte qu\u2019il n\u2019a jamais […]<\/p>\n","protected":false},"author":13,"featured_media":8521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-15.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8070"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8070\/revisions"}],"predecessor-version":[{"id":8071,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8070\/revisions\/8071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8521"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8068,"date":"2025-01-28T10:58:13","date_gmt":"2025-01-28T10:58:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8068"},"modified":"2025-02-10T12:43:21","modified_gmt":"2025-02-10T12:43:21","slug":"better-than-earth-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/better-than-earth-2\/","title":{"rendered":"BETTER THAN EARTH"},"content":{"rendered":"\n

Sherif El Bendary, Egypt, 2023<\/p>\n\n\n\n

SYNOPSIS:
Radwa, a 20-year-old student living in a girls\u2019 university dormitory in Cairo, faces harassment from her roommate, Sarah. She decides to report the issue to the chief supervisor, Magda.<\/p>\n\n\n\n

BIOFILMOGRAPHY:
Born in 1978, Sherif El Bendary is an Egyptian screenwriter, director, and producer. He has been teaching filmmaking at the Egyptian Film Institute since 2007. Sherif has directed several films, including Rise and Shine (2006), At Day\u2019s End (2008), Curfew (2011), Dry Hot Summers (2014), Ali, the Goat and Ibrahim, and Al Gamaa Part 2 (2017), which have won awards at prestigious festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sherif El Bendary, Egypt, 2023 SYNOPSIS:Radwa, a 20-year-old student living in a girls\u2019 university dormitory in Cairo, faces harassment from her roommate, Sarah. She decides to report the issue to the chief supervisor, Magda. BIOFILMOGRAPHY:Born in 1978, Sherif El Bendary is an Egyptian screenwriter, director, and producer. He has been teaching filmmaking at the Egyptian […]<\/p>\n","protected":false},"author":13,"featured_media":8520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8068"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8068\/revisions"}],"predecessor-version":[{"id":8069,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8068\/revisions\/8069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8520"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8066,"date":"2025-01-28T10:57:03","date_gmt":"2025-01-28T10:57:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8066"},"modified":"2025-01-30T13:02:24","modified_gmt":"2025-01-30T13:02:24","slug":"better-than-earth","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/better-than-earth\/","title":{"rendered":"BETTER THAN EARTH"},"content":{"rendered":"\n

Sherif El Bendary, Egypte, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Radwa, une \u00e9tudiante de 20 ans vivant dans une r\u00e9sidence universitaire pour filles au Caire fait face au harc\u00e8lement de sa colocataire Sarah. Elle d\u00e9cide alors, d\u2019aller se plaindre \u00e0 la directrice Magda.<\/p>\n\n\n\n

Radwa, a 20-year-old student living in a university residence for girls in Cairo, decides to go and complain to the chief supervisor Magda : her roommate, Sarah, harasses her.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

N\u00e9 en 1978, Sherif El Bendary est sc\u00e9nariste, r\u00e9alisateur et producteur \u00e9gyptien. Il enseigne la r\u00e9alisation \u00e0 l\u2019Institut du cin\u00e9ma \u00e9gyptien, depuis 2007. Sherif est auteur de plusieurs films dont Rise and Shine<\/em> (2006), At Day\u2019s End<\/em> (2008), Couvre-feu<\/em> (2011), Dry Hot Summers<\/em> (2014), Ali, la ch\u00e8vre et Ibrahim<\/em> et Al Gamaa Part 2<\/em> (2017) prim\u00e9s dans de prestigieux festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sherif El Bendary, Egypte, 2023 SYNOPSIS : Radwa, une \u00e9tudiante de 20 ans vivant dans une r\u00e9sidence universitaire pour filles au Caire fait face au harc\u00e8lement de sa colocataire Sarah. Elle d\u00e9cide alors, d\u2019aller se plaindre \u00e0 la directrice Magda. Radwa, a 20-year-old student living in a university residence for girls in Cairo, decides to […]<\/p>\n","protected":false},"author":13,"featured_media":8520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-14.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8066"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8066\/revisions"}],"predecessor-version":[{"id":8067,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8066\/revisions\/8067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8520"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8064,"date":"2025-01-28T10:50:58","date_gmt":"2025-01-28T10:50:58","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8064"},"modified":"2025-02-10T12:30:09","modified_gmt":"2025-02-10T12:30:09","slug":"avant-16-ans","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/avant-16-ans\/","title":{"rendered":"Avant 16 ans"},"content":{"rendered":"\n

Lo\u00efc Niyonkuru, Burundi, 2024
SYNOPSIS
Elizabeth est devenue m\u00e8re \u00e0 seulement 16 ans apr\u00e8s une agression sexuelle traumatisante. Aujourd\u2019hui, 15 ans plus tard, elle r\u00e9fl\u00e9chit aux profonds d\u00e9fis et \u00e9motions li\u00e9s au fait d\u2019\u00e9lever son enfant dans des circonstances extraordinaires.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Loic Niyonkuru est un cin\u00e9aste burundais sp\u00e9cialis\u00e9 dans l’\u00e9criture, la r\u00e9alisation et la cin\u00e9matographie. Bas\u00e9 au Burundi, il a d\u00e9velopp\u00e9 un solide portefeuille de films documentaires et de fiction, s’engageant dans divers projets de production destin\u00e9s \u00e0 un public local et international. Son travail explore souvent les th\u00e8mes de la transformation et de la gu\u00e9rison, dans le but de mettre en lumi\u00e8re des aspects plus profonds, parfois n\u00e9glig\u00e9s, de l’exp\u00e9rience humaine. Gr\u00e2ce \u00e0 la narration, il s’efforce d’offrir de nouvelles perspectives et de favoriser l’empathie, en encourageant le public \u00e0 trouver des points communs et des liens \u00e0 travers diverses exp\u00e9riences.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lo\u00efc Niyonkuru, Burundi, 2024SYNOPSISElizabeth est devenue m\u00e8re \u00e0 seulement 16 ans apr\u00e8s une agression sexuelle traumatisante. Aujourd\u2019hui, 15 ans plus tard, elle r\u00e9fl\u00e9chit aux profonds d\u00e9fis et \u00e9motions li\u00e9s au fait d\u2019\u00e9lever son enfant dans des circonstances extraordinaires. BIOFILMOGRAPHIELoic Niyonkuru est un cin\u00e9aste burundais sp\u00e9cialis\u00e9 dans l’\u00e9criture, la r\u00e9alisation et la cin\u00e9matographie. Bas\u00e9 au Burundi, […]<\/p>\n","protected":false},"author":13,"featured_media":9615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8064"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8064\/revisions"}],"predecessor-version":[{"id":9640,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8064\/revisions\/9640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9615"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8062,"date":"2025-01-28T10:46:45","date_gmt":"2025-01-28T10:46:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8062"},"modified":"2025-02-10T12:31:58","modified_gmt":"2025-02-10T12:31:58","slug":"before-16","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/before-16\/","title":{"rendered":"Before 16"},"content":{"rendered":"\n

Loic Niyonkuru, Burundi, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

Elizabeth became a mother at just 16 after a traumatic sexual assault. Now, 15 years later, she reflects on the profound challenges and emotions of raising her child under extraordinary circumstances.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Loic Niyonkuru is a Burundian filmmaker specializing in writing, directing, and cinematography. Based in Burundi, he has developed a strong portfolio in both documentary and fiction filmmaking, engaging with diverse production projects for local and international audiences. His work often explores themes of transformation and healing, aiming to shed light on deeper, sometimes overlooked aspects of human experience. Through storytelling, he strives to offer new perspectives and foster empathy, encouraging audiences to find commonality and connection across diverse experiences.<\/p>\n","protected":false},"excerpt":{"rendered":"

Loic Niyonkuru, Burundi, 2024 SYNOPSIS Elizabeth became a mother at just 16 after a traumatic sexual assault. Now, 15 years later, she reflects on the profound challenges and emotions of raising her child under extraordinary circumstances. BIOFILMOGRAPHY Loic Niyonkuru is a Burundian filmmaker specializing in writing, directing, and cinematography. Based in Burundi, he has developed […]<\/p>\n","protected":false},"author":13,"featured_media":9615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/mica-societte-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8062"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8062\/revisions"}],"predecessor-version":[{"id":8063,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8062\/revisions\/8063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9615"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8058,"date":"2025-01-28T10:44:30","date_gmt":"2025-01-28T10:44:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8058"},"modified":"2025-02-10T12:46:46","modified_gmt":"2025-02-10T12:46:46","slug":"assassinat-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/assassinat-2\/","title":{"rendered":"ASSASSINAT"},"content":{"rendered":"\n

Yassine AIT FKIR, Morocco, 2023<\/p>\n\n\n\n

SYNOPSIS
Abdellah MBARKI strives to protect the acacia tree from the dangers of cutting, burning, and grazing. The threats persist until the tree faces its ultimate demise\u2014an assassination.<\/p>\n\n\n\n

BIOGRAPHY AND FILMOGRAPHY
Yassine Ait Fkir is a Moroccan filmmaker. In 2011, she earned a professional degree in cinema and audiovisual studies. She has directed several fiction and documentary films, including Guardian of Heaven and A Day with the Nomads (2011), Scientific Research in the Service of the Environment (2013), and River Noun and the Caravan Trade (2022).<\/p>\n","protected":false},"excerpt":{"rendered":"

Yassine AIT FKIR, Morocco, 2023 SYNOPSISAbdellah MBARKI strives to protect the acacia tree from the dangers of cutting, burning, and grazing. The threats persist until the tree faces its ultimate demise\u2014an assassination. BIOGRAPHY AND FILMOGRAPHYYassine Ait Fkir is a Moroccan filmmaker. In 2011, she earned a professional degree in cinema and audiovisual studies. She has […]<\/p>\n","protected":false},"author":13,"featured_media":8519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8058","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8058"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8058\/revisions"}],"predecessor-version":[{"id":8060,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8058\/revisions\/8060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8519"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8055,"date":"2025-01-28T10:42:48","date_gmt":"2025-01-28T10:42:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8055"},"modified":"2025-01-30T13:01:30","modified_gmt":"2025-01-30T13:01:30","slug":"assassinat","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/assassinat\/","title":{"rendered":"ASSASSINAT"},"content":{"rendered":"\n

Yassine AIT FKIR, Maroc, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Abdellah MBARKI, essaye de prot\u00e9ger l’arbre d’acacia contre le danger d\u2019\u00eatre d\u00e9truit par la coupe, le br\u00fblage et le p\u00e2turage…Les menaces persistent jusqu\u2019\u00e0 ce que l\u2019arbre se retrouve face \u00e0 l\u2019assassinat….<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Yassine Ait Fkir est une r\u00e9alisatrice marocaine. En 2011, elle obtient une licence professionnelle en cin\u00e9ma et audiovisuel. Elle a r\u00e9alis\u00e9 plusieurs films de fictions et de documentaires dont Guardian of Heaven<\/em> et A Day with the Nomads<\/em> en 2011, Scientific Research in the Service of the Environment <\/em>en 2013, et River Noun and the Caravan Trade<\/em> en 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yassine AIT FKIR, Maroc, 2023 SYNOPSIS Abdellah MBARKI, essaye de prot\u00e9ger l’arbre d’acacia contre le danger d\u2019\u00eatre d\u00e9truit par la coupe, le br\u00fblage et le p\u00e2turage…Les menaces persistent jusqu\u2019\u00e0 ce que l\u2019arbre se retrouve face \u00e0 l\u2019assassinat…. BIOFILMOGRAPHIE Yassine Ait Fkir est une r\u00e9alisatrice marocaine. En 2011, elle obtient une licence professionnelle en cin\u00e9ma et […]<\/p>\n","protected":false},"author":13,"featured_media":8519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-13.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8055"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8055\/revisions"}],"predecessor-version":[{"id":8057,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8055\/revisions\/8057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8519"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8052,"date":"2025-01-28T10:29:33","date_gmt":"2025-01-28T10:29:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8052"},"modified":"2025-01-28T10:29:36","modified_gmt":"2025-01-28T10:29:36","slug":"alhaffa-bord-a-bord-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/alhaffa-bord-a-bord-2\/","title":{"rendered":"ALHAFFA\/BORD \u00c0 BORD"},"content":{"rendered":"\n

Sahar El Echi, Tunisia, 2024<\/p>\n\n\n\n

SYNOPSIS
Mounira, a woman in her thirties, earns her living from the small fricass\u00e9 food stand she inherited from her late father. Located at the heart of the Henchir Lehoudiya scrapyard in the southern suburbs of Tunis, this space is largely dominated by men. Will she be able to overcome the challenges she faces and sustain her business in this harsh environment?<\/p>\n\n\n\n

BIOGRAPHY
Sahar El Echi is a Tunisian filmmaker and visual artist. A graduate of the Institut Sup\u00e9rieur des Beaux-Arts de Tunis (ISBAT), she creates independent films and essays and won the Prince Claus Seed Award in 2024. Sahar has also been selected for various artistic programs and residencies, including Documentary Film Methods at the Danish Film School (2019).<\/p>\n","protected":false},"excerpt":{"rendered":"

Sahar El Echi, Tunisia, 2024 SYNOPSISMounira, a woman in her thirties, earns her living from the small fricass\u00e9 food stand she inherited from her late father. Located at the heart of the Henchir Lehoudiya scrapyard in the southern suburbs of Tunis, this space is largely dominated by men. Will she be able to overcome the […]<\/p>\n","protected":false},"author":13,"featured_media":8050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-98.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8052"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8052\/revisions"}],"predecessor-version":[{"id":8053,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8052\/revisions\/8053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8050"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8047,"date":"2025-01-28T10:28:20","date_gmt":"2025-01-28T10:28:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8047"},"modified":"2025-01-28T10:28:22","modified_gmt":"2025-01-28T10:28:22","slug":"alhaffa-bord-a-bord","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/alhaffa-bord-a-bord\/","title":{"rendered":"ALHAFFA\/ BORD \u00c0 BORD"},"content":{"rendered":"\n

Sahar El Echi, Tunisie, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Mounira, une jeune femme trentenaire, vit des revenus de la petite gargote de fricass\u00e9s h\u00e9rit\u00e9e de son d\u00e9funt p\u00e8re. Situ\u00e9 au c\u0153ur de la casse Henchir Lehoudiya, en banlieue sud de Tunis, cet endroit est largement domin\u00e9 par les hommes. Parviendra-t-elle \u00e0 surmonter les obstacles qui se dressent devant elle et \u00e0 maintenir son activit\u00e9 dans ce milieu impitoyable ?<\/p>\n\n\n\n

BIBLIOGRAPHIE<\/strong><\/p>\n\n\n\n

Sahar El Echi est une cin\u00e9aste et artiste visuelle tunisienne. Dipl\u00f4m\u00e9e de l’Institut Sup\u00e9rieur des Beaux-Arts de Tunis (ISBAT), elle r\u00e9alise des films ind\u00e9pendants et des essais et remporte le Prince Claus Seed Award en 2024. Sahar a \u00e9t\u00e9 \u00e9galement retenue pour divers programmes et r\u00e9sidences artistiques, dont Documentary Film Methods \u00e0 la Danish Film School (2019).<\/p>\n","protected":false},"excerpt":{"rendered":"

Sahar El Echi, Tunisie, 2024 SYNOPSIS Mounira, une jeune femme trentenaire, vit des revenus de la petite gargote de fricass\u00e9s h\u00e9rit\u00e9e de son d\u00e9funt p\u00e8re. Situ\u00e9 au c\u0153ur de la casse Henchir Lehoudiya, en banlieue sud de Tunis, cet endroit est largement domin\u00e9 par les hommes. Parviendra-t-elle \u00e0 surmonter les obstacles qui se dressent devant […]<\/p>\n","protected":false},"author":13,"featured_media":8050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-98.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8047"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8047\/revisions"}],"predecessor-version":[{"id":8051,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8047\/revisions\/8051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8050"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8045,"date":"2025-01-28T10:02:24","date_gmt":"2025-01-28T10:02:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8045"},"modified":"2025-01-28T10:02:26","modified_gmt":"2025-01-28T10:02:26","slug":"alazar-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/alazar-2\/","title":{"rendered":"ALAZAR"},"content":{"rendered":"\n

BEZA Hailu LEMMA, Ethiopia, 2024<\/p>\n\n\n\n

SYNOPSIS
When a severe drought strikes their farming community, Tessema and his family consider selling their land and leaving. While digging for water, his father, Shiferaw, is accidentally killed. The family buries him in the church and decides to move on. A few days later, Shiferaw\u2019s body mysteriously disappears from his grave.<\/p>\n\n\n\n

BIOGRAPHY AND FILMOGRAPHY
Beza Hailu Lemma is a filmmaker and screenwriter based in Addis Ababa. He has directed several films, including Ballad of the Spirits (2016), Katanga Nation (2022), and Alazar (2024). Katanga Nation has been showcased at festivals worldwide, earning the Silver Stallion for Best Short Documentary at FESPACO 2023 and an award at the Amsterdam Documentary Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

BEZA Hailu LEMMA, Ethiopia, 2024 SYNOPSISWhen a severe drought strikes their farming community, Tessema and his family consider selling their land and leaving. While digging for water, his father, Shiferaw, is accidentally killed. The family buries him in the church and decides to move on. A few days later, Shiferaw\u2019s body mysteriously disappears from his […]<\/p>\n","protected":false},"author":13,"featured_media":8043,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-96.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8045"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8045\/revisions"}],"predecessor-version":[{"id":8046,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8045\/revisions\/8046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8043"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8042,"date":"2025-01-28T10:00:17","date_gmt":"2025-01-28T10:00:17","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8042"},"modified":"2025-01-28T10:00:18","modified_gmt":"2025-01-28T10:00:18","slug":"alazar","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/alazar\/","title":{"rendered":"ALAZAR"},"content":{"rendered":"\n

BEZA Hailu LEMMA, Ethiopie, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Lorsqu’une grave s\u00e9cheresse frappe leur communaut\u00e9 agricole, Tessema et sa famille envisagent de vendre leur terre et de partir. Son p\u00e8re, Shiferaw, est accidentellement tu\u00e9 en creusant pour trouver de l’eau. La famille l’enterre dans l’\u00e9glise et d\u00e9cide de partir. Quelques jours plus tard, Shiferaw disparait de sa tombe.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Beza Hailu Lemma est un r\u00e9alisateur et sc\u00e9nariste vivant \u00e0 Addis-Abeba. Il a, \u00e0 son actif plusieurs films dont Ballad of the Spirits<\/em> (2016), Katanga Nation<\/em> (2022) et Alazar<\/em> (2024). Katanga Nation<\/em> est pr\u00e9sent\u00e9 dans des festivals \u00e0 travers le monde. Il remporte le Poulain d\u2019Argent du Meilleur court m\u00e9trage documentaire au FESPACO 2023 et est laur\u00e9at au Festival du Film Documentaire d\u2019Amsterdam.<\/p>\n","protected":false},"excerpt":{"rendered":"

BEZA Hailu LEMMA, Ethiopie, 2024 SYNOPSIS : Lorsqu’une grave s\u00e9cheresse frappe leur communaut\u00e9 agricole, Tessema et sa famille envisagent de vendre leur terre et de partir. Son p\u00e8re, Shiferaw, est accidentellement tu\u00e9 en creusant pour trouver de l’eau. La famille l’enterre dans l’\u00e9glise et d\u00e9cide de partir. Quelques jours plus tard, Shiferaw disparait de sa […]<\/p>\n","protected":false},"author":13,"featured_media":8043,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-96.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8042"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8042\/revisions"}],"predecessor-version":[{"id":8044,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8042\/revisions\/8044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8043"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8040,"date":"2025-01-28T09:56:31","date_gmt":"2025-01-28T09:56:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8040"},"modified":"2025-02-10T12:50:02","modified_gmt":"2025-02-10T12:50:02","slug":"a-vos-mots-mon-ame-danse-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/a-vos-mots-mon-ame-danse-2\/","title":{"rendered":"\u00c0 vos mots, mon \u00e2me danse"},"content":{"rendered":"\n

Kiswendsida Parfait KABORE, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
Words that echo to remind us that men and women once lived. It is a legacy we must cherish and preserve.<\/p>\n\n\n\n

BIOGRAPHY AND FILMOGRAPHY
Kiswendsida Parfait KABORE is a Burkinabe filmmaker born in 1984. In 2012, he earned a master\u2019s degree in documentary creation from Gaston Berger University in Senegal. Among his notable works are Demain l\u2019Afrique, \u00c0 Double Tranchant, Place \u00e0 la r\u00e9volution, Apr\u00e8s ta r\u00e9volte, ton vote, and De la chenille au Papillon.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kiswendsida Parfait KABORE, Burkina Faso, 2024 SYNOPSISWords that echo to remind us that men and women once lived. It is a legacy we must cherish and preserve. BIOGRAPHY AND FILMOGRAPHYKiswendsida Parfait KABORE is a Burkinabe filmmaker born in 1984. In 2012, he earned a master\u2019s degree in documentary creation from Gaston Berger University in Senegal. […]<\/p>\n","protected":false},"author":13,"featured_media":8518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[434],"tags":[],"class_list":["post-8040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8040"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8040\/revisions"}],"predecessor-version":[{"id":9642,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8040\/revisions\/9642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8518"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8034,"date":"2025-01-28T09:53:19","date_gmt":"2025-01-28T09:53:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8034"},"modified":"2025-01-30T13:00:12","modified_gmt":"2025-01-30T13:00:12","slug":"a-vos-mots-mon-ame-danse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/a-vos-mots-mon-ame-danse\/","title":{"rendered":"\u00c0 vos mots, mon \u00e2me danse"},"content":{"rendered":"\n

Kiswendsida Parfait KABORE, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Des mots qui r\u00e9sonnent pour nous rappeler que des hommes et femmes ont v\u00e9cu. C\u2019est un h\u00e9ritage que nous nous devons d\u2019entretenir.<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Kiswendsida Parfait KABORE est un r\u00e9alisateur burkinab\u00e8, n\u00e9 en 1984. Il est dipl\u00f4m\u00e9 en 2012 d\u2019un master en cr\u00e9ation documentaire \u00e0 l\u2019Universit\u00e9 Gaston Berger au S\u00e9n\u00e9gal. Il r\u00e9alise entre autres les films suivants : Demain l\u2019Afrique, \u00c0 Double Tranchant, Place \u00e0 la r\u00e9volution, Apr\u00e8s ta r\u00e9volte, ton vote, De lala chenille au Papillon.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kiswendsida Parfait KABORE, Burkina Faso, 2024 SYNOPSIS : Des mots qui r\u00e9sonnent pour nous rappeler que des hommes et femmes ont v\u00e9cu. C\u2019est un h\u00e9ritage que nous nous devons d\u2019entretenir. BIOFILMOGRAPHIE : Kiswendsida Parfait KABORE est un r\u00e9alisateur burkinab\u00e8, n\u00e9 en 1984. Il est dipl\u00f4m\u00e9 en 2012 d\u2019un master en cr\u00e9ation documentaire \u00e0 l\u2019Universit\u00e9 Gaston […]<\/p>\n","protected":false},"author":13,"featured_media":8518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[436],"tags":[],"class_list":["post-8034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-12.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8034"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8034\/revisions"}],"predecessor-version":[{"id":8039,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8034\/revisions\/8039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8518"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8030,"date":"2025-01-28T09:31:51","date_gmt":"2025-01-28T09:31:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8030"},"modified":"2025-02-17T12:18:23","modified_gmt":"2025-02-17T12:18:23","slug":"toile-de-papillon-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/toile-de-papillon-2\/","title":{"rendered":"TOILE DE PAPILLON"},"content":{"rendered":"\n

Madina Alexandre N\u2019falle, Togo, 2024 SYNOPSIS<\/strong> A majestic butterfly, with its vibrant colors, may let its delicate wings brush against the spider\u2019s web. Come and witness, in its entanglement, the dilemma of kindness and the dinner.<\/p>\n\n\n\n

BIOGRAPHY AND FILMOGRAPHY
<\/strong>Madina Alexandre N\u2019FALLE, also known as FALLE XELA, is a 27-year-old filmmaker from Togo. Passionate about visual arts and animation, he worked for many years in illustration, honing a distinctive artistic style before venturing into animation, where he showcases his animated visual creations. He directed his first short film, PALU, in 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Madina Alexandre N\u2019falle, Togo, 2024 SYNOPSIS A majestic butterfly, with its vibrant colors, may let its delicate wings brush against the spider\u2019s web. Come and witness, in its entanglement, the dilemma of kindness and the dinner. BIOGRAPHY AND FILMOGRAPHYMadina Alexandre N\u2019FALLE, also known as FALLE XELA, is a 27-year-old filmmaker from Togo. Passionate about visual […]<\/p>\n","protected":false},"author":13,"featured_media":7572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-8030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-59.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8030"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8030\/revisions"}],"predecessor-version":[{"id":9905,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8030\/revisions\/9905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7572"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8028,"date":"2025-01-28T09:30:44","date_gmt":"2025-01-28T09:30:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8028"},"modified":"2025-02-17T12:17:45","modified_gmt":"2025-02-17T12:17:45","slug":"toile-de-papillon","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/toile-de-papillon\/","title":{"rendered":"TOILE DE PAPILLON"},"content":{"rendered":"\n

Madina Alexandre N’falle, Togo, 2024\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS<\/strong>Un papillon majestueux par ses couleurs peut laisser ses ailes d\u00e9licates effleur\u00e9es la toile de l’araign\u00e9e, venez d\u00e9couvrir dans son enlisement le dilemme de la bont\u00e9 et du d\u00eener.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>   <\/p>\n\n\n\n

Madina Alexandre N’FALLE, alias FALLE XELA, est un artiste r\u00e9alisateur de 27 ans originaire du Togo. Passionn\u00e9 d’art visuel et d’animation, il a travaill\u00e9 pendant de longues ann\u00e9es dans le monde de l’illustration affinant un style artistique propre avant de se lancer dans l’animation o\u00f9 il nous fait d\u00e9couvrir ses cr\u00e9ations visuelles anim\u00e9es. Il r\u00e9alise son premier court m\u00e9trage PALU<\/em> en 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Madina Alexandre N’falle, Togo, 2024\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSISUn papillon majestueux par ses couleurs peut laisser ses ailes d\u00e9licates effleur\u00e9es la toile de l’araign\u00e9e, venez d\u00e9couvrir dans son enlisement le dilemme de la bont\u00e9 et du d\u00eener. BIOFILMOGRAPHIE    Madina Alexandre N’FALLE, alias FALLE XELA, est un artiste r\u00e9alisateur de 27 ans originaire du Togo. Passionn\u00e9 d’art visuel et d’animation, […]<\/p>\n","protected":false},"author":13,"featured_media":7572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-8028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-59.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8028"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8028\/revisions"}],"predecessor-version":[{"id":9904,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8028\/revisions\/9904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7572"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8021,"date":"2025-01-28T09:24:23","date_gmt":"2025-01-28T09:24:23","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8021"},"modified":"2025-02-10T14:05:19","modified_gmt":"2025-02-10T14:05:19","slug":"pie-dan-lo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/pie-dan-lo-2\/","title":{"rendered":"PIE DAN LO"},"content":{"rendered":"\n

Kim Yip Tong, Mauritius, 2024<\/strong> SYNOPSIS<\/strong>
On July 25, 2020, the MV Wakashio bulk carrier ran aground on the reef off the east coast of Mauritius. Twelve days later, oil spilled, causing the worst ecological disaster ever recorded in the region.<\/p>\n\n\n\n

BIOGRAPHY AND FILMOGRAPHY
<\/strong>Kim Yip Tong studied textile design at Olivier de Serres in Paris and Central Saint Martins in London. In 2017, she earned her master\u2019s degree from the Royal College of Art in London. She directed Lucent Matter (2016) and Anthozoa (2017), which were selected for the Sonar D+, Blue Dot, and Jena Fulldome Festivals in Germany.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kim Yip Tong, Mauritius, 2024 SYNOPSISOn July 25, 2020, the MV Wakashio bulk carrier ran aground on the reef off the east coast of Mauritius. Twelve days later, oil spilled, causing the worst ecological disaster ever recorded in the region. BIOGRAPHY AND FILMOGRAPHYKim Yip Tong studied textile design at Olivier de Serres in Paris and […]<\/p>\n","protected":false},"author":13,"featured_media":7573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-60.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8021"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8021\/revisions"}],"predecessor-version":[{"id":9667,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8021\/revisions\/9667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7573"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8019,"date":"2025-01-28T09:22:40","date_gmt":"2025-01-28T09:22:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8019"},"modified":"2025-02-10T14:04:23","modified_gmt":"2025-02-10T14:04:23","slug":"pie-dan-lo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/pie-dan-lo\/","title":{"rendered":"PIE DAN LO\u00a0\u00a0\u00a0"},"content":{"rendered":"\n

Kim Yip Tong, \u00cel Maurice, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS<\/strong><\/p>\n\n\n\n

Le 25 juillet 2020, le vraquier MV Wakashio s\u2019\u00e9choue sur le r\u00e9cif de la c\u00f4te-Est de l’\u00eele Maurice. 12 jours plus tard, le p\u00e9trole se d\u00e9verse, provoquant la pire catastrophe \u00e9cologique jamais survenue dans la r\u00e9gion.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>   <\/p>\n\n\n\n

Kim Yip Tong a \u00e9tudi\u00e9 le design textile \u00e0 Olivier de Serres \u00e0 Paris et \u00e0 la Central Saint Martins \u00e0 Londres. En 2017, elle obtient sa ma\u00eetrise <\/em>au Royal College of Art de Londres. Elle a r\u00e9alis\u00e9 Lucent Matter<\/em> (2016) et Anthozoa<\/em> (2017) qui ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s aux festivals Sonar D+, Blue Dot et le Jena Fulldome Festival en Allemagne.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kim Yip Tong, \u00cel Maurice, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS Le 25 juillet 2020, le vraquier MV Wakashio s\u2019\u00e9choue sur le r\u00e9cif de la c\u00f4te-Est de l’\u00eele Maurice. 12 jours plus tard, le p\u00e9trole se d\u00e9verse, provoquant la pire catastrophe \u00e9cologique jamais survenue dans la r\u00e9gion. BIOFILMOGRAPHIE    Kim Yip Tong a \u00e9tudi\u00e9 le design textile \u00e0 Olivier de Serres […]<\/p>\n","protected":false},"author":13,"featured_media":7573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-8019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-60.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8019"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8019\/revisions"}],"predecessor-version":[{"id":9666,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8019\/revisions\/9666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7573"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8017,"date":"2025-01-28T09:20:05","date_gmt":"2025-01-28T09:20:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8017"},"modified":"2025-01-28T09:20:07","modified_gmt":"2025-01-28T09:20:07","slug":"milimo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/milimo-2\/","title":{"rendered":"MILIMO"},"content":{"rendered":"\n

MILIMOKemane BA, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS
Dans une tentative de traverser la mer M\u00e9diterran\u00e9e pour un avenir meilleur, le destin tragique du jeune Ahmadou est scell\u00e9. Il met sa vie en danger, mais n\u2019obtient en retour qu\u2019un aper\u00e7u brutal de l\u2019au-del\u00e0. Alors que sa s\u0153ur pleure sa perte et commence \u00e0 soutenir sa transition par ses pri\u00e8res, deux p\u00eacheurs d\u00e9couvrent le corps du jeune homme avant de se noyer \u00e0 leur tour. Le clip r\u00e9alis\u00e9 par Kemane B\u00e2 est une mise en garde, incorporant certaines des histoires les plus anciennes racont\u00e9es depuis l\u2019aube de l\u2019humanit\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Les sons, les formes et les couleurs ne sont pas seulement le langage du subconscient, mais aussi la langue maternelle de Kemane. Ce r\u00e9alisateur multinational a grandi avec les traditions s\u00e9n\u00e9galaises, o\u00f9 la danse, la musique et l\u2019art sont des formes essentielles de communication dans la vie quotidienne. Aujourd\u2019hui, il explore le folklore autochtone \u00e0 travers diff\u00e9rentes formes d\u2019art.<\/p>\n\n\n\n

En tant qu\u2019artiste ouest-africain\/europ\u00e9en multiethnique, il ressent un fort appel \u00e0 construire des ponts solides au-dessus des divisions culturelles et religieuses, l\u00e0 o\u00f9 il y avait auparavant des points d\u2019interrogation ou des peurs injustifi\u00e9es. Parall\u00e8lement \u00e0 son travail, il d\u00e9veloppe Konduktum, une plateforme collaborative pour les artistes visant \u00e0 financer des projets, promouvoir du contenu long format et organiser des \u00e9v\u00e9nements en direct, offrant un contrepoids au monde num\u00e9rique de plus en plus tourn\u00e9 vers les formats courts.<\/p>\n","protected":false},"excerpt":{"rendered":"

MILIMOKemane BA, S\u00e9n\u00e9gal, 2024 SYNOPSISDans une tentative de traverser la mer M\u00e9diterran\u00e9e pour un avenir meilleur, le destin tragique du jeune Ahmadou est scell\u00e9. Il met sa vie en danger, mais n\u2019obtient en retour qu\u2019un aper\u00e7u brutal de l\u2019au-del\u00e0. Alors que sa s\u0153ur pleure sa perte et commence \u00e0 soutenir sa transition par ses pri\u00e8res, […]<\/p>\n","protected":false},"author":13,"featured_media":7569,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-8017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-56.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8017"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8017\/revisions"}],"predecessor-version":[{"id":8018,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8017\/revisions\/8018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7569"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8015,"date":"2025-01-28T09:11:29","date_gmt":"2025-01-28T09:11:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8015"},"modified":"2025-01-28T09:11:31","modified_gmt":"2025-01-28T09:11:31","slug":"milimo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/milimo\/","title":{"rendered":"MILIMO"},"content":{"rendered":"\n

Kemane BA, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

In an attempt to cross the Mediterranean Sea for a better future, the tragic fate of the young Ahmadou is sealed. He risks his life, only to be rewarded with a brutal glimpse into the afterlife. As his sister grieves and begins to support his transition through her prayers, two fishermen discover the young man’s body before drowning. The music video of director Kemane B\u00e2 is a cautionary tale, Incorporating some of the most ancient stories that have been told since the dawn of human existence<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Sounds, shapes, and colours are not only the language of the subconscious but also Kemane’s mother tongue. The multinational Filmmaker grew up with the lore of Senegal, <\/strong>where communication through dance, music, and art is part of everyday life. Today, he explores indigenous lore through different art forms. As a multi\u00ad ethnic West African\/European artist, hehas heard a big coll to build strong bridges over cultural and religious gaps where previously there were question-marks or even unjustified fears.<\/p>\n\n\n\n

Alongside his work he builds Konduktum. <\/strong>A collaborative platform for artists to fund projects, embrace long-form-content and live events. Offering a counterbalance to the increasingly short-form oriented digital world.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kemane BA, S\u00e9n\u00e9gal, 2024 SYNOPSIS In an attempt to cross the Mediterranean Sea for a better future, the tragic fate of the young Ahmadou is sealed. He risks his life, only to be rewarded with a brutal glimpse into the afterlife. As his sister grieves and begins to support his transition through her prayers, two […]<\/p>\n","protected":false},"author":13,"featured_media":7569,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-56.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8015"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8015\/revisions"}],"predecessor-version":[{"id":8016,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8015\/revisions\/8016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7569"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8011,"date":"2025-01-28T09:05:26","date_gmt":"2025-01-28T09:05:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8011"},"modified":"2025-01-28T09:05:28","modified_gmt":"2025-01-28T09:05:28","slug":"jussara-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/jussara-2\/","title":{"rendered":"JUSSARA"},"content":{"rendered":"\n

JUSSARACamila Ribeiro, Br\u00e9sil, 2023<\/p>\n\n\n\n

SYNOPSIS
Jussara est la m\u00e9moire vivante du village o\u00f9 elle vit. Connue comme conseill\u00e8re et conteuse, elle enchante et captive tous ceux qui l\u2019entourent. Un jour, elle r\u00e9alise qu\u2019elle est fatigu\u00e9e de porter tant d\u2019histoires et d\u00e9cide de vivre la sienne.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
R\u00e9alisatrice et sc\u00e9nariste du film d\u2019animation Jussara (2023), pr\u00e9sent\u00e9 dans plus de 60 festivals, dont le 51e Festival de Gramado ; du vid\u00e9odanse Elise (2021), disponible sur la plateforme Cardume, et de la projection vid\u00e9o Reverb: a flor da pele, qui a particip\u00e9 au I Ssa Mapping (2017). Avec quatorze ans d\u2019exp\u00e9rience dans le domaine, elle a contribu\u00e9 \u00e0 plus de quarante productions audiovisuelles \u00e0 travers les r\u00e9gions Nord-Est, Nord et Sud-Est du Br\u00e9sil. Elle est titulaire d\u2019un Master du programme P\u00f3sCultura\/UFBa, o\u00f9 elle \u00e9tudie la construction des personnages noirs dans le cin\u00e9ma national contemporain.<\/p>\n","protected":false},"excerpt":{"rendered":"

JUSSARACamila Ribeiro, Br\u00e9sil, 2023 SYNOPSISJussara est la m\u00e9moire vivante du village o\u00f9 elle vit. Connue comme conseill\u00e8re et conteuse, elle enchante et captive tous ceux qui l\u2019entourent. Un jour, elle r\u00e9alise qu\u2019elle est fatigu\u00e9e de porter tant d\u2019histoires et d\u00e9cide de vivre la sienne. BIOFILMOGRAPHIER\u00e9alisatrice et sc\u00e9nariste du film d\u2019animation Jussara (2023), pr\u00e9sent\u00e9 dans plus […]<\/p>\n","protected":false},"author":13,"featured_media":7565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-8011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-52.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8011"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8011\/revisions"}],"predecessor-version":[{"id":8012,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8011\/revisions\/8012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7565"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8009,"date":"2025-01-28T09:03:14","date_gmt":"2025-01-28T09:03:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8009"},"modified":"2025-01-28T09:03:26","modified_gmt":"2025-01-28T09:03:26","slug":"jussara","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/jussara\/","title":{"rendered":"JUSSARA"},"content":{"rendered":"\n

Camila Ribeiro, Br\u00e9sil, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Jussara is the living memory of the village where she lives, known as a counselor and storyteller, she enchantes and engages everyone around her. One day, she realizes she’s tired of carrying so many stories and decides to live her own<\/strong><\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Director and screenwriter of the animation \u201cJussara\u201d (2023), showcased at over 60 festivals including the 51st Gramado Festival; of the dance video \u201cElise\u201d (2021) available on the Cardume platform, and of the video mapping \u00ab\u00a0Reverb: a flor da pele,\u00a0\u00bb which participated in the I Ssa Mapping (2017). With fourteen years of experience in the field, she has participated in more than forty audiovisual productions across the Northeast, North, and Southeast regions of the country. She holds a Master\u2019s degree from the P\u00f3scultura\/UFBa program, where she researches the construction of black characters in contemporary national cinema<\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Camila Ribeiro, Br\u00e9sil, 2023 SYNOPSIS Jussara is the living memory of the village where she lives, known as a counselor and storyteller, she enchantes and engages everyone around her. One day, she realizes she’s tired of carrying so many stories and decides to live her own BIOFILMOGRAPHIE Director and screenwriter of the animation \u201cJussara\u201d (2023), […]<\/p>\n","protected":false},"author":13,"featured_media":7565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-52.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8009"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8009\/revisions"}],"predecessor-version":[{"id":8010,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8009\/revisions\/8010"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7565"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8006,"date":"2025-01-28T09:00:44","date_gmt":"2025-01-28T09:00:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8006"},"modified":"2025-01-28T09:00:48","modified_gmt":"2025-01-28T09:00:48","slug":"hadu-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hadu-2\/","title":{"rendered":"HADU"},"content":{"rendered":"\n

DAMILOLA SOLESI, Nigeria, 2024<\/p>\n\n\n\n

SYNOPSIS
Dans Hadu, un court-m\u00e9trage d\u2019animation nostalgique et inspirant se d\u00e9roulant dans les ann\u00e9es 1990, nous suivons Mimi, une passionn\u00e9e de 10 ans, dans une aventure culinaire extraordinaire. Mimi tente de reproduire la recette pr\u00e9f\u00e9r\u00e9e de sa grand-m\u00e8re pour un rassemblement familial, dans une cuisine chaleureuse impr\u00e9gn\u00e9e du charme de cette \u00e9poque. Avec son esth\u00e9tique distinct des ann\u00e9es 1990, le film capture magistralement l\u2019essence de cette p\u00e9riode, \u00e9veillant un sentiment de nostalgie.<\/p>\n\n\n\n

En utilisant le livre de recettes de sa grand-m\u00e8re, Mimi fait face \u00e0 des erreurs inattendues et \u00e0 des d\u00e9fis culinaires. Avec l\u2019aide de la pr\u00e9sence bienveillante de sa grand-m\u00e8re, elles partent ensemble dans une aventure joyeuse, mettant en avant les liens \u00e9ternels cr\u00e9\u00e9s \u00e0 travers la cuisine, les souvenirs et les relations familiales. Hadu c\u00e9l\u00e8bre non seulement les saveurs des ann\u00e9es 1990, mais raconte aussi une histoire touchante, gr\u00e2ce \u00e0 sa narration \u00e9vocatrice et son ambiance nostalgique.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Damilola Solesi, PDG de Smids Animation Studios, est une leader visionnaire qui transforme le paysage de l\u2019animation au Nigeria. Ses \u0153uvres incluent Boxed, Uyi et The Makerbolts, qui ont re\u00e7u une reconnaissance internationale au Festival International du Film d\u2019Animation d\u2019Annecy.<\/p>\n\n\n\n

Damilola s\u2019engage \u00e0 repousser les limites de la cr\u00e9ativit\u00e9. Jur\u00e9e des International Emmy Awards de 2020 \u00e0 2022 et d\u00e9sign\u00e9e Productrice \u00e0 Surveiller par MIPTV en 2020 et 2022, elle a marqu\u00e9 durablement la sc\u00e8ne mondiale de l\u2019animation. Avec une passion pour les r\u00e9cits authentiques africains, Damilola continue d\u2019inspirer et d\u2019innover dans le monde dynamique de l\u2019animation.<\/p>\n","protected":false},"excerpt":{"rendered":"

DAMILOLA SOLESI, Nigeria, 2024 SYNOPSISDans Hadu, un court-m\u00e9trage d\u2019animation nostalgique et inspirant se d\u00e9roulant dans les ann\u00e9es 1990, nous suivons Mimi, une passionn\u00e9e de 10 ans, dans une aventure culinaire extraordinaire. Mimi tente de reproduire la recette pr\u00e9f\u00e9r\u00e9e de sa grand-m\u00e8re pour un rassemblement familial, dans une cuisine chaleureuse impr\u00e9gn\u00e9e du charme de cette \u00e9poque. […]<\/p>\n","protected":false},"author":13,"featured_media":7564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-8006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-51.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8006"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8006\/revisions"}],"predecessor-version":[{"id":8007,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8006\/revisions\/8007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7564"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8004,"date":"2025-01-28T08:58:09","date_gmt":"2025-01-28T08:58:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8004"},"modified":"2025-01-28T08:58:11","modified_gmt":"2025-01-28T08:58:11","slug":"hadu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/hadu\/","title":{"rendered":"HADU"},"content":{"rendered":"\n

DAMILOLA SOLESI, Nig\u00e9ria, 2024<\/a><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

In \u00ab\u00a0Hadu, \u00a0\u00bb a nostalgic and uplifting animated short film set in the vivid 1990s, we join Mimi, a passionate 10-year-old, on an exquisite culinary journey. Mimi attempts to reproduce her grandmother’s favourite recipe for a family gathering against the backdrop of a cosy kitchen packed with nostalgic charm. Infused with a distinct 90s aesthetic, the film masterfully captures the essence of the era, eliciting feelings of nostalgia. Mimi is utilising her grandmother’s recipe book to deal with wonderful mistakes and culinary problems. Mimi and her vivacious grandma embark on a joyful voyage, guided by her grandmother’s gentle presence, emphasising the everlasting connections created through food, memories, and familial bonds. \u00ab\u00a0Hadu\u00a0\u00bb not only celebrates the flavours of the 1990s, but it also tells a touching story that audiences can relate to thanks to its evocative storytelling and nostalgic atmosphere<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Damilola Solesi, CEO of Smids Animation Studios, is a visionary leader reshaping Nigeria’s animation landscape. Her work includes \u00ab\u00a0Boxed\u00a0\u00bb , \u00ab\u00a0Uyi\u00a0\u00bb, \u00ab\u00a0The Makerbolts,\u00a0\u00bb which got<\/p>\n\n\n\n

international recognition at Annecy International Animation Film Festival, Damilola is committed to pushing creative boundaries. As a Juror for the International Emmy Awards 2020-2022 and earning the title of MIPTV’s \u00ab\u00a0Producer To Watch\u00a0\u00bb 2020 & 2022, she has left an indelible mark on the global animation scene. With a passion for authentic African narratives, Damilola continues to inspire and innovate in the dynamic world of animation.<\/p>\n","protected":false},"excerpt":{"rendered":"

DAMILOLA SOLESI, Nig\u00e9ria, 2024 SYNOPSIS In \u00ab\u00a0Hadu, \u00a0\u00bb a nostalgic and uplifting animated short film set in the vivid 1990s, we join Mimi, a passionate 10-year-old, on an exquisite culinary journey. Mimi attempts to reproduce her grandmother’s favourite recipe for a family gathering against the backdrop of a cosy kitchen packed with nostalgic charm. Infused […]<\/p>\n","protected":false},"author":13,"featured_media":7564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8004","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-51.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8004"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8004\/revisions"}],"predecessor-version":[{"id":8005,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8004\/revisions\/8005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7564"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8001,"date":"2025-01-28T08:55:36","date_gmt":"2025-01-28T08:55:36","guid":{"rendered":"https:\/\/fespaco.bf\/?p=8001"},"modified":"2025-01-28T08:55:39","modified_gmt":"2025-01-28T08:55:39","slug":"bilichi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bilichi-2\/","title":{"rendered":"BILICHI"},"content":{"rendered":"\n

BILICHIMahamet KONE, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS
After the murder of his father, Bakary joins forces with the king to avenge his death. He targets Bilichi, the fearless warrior feared by all.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born in Bamako, Mahamet Kon\u00e9 studied at the Conservatory of Arts and Multimedia Trades Balla Fass\u00e9k\u00e9 Kouyat\u00e9. He has collaborated with various organizations and created the comic Boukadary, the animated film Le R\u00eave de Fanta, and two episodes of Famille Douman. Mahamet also developed Benb\u00e9re for the IOM and contributed to films such as POLICIK\u00ca, SOUROUKOUBA NI ZOZANIBA, KONDEKI\u00ca, and I B\u00d4 Y\u00d4R\u00d4.<\/p>\n","protected":false},"excerpt":{"rendered":"

BILICHIMahamet KONE, Mali, 2023 SYNOPSISAfter the murder of his father, Bakary joins forces with the king to avenge his death. He targets Bilichi, the fearless warrior feared by all. BIOFILMOGRAPHYBorn in Bamako, Mahamet Kon\u00e9 studied at the Conservatory of Arts and Multimedia Trades Balla Fass\u00e9k\u00e9 Kouyat\u00e9. He has collaborated with various organizations and created the […]<\/p>\n","protected":false},"author":13,"featured_media":7563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-8001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-50.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=8001"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8001\/revisions"}],"predecessor-version":[{"id":8002,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/8001\/revisions\/8002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7563"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=8001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=8001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=8001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7999,"date":"2025-01-28T08:54:49","date_gmt":"2025-01-28T08:54:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7999"},"modified":"2025-01-28T08:54:51","modified_gmt":"2025-01-28T08:54:51","slug":"bilichi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bilichi\/","title":{"rendered":"BILICHI"},"content":{"rendered":"\n

Mahamet KONE, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Suite au meurtre de son p\u00e8re, Bakary s\u2019allie au roi pour venger la mort de celui-ci. Il s’en prend \u00e0 Bilichi, l’intr\u00e9pide guerrier craint de tous.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9 \u00e0 Bamako, Mahamet Kon\u00e9 a \u00e9tudi\u00e9 au Conservatoire des arts et m\u00e9tiers multim\u00e9dia Balla Fass\u00e9k\u00e9 Kouyat\u00e9. Il a collabor\u00e9 avec diverses structures et a r\u00e9alis\u00e9 la bande dessin\u00e9e Boukadary<\/em><\/strong>, le \ufb01lm d\u2019animation Le r\u00eave de Fanta<\/em><\/strong> et deux \u00e9pisodes de Famille Douman<\/em><\/strong>. Mahamet a cr\u00e9\u00e9 Benb\u00e9re pour l\u2019OIM et est intervenu sur des films tels que POLICIK\u00ca, SOUROUKOUBA NI ZOZANIBA, KONDEKI\u00ca <\/em><\/strong>et I B\u00d4 Y\u00d4R\u00d4<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mahamet KONE, Mali, 2023 SYNOPSIS Suite au meurtre de son p\u00e8re, Bakary s\u2019allie au roi pour venger la mort de celui-ci. Il s’en prend \u00e0 Bilichi, l’intr\u00e9pide guerrier craint de tous. BIOFILMOGRAPHIE N\u00e9 \u00e0 Bamako, Mahamet Kon\u00e9 a \u00e9tudi\u00e9 au Conservatoire des arts et m\u00e9tiers multim\u00e9dia Balla Fass\u00e9k\u00e9 Kouyat\u00e9. Il a collabor\u00e9 avec diverses structures […]<\/p>\n","protected":false},"author":13,"featured_media":7563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-7999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-50.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7999"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7999\/revisions"}],"predecessor-version":[{"id":8000,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7999\/revisions\/8000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7563"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7996,"date":"2025-01-28T08:51:01","date_gmt":"2025-01-28T08:51:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7996"},"modified":"2025-01-28T08:52:32","modified_gmt":"2025-01-28T08:52:32","slug":"bana-mayimaud-salome-ekila-democratic-republic-of-congo-drc-2024","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bana-mayimaud-salome-ekila-democratic-republic-of-congo-drc-2024\/","title":{"rendered":"BAN\u2019A MAYI"},"content":{"rendered":"\n

Maud-Salom\u00e9 Ekila, Democratic Republic of Congo (DRC), 2024<\/p>\n\n\n\n

SYNOPSIS
Nia, Okelia, and Shanti are triplets living in Kinshasa. Okelia is different from her sisters because she has albinism. The three sisters are so passionate about the marine world that their father decides to move to Moanda, a Congolese city by the ocean, where they make an incredible discovery. Before leaving the city, they pay tribute to Patrice Lumumba at his memorial.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Maud-Salom\u00e9 Ekila, a Congolese journalist, reporter, and filmmaker, is a pan-Africanist and an active civil society advocate. She produces historical and current affairs documentaries and hosts programs on geopolitics and contemporary issues. She previously led T\u00e9l\u00e9 Ha\u00efti, serving as editor-in-chief in Port-au-Prince. Kesho is her first audiobook, from which two animated films have been adapted.<\/p>\n","protected":false},"excerpt":{"rendered":"

Maud-Salom\u00e9 Ekila, Democratic Republic of Congo (DRC), 2024 SYNOPSISNia, Okelia, and Shanti are triplets living in Kinshasa. Okelia is different from her sisters because she has albinism. The three sisters are so passionate about the marine world that their father decides to move to Moanda, a Congolese city by the ocean, where they make an […]<\/p>\n","protected":false},"author":13,"featured_media":7562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442],"tags":[],"class_list":["post-7996","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-49.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7996"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7996\/revisions"}],"predecessor-version":[{"id":7998,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7996\/revisions\/7998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7994,"date":"2025-01-28T08:49:19","date_gmt":"2025-01-28T08:49:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7994"},"modified":"2025-01-28T08:51:47","modified_gmt":"2025-01-28T08:51:47","slug":"bana-mayi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bana-mayi\/","title":{"rendered":"BAN\u2019A MAYI"},"content":{"rendered":"\n

MAUD-Salom\u00e9 Ekila, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Nia, Okelia et Shanti sont des tripl\u00e9s vivant \u00e0 Kinshasa. Okelia est diff\u00e9rente de ses s\u0153urs car elle est atteinte d\u2019albinisme. Les trois s\u0153urs sont si passionn\u00e9es par le monde marin que leur papa d\u00e9cide de d\u00e9m\u00e9nager \u00e0 Moanda, une ville congolaise situ\u00e9e au bord de l\u2019oc\u00e9an o\u00f9 elles feront une belle d\u00e9couverte. Avant de quitter la ville, ils rendent hommage \u00e0 Patrice LUMUMBA \u00e0 son m\u00e9morial.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Journaliste reporter et r\u00e9alisatrice congolaise, Maud-Salom\u00e9 Ekila est panafricaniste et militante active de la soci\u00e9t\u00e9 civile. Elle r\u00e9alise des documentaires historiques et d\u2019actualit\u00e9 et pr\u00e9sente des \u00e9missions de g\u00e9opolitique et d\u2019actualit\u00e9.  Elle a dirig\u00e9 T\u00e9l\u00e9 Ha\u00efti o\u00f9 elle fut r\u00e9dactrice en chef \u00e0 Port-Au-Prince. Kesho<\/em> est son premier livre-audio d\u2019o\u00f9 sont extraits deux dessins anim\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"

MAUD-Salom\u00e9 Ekila, R\u00e9publique D\u00e9mocratique du Congo (RDC), 2024 SYNOPSIS Nia, Okelia et Shanti sont des tripl\u00e9s vivant \u00e0 Kinshasa. Okelia est diff\u00e9rente de ses s\u0153urs car elle est atteinte d\u2019albinisme. Les trois s\u0153urs sont si passionn\u00e9es par le monde marin que leur papa d\u00e9cide de d\u00e9m\u00e9nager \u00e0 Moanda, une ville congolaise situ\u00e9e au bord de […]<\/p>\n","protected":false},"author":13,"featured_media":7562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444],"tags":[],"class_list":["post-7994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-49.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7994"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7994\/revisions"}],"predecessor-version":[{"id":7995,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7994\/revisions\/7995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7833,"date":"2025-01-27T16:26:22","date_gmt":"2025-01-27T16:26:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7833"},"modified":"2025-02-07T09:14:37","modified_gmt":"2025-02-07T09:14:37","slug":"sokhna-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sokhna-2\/","title":{"rendered":"Sokhna"},"content":{"rendered":"\n

Boris OU\u00c9, C\u00f4te d\u2019Ivoire, 2023<\/p>\n\n\n\n

SYNOPSIS
Unacknowledged by her father, Sokhna is raised by her grandparents and her mother. After her mother\u2019s death, her future appears fraught with peril. Alone and facing her destiny, she finds herself in utter despair, battling against all odds.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Boris OU\u00c9 is a screenwriter, director, and cinematographer. He gained recognition as the co-director of the feature film RESOLUTION, which won an award at FESPACO in 2019. Between 2020 and 2022, he participated in\u2026 [Continue with additional details if available].<\/p>\n","protected":false},"excerpt":{"rendered":"

Boris OU\u00c9, C\u00f4te d\u2019Ivoire, 2023 SYNOPSISUnacknowledged by her father, Sokhna is raised by her grandparents and her mother. After her mother\u2019s death, her future appears fraught with peril. Alone and facing her destiny, she finds herself in utter despair, battling against all odds. BIOFILMOGRAPHYBoris OU\u00c9 is a screenwriter, director, and cinematographer. He gained recognition as […]<\/p>\n","protected":false},"author":13,"featured_media":9336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-7833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-1-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7833"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7833\/revisions"}],"predecessor-version":[{"id":7834,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7833\/revisions\/7834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9336"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7830,"date":"2025-01-27T16:25:31","date_gmt":"2025-01-27T16:25:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7830"},"modified":"2025-02-07T09:11:55","modified_gmt":"2025-02-07T09:11:55","slug":"sokhna","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sokhna\/","title":{"rendered":"Sokhna"},"content":{"rendered":"\n

Boris OU\u00c9, C\u00f4te d\u2019Ivoire, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

N\u2019ayant pas \u00e9t\u00e9 reconnue par son p\u00e8re, Sokhna est \u00e9lev\u00e9e par ses grands-parents et par sa m\u00e8re. Apr\u00e8s la mort de cette derni\u00e8re l\u2019avenir se pr\u00e9sage p\u00e9rilleux pour elle. Seule face \u00e0 son destin, contre vents et marr\u00e9es, elle se retrouve dans du d\u00e9sespoir total.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Boris OU\u00c9 est sc\u00e9nariste, r\u00e9alisateur et directeur de la photographie. Il s\u2019est fait conna\u00eetre en tant que cor\u00e9alisateur du long m\u00e9trage RESOLUTION<\/em> prim\u00e9 au FESPACO en 2019. Entre 2020 et 2022, il participe \u00e0 la<\/p>\n","protected":false},"excerpt":{"rendered":"

Boris OU\u00c9, C\u00f4te d\u2019Ivoire, 2023 SYNOPSIS N\u2019ayant pas \u00e9t\u00e9 reconnue par son p\u00e8re, Sokhna est \u00e9lev\u00e9e par ses grands-parents et par sa m\u00e8re. Apr\u00e8s la mort de cette derni\u00e8re l\u2019avenir se pr\u00e9sage p\u00e9rilleux pour elle. Seule face \u00e0 son destin, contre vents et marr\u00e9es, elle se retrouve dans du d\u00e9sespoir total. BIOFILMOGRAPHIE Boris OU\u00c9 est […]<\/p>\n","protected":false},"author":13,"featured_media":9336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-7830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-1-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7830"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7830\/revisions"}],"predecessor-version":[{"id":7832,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7830\/revisions\/7832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9336"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7827,"date":"2025-01-27T16:20:19","date_gmt":"2025-01-27T16:20:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7827"},"modified":"2025-01-27T16:20:21","modified_gmt":"2025-01-27T16:20:21","slug":"langue-maternelle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/langue-maternelle\/","title":{"rendered":"LANGUE MATERNELLE"},"content":{"rendered":"\n

Duncan SENKUMBA, Ouganda, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Portrait tendre de l\u2019Ouganda, Langue Maternelle de Duncan Senkumba emm\u00e8ne le spectateur dans un voyage anim\u00e9 \u00e0 travers les rues anim\u00e9es des villes et les paysages sauvages. Le film explore l\u2019\u00e9quilibre d\u00e9licat entre la vie urbaine et le monde naturel, depuis l\u2019effervescence des march\u00e9s de Kampala jusqu\u2019aux collines ondoyantes des parcs nationaux du pays.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Bas\u00e9 au Royaume-Uni, Duncan Senkumba puise son inspiration dans l\u2019art africain qui a marqu\u00e9 son enfance dans l\u2019environnement urbain de Kampala. Son travail se distingue par des mouvements fluides et des silhouettes qui se transforment et \u00e9voluent dans des paysages color\u00e9s. Il documente ce qu\u2019il appelle \u00ab l\u2019exp\u00e9rience africaine \u00bb pour explorer l\u2019identit\u00e9, la famille et les tabous culturels.<\/p>\n\n\n\n

Depuis l\u2019obtention de son MA en Animation au Royal College of Art, ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans des festivals tels que le London International Animation Festival, le Africa International Film Festival (Lagos) et le Encounters Festival (Bristol). Il a \u00e9galement re\u00e7u des commandes commerciales de clients comme la BBC et l\u2019University of California Press.<\/p>\n","protected":false},"excerpt":{"rendered":"

Duncan SENKUMBA, Ouganda, 2024 SYNOPSIS Portrait tendre de l\u2019Ouganda, Langue Maternelle de Duncan Senkumba emm\u00e8ne le spectateur dans un voyage anim\u00e9 \u00e0 travers les rues anim\u00e9es des villes et les paysages sauvages. Le film explore l\u2019\u00e9quilibre d\u00e9licat entre la vie urbaine et le monde naturel, depuis l\u2019effervescence des march\u00e9s de Kampala jusqu\u2019aux collines ondoyantes des […]<\/p>\n","protected":false},"author":13,"featured_media":7570,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-57.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7827"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7827\/revisions"}],"predecessor-version":[{"id":7828,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7827\/revisions\/7828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7570"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7825,"date":"2025-01-27T16:17:54","date_gmt":"2025-01-27T16:17:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7825"},"modified":"2025-01-27T16:17:56","modified_gmt":"2025-01-27T16:17:56","slug":"mother-tongue-langue-maternelle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mother-tongue-langue-maternelle\/","title":{"rendered":"MOTHER TONGUE\/langue maternelle\u00a0\u00a0\u00a0\u00a0"},"content":{"rendered":"\n

Duncan SENKUMBA, Ouganda, 2024                                                                                                                              <\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

A loving portrait of Uganda, Duncan Senkumba\u2019s Mother Tongue leads the viewer on an animated journey through city streets and wild landscapes to explore the fine balance between urban life and the natural world, from the bustle of Kampala\u2019s markets to the rolling hills of the country\u2019s national parks.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/p>\n\n\n\n

Based in the United Kingdom, Duncan Senkumba draws inspiration from the African art he grew up with in the urban environment of Kampala. Since earning a master\u2019s degree in Animation from the Royal College of Art, his work has been showcased at festivals such as the London International Animation Festival, the Africa International Film Festival (Lagos), and the Encounters Festival (Bristol).<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong>    <\/p>\n\n\n\n

Based in the UK, Duncan Senkumba is inspired by the African art he grew up with in the urban environment of Kampala. His work is characterised by fluid motion, with silhouettes that morph and shift through colourful landscapes. His work documents what he describes as \u2018the African experience\u2019 to explore identity, family and cultural taboos. Since graduating with an MA in Animation from the Royal College of Art, his work has been shown at festivals including the London International Animation Festival, the Africa International Film Festival (Lagos) and Encounters Festival (Bristol), and he has received commercial commissions from clients including the BBC and the University of California Press.<\/p>\n","protected":false},"excerpt":{"rendered":"

Duncan SENKUMBA, Ouganda, 2024                                                                                                                               SYNOPSIS A loving portrait of Uganda, Duncan Senkumba\u2019s Mother Tongue leads the viewer on an animated journey through city streets and wild landscapes to explore the fine balance between urban life and the natural world, from the bustle of Kampala\u2019s markets to the rolling hills of the country\u2019s national parks. BIOFILMOGRAPHY […]<\/p>\n","protected":false},"author":13,"featured_media":7570,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-57.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7825"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7825\/revisions"}],"predecessor-version":[{"id":7826,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7825\/revisions\/7826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7570"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7822,"date":"2025-01-27T16:14:21","date_gmt":"2025-01-27T16:14:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7822"},"modified":"2025-01-27T16:14:23","modified_gmt":"2025-01-27T16:14:23","slug":"malaika-patrimoine-culturel-dune-nation-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/malaika-patrimoine-culturel-dune-nation-2\/","title":{"rendered":"MALA\u00cfKA, patrimoine culturel d\u2019une nation."},"content":{"rendered":"\n

Serge Dimitri PITROIPA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
Through the character of Mala\u00efka, an albino teenager, and her companion \u201cI,\u201d an artificial intelligence, we explore the extraordinary tangible and intangible cultural heritage of Burkina Faso.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
N. Serge Dimitri PITROIPA is a Burkinabe director, producer, and set designer. In 2006, after training at Africa Animated 3 in Kenya, he directed RENDEZ-VOUS. In 2008, he directed Zozo, which was selected for several festivals. In 2013, he co-directed AFROGAMES and founded his production company, Pit-Production, where he co-produced PAWIT RAOGO. In 2021, he directed TEMPETE DANS UNE CALEBASSE, which was selected for FESPACO 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Serge Dimitri PITROIPA, Burkina Faso, 2024 SYNOPSISThrough the character of Mala\u00efka, an albino teenager, and her companion \u201cI,\u201d an artificial intelligence, we explore the extraordinary tangible and intangible cultural heritage of Burkina Faso. BIOFILMOGRAPHIEN. Serge Dimitri PITROIPA is a Burkinabe director, producer, and set designer. In 2006, after training at Africa Animated 3 in Kenya, […]<\/p>\n","protected":false},"author":13,"featured_media":7568,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-55.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7822"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7822\/revisions"}],"predecessor-version":[{"id":7823,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7822\/revisions\/7823"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7568"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7819,"date":"2025-01-27T16:11:02","date_gmt":"2025-01-27T16:11:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7819"},"modified":"2025-01-27T16:13:07","modified_gmt":"2025-01-27T16:13:07","slug":"malaika-patrimoine-culturel-dune-nation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/malaika-patrimoine-culturel-dune-nation\/","title":{"rendered":"MALA\u00cfKA, patrimoine culturel d\u2019une nation"},"content":{"rendered":"\n

N. Serge Dimitri PITROIPA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

A travers le personnage Mala\u00efka, une adolescente albinos et son compagnon \u00ab I \u00bb, une intelligence artificielle, nous allons \u00e0 la d\u00e9couverte du merveilleux patrimoine culturel mat\u00e9riel et immat\u00e9riel du Burkina Faso.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N. Serge Dimitri PITROIPA est r\u00e9alisateur, producteur et d\u00e9corateur burkinab\u00e8. En 2006, apr\u00e8s un stage au Kenya \u00e0 Africa Animated 3, il r\u00e9alise RENDEZ-VOUS<\/em>.<\/strong> En 2008, il r\u00e9alise Zozo<\/em>, s\u00e9lectionn\u00e9 dans plusieurs festivals. En 2013, il co-r\u00e9alise AFROGAMES<\/em> et cr\u00e9e sa soci\u00e9t\u00e9 Pit- Production o\u00f9 il coproduit PAWIT RAOGO<\/em>. En 2021, il r\u00e9alise TEMPETE DANS UNE CALEBASSE<\/em> s\u00e9lectionn\u00e9 au FESPACO 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

N. Serge Dimitri PITROIPA, Burkina Faso, 2024 SYNOPSIS A travers le personnage Mala\u00efka, une adolescente albinos et son compagnon \u00ab I \u00bb, une intelligence artificielle, nous allons \u00e0 la d\u00e9couverte du merveilleux patrimoine culturel mat\u00e9riel et immat\u00e9riel du Burkina Faso. BIOFILMOGRAPHIE N. Serge Dimitri PITROIPA est r\u00e9alisateur, producteur et d\u00e9corateur burkinab\u00e8. En 2006, apr\u00e8s un […]<\/p>\n","protected":false},"author":13,"featured_media":7568,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-55.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7819"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7819\/revisions"}],"predecessor-version":[{"id":7821,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7819\/revisions\/7821"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7568"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7817,"date":"2025-01-27T16:09:35","date_gmt":"2025-01-27T16:09:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7817"},"modified":"2025-02-10T14:07:43","modified_gmt":"2025-02-10T14:07:43","slug":"madjbara-arc-en-ciel-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/madjbara-arc-en-ciel-2\/","title":{"rendered":"Madjbara \/ Arc-en-ciel"},"content":{"rendered":"\n

Salma Khalil, Tchad, 2024 SYNOPSIS
Madjbara is both a depiction of the beauty and magic of nature and a gateway to its mysteries. The film explores the journey of African ancestral and authentic identity through time\u2014an identity imprinted on the female body, showcasing a natural beauty that has nearly disappeared from the contemporary narrative of African culture.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
A visual artist, photojournalist, and consultant in graphic design, Salma Khalil adapted the comic book La Famille Hassan. She directed Reine du Guera, which was showcased at numerous festivals worldwide and received a Jury Mention at FESPACO 2023 as well as the Best African Film Award by CANAL+ International at the Abidjan Animation Film Festival in 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Salma Khalil, Tchad, 2024 SYNOPSISMadjbara is both a depiction of the beauty and magic of nature and a gateway to its mysteries. The film explores the journey of African ancestral and authentic identity through time\u2014an identity imprinted on the female body, showcasing a natural beauty that has nearly disappeared from the contemporary narrative of African […]<\/p>\n","protected":false},"author":13,"featured_media":7567,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-54.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7817"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7817\/revisions"}],"predecessor-version":[{"id":9669,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7817\/revisions\/9669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7567"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7813,"date":"2025-01-27T16:08:44","date_gmt":"2025-01-27T16:08:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7813"},"modified":"2025-02-10T14:07:10","modified_gmt":"2025-02-10T14:07:10","slug":"madjbara-arc-en-ciel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/madjbara-arc-en-ciel\/","title":{"rendered":"Madjbara \/arc-en-ciel"},"content":{"rendered":"\n

Salma Khalil, Tchad, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS<\/strong><\/p>\n\n\n\n

Madjbara est \u00e0 la fois l\u2019illustration de la beaut\u00e9, de la magie de la nature et en m\u00eame temps une porte des myst\u00e8res. Ce film raconte le parcours de l\u2019identit\u00e9 ancestrale et authentique africaine dans le temps. Une identit\u00e9 imprim\u00e9e sur le corps f\u00e9minin, \u00e0 travers une beaut\u00e9 naturelle, aujourd\u2019hui, presque effac\u00e9e du tableau actuel de la culture g\u00e9n\u00e9rale africaine.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Plasticienne, photographe reporter et consultante en graphisme et design, Salma Khalil adapte la bande dessin\u00e9e La Famille Hassan<\/em>. Elle r\u00e9alise Reine du Guera<\/em> qui a parcouru de nombreux festivals \u00e0 travers le monde et a re\u00e7u la mention du jury au FESPACO 2023 ainsi que le prix du meilleur film africain CANAL + International lors du Festival du Film d\u2019Animation d\u2019Abidjan en 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Salma Khalil, Tchad, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS Madjbara est \u00e0 la fois l\u2019illustration de la beaut\u00e9, de la magie de la nature et en m\u00eame temps une porte des myst\u00e8res. Ce film raconte le parcours de l\u2019identit\u00e9 ancestrale et authentique africaine dans le temps. Une identit\u00e9 imprim\u00e9e sur le corps f\u00e9minin, \u00e0 travers une beaut\u00e9 naturelle, aujourd\u2019hui, […]<\/p>\n","protected":false},"author":13,"featured_media":7567,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-54.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7813"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7813\/revisions"}],"predecessor-version":[{"id":9668,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7813\/revisions\/9668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7567"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7811,"date":"2025-01-27T16:07:34","date_gmt":"2025-01-27T16:07:34","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7811"},"modified":"2025-02-07T10:17:01","modified_gmt":"2025-02-07T10:17:01","slug":"les-remplacants-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-remplacants-2\/","title":{"rendered":"LES REMPLA\u00c7ANTS"},"content":{"rendered":"\n

Hadiza Abdou Id\u00e9, Niger\/Portugal, 2023<\/p>\n\n\n\n

SYNOPSIS
An unusual phenomenon has obsessed Professor John for years. His research continuously points him toward a hamlet near the Atlantic coast of Africa. However, he is far from imagining that his science and technology may neither detect nor explain what is truly happening.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Hadiza is a Nigerien artist-designer and filmmaker. With qualifications in several fields, including cinema, she excels and contributes to every stage of film creation. In 2023, Hadiza directed her first animated short film, Les Rempla\u00e7ants, which was officially selected by the \u201cFirst-Time Filmmaker Sessions – hosted by Lift-Off Global Network\u201d and became a finalist in its category.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hadiza Abdou Id\u00e9, Niger\/Portugal, 2023 SYNOPSISAn unusual phenomenon has obsessed Professor John for years. His research continuously points him toward a hamlet near the Atlantic coast of Africa. However, he is far from imagining that his science and technology may neither detect nor explain what is truly happening. BIOFILMOGRAPHIEHadiza is a Nigerien artist-designer and filmmaker. […]<\/p>\n","protected":false},"author":13,"featured_media":9345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-38.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7811"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7811\/revisions"}],"predecessor-version":[{"id":7812,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7811\/revisions\/7812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9345"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7808,"date":"2025-01-27T16:05:46","date_gmt":"2025-01-27T16:05:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7808"},"modified":"2025-02-07T10:20:16","modified_gmt":"2025-02-07T10:20:16","slug":"les-remplacants","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-remplacants\/","title":{"rendered":"LES REMPLA\u00c7ANTS"},"content":{"rendered":"\n

Hadiza Abdou Id\u00e9, Niger\/Portugal, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Un ph\u00e9nom\u00e8ne \u00e9trange obs\u00e8de le professeur John depuis des ann\u00e9es. Ses recherches l\u2019orientent sans cesse vers un hameau situ\u00e9 pr\u00e8s des c\u00f4tes atlantiques d\u2019Afrique. Mais ce dernier est loin d\u2019imaginer que sa science et sa technologie ne pourront certainement pas, ni d\u00e9tecter ni expliquer ce qui se passe r\u00e9ellement.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Hadiza est une artiste-designer et r\u00e9alisatrice nig\u00e9rienne. Dipl\u00f4m\u00e9e dans plusieurs domaines dont le cin\u00e9ma, elle excelle et intervient dans toutes les \u00e9tapes de cr\u00e9ation des films. En 2023, Hadiza r\u00e9alise son premier court m\u00e9trage d\u2019animation Les Rempla\u00e7ants<\/em><\/strong>, s\u00e9lectionn\u00e9 officiellement par le \u201cFirst-Time Filmmaker Sessions – hosted by Lift-Off Global Network,\u201d et finaliste dans sa cat\u00e9gorie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hadiza Abdou Id\u00e9, Niger\/Portugal, 2023 SYNOPSIS Un ph\u00e9nom\u00e8ne \u00e9trange obs\u00e8de le professeur John depuis des ann\u00e9es. Ses recherches l\u2019orientent sans cesse vers un hameau situ\u00e9 pr\u00e8s des c\u00f4tes atlantiques d\u2019Afrique. Mais ce dernier est loin d\u2019imaginer que sa science et sa technologie ne pourront certainement pas, ni d\u00e9tecter ni expliquer ce qui se passe r\u00e9ellement. […]<\/p>\n","protected":false},"author":13,"featured_media":9345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-38.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7808"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7808\/revisions"}],"predecessor-version":[{"id":9337,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7808\/revisions\/9337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9345"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7806,"date":"2025-01-27T16:03:43","date_gmt":"2025-01-27T16:03:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7806"},"modified":"2025-02-07T12:38:48","modified_gmt":"2025-02-07T12:38:48","slug":"le-lac-bleu-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-lac-bleu-2\/","title":{"rendered":"LE LAC BLEU"},"content":{"rendered":"\n

Daoud AOULAD-SYAD, Maroc, 2024<\/p>\n\n\n\n

SYNOPSIS
Youssef, a twelve-year-old blind boy, has been an orphan since the age of six months and lives with his grandparents, Allal, a taxi driver, and Ouardia. They reside in a remote village in the desert. One day, his grandfather buys him a camera, and Youssef begins photographing everything around him.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
With a Ph.D. in physics from the University of Nancy in 1981, Daoud Aoulad-Syad ventured into cinema after participating in a film workshop at FEMIS in 1989. He directed his first feature film, Adieu Forain (1998), which won the Critics\u2019 Prize at CINEMED, and En Attendant Pasolini (2007), which earned the Best Arab Film Award at the Cairo International Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daoud AOULAD-SYAD, Maroc, 2024 SYNOPSISYoussef, a twelve-year-old blind boy, has been an orphan since the age of six months and lives with his grandparents, Allal, a taxi driver, and Ouardia. They reside in a remote village in the desert. One day, his grandfather buys him a camera, and Youssef begins photographing everything around him. BIOFILMOGRAPHIEWith […]<\/p>\n","protected":false},"author":13,"featured_media":7551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[452,462],"tags":[],"class_list":["post-7806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-38.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7806"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7806\/revisions"}],"predecessor-version":[{"id":8330,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7806\/revisions\/8330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7551"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7804,"date":"2025-01-27T16:02:57","date_gmt":"2025-01-27T16:02:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7804"},"modified":"2025-02-07T12:37:27","modified_gmt":"2025-02-07T12:37:27","slug":"le-lac-bleu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-lac-bleu\/","title":{"rendered":"LE LAC BLEU"},"content":{"rendered":"\n

Daoud AOULAD-SYAD, Maroc, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Youssef, un enfant de douze ans non-voyant, est orphelin depuis l\u2019\u00e2ge de six mois et vit avec ses grands-parents, Allal, chauffeur de taxi et Ouardia. Ils habitent un village perdu dans le d\u00e9sert. Un jour, son grand-p\u00e8re lui ach\u00e8te un appareil photo et il commence alors \u00e0 photographier tout ce qui l’entoure.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/strong><\/p>\n\n\n\n

Docteur en sciences physique de l\u2019universit\u00e9 de Nancy en 1981, Daoud Aoulad-Syad d\u00e9bute dans le cin\u00e9ma apr\u00e8s avoir pris part \u00e0 un atelier de cin\u00e9ma \u00e0 la FEMIS en 1989. Il a r\u00e9alis\u00e9 en son premier long m\u00e9trage, Adieu forain<\/em> (1998), prix de la critique au CINEMED et En attendant Pasolini <\/em>(2007), prix du meilleur film arabe au Festival International du Film de Caire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daoud AOULAD-SYAD, Maroc, 2024 SYNOPSIS Youssef, un enfant de douze ans non-voyant, est orphelin depuis l\u2019\u00e2ge de six mois et vit avec ses grands-parents, Allal, chauffeur de taxi et Ouardia. Ils habitent un village perdu dans le d\u00e9sert. Un jour, son grand-p\u00e8re lui ach\u00e8te un appareil photo et il commence alors \u00e0 photographier tout ce […]<\/p>\n","protected":false},"author":13,"featured_media":7551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[450,464],"tags":[],"class_list":["post-7804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-38.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7804"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7804\/revisions"}],"predecessor-version":[{"id":7805,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7804\/revisions\/7805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7551"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7800,"date":"2025-01-27T16:00:44","date_gmt":"2025-01-27T16:00:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7800"},"modified":"2025-01-28T09:07:56","modified_gmt":"2025-01-28T09:07:56","slug":"kondekie-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kondekie-2\/","title":{"rendered":"KONDEKIE"},"content":{"rendered":"\n

Kadidiatou KONAK\u00c9, Mali, 2024<\/p>\n\n\n\n

SYNOPSIS
After refusing to comply with the demands of their attackers, the du\u2019\u00e2t take necessary measures to protect themselves from those seeking to fight them. Following this conflict, they are given the name KONDEKIE.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born in Bamako, Kadidiatou KONAK\u00c9 is a graduate of the Conservatory of Arts and Multimedia Trades Balla Fass\u00e9k\u00e9 Kouyat\u00e9, where she studied Multimedia. She collaborated with Vortexgroups and participated in the Bembere project for the IOM NGO. KONAK\u00c9 has also contributed to the production of several films, including BILICHI and I B\u00d4 Y\u00d4R\u00d4. KONDEKIE is her most recent film, completed in 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kadidiatou KONAK\u00c9, Mali, 2024 SYNOPSISAfter refusing to comply with the demands of their attackers, the du\u2019\u00e2t take necessary measures to protect themselves from those seeking to fight them. Following this conflict, they are given the name KONDEKIE. BIOFILMOGRAPHYBorn in Bamako, Kadidiatou KONAK\u00c9 is a graduate of the Conservatory of Arts and Multimedia Trades Balla Fass\u00e9k\u00e9 […]<\/p>\n","protected":false},"author":13,"featured_media":7566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-53.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7800"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7800\/revisions"}],"predecessor-version":[{"id":7801,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7800\/revisions\/7801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7566"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7795,"date":"2025-01-27T15:59:47","date_gmt":"2025-01-27T15:59:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7795"},"modified":"2025-01-28T09:08:47","modified_gmt":"2025-01-28T09:08:47","slug":"kondekie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kondekie\/","title":{"rendered":"KONDEKIE"},"content":{"rendered":"\n

Kadidiatou KONAK\u00c9, Mali, 2024<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Apr\u00e8s leur refus d\u2019obtemp\u00e9rer \u00e0 la demande de leurs assaillants, les du\u2019\u00e2t prendront les dispositions n\u00e9cessaires pour se prot\u00e9ger contre ces derniers qui veulent les combattre. \u00c0 l\u2019issu de ce conflit, le nom KONDEKIE leur sera attribu\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

N\u00e9e \u00e0 Bamako, Kadidiatou KONAK\u00c9 est un pur produit du Conservatoire des arts et m\u00e9tiers multim\u00e9dia Balla Fass\u00e9k\u00e9 Kouyat\u00e9 o\u00f9 elle a fait des \u00e9tudes en Multim\u00e9dia. Elle a collabor\u00e9 avec Vortexgroups et a particip\u00e9 au projet Bembere<\/em><\/strong> pour l\u2019ONG OIM. KONAK\u00c9 a contribu\u00e9 \u00e9galement \u00e0 la r\u00e9alisation de plusieurs \ufb01lms tels que BILICHI <\/em><\/strong>et I B\u00d4 Y\u00d4R\u00d4.  KONDEKIE<\/em><\/strong> est son dernier film r\u00e9alis\u00e9 en 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kadidiatou KONAK\u00c9, Mali, 2024 SYNOPSIS Apr\u00e8s leur refus d\u2019obtemp\u00e9rer \u00e0 la demande de leurs assaillants, les du\u2019\u00e2t prendront les dispositions n\u00e9cessaires pour se prot\u00e9ger contre ces derniers qui veulent les combattre. \u00c0 l\u2019issu de ce conflit, le nom KONDEKIE leur sera attribu\u00e9. BIOFILMOGRAPHIE N\u00e9e \u00e0 Bamako, Kadidiatou KONAK\u00c9 est un pur produit du Conservatoire des […]<\/p>\n","protected":false},"author":13,"featured_media":7566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7795","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-53.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7795"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7795\/revisions"}],"predecessor-version":[{"id":7799,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7795\/revisions\/7799"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7566"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7788,"date":"2025-01-27T15:57:10","date_gmt":"2025-01-27T15:57:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7788"},"modified":"2025-02-07T10:15:47","modified_gmt":"2025-02-07T10:15:47","slug":"kadi-jolie-raconteaminata-diallo-glez-burkina-faso-2024","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kadi-jolie-raconteaminata-diallo-glez-burkina-faso-2024\/","title":{"rendered":"KADI JOLIE RACONTE"},"content":{"rendered":"\n

KADI JOLIE RACONTEAminata Diallo-Glez, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

\u00c9pisode 1 : \u00ab Girafou \u00bb
In the savanna, Girafou the giraffe dreams of joining the firefighters. But everyone mocks her neck, her size, and her femininity. One day, however, the firefighters will need her unique skills.<\/p>\n\n\n\n

\u00c9pisode 2 : \u00ab La perche et la sardine \u00bb
In a river bend, a muscular Nile perch ignores the advice of a little sardine. Yet the small fish is cleverer than the big one and ends up saving it from a dangerous situation.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Aminata Diallo-Glez, a producer, director, and actress, first made her mark on stage alongside Jean-Pierre Guingan\u00e9 before turning her attention to cinema. Trained at EICAR in Paris and holding an MBA in International Business Management, she founded Jovial Production in 1999. She has produced and directed series such as Super Flics (Seasons 1 and 2) and documentaries such as \u00ab\u00a0Femmes en peine\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

KADI JOLIE RACONTEAminata Diallo-Glez, Burkina Faso, 2024 SYNOPSIS \u00c9pisode 1 : \u00ab Girafou \u00bbIn the savanna, Girafou the giraffe dreams of joining the firefighters. But everyone mocks her neck, her size, and her femininity. One day, however, the firefighters will need her unique skills. \u00c9pisode 2 : \u00ab La perche et la sardine \u00bbIn a […]<\/p>\n","protected":false},"author":13,"featured_media":9344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-7788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7788"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7788\/revisions"}],"predecessor-version":[{"id":9342,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7788\/revisions\/9342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9344"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7782,"date":"2025-01-27T15:55:32","date_gmt":"2025-01-27T15:55:32","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7782"},"modified":"2025-02-07T10:19:34","modified_gmt":"2025-02-07T10:19:34","slug":"kadi-jolie-raconte","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kadi-jolie-raconte\/","title":{"rendered":"KADI JOLIE RACONTE,"},"content":{"rendered":"\n

Aminata Diallo-Glez, Burkina Faso 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> :<\/p>\n\n\n\n

Episode 1 : \u00ab Girafou \u00bb<\/strong><\/p>\n\n\n\n

Dans la savane, Girafou, la girafe r\u00eave d\u2019int\u00e9grer l\u2019\u00e9quipe des pompiers. Mais tout le monde se moque de son cou, de sa corpulence ou de sa f\u00e9minit\u00e9. Un jour, les soldats du feu auront pourtant besoin de ses comp\u00e9tences sp\u00e9cifiques.<\/p>\n\n\n\n

Episode 2 : \u00ab La perche et la sardine \u00bb<\/strong><\/p>\n\n\n\n

Dans le coude d\u2019un fleuve, une perche du Nil muscl\u00e9e n\u00e9glige les conseils d\u2019une petite sardine. Le petit poisson est pourtant plus malin que le grand et le sauvera d\u2019une situation dangereuse.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Aminata Diallo-Glez, productrice, r\u00e9alisatrice et actrice, s\u2019illustre d\u2019abord sur les planches, aux c\u00f4t\u00e9s de Jean-Pierre GUINGANE avant de s\u2019int\u00e9resser au cin\u00e9ma. Form\u00e9e \u00e0 l\u2019EICAR-Paris et titulaire d\u2019un MBA en management des Affaires internationales, elle cr\u00e9e en 1999, Jovial Production. Elle produit et r\u00e9alise des s\u00e9ries dont Super flics<\/em> saisons 1 et 2 et des documentaires dont F<\/em>emmes en peine<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aminata Diallo-Glez, Burkina Faso 2024 SYNOPSIS : Episode 1 : \u00ab Girafou \u00bb Dans la savane, Girafou, la girafe r\u00eave d\u2019int\u00e9grer l\u2019\u00e9quipe des pompiers. Mais tout le monde se moque de son cou, de sa corpulence ou de sa f\u00e9minit\u00e9. Un jour, les soldats du feu auront pourtant besoin de ses comp\u00e9tences sp\u00e9cifiques. Episode 2 […]<\/p>\n","protected":false},"author":13,"featured_media":9344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-7782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-39.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7782"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7782\/revisions"}],"predecessor-version":[{"id":7787,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7782\/revisions\/7787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9344"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7777,"date":"2025-01-27T15:52:45","date_gmt":"2025-01-27T15:52:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7777"},"modified":"2025-02-07T10:02:15","modified_gmt":"2025-02-07T10:02:15","slug":"kabri-i-manz-salad-scapegoat-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kabri-i-manz-salad-scapegoat-2\/","title":{"rendered":"Kabri i manz salad \/ Scapegoat"},"content":{"rendered":"\n

Kabri i manz salad \/ ScapegoatNicolas S\u00e9ry, La R\u00e9union, 2023<\/p>\n\n\n\n

SYNOPSIS
In a public housing project in La R\u00e9union, as the Eid al-Adha festival approaches, Ibrahim, a 12-year-old boy of Comorian descent, is stigmatized by Evan, a neighbor his age, who accuses him of being an animal killer. When Ibrahim learns that a goat will be delivered to his building, he wants to save the animal\u2026 but Evan is watching.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Nicolas S\u00e9ry is a writer from La R\u00e9union. In 2021, he directed his first film, Reine Kayanm, which tells the story of Ray, a teenager torn between his roots and modernity. In 2023, his second short film, Kabri i manz salad, is a comedy addressing racism against the Mahoran and Comorian Muslim communities in La R\u00e9union.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kabri i manz salad \/ ScapegoatNicolas S\u00e9ry, La R\u00e9union, 2023 SYNOPSISIn a public housing project in La R\u00e9union, as the Eid al-Adha festival approaches, Ibrahim, a 12-year-old boy of Comorian descent, is stigmatized by Evan, a neighbor his age, who accuses him of being an animal killer. When Ibrahim learns that a goat will be […]<\/p>\n","protected":false},"author":13,"featured_media":9343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[462],"tags":[],"class_list":["post-7777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-35.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7777"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7777\/revisions"}],"predecessor-version":[{"id":7781,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7777\/revisions\/7781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9343"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7774,"date":"2025-01-27T15:51:33","date_gmt":"2025-01-27T15:51:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7774"},"modified":"2025-02-07T10:06:48","modified_gmt":"2025-02-07T10:06:48","slug":"kabri-i-manz-salad-scapegoat","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kabri-i-manz-salad-scapegoat\/","title":{"rendered":"Kabri i manz salad\/ Scapegoat"},"content":{"rendered":"\n

Nicolas S\u00e9ry, La R\u00e9union, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans une cit\u00e9 HLM de La R\u00e9union, \u00e0 l’approche de la f\u00eate du sacrifice de l’A\u00efd el-Kebir, Ibrahim, 12 ans, d’origine comorienne, est stigmatis\u00e9 par Evan, un voisin de son \u00e2ge, qui l’accuse d’\u00eatre un tueur d’animaux. Quand Ibrahim apprend qu’un cabri va \u00eatre livr\u00e9 dans son immeuble, il veut sauver l\u2019animal… mais Evan veille.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/strong><\/p>\n\n\n\n

Nicolas S\u00e9ry est un auteur r\u00e9unionnais. En 2021, il r\u00e9alise son premier film \u00ab Reine Kayanm \u00bb, qui raconte l\u2019histoire de Ray, un adolescent tortur\u00e9 entre ses racines et la modernit\u00e9. En 2023, son second court m\u00e9trage \u00ab Kabri i manz salad \u00bb, est une com\u00e9die qui traite du racisme contre la population mahoraise et comorienne, musulmane, \u00e0 La R\u00e9union.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nicolas S\u00e9ry, La R\u00e9union, 2023 SYNOPSIS Dans une cit\u00e9 HLM de La R\u00e9union, \u00e0 l’approche de la f\u00eate du sacrifice de l’A\u00efd el-Kebir, Ibrahim, 12 ans, d’origine comorienne, est stigmatis\u00e9 par Evan, un voisin de son \u00e2ge, qui l’accuse d’\u00eatre un tueur d’animaux. Quand Ibrahim apprend qu’un cabri va \u00eatre livr\u00e9 dans son immeuble, il […]<\/p>\n","protected":false},"author":13,"featured_media":9343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[464],"tags":[],"class_list":["post-7774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-Recupere-35.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7774"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7774\/revisions"}],"predecessor-version":[{"id":7776,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7774\/revisions\/7776"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9343"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7772,"date":"2025-01-27T15:46:50","date_gmt":"2025-01-27T15:46:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7772"},"modified":"2025-02-07T10:26:38","modified_gmt":"2025-02-07T10:26:38","slug":"in-the-shadow-of-feathers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/in-the-shadow-of-feathers\/","title":{"rendered":"In the Shadow of Feathers"},"content":{"rendered":"\n

Armel POUYA, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
Samba, a young boy, dreams of escaping the hunting life imposed by his older brother and becoming a bird, free to fly wherever he wishes. When his wish is granted by a mysterious goddess, his tragic flight takes an unexpected turn.<\/p>\n\n\n\n

BIOFILMOGRAPHY
A screenwriter, editor, and director, Armel POUYA discovered the 7th art when he joined ISIS-SE, where he studied from 2018 to 2021. He produced his first short film, Les Yeux Ouverts, in 2022, which was nominated for the African Film Schools Award at FESPACO 2023. He currently works at Majeek Entreprises, an audiovisual production company.<\/p>\n","protected":false},"excerpt":{"rendered":"

Armel POUYA, Burkina Faso, 2024 SYNOPSISSamba, a young boy, dreams of escaping the hunting life imposed by his older brother and becoming a bird, free to fly wherever he wishes. When his wish is granted by a mysterious goddess, his tragic flight takes an unexpected turn. BIOFILMOGRAPHYA screenwriter, editor, and director, Armel POUYA discovered the […]<\/p>\n","protected":false},"author":13,"featured_media":7571,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[442,462],"tags":[],"class_list":["post-7772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-58.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7772"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7772\/revisions"}],"predecessor-version":[{"id":7773,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7772\/revisions\/7773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7571"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7770,"date":"2025-01-27T15:44:49","date_gmt":"2025-01-27T15:44:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7770"},"modified":"2025-01-27T15:44:53","modified_gmt":"2025-01-27T15:44:53","slug":"dans-lombre-des-plumes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/dans-lombre-des-plumes\/","title":{"rendered":"Dans l’Ombre des Plumes"},"content":{"rendered":"\n

Armel POUYA, Burkina Faso, 2024                                                                                                                                <\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Samba, un jeune gar\u00e7on, r\u00eave de se lib\u00e9rer de la chasse impos\u00e9e par son grand fr\u00e8re en devenant un oiseau libre de voler o\u00f9 bon lui semble. Lorsque son v\u0153u est exauc\u00e9 par une myst\u00e9rieuse d\u00e9esse, son envol tragique prend une tournure inattendue.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>   <\/p>\n\n\n\n

Sc\u00e9nariste, monteur et r\u00e9alisateur, Armel POUYA rencontre le 7e<\/sup> art quand il int\u00e8gre l\u2019ISIS-SE dans lequel il restera entre 2018 et 2021. Il produit son premier court m\u00e9trage Les yeux ouverts<\/em><\/strong>, en 2022, nomin\u00e9 au Prix des \u00e9coles africaines de cin\u00e9ma au FESPACO 2023. Il travaille \u00e0 Majeek Entreprises, une entreprise de production audiovisuelle.<\/p>\n","protected":false},"excerpt":{"rendered":"

Armel POUYA, Burkina Faso, 2024                                                                                                                                 SYNOPSIS Samba, un jeune gar\u00e7on, r\u00eave de se lib\u00e9rer de la chasse impos\u00e9e par son grand fr\u00e8re en devenant un oiseau libre de voler o\u00f9 bon lui semble. Lorsque son v\u0153u est exauc\u00e9 par une myst\u00e9rieuse d\u00e9esse, son envol tragique prend une tournure inattendue. BIOFILMOGRAPHIE    Sc\u00e9nariste, monteur et r\u00e9alisateur, Armel […]<\/p>\n","protected":false},"author":13,"featured_media":7571,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[444,464],"tags":[],"class_list":["post-7770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-2025-fr","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-58.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7770"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7770\/revisions"}],"predecessor-version":[{"id":7771,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7770\/revisions\/7771"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7571"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7767,"date":"2025-01-27T15:37:45","date_gmt":"2025-01-27T15:37:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7767"},"modified":"2025-01-28T16:29:26","modified_gmt":"2025-01-28T16:29:26","slug":"our-land-our-freedom","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/our-land-our-freedom\/","title":{"rendered":"Our Land, Our Freedom"},"content":{"rendered":"\n

Meena Nanji, Zippy Kimundu, Kenya, Portugal, Allemagne, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Wanjugu, \u00e0 la recherche de la d\u00e9pouille de son p\u00e8re, Dedan Kimathi, leader d\u2019un mouvement de lib\u00e9ration Mau Mau au Kenya, pendu par les britanniques d\u00e9couvre les atrocit\u00e9s de leur colonisation, les camps de concentration, les fosses communes et la d\u00e9possession des terres. Elle devient une voix pour d\u00e9noncer la brutalit\u00e9 coloniale et cr\u00e9e un mouvement populaire pour la r\u00e9appropriation des terres.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Ce film est racont\u00e9 \u00e0 travers le regard unique de deux r\u00e9alisatrices kenyanes : Meena Nanji, d\u2019origine indienne, n\u00e9e au Kenya de deuxi\u00e8me g\u00e9n\u00e9ration, et Zippy Kimundu, une K\u00e9nyane vivant \u00e0 Nairobi apr\u00e8s avoir obtenu un MFA \u00e0 NYU. Elles ont uni leurs forces en 2016 avec l\u2019objectif commun de remettre en question les r\u00e9cits britanniques sur l\u2019\u00e8re coloniale au Kenya, encore enseign\u00e9s dans les \u00e9coles du monde entier. Lorsqu\u2019elles ont rencontr\u00e9 Wanjugu et Mukami Kimathi, elles ont su que le film serait centr\u00e9 sur les exp\u00e9riences de ces deux femmes extraordinaires et des combattants de la libert\u00e9 qui ont r\u00e9ellement lutt\u00e9 pour l\u2019ind\u00e9pendance du Kenya.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Meena Nanji est une r\u00e9alisatrice prim\u00e9e qui a produit, \u00e9crit et r\u00e9alis\u00e9 des documentaires ind\u00e9pendants et des vid\u00e9os exp\u00e9rimentales.<\/p>\n","protected":false},"excerpt":{"rendered":"

Meena Nanji, Zippy Kimundu, Kenya, Portugal, Allemagne, 2023 SYNOPSIS Wanjugu, \u00e0 la recherche de la d\u00e9pouille de son p\u00e8re, Dedan Kimathi, leader d\u2019un mouvement de lib\u00e9ration Mau Mau au Kenya, pendu par les britanniques d\u00e9couvre les atrocit\u00e9s de leur colonisation, les camps de concentration, les fosses communes et la d\u00e9possession des terres. Elle devient une […]<\/p>\n","protected":false},"author":13,"featured_media":7540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456,481],"tags":[],"class_list":["post-7767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-27.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7767"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7767\/revisions"}],"predecessor-version":[{"id":7768,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7767\/revisions\/7768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7540"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7764,"date":"2025-01-27T15:35:59","date_gmt":"2025-01-27T15:35:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7764"},"modified":"2025-01-28T16:28:48","modified_gmt":"2025-01-28T16:28:48","slug":"synopsis","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/synopsis\/","title":{"rendered":"Our Land, Our Freedom"},"content":{"rendered":"\n

Meena Nanji, Zippy Kimundu, Kenya, Portugal, Allemagne, 2023<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Our Land, Our Freedom tells the story of two extraordinary Kenyan women – a mother and daughter, Mukami and Wanjugu Kimathi. Mukami was a freedom fighter in Kenya\u2019s 1950s independence movement, and was married to its iconic leader, Dedan Kimathi. He was hanged by the British in 1957, his body disposed of anonymously.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

 The film is told through the unique lens of 2 Kenyan women filmmakers: Meena Nanji is of Indian heritage, 2nd- generation born in Kenya, and Zippy Kimundu, is Kenyan and lives in Nairobi, after doing her MFA at NYU. They joined forces in 2016, with the common aim of challenging British accounts of the colonial era in Kenya, which is still taught in schools around the world. When they met Wanjugu and Mukami Kimathi, they knew that the film would centered on the experiences of these two extraordinary women, and the freedom fighters who actually fought for Kenya’s Independence<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Meena Nanji is an award-winning fimmaker who has produced, written and directed independent documentaries and experimental videos.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Meena Nanji, Zippy Kimundu, Kenya, Portugal, Allemagne, 2023 SYNOPSIS Our Land, Our Freedom tells the story of two extraordinary Kenyan women – a mother and daughter, Mukami and Wanjugu Kimathi. Mukami was a freedom fighter in Kenya\u2019s 1950s independence movement, and was married to its iconic leader, Dedan Kimathi. He was hanged by the British […]<\/p>\n","protected":false},"author":13,"featured_media":7540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454,479],"tags":[],"class_list":["post-7764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-27.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7764"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7764\/revisions"}],"predecessor-version":[{"id":7769,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7764\/revisions\/7769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7540"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7760,"date":"2025-01-27T15:32:30","date_gmt":"2025-01-27T15:32:30","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7760"},"modified":"2025-01-28T16:27:29","modified_gmt":"2025-01-28T16:27:29","slug":"yambo-ouologuem-la-blessure-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yambo-ouologuem-la-blessure-2\/","title":{"rendered":"Yambo Ouologuem : La Blessure"},"content":{"rendered":"\n

Kalidou Sy, S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS
In 1968, when Le Devoir de Violence was published, Yambo Ouologuem was still an unknown young Malian writer. Addressing themes of slavery and crimes between Africans before French colonization, his book quickly brought him out of obscurity. Even more, that same year, he became the first African to win the prestigious Prix Renaudot. Three years later, however, he was accused of plagiarizing prominent authors.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Kalidou Sy is a filmmaker and the son of Senegalese Fulani immigrants who arrived in France in 1967. He grew up in the Val d\u2019Oise suburbs. Through the documentaries he creates, he strives to tell lesser-known stories. He has directed works on former Senegalese tirailleurs and the decolonization period, featuring testimonies from key figures of the era. He is also a journalist and correspondent.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kalidou Sy, S\u00e9n\u00e9gal, 2024 SYNOPSISIn 1968, when Le Devoir de Violence was published, Yambo Ouologuem was still an unknown young Malian writer. Addressing themes of slavery and crimes between Africans before French colonization, his book quickly brought him out of obscurity. Even more, that same year, he became the first African to win the prestigious […]<\/p>\n","protected":false},"author":13,"featured_media":7758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454,479],"tags":[],"class_list":["post-7760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-122.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7760"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7760\/revisions"}],"predecessor-version":[{"id":7761,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7760\/revisions\/7761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7758"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7757,"date":"2025-01-27T15:31:37","date_gmt":"2025-01-27T15:31:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7757"},"modified":"2025-02-17T11:45:19","modified_gmt":"2025-02-17T11:45:19","slug":"yambo-ouologuem-la-blessure","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/yambo-ouologuem-la-blessure\/","title":{"rendered":"Yambo Ouologuem la blessure"},"content":{"rendered":"\n

Kalidou Sy, S\u00e9n\u00e9gal, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0SYNOPSIS<\/strong> Lorsqu\u2019en 1968, Le Devoir de violence<\/em> est publi\u00e9, Yambo Ouologuem est encore un jeune \u00e9crivain malien inconnu. Abordant l\u2019esclavage et des crimes entre africains avant la colonisation fran\u00e7aise, son livre va vite le sortir de l\u2019anonymat. Mieux encore, la m\u00eame ann\u00e9e, il devient le premier africain \u00e0 remporter le Prix Renaudot. Trois ans plus tard, il est accus\u00e9 d\u2019avoir plagi\u00e9 de grands auteurs.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>   <\/p>\n\n\n\n

Kalidou SY est r\u00e9alisateur et fils d\u2019immigr\u00e9s peuls s\u00e9n\u00e9galais arriv\u00e9s en France en 1967. Il a grandi en banlieue le Val d\u2019Oise. A travers les documentaires qu\u2019il r\u00e9alise, il se bat pour raconter des histoires m\u00e9connues. Ainsi, il a r\u00e9alis\u00e9 des sujets sur les anciens tiraillleurs s\u00e9n\u00e9galais, sur la d\u00e9colonisation avec des t\u00e9moignages d\u2019acteurs de l\u2019\u00e9poque. Il est aussi Journaliste Correspondant.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kalidou Sy, S\u00e9n\u00e9gal, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0SYNOPSIS Lorsqu\u2019en 1968, Le Devoir de violence est publi\u00e9, Yambo Ouologuem est encore un jeune \u00e9crivain malien inconnu. Abordant l\u2019esclavage et des crimes entre africains avant la colonisation fran\u00e7aise, son livre va vite le sortir de l\u2019anonymat. Mieux encore, la m\u00eame ann\u00e9e, il devient le premier africain \u00e0 remporter le Prix […]<\/p>\n","protected":false},"author":13,"featured_media":7758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456,481],"tags":[],"class_list":["post-7757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-122.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7757"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7757\/revisions"}],"predecessor-version":[{"id":9888,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7757\/revisions\/9888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7758"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7754,"date":"2025-01-27T15:26:10","date_gmt":"2025-01-27T15:26:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7754"},"modified":"2025-01-27T15:26:13","modified_gmt":"2025-01-27T15:26:13","slug":"ndar-saga-waalo-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ndar-saga-waalo-2\/","title":{"rendered":"NDAR SAGA WAALO"},"content":{"rendered":"\n

Ousmane William Mbaye, Senegal, 2024<\/p>\n\n\n\n

SYNOPSIS
Ndar, the original name of Saint Louis, a small island on the Senegal River, was the stronghold of colonial penetration in West Africa four centuries ago. An economic, cultural, and political crossroads, it served as a laboratory for the \u201ccivilizing mission.\u201d Residents of Saint Louis and historians recount a rich and complex saga of the Waalo.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Ousmane William Mbaye, a Senegalese filmmaker trained at the University of Paris VIII, began his career in 1979 with the short film L\u2019Enfant de Ngatch, which won an award at the Carthage Film Festival. He has directed several other short films (fiction and documentary) and coordinated the Rencontres Cin\u00e9matographiques de Dakar from 1990 to 1997. In 2019, he produced the film TABASKI.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ousmane William Mbaye, Senegal, 2024 SYNOPSISNdar, the original name of Saint Louis, a small island on the Senegal River, was the stronghold of colonial penetration in West Africa four centuries ago. An economic, cultural, and political crossroads, it served as a laboratory for the \u201ccivilizing mission.\u201d Residents of Saint Louis and historians recount a rich […]<\/p>\n","protected":false},"author":13,"featured_media":7537,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-24.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7754"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7754\/revisions"}],"predecessor-version":[{"id":7756,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7754\/revisions\/7756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7537"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7752,"date":"2025-01-27T15:25:10","date_gmt":"2025-01-27T15:25:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7752"},"modified":"2025-01-27T15:25:12","modified_gmt":"2025-01-27T15:25:12","slug":"ndar-saga-waalo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ndar-saga-waalo\/","title":{"rendered":"NDAR SAGA WAALO"},"content":{"rendered":"\n

Ousmane William Mbaye, S\u00e9n\u00e9gal, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Ndar, nom originel de Saint Louis, petite \u00eele pos\u00e9e sur le fleuve S\u00e9n\u00e9gal, fut le fort de la p\u00e9n\u00e9tration coloniale en Afrique de l`Ouest il y`a quatre si\u00e8cles. Carrefour \u00e9conomique, culturel et politique, elle servit de laboratoire \u00e0 la \u00ab mission civilisatrice \u00bb. Saint-Louisiens et historiens nous racontent une saga du Wallo, riche et complexe.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Ousmane William Mbaye, r\u00e9alisateur s\u00e9n\u00e9galais form\u00e9 \u00e0 l’Universit\u00e9 Paris VIII, a commenc\u00e9 sa carri\u00e8re en 1979 avec le court m\u00e9trage L’Enfant de Ngatch<\/em>, r\u00e9compens\u00e9 au festival de Carthage. Il est auteur de plusieurs autres courts m\u00e9trages (fiction et documentaire) et a coordonn\u00e9 les Rencontres Cin\u00e9matographiques de Dakar de 1990 \u00e0 1997. En 2019, il produit le film TABASKI<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ousmane William Mbaye, S\u00e9n\u00e9gal, 2024 SYNOPSIS Ndar, nom originel de Saint Louis, petite \u00eele pos\u00e9e sur le fleuve S\u00e9n\u00e9gal, fut le fort de la p\u00e9n\u00e9tration coloniale en Afrique de l`Ouest il y`a quatre si\u00e8cles. Carrefour \u00e9conomique, culturel et politique, elle servit de laboratoire \u00e0 la \u00ab mission civilisatrice \u00bb. Saint-Louisiens et historiens nous racontent une saga du […]<\/p>\n","protected":false},"author":13,"featured_media":7537,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-24.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7752"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7752\/revisions"}],"predecessor-version":[{"id":7753,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7752\/revisions\/7753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7537"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]