[{"id":7750,"date":"2025-01-27T15:21:55","date_gmt":"2025-01-27T15:21:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7750"},"modified":"2025-02-05T15:24:33","modified_gmt":"2025-02-05T15:24:33","slug":"les-souvenirs-damour-sont-revenus","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-souvenirs-damour-sont-revenus\/","title":{"rendered":"LES SOUVENIRS D\u2019AMOUR SONT REVENUS"},"content":{"rendered":"\n

Ntare Guma Mbaho Mwine, Ouganda, USA, 2024<\/p>\n\n\n\n

SYNOPSIS
Le 24 avril 2002, la voiture du r\u00e9alisateur Ntare Guma Mbaho Mwine est tomb\u00e9e en panne dans la petite ville de Mbirizi, en Ouganda. En attendant que son v\u00e9hicule soit r\u00e9par\u00e9, il a d\u00e9couvert un petit studio photo et rencontr\u00e9 le photographe Kibaate Aloysius Ssalongo, dont le travail s\u2019\u00e9tendait de la fin des ann\u00e9es 1950 jusqu\u2019en 2006, ann\u00e9e de son d\u00e9c\u00e8s.
Cette rencontre fortuite a donn\u00e9 lieu \u00e0 un voyage de 22 ans pour documenter et explorer la vie et la photographie de Kibaate, ainsi que l\u2019impact profond qu\u2019ils ont eu sur la vie de Ntare et celle de toute la communaut\u00e9 qu\u2019il a immortalis\u00e9e.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Le premier court m\u00e9trage de Ntare Guma Mbaho Mwine, Kuhani, a remport\u00e9 le prix principal de la Meilleure R\u00e9alisation aux International Kurzfilmtage Winterthur, le prix du Meilleur Court M\u00e9trage International au LesGaiCineMad, Festival International du Film LGBT de Madrid, et a \u00e9t\u00e9 nomm\u00e9 pour le Grand Prix du Jury du Meilleur Court M\u00e9trage au Slamdance en 2014.<\/p>\n\n\n\n

Son premier long m\u00e9trage documentaire, Beware of Time, a remport\u00e9 le prix du Meilleur Film au Festival International de Cin\u00e9ma Noir de Berlin en 2004<\/p>\n","protected":false},"excerpt":{"rendered":"

Ntare Guma Mbaho Mwine, Ouganda, USA, 2024 SYNOPSISLe 24 avril 2002, la voiture du r\u00e9alisateur Ntare Guma Mbaho Mwine est tomb\u00e9e en panne dans la petite ville de Mbirizi, en Ouganda. En attendant que son v\u00e9hicule soit r\u00e9par\u00e9, il a d\u00e9couvert un petit studio photo et rencontr\u00e9 le photographe Kibaate Aloysius Ssalongo, dont le travail […]<\/p>\n","protected":false},"author":13,"featured_media":9125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7750"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7750\/revisions"}],"predecessor-version":[{"id":7751,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7750\/revisions\/7751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9125"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7748,"date":"2025-01-27T15:14:26","date_gmt":"2025-01-27T15:14:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7748"},"modified":"2025-02-05T15:23:36","modified_gmt":"2025-02-05T15:23:36","slug":"memories-of-love-returned-les-souvenirs-damour-sont-revenus","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/memories-of-love-returned-les-souvenirs-damour-sont-revenus\/","title":{"rendered":"MEMORIES OF LOVE RETURNED\/ LES SOUVENIRS D\u2019AMOUR SONT REVENUS"},"content":{"rendered":"\n

Ntare Guma Mbaho Mwine, Ouganda,USA, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

On April 24th, 2002 filmmaker Ntare Guma Mbaho Mwine\u2019s car broke down in the small town of Mbirizi, Uganda. While waiting for his car to be repaired he stumbled upon a small photo studio and met photographer Kibaate Aloysius Ssalongo, whose work spanned from the late 1950\u2019s up till 2006 when he passed away. <\/p>\n\n\n\n

This chance encounter turned into a 22 year journey documenting and exploring Kibaate\u2019s life and photography and the profound impact it had on Ntare\u2019s life and the lives of the entire community he documented.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Ntare Guma Mbaho Mwine\u2019s first short film \u00ab\u00a0Kuhani,\u00a0\u00bb won the main prize for Best Achievement in Directing at the International Kurzfilmtage Winterthur, the Best International Short prize at the LesGaiCineMad, Madrid International LGBT Film Festival and was nominated for the Grand Jury Prize for Best Short Film at Slamdance in 2014. Ntare\u2019s first feature documentary \u201cBeware of Time\u201d won the Best Film at the Berlin Black International Cinema Festival in 2004.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ntare Guma Mbaho Mwine, Ouganda,USA, 2024 SYNOPSIS On April 24th, 2002 filmmaker Ntare Guma Mbaho Mwine\u2019s car broke down in the small town of Mbirizi, Uganda. While waiting for his car to be repaired he stumbled upon a small photo studio and met photographer Kibaate Aloysius Ssalongo, whose work spanned from the late 1950\u2019s up […]<\/p>\n","protected":false},"author":13,"featured_media":9125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-25.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7748"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7748\/revisions"}],"predecessor-version":[{"id":7749,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7748\/revisions\/7749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9125"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7745,"date":"2025-01-27T15:11:14","date_gmt":"2025-01-27T15:11:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7745"},"modified":"2025-02-17T11:25:33","modified_gmt":"2025-02-17T11:25:33","slug":"les-filles-dolfa-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-filles-dolfa-2\/","title":{"rendered":"LES FILLES D\u2019OLFA"},"content":{"rendered":"\n

LES FILLES D\u2019OLFAKAOUTHER BEN HANIA, France\/Tunisie-Allemagne\/Arabie Saoudite, 2023<\/p>\n\n\n\n

SYNOPSIS
Entre lumi\u00e8re et obscurit\u00e9 se tient Olfa, une femme tunisienne et m\u00e8re de quatre filles.
Un jour, ses deux filles a\u00een\u00e9es disparaissent. Pour combler leur absence, la r\u00e9alisatrice Kaouther Ben Hania invite des actrices professionnelles et invente une exp\u00e9rience cin\u00e9matographique unique qui d\u00e9voilera la vie d\u2019Olfa et de ses filles.
Un voyage intime m\u00ealant espoir, r\u00e9bellion, violence, transmission et sororit\u00e9, qui interroge les fondements m\u00eames de nos soci\u00e9t\u00e9s.<\/p>\n\n\n\n

BIOFILMOGRAPHIE

La r\u00e9alisatrice tunisienne Kaouther Ben Hania ne cesse de faire des allers-retours entre le documentaire et la fiction. Elle a eu une carri\u00e8re extraordinaire au cours des derni\u00e8res ann\u00e9es.
Son film pr\u00e9c\u00e9dent, \u00ab\u00a0L\u2019homme qui a vendu sa peau\u00a0\u00bb, a \u00e9t\u00e9 nomin\u00e9 pour l\u2019Oscar du meilleur long m\u00e9trage international aux Oscars 2021 et a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re mondiale au 77e Festival international du film de Venise, Comp\u00e9tition Orizzonti, et a remport\u00e9 le prix du meilleur acteur.
Son film \u00ab\u00a0La Belle et les chiens\u00a0\u00bb a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au Festival de Cannes \u00ab\u00a0Un Certain Regard\u00a0\u00bb en 2017.
Tous ses autres films ont \u00e9t\u00e9 pr\u00e9sent\u00e9s en avant-premi\u00e8re dans des festivals prestigieux : Cannes, Venise, AFI Los Angeles, Locarno, IDFA, Hot Docs Toronto…<\/p>\n","protected":false},"excerpt":{"rendered":"

LES FILLES D\u2019OLFAKAOUTHER BEN HANIA, France\/Tunisie-Allemagne\/Arabie Saoudite, 2023 SYNOPSISEntre lumi\u00e8re et obscurit\u00e9 se tient Olfa, une femme tunisienne et m\u00e8re de quatre filles.Un jour, ses deux filles a\u00een\u00e9es disparaissent. Pour combler leur absence, la r\u00e9alisatrice Kaouther Ben Hania invite des actrices professionnelles et invente une exp\u00e9rience cin\u00e9matographique unique qui d\u00e9voilera la vie d\u2019Olfa et de […]<\/p>\n","protected":false},"author":13,"featured_media":9324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-29.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7745"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7745\/revisions"}],"predecessor-version":[{"id":9883,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7745\/revisions\/9883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9324"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7741,"date":"2025-01-27T15:06:43","date_gmt":"2025-01-27T15:06:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7741"},"modified":"2025-02-17T11:37:52","modified_gmt":"2025-02-17T11:37:52","slug":"les-filles-dolfa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-filles-dolfa\/","title":{"rendered":"LES FILLES D\u2019OLFA"},"content":{"rendered":"\n

KAOUTHER BEN HANIA, France\/Tunisie-Allemagne\/Arabie saoudite, 2023<\/strong> SYNOPSIS<\/strong>\u00a0\u00a0\u00a0Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters.One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters\u2019 life stories.<\/p>\n\n\n\n

An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.<\/p>\n\n\n\n

 <\/strong>BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Tunisian director Kaouther Ben Hania is constantly going back and forth between documentary and fiction. She has had an extraordinary career over the last few years.<\/p>\n\n\n\n

Her previous film \u201cThe Man Who Sold His Skin\u201d was nominated for The Academy Award for Best International Feature Film at the Oscars 2021 and had its world premiere at the 77th Venice International Film Festival, Orizzonti Competition and won Best Actor Award.<\/p>\n\n\n\n

Her film \u00ab\u00a0Beauty and the Dogs\u00a0\u00bb was premiered at Cannes Film Festival official selection \u00ab\u00a0Un Certain Regard\u00a0\u00bb in 2017.<\/p>\n\n\n\n

All her other movies premiered in prestigious festivals: Cannes, Venice, AFI Los Angeles, Locarno, IDFA, Hot Docs Toronto…<\/p>\n","protected":false},"excerpt":{"rendered":"

KAOUTHER BEN HANIA, France\/Tunisie-Allemagne\/Arabie saoudite, 2023 SYNOPSIS\u00a0\u00a0\u00a0Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters.One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her […]<\/p>\n","protected":false},"author":13,"featured_media":9324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7741","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-SUITE-29.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7741"}],"version-history":[{"count":7,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7741\/revisions"}],"predecessor-version":[{"id":9886,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7741\/revisions\/9886"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9324"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7738,"date":"2025-01-27T15:05:06","date_gmt":"2025-01-27T15:05:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7738"},"modified":"2025-02-07T10:48:14","modified_gmt":"2025-02-07T10:48:14","slug":"the-destiny-of-a-female-truck-driver","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-destiny-of-a-female-truck-driver\/","title":{"rendered":"THE DESTINY OF A FEMALE TRUCK DRIVER"},"content":{"rendered":"\n

THE DESTINY OF A FEMALE TRUCK DRIVERYssouf Kouss\u00e9, Burkina Faso, 2023<\/p>\n\n\n\n

SYNOPSIS
Massata Ciss\u00e9, the only female truck driver in Burkina Faso for the past 30 years, travels through the ports and markets of neighboring countries at the wheel of a semi-trailer truck. At 59, driving has become her passion and her companion. Without social security coverage, her only hope is to own her own truck and establish a business so she can continue earning a living after retirement.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Yssouf Kouss\u00e9 has participated in several writing residencies across the continent. He produced and co-directed the 52-minute documentary Avant l\u2019audience, which won the Best Burkinabe Film Award at the Cin\u00e9 Droit Libre Festival in 2014. His latest work is the feature-length documentary The Destiny of a Female Truck Driver.<\/p>\n","protected":false},"excerpt":{"rendered":"

THE DESTINY OF A FEMALE TRUCK DRIVERYssouf Kouss\u00e9, Burkina Faso, 2023 SYNOPSISMassata Ciss\u00e9, the only female truck driver in Burkina Faso for the past 30 years, travels through the ports and markets of neighboring countries at the wheel of a semi-trailer truck. At 59, driving has become her passion and her companion. Without social security […]<\/p>\n","protected":false},"author":13,"featured_media":8517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7738"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7738\/revisions"}],"predecessor-version":[{"id":7739,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7738\/revisions\/7739"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8517"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7736,"date":"2025-01-27T15:03:57","date_gmt":"2025-01-27T15:03:57","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7736"},"modified":"2025-01-30T12:58:10","modified_gmt":"2025-01-30T12:58:10","slug":"la-destinee-dune-camionneuse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-destinee-dune-camionneuse\/","title":{"rendered":"\u00a0LA DESTINEE D\u2019UNE CAMIONNEUSE"},"content":{"rendered":"\n

   Yssouf Kouss\u00e9, Burkina Faso, 2023<\/strong><\/p>\n\n\n\n

 SYNOPSIS<\/strong><\/p>\n\n\n\n

Massata Ciss\u00e9, l\u2019unique femme camionneuse au Burkina Faso depuis 30 ans, sillonne les ports et les march\u00e9s des pays voisins au volant d\u2019un camion-remorque. \u00c0 59 ans, la conduite est devenue sa passion et son \u00e9poux.  D\u00e9pourvue de couverture sociale, son seul espoir est d\u2019avoir son propre camion et mettre en place une soci\u00e9t\u00e9 afin de pouvoir continuer \u00e0 gagner sa vie apr\u00e8s sa retraite.<\/p>\n\n\n\n

 <\/strong>BIOFILMOGRAPHIE<\/strong><\/u><\/strong><\/p>\n\n\n\n

Yssouf Kouss\u00e9 a particip\u00e9 \u00e0 plusieurs r\u00e9sidences d\u2019\u00e9criture sur le contient. Il a produit et cor\u00e9alis\u00e9 le documentaire de 52 minutes Avant l’audience<\/em> qui a remport\u00e9 le Prix du meilleur film burkinab\u00e8 au Festival Cin\u00e9 Droit Libre en 2014. Son dernier film r\u00e9alis\u00e9 est un long m\u00e9trage documentaire La destin\u00e9e d\u2019une camionneuse.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

   Yssouf Kouss\u00e9, Burkina Faso, 2023  SYNOPSIS Massata Ciss\u00e9, l\u2019unique femme camionneuse au Burkina Faso depuis 30 ans, sillonne les ports et les march\u00e9s des pays voisins au volant d\u2019un camion-remorque. \u00c0 59 ans, la conduite est devenue sa passion et son \u00e9poux.  D\u00e9pourvue de couverture sociale, son seul espoir est d\u2019avoir son propre camion […]<\/p>\n","protected":false},"author":13,"featured_media":8517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-11.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7736"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7736\/revisions"}],"predecessor-version":[{"id":7737,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7736\/revisions\/7737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8517"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7734,"date":"2025-01-27T15:02:07","date_gmt":"2025-01-27T15:02:07","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7734"},"modified":"2025-01-28T10:32:41","modified_gmt":"2025-01-28T10:32:41","slug":"backstage-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/backstage-2\/","title":{"rendered":"BACKSTAGE"},"content":{"rendered":"\n

Afef Ben Mahmoud and Khalil Benkirane, Tunisia, Morocco, 2023<\/p>\n\n\n\n

SYNOPSIS
Aida, a member of a dance troupe on tour in Morocco, provokes Hedi, her partner in life and on stage. He injures her in front of the horrified eyes of the other troupe members, triggering a series of events during a long night of wandering through an Atlas forest on their way to the doctor in a nearby village.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Afef Ben Mahmoud has played lead roles for major Tunisian directors. She founded M\u00e9sanges Films and produced Les \u00c9pouvantails (2019) by Bouzid, in which she also starred. Khalil Benkirane directs the San Francisco Arab Film Festival. He moved to Qatar in 2008, joining Al Jazeera Children Channel and later the Doha Film Institute.<\/p>\n","protected":false},"excerpt":{"rendered":"

Afef Ben Mahmoud and Khalil Benkirane, Tunisia, Morocco, 2023 SYNOPSISAida, a member of a dance troupe on tour in Morocco, provokes Hedi, her partner in life and on stage. He injures her in front of the horrified eyes of the other troupe members, triggering a series of events during a long night of wandering through […]<\/p>\n","protected":false},"author":13,"featured_media":8054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-37-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7734"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7734\/revisions"}],"predecessor-version":[{"id":7735,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7734\/revisions\/7735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8054"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7732,"date":"2025-01-27T14:59:45","date_gmt":"2025-01-27T14:59:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7732"},"modified":"2025-02-17T11:50:42","modified_gmt":"2025-02-17T11:50:42","slug":"backstage","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/backstage\/","title":{"rendered":"BACKSTAGE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0"},"content":{"rendered":"\n

Afef Ben Mahmoud et Khalil Benkirane, Tunisie, Maroc 2023<\/strong> SYNOPSIS<\/strong> Aida, membre d’une troupe de danse en tourn\u00e9e au Maroc, provoque Hedi, son partenaire de vie et de sc\u00e8ne. Il la blesse sous les yeux horrifi\u00e9s des autres membres de la troupe d\u00e9clenchant une s\u00e9rie d’\u00e9v\u00e9nements \u00e0 travers une longue nuit d\u2019errance dans une for\u00eat de l\u2019Atlas, sur le chemin vers le m\u00e9decin du village voisin.<\/p>\n\n\n\n

 BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Afef Ben Mahmoud a tenu des r\u00f4les principaux pour de grands r\u00e9alisateurs tunisiens.  Elle cr\u00e9e M\u00e9sanges Films et produit Les \u00e9pouvantails (2019) de Bouzid, dans lequel elle joue \u00e9galement un r\u00f4le principal. Khalil Benkirane dirige le Festival du film arabe de San Francisco. Il se rend au Qatar en 2008 o\u00f9 il rejoint la Jazeera Children Channel puis le Doha Film Institute.<\/p>\n","protected":false},"excerpt":{"rendered":"

Afef Ben Mahmoud et Khalil Benkirane, Tunisie, Maroc 2023 SYNOPSIS Aida, membre d’une troupe de danse en tourn\u00e9e au Maroc, provoque Hedi, son partenaire de vie et de sc\u00e8ne. Il la blesse sous les yeux horrifi\u00e9s des autres membres de la troupe d\u00e9clenchant une s\u00e9rie d’\u00e9v\u00e9nements \u00e0 travers une longue nuit d\u2019errance dans une for\u00eat […]<\/p>\n","protected":false},"author":13,"featured_media":8054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-37-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7732"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7732\/revisions"}],"predecessor-version":[{"id":9892,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7732\/revisions\/9892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8054"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7730,"date":"2025-01-27T14:57:15","date_gmt":"2025-01-27T14:57:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7730"},"modified":"2025-01-27T14:57:18","modified_gmt":"2025-01-27T14:57:18","slug":"tongo-saa-rising-up-at-nightby","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tongo-saa-rising-up-at-nightby\/","title":{"rendered":"TONGO SAA, RISING UP AT NIGHTBy"},"content":{"rendered":"\n

TONGO SAA, RISING UP AT NIGHTBy Nelson Makengo, DRC, Belgium, Germany, 2024<\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Darkness falls over Kinshasa, the capital of the Democratic Republic of Congo. In an environment marked by violence and uncertainty, people wait and fight for access to light. Between hope, disappointment, and religious faith, Tongo Saa is a subtle and fragmented portrait of a population that, despite the challenges, is elevated by the beauty of Kinshasa\u2019s nights.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Nelson Makengo directed the feature-length documentary Nuit Debout in 2019 and several documentary shorts, including E\u2019ville in 2018, Th\u00e9\u00e2tre Urbain in 2017, Souvenir d\u2019un \u00c9t\u00e9 in 2017, and Tabu in 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

TONGO SAA, RISING UP AT NIGHTBy Nelson Makengo, DRC, Belgium, Germany, 2024 SYNOPSIS Darkness falls over Kinshasa, the capital of the Democratic Republic of Congo. In an environment marked by violence and uncertainty, people wait and fight for access to light. Between hope, disappointment, and religious faith, Tongo Saa is a subtle and fragmented portrait […]<\/p>\n","protected":false},"author":13,"featured_media":7549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-36.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7730"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7730\/revisions"}],"predecessor-version":[{"id":7731,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7730\/revisions\/7731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7549"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7727,"date":"2025-01-27T14:47:17","date_gmt":"2025-01-27T14:47:17","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7727"},"modified":"2025-01-27T14:47:19","modified_gmt":"2025-01-27T14:47:19","slug":"tongo-saa-rising-up-at-night","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tongo-saa-rising-up-at-night\/","title":{"rendered":"TONGO SAA, RISING UP AT NIGHT,"},"content":{"rendered":"\n

De Nelson Makengo<\/strong>, RDC, Belgique, Allemagne, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> : <\/p>\n\n\n\n

L\u2019obscurit\u00e9 tombe sur Kinshasa, la capitale de la R\u00e9publique d\u00e9mocratique du Congo. Dans un environnement marqu\u00e9 par la violence et l\u2019incertitude, ils attendent et luttent pour avoir acc\u00e8s \u00e0 la lumi\u00e8re. Entre espoir, d\u00e9ception et foi religieuse, Tongo Saa est un portrait subtil et fragment\u00e9 d\u2019une population qui, malgr\u00e9 les d\u00e9fis, est sublim\u00e9e par la beaut\u00e9 des nuits de Kinshasa.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Nelson Makengo a r\u00e9alis\u00e9 un long m\u00e9trage documentaire Nuit debout en 2019<\/strong>, des courts m\u00e9trages documentaires E’ville en 2018<\/strong>, Th\u00e9\u00e2tre Urbain en 2017<\/strong>, Souvenir d’un \u00e9t\u00e9 en 2017<\/strong> et Tabu en 2016<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

De Nelson Makengo, RDC, Belgique, Allemagne, 2024 SYNOPSIS :  L\u2019obscurit\u00e9 tombe sur Kinshasa, la capitale de la R\u00e9publique d\u00e9mocratique du Congo. Dans un environnement marqu\u00e9 par la violence et l\u2019incertitude, ils attendent et luttent pour avoir acc\u00e8s \u00e0 la lumi\u00e8re. Entre espoir, d\u00e9ception et foi religieuse, Tongo Saa est un portrait subtil et fragment\u00e9 d\u2019une […]<\/p>\n","protected":false},"author":13,"featured_media":7549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-36.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7727"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7727\/revisions"}],"predecessor-version":[{"id":7729,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7727\/revisions\/7729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7549"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7725,"date":"2025-01-27T14:45:06","date_gmt":"2025-01-27T14:45:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7725"},"modified":"2025-01-27T14:45:08","modified_gmt":"2025-01-27T14:45:08","slug":"la-mere-de-tous-les-mensonges","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-mere-de-tous-les-mensonges\/","title":{"rendered":"LA M\u00c8RE DE TOUS LES MENSONGES"},"content":{"rendered":"\n

Asmae El Moudir, Maroc, Royaume d\u2019Arabie Saoudite, Qatar, \u00c9gypte, 2023<\/p>\n\n\n\n

SYNOPSIS
La jeune r\u00e9alisatrice marocaine Asmae El Moudir s\u2019interroge sur une \u00e9nigme de son pass\u00e9 : pourquoi ne poss\u00e8de-t-elle qu\u2019une seule photographie de son enfance, et pourquoi la fille sur cette photo n\u2019est-elle m\u00eame pas elle ? Pour explorer les myst\u00e8res du pass\u00e9, elle recr\u00e9e \u00e0 la main une r\u00e9plique miniature du quartier de Casablanca o\u00f9 elle a grandi. \u00c0 travers cet espace, elle commence \u00e0 interroger les r\u00e9cits que sa m\u00e8re, son p\u00e8re et sa grand-m\u00e8re lui ont racont\u00e9s sur leur maison et leur pays. Peu \u00e0 peu, elle d\u00e9m\u00eale les couches de tromperie et d\u2019oubli d\u00e9lib\u00e9r\u00e9 qui ont fa\u00e7onn\u00e9 sa vie. La v\u00e9rit\u00e9 est difficile \u00e0 affronter, mais dans ce film parfois surr\u00e9aliste, Asmae El Moudir tente de faire remonter \u00e0 la surface ce qui est r\u00e9el.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Asmae El Moudir \u2013 R\u00e9alisatrice \/ Sc\u00e9nariste \/ Productrice
N\u00e9e en 1990 \u00e0 Sal\u00e9, Asmae El Moudir est une r\u00e9alisatrice, sc\u00e9nariste et productrice marocaine. Elle a \u00e9tudi\u00e9 \u00e0 La F\u00e9mis \u00e0 Paris et est titulaire d\u2019un master en production de l\u2019Institut Sup\u00e9rieur de l\u2019Information et de la Communication de Rabat ainsi que d\u2019une licence en cin\u00e9ma documentaire de l\u2019Universit\u00e9 Abdelmalek Essa\u00e2di \u00e0 T\u00e9touan. Elle est \u00e9galement dipl\u00f4m\u00e9e en \u00e9tudes cin\u00e9matographiques de l\u2019Acad\u00e9mie Marocaine du Cin\u00e9ma (ISCA) en 2010.<\/p>\n\n\n\n

Asmae a r\u00e9alis\u00e9 des documentaires pour SNRT, Al Jazeera Documentary, BBC, et Al Araby TV. Ses films, projet\u00e9s dans de nombreux festivals \u00e0 travers le monde, ont remport\u00e9 d\u2019importants prix nationaux et internationaux et ont \u00e9t\u00e9 pr\u00e9sent\u00e9s sur des march\u00e9s de coproduction.<\/p>\n\n\n\n

Apr\u00e8s avoir r\u00e9alis\u00e9 plusieurs courts m\u00e9trages, elle a termin\u00e9 son premier long m\u00e9trage documentaire, The Postcard, en 2020. The Mother of All Lies est son deuxi\u00e8me long m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Asmae El Moudir, Maroc, Royaume d\u2019Arabie Saoudite, Qatar, \u00c9gypte, 2023 SYNOPSISLa jeune r\u00e9alisatrice marocaine Asmae El Moudir s\u2019interroge sur une \u00e9nigme de son pass\u00e9 : pourquoi ne poss\u00e8de-t-elle qu\u2019une seule photographie de son enfance, et pourquoi la fille sur cette photo n\u2019est-elle m\u00eame pas elle ? Pour explorer les myst\u00e8res du pass\u00e9, elle recr\u00e9e \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":7547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-34.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7725"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7725\/revisions"}],"predecessor-version":[{"id":7726,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7725\/revisions\/7726"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7547"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7723,"date":"2025-01-27T14:44:08","date_gmt":"2025-01-27T14:44:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7723"},"modified":"2025-01-27T14:44:11","modified_gmt":"2025-01-27T14:44:11","slug":"the-mother-of-all-lies","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-mother-of-all-lies\/","title":{"rendered":"The MOTHER OF ALL LIES"},"content":{"rendered":"\n

Asmae El Moudir, Maroc, Royaume d\u2019Arabie Saudite, Quatar, Egypte,2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Young Moroccan filmmaker Asmae El Moudir wants to know why she only has one photograph from her childhood, and why the girl in the picture isn\u2019t even her. She decides to explore the past and its mysteries by creating a handmade replica of the Casablanca neighborhood where she grew up. There, she begins to interrogate the tales her mother, father and grandmother tell about their home and their country. Slowly, she starts to unravel the layers of deception and intentional forgetting that have shaped her life. The truth is hard to face, but in this sometimes surreal nonfiction film, El Moudir begins to draw what is real to the surface.<\/p>\n\n\n\n

BIOFILMMOGRAPHIE<\/strong><\/p>\n\n\n\n

ASMAE EL MOUDIR – Director \/ Writer \/ Producer Asmae El Moudir (born in 1990 in Sal\u00e9) is a Moroccan film director, screenwriter and producer. She studied at La F\u00e9mis in Paris and holds a master’s degree in production from the Superior Institute of Information and Communication in Rabat and a bachelor’s degree in documentary cinema from the Abdelmalek Essa\u00e2di University in Tetouan. She also graduated in 2010 from the Moroccan Film Academy in Film studies (ISCA). Asmae has directed documentaries for SNRT, Al Jazeera Documentary, BBC and Al Araby TV. She has won important national and international awards and her films have been screened in festivals worldwide and presented in co-production markets. After making a number of short films, Asmae completed her first feature documentary, THE POSTCARD, in 2020. THE MOTHER OF ALL LIES is her second feature film. Select Filmography: THE COLORS OF SILENCE (2012, Nadacom Production, 25′) THANK GOD IT\u2019S FRIDAY (2013, La F\u00e9mis, 13\u2019) (the director\u2019s most awarded short film) ROUGH CUT (2015, Insightfilms, 25′) THE POSTCARD (2020, Aljazeera Production, 83\u2019\/53\u2019 TV) THE MOTHER OF ALL LIES (2023, Insightfilms, 97′<\/p>\n","protected":false},"excerpt":{"rendered":"

Asmae El Moudir, Maroc, Royaume d\u2019Arabie Saudite, Quatar, Egypte,2023 SYNOPSIS Young Moroccan filmmaker Asmae El Moudir wants to know why she only has one photograph from her childhood, and why the girl in the picture isn\u2019t even her. She decides to explore the past and its mysteries by creating a handmade replica of the Casablanca […]<\/p>\n","protected":false},"author":13,"featured_media":7547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-34.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7723"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7723\/revisions"}],"predecessor-version":[{"id":7724,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7723\/revisions\/7724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7547"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7720,"date":"2025-01-27T14:42:09","date_gmt":"2025-01-27T14:42:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7720"},"modified":"2025-01-28T16:10:35","modified_gmt":"2025-01-28T16:10:35","slug":"mother-city-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mother-city-2\/","title":{"rendered":"MOTHER CITY"},"content":{"rendered":"\n

MIKI Redelnghuys et Pearle Joubert<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Surnomm\u00e9e la \u201cMother City\u201d (Ville M\u00e8re), Le Cap resplendit entre la majestueuse Montagne de la Table et l\u2019oc\u00e9an Atlantique scintillant. Mother City raconte une lutte acharn\u00e9e contre le gouvernement et les promoteurs immobiliers dans l\u2019une des villes les plus in\u00e9galitaires du monde.<\/p>\n\n\n\n

Notre histoire commence en 2016, lorsque le gouvernement vend un terrain de premier choix, initialement destin\u00e9 \u00e0 des logements abordables, \u00e0 un promoteur priv\u00e9. Ce m\u00e9pris flagrant des besoins urgents en logement des habitants du Cap a donn\u00e9 naissance \u00e0 un mouvement pour la justice sociale, Reclaim the City.<\/p>\n\n\n\n

\u00c0 travers l\u2019histoire profond\u00e9ment personnelle de l\u2019activiste Nkoskhona Swartboo, Mother City retrace, sur une p\u00e9riode de six ans, la bataille acharn\u00e9e de David contre Goliath dans une ville encore marqu\u00e9e par les cicatrices de l\u2019apartheid spatial.<\/p>\n","protected":false},"excerpt":{"rendered":"

MIKI Redelnghuys et Pearle Joubert BIOFILMOGRAPHIESurnomm\u00e9e la \u201cMother City\u201d (Ville M\u00e8re), Le Cap resplendit entre la majestueuse Montagne de la Table et l\u2019oc\u00e9an Atlantique scintillant. Mother City raconte une lutte acharn\u00e9e contre le gouvernement et les promoteurs immobiliers dans l\u2019une des villes les plus in\u00e9galitaires du monde. Notre histoire commence en 2016, lorsque le gouvernement […]<\/p>\n","protected":false},"author":13,"featured_media":7559,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422,481],"tags":[],"class_list":["post-7720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-46.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7720"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7720\/revisions"}],"predecessor-version":[{"id":7721,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7720\/revisions\/7721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7559"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7718,"date":"2025-01-27T14:41:19","date_gmt":"2025-01-27T14:41:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7718"},"modified":"2025-02-08T18:13:48","modified_gmt":"2025-02-08T18:13:48","slug":"mother-city","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mother-city\/","title":{"rendered":"MOTHER CITY"},"content":{"rendered":"\n

MIKI Redelnghuys and Pearle Joubert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Known as the Mother Cty, Cape Town les resplendent between the conc Table Mountan and the cy Atlantc ocean. Mother Cty charts a defant war aganst government and property developers n one of the world\u2019s most unequal ctes. Our story starts n 2016 when the government sells prme land, earmarked for affordable housng, to a prvate developer. Ths careless dsregard of the desperate housng needs of Capetonans gave brth to a socal justce movement, \u201cReclam the Cty\u201d. Through the deeply personal story of actvst, Nkoskhona Swartboo, Mother Cty follows, over 6 years, the Davd and Golath battle in a cty still dsfgured by spatal aparthed\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

MIKI Redelnghuys and Pearle Joubert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0BIOFILMOGRAPHY Known as the Mother Cty, Cape Town les resplendent between the conc Table Mountan and the cy Atlantc ocean. Mother Cty charts a defant war aganst government and property developers n one of the world\u2019s most unequal ctes. Our story starts n 2016 when the government sells prme land, earmarked […]<\/p>\n","protected":false},"author":13,"featured_media":7559,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424,479],"tags":[],"class_list":["post-7718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-46.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7718"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7718\/revisions"}],"predecessor-version":[{"id":9407,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7718\/revisions\/9407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7559"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7715,"date":"2025-01-27T14:38:29","date_gmt":"2025-01-27T14:38:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7715"},"modified":"2025-02-08T18:02:03","modified_gmt":"2025-02-08T18:02:03","slug":"mambar-pierette-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mambar-pierette-2\/","title":{"rendered":"MAMBAR PIERETTE"},"content":{"rendered":"\n

SYNOPSIS
La ville de Douala est en effervescence \u00e0 l\u2019approche de la rentr\u00e9e scolaire. Une longue file de clients se rend chez Mambar Pierrette, la couturi\u00e8re du quartier, pour faire pr\u00e9parer leurs v\u00eatements en vue des \u00e9v\u00e9nements sociaux et c\u00e9r\u00e9monies imminents. Bien plus qu\u2019une simple couturi\u00e8re, Pierrette devient la confidente de ses clients, d\u2019une g\u00e9n\u00e9ration. Mais lorsque la pluie commence \u00e0 tomber, mena\u00e7ant d\u2019inonder son atelier \u2013 l\u2019une des nombreuses \u00e9preuves qu\u2019elle devra surmonter \u2013 Pierrette devra tout faire pour garder la t\u00eate hors de l\u2019eau.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Rosine Mbakam a grandi \u00e0 Yaound\u00e9, dans un quartier populaire qui a nourri son imagination de cin\u00e9aste. Apr\u00e8s avoir travaill\u00e9 pendant 3 ans \u00e0 STV \u00e0 Douala en tant que r\u00e9alisatrice et productrice, elle a rejoint l\u2019INSAS, une \u00e9cole de cin\u00e9ma belge. Son film de fin d\u2019\u00e9tudes, You Will Be My Ally, a marqu\u00e9 les esprits. Pour pr\u00e9server son ind\u00e9pendance, elle a fond\u00e9 sa propre soci\u00e9t\u00e9 de production, T\u00e2ndor Productions. Elle a r\u00e9alis\u00e9 quatre longs m\u00e9trages documentaires s\u00e9lectionn\u00e9s dans les plus grands festivals de cin\u00e9ma au monde.<\/p>\n\n\n\n

Enseignante et chercheuse \u00e0 KASK \u00e0 Gand, elle est d\u00e9crite par The New Yorker comme \u201cune cin\u00e9aste originale d\u2019une sensibilit\u00e9 exceptionnelle; l\u2019une des plus grandes documentaristes contemporaines\u201d. Elle est actuellement en train de finaliser son premier long m\u00e9trage de fiction, Mambar Pierrette.<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSISLa ville de Douala est en effervescence \u00e0 l\u2019approche de la rentr\u00e9e scolaire. Une longue file de clients se rend chez Mambar Pierrette, la couturi\u00e8re du quartier, pour faire pr\u00e9parer leurs v\u00eatements en vue des \u00e9v\u00e9nements sociaux et c\u00e9r\u00e9monies imminents. Bien plus qu\u2019une simple couturi\u00e8re, Pierrette devient la confidente de ses clients, d\u2019une g\u00e9n\u00e9ration. Mais […]<\/p>\n","protected":false},"author":13,"featured_media":9405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7715"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7715\/revisions"}],"predecessor-version":[{"id":7716,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7715\/revisions\/7716"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9405"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7713,"date":"2025-01-27T14:37:16","date_gmt":"2025-01-27T14:37:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7713"},"modified":"2025-02-08T18:02:44","modified_gmt":"2025-02-08T18:02:44","slug":"mambar-pierette","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mambar-pierette\/","title":{"rendered":"MAMBAR PIERETTE"},"content":{"rendered":"\n

SYNOPSIS<\/p>\n\n\n\n

The city of Douala is in trepidation for the start of the new school year. A long line of customers come to Mambar Pierrette, the neighbourhood dressmaker, to have their clothes ready for imminent social events and ceremonies. More than just a sewer, Pierrette becomes the confidant of her customers, of a generation. But when the rain starts pouring down and threaten to flood her workshop – one of several successive misfortunes – Pierrette will have to stay afloat.<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Rosine Mbakam grew up in Yaound\u00e9 in a popular neighborhood that nourished her imagination as a filmmaker. After working for 3 years at STV in Douala as a director and producer, she joined INSAS, a Belgian film school. Her graduation film You will be my ally is very remarkable. In order to be independent, she founded her own production company Ta\u0302ndor Productions. She directed 4 feature-length documentaries that were selected in the most important film festivals in the world. She is also a teacher and researcher at KASK in Ghent. The New Yorker defines her as \u00ab\u00a0an original filmmaker of exceptional sensitivity; one of the greatest documentary filmmakers working today\u00a0\u00bb. She is currently finishing her first feature film Mambar Pierrette.                                                                                                                                                                     <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSIS The city of Douala is in trepidation for the start of the new school year. A long line of customers come to Mambar Pierrette, the neighbourhood dressmaker, to have their clothes ready for imminent social events and ceremonies. More than just a sewer, Pierrette becomes the confidant of her customers, of a generation. But […]<\/p>\n","protected":false},"author":13,"featured_media":9405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7713"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7713\/revisions"}],"predecessor-version":[{"id":7714,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7713\/revisions\/7714"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9405"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7710,"date":"2025-01-27T14:34:14","date_gmt":"2025-01-27T14:34:14","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7710"},"modified":"2025-02-14T15:52:51","modified_gmt":"2025-02-14T15:52:51","slug":"far-from-me-the-anger","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/far-from-me-the-anger\/","title":{"rendered":"FAR FROM ME THE ANGER"},"content":{"rendered":"\n

Jo\u00ebl AKAFOU<\/p>\n\n\n\n

SYNOPSIS
Many lives were lost in Ziglo, C\u00f4te d\u2019Ivoire, during the 2011\u20132012 civil war between the Gu\u00e9r\u00e9, the indigenous community, and the Mossi, originally from Burkina Faso. After waiting too long for state justice, Josiane, known as Maman Jo, a Gu\u00e9r\u00e9 woman, decides to take her village\u2019s fate into her own hands. She works to foster reconciliation between the communities to bring her village back to life.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born in 1986 in Bouak\u00e9, Jo\u00ebl Akafou holds a degree in film directing from the Institut Sup\u00e9rieur de l\u2019Image et du Son and the Institut National Sup\u00e9rieur des Arts et de l\u2019Action Culturelle in Abidjan. He currently teaches cinema at the Ecole Sp\u00e9cialis\u00e9e du Cin\u00e9ma et de l\u2019Audiovisuel in Abidjan. His works include Vivre Riche (2017), Bia n\u2019de (2012), Traverser (2020), and many others.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jo\u00ebl AKAFOU SYNOPSISMany lives were lost in Ziglo, C\u00f4te d\u2019Ivoire, during the 2011\u20132012 civil war between the Gu\u00e9r\u00e9, the indigenous community, and the Mossi, originally from Burkina Faso. After waiting too long for state justice, Josiane, known as Maman Jo, a Gu\u00e9r\u00e9 woman, decides to take her village\u2019s fate into her own hands. She works […]<\/p>\n","protected":false},"author":13,"featured_media":9814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-01-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7710"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7710\/revisions"}],"predecessor-version":[{"id":7711,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7710\/revisions\/7711"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9814"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7708,"date":"2025-01-27T14:31:06","date_gmt":"2025-01-27T14:31:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7708"},"modified":"2025-02-14T15:44:34","modified_gmt":"2025-02-14T15:44:34","slug":"loin-de-moi-la-colere","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/loin-de-moi-la-colere\/","title":{"rendered":"LOIN DE MOI LA COLERE"},"content":{"rendered":"\n

Joel-AKAFOU-      <\/strong><\/p>\n\n\n\n

SYNOPSIS      <\/strong><\/strong><\/p>\n\n\n\n

Il y a eu de nombreux morts \u00e0 Ziglo, en C\u00f4te d\u2019Ivoire, pendant la guerre civile de 2011-2012 entre les communaut\u00e9s Gu\u00e9r\u00e9, autochtone, et Mossi, originaire du Burkina Faso. Ayant trop attendu la justice d\u2019\u00c9tat, Josiane, dite Maman Jo, une femme Gu\u00e9r\u00e9, d\u00e9cide de prendre en main le destin de son village pour favoriser la r\u00e9conciliation entre communaut\u00e9s afin que revive le village. <\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

N\u00e9 en 1986 \u00e0 Bouak\u00e9, Jo\u00ebl Akafou est dipl\u00f4m\u00e9 en r\u00e9alisation cin\u00e9ma de l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son et de l’Institut National Sup\u00e9rieur des Arts et de l’Action Culturelle d’Abidjan. Actuellement, il enseigne le cin\u00e9ma \u00e0 l’Ecole Sp\u00e9cialis\u00e9e du Cin\u00e9ma et de l\u2019Audiovisuel \u00e0 Abidjan. Il r\u00e9alise Vivre riche<\/em> (2017), Bia n\u2019de<\/em> (2012), Traverser<\/em> (2020) et bien d\u2019autres.<\/p>\n","protected":false},"excerpt":{"rendered":"

Joel-AKAFOU-       SYNOPSIS      Il y a eu de nombreux morts \u00e0 Ziglo, en C\u00f4te d\u2019Ivoire, pendant la guerre civile de 2011-2012 entre les communaut\u00e9s Gu\u00e9r\u00e9, autochtone, et Mossi, originaire du Burkina Faso. Ayant trop attendu la justice d\u2019\u00c9tat, Josiane, dite Maman Jo, une femme Gu\u00e9r\u00e9, d\u00e9cide de prendre en main le destin de son village pour […]<\/p>\n","protected":false},"author":13,"featured_media":9814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-01-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7708"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7708\/revisions"}],"predecessor-version":[{"id":7709,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7708\/revisions\/7709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9814"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7706,"date":"2025-01-27T14:28:08","date_gmt":"2025-01-27T14:28:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7706"},"modified":"2025-01-27T14:28:10","modified_gmt":"2025-01-27T14:28:10","slug":"lhomme-vertige-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lhomme-vertige-2\/","title":{"rendered":"L\u2019HOMME-VERTIGE"},"content":{"rendered":"\n

Malaury Eloi Paisley, Guadeloupe, 2023<\/p>\n\n\n\n

SYNOPSIS
Vertigo is anguish, a state of disorientation, a fleeting madness. Men, wandering in circles, are trapped in Pointe-\u00e0-Pitre, a labyrinthine city. They traverse it endlessly, as if on an infinite pilgrimage. This film recounts the transformations of a city that once belonged to the working people and was the site of revolts crushed in blood. Today, it is nothing more than a ghost town.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
After studying art history and museology in Paris, Malaury Eloi Paisley, a filmmaker and visual artist, attended the Ateliers Varan in Guadeloupe in 2016. She directed her first short film, Chanzy Blues. In 2019, she participated in a workshop on the aesthetic approaches to documentary filmmaking at the EICTV in Cuba. L\u2019Homme-Vertige, her first feature-length film, was selected for the 74th edition of the Berlinale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Malaury Eloi Paisley, Guadeloupe, 2023 SYNOPSISVertigo is anguish, a state of disorientation, a fleeting madness. Men, wandering in circles, are trapped in Pointe-\u00e0-Pitre, a labyrinthine city. They traverse it endlessly, as if on an infinite pilgrimage. This film recounts the transformations of a city that once belonged to the working people and was the site […]<\/p>\n","protected":false},"author":13,"featured_media":7561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7706","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-48.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7706"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7706\/revisions"}],"predecessor-version":[{"id":7707,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7706\/revisions\/7707"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7561"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7703,"date":"2025-01-27T14:27:22","date_gmt":"2025-01-27T14:27:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7703"},"modified":"2025-01-27T14:27:25","modified_gmt":"2025-01-27T14:27:25","slug":"lhomme-vertige","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lhomme-vertige\/","title":{"rendered":"L\u2019HOMME-VERTIGE"},"content":{"rendered":"\n

Malaury Eloi Paisley <\/strong>;Guadeloupe, 2023<\/strong><\/strong><\/p>\n\n\n\n

Le vertige est une angoisse, un \u00e9tat d\u2019\u00e9garement, une folie passag\u00e8re. Des hommes, tournant en rond sont pris au pi\u00e8ge de Pointe-\u00e0-Pitre, ville labyrinthe. Ils la traversent en marchant retournant comme un p\u00e8lerinage sans fin. Ce film raconte les m\u00e9tamorphoses de cette ville qui a \u00e9t\u00e9 celle du peuple des ouvriers, des r\u00e9voltes \u00e9cras\u00e9es dans le sang. Elle n\u2019est plus qu\u2019une ville fant\u00f4me.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes d\u2019histoire de l\u2019art et mus\u00e9ologie \u00e0 Paris, Malaury Eloi Paisley, cin\u00e9aste et artiste visuelle, fait les Ateliers Varan en Guadeloupe en 2016. Elle r\u00e9alise son premier court m\u00e9trage Chanzy Blues<\/em>. En 2019, elle suit un stage sur les approches esth\u00e9tiques du documentaire \u00e0 l\u2019EICTV \u00e0 Cuba. L\u2019homme-Vertige<\/em> son premier long m\u00e9trage, est s\u00e9lectionn\u00e9 \u00e0 la 74e<\/sup> \u00e9dition de la Berlinale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Malaury Eloi Paisley ;Guadeloupe, 2023 Le vertige est une angoisse, un \u00e9tat d\u2019\u00e9garement, une folie passag\u00e8re. Des hommes, tournant en rond sont pris au pi\u00e8ge de Pointe-\u00e0-Pitre, ville labyrinthe. Ils la traversent en marchant retournant comme un p\u00e8lerinage sans fin. Ce film raconte les m\u00e9tamorphoses de cette ville qui a \u00e9t\u00e9 celle du peuple des ouvriers, […]<\/p>\n","protected":false},"author":13,"featured_media":7561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-48.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7703"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7703\/revisions"}],"predecessor-version":[{"id":7705,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7703\/revisions\/7705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7561"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7701,"date":"2025-01-27T14:24:20","date_gmt":"2025-01-27T14:24:20","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7701"},"modified":"2025-01-27T14:24:23","modified_gmt":"2025-01-27T14:24:23","slug":"lhomme-qui-plante-les-baobabs-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lhomme-qui-plante-les-baobabs-2\/","title":{"rendered":"L\u2019HOMME QUI PLANTE LES BAOBABS"},"content":{"rendered":"\n

L\u2019HOMME QUI PLANTE LES BAOBABSMichel K. ZONGO, BURKINA FASO, 2024<\/p>\n\n\n\n

SYNOPSIS
For 50 years, a man has been planting baobabs in his village in western Burkina Faso. Initially, his actions were met with misunderstanding. Now 82 years old, more than 4,600 baobabs stretch as far as the eye can see. El Hadj Salifou Ou\u00e9draogo has spent more than two-thirds of his life planting baobabs. It is a fight and above all a life dedicated to preserving these majestic and millennial trees, rare and endangered in the African savanna.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Michel K. ZONGO is a Burkinabe filmmaker, born in 1974 in Koudougou. He directed his first documentaries, Ti Tiimou and Sibi, l\u2019\u00e2me du violon, in 2009. In 2010, he completed training in documentary film production in France. He is a co-manager of Diam Production. His works include La Sir\u00e8ne de Faso Fani (2014) and Pas d\u2019or pour Kalsaka (2019). Michel K. ZONGO has been a member of the Academy of Motion Picture Arts and Sciences (Oscars) since 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019HOMME QUI PLANTE LES BAOBABSMichel K. ZONGO, BURKINA FASO, 2024 SYNOPSISFor 50 years, a man has been planting baobabs in his village in western Burkina Faso. Initially, his actions were met with misunderstanding. Now 82 years old, more than 4,600 baobabs stretch as far as the eye can see. El Hadj Salifou Ou\u00e9draogo has spent […]<\/p>\n","protected":false},"author":13,"featured_media":7557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-44.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7701"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7701\/revisions"}],"predecessor-version":[{"id":7702,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7701\/revisions\/7702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7557"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7698,"date":"2025-01-27T14:22:51","date_gmt":"2025-01-27T14:22:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7698"},"modified":"2025-01-27T14:23:01","modified_gmt":"2025-01-27T14:23:01","slug":"lhomme-qui-plante-les-baobabs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lhomme-qui-plante-les-baobabs\/","title":{"rendered":"L\u2019HOMME QUI PLANTE LES BAOBABS"},"content":{"rendered":"\n

 Michel K. ZONGO, BURKINA FASO, 2024<\/strong><\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Depuis 50 ans, un homme plante des baobabs dans son village situ\u00e9 \u00e0 l\u2019ouest du Burkina Faso. Au d\u00e9but, son geste suscitait incompr\u00e9hension. \u00c2g\u00e9 de 82 ans, ce sont plus de 4600 baobabs qui s\u2019\u00e9tendent \u00e0 perte de vue. El Hadj Salifou Ou\u00e9draogo a pass\u00e9 plus des deux tiers de sa vie \u00e0 planter des baobabs. C\u2019est un combat et surtout une vie consacr\u00e9e \u00e0 faire exister ces arbres majestueux et mill\u00e9naires, rares et en voie de disparition dans la savane africaine.<\/p>\n\n\n\n

 BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

 Michel K. ZONGO est un r\u00e9alisateur burkinab\u00e8, n\u00e9 en 1974 \u00e0 Koudougou. Il r\u00e9alise en 2009 ses premiers films documentaires, Ti Tiimou <\/em>et Sibi, l\u2019\u00e2me du violon<\/em>. Apr\u00e8s une formation en production de films documentaires en France en 2010. Il est cog\u00e9rant de Diam production. Il r\u00e9alise La Sir\u00e8ne de Faso Fani <\/em>en 2014 et Pas d\u2019or pour KALSAKA<\/em> en 2019. Il est membre de l\u2019Acad\u00e9mie des Oscars depuis 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Michel K. ZONGO, BURKINA FASO, 2024 SYNOPSIS Depuis 50 ans, un homme plante des baobabs dans son village situ\u00e9 \u00e0 l\u2019ouest du Burkina Faso. Au d\u00e9but, son geste suscitait incompr\u00e9hension. \u00c2g\u00e9 de 82 ans, ce sont plus de 4600 baobabs qui s\u2019\u00e9tendent \u00e0 perte de vue. El Hadj Salifou Ou\u00e9draogo a pass\u00e9 plus des deux […]<\/p>\n","protected":false},"author":13,"featured_media":7557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-44.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7698"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7698\/revisions"}],"predecessor-version":[{"id":7699,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7698\/revisions\/7699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7557"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7695,"date":"2025-01-27T14:20:13","date_gmt":"2025-01-27T14:20:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7695"},"modified":"2025-02-08T17:58:04","modified_gmt":"2025-02-08T17:58:04","slug":"donga-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/donga-2\/","title":{"rendered":"DONGA"},"content":{"rendered":"\n

Muhannad Lamin, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

For almost a decade (2011-2021), Donga has been recording events that are meaningful to him with his camera, among those the Libyan uprising or war against ISIS. From everyday life to armed conflict, his insider position and personal images become a collective heritage for the people who lived the aftermath of a revolution.<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHY<\/p>\n\n\n\n

Muhannad Lamin is a Tunis-based Libyan director, editor, and producer. He graduated from Tripoli\u2019s art institute with a degree in directing and screenwriting. Muhannad\u2019s short films have been screened at various film festivals, including the Clermont-Ferrand International Short Film Festival, Locarno Film Festival, and Rhode Island International Film Festival. As a co-founder of Khayal Productions, Muhannad has produced short documentaries and online series for reputable platforms such as VICE, GREAT BIG STORY, and M&C Saatchi. His content is thought-provoking, and engaging, and offers unique perspectives on diverse narratives. Muhannad has also worked as a production manager and coordinator on several feature documentaries, such as Freedom Fields <\/em>and After a Revolution<\/em>. Currently, Muhannad is in the post-production phase of his debut feature film: Donga<\/em>, where he serves as a director and editor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Muhannad Lamin, 2023 SYNOPSIS For almost a decade (2011-2021), Donga has been recording events that are meaningful to him with his camera, among those the Libyan uprising or war against ISIS. From everyday life to armed conflict, his insider position and personal images become a collective heritage for the people who lived the aftermath of […]<\/p>\n","protected":false},"author":13,"featured_media":9404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7695"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7695\/revisions"}],"predecessor-version":[{"id":7696,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7695\/revisions\/7696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7691,"date":"2025-01-27T14:19:19","date_gmt":"2025-01-27T14:19:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7691"},"modified":"2025-02-08T17:59:19","modified_gmt":"2025-02-08T17:59:19","slug":"donga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/donga\/","title":{"rendered":"DONGA"},"content":{"rendered":"\n

Muhannad Lamin, 2023<\/p>\n\n\n\n

SYNOPSIS
Pendant pr\u00e8s d\u2019une d\u00e9cennie (2011-2021), Donga a captur\u00e9 avec sa cam\u00e9ra des \u00e9v\u00e9nements qui ont marqu\u00e9 sa vie, notamment le soul\u00e8vement libyen et la guerre contre Daech. De la vie quotidienne aux conflits arm\u00e9s, sa position d\u2019initi\u00e9 et ses images personnelles deviennent un h\u00e9ritage collectif pour les personnes ayant v\u00e9cu les cons\u00e9quences d\u2019une r\u00e9volution.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Muhannad Lamin est un r\u00e9alisateur, monteur et producteur libyen bas\u00e9 \u00e0 Tunis. Dipl\u00f4m\u00e9 de l\u2019Institut des Arts de Tripoli avec un dipl\u00f4me en r\u00e9alisation et sc\u00e9narisation, ses courts m\u00e9trages ont \u00e9t\u00e9 projet\u00e9s dans divers festivals de cin\u00e9ma, dont le Festival International du Court M\u00e9trage de Clermont-Ferrand, le Festival de Locarno et le Rhode Island International Film Festival.<\/p>\n\n\n\n

Cofondateur de Khayal Productions, Muhannad a produit des courts documentaires et des s\u00e9ries en ligne pour des plateformes renomm\u00e9es telles que VICE, GREAT BIG STORY et M&C Saatchi. Ses \u0153uvres offrent des perspectives uniques sur des r\u00e9cits vari\u00e9s, engageants et stimulants. Il a \u00e9galement travaill\u00e9 en tant que directeur et coordinateur de production sur plusieurs longs m\u00e9trages documentaires, tels que Freedom Fields et After a Revolution.<\/p>\n\n\n\n

Actuellement, Muhannad est en phase de post-production de son premier long m\u00e9trage, Donga, o\u00f9 il occupe les r\u00f4les de r\u00e9alisateur et monteur.<\/p>\n","protected":false},"excerpt":{"rendered":"

Muhannad Lamin, 2023 SYNOPSISPendant pr\u00e8s d\u2019une d\u00e9cennie (2011-2021), Donga a captur\u00e9 avec sa cam\u00e9ra des \u00e9v\u00e9nements qui ont marqu\u00e9 sa vie, notamment le soul\u00e8vement libyen et la guerre contre Daech. De la vie quotidienne aux conflits arm\u00e9s, sa position d\u2019initi\u00e9 et ses images personnelles deviennent un h\u00e9ritage collectif pour les personnes ayant v\u00e9cu les cons\u00e9quences […]<\/p>\n","protected":false},"author":13,"featured_media":9404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/affoc-copro-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7691"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7691\/revisions"}],"predecessor-version":[{"id":7694,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7691\/revisions\/7694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/9404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7681,"date":"2025-01-27T14:05:13","date_gmt":"2025-01-27T14:05:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7681"},"modified":"2025-02-08T18:08:00","modified_gmt":"2025-02-08T18:08:00","slug":"didy-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/didy-2\/","title":{"rendered":"DIDY"},"content":{"rendered":"\n

Ga\u00ebl Kamilindi, Rwanda, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

What remains, thirty years later, of the memory of a mother that a son never had the time to know? Ga\u00ebl Kamilindi was only five years old when his mother Didy died. The memories of her presence have since been lost in the fury of the civil wars, genocide and AIDS. These trials that have ravaged Burundi and then Rwanda, precipitating his exile to Switzerland. Today, he ventures to reopen the pages of his family history by meeting the men and women who knew, loved and guided her, and who, each in their own way, possess a fragment of Didy. Returning to Rwanda in Didy’s footsteps, Ga\u00ebl sketches a portrait of his mother and of a generation of Rwandan women who have survived the worst.<\/em><\/em><\/p>\n\n\n\n

BIOFILMOGRAPHY<\/p>\n\n\n\n

A graduate of the National Conservatory of Dramatic Arts in Paris in 2011, Ga\u00ebl Kamilindi is an actor of Swiss nationality, with origins in Rwanda and Israel. He has collaborated with several renowned directors. He co-directed Didy, his first film, with Fran\u00e7ois-Xavier Destors. Since February 2017, he has been a member of the troupe at the Com\u00e9die-Fran\u00e7aise.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ga\u00ebl Kamilindi, Rwanda, 2024 SYNOPSIS What remains, thirty years later, of the memory of a mother that a son never had the time to know? Ga\u00ebl Kamilindi was only five years old when his mother Didy died. The memories of her presence have since been lost in the fury of the civil wars, genocide and […]<\/p>\n","protected":false},"author":13,"featured_media":8508,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7681"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7681\/revisions"}],"predecessor-version":[{"id":7683,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7681\/revisions\/7683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8508"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7678,"date":"2025-01-27T14:02:52","date_gmt":"2025-01-27T14:02:52","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7678"},"modified":"2025-01-30T12:37:04","modified_gmt":"2025-01-30T12:37:04","slug":"didy","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/didy\/","title":{"rendered":"DIDY"},"content":{"rendered":"\n

Ga\u00ebl Kamilindi, Rwanda, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/p>\n\n\n\n

Ga\u00ebl <\/em>a<\/em> cinq ans lorsque sa m\u00e8re, Didy, est morte. Les souvenirs de sa pr\u00e9sence se sont depuis perdus dans la fureur des guerres civiles, du g\u00e9nocide et du sida qui ont ravag\u00e9 le Burundi puis le Rwanda et qui ont pr\u00e9cipit\u00e9 son exil vers la Suisse. En revenant au Rwanda 30 ans plus tard, il se risque \u00e0 rouvrir les pages de son histoire familiale \u00e0 la rencontre de<\/em>s personnes<\/em> qui ont connu sa m\u00e8re. <\/em><\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Dipl\u00f4m\u00e9 du Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique de Paris en 2011, Ga\u00ebl Kamilindi est com\u00e9dien de nationalit\u00e9 suisse, originaire du Rwanda et d\u2019Isra\u00ebl. Il travaille avec diff\u00e9rents metteurs en sc\u00e8ne de renom. Il cor\u00e9alise Didy<\/em>, son premier film, avec Fran\u00e7ois-Xavier Destors. Il fait partie, depuis f\u00e9vrier 2017, de la troupe de la Com\u00e9die-Fran\u00e7aise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ga\u00ebl Kamilindi, Rwanda, 2024 SYNOPSIS Ga\u00ebl a cinq ans lorsque sa m\u00e8re, Didy, est morte. Les souvenirs de sa pr\u00e9sence se sont depuis perdus dans la fureur des guerres civiles, du g\u00e9nocide et du sida qui ont ravag\u00e9 le Burundi puis le Rwanda et qui ont pr\u00e9cipit\u00e9 son exil vers la Suisse. En revenant au […]<\/p>\n","protected":false},"author":13,"featured_media":8508,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-suite-Recupere-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7678"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7678\/revisions"}],"predecessor-version":[{"id":7680,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7678\/revisions\/7680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8508"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7676,"date":"2025-01-27T13:53:06","date_gmt":"2025-01-27T13:53:06","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7676"},"modified":"2025-01-27T13:53:09","modified_gmt":"2025-01-27T13:53:09","slug":"les-nuits-sentent-encore-la-poudre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-nuits-sentent-encore-la-poudre\/","title":{"rendered":"Les Nuits Sentent Encore la Poudre"},"content":{"rendered":"\n

Les Nuits Sentent Encore la PoudreINADELSO COSSA, Mozambique, 2024<\/p>\n\n\n\n

SYNOPSIS
Plong\u00e9 dans l\u2019histoire complexe du Mozambique, je ressens l\u2019urgence de d\u00e9m\u00ealer le r\u00e9cit qui s\u2019entrelace dans le film Les Nuits Sentent Encore la Poudre. En retournant au village de ma grand-m\u00e8re Maria, je m\u2019embarque dans un voyage personnel pour r\u00e9v\u00e9ler les histoires inexprim\u00e9es de mon enfance pendant la guerre civile.<\/p>\n\n\n\n

Ce film est une exploration sensorielle de la m\u00e9moire personnelle et collective, enracin\u00e9e dans les vacances de mon enfance, v\u00e9cues au c\u0153ur des paradoxes de la guerre. Une attaque rebelle, que ma grand-m\u00e8re avait d\u00e9guis\u00e9e en feux d\u2019artifice, devient le catalyseur de cette d\u00e9marche cin\u00e9matographique \u2013 une tentative de briser le silence qui enveloppe le Mozambique post-guerre civile.<\/p>\n\n\n\n

Maria, autrefois conteuse, combat d\u00e9sormais la maladie d\u2019Alzheimer, brouillant les fronti\u00e8res entre v\u00e9rit\u00e9 et fiction. Dans son village, les \u00e9chos d\u2019un ancien rebelle refl\u00e8tent la pr\u00e9sence obs\u00e9dante des bourreaux et des victimes, m\u00ealant jour et nuit, r\u00e9alit\u00e9 et imagination. Les fant\u00f4mes de la guerre qui habitent encore l\u2019ancien rebelle semblent hanter le pr\u00e9sent.<\/p>\n\n\n\n

Motiv\u00e9 par le besoin de d\u00e9construire le d\u00e9ni soci\u00e9tal, le film s\u2019efforce de d\u00e9voiler des histoires authentiques dissimul\u00e9es sous la fiction, alors que je retourne au village de Maria, arm\u00e9 d\u2019outils cin\u00e9matographiques. En d\u00e9fiant les esth\u00e9tiques conventionnelles, le film devient un voyage sensoriel, symbolis\u00e9 par Moises, l\u2019ing\u00e9nieur du son. Le public est invit\u00e9 \u00e0 \u00e9couter attentivement, transcendant le visuel pour exp\u00e9rimenter la nature tactile de la m\u00e9moire \u2013 l\u2019odeur de la poudre, le contact des \u00e9motions refoul\u00e9es.<\/p>\n\n\n\n

Dans cette danse entre v\u00e9rit\u00e9 et fiction, m\u00e9moire et oubli, Les Nuits Sentent Encore la Poudre est mon t\u00e9moignage de la r\u00e9silience de la m\u00e9moire humaine. Je navigue dans le labyrinthe de mon pass\u00e9, utilisant le cin\u00e9ma comme un effort collectif pour r\u00e9cup\u00e9rer les fragments perdus de l\u2019histoire et affronter les fant\u00f4mes persistants qui hantent l\u2019obscurit\u00e9 du silence soci\u00e9tal.<\/p>\n\n\n\n

BIOGRAPHIE ET FILMOGRAPHIE DU R\u00c9ALISATEUR
Inadelso Cossa est un r\u00e9alisateur, producteur et directeur de la photographie, membre de l\u2019Academy of Motion Picture Arts and Sciences (AMPAS) depuis 2020. Il est le fondateur de 16mmFILMES, une soci\u00e9t\u00e9 de production d\u00e9di\u00e9e aux documentaires cr\u00e9atifs et aux films de fiction. Ses \u0153uvres explorent des th\u00e8mes tels que la m\u00e9moire post-coloniale, les traumatismes de la guerre civile, les voix silencieuses et l\u2019amn\u00e9sie collective au Mozambique.<\/p>\n\n\n\n

L\u2019histoire non officielle de son pays constitue presque toujours la toile de fond de son cin\u00e9ma, o\u00f9 le r\u00e9alisateur adopte une perspective personnelle. Son premier long m\u00e9trage documentaire, A Memory in Three Acts, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re mondiale au IDFA (International Documentary Festival Amsterdam). Le film a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au Durban Film Mart 2014 et au Locarno Open Doors 2014, et a remport\u00e9 le Prix Sp\u00e9cial du Jury au Zanzibar International Film Festival 2018 ainsi que le Prix de la Commission Flamande pour l\u2019UNESCO au Afrika Film Festival de Louvain, Belgique, en 2020.<\/p>\n\n\n\n

Inadelso Cossa a \u00e9t\u00e9 invit\u00e9 comme membre du jury dans plusieurs festivals, notamment l\u2019IDFA 2018, Doc Sheffield 2018, Golden Tree International Documentary Film Festival 2019, et World Press Photo 2020. Il a \u00e9galement \u00e9t\u00e9 programmateur documentaire au Durban International Film Festival 2023, et membre des comit\u00e9s de pr\u00e9s\u00e9lection du Hot Docs Blue Ice Fund 2024 et du Sheffield Meet Market 2024.<\/p>\n\n\n\n

Son deuxi\u00e8me long m\u00e9trage, Les Nuits Sentent Encore la Poudre, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re mondiale au Berlinale Forum 2024 et en premi\u00e8re internationale au CPH:DOX 2024. Le film a remport\u00e9 le Prix Sp\u00e9cial du Jury au Olhar de Cinema \u2013 Curitiba International Film Festival 2024.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Les Nuits Sentent Encore la PoudreINADELSO COSSA, Mozambique, 2024 SYNOPSISPlong\u00e9 dans l\u2019histoire complexe du Mozambique, je ressens l\u2019urgence de d\u00e9m\u00ealer le r\u00e9cit qui s\u2019entrelace dans le film Les Nuits Sentent Encore la Poudre. En retournant au village de ma grand-m\u00e8re Maria, je m\u2019embarque dans un voyage personnel pour r\u00e9v\u00e9ler les histoires inexprim\u00e9es de mon enfance […]<\/p>\n","protected":false},"author":13,"featured_media":7560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-47.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7676"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7676\/revisions"}],"predecessor-version":[{"id":7677,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7676\/revisions\/7677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7560"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7674,"date":"2025-01-27T13:49:40","date_gmt":"2025-01-27T13:49:40","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7674"},"modified":"2025-01-27T13:49:42","modified_gmt":"2025-01-27T13:49:42","slug":"as-noites-ainda-cheiram-a-polvora-the-nights-still-smell-of-gunpowder","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/as-noites-ainda-cheiram-a-polvora-the-nights-still-smell-of-gunpowder\/","title":{"rendered":"As Noites Ainda Cheiram a P\u00f3lvora \/ The Nights Still Smell Of Gunpowder"},"content":{"rendered":"\n

INADELSO COSSA, Mozambique, 2024<\/strong><\/strong><\/p>\n\n\n\n

Synopsis:<\/p>\n\n\n\n

Immersed in Mozambique’s intricate history, I’m compelled to unravel the narrative woven into the film \u00ab\u00a0The Nights Still Smell of Gunpowder.\u00a0\u00bb Returning to my grandmother Maria’s village, I’m driven by a personal quest to expose the untold stories of my childhood during the civil war.<\/p>\n\n\n\n

This film, a sensory exploration of personal and collective memory, originates from my childhood vacations amid the civil war’s paradox. A rebel aIack, concealed by my grandmother as fireworks, becomes the catalyst for my cinematic endeavor\u2014an aIempt to break the silence enveloping post-civil-war Mozambique<\/p>\n\n\n\n

Maria, once a storyteller, now baIles Alzheimer’s, blurring the lines between truth and fiction. In her village, echoes of a former rebel mirror the haunting presence of perpetrators and victims, intertwining day and night, reality and imagination. The ghosts of war that still imhabits the former rebel are possesing the presence.<\/p>\n\n\n\n

Motivated by the need to dismantle societal denial, the film seeks to unveil authentic stories obscured by fiction, as I return to Maria’s village armed with cinematic tools. Challenging conventional aesthetics, the film becomes a sensorial journey, symbolized by Moises, the boom operator. The audience is prompted to listen closely, transcending the visual to experience the haptic nature of memory\u2014the smell of gunpowder, the touch of suppressed emotions<\/p>\n\n\n\n

In this dance between truth and fiction, memory and forge Ong, \u00ab\u00a0The Nights Still Smell of Gunpowder\u00a0\u00bb stands as my testament to the resilience of human memory. I navigate the labyrinth of my past, and use cinema for a collective endeavor to reclaim lost fragments of history and confront the haunting ghosts persisting in the darkness of societal silence<\/p>\n\n\n\n

Director\u2019s biography and filmography<\/p>\n\n\n\n

Inadelso Cossa is a film director, producer and DOP, member of the (AMPAS) Academy of Motion Picture Arts and Science since 2020. Founder of 16mmFILMES a production company focus on creative documentary and feature films. his films address themes such as post-colonial memory, post-Civil War trauma, silent voices and collective amnesia in Mozambique. The unofficial history of his country is almost always the vehicle of his cinema where the director positions himself on a personal perspective. His first feature-length documentary: A Memory in Three Acts made a world premiere at the festival IDFA – International Documentary Festival in Amsterdam, Netherlands. The film was selected for Durban film Mart 2014, and Locarno Open Doors 2014. Won the Jury Special Award at the Zanzibar Int. Film Festival in 2018 and the Flemish Commission for Unesco at Afrika film Festival Leuven, Belgium 2020.s<\/p>\n\n\n\n

Inadelso Cossa was invited to participate as a jury in several festivals such IDFA 2018, Doc Sheffield 2018, Golden Tree Int. Documentary film festival 2019, World Press Photo 2020 and documentary programmer at Durban international film Festival 2023. Hot Docs Blue Ice Fund pre-selection committee 2024 and Sheffield Meet market preselection committee 2024. His second feature film The Nights Still smell of gunpowder made a world premiere at Berlinale Forum 2024 and international premiere at CPH: DOX 2024, The film won the special juri Prize at Olhar de Cinema \u2013 Quritiba International Film Festival 2024,<\/p>\n","protected":false},"excerpt":{"rendered":"

INADELSO COSSA, Mozambique, 2024 Synopsis: Immersed in Mozambique’s intricate history, I’m compelled to unravel the narrative woven into the film \u00ab\u00a0The Nights Still Smell of Gunpowder.\u00a0\u00bb Returning to my grandmother Maria’s village, I’m driven by a personal quest to expose the untold stories of my childhood during the civil war. This film, a sensory exploration […]<\/p>\n","protected":false},"author":13,"featured_media":7560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-47.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7674"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7674\/revisions"}],"predecessor-version":[{"id":7675,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7674\/revisions\/7675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7560"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7666,"date":"2025-01-27T13:31:28","date_gmt":"2025-01-27T13:31:28","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7666"},"modified":"2025-02-07T16:58:14","modified_gmt":"2025-02-07T16:58:14","slug":"everybody-loves-touda-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/everybody-loves-touda-2\/","title":{"rendered":"EVERYBODY LOVES TOUDA"},"content":{"rendered":"\n

Nabil AYOUCH, Morocco, 2024<\/p>\n\n\n\n

SYNOPSIS
Touda dreams of becoming a Cheikha, a traditional Moroccan artist who sings boldly and without censorship about resistance, love, and emancipation. Performing every night in the bars of her small provincial town under the watchful eyes of men, Touda dreams of a better future for herself and her son. Abused and humiliated, she decides to leave everything behind for the bright lights of Casablanca.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Nabil Ayouch is a French-Moroccan filmmaker. His works have been repeatedly featured in international film competitions such as the Oscars and the Cannes Film Festival. He has directed several acclaimed films, including The Desert Blue Stones (1992), Horses of God (2012), and Ali Zaoua (2000), which won the Golden Stallion of Yennenga at FESPACO 2001.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nabil AYOUCH, Morocco, 2024 SYNOPSISTouda dreams of becoming a Cheikha, a traditional Moroccan artist who sings boldly and without censorship about resistance, love, and emancipation. Performing every night in the bars of her small provincial town under the watchful eyes of men, Touda dreams of a better future for herself and her son. Abused and […]<\/p>\n","protected":false},"author":13,"featured_media":8405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7666"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7666\/revisions"}],"predecessor-version":[{"id":7668,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7666\/revisions\/7668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8405"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7664,"date":"2025-01-27T13:30:18","date_gmt":"2025-01-27T13:30:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7664"},"modified":"2025-01-29T12:01:09","modified_gmt":"2025-01-29T12:01:09","slug":"everybody-loves-touda","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/everybody-loves-touda\/","title":{"rendered":"EVERYBODY LOVES TOUDA"},"content":{"rendered":"\r\n

Nabil AYOUCH, Maroc, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\r\n\r\n\r\n\r\n

SYNOPSIS<\/strong><\/p>\r\n\r\n\r\n\r\n

Touda r\u00eave de devenir une Cheikha, une artiste traditionnelle marocaine, qui chante sans pudeur ni censure des textes de r\u00e9sistance, d’amour et d’\u00e9mancipation. Se produisant tous les soirs dans les bars de sa petite ville de province sous le regard des hommes, Touda r\u00eave d’un avenir meilleur pour elle et son fils. Maltrait\u00e9e et humili\u00e9e, elle d\u00e9cide de tout quitter pour les lumi\u00e8res de Casablanca.<\/p>\r\n\r\n\r\n\r\n

BIOFILMOGRAPHIE\u00a0<\/strong><\/p>\r\n\r\n\r\n\r\n

Nabil Ayouch est un r\u00e9alisateur franco-marocain. Ses \u0153uvres sont \u00e0 plusieurs reprises pr\u00e9sent\u00e9es dans des comp\u00e9titions cin\u00e9matographiques internationales telles que les Oscars ou le Festival de Cannes. Il a \u00e0 son actif des films \u00e0 succ\u00e8s dont Les Pierres bleues du d\u00e9sert (1992),<\/em> Les Chevaux de Dieu (2012)<\/em> et Ali Zaoua<\/em> (2000), Etalon d\u2019or de Yennenga au FESPACO 2001.<\/p>\r\n","protected":false},"excerpt":{"rendered":"

Nabil AYOUCH, Maroc, 2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS Touda r\u00eave de devenir une Cheikha, une artiste traditionnelle marocaine, qui chante sans pudeur ni censure des textes de r\u00e9sistance, d’amour et d’\u00e9mancipation. Se produisant tous les soirs dans les bars de sa petite ville de province sous le regard des hommes, Touda r\u00eave d’un avenir meilleur pour elle et […]<\/p>\n","protected":false},"author":13,"featured_media":8405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-05.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7664"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7664\/revisions"}],"predecessor-version":[{"id":8410,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7664\/revisions\/8410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8405"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7662,"date":"2025-01-27T13:28:24","date_gmt":"2025-01-27T13:28:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7662"},"modified":"2025-02-05T15:52:16","modified_gmt":"2025-02-05T15:52:16","slug":"demba-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/demba-2\/","title":{"rendered":"DEMBA"},"content":{"rendered":"\n

Mamadou Dia, S\u00c9N\u00c9GAL, 2024<\/p>\n\n\n\n

SYNOPSIS
Demba est sur le point de prendre sa retraite apr\u00e8s 30 ans de service \u00e0 la mairie de sa petite ville dans le nord du S\u00e9n\u00e9gal. Cet \u00e9t\u00e9 br\u00fblant, \u00e0 l\u2019approche du deuxi\u00e8me anniversaire du d\u00e9c\u00e8s de sa femme, il se rend compte qu\u2019il n\u2019arrive toujours pas \u00e0 \u201cs\u2019en remettre\u201d. Alors que sa sant\u00e9 mentale se d\u00e9t\u00e9riore, il d\u00e9couvre un nouveau lien avec son fils, autrefois distant. Demba pourra-t-il se remettre de sa perte sans se perdre lui-m\u00eame ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Mamadou Dia est un sc\u00e9nariste et r\u00e9alisateur s\u00e9n\u00e9galais. Son premier long m\u00e9trage, Baamum Nafi \/ Nafi\u2019s Father (2019), a \u00e9t\u00e9 s\u00e9lectionn\u00e9 comme candidature officielle du S\u00e9n\u00e9gal pour les Oscars 2021 et a remport\u00e9 de nombreux prix, dont deux L\u00e9opards d\u2019or pour Premier Film et \u201cCin\u00e9astes du Pr\u00e9sent\u201d au Festival International du Film de Locarno. Le film a \u00e9galement \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour New Directors\/New Films de MoMA\/Lincoln Center en 2020, le Talent Lab du TIFF 2019, et a re\u00e7u une bourse d\u2019\u00e9criture Hubert Bals en 2018.<\/p>\n\n\n\n

Son court m\u00e9trage Samedi Cin\u00e9ma a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re aux festivals de Venise et de Toronto en 2016 et a remport\u00e9 des dizaines de prix. Mamadou Dia est co-fondateur de la soci\u00e9t\u00e9 de production Joyedidi, qui organise des projections itin\u00e9rantes \u00e0 travers le S\u00e9n\u00e9gal. En 2023, il a \u00e9t\u00e9 nomm\u00e9 Guggenheim Fellow.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mamadou Dia, S\u00c9N\u00c9GAL, 2024 SYNOPSISDemba est sur le point de prendre sa retraite apr\u00e8s 30 ans de service \u00e0 la mairie de sa petite ville dans le nord du S\u00e9n\u00e9gal. Cet \u00e9t\u00e9 br\u00fblant, \u00e0 l\u2019approche du deuxi\u00e8me anniversaire du d\u00e9c\u00e8s de sa femme, il se rend compte qu\u2019il n\u2019arrive toujours pas \u00e0 \u201cs\u2019en remettre\u201d. Alors […]<\/p>\n","protected":false},"author":13,"featured_media":8947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-34.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7662"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7662\/revisions"}],"predecessor-version":[{"id":7663,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7662\/revisions\/7663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8947"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7660,"date":"2025-01-27T13:27:19","date_gmt":"2025-01-27T13:27:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7660"},"modified":"2025-02-07T16:59:26","modified_gmt":"2025-02-07T16:59:26","slug":"demba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/demba\/","title":{"rendered":"DEMBA"},"content":{"rendered":"\n

Mamadou Dia, SENEGAL, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Demba is about to retire after 30 years of service at the city hall in his small town in Northern Senegal. That hot summer, as the 2-year anniversary of his wife\u2019s passing approaches, he realizes he just can\u2019t \u201cshake it off.\u201d As his mental health deteriorates, he discovers a new connection with his once estranged son. Can Demba recover from his loss without losing himself?<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Mamadou Dia is a Senegalese writer\/director. His first feature Baamum Nafi\/ Nafi\u2019s Father (2019) is Senegal\u2019s Oscar entry for 2021 and has won many awards, including two Golden Leopards for First Feature and\u201d Filmmakers of the Present\u201d at the Locarno International Film Festival. The film was also selected for MoMA\/Lincoln Center\u2019s 2020 New Directors\/New Films, the 2019 TIFF Talent Lab and the 2018 Hubert Bals writing grant. Dia\u2019s short film Samedi Cine- ma premiered at the Venice and Toronto International Film Festivals in 2016 and received dozens of awards. Dia is co-founder of the production company Joyedidi, which organizes mobile screenings across Senegal. Mamadou is a 2023 Guggenheim Fellow.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mamadou Dia, SENEGAL, 2024 SYNOPSIS Demba is about to retire after 30 years of service at the city hall in his small town in Northern Senegal. That hot summer, as the 2-year anniversary of his wife\u2019s passing approaches, he realizes he just can\u2019t \u201cshake it off.\u201d As his mental health deteriorates, he discovers a new […]<\/p>\n","protected":false},"author":13,"featured_media":8947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-34.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7660"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7660\/revisions"}],"predecessor-version":[{"id":7661,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7660\/revisions\/7661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8947"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7657,"date":"2025-01-27T13:24:22","date_gmt":"2025-01-27T13:24:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7657"},"modified":"2025-02-18T10:02:39","modified_gmt":"2025-02-18T10:02:39","slug":"augure-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/augure-2\/","title":{"rendered":"AUGURE"},"content":{"rendered":"\n

BALOJI, Democratic Republic of Congo, 2023SYNOPSISAfter 15 years away, Koffi returns to Congo to introduce his pregnant wife to his family. A family that considers him a sorcerer. Encounters with three other individuals who also seek to free themselves from the weight of beliefs and societal expectations challenge him to confront his place and identity. Only mutual support and reconciliation can help them break free from the curse.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Born in 1978 in the DRC, Baloji is a musician, filmmaker, and polymath who works as an artistic director, fashion costume designer, and creator of other visual art forms. He has directed several short films, including ZOMBIES. His debut feature film, Augure, was presented at the Cannes Film Festival in the Official Selection and won the New Voice Prize in the Un Certain Regard category.<\/p>\n","protected":false},"excerpt":{"rendered":"

BALOJI, Democratic Republic of Congo, 2023SYNOPSISAfter 15 years away, Koffi returns to Congo to introduce his pregnant wife to his family. A family that considers him a sorcerer. Encounters with three other individuals who also seek to free themselves from the weight of beliefs and societal expectations challenge him to confront his place and identity. […]<\/p>\n","protected":false},"author":13,"featured_media":8403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7657"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7657\/revisions"}],"predecessor-version":[{"id":10042,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7657\/revisions\/10042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8403"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7655,"date":"2025-01-27T13:21:51","date_gmt":"2025-01-27T13:21:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7655"},"modified":"2025-02-18T10:04:44","modified_gmt":"2025-02-18T10:04:44","slug":"augure","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/augure\/","title":{"rendered":"AUGURE"},"content":{"rendered":"\n

BALOJI, R\u00e9publique D\u00e9mocratique du Congo, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Apr\u00e8s 15 ans d\u2019absence, Koffi retourne au Congo pour pr\u00e9senter sa femme, enceinte, \u00e0 sa famille. La famille qui le consid\u00e8re comme un sorcier, la rencontre avec trois autres personnages qui veulent s\u2019affranchir du poids des croyances et de leur assignation, l\u2019interrogeront sur sa place et son identit\u00e9. Seules l\u2019entraide et la r\u00e9conciliation leur permettront de se d\u00e9tacher de la mal\u00e9diction.<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

N\u00e9 en 1978 en RDC, Baloji est un musicien, cin\u00e9aste et polymathe, qui travaille comme directeur artistique, cr\u00e9ateur de costumes pour la mode et d\u2019autres formes d\u2019art visuel. Il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages, dont ZOMBIES.  Son premier long m\u00e9trage Augure a \u00e9t\u00e9 pr\u00e9sent\u00e9 au Festival de Cannes, en s\u00e9lection officielle, et a eu le Prix de la nouvelle Voix dans la cat\u00e9gorie Un Certain Regard.<\/p>\n","protected":false},"excerpt":{"rendered":"

BALOJI, R\u00e9publique D\u00e9mocratique du Congo, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0Apr\u00e8s 15 ans d\u2019absence, Koffi retourne au Congo pour pr\u00e9senter sa femme, enceinte, \u00e0 sa famille. La famille qui le consid\u00e8re comme un sorcier, la rencontre avec trois autres personnages qui veulent s\u2019affranchir du poids des croyances et de leur assignation, l\u2019interrogeront sur sa place et son identit\u00e9. Seules l\u2019entraide […]<\/p>\n","protected":false},"author":13,"featured_media":8403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7655"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7655\/revisions"}],"predecessor-version":[{"id":10041,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7655\/revisions\/10041"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8403"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7653,"date":"2025-01-27T13:20:51","date_gmt":"2025-01-27T13:20:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7653"},"modified":"2025-01-29T12:04:55","modified_gmt":"2025-01-29T12:04:55","slug":"au-revoir-julia","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/au-revoir-julia\/","title":{"rendered":"Good bye Julia"},"content":{"rendered":"\n

MOHAMED KORDOFANI, SOUDAN, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Wracked by guilt after covering up a murder, Mona \u2014 a northern Sudanese retired singer in a tense marriage \u2014 tries to make amends by taking in the deceased\u2019s southern Sudanese widow, Julia, and her son, Daniel, into her home. Unable to confess her transgressions to Julia, Mona decides to leave the past behind and adjust to a new status quo, unaware that the country\u2019s turmoil may find its way into her home and put her face to face with her sins.<\/a><\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Mohamed Kordofani is a Sudanese filmmaker whose short film Nyerkuk won the Black Elephant Award for Best Sudanese Film, NAAS Award for Best Arab Film at the Carthage Film Festival, Jury Award at the Oran International Arab Film Festival, and Arnone-Belavite Pellegrini Award at the FCAAA in Milan.His second short Kejers Prison was screened during the Sudanese revolution at the sit-in square in front of thousands of protesters, and his documentary A Tour in Love Republic was the first pro-revolution film to be broadcasted on Sudan’s national TV. His latest work was the film This Sudan, which was commissioned by Sudan\u00e2\u20ac\u2122s former prime minister Abdallah Hamadok to promote Sudan’s potential for investment.<\/p>\n","protected":false},"excerpt":{"rendered":"

MOHAMED KORDOFANI, SOUDAN, 2023 SYNOPSIS Wracked by guilt after covering up a murder, Mona \u2014 a northern Sudanese retired singer in a tense marriage \u2014 tries to make amends by taking in the deceased\u2019s southern Sudanese widow, Julia, and her son, Daniel, into her home. Unable to confess her transgressions to Julia, Mona decides to […]<\/p>\n","protected":false},"author":13,"featured_media":8401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-01.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7653"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7653\/revisions"}],"predecessor-version":[{"id":8411,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7653\/revisions\/8411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8401"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7644,"date":"2025-01-27T13:17:00","date_gmt":"2025-01-27T13:17:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7644"},"modified":"2025-02-06T09:20:21","modified_gmt":"2025-02-06T09:20:21","slug":"au-revoir-julia-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/au-revoir-julia-2\/","title":{"rendered":"Au revoir Julia"},"content":{"rendered":"\n


MOHAMED KORDOFANI, SOUDAN, 2023<\/p>\n\n\n\n

SYNOPSIS
Tourment\u00e9e par la culpabilit\u00e9 apr\u00e8s avoir couvert un meurtre, Mona, une chanteuse nord-soudanaise retrait\u00e9e dans un mariage difficile, tente de se racheter en accueillant la veuve du d\u00e9funt, Julia, une femme sud-soudanaise, et son fils Daniel. Incapable de confesser sa faute \u00e0 Julia, Mona s\u2019efforce de tourner la page et de s\u2019adapter \u00e0 une nouvelle normalit\u00e9, sans se douter que les troubles qui agitent le pays pourraient p\u00e9n\u00e9trer dans son foyer et la confronter \u00e0 ses propres p\u00e9ch\u00e9s.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Mohamed Kordofani est un cin\u00e9aste soudanais dont le court m\u00e9trage Nyerkuk a remport\u00e9 plusieurs distinctions, notamment le Prix Black Elephant du meilleur film soudanais, le Prix NAAS du meilleur film arabe au Festival de Carthage, le Prix du Jury au Festival international du film arabe d\u2019Oran, et le Prix Arnone-Belavite Pellegrini au FCAAA de Milan.<\/p>\n\n\n\n

Son deuxi\u00e8me court m\u00e9trage, Kejers Prison, a \u00e9t\u00e9 projet\u00e9 pendant la r\u00e9volution soudanaise sur la place du sit-in devant des milliers de manifestants. Son documentaire A Tour in Love Republic a \u00e9t\u00e9 le premier film pro-r\u00e9volutionnaire diffus\u00e9 \u00e0 la t\u00e9l\u00e9vision nationale soudanaise. Son \u0153uvre la plus r\u00e9cente, This Sudan, a \u00e9t\u00e9 command\u00e9e par l\u2019ancien Premier ministre soudanais Abdallah Hamdok pour promouvoir le potentiel d\u2019investissement du Soudan.<\/p>\n","protected":false},"excerpt":{"rendered":"

MOHAMED KORDOFANI, SOUDAN, 2023 SYNOPSISTourment\u00e9e par la culpabilit\u00e9 apr\u00e8s avoir couvert un meurtre, Mona, une chanteuse nord-soudanaise retrait\u00e9e dans un mariage difficile, tente de se racheter en accueillant la veuve du d\u00e9funt, Julia, une femme sud-soudanaise, et son fils Daniel. Incapable de confesser sa faute \u00e0 Julia, Mona s\u2019efforce de tourner la page et de […]<\/p>\n","protected":false},"author":13,"featured_media":8402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-02.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7644"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7644\/revisions"}],"predecessor-version":[{"id":7650,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7644\/revisions\/7650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8402"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7648,"date":"2025-01-27T13:07:03","date_gmt":"2025-01-27T13:07:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7648"},"modified":"2025-02-07T17:06:13","modified_gmt":"2025-02-07T17:06:13","slug":"all-the-colours-of-the-world-are-between-black-and-white-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/all-the-colours-of-the-world-are-between-black-and-white-3\/","title":{"rendered":"ALL THE COLOURS OF THE WORLD ARE BETWEEN BLACK AND WHITE"},"content":{"rendered":"\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Bambino, a single man, earns a stable income as a delivery driver in Lagos. He is well-liked in his neighborhood, always willing to help others when he can. While his neighbor\u2019s advances leave him indifferent, Bambino meets the charismatic Bawa, a photographer who stirs something within him<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Babatunde Apalowo is a director and screenwriter based in the UK. He won the Homevida competition and his short film A Place of Happiness<\/em> has screened at several international film festivals. In 2022, he won the AMVCA for Best Editor. His debut feature film is All the Colours of the World Are Between Black and White<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSIS Bambino, a single man, earns a stable income as a delivery driver in Lagos. He is well-liked in his neighborhood, always willing to help others when he can. While his neighbor\u2019s advances leave him indifferent, Bambino meets the charismatic Bawa, a photographer who stirs something within him BIOFILMOGRAPHY Babatunde Apalowo is a director and […]<\/p>\n","protected":false},"author":13,"featured_media":8946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-33.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7648"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7648\/revisions"}],"predecessor-version":[{"id":7649,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7648\/revisions\/7649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8946"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7646,"date":"2025-01-27T13:06:12","date_gmt":"2025-01-27T13:06:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7646"},"modified":"2025-02-05T15:51:17","modified_gmt":"2025-02-05T15:51:17","slug":"all-the-colours-of-the-world-are-between-black-and-white-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/all-the-colours-of-the-world-are-between-black-and-white-2\/","title":{"rendered":"ALL THE COLOURS OF THE WORLD ARE BETWEEN BLACK AND WHITE"},"content":{"rendered":"\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Bambino, c\u00e9libataire, a un revenu stable gr\u00e2ce \u00e0 son emploi de chauffeur-livreur \u00e0 Lagos. Il est appr\u00e9ci\u00e9 par son voisinage qu\u2019il aide d\u00e8s qu\u2019il le peut. Alors que les avances de sa voisine le laissent froid, Bambino rencontre le charismatique Bawa, un photographe qui provoque quelque chose en lui.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Babatunde Apalowo est un r\u00e9alisateur et sc\u00e9nariste bas\u00e9 au Royaume-Uni. Il a remport\u00e9 le concours Homevida et son court m\u00e9trage A Place of Happiness a \u00e9t\u00e9 projet\u00e9 dans plusieurs festivals internationaux. En 2022, il a remport\u00e9 le prix AMVCA du Meilleur Montage. Son premier long m\u00e9trage est All the Colours of the World Are Between Black and White.<\/p>\n","protected":false},"excerpt":{"rendered":"

SYNOPSIS Bambino, c\u00e9libataire, a un revenu stable gr\u00e2ce \u00e0 son emploi de chauffeur-livreur \u00e0 Lagos. Il est appr\u00e9ci\u00e9 par son voisinage qu\u2019il aide d\u00e8s qu\u2019il le peut. Alors que les avances de sa voisine le laissent froid, Bambino rencontre le charismatique Bawa, un photographe qui provoque quelque chose en lui. BIOFILMOGRAPHIE Babatunde Apalowo est un […]<\/p>\n","protected":false},"author":13,"featured_media":8946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-SUITE-33.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7646"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7646\/revisions"}],"predecessor-version":[{"id":7647,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7646\/revisions\/7647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8946"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7636,"date":"2025-01-27T12:54:44","date_gmt":"2025-01-27T12:54:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7636"},"modified":"2025-01-27T12:54:46","modified_gmt":"2025-01-27T12:54:46","slug":"the-village-next-to-paradise-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-village-next-to-paradise-2\/","title":{"rendered":"The Village Next To Paradise"},"content":{"rendered":"\n

Mo Harawe, Somalie, 2024 <\/a><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Dans un petit village du d\u00e9sert somalien, Mamargade, p\u00e8re c\u00e9libataire, cumule les petits boulots pour offrir \u00e0 son fils Cigaal une vie meilleure. Sa s\u0153ur Araweelo, divorc\u00e9e, revient vivre avec eux. Malgr\u00e9 les vents changeants d\u2019un pays en proie \u00e0 la guerre civile et aux catastrophes naturelles, l\u2019amour, la confiance et la r\u00e9silience leur permettront de prendre en main leur destin\u00e9e.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Mo Harawe est un sc\u00e9nariste et r\u00e9alisateur somalo-autrichien n\u00e9 \u00e0 Mogadiscio. Il a \u00e9tudi\u00e9 la communication visuelle et le cin\u00e9ma \u00e0 la Kunsthochschule de Kassel. The Village Next to Paradise est son premier long m\u00e9trage, succ\u00e9dant \u00e0 ses courts m\u00e9trages acclam\u00e9s Life on the Horn (2022) et Will My Parents Come to See Me (2022), qui ont remport\u00e9 le Grand Prix \u00e0 Clermont-Ferrand ainsi qu\u2019au German LOLA et le Prix du Meilleur Court M\u00e9trage aux Austrian Film Awards en 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mo Harawe, Somalie, 2024 SYNOPSIS Dans un petit village du d\u00e9sert somalien, Mamargade, p\u00e8re c\u00e9libataire, cumule les petits boulots pour offrir \u00e0 son fils Cigaal une vie meilleure. Sa s\u0153ur Araweelo, divorc\u00e9e, revient vivre avec eux. Malgr\u00e9 les vents changeants d\u2019un pays en proie \u00e0 la guerre civile et aux catastrophes naturelles, l\u2019amour, la confiance […]<\/p>\n","protected":false},"author":13,"featured_media":7548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-35.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7636"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7636\/revisions"}],"predecessor-version":[{"id":7637,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7636\/revisions\/7637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7548"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7633,"date":"2025-01-27T12:52:44","date_gmt":"2025-01-27T12:52:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7633"},"modified":"2025-01-27T12:52:48","modified_gmt":"2025-01-27T12:52:48","slug":"the-village-next-to-paradise","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-village-next-to-paradise\/","title":{"rendered":"The Village Next To Paradise"},"content":{"rendered":"\n

Mo Harawe, Somalie, 2024 <\/a><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

In a windy Somali village, a newly assembled family must navigate between their different aspirations and the complex world surrounding them. Love, trust and resilience will power them through their life paths.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Mo Harawe is a Somali\/Austrian writer and director born in Mogadishu. He studied Visual Communication and Film at Kunsthochschule Kassel. The Village Next to Paradise<\/em> is his debut feature film, following his acclaimed short films Life on the Horn<\/em> (2022), Will My Parents Come to See Me<\/em> (2022), Grand Prix at both Clermont-Ferrand and German LOLA and Austrian Film Award for Best Short Film in 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mo Harawe, Somalie, 2024 SYNOPSIS In a windy Somali village, a newly assembled family must navigate between their different aspirations and the complex world surrounding them. Love, trust and resilience will power them through their life paths. BIOFILMOGRAPHY Mo Harawe is a Somali\/Austrian writer and director born in Mogadishu. He studied Visual Communication and Film […]<\/p>\n","protected":false},"author":13,"featured_media":7548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-35.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7633"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7633\/revisions"}],"predecessor-version":[{"id":7634,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7633\/revisions\/7634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7548"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7627,"date":"2025-01-27T12:49:28","date_gmt":"2025-01-27T12:49:28","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7627"},"modified":"2025-01-27T12:50:48","modified_gmt":"2025-01-27T12:50:48","slug":"la-marieemyriam-u-birara-rwanda-2023","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-marieemyriam-u-birara-rwanda-2023\/","title":{"rendered":"La Mari\u00e9e"},"content":{"rendered":"\n

Myriam U. Birara, Rwanda, 2023<\/p>\n\n\n\n

SYNOPSIS
Trois ans apr\u00e8s le g\u00e9nocide contre les Tutsis, Eva, une jeune femme r\u00eavant de faire des \u00e9tudes de m\u00e9decine, est enlev\u00e9e et soumise au Guterura, une forme de mariage traditionnel. Se sentant abandonn\u00e9e par sa famille conservatrice qui la pousse \u00e0 accepter sa nouvelle situation, Eva d\u00e9veloppe un lien avec le cousin de son ravisseur.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Myriam U. Birara est une cin\u00e9aste et peintre autodidacte rwandaise, n\u00e9e en 1992. Sa passion pour l\u2019art d\u00e8s son plus jeune \u00e2ge l\u2019a conduite \u00e0 explorer le cin\u00e9ma et la peinture en autodidacte. Elle est titulaire d\u2019une licence en finance et a fait ses premiers pas dans le cin\u00e9ma en 2011.<\/p>\n\n\n\n

Myriam a r\u00e9alis\u00e9 trois courts m\u00e9trages, dont Imuhira, pr\u00e9sent\u00e9 en comp\u00e9tition au Festival international du film de Locarno en 2021, o\u00f9 il a remport\u00e9 le prix Medien Patent Verwaltung AG. Imuhira a \u00e9galement \u00e9t\u00e9 projet\u00e9 dans des festivals prestigieux tels que le BFI London Film Festival et le Melbourne International Film Festival. En 2022, il a remport\u00e9 le prix du Meilleur Court M\u00e9trage Est-Africain au Urusaro Women Film Festival au Rwanda.<\/p>\n\n\n\n

En f\u00e9vrier 2023, son premier long m\u00e9trage, The Bride, a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au Berlinale dans la section Forum et a re\u00e7u une mention sp\u00e9ciale du jury pour le prix GWFF du Meilleur Premier Film. En avril 2023, The Bride a fait partie de la comp\u00e9tition officielle du Festival international de cin\u00e9ma de Las Palmas de Gran Canaria, o\u00f9 il a remport\u00e9 le prix Silver Lady Harimaguada de Plata ainsi que le prix CIMA.<\/p>\n\n\n\n

The Bride a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au BFI London Film Institute, au Festival du Nouveau Cin\u00e9ma de Qu\u00e9bec (o\u00f9 il a remport\u00e9 le prix de la Meilleure Actrice et une mention sp\u00e9ciale pour le Meilleur Long M\u00e9trage), ainsi qu\u2019\u00e0 la comp\u00e9tition des nouveaux r\u00e9alisateurs au Festival international de cin\u00e9ma de Chicago.<\/p>\n\n\n\n

The Bride a \u00e9galement \u00e9t\u00e9 projet\u00e9 au Festival international de cin\u00e9ma africain de Khouribga, o\u00f9 il a remport\u00e9 le Grand Prix Semb\u00e8ne et le Prix de la Critique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Myriam U. Birara, Rwanda, 2023 SYNOPSISTrois ans apr\u00e8s le g\u00e9nocide contre les Tutsis, Eva, une jeune femme r\u00eavant de faire des \u00e9tudes de m\u00e9decine, est enlev\u00e9e et soumise au Guterura, une forme de mariage traditionnel. Se sentant abandonn\u00e9e par sa famille conservatrice qui la pousse \u00e0 accepter sa nouvelle situation, Eva d\u00e9veloppe un lien avec […]<\/p>\n","protected":false},"author":13,"featured_media":7546,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-33.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7627"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7627\/revisions"}],"predecessor-version":[{"id":7631,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7627\/revisions\/7631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7546"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7625,"date":"2025-01-27T12:48:35","date_gmt":"2025-01-27T12:48:35","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7625"},"modified":"2025-01-27T12:48:37","modified_gmt":"2025-01-27T12:48:37","slug":"the-bride","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-bride\/","title":{"rendered":"The Bride"},"content":{"rendered":"\n

Myriam U. Birara, Rwanda, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Three years after the genocide against the Tutsis, Eva, a young woman with dreams of going to medical school is abducted and subjected to Guterura, a form of traditional marriage. Feeling abandoned by her conservative family who pushes her to accept her new situation, Eva bonds with the cousin of her abducto<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Myriam U. Birara is a Rwandan self-taught filmmaker and painter born in 1992. Her passion for art from a very young age pushed her self-taught filmmaking and painting. She holds a Bachelor\u2019s degree in finance. She got her first taste in filmmaking in 2011. Myriam directed three shorts including Imuhira, which premiered in competition at Locarno International Film Festival in 2021 and won the Medien Patent Verwaltung AG Award, IMUHIRA short film was shown in important film festival like BFI London film festival, Melbourne International film festival\u2026also in 2022 it won The best east African short film Award in URUSARO women film festival in Rwanda.<\/p>\n\n\n\n

In February 2023 her first feature film THE BRIDE was premiered at Berlinale in forum section and won a Jury special mention for the GWFF best first feature film Award. April 2023 THE BRIDE was part of Las Palmas de Gran Canaria international film festival in feature film official competition where it won The Silver Lady Harimaguada de Plata award and CIMA award.<\/p>\n\n\n\n

THE BRIDE was shown at BFI London film institute in official selection, in Festival du nouveau cinema de Quebec official competition and won best actress award and special mention of the best feature film, and THE BRIDE were in new directors\u2019 competition in Chicago international film festival.<\/p>\n\n\n\n

THE BRIDE was part Khouribga festival international du cinema Africain and won the grand prize SEMBENE and critic prize.<\/p>\n","protected":false},"excerpt":{"rendered":"

Myriam U. Birara, Rwanda, 2023 SYNOPSIS Three years after the genocide against the Tutsis, Eva, a young woman with dreams of going to medical school is abducted and subjected to Guterura, a form of traditional marriage. Feeling abandoned by her conservative family who pushes her to accept her new situation, Eva bonds with the cousin […]<\/p>\n","protected":false},"author":13,"featured_media":7546,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-33.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7625"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7625\/revisions"}],"predecessor-version":[{"id":7626,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7625\/revisions\/7626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7546"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7621,"date":"2025-01-27T12:46:22","date_gmt":"2025-01-27T12:46:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7621"},"modified":"2025-02-18T10:12:37","modified_gmt":"2025-02-18T10:12:37","slug":"sanko-gods-dream","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sanko-gods-dream\/","title":{"rendered":"SANKO, GOD\u2019S DREAM"},"content":{"rendered":"\n

Fousseyni MA\u00cfGA, Mali, 2023 SYNOPSIS After the death of his father, N\u2019Tjo Deba faces a wave of hatred and greed within his family. The inheritance left by his father, N\u2019Tji Deba, becomes the object of everyone\u2019s desires. Without a will, his uncles M\u2019Pie and Niamn take possession of all the assets, leaving N\u2019Tjo, his mother, and his sister with only the family farm in their native village.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Fousseyni Ma\u00efga is a Malian director, producer, and screenwriter. He earned two professional training certificates in screenwriting and directing from the Cinema and Television School of Quebec (Canada) in 2020 and 2019, respectively. His film Wolonwula won sixteen awards in 2022, and his film Sira\/On the Road received a prize at FESPACO 2023, while Fanga received a special mention from the jury at FESPACO 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseyni MA\u00cfGA, Mali, 2023 SYNOPSIS After the death of his father, N\u2019Tjo Deba faces a wave of hatred and greed within his family. The inheritance left by his father, N\u2019Tji Deba, becomes the object of everyone\u2019s desires. Without a will, his uncles M\u2019Pie and Niamn take possession of all the assets, leaving N\u2019Tjo, his mother, […]<\/p>\n","protected":false},"author":13,"featured_media":8409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7621"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7621\/revisions"}],"predecessor-version":[{"id":10044,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7621\/revisions\/10044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8409"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7618,"date":"2025-01-27T12:45:19","date_gmt":"2025-01-27T12:45:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7618"},"modified":"2025-02-18T10:09:54","modified_gmt":"2025-02-18T10:09:54","slug":"sanko-le-reve-de-dieu","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sanko-le-reve-de-dieu\/","title":{"rendered":"SANKO, le REVE de dieu"},"content":{"rendered":"\n

Fousseyni MA\u00cfGA, Mali, 2023\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS<\/strong> A la mort de son p\u00e8re, N\u2019TJO DEBA voit d\u00e9ferler une houle de haine et de concupiscence au sein de sa famille. L\u2019h\u00e9ritage laiss\u00e9 par le p\u00e8re, N\u2019TJI DEBA, devient l\u2019objet de toutes les convoitises. En l\u2019absence d\u2019un testament, ses oncles M\u2019PIE et NIAMN s\u2019approprient de tous les biens. Ils laissent \u00e0 N\u2019TJO, sa m\u00e8re et sa s\u0153ur, la ferme familiale install\u00e9e dans leur village natal.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Fousseyni MA\u00cfGA est un r\u00e9alisateur, producteur et sc\u00e9nariste malien. Il obtient deux certificats de formation professionnelle en sc\u00e9narisation et en r\u00e9alisation de l\u2019\u00e9cole de cin\u00e9ma et de t\u00e9l\u00e9vision du Qu\u00e9bec (CANADA) successivement en 2020 et en 2019. Il a re\u00e7u seize prix avec son film WOLONWULA en 2022, SIRA\/SUR LA<\/em> ROUTE<\/em>, prim\u00e9 au FESPACO 2023 et FANGA<\/em>, mention sp\u00e9ciale du jury au FESPACO 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fousseyni MA\u00cfGA, Mali, 2023\u00a0\u00a0\u00a0\u00a0\u00a0 SYNOPSIS A la mort de son p\u00e8re, N\u2019TJO DEBA voit d\u00e9ferler une houle de haine et de concupiscence au sein de sa famille. L\u2019h\u00e9ritage laiss\u00e9 par le p\u00e8re, N\u2019TJI DEBA, devient l\u2019objet de toutes les convoitises. En l\u2019absence d\u2019un testament, ses oncles M\u2019PIE et NIAMN s\u2019approprient de tous les biens. Ils […]<\/p>\n","protected":false},"author":13,"featured_media":8409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-09.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7618"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7618\/revisions"}],"predecessor-version":[{"id":10043,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7618\/revisions\/10043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8409"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7616,"date":"2025-01-27T12:05:29","date_gmt":"2025-01-27T12:05:29","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7616"},"modified":"2025-01-29T12:13:45","modified_gmt":"2025-01-29T12:13:45","slug":"devenir-une-pintade","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/devenir-une-pintade\/","title":{"rendered":"DEVENIR UNE PINTADE"},"content":{"rendered":"\n

Rungano Nyoni, ZAMBIE, 2024<\/p>\n\n\n\n

SYNOPSIS
Sur une route d\u00e9serte au milieu de la nuit, Shula tombe sur le corps de son oncle. Alors que les fun\u00e9railles commencent, elle et ses cousins mettent au jour les secrets enfouis de leur famille zambienne de classe moyenne. Avec ce film surr\u00e9aliste et vibrant, la r\u00e9alisatrice Rungano Nyoni explore les mensonges que nous nous racontons \u00e0 nous-m\u00eames.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Rungano Nyoni est une sc\u00e9nariste et r\u00e9alisatrice autodidacte. Elle est n\u00e9e \u00e0 Lusaka, en Zambie, et a grandi au Pays de Galles, au Royaume-Uni.<\/p>\n\n\n\n

Son premier court m\u00e9trage, THE LIST, a remport\u00e9 un BAFTA Cymru. Son court m\u00e9trage suivant, MWANSA THE GREAT, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans plus de 100 festivals internationaux et a \u00e9t\u00e9 nomm\u00e9 pour un BAFTA en 2012. En 2013, Rungano a \u00e9crit Z1, qui a remport\u00e9 le prix du Meilleur Court M\u00e9trage aux British Independent Film Awards. Son court m\u00e9trage LISTEN a \u00e9t\u00e9 nomin\u00e9 pour un European Film Award en 2015 et a remport\u00e9 le prix du Meilleur Court M\u00e9trage Narratif au Festival du Film de Tribeca.<\/p>\n\n\n\n

Son premier long m\u00e9trage, I AM NOT A WITCH, raconte l\u2019histoire d\u2019une fillette de 8 ans exil\u00e9e dans un camp de sorci\u00e8res. Le film a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au Festival de Cannes et a \u00e9t\u00e9 nomm\u00e9 pour de nombreux prix internationaux. En 2018, Rungano a remport\u00e9 un BAFTA pour le Meilleur D\u00e9but exceptionnel par un \u00e9crivain, r\u00e9alisateur ou producteur britannique. Elle a \u00e9galement re\u00e7u les prix de la Meilleure R\u00e9alisatrice et du Meilleur Premier R\u00e9alisateur aux British Independent Film Awards 2017. En 2018, Rungano a obtenu la Bourse Wellcome Trust.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rungano Nyoni, ZAMBIE, 2024 SYNOPSISSur une route d\u00e9serte au milieu de la nuit, Shula tombe sur le corps de son oncle. Alors que les fun\u00e9railles commencent, elle et ses cousins mettent au jour les secrets enfouis de leur famille zambienne de classe moyenne. Avec ce film surr\u00e9aliste et vibrant, la r\u00e9alisatrice Rungano Nyoni explore les […]<\/p>\n","protected":false},"author":13,"featured_media":8408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7616"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7616\/revisions"}],"predecessor-version":[{"id":7617,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7616\/revisions\/7617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8408"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7614,"date":"2025-01-27T12:02:51","date_gmt":"2025-01-27T12:02:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7614"},"modified":"2025-02-07T17:17:07","modified_gmt":"2025-02-07T17:17:07","slug":"on-becoming-a-guinea-fowl","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/on-becoming-a-guinea-fowl\/","title":{"rendered":"ON BECOMING A GUINEA FOWL"},"content":{"rendered":"\n

Rungano Nynoi, ZAMBIE, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

On an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family, in filmmaker Rungano Nyoni\u2019s surreal and vibrant reckoning with the lies we tell ourselves.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Rungano Nyoni is a self-taught Writer \/ Director. She was born in Lusaka, Zambia and grew up in Wales, UK.<\/p>\n\n\n\n

Rungano\u2019s first short film THE LIST won a BAFTA Cymru, her subsequent short film MWANSA THE GREAT was selected for over 100 International Film Festival and was nominated for a BAFTA in 2012. In 2013 Rungano wrote Z1 which subsequently won Best Short at The British Independent Film Awards. Her short LISTEN has been nom\u00adinated for a European Film Award 2015 and won the Best Short Narrative Prize at Tribeca Film Festival. Rungano’s debut feature was I AM NOT A WITCH. It follows the story of an 8-year-old girl who is exiled to a Witch Camp. The film premiered in Cannes and was nominated for numerous international awards. In 2018 Rungano won the BAFTA for outstanding debut by a British writer, director, or producer. She also won best director and best debut director at the 2017 British Independent Film Awards. In 2018 Rungano received the Wellcome Trust Fellowship.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rungano Nynoi, ZAMBIE, 2024 SYNOPSIS On an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family, in filmmaker Rungano Nyoni\u2019s surreal and vibrant reckoning with the lies […]<\/p>\n","protected":false},"author":13,"featured_media":8408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-08.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7614"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7614\/revisions"}],"predecessor-version":[{"id":7615,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7614\/revisions\/7615"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8408"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7611,"date":"2025-01-27T12:00:25","date_gmt":"2025-01-27T12:00:25","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7611"},"modified":"2025-02-18T10:15:39","modified_gmt":"2025-02-18T10:15:39","slug":"nome-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nome-2\/","title":{"rendered":"NOME"},"content":{"rendered":"\n

SANA NA N\u2019HADA, Guinea-Bissau, 2023 SYNOPSIS Guinea-Bissau, 1969. A violent war rages between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea and Cape Verde. NOME leaves his village to join the resistance in the maquis. Years later, he returns as a hero. However, the euphoria soon gives way to bitterness and cynicism.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Guinea-Bissauan filmmaker Sana Na N\u2019Hada studied at the Cuban Institute of Cinematographic Arts and Industry. His cinema reflects a constant interplay between the memory of Portuguese occupation, the struggles for independence, and a meditation on the destruction of traditional societies. His film Xime was presented in the Official Selection of Un Certain Regard at the Cannes Film Festival in 1994.<\/p>\n","protected":false},"excerpt":{"rendered":"

SANA NA N\u2019HADA, Guinea-Bissau, 2023 SYNOPSIS Guinea-Bissau, 1969. A violent war rages between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea and Cape Verde. NOME leaves his village to join the resistance in the maquis. Years later, he returns as a hero. However, the euphoria soon gives […]<\/p>\n","protected":false},"author":13,"featured_media":8407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7611"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7611\/revisions"}],"predecessor-version":[{"id":10046,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7611\/revisions\/10046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8407"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7609,"date":"2025-01-27T11:58:38","date_gmt":"2025-01-27T11:58:38","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7609"},"modified":"2025-02-18T10:14:14","modified_gmt":"2025-02-18T10:14:14","slug":"nome","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nome\/","title":{"rendered":"NOME"},"content":{"rendered":"\n

SANA NA N\u2019HADA, Guin\u00e9e Bissau, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Guin\u00e9e-Bissau, 1969. Une guerre violente oppose l\u2019arm\u00e9e coloniale portugaise aux gu\u00e9rilleros du Parti Africain pour l’Ind\u00e9pendance de la Guin\u00e9e et du Cap Vert. NOME quitte son village et rejoint le maquis. Apr\u00e8s des ann\u00e9es, il rentrera en h\u00e9ros. Mais la liesse laissera bient\u00f4t la place \u00e0 l\u2019amertume et au cynisme.<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

Cin\u00e9aste Bissau guin\u00e9en, Sana Na N\u2019Hada \u00e9tudie \u00e0 l\u2019Institut Cubain des Arts et Industries Cin\u00e9matographiques. Son cin\u00e9ma se construit dans des allers retours entre la m\u00e9moire de l\u2019occupation portugaise, les luttes d\u2019ind\u00e9pendance et une m\u00e9ditation sur la destruction des soci\u00e9t\u00e9s traditionnelles. Son film Xime<\/em> a \u00e9t\u00e9 pr\u00e9sent\u00e9 en S\u00e9lection Officielle \u00e0 Un Certain Regard en 1994 \u00e0 Cannes.<\/p>\n","protected":false},"excerpt":{"rendered":"

SANA NA N\u2019HADA, Guin\u00e9e Bissau, 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0SYNOPSIS\u00a0\u00a0\u00a0\u00a0\u00a0Guin\u00e9e-Bissau, 1969. Une guerre violente oppose l\u2019arm\u00e9e coloniale portugaise aux gu\u00e9rilleros du Parti Africain pour l’Ind\u00e9pendance de la Guin\u00e9e et du Cap Vert. NOME quitte son village et rejoint le maquis. Apr\u00e8s des ann\u00e9es, il rentrera en h\u00e9ros. Mais la liesse laissera bient\u00f4t la place \u00e0 l\u2019amertume et au cynisme. […]<\/p>\n","protected":false},"author":13,"featured_media":8407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-07.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7609"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7609\/revisions"}],"predecessor-version":[{"id":10045,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7609\/revisions\/10045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8407"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7606,"date":"2025-01-27T11:55:45","date_gmt":"2025-01-27T11:55:45","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7606"},"modified":"2025-02-07T17:29:19","modified_gmt":"2025-02-07T17:29:19","slug":"males-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/males-2\/","title":{"rendered":"\u00a0Mal\u00eas"},"content":{"rendered":"\n

Antonio Pitanga, Br\u00e9sil, 2024<\/p>\n\n\n\n

 SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

MAL\u00caS is a journey of resistance and courage, set in the vibrant Salvador of 1835. During their marriage, two young Muslims are torn from their homeland in Africa and enslaved in Brazil. Separated by cruel fate, they struggle to survive and find each other again as they become embroiled in the largest slave uprising in Brazilian history: the Revolt of the Mal\u00eas.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/strong><\/p>\n\n\n\n

Ant\u00f4nio Pitanga is a Brazilian actor and director. Born in Salvador, he studied dramatic art at the Theater School of the Federal University of Bahia. Ant\u00f4nio Pitanga also directed the feature film Na Boca do Mundo (1979), considered a landmark in Brazilian black cinema. As well as being active in the black movement, Ant\u00f4nio Pitanga is also a member of the Brazilian Center for Information and Documentation of Black Artists (CIDAN), an NGO. Pitanga is a cultural icon of Brazil.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Antonio Pitanga, Br\u00e9sil, 2024  SYNOPSIS MAL\u00caS is a journey of resistance and courage, set in the vibrant Salvador of 1835. During their marriage, two young Muslims are torn from their homeland in Africa and enslaved in Brazil. Separated by cruel fate, they struggle to survive and find each other again as they become embroiled in […]<\/p>\n","protected":false},"author":13,"featured_media":8406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7606"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7606\/revisions"}],"predecessor-version":[{"id":7607,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7606\/revisions\/7607"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8406"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7604,"date":"2025-01-27T11:54:18","date_gmt":"2025-01-27T11:54:18","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7604"},"modified":"2025-01-29T12:08:01","modified_gmt":"2025-01-29T12:08:01","slug":"males","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/males\/","title":{"rendered":"\u00a0Mal\u00eas"},"content":{"rendered":"\n

Antonio Pitanga, Br\u00e9sil, 2024<\/p>\n\n\n\n

 SYNOPSIS     <\/strong><\/p>\n\n\n\n

MAL\u00caS est un voyage de r\u00e9sistance et de courage qui se d\u00e9roule dans le vibrant Salvador de 1835. Pendant leur mariage, deux jeunes musulmans sont arrach\u00e9s \u00e0 leur terre natale en Afrique et r\u00e9duits en esclavage au Br\u00e9sil. S\u00e9par\u00e9s par un destin cruel, ils luttent pour survivre et se retrouver tout en \u00e9tant m\u00eal\u00e9s au plus grand soul\u00e8vement d’esclaves de l’histoire du Br\u00e9sil : la r\u00e9volte des Mal\u00eas.<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE
Ant\u00f4nio Pitanga est un acteur et r\u00e9alisateur br\u00e9silien. N\u00e9 \u00e0 Salvador, il a \u00e9tudi\u00e9 l\u2019art dramatique \u00e0 l\u2019\u00c9cole de Th\u00e9\u00e2tre de l\u2019Universit\u00e9 F\u00e9d\u00e9rale de Bahia. Ant\u00f4nio Pitanga a \u00e9galement r\u00e9alis\u00e9 le long m\u00e9trage Na Boca do Mundo (1979), consid\u00e9r\u00e9 comme une \u0153uvre marquante du cin\u00e9ma noir br\u00e9silien. Actif au sein du mouvement noir, Ant\u00f4nio Pitanga est \u00e9galement membre du Centre Br\u00e9silien d\u2019Information et de Documentation des Artistes Noirs (CIDAN), une ONG. Pitanga est une ic\u00f4ne culturelle du Br\u00e9sil.<\/p>\n","protected":false},"excerpt":{"rendered":"

Antonio Pitanga, Br\u00e9sil, 2024  SYNOPSIS      MAL\u00caS est un voyage de r\u00e9sistance et de courage qui se d\u00e9roule dans le vibrant Salvador de 1835. Pendant leur mariage, deux jeunes musulmans sont arrach\u00e9s \u00e0 leur terre natale en Afrique et r\u00e9duits en esclavage au Br\u00e9sil. S\u00e9par\u00e9s par un destin cruel, ils luttent pour survivre et se retrouver […]<\/p>\n","protected":false},"author":13,"featured_media":8406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-06.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7604"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7604\/revisions"}],"predecessor-version":[{"id":7608,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7604\/revisions\/7608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8406"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7602,"date":"2025-01-27T11:51:24","date_gmt":"2025-01-27T11:51:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7602"},"modified":"2025-02-18T10:20:34","modified_gmt":"2025-02-18T10:20:34","slug":"les-invertueuses-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-invertueuses-2\/","title":{"rendered":"Les Invertueuses"},"content":{"rendered":"\n

Chlo\u00e9-A\u00efcha BORO, Burkina Faso, 2024SYNOPSIS In Burkina Faso, against the backdrop of advancing jihadist forces, Natie, a troubled teenager, discovers that her grandmother married a man she did not love. In her quest to mend her grandmother\u2019s shattered destiny, Natie hopes to find herself as well. But will she succeed in achieving her own emancipation?<\/p>\n\n\n\n

BIOFILMOGRAPHY
Chlo\u00e9-A\u00efcha BORO, a Burkinabe director and producer, began her career as a journalist. In 2019, she won the Golden Stallion for Best Documentary at FESPACO with The Golden Wolf of Balol\u00e9, followed by the 2021 Francophone Trophy. Her latest feature-length documentary, Al Djanat, received the Encounters Al Jazeera Documentary Prize in South Africa and the Major Docs Balearic Islands and FICAA awards in Argentina in 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chlo\u00e9-A\u00efcha BORO, Burkina Faso, 2024SYNOPSIS In Burkina Faso, against the backdrop of advancing jihadist forces, Natie, a troubled teenager, discovers that her grandmother married a man she did not love. In her quest to mend her grandmother\u2019s shattered destiny, Natie hopes to find herself as well. But will she succeed in achieving her own emancipation? […]<\/p>\n","protected":false},"author":13,"featured_media":7555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-42.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7602"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7602\/revisions"}],"predecessor-version":[{"id":10048,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7602\/revisions\/10048"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7555"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7600,"date":"2025-01-27T11:48:42","date_gmt":"2025-01-27T11:48:42","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7600"},"modified":"2025-02-18T10:49:14","modified_gmt":"2025-02-18T10:49:14","slug":"les-invertueuses","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-invertueuses\/","title":{"rendered":"Les Invertueuses"},"content":{"rendered":"\n

Chlo\u00e9-A\u00efcha BORO, Burkina Faso, 2024\u00a0\u00a0SYNOPSIS<\/strong> Au Burkina Faso, sur fond d\u2019avanc\u00e9e dhijadiste, <\/a>Natie, une adolescente mal dans sa peau, d\u00e9couvre que sa grand-m\u00e8re a \u00e9pous\u00e9 un homme qu\u2019elle n\u2019aimait pas. En cherchant \u00e0 r\u00e9parer le destin bris\u00e9 de sa grand-m\u00e8re, Natie esp\u00e8re aussi se retrouver. Mais parviendra-t-elle \u00e0 s\u2019\u00e9manciper ?<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong>   <\/p>\n\n\n\n

R\u00e9alisatrice et productrice burkinab\u00e8, Chlo\u00e9-A\u00efcha BORO d\u00e9bute comme journaliste. En 2019, elle remporte l\u2019\u00c9talon d\u2019or documentaire au FESPACO avec Le Loup d\u2019or de Balol\u00e9<\/em>, puis le Troph\u00e9e Francophone 2021. Son dernier long m\u00e9trage Al Djanat <\/em>obtient le prix documentaire Encounters Al Jazeera en Afrique du Sud et les prix Les Major Docs Iles Bal\u00e9ares et au FICAA en Argentine en 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chlo\u00e9-A\u00efcha BORO, Burkina Faso, 2024\u00a0\u00a0SYNOPSIS Au Burkina Faso, sur fond d\u2019avanc\u00e9e dhijadiste, Natie, une adolescente mal dans sa peau, d\u00e9couvre que sa grand-m\u00e8re a \u00e9pous\u00e9 un homme qu\u2019elle n\u2019aimait pas. En cherchant \u00e0 r\u00e9parer le destin bris\u00e9 de sa grand-m\u00e8re, Natie esp\u00e8re aussi se retrouver. Mais parviendra-t-elle \u00e0 s\u2019\u00e9manciper ? BIOFILMOGRAPHIE    R\u00e9alisatrice et productrice burkinab\u00e8, […]<\/p>\n","protected":false},"author":13,"featured_media":7555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-42.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7600"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7600\/revisions"}],"predecessor-version":[{"id":10053,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7600\/revisions\/10053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7555"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7598,"date":"2025-01-27T11:45:48","date_gmt":"2025-01-27T11:45:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7598"},"modified":"2025-02-18T10:23:10","modified_gmt":"2025-02-18T10:23:10","slug":"les-enfants-rouges-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-enfants-rouges-2\/","title":{"rendered":"LES ENFANTS ROUGES"},"content":{"rendered":"\n

Lotfi Achour, Tunisie, 2024<\/strong> SYNOPSIS<\/strong> Mghila Mountain, Tunisia, November 2015. When a jihadist group attacks two very young shepherds, 14-year-old Ashraf is forced to take a macabre message back to his family. Traumatized and trying not to lose his mind, Ashraf finds himself confronted with the powerlessness of his elders, abandoned by the authorities.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/strong><\/p>\n\n\n\n

Born in Tunis, LotfiAchour is an author, director, and producer. After his baccalaur\u00e9at, he enrolled at the Faculty of Law and Economics in Tunis, where he studied economics. After a family tragedy, he realized that he wanted to become an actor and, at the age of 21, began his training at the Grenoble Conservatory and studied theater and cinema at the Sorbonne Institute of Theatrical Studies.  Lofti Achour has produced over 25 theatrical works. His latest show was co-produced by the Royal Shakespeare Company for the London 2012 Olympic Games. In the cinema, he has directed 3 short films that have won dozens of awards, including La laine sur le dos, which was nominated in the short film category at the 69th Cannes Film Festival.                                                                                                                                                                    <\/u><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Lotfi Achour, Tunisie, 2024 SYNOPSIS Mghila Mountain, Tunisia, November 2015. When a jihadist group attacks two very young shepherds, 14-year-old Ashraf is forced to take a macabre message back to his family. Traumatized and trying not to lose his mind, Ashraf finds himself confronted with the powerlessness of his elders, abandoned by the authorities. BIOFILMOGRAPHY […]<\/p>\n","protected":false},"author":13,"featured_media":8404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7598"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7598\/revisions"}],"predecessor-version":[{"id":10050,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7598\/revisions\/10050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7596,"date":"2025-01-27T11:44:53","date_gmt":"2025-01-27T11:44:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7596"},"modified":"2025-02-18T10:27:16","modified_gmt":"2025-02-18T10:27:16","slug":"les-enfants-rouges","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-enfants-rouges\/","title":{"rendered":"LES ENFANTS ROUGES"},"content":{"rendered":"\n

Lotfi Achour, Tunisie, 2024<\/strong> SYNOPSIS<\/strong>\u00a0\u00a0\u00a0<\/strong>Montagne de Mghila, Tunisie, novembre 2015. Quand un groupe jihadiste attaque deux jeunes bergers, Achraf, 14 ans, est contraint de rapporter un message macabre \u00e0 sa famille. Traumatis\u00e9 et essayant de ne pas perdre la raison, il se retrouve confront\u00e9 \u00e0 l’impuissance de ses a\u00een\u00e9s que les autorit\u00e9s ont abandonn\u00e9s.<\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

Lotfi Achour est un auteur, metteur en sc\u00e8ne et producteur tunisien. Il suit une formation au conservatoire de Grenoble et \u00e0 l\u2019Institut d\u2019\u00e9tudes th\u00e9\u00e2trales de la Sorbonne en th\u00e9\u00e2tre et en cin\u00e9ma. Lofti a \u00e0 son actif plus de 25 cr\u00e9ations th\u00e9\u00e2trales. Il r\u00e9alise trois courts m\u00e9trages prim\u00e9s des dizaines de fois, La laine sur le dos, <\/em>nomin\u00e9 dans la cat\u00e9gorie courts m\u00e9trages du 69e festival de Cannes.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Lotfi Achour, Tunisie, 2024 SYNOPSIS\u00a0\u00a0\u00a0Montagne de Mghila, Tunisie, novembre 2015. Quand un groupe jihadiste attaque deux jeunes bergers, Achraf, 14 ans, est contraint de rapporter un message macabre \u00e0 sa famille. Traumatis\u00e9 et essayant de ne pas perdre la raison, il se retrouve confront\u00e9 \u00e0 l’impuissance de ses a\u00een\u00e9s que les autorit\u00e9s ont abandonn\u00e9s. BIOFILMOGRAPHIE  […]<\/p>\n","protected":false},"author":13,"featured_media":8404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01-04.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7596"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7596\/revisions"}],"predecessor-version":[{"id":10052,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7596\/revisions\/10052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/8404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7594,"date":"2025-01-27T11:40:43","date_gmt":"2025-01-27T11:40:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7594"},"modified":"2025-02-10T16:30:11","modified_gmt":"2025-02-10T16:30:11","slug":"katanga-the-dance-of-scorpions","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/katanga-the-dance-of-scorpions\/","title":{"rendered":"KATANGA – THE DANCE OF SCORPIONS"},"content":{"rendered":"\n

Dani KOUYATE, Burkina Faso, 2024<\/p>\n\n\n\n

SYNOPSIS
After a failed plot against his crown, King Pazouknaam appoints his cousin Katanga as the head of the army. Aware of the heavy responsibility, Katanga consults a soothsayer for guidance in fulfilling his mission. The soothsayer, reading the sand, reveals that Katanga should be king in place of his cousin. From that moment, Katanga succumbs to the vices of evil to secure his power.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Dani Kouyat\u00e9 descends from a family of practicing griots. He is a filmmaker, storyteller, musician, and director. He has directed several films, including Sya, The Dream of the Python (2001) and Keita, The Heritage of the Griot (1995). He teaches in the Department of Cultural Anthropology at Uppsala University and at the Wiks Folkh\u00f6gskola School of Film and Theatre in Uppsala, Sweden.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dani KOUYATE, Burkina Faso, 2024 SYNOPSISAfter a failed plot against his crown, King Pazouknaam appoints his cousin Katanga as the head of the army. Aware of the heavy responsibility, Katanga consults a soothsayer for guidance in fulfilling his mission. The soothsayer, reading the sand, reveals that Katanga should be king in place of his cousin. […]<\/p>\n","protected":false},"author":13,"featured_media":7556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-43.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7594"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7594\/revisions"}],"predecessor-version":[{"id":7595,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7594\/revisions\/7595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7556"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7513,"date":"2025-01-27T11:39:43","date_gmt":"2025-01-27T11:39:43","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7513"},"modified":"2025-02-10T16:29:27","modified_gmt":"2025-02-10T16:29:27","slug":"katanga-la-danse-des-scorpions","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/katanga-la-danse-des-scorpions\/","title":{"rendered":"KATANGA-LA DANSE DES SCORPIONS"},"content":{"rendered":"\n

Dani KOUYATE, Burkina Faso, 2024                         <\/p>\n\n\n\n

\u00a0SYNOPSIS<\/strong><\/p>\n\n\n\n

Apr\u00e8s un complot rat\u00e9 contre sa couronne, le roi PAZOUKNAAM nomme son cousin KATANGA au poste de chef des arm\u00e9es. Conscient de la lourde t\u00e2che, KATANGA consulte un devin pour la r\u00e9ussite de sa mission. Le devin lit dans le sable que KATANGA devrait \u00eatre roi \u00e0 la place de son cousin. Il sombrera d\u00e8s lors dans les travers du mal pour d\u00e9fendre son pouvoir.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Dani Kouyat\u00e9 est descendant d\u2019une famille de griots pratiquants. Il est r\u00e9alisateur, conteur, musicien et metteur en sc\u00e8ne. Il a r\u00e9alis\u00e9 plusieurs films dont SYA, LE REVE DU PYTHON (2001)<\/em>, KEITA<\/em>, L\u2019HERITAGE DU GRIOT (1995).<\/em>  Il enseigne au d\u00e9partement d\u2019Anthropologie Culturelle de l\u2019Universit\u00e9 d\u2019Uppsala et \u00e0 l\u2019Ecole de Cin\u00e9ma et Th\u00e9\u00e2tre de Wiks Folkh\u00f6gskola \u00e0 Uppsala en Su\u00e8de.<\/p>\n\n\n\n

\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dani KOUYATE, Burkina Faso, 2024                          \u00a0SYNOPSIS Apr\u00e8s un complot rat\u00e9 contre sa couronne, le roi PAZOUKNAAM nomme son cousin KATANGA au poste de chef des arm\u00e9es. Conscient de la lourde t\u00e2che, KATANGA consulte un devin pour la r\u00e9ussite de sa mission. Le devin lit dans le sable que KATANGA devrait \u00eatre roi \u00e0 la […]<\/p>\n","protected":false},"author":13,"featured_media":7556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-43.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7513"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7513\/revisions"}],"predecessor-version":[{"id":7590,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7513\/revisions\/7590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7556"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7509,"date":"2025-01-27T11:31:19","date_gmt":"2025-01-27T11:31:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7509"},"modified":"2025-01-27T11:31:21","modified_gmt":"2025-01-27T11:31:21","slug":"hanami-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hanami-2\/","title":{"rendered":"HANAMI"},"content":{"rendered":"\n

Denise Fernandes, Cap-Vert, 2024<\/p>\n\n\n\n

SYNOPSIS
Sur une \u00eele volcanique recul\u00e9e o\u00f9 tout le monde r\u00eave de partir, Nana apprend \u00e0 rester. Sa m\u00e8re, Nia, atteinte d\u2019une myst\u00e9rieuse maladie, a quitt\u00e9 l\u2019\u00eele peu apr\u00e8s la naissance de Nana. Lorsque Nana contracte une forte fi\u00e8vre, elle est envoy\u00e9e au pied d\u2019un volcan pour se faire soigner. L\u00e0-bas, elle d\u00e9couvre un monde suspendu entre r\u00eave et r\u00e9alit\u00e9. Des ann\u00e9es plus tard, devenue adolescente, Nana est confront\u00e9e au retour inattendu de Nia.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Denise Fernandes (1990) est n\u00e9e \u00e0 Lisbonne de parents cap-verdiens et a grandi en Suisse. Son dernier court m\u00e9trage, Nha Mila (2020), a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au Festival de Locarno dans la section Pardi di Domani. Nha Mila a \u00e9t\u00e9 candidat aux European Film Awards et projet\u00e9 dans plus de 40 festivals internationaux. Il a \u00e9t\u00e9 nomin\u00e9 comme Meilleur Court M\u00e9trage National aux Sophia Awards 2021 et invit\u00e9 par le MoMA et le Lincoln Center \u00e0 New York pour le New Directors\/New Films Festival.<\/p>\n\n\n\n

Hanami, tourn\u00e9 au Cap-Vert, est son premier long m\u00e9trage en tant que r\u00e9alisatrice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Denise Fernandes, Cap-Vert, 2024 SYNOPSISSur une \u00eele volcanique recul\u00e9e o\u00f9 tout le monde r\u00eave de partir, Nana apprend \u00e0 rester. Sa m\u00e8re, Nia, atteinte d\u2019une myst\u00e9rieuse maladie, a quitt\u00e9 l\u2019\u00eele peu apr\u00e8s la naissance de Nana. Lorsque Nana contracte une forte fi\u00e8vre, elle est envoy\u00e9e au pied d\u2019un volcan pour se faire soigner. L\u00e0-bas, elle […]<\/p>\n","protected":false},"author":13,"featured_media":7506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[418],"tags":[],"class_list":["post-7509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-41.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7509"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7509\/revisions"}],"predecessor-version":[{"id":7510,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7509\/revisions\/7510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7506"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7505,"date":"2025-01-27T11:29:17","date_gmt":"2025-01-27T11:29:17","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7505"},"modified":"2025-01-27T11:32:26","modified_gmt":"2025-01-27T11:32:26","slug":"hanami","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/hanami\/","title":{"rendered":"HANAMI"},"content":{"rendered":"\n

Denise Fernandes, Cap Vert, 2024<\/a><\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

On a remote volcanic island from which everyone wants to leave, Nana learns to stay. Her mother Nia, who suffers from a mysterious illness, left shortly after her birth. When Nana comes down with a high fever, she is sent to the foot of a volcano for treatment. There, she encounters a world suspended between dreams and reality. Years later, when Nana is a teenager, Nia retur<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

Denise Fernandes (1990) was born in Lisbon to Cape Verdean parents and grew up in Switzerland. His latest short film, \u00abNha Mila\u00bb (2020), premiered at the Locarno Film Festival, in the Pardi di Domani section. Nha Mila was a European Film Awards candidate and has been screened at over 40 international film festivals. It was nominated as Best National Short Film at the Sophia Awards 2021 and invited by MoMa and Lincoln Center in New York for the New Directors \/ New Films Festival. Hanami, filmed in Cape Verde, is her feature directorial debut. NHA MILA Short film | 17\u201944\u2019\u2019 | 2020 IDYLLIUM Short film | 14\u2019 | 2013 PAN SIN MERMELADA Short film | 12\u2019 | 2012 UNA NOTTE Short film | 28\u2019 | 2011<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Denise Fernandes, Cap Vert, 2024 SYNOPSIS On a remote volcanic island from which everyone wants to leave, Nana learns to stay. Her mother Nia, who suffers from a mysterious illness, left shortly after her birth. When Nana comes down with a high fever, she is sent to the foot of a volcano for treatment. There, […]<\/p>\n","protected":false},"author":13,"featured_media":7506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[420],"tags":[],"class_list":["post-7505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-41.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7505"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7505\/revisions"}],"predecessor-version":[{"id":7507,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7505\/revisions\/7507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7506"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7502,"date":"2025-01-27T11:23:27","date_gmt":"2025-01-27T11:23:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7502"},"modified":"2025-01-28T16:16:49","modified_gmt":"2025-01-28T16:16:49","slug":"diya-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/diya-2\/","title":{"rendered":"DIYA"},"content":{"rendered":"\n

ADOUMBAYE RONAIMOU Achille, Chad, 2024<\/p>\n\n\n\n

\u00a3SYNOPSIS
Dane, a driver for an NGO, sees his life turned upside down the day he accidentally runs over a schoolboy. From prison to dismissal, from debt to the collapse of his household, from guilt to rebellion, this accident will forever change Dane\u2019s life.<\/p>\n\n\n\n

BIOFILMOGRAPHY
ADOUMBAYE RONAIMOU Achille is a Chadian writer and director. His rich and diverse filmography includes: DIYA (2024), SOLA (2019), Les Washingtons Boys (2019), 8 MARS (2019), which was selected for the Cin\u00e9mas d\u2019Afrique Festival in Lausanne, KADBOR (2014), MINEURS EN PRISON (2013), GANOUNE (2012), and LE CHOMEUR (2011).<\/p>\n","protected":false},"excerpt":{"rendered":"

ADOUMBAYE RONAIMOU Achille, Chad, 2024 \u00a3SYNOPSISDane, a driver for an NGO, sees his life turned upside down the day he accidentally runs over a schoolboy. From prison to dismissal, from debt to the collapse of his household, from guilt to rebellion, this accident will forever change Dane\u2019s life. BIOFILMOGRAPHYADOUMBAYE RONAIMOU Achille is a Chadian writer […]<\/p>\n","protected":false},"author":13,"featured_media":7500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[420,479],"tags":[],"class_list":["post-7502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-40.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7502"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7502\/revisions"}],"predecessor-version":[{"id":7503,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7502\/revisions\/7503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7500"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7499,"date":"2025-01-27T11:22:24","date_gmt":"2025-01-27T11:22:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7499"},"modified":"2025-01-28T16:18:03","modified_gmt":"2025-01-28T16:18:03","slug":"diya","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/diya\/","title":{"rendered":"DIYA"},"content":{"rendered":"\n

ADOUMBAYE RONAIMOU Achille, TCHAD, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/a><\/p>\n\n\n\n

Dane, chauffeur dans une ONG, voit sa vie basculer le jour o\u00f9 il renverse par maladresse un \u00e9colier. De la prison au licenciement, de l’endettement \u00e0 la ruine de son foyer, de la culpabilit\u00e9 \u00e0 la r\u00e9volte, cet accident bouleversera la vie de Dane \u00e0 jamais.<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/a><\/p>\n\n\n\n

ADOUMBAYE RONAIMOU Achille est un auteur et r\u00e9alisateur tchadien. Sa filmographie tr\u00e8s riche et vari\u00e9e se compose entre autres de : DIYA<\/em> (2024), SOLA<\/em><\/strong> (2019), Les Washingtons Boys (2019), 8 MARS (<\/strong><\/em>2019), s\u00e9lectionn\u00e9 au festival Cin\u00e9mas d’Afrique de Lausanne, KADBOR (<\/strong><\/em>2014), MINEURS EN PRISON<\/em>(2013), GANOUNE<\/em> (2012), LE CHOMEUR<\/em> (2011).<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

ADOUMBAYE RONAIMOU Achille, TCHAD, 2024 SYNOPSIS Dane, chauffeur dans une ONG, voit sa vie basculer le jour o\u00f9 il renverse par maladresse un \u00e9colier. De la prison au licenciement, de l’endettement \u00e0 la ruine de son foyer, de la culpabilit\u00e9 \u00e0 la r\u00e9volte, cet accident bouleversera la vie de Dane \u00e0 jamais. SYNOPSIS BIOFILMOGRAPHIE ADOUMBAYE […]<\/p>\n","protected":false},"author":13,"featured_media":7500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[418,481],"tags":[],"class_list":["post-7499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fiction-long-metrage","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-40.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7499"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7499\/revisions"}],"predecessor-version":[{"id":7501,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7499\/revisions\/7501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7500"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7496,"date":"2025-01-27T11:15:05","date_gmt":"2025-01-27T11:15:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7496"},"modified":"2025-01-27T11:15:07","modified_gmt":"2025-01-27T11:15:07","slug":"forgetting-kills-twice","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/forgetting-kills-twice\/","title":{"rendered":"FORGETTING KILLS TWICE"},"content":{"rendered":"\n

Pierre Michel Jean, Haiti, 2023<\/p>\n\n\n\n

SYNOPSIS
In 1937, Dominican dictator Rafael Leonidas Trujillo ordered the massacre of over 20,000 Haitian immigrants living in his territory. Haitian director Daphn\u00e9 M\u00e9nard brings together actors from Haiti and the Dominican Republic to confront this historical event. This unique creation challenges both peoples to revisit some of the darker chapters of their shared history.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Pierre Michel Jean is a Haitian-born photographer and documentary filmmaker. Since 2015, he has directed several documentaries, including Les gu\u00e9risseurs de l\u2019ombre (23 min) and Toro La Cou (65 min). Forgetting Kills Twice is his second feature-length documentary, addressing the still-painful memory of the \u201cParsley Massacre.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Pierre Michel Jean, Haiti, 2023 SYNOPSISIn 1937, Dominican dictator Rafael Leonidas Trujillo ordered the massacre of over 20,000 Haitian immigrants living in his territory. Haitian director Daphn\u00e9 M\u00e9nard brings together actors from Haiti and the Dominican Republic to confront this historical event. This unique creation challenges both peoples to revisit some of the darker chapters […]<\/p>\n","protected":false},"author":13,"featured_media":7491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-21.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7496"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7496\/revisions"}],"predecessor-version":[{"id":7497,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7496\/revisions\/7497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7491"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7490,"date":"2025-01-27T11:07:37","date_gmt":"2025-01-27T11:07:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7490"},"modified":"2025-01-27T11:07:41","modified_gmt":"2025-01-27T11:07:41","slug":"loubli-tue-deux-fois","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/loubli-tue-deux-fois\/","title":{"rendered":"L\u2019OUBLI TUE DEUX FOIS"},"content":{"rendered":"\n

Pierre Michel Jean, Ha\u00efti, 2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Le dictateur dominicain Rafael Leonidas Trujillo a fait massacrer en 1937 plus de 20 000 immigr\u00e9s hai\u0308tiens vivant sur son territoire. Daphn\u00e9 M\u00e9nard, metteur en sc\u00e8ne hai\u0308tien, r\u00e9unit autour de cet \u00e9v\u00e8nement, des com\u00e9diens d\u2019Hai\u0308ti et la R\u00e9publique Dominicaine. Une cr\u00e9ation in\u00e9dite qui demandera \u00e0 l\u2019un et l\u2019autre de ses peuples d\u2019\u00e9voquer certaines zones sombres de leur histoire.<\/p>\n\n\n\n

 BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Pierre Michel Jean est un photographe et r\u00e9alisateur de films documentaires d\u2019origine ha\u00eftienne. Depuis 2015, il r\u00e9alise des films documentaires tels que : Les gu\u00e9risseurs de l\u2019ombre<\/em> (23 min), Toro La Cou<\/em> (65 min), etc. L\u2019oubli tue 2 fois<\/em> est le titre de son deuxi\u00e8me long m\u00e9trage documentaire, traitant de la m\u00e9moire aujourd\u2019hui encore douloureuse du \u00ab Massacre Perejil \u00bb. <\/p>\n","protected":false},"excerpt":{"rendered":"

Pierre Michel Jean, Ha\u00efti, 2023 SYNOPSIS Le dictateur dominicain Rafael Leonidas Trujillo a fait massacrer en 1937 plus de 20 000 immigr\u00e9s hai\u0308tiens vivant sur son territoire. Daphn\u00e9 M\u00e9nard, metteur en sc\u00e8ne hai\u0308tien, r\u00e9unit autour de cet \u00e9v\u00e8nement, des com\u00e9diens d\u2019Hai\u0308ti et la R\u00e9publique Dominicaine. Une cr\u00e9ation in\u00e9dite qui demandera \u00e0 l\u2019un et l\u2019autre de […]<\/p>\n","protected":false},"author":13,"featured_media":7491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7490","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-21.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7490"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7490\/revisions"}],"predecessor-version":[{"id":7492,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7490\/revisions\/7492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7491"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7488,"date":"2025-01-27T11:02:41","date_gmt":"2025-01-27T11:02:41","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7488"},"modified":"2025-02-07T10:24:56","modified_gmt":"2025-02-07T10:24:56","slug":"the-eyes-of-mabil","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-eyes-of-mabil\/","title":{"rendered":"THE EYES OF MABIL"},"content":{"rendered":"\n

Khadidiatou Sow, Senegal, 2023<\/p>\n\n\n\n

SYNOPSIS
This is the story of Mabil, a passionate contemporary dancer. His passion sometimes leads him to imagine himself dancing in the middle of the street. As he prepares to organize a dance performance on the evening of Tajaabone, his mother, Bintou, finds his enthusiasm for the event dishonorable and opposes it. After several unsuccessful attempts to convince her, he reluctantly decides to disobey.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Trained at the Dakar School of Fine Arts, Khadidiatou Sow founded her gallery, \u201cDeffart.\u201d In 2004, she worked on sets as a script supervisor, costume designer, or assistant director. In 2014, she participated in the Biennales of Dakar and Casablanca. She wrote and directed Je \u00e0 trois in 2015 and A Seat on the Plane, a short fiction film, in 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

Khadidiatou Sow, Senegal, 2023 SYNOPSISThis is the story of Mabil, a passionate contemporary dancer. His passion sometimes leads him to imagine himself dancing in the middle of the street. As he prepares to organize a dance performance on the evening of Tajaabone, his mother, Bintou, finds his enthusiasm for the event dishonorable and opposes it. […]<\/p>\n","protected":false},"author":13,"featured_media":7483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[462],"tags":[],"class_list":["post-7488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-20.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7488"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7488\/revisions"}],"predecessor-version":[{"id":7489,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7488\/revisions\/7489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7483"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7482,"date":"2025-01-27T11:01:05","date_gmt":"2025-01-27T11:01:05","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7482"},"modified":"2025-01-27T11:01:08","modified_gmt":"2025-01-27T11:01:08","slug":"les-yeux-de-mabil","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-yeux-de-mabil\/","title":{"rendered":"LES YEUX DE MABIL"},"content":{"rendered":"\n

Khadidiatou Sow, S\u00e9n\u00e9gal, 2023<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

C\u2019est l\u2019histoire de Mabil, un passionn\u00e9 de danse contemporaine. Cette passion le m\u00e8ne quelques fois \u00e0 s\u2019imaginer danser en pleine rue. Alors qu\u2019il veut organiser un spectacle de danse le soir du Tajaabone, Bintou sa m\u00e8re trouve que son engouement pour cet \u00e9v\u00e8nement est d\u00e9shonorant et s\u2019y oppose. Apr\u00e8s plusieurs tentatives de la convaincre sans succ\u00e8s, il d\u00e9cide de d\u00e9sob\u00e9ir \u00e0 contre c\u0153ur.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Form\u00e9e \u00e0 l\u2019Ecole des Beaux-Arts de Dakar, Khadidiatou Sow cr\u00e9e sa galerie \u00ab Deffart \u00bb. En 2004, elle partage les plateaux comme script, costumi\u00e8re ou assistante r\u00e9alisatrice. En 2014, elle participe \u00e0 la Biennale de Dakar et de Casablanca. Elle \u00e9crit et r\u00e9alise Je \u00e0 trois<\/em> en 2015 et Une place dans l\u2019avion<\/em>, un court m\u00e9trage de fiction en 2016.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Khadidiatou Sow, S\u00e9n\u00e9gal, 2023 SYNOPSIS : C\u2019est l\u2019histoire de Mabil, un passionn\u00e9 de danse contemporaine. Cette passion le m\u00e8ne quelques fois \u00e0 s\u2019imaginer danser en pleine rue. Alors qu\u2019il veut organiser un spectacle de danse le soir du Tajaabone, Bintou sa m\u00e8re trouve que son engouement pour cet \u00e9v\u00e8nement est d\u00e9shonorant et s\u2019y oppose. Apr\u00e8s […]<\/p>\n","protected":false},"author":13,"featured_media":7483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[464],"tags":[],"class_list":["post-7482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-20.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7482"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7482\/revisions"}],"predecessor-version":[{"id":7484,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7482\/revisions\/7484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7483"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7480,"date":"2025-01-27T10:55:49","date_gmt":"2025-01-27T10:55:49","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7480"},"modified":"2025-01-27T10:55:55","modified_gmt":"2025-01-27T10:55:55","slug":"the-divorces-of-casablanca","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-divorces-of-casablanca\/","title":{"rendered":"THE DIVORCES OF CASABLANCA"},"content":{"rendered":"\n

Mohammed Ahed BENSOUDA, Morocco, 2023<\/p>\n\n\n\n

SYNOPSIS
Azzam, a surgeon, spies on his ex-wife Le\u00efla. His goal is to find a reason to win custody of his daughter. Hafida, the headmistress of a private school, is the second divorc\u00e9e. She is involved in a romance with a younger man who did not hesitate to use religious arguments to seduce her and achieve his criminal objective.<\/p>\n\n\n\n

BIOFILMOGRAPHY
A graduate in cinema, television, and new media, Mohammed Ahed BENSOUDA has directed over ten feature films and a dozen short films. His works include The Last Act (2022), The Sulfurous Spring (2022), Last Words (2021), Dubai in 10 Days (2020), Hadana (2019), and Nezwa: Capital of Islamic Culture (2018).<\/p>\n","protected":false},"excerpt":{"rendered":"

Mohammed Ahed BENSOUDA, Morocco, 2023 SYNOPSISAzzam, a surgeon, spies on his ex-wife Le\u00efla. His goal is to find a reason to win custody of his daughter. Hafida, the headmistress of a private school, is the second divorc\u00e9e. She is involved in a romance with a younger man who did not hesitate to use religious arguments […]<\/p>\n","protected":false},"author":13,"featured_media":7478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7480","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-19.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7480"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7480\/revisions"}],"predecessor-version":[{"id":7481,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7480\/revisions\/7481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7478"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7477,"date":"2025-01-27T10:54:33","date_gmt":"2025-01-27T10:54:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7477"},"modified":"2025-02-17T11:47:02","modified_gmt":"2025-02-17T11:47:02","slug":"les-divorces-de-casablanca","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-divorces-de-casablanca\/","title":{"rendered":"les divorces de Casablanca"},"content":{"rendered":"\n

Mohammed Ahed BENSOUDA, Maroc, 2023SYNOPSIS<\/strong> Le chirurgien Azzam \u00e9pie son ex-\u00e9pouse Le\u00efla. Son but est de trouver une raison qui lui permettrait de lui ravir la garde de sa fille. Hafida, directrice d\u2019une \u00e9cole priv\u00e9e, est la seconde divorc\u00e9e. Elle vit une idylle avec un jeune homme moins \u00e2g\u00e9 qu\u2019elle. Celui-ci n\u2019a pas h\u00e9sit\u00e9 \u00e0 utiliser des arguments religieux pour la s\u00e9duire et atteindre son objectif criminel.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Dipl\u00f4m\u00e9 d\u2019\u00e9tudes sup\u00e9rieures sp\u00e9cialis\u00e9es en cin\u00e9ma, t\u00e9l\u00e9vision et nouveaux m\u00e9dias, Mohammed Ahed BENSOUDA<\/a> a r\u00e9alis\u00e9 une dizaine de longs m\u00e9trages et une douzaine de courts m\u00e9trages. Il a r\u00e9alis\u00e9, entre autres, \u00ab Le dernier acte \u00bb (2022), \u00ab La Source sulfureuse \u00bb (2022), \u00ab Derni\u00e8res paroles \u00bb (2021), \u00ab Duba\u00ef en10 jours \u00bb (2020), \u00ab Hadana \u00bb (2019), \u00ab Nezwa capital de la culture islamique \u00bb (2018).<\/p>\n","protected":false},"excerpt":{"rendered":"

Mohammed Ahed BENSOUDA, Maroc, 2023SYNOPSIS Le chirurgien Azzam \u00e9pie son ex-\u00e9pouse Le\u00efla. Son but est de trouver une raison qui lui permettrait de lui ravir la garde de sa fille. Hafida, directrice d\u2019une \u00e9cole priv\u00e9e, est la seconde divorc\u00e9e. Elle vit une idylle avec un jeune homme moins \u00e2g\u00e9 qu\u2019elle. Celui-ci n\u2019a pas h\u00e9sit\u00e9 \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":7478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-19.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7477"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7477\/revisions"}],"predecessor-version":[{"id":9889,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7477\/revisions\/9889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7478"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7474,"date":"2025-01-27T10:50:15","date_gmt":"2025-01-27T10:50:15","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7474"},"modified":"2025-01-27T10:52:23","modified_gmt":"2025-01-27T10:52:23","slug":"klemaboubacar-gakou-toure-mali-2023","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/klemaboubacar-gakou-toure-mali-2023\/","title":{"rendered":"KLEMA"},"content":{"rendered":"\n

KLEMABoubacar Gakou Tour\u00e9, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS
In the Office du Niger region, the agricultural exploitation system leaves little room for livestock farming. The prioritization of agriculture has led to violent and deadly clashes between two communities. Gakou Tour\u00e9, a filmmaker and farmer, native of the region and an engaged individual, returns home with his camera in an attempt to resolve this conflict within his community.<\/p>\n\n\n\n

BIOFILMOGRAPHY
After theological studies, Boubacar Gakou Tour\u00e9 ventured into cinema as a director while undergoing training in documentary film writing and directing. He is now on his third feature-length film and has been leading the Malian Cinema Federation for the past three years.<\/p>\n","protected":false},"excerpt":{"rendered":"

KLEMABoubacar Gakou Tour\u00e9, Mali, 2023 SYNOPSISIn the Office du Niger region, the agricultural exploitation system leaves little room for livestock farming. The prioritization of agriculture has led to violent and deadly clashes between two communities. Gakou Tour\u00e9, a filmmaker and farmer, native of the region and an engaged individual, returns home with his camera in […]<\/p>\n","protected":false},"author":13,"featured_media":7472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[426],"tags":[],"class_list":["post-7474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-18.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7474"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7474\/revisions"}],"predecessor-version":[{"id":7476,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7474\/revisions\/7476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7472"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7471,"date":"2025-01-27T10:48:51","date_gmt":"2025-01-27T10:48:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7471"},"modified":"2025-01-27T10:49:13","modified_gmt":"2025-01-27T10:49:13","slug":"klema-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/klema-2\/","title":{"rendered":"KLEMA"},"content":{"rendered":"\n

Boubacar Gakou Tour\u00e9, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

\u00c0 l\u2019office du Niger, le syst\u00e8me d\u2019exploitation agricole laisse peu de place \u00e0 l\u2019\u00e9levage. La priorit\u00e9 donn\u00e9e \u00e0 l\u2019agriculture est \u00e0 l\u2019origine d\u2019affrontements violents et mortels entre deux communaut\u00e9s. Gakou TOURE, un cin\u00e9aste agriculteur, natif de la r\u00e9gion et personne engag\u00e9e, revient chez lui avec sa cam\u00e9ra pour tenter de r\u00e9soudre cette situation conflictuelle dans sa commune.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes th\u00e9ologique, Boubacar Gakou TOURE se lance dans le cin\u00e9ma en tant que r\u00e9alisateur tout en suivant des formations en \u00e9criture et r\u00e9alisation de films documentaires. Il est aujourd’hui \u00e0 son troisi\u00e8me long m\u00e9trage et dirige la F\u00e9d\u00e9ration du cin\u00e9ma malien depuis 3 ans.<\/p>\n","protected":false},"excerpt":{"rendered":"

Boubacar Gakou Tour\u00e9, Mali, 2023 SYNOPSIS \u00c0 l\u2019office du Niger, le syst\u00e8me d\u2019exploitation agricole laisse peu de place \u00e0 l\u2019\u00e9levage. La priorit\u00e9 donn\u00e9e \u00e0 l\u2019agriculture est \u00e0 l\u2019origine d\u2019affrontements violents et mortels entre deux communaut\u00e9s. Gakou TOURE, un cin\u00e9aste agriculteur, natif de la r\u00e9gion et personne engag\u00e9e, revient chez lui avec sa cam\u00e9ra pour tenter […]<\/p>\n","protected":false},"author":13,"featured_media":7472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[428],"tags":[],"class_list":["post-7471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-18.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7471"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7471\/revisions"}],"predecessor-version":[{"id":7473,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7471\/revisions\/7473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7472"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7467,"date":"2025-01-27T10:36:50","date_gmt":"2025-01-27T10:36:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7467"},"modified":"2025-01-28T16:40:13","modified_gmt":"2025-01-28T16:40:13","slug":"lheritage-lhistoire-decolonisee-de-lafrique-du-sud","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lheritage-lhistoire-decolonisee-de-lafrique-du-sud\/","title":{"rendered":"L\u2019H\u00c9RITAGE : L\u2019HISTOIRE D\u00c9COLONIS\u00c9E DE L\u2019AFRIQUE DU SUD"},"content":{"rendered":"\n

L\u2019H\u00c9RITAGE : L\u2019HISTOIRE D\u00c9COLONIS\u00c9E DE L\u2019AFRIQUE DU SUDTara Erica Moore, Afrique du Sud, 2024<\/p>\n\n\n\n

SYNOPSIS
Avec un acc\u00e8s sans pr\u00e9c\u00e9dent, le petit-fils de l\u2019\u201cArchitecte de l\u2019Apartheid\u201d examine de mani\u00e8re brutale et honn\u00eate l\u2019h\u00e9ritage de sa lign\u00e9e, r\u00e9v\u00e9lant des v\u00e9rit\u00e9s universelles sur l\u2019in\u00e9galit\u00e9.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
Tara Erica Moore \u2013 R\u00e9alisatrice, Sc\u00e9nariste, Monteuse, Productrice
N\u00e9e sous le r\u00e9gime de l\u2019Apartheid et \u00e9lev\u00e9e entre l\u2019Afrique du Sud et le Connecticut, Tara Moore s\u2019inspire de son parcours diversifi\u00e9 en tant que femme m\u00e9tisse pour enrichir son travail de cin\u00e9aste et d\u2019actrice. Elle a jou\u00e9 dans plusieurs s\u00e9ries t\u00e9l\u00e9vis\u00e9es renomm\u00e9es, telles que How I Met Your Mother, iZombie et Rizzoli & Isles, parmi d\u2019autres. Plus r\u00e9cemment, elle a tenu le r\u00f4le principal dans un t\u00e9l\u00e9film Hallmark. Tara est dipl\u00f4m\u00e9e en arts (BA) de l\u2019universit\u00e9 de Wesleyan et titulaire d\u2019un MBA de UCLA Anderson.<\/p>\n\n\n\n

NOTE DE LA R\u00c9ALISATRICE
En grandissant en Afrique du Sud en tant que femme de couleur, j\u2019ai \u00e9t\u00e9 t\u00e9moin des vestiges flagrants et subtils de l\u2019Apartheid. L\u2019Afrique du Sud n\u2019a obtenu la d\u00e9mocratie qu\u2019en 1994, et il reste encore beaucoup \u00e0 faire pour r\u00e9parer les dommages du pass\u00e9 \u2013 notamment en remettant en question les r\u00e9cits historiques d\u00e9pass\u00e9s, \u00e9crits par les anciens vainqueurs, qui freinent le progr\u00e8s.<\/p>\n\n\n\n

Par exemple, de nombreux Sud-Africains attribuent la majorit\u00e9 des probl\u00e8mes actuels d\u2019in\u00e9galit\u00e9 aux 30 derni\u00e8res ann\u00e9es de d\u00e9mocratie, plut\u00f4t qu\u2019aux 350 ann\u00e9es pr\u00e9c\u00e9dentes de colonialisme et d\u2019Apartheid, parce que les r\u00e9cits historiques continuent de privil\u00e9gier le pass\u00e9. Ces r\u00e9cits sont particuli\u00e8rement difficiles \u00e0 modifier dans un pays comme l\u2019Afrique du Sud, o\u00f9 les sch\u00e9mas de s\u00e9gr\u00e9gation raciale h\u00e9rit\u00e9s de l\u2019Apartheid perdurent dans les quartiers, les \u00e9coles et les cercles d\u2019amis.<\/p>\n\n\n\n

Si nous restons pi\u00e9g\u00e9s dans les silos physiques et mentaux du pass\u00e9, nous ne pourrons pas sortir de notre classement en tant que pays le plus in\u00e9galitaire du monde. La mani\u00e8re dont nous comprenons l\u2019histoire influence profond\u00e9ment notre fa\u00e7on d\u2019agir dans le pr\u00e9sent.<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019H\u00c9RITAGE : L\u2019HISTOIRE D\u00c9COLONIS\u00c9E DE L\u2019AFRIQUE DU SUDTara Erica Moore, Afrique du Sud, 2024 SYNOPSISAvec un acc\u00e8s sans pr\u00e9c\u00e9dent, le petit-fils de l\u2019\u201cArchitecte de l\u2019Apartheid\u201d examine de mani\u00e8re brutale et honn\u00eate l\u2019h\u00e9ritage de sa lign\u00e9e, r\u00e9v\u00e9lant des v\u00e9rit\u00e9s universelles sur l\u2019in\u00e9galit\u00e9. BIOFILMOGRAPHIETara Erica Moore \u2013 R\u00e9alisatrice, Sc\u00e9nariste, Monteuse, ProductriceN\u00e9e sous le r\u00e9gime de l\u2019Apartheid et […]<\/p>\n","protected":false},"author":13,"featured_media":7465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[450,481],"tags":[],"class_list":["post-7467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semaine-de-la-critique-2025","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-17.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7467"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7467\/revisions"}],"predecessor-version":[{"id":7468,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7467\/revisions\/7468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7465"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7464,"date":"2025-01-27T10:31:53","date_gmt":"2025-01-27T10:31:53","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7464"},"modified":"2025-01-28T16:41:23","modified_gmt":"2025-01-28T16:41:23","slug":"legacy-the-decolonized-history-of-south-africa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/legacy-the-decolonized-history-of-south-africa\/","title":{"rendered":"LEGACY THE DECOLONIZED HISTORY OF SOUTH AFRICA"},"content":{"rendered":"\n

Tara Erica Moore, Afrique du Sud, 2024<\/strong><\/p>\n\n\n\n

\u00a0\u00a0 SYNOPSIS<\/strong><\/p>\n\n\n\n

An unprecedented access, the grandson of the \u201cArchitect of Apartheid\u201d takes a searingly honest look into his ancestral legacy, exposing universal truths on inequality.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

TARA ERICA MOORE DIRECTOR – WRITER – EDITOR – PRODUCER<\/p>\n\n\n\n

Born under Apartheid, and raised bouncing between South Africa and Connecticut, Tara Moore uses her diverse background as a bi-racial woman to inform both her filmmaking and her acting. Her acting work includes a slate of well-syndicated TV shows including HOW I MET YOUR MOTHER, iZOMBIE, and RIZZOLI & ISLES amongst many others. She most recently played the lead in a Hallmark TV movie. She holds a BA from Wesleyan and an MBA from UCLA Anderson.<\/p>\n\n\n\n

DIRECTORS STATEMENT<\/p>\n\n\n\n

 Growing up in South Africa as a woman of color, I experienced both the overt and covert remnants of Apartheid. South Africa only achieved Democracy in 1994 and still has a lot of work to do to remedy the harm of the past – one of which is to challenge outdated historical narratives that were written by prior victors and are a hindrance to progress. Most South Africans, for example, put the lion’s share of blame for our current inequality problems on the past 30 years of Democracy, rather than the prior 350 years of Colonialism and Apartheid, because the historical narrative still favors the past. Narratives such as this can be particularly resistant to change in a country like South Africa where they have little chance to be challenged because the racially segregated ruts of Apartheid endure in the form of homogeneous neighborhoods, schools, and friendship groups. But if we remain trapped in the physical and mental silos of the past, we will not be able to dig ourselves out of our ranking as the most unequal country in the world, because how we understand the world affects the way we act in it<\/p>\n","protected":false},"excerpt":{"rendered":"

Tara Erica Moore, Afrique du Sud, 2024 \u00a0\u00a0 SYNOPSIS An unprecedented access, the grandson of the \u201cArchitect of Apartheid\u201d takes a searingly honest look into his ancestral legacy, exposing universal truths on inequality. BIOFILMOGRAPHY TARA ERICA MOORE DIRECTOR – WRITER – EDITOR – PRODUCER Born under Apartheid, and raised bouncing between South Africa and Connecticut, […]<\/p>\n","protected":false},"author":13,"featured_media":7465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[452,479],"tags":[],"class_list":["post-7464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-week-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-17.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7464"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7464\/revisions"}],"predecessor-version":[{"id":7466,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7464\/revisions\/7466"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7465"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7460,"date":"2025-01-27T10:24:09","date_gmt":"2025-01-27T10:24:09","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7460"},"modified":"2025-01-27T10:24:13","modified_gmt":"2025-01-27T10:24:13","slug":"harraga-those-who-burn-their-lives-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/harraga-those-who-burn-their-lives-2\/","title":{"rendered":"HARRAGA-THOSE WHO BURN THEIR LIVES"},"content":{"rendered":"\n

 BENJAMIN ROST & HICHAM BOURAIS<\/strong>, Maroc, 2023.<\/strong><\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> :\u00a0<\/p>\n\n\n\n

The Moroccan boys Imad (15), Nourdine (17), Walid (18), Hamza (17) and Aziz (20) live in a<\/p>\n\n\n\n

cave under the lighthouse in Melilla. Every night they break into the harbour trying to climb<\/p>\n\n\n\n

onto the ships leaving for the Spanish mainland. In the shadow of the rocks, they and a hundred<\/p>\n\n\n\n

other kids have created their own micro-society: \u2018Lord of The Flies\u2019 in reality – with<\/p>\n\n\n\n

their own hierarchies, chants and rules. To pass the time, they phone their mothers on video<\/p>\n\n\n\n

or film themselves being chased by the police. The film follows the gang of boys for 5 years.<\/p>\n\n\n\n

From their life in the caves to their successful escape attempts to Spain. They call themselves:<\/p>\n\n\n\n

Harragas – those who burn the passports, the borders, their lives.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Benjamin Rost works as a director and activist in Europe and Africa. He studied Directing<\/p>\n\n\n\n

at Filmakademie Baden-W\u00fcrttemberg and Philosophy in Munich. Between 2017 and<\/p>\n\n\n\n

2019 he lived in Rwanda and South Africa to support the launch of the Youth TV Channel<\/p>\n\n\n\n

\u2018Iwacu\u2019 for the German Development Organisation (GIZ) and to shoot his graduation<\/p>\n\n\n\n

film\u00a0\u00bbA PORTRAIT ON THE SEARCH FOR HAPPINESS\u00a0\u00bbsupported by ARD \/ SWR and MfG,<\/p>\n\n\n\n

which is available on Amazon Prime.<\/p>\n\n\n\n

With his Debut Project HARRAGA – THOSE WHO BURN THEIR LIVES he participated at<\/p>\n\n\n\n

the Documentary Campus Masterschool. Since then, Benjamin is also a member of<\/p>\n\n\n\n

ACAN (Arab Cultures and Arts Network) and actively works in Morocco, where he got<\/p>\n\n\n\n

to know Hicham, a now good friend of his and an important collaborator on HARRAGA.<\/p>\n\n\n\n

His films were screened at various international festivals like Dok Leipzig, Dok.Fest<\/p>\n\n\n\n

M\u00fcnchen, Camerimage etc.<\/p>\n\n\n\n

Hicham Bourais was born in Fez, Morocco. In 2000 he came to Spain to study, but after<\/p>\n\n\n\n

the sudden passing of his father a year and a half later, his family could no longer<\/p>\n\n\n\n

provide him with the economic support needed for his studies. That resulted in him<\/p>\n\n\n\n

losing his student residence card and living for more than 4 years without papers in the<\/p>\n\n\n\n

country. With the help of a Spanish friend, he moved to Madrid and started working.<\/p>\n\n\n\n

Hicham had then, the chance to enroll in Pedro Almod\u00f3var’s film school. Making films<\/p>\n\n\n\n

was his lifelong dream as cinema is the axis on which his life revolves, but in Morocco,<\/p>\n\n\n\n

he had no option to further pursue this field of studies.<\/p>\n\n\n\n

While Hicham was studying at Escuela de Cine Madrid, he was also working as an<\/p>\n\n\n\n

assistant editor, and translator for a short film. Hicham\u2019s great mentor became Antonio<\/p>\n\n\n\n

G\u00f3mez Escalonilla, who above all is also a great friend of his. Today Hicham works in<\/p>\n\n\n\n

Film Projects as editor, translator, and director and lives in Zaragoza, Spain.<\/p>\n","protected":false},"excerpt":{"rendered":"

 BENJAMIN ROST & HICHAM BOURAIS, Maroc, 2023. SYNOPSIS :\u00a0 The Moroccan boys Imad (15), Nourdine (17), Walid (18), Hamza (17) and Aziz (20) live in a cave under the lighthouse in Melilla. Every night they break into the harbour trying to climb onto the ships leaving for the Spanish mainland. In the shadow of the […]<\/p>\n","protected":false},"author":13,"featured_media":7458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[468],"tags":[],"class_list":["post-7460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-16.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7460"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7460\/revisions"}],"predecessor-version":[{"id":7461,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7460\/revisions\/7461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7458"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7457,"date":"2025-01-27T10:19:48","date_gmt":"2025-01-27T10:19:48","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7457"},"modified":"2025-01-27T10:19:50","modified_gmt":"2025-01-27T10:19:50","slug":"harraga-those-who-burn-their-lives","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/harraga-those-who-burn-their-lives\/","title":{"rendered":"HARRAGA-THOSE WHO BURN THEIR LIVES"},"content":{"rendered":"\n

 BENJAMIN ROST & HICHAM BOURAIS<\/strong>, Maroc, 2023.<\/strong><\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> : <\/p>\n\n\n\n

Les gar\u00e7ons marocains Imad, Nourdine, Walid, Hamza et Aziz vivent dans une grotte sous le phare de Melilla. Une centaine d’autres enfants ont cr\u00e9\u00e9 leur propre micro-soci\u00e9t\u00e9, un v\u00e9ritable \u00ab Seigneur des mouches \u00bb, avec leurs propres hi\u00e9rarchies, leurs chants et leurs r\u00e8gles. Ils se font appeler : Harragas, ceux qui br\u00fblent les passeports, les fronti\u00e8res, leur vie.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Benjamin Rost, cin\u00e9aste et activiste en Europe et en Afrique a \u00e9tudi\u00e9 le cin\u00e9ma \u00e0 la Filmakademie Baden-W\u00fcrttemberg. Ses films ont \u00e9t\u00e9 projet\u00e9s dans divers festivals internationaux.<\/p>\n\n\n\n

Hicham Bourais, d\u2019origine marocain, quitte son pays pour s’installer \u00e0 Madrid. Il \u00e9tudie \u00e0 l’\u00e9cole de cin\u00e9ma Pedro Almod\u00f3var. Aujourd’hui, il travaille \u00e0 Film Projects comme monteur, traducteur et r\u00e9alisateur.<\/p>\n","protected":false},"excerpt":{"rendered":"

 BENJAMIN ROST & HICHAM BOURAIS, Maroc, 2023. SYNOPSIS :  Les gar\u00e7ons marocains Imad, Nourdine, Walid, Hamza et Aziz vivent dans une grotte sous le phare de Melilla. Une centaine d’autres enfants ont cr\u00e9\u00e9 leur propre micro-soci\u00e9t\u00e9, un v\u00e9ritable \u00ab Seigneur des mouches \u00bb, avec leurs propres hi\u00e9rarchies, leurs chants et leurs r\u00e8gles. Ils se font […]<\/p>\n","protected":false},"author":13,"featured_media":7458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[466],"tags":[],"class_list":["post-7457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-16.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7457"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7457\/revisions"}],"predecessor-version":[{"id":7459,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7457\/revisions\/7459"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7458"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7454,"date":"2025-01-27T10:13:44","date_gmt":"2025-01-27T10:13:44","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7454"},"modified":"2025-01-27T10:26:31","modified_gmt":"2025-01-27T10:26:31","slug":"garibouseydou-cisse-mali-2023","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/garibouseydou-cisse-mali-2023\/","title":{"rendered":"Garibou"},"content":{"rendered":"\n

Seydou Ciss\u00e9, Mali, 2023SYNOPSIS
In the marketplace of a Malian village, Baillo, a young \u201cGaribou,\u201d begs daily on behalf of the moualim. In the evening, the moualim instills terror among the students of his Quranic school. To escape this tyranny, Baillo retreats into his imagination. But when his barely six-year-old brother, S\u00e9kou, joins him, nothing can distract him from the harsh reality of their condition.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Seydou Ciss\u00e9 is a graduate of the Fresnoy-Studio National des Arts Contemporains and the Conservatory of Arts and Crafts in Bamako. In his work, he tackles societal taboos in Africa while playing with the conventions of cinema. He is the creator of Faraw ka taama (documentary short, 2012), Taamaden (documentary feature, 2021), and Garibou (fictional short with animation, 2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Seydou Ciss\u00e9, Mali, 2023SYNOPSISIn the marketplace of a Malian village, Baillo, a young \u201cGaribou,\u201d begs daily on behalf of the moualim. In the evening, the moualim instills terror among the students of his Quranic school. To escape this tyranny, Baillo retreats into his imagination. But when his barely six-year-old brother, S\u00e9kou, joins him, nothing can […]<\/p>\n","protected":false},"author":13,"featured_media":7452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[462],"tags":[],"class_list":["post-7454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-15.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7454"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7454\/revisions"}],"predecessor-version":[{"id":7462,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7454\/revisions\/7462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7452"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7451,"date":"2025-01-27T10:11:24","date_gmt":"2025-01-27T10:11:24","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7451"},"modified":"2025-01-27T10:11:26","modified_gmt":"2025-01-27T10:11:26","slug":"garibou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/garibou\/","title":{"rendered":"Garibou"},"content":{"rendered":"\n

Seydou Ciss\u00e9, Mali, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Sur la place du march\u00e9 d\u2019un village malien, Baillo un jeune \u00ab Garibou \u00bb mendie chaque jour pour le compte du moualim. Le soir, le moualim fait r\u00e9gner la terreur sur les \u00e9l\u00e8ves de son \u00e9cole coranique. Pour \u00e9chapper \u00e0 cette tyrannie, Baillo se r\u00e9fugie dans son imaginaire. Mais lorsque son fr\u00e8re S\u00e9kou, \u00e2g\u00e9 d\u2019\u00e0 peine 6 ans le rejoint, plus rien ne peut le d\u00e9tourner de la r\u00e9alit\u00e9 de leur condition.<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Seydou Ciss\u00e9 est dipl\u00f4m\u00e9 du Fresnoy-Studio National des Arts Contemporains et du Conservatoire des Arts et M\u00e9tiers de Bamako. Dans ses \u0153uvres, il aborde les tabous de soci\u00e9t\u00e9 en Afrique en jouant avec les codes du cin\u00e9ma. Il est l\u2019auteur des films Faraw ka taama<\/em> (court m\u00e9trage documentaire 2012), Taamaden<\/em> (long m\u00e9trage documentaire 2021) et Garibou<\/em> (court m\u00e9trage de fiction avec animation 2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Seydou Ciss\u00e9, Mali, 2023 SYNOPSIS Sur la place du march\u00e9 d\u2019un village malien, Baillo un jeune \u00ab Garibou \u00bb mendie chaque jour pour le compte du moualim. Le soir, le moualim fait r\u00e9gner la terreur sur les \u00e9l\u00e8ves de son \u00e9cole coranique. Pour \u00e9chapper \u00e0 cette tyrannie, Baillo se r\u00e9fugie dans son imaginaire. Mais lorsque […]<\/p>\n","protected":false},"author":13,"featured_media":7452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[464],"tags":[],"class_list":["post-7451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sukabe-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-15.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7451"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7451\/revisions"}],"predecessor-version":[{"id":7453,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7451\/revisions\/7453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7452"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7439,"date":"2025-01-27T09:59:13","date_gmt":"2025-01-27T09:59:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7439"},"modified":"2025-01-27T09:59:15","modified_gmt":"2025-01-27T09:59:15","slug":"fight-like-a-girl-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fight-like-a-girl-2\/","title":{"rendered":"FIGHT LIKE A GIRL"},"content":{"rendered":"\n

<\/a>Matthew Leutwyler<\/a>, Congo , 2023<\/p>\n\n\n\n

SYNOPSIS<\/em><\/strong><\/p>\n\n\n\n

Une jeune congolaise forc\u00e9e de travailler dans une mine de minerai ill\u00e9gale parvient \u00e0 s\u2019\u00e9chapper de ses ravisseurs et \u00e0 commencer une nouvelle vie apr\u00e8s avoir rejoint un club de boxe exclusivement f\u00e9minin dans la ville frontali\u00e8re de Goma.<\/p>\n\n\n\n

BIOFILMOGRAPHIE
J\u2019ai d\u00e9couvert les histoires de ces femmes et de leur entra\u00eeneur l\u00e9gendaire il y a six ans, alors que je travaillais dans l\u2019Est du Congo avec mon ONG \u201cWe Are Limitless\u201d, et imm\u00e9diatement, Anton (mon partenaire de production) et moi avons su qu\u2019il fallait trouver un moyen de partager ces r\u00e9cits avec un public plus large. Nous avons d\u00e9cid\u00e9 d\u2019engager plusieurs des v\u00e9ritables membres de l\u2019\u00e9quipe de boxe ainsi que d\u2019autres non-acteurs pour des r\u00f4les cl\u00e9s, afin d\u2019ajouter \u00e0 l\u2019authenticit\u00e9 de l\u2019histoire tout en offrant des opportunit\u00e9s de travail aux habitants de la r\u00e9gion. Cette combinaison de techniques de tournage documentaire avec des non-acteurs dans des environnements non contr\u00f4l\u00e9s et d\u2019une narration structur\u00e9e et sc\u00e9naris\u00e9e nous a permis de capturer la r\u00e9alit\u00e9 vibrante de la vie dans cette r\u00e9gion.<\/p>\n","protected":false},"excerpt":{"rendered":"

Matthew Leutwyler, Congo , 2023 SYNOPSIS Une jeune congolaise forc\u00e9e de travailler dans une mine de minerai ill\u00e9gale parvient \u00e0 s\u2019\u00e9chapper de ses ravisseurs et \u00e0 commencer une nouvelle vie apr\u00e8s avoir rejoint un club de boxe exclusivement f\u00e9minin dans la ville frontali\u00e8re de Goma. BIOFILMOGRAPHIEJ\u2019ai d\u00e9couvert les histoires de ces femmes et de leur […]<\/p>\n","protected":false},"author":13,"featured_media":7436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[466],"tags":[],"class_list":["post-7439","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversites-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-13.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7439"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7439\/revisions"}],"predecessor-version":[{"id":7440,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7439\/revisions\/7440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7436"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7435,"date":"2025-01-27T09:50:37","date_gmt":"2025-01-27T09:50:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7435"},"modified":"2025-01-27T09:50:39","modified_gmt":"2025-01-27T09:50:39","slug":"fight-like-a-girl","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fight-like-a-girl\/","title":{"rendered":"FIGHT LIKE A GIRL"},"content":{"rendered":"\n

<\/a>Matthew Leutwyler<\/a>, Congo , 2023<\/p>\n\n\n\n

SYNOPSIS<\/em><\/strong><\/a><\/p>\n\n\n\n

FIGHT LIKE A GIRL A young Congolese woman forced to work in an illegal mineral mine, escapes her captors and finds a new life for herself after joining a renowned all-women boxing club in the border city of Goma.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

I was first introduced to the stories of these women and their legendary coach six years ago while working in East Congo with my NGO \u201cWe Are Limitless\u201d and immediately Anton (producing partner) and I knew we needed to find a way to bring their stories to a broader audience. We decided to cast many of the real women of the boxing team as well as other non-actors in key roles to add to the authenticity of the story as well as offer work opportunities to the people of the area. This combining of documentary filming techniques utilizing non-actors in uncontrolled environments with our more structured, scripted narrative helped to capture the vibrant reality of life in the region.<\/p>\n","protected":false},"excerpt":{"rendered":"

Matthew Leutwyler, Congo , 2023 SYNOPSIS FIGHT LIKE A GIRL A young Congolese woman forced to work in an illegal mineral mine, escapes her captors and finds a new life for herself after joining a renowned all-women boxing club in the border city of Goma. BIOFILMOGRAPHIE I was first introduced to the stories of these […]<\/p>\n","protected":false},"author":13,"featured_media":7436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[468],"tags":[],"class_list":["post-7435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diversities-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-13.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7435"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7435\/revisions"}],"predecessor-version":[{"id":7437,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7435\/revisions\/7437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7436"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7429,"date":"2025-01-27T09:45:37","date_gmt":"2025-01-27T09:45:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7429"},"modified":"2025-01-27T09:45:39","modified_gmt":"2025-01-27T09:45:39","slug":"eat-bitter-suffer-in-silence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/eat-bitter-suffer-in-silence\/","title":{"rendered":"EAT BITTER (SUFFER IN SILENCE)"},"content":{"rendered":"\n

Pascale APPORA-GNEKINDY & Ning Yin Sun, USA\/Central African Republic\/China, 2023<\/p>\n\n\n\n

SYNOPSIS
Luan, a Chinese construction foreman, must complete the building of a new bank in Bangui, Central African Republic, set to be inaugurated by the president. Meanwhile, Thomas dives into the river to retrieve the sand Luan needs. In this sometimes humorous film, everyone fights in their own way to support their family in a country ravaged by poverty and civil war.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Pascale Appora-Gnekindy is from the Central African Republic (CAR). She owns K\u00e9a-Kwis Production, a video production company based in Bangui. She co-directed her first feature-length documentary, Eat Bitter, released in March 2023, alongside Ning Yi Sun, a Chinese national living in New York.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pascale APPORA-GNEKINDY & Ning Yin Sun, USA\/Central African Republic\/China, 2023 SYNOPSISLuan, a Chinese construction foreman, must complete the building of a new bank in Bangui, Central African Republic, set to be inaugurated by the president. Meanwhile, Thomas dives into the river to retrieve the sand Luan needs. In this sometimes humorous film, everyone fights in […]<\/p>\n","protected":false},"author":13,"featured_media":7426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-12.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7429"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7429\/revisions"}],"predecessor-version":[{"id":7430,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7429\/revisions\/7430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7425,"date":"2025-01-27T09:44:51","date_gmt":"2025-01-27T09:44:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7425"},"modified":"2025-01-27T09:44:53","modified_gmt":"2025-01-27T09:44:53","slug":"eat-bitter-souffrir-en-silence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/eat-bitter-souffrir-en-silence\/","title":{"rendered":"EAT BITTER (SOUFFRIR EN SILENCE)"},"content":{"rendered":"\n

 Pascale APPORA-GNEKINDY & Ning Yin Sun,<\/strong> <\/strong>USA\/<\/strong>R\u00e9publique Centrafricaine\/Chine, 2023<\/strong>                                                  <\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Luan, chef de chantier chinois, doit achever la construction d\u2019une nouvelle banque \u00e0 Bangui, en R\u00e9publique centrafricaine, qui sera inaugur\u00e9e par le pr\u00e9sident. Thomas plonge dans la rivi\u00e8re pour r\u00e9cup\u00e9rer le sable dont Luan a besoin. Dans ce film parfois cocasse, chacun se bat \u00e0 sa mani\u00e8re pour la survie de sa famille dans un pays ravag\u00e9 par la pauvret\u00e9 et la guerre civile.<\/u><\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Pascale Appora-Gnekindy est originaire de la R\u00e9publique Centrafricaine (RCA). Elle est propri\u00e9taire de K\u00e9a-Kwis Production, une soci\u00e9t\u00e9 de production vid\u00e9o \u00e0 Bangui. Elle a cor\u00e9alis\u00e9 son premier long m\u00e9trage documentaire Eat Bitter<\/em> sortie en mars 2023 avec Ning Yi Sun, de nationalit\u00e9 Chinoise vivant \u00e0 New York.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Pascale APPORA-GNEKINDY & Ning Yin Sun, USA\/R\u00e9publique Centrafricaine\/Chine, 2023                                                  SYNOPSIS Luan, chef de chantier chinois, doit achever la construction d\u2019une nouvelle banque \u00e0 Bangui, en R\u00e9publique centrafricaine, qui sera inaugur\u00e9e par le pr\u00e9sident. Thomas plonge dans la rivi\u00e8re pour r\u00e9cup\u00e9rer le sable dont Luan a besoin. Dans ce film parfois cocasse, chacun se bat \u00e0 […]<\/p>\n","protected":false},"author":13,"featured_media":7426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-12.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7425"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7425\/revisions"}],"predecessor-version":[{"id":7428,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7425\/revisions\/7428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7426"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7422,"date":"2025-01-27T09:40:51","date_gmt":"2025-01-27T09:40:51","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7422"},"modified":"2025-01-27T09:40:56","modified_gmt":"2025-01-27T09:40:56","slug":"un-duo-radical-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/un-duo-radical-2\/","title":{"rendered":"Un Duo radical"},"content":{"rendered":"\n

Onyeka Igwe, Angleterre, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

1947 London was a hub of radical anti-colonial activity. International intellectuals, artists, and activists like Funimilayo Ransome-Kuti, Sylvia Wynter, C. L.R. James, Kwame Nkrumah, and George Padmore were all in London at the eve of the end of British colonialism. Individually, they were agitating for their respective countries\u2019 national Independence.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/p>\n\n\n\n

A Radical Duet (2023) ; The Miracle on George Green (2022) ; A so-called archive (2020) ; No Archive Can Restore You (2020) ; The names have changed\u2026 (2019) ; No Dance, No Palaver (2018) ; Corrections (2018) ; Sung (2018) ; We Need New Names (2015).<\/p>\n","protected":false},"excerpt":{"rendered":"

Onyeka Igwe, Angleterre, 2023 SYNOPSIS 1947 London was a hub of radical anti-colonial activity. International intellectuals, artists, and activists like Funimilayo Ransome-Kuti, Sylvia Wynter, C. L.R. James, Kwame Nkrumah, and George Padmore were all in London at the eve of the end of British colonialism. Individually, they were agitating for their respective countries\u2019 national Independence. […]<\/p>\n","protected":false},"author":13,"featured_media":7419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[434],"tags":[],"class_list":["post-7422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-11.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7422"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7422\/revisions"}],"predecessor-version":[{"id":7423,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7422\/revisions\/7423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7419"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7418,"date":"2025-01-27T09:39:26","date_gmt":"2025-01-27T09:39:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7418"},"modified":"2025-01-27T09:39:28","modified_gmt":"2025-01-27T09:39:28","slug":"un-duo-radical","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/un-duo-radical\/","title":{"rendered":"Un Duo radical"},"content":{"rendered":"\n

Onyeka Igwe, Angleterre, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

En1947, Londres \u00e9tait une plaque tournante d\u2019une activit\u00e9 anticoloniale radicale. Intellectuels internationaux, artistes et activistes comme Funmilayo Ransome-Kuti, Sylvia Wynter, C.L.R. James, Kwame Nkrumah et George Padmore \u00e9taient tous \u00e0 Londres \u00e0 la veille de la fin du colonialisme britannique. Individuellement, ils \u00e9taient agit\u00e9s pour l\u2019ind\u00e9pendance de leur pays.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Artiste-chercheuse en images anim\u00e9es, Onyeka Igwe s\u2019int\u00e9resse \u00e0 la question du vivre ensemble dans notre soci\u00e9t\u00e9 individualis\u00e9e. Elle r\u00e9alise en 2023 Un duo radical<\/em><\/strong>, 2019 Les noms ont chang\u00e9<\/em><\/strong>, 2022 Le miracle de George Green,<\/em><\/strong> 2020 Une soi-disant archive et Aucune archive ne peut vous restaurer<\/em><\/strong>, 2018 Pas de danse, pas de palabres, corrections, chant\u00e9<\/em><\/strong>, 2015 Nous avons besoin de nouveaux noms<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Onyeka Igwe, Angleterre, 2023 SYNOPSIS En1947, Londres \u00e9tait une plaque tournante d\u2019une activit\u00e9 anticoloniale radicale. Intellectuels internationaux, artistes et activistes comme Funmilayo Ransome-Kuti, Sylvia Wynter, C.L.R. James, Kwame Nkrumah et George Padmore \u00e9taient tous \u00e0 Londres \u00e0 la veille de la fin du colonialisme britannique. Individuellement, ils \u00e9taient agit\u00e9s pour l\u2019ind\u00e9pendance de leur pays. BIOFILMOGRAPHIE […]<\/p>\n","protected":false},"author":13,"featured_media":7419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[436],"tags":[],"class_list":["post-7418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-11.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7418"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7418\/revisions"}],"predecessor-version":[{"id":7421,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7418\/revisions\/7421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7419"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7415,"date":"2025-01-27T09:36:13","date_gmt":"2025-01-27T09:36:13","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7415"},"modified":"2025-01-27T09:36:15","modified_gmt":"2025-01-27T09:36:15","slug":"2002-battle-against-oblivion","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/2002-battle-against-oblivion\/","title":{"rendered":"2002, BATTLE AGAINST OBLIVION"},"content":{"rendered":"\n

2002, BATTLE AGAINST OBLIVIONAbdoul Aziz BASSE, Senegal, 2024<\/p>\n\n\n\n

SYNOPSIS
Memory proves that the past is not a lost time but coexists with the present. All it takes is an object, a photograph, a scent, a landscape, or a person for these two timelines to intersect for a moment. In 2002, two major events shaped Senegal\u2019s history: joy and sorrow.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Abdoul Aziz BASSE, a film editor and director, was born in Louga to a father passionate about photography. His artistic journey began with drawing, theater, and cinema. He holds a bachelor\u2019s degree and a master\u2019s degree in Film Editing and Continuity from ESAV Marrakech. He directed ILA KIKO (2019) and 2002, Battle Against Oblivion (2024). As an editor, he worked on the films TRACE (2022) and AFRYKAS AND THE MAGIC BOX (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"

2002, BATTLE AGAINST OBLIVIONAbdoul Aziz BASSE, Senegal, 2024 SYNOPSISMemory proves that the past is not a lost time but coexists with the present. All it takes is an object, a photograph, a scent, a landscape, or a person for these two timelines to intersect for a moment. In 2002, two major events shaped Senegal\u2019s history: […]<\/p>\n","protected":false},"author":13,"featured_media":7411,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[434],"tags":[],"class_list":["post-7415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-07.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7415"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7415\/revisions"}],"predecessor-version":[{"id":7416,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7415\/revisions\/7416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7411"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7410,"date":"2025-01-27T09:31:02","date_gmt":"2025-01-27T09:31:02","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7410"},"modified":"2025-01-27T09:31:04","modified_gmt":"2025-01-27T09:31:04","slug":"2oo2-bataille-contre-loubli","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/2oo2-bataille-contre-loubli\/","title":{"rendered":"2OO2, BATAILLE CONTRE L\u2019OUBLI"},"content":{"rendered":"\n

ABDOUL AZIZ BASSE ,S\u00e9n\u00e9gal, 2024<\/p>\n\n\n\n

SYNOPSIS :<\/strong><\/p>\n\n\n\n

Le souvenir prouve que le pass\u00e9 n’est pas un temps perdu mais qu’il coexiste avec le pr\u00e9sent. Il suffit d’un objet, d’une photographie, d’une odeur, d’un paysage ou d’un \u00eatre pour que ces deux lignes temporelles s’entrecroisent un instant.<\/p>\n\n\n\n

En 2002, deux \u00e9v\u00e9nements majeurs marquent l’histoire du S\u00e9n\u00e9gal : joie et malheur.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong> :<\/p>\n\n\n\n

Adoul Aziz BASSE est un monteur-r\u00e9alisateur n\u00e9 \u00e0 Louga d\u2019un p\u00e8re passionn\u00e9 de photographie. Il a commenc\u00e9 par le dessin, le th\u00e9\u00e2tre et le cin\u00e9ma. Il est dipl\u00f4m\u00e9 d\u2019une licence et d\u2019un master 2 en Montage-Scripte Cin\u00e9ma \u00e0 l’ESAV Marrakech. Il a r\u00e9alis\u00e9 ILA KIKO<\/em> (2019) puis 2002, BATAILLE CONTRE L\u2019OUBLI (2024)<\/em>. Il a mont\u00e9 deux films TRACE (2022) et AFRYKAS ET LA BOITE MAGIQUE<\/em> (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"

ABDOUL AZIZ BASSE ,S\u00e9n\u00e9gal, 2024 SYNOPSIS : Le souvenir prouve que le pass\u00e9 n’est pas un temps perdu mais qu’il coexiste avec le pr\u00e9sent. Il suffit d’un objet, d’une photographie, d’une odeur, d’un paysage ou d’un \u00eatre pour que ces deux lignes temporelles s’entrecroisent un instant. En 2002, deux \u00e9v\u00e9nements majeurs marquent l’histoire du S\u00e9n\u00e9gal […]<\/p>\n","protected":false},"author":13,"featured_media":7411,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[436],"tags":[],"class_list":["post-7410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-07.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7410"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7410\/revisions"}],"predecessor-version":[{"id":7412,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7410\/revisions\/7412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7411"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7406,"date":"2025-01-27T09:27:55","date_gmt":"2025-01-27T09:27:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7406"},"modified":"2025-01-27T09:27:59","modified_gmt":"2025-01-27T09:27:59","slug":"banel-and-adama","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/banel-and-adama\/","title":{"rendered":"BANEL AND ADAMA"},"content":{"rendered":"\n

Ramata Toulaye SY, Senegal, 2023<\/p>\n\n\n\n

SYNOPSIS
Banel and Adama are in love. They live in a remote village in northern Senegal. Their world is defined only by their love; outside of it, nothing else exists. However, the absolute love that binds them soon clashes with the conventions of their community. In this place, there is no room for passion, let alone chaos.<\/p>\n\n\n\n

BIOFILMOGRAPHY
Ramata Toulaye SY pursued her higher education at La FEMIS, specializing in screenwriting from 2011 to 2015, as well as at the National School of Advanced Studies in Image and Sound Professions in Paris, France. She has directed feature films such as Banel and Adama and The Mesopotamian, produced by La Chauve-Souris and Astou Prod, along with a short film, Our Lady of the Nile, in 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ramata Toulaye SY, Senegal, 2023 SYNOPSISBanel and Adama are in love. They live in a remote village in northern Senegal. Their world is defined only by their love; outside of it, nothing else exists. However, the absolute love that binds them soon clashes with the conventions of their community. In this place, there is no […]<\/p>\n","protected":false},"author":13,"featured_media":7404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[454],"tags":[],"class_list":["post-7406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-06.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7406"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7406\/revisions"}],"predecessor-version":[{"id":7408,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7406\/revisions\/7408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7403,"date":"2025-01-27T09:24:59","date_gmt":"2025-01-27T09:24:59","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7403"},"modified":"2025-01-27T09:25:02","modified_gmt":"2025-01-27T09:25:02","slug":"banel-et-adama","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/banel-et-adama\/","title":{"rendered":"BANEL et ADAMA"},"content":{"rendered":"\n

Ramata Toulaye SY, S\u00e9n\u00e9gal, 2023<\/p>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Banel et Adama s’aiment. Ils vivent dans un village \u00e9loign\u00e9 au Nord du S\u00e9n\u00e9gal. Du monde, ils ne connaissent que leur amour, en dehors, rien n’existe. Mais l’amour absolu qui les unit va se heurter aux conventions de la communaut\u00e9. L\u00e0 o\u00f9 ils vivent, il n’y a pas de place pour les passions et encore moins pour le chaos.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

Ramata Toulaye SY a fait ses \u00e9tudes sup\u00e9rieures \u00e0 la FEMIS, d\u00e9partement sc\u00e9nario de 2011\u00e0 2015 et \u00e0 l\u2019Ecole nationale sup\u00e9rieure des m\u00e9tiers de l’image et du son \u00e0 Paris en France. Elle a r\u00e9alis\u00e9 des longs m\u00e9trages comme Banel et Adama<\/em> et The Mesopotamian<\/em>, produits par La Chauve-Souris et Astou Prod et un court m\u00e9trage, Notre Dame du Nil<\/em> en 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ramata Toulaye SY, S\u00e9n\u00e9gal, 2023 SYNOPSIS Banel et Adama s’aiment. Ils vivent dans un village \u00e9loign\u00e9 au Nord du S\u00e9n\u00e9gal. Du monde, ils ne connaissent que leur amour, en dehors, rien n’existe. Mais l’amour absolu qui les unit va se heurter aux conventions de la communaut\u00e9. L\u00e0 o\u00f9 ils vivent, il n’y a pas de […]<\/p>\n","protected":false},"author":13,"featured_media":7404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[456],"tags":[],"class_list":["post-7403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-06.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7403"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7403\/revisions"}],"predecessor-version":[{"id":7405,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7403\/revisions\/7405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7398,"date":"2025-01-27T09:20:50","date_gmt":"2025-01-27T09:20:50","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7398"},"modified":"2025-01-27T09:20:52","modified_gmt":"2025-01-27T09:20:52","slug":"amakki-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/amakki-2\/","title":{"rendered":"AMAKKI"},"content":{"rendered":"\n

C\u00e9lia Boussebaa, Ethiopia, 2024<\/p>\n\n\n\n

SYNOPSIS
Nestled in the hills of Sidama, where coffee is cultivated, Amakki unfolds an enchanting story. The lives of two women and two children intertwine and diverge, creating a poetic mosaic of femininity. Each chapter breathes melodies of joy and sorrow, as the film transcends time, capturing the intricate threads that bind these women and their children.<\/p>\n\n\n\n

BIOFILMOGRAPHY
The Franco-Algerian filmmaker draws inspiration from values of decolonization and indigenous knowledge to revisit dominant narratives, offering nuanced perspectives on femininity and the human experience. She began her career at 4th Row Films in New York. Her debut film, Amakki, won the award for Best Feature Documentary at the Atlanta Film Festival in 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

C\u00e9lia Boussebaa, Ethiopia, 2024 SYNOPSISNestled in the hills of Sidama, where coffee is cultivated, Amakki unfolds an enchanting story. The lives of two women and two children intertwine and diverge, creating a poetic mosaic of femininity. Each chapter breathes melodies of joy and sorrow, as the film transcends time, capturing the intricate threads that bind […]<\/p>\n","protected":false},"author":13,"featured_media":7395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[424],"tags":[],"class_list":["post-7398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-length-documentary-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-04.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7398"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7398\/revisions"}],"predecessor-version":[{"id":7400,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7398\/revisions\/7400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7395"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7394,"date":"2025-01-27T09:19:26","date_gmt":"2025-01-27T09:19:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7394"},"modified":"2025-01-27T09:19:28","modified_gmt":"2025-01-27T09:19:28","slug":"amakki","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/amakki\/","title":{"rendered":"AMAKKI"},"content":{"rendered":"\n

 C\u00e9lia Boussebaa, Ethiopie, 2024<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong> : <\/p>\n\n\n\n

Nich\u00e9 dans les collines de Sidama o\u00f9 l’on cultive le caf\u00e9, Amakki<\/em> d\u00e9roule une histoire envo\u00fbtante. Les vies de deux femmes et de deux enfants convergent et divergent, cr\u00e9ant une mosa\u00efque po\u00e9tique de f\u00e9minit\u00e9. Chaque chapitre respire les m\u00e9lodies de la joie et de la tristesse, tandis que le film transcende le temps, capturant les fils complexes qui lient ces femmes et leurs enfants.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/strong><\/p>\n\n\n\n

La r\u00e9alisatrice d’origine Franco-alg\u00e9rienne s’inspire des valeurs de d\u00e9colonisation et de savoir indig\u00e8ne pour revisiter les r\u00e9cits dominants en offrant des perspectives nuanc\u00e9es sur la f\u00e9minit\u00e9 et l’exp\u00e9rience humaine. Elle commence sa carri\u00e8re \u00e0 4th Row Films \u00e0 New York. Son premier film, Amakki<\/em>, remporte le prix du meilleur long m\u00e9trage documentaire au festival du film d’Atlanta 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"

 C\u00e9lia Boussebaa, Ethiopie, 2024 SYNOPSIS :  Nich\u00e9 dans les collines de Sidama o\u00f9 l’on cultive le caf\u00e9, Amakki d\u00e9roule une histoire envo\u00fbtante. Les vies de deux femmes et de deux enfants convergent et divergent, cr\u00e9ant une mosa\u00efque po\u00e9tique de f\u00e9minit\u00e9. Chaque chapitre respire les m\u00e9lodies de la joie et de la tristesse, tandis que le […]<\/p>\n","protected":false},"author":13,"featured_media":7395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[422],"tags":[],"class_list":["post-7394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentaire-long-metrage-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-04.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7394"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7394\/revisions"}],"predecessor-version":[{"id":7396,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7394\/revisions\/7396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7395"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7386,"date":"2025-01-27T09:14:22","date_gmt":"2025-01-27T09:14:22","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7386"},"modified":"2025-01-27T09:14:24","modified_gmt":"2025-01-27T09:14:24","slug":"when-will-africa-come","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/when-will-africa-come\/","title":{"rendered":"When will Africa come ?"},"content":{"rendered":"\n

David-Pierre FILA, Congo Brazzaville, 2024   <\/strong><\/p>\n\n\n\n

SYNOPSIS
The inhabitants of the forests beat their drums to preserve their songs. Those in the city shout \u201cProgress!\u201d Others rush to seize the earth\u2019s treasures, only to be met by new voices shouting challenges.<\/p>\n\n\n\n

BIOFILMOGRAPHY
David-Pierre FILA began his career in film production as a cinematographer, production manager, screenwriter, and director. In 1994, he founded his own production company, Les Films Bantu. David-Pierre FILA has won numerous awards at various festivals for his films addressing environmental and sustainable development issues.<\/p>\n","protected":false},"excerpt":{"rendered":"

David-Pierre FILA, Congo Brazzaville, 2024    SYNOPSISThe inhabitants of the forests beat their drums to preserve their songs. Those in the city shout \u201cProgress!\u201d Others rush to seize the earth\u2019s treasures, only to be met by new voices shouting challenges. BIOFILMOGRAPHYDavid-Pierre FILA began his career in film production as a cinematographer, production manager, screenwriter, and […]<\/p>\n","protected":false},"author":13,"featured_media":7384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[454,479],"tags":[],"class_list":["post-7386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025","category-thomas-sankara-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-02.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7386"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7386\/revisions"}],"predecessor-version":[{"id":7389,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7386\/revisions\/7389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7384"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7382,"date":"2025-01-27T09:10:33","date_gmt":"2025-01-27T09:10:33","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7382"},"modified":"2025-01-27T09:10:36","modified_gmt":"2025-01-27T09:10:36","slug":"a-quand-lafrique","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/a-quand-lafrique\/","title":{"rendered":"A QUAND L\u2019AFRIQUE\u00a0?"},"content":{"rendered":"\n

David-Pierre FILA, Congo Brazzaville, 2024   <\/strong><\/p>\n\n\n\n

SYNOPSIS     <\/strong><\/p>\n\n\n\n

Les habitants des for\u00eats battent des tambours pour perp\u00e9tuer leurs chants. Ceux de la ville crient \u00ab Progr\u00e8s ! \u00bb D\u2019autres encore se pr\u00e9cipitent pour s\u2019emparer des tr\u00e9sors de la terre, pour ensuite \u00eatre accueillis par de nouvelles voix criant au d\u00e9fi.<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong><\/strong><\/p>\n\n\n\n

BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n

David-Pierre FILA a d\u2019abord travaill\u00e9 dans la production cin\u00e9matographique en tant que directeur de la photographie, directeur de production, sc\u00e9nariste et r\u00e9alisateur. En 1994, il cr\u00e9e sa propre soci\u00e9t\u00e9 de production \u2018\u2019Les films Bantu\u2019\u2019. David-Pierre FILA est plusieurs fois laur\u00e9at dans de nombreux festivals avec des films traitant des questions d\u2019environnement et de d\u00e9veloppement durable.<\/p>\n\n\n\n

BIOFILMOGRAPHY<\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

David-Pierre FILA, Congo Brazzaville, 2024    SYNOPSIS      Les habitants des for\u00eats battent des tambours pour perp\u00e9tuer leurs chants. Ceux de la ville crient \u00ab Progr\u00e8s ! \u00bb D\u2019autres encore se pr\u00e9cipitent pour s\u2019emparer des tr\u00e9sors de la terre, pour ensuite \u00eatre accueillis par de nouvelles voix criant au d\u00e9fi. SYNOPSIS BIOFILMOGRAPHIE  David-Pierre FILA a d\u2019abord travaill\u00e9 dans […]<\/p>\n","protected":false},"author":13,"featured_media":7384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[456,481],"tags":[],"class_list":["post-7382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama-2025-fr","category-thomas-sankara-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-02.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7382"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7382\/revisions"}],"predecessor-version":[{"id":7385,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7382\/revisions\/7385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7384"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7376,"date":"2025-01-27T09:03:47","date_gmt":"2025-01-27T09:03:47","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7376"},"modified":"2025-02-20T11:32:20","modified_gmt":"2025-02-20T11:32:20","slug":"1964-simitye-kamoken-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/1964-simitye-kamoken-2\/","title":{"rendered":"1964 Simity\u00e8 kamoken"},"content":{"rendered":"\n

Rach\u00e8le MAGLOIRE<\/strong>, <\/strong>Ha\u00efti<\/strong>, <\/strong>2023<\/strong><\/p>\n\n\n\n

SYNOPSIS<\/strong>
In 1964, following the embarkation of around thirty men intent on overthrowing him, the Haitian dictator Duvalier launched a campaign of terror to deter peasants from joining the rebellion, composed of men from the Southeast region where they had settled. Over 50 years later, the peasants recount their story for the first time.<\/p>\n\n\n\n

BIOFILMOGRAPHY
<\/strong>Rach\u00e8le MAGLOIRE began her cinematic career in 1995 with the production of documentaries through her company, Productions Fanal. Since then, in addition to her own works, including Jacmel (1995), Quelle prison pour Haiti? (1998), Les enfants du coup d\u2019\u00c9tat (2001), and 1964 Simity\u00e8 Kamoken (2023), she has co-produced documentaries directed by young\u00a0filmmakers.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rach\u00e8le MAGLOIRE, Ha\u00efti, 2023 SYNOPSISIn 1964, following the embarkation of around thirty men intent on overthrowing him, the Haitian dictator Duvalier launched a campaign of terror to deter peasants from joining the rebellion, composed of men from the Southeast region where they had settled. Over 50 years later, the peasants recount their story for the […]<\/p>\n","protected":false},"author":13,"featured_media":10066,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[426],"tags":[],"class_list":["post-7376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/02\/affoc-copro-01-4.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7376"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7376\/revisions"}],"predecessor-version":[{"id":10068,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7376\/revisions\/10068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/10066"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7372,"date":"2025-01-27T09:01:21","date_gmt":"2025-01-27T09:01:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7372"},"modified":"2025-02-02T17:46:51","modified_gmt":"2025-02-02T17:46:51","slug":"1964-simitye-kamoken","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/1964-simitye-kamoken\/","title":{"rendered":"1964 Simity\u00e8 kamoken"},"content":{"rendered":"\n[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb]\n\t\t\t[et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb]\n\t\t\t\t[et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb]\n

Rach\u00e8le MAGLOIRE<\/strong>, <\/strong>Ha\u00efti<\/strong>, <\/strong>2023<\/strong><\/p>\n\n\n\n

FICHE TECHNIQUE<\/strong><\/strong><\/p>\n\n\n\n

Sc\u00e9nario\/Script:<\/strong> Rach\u00e8le Magloire\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Images\/Pictures: <\/strong>Levenson Saint Juste, Tatiana Magloire, Etienne Cot\u00e9 Paluck, Jean Jean, Nits\u00e9 Mathelier
Son\/Sound: <\/strong>Dimitri M\u00e9dard
Montage\/Editing:<\/strong> Tatiana Magloire
Musique \/Music:<\/strong> David Cass\u00e9us
Interpr\u00e8tes\/Actors: ZIA Lapommeray, Wilner Candy, Andrenel Pierre , Ismais Pierre<\/strong>
D\u00e9cor\/Set design:<\/strong>
Dur\u00e9e:<\/strong> 97 minute
sFormat: H.264Production:<\/strong> Productions Fanal\u00a0\u00a0\u00a0\u00a0\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

       SYNOPSIS<\/p>\n\n\n\n

En 1964, suite \u00e0 l\u2019embarquement d’une trentaine d’hommes pour le renverser, le dictateur ha\u00eftien Duvalier d\u00e9clenche une campagne de terreur pour dissuader les paysans de rejoindre la r\u00e9bellion, compos\u00e9e d’hommes originaires de la region du Sud-Est o\u00f9 ils s’\u00e9taient install\u00e9s. Plus de 50 ans apr\u00e8s, les paysans racontent pour la premi\u00e8re fois leur histoire.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Rach\u00e8le MAGLOIRE, d\u00e9bute sa carri\u00e8re cin\u00e9matographique en1995 par la r\u00e9alisation de films documentaires avec sa soci\u00e9t\u00e9 de production, Productions Fanal. Depuis cette date, en plus de ses propres r\u00e9alisations dont Jacmel<\/em> (1995), Quelle prison pour Haiti?<\/em> (1998), Les enfants du coup d\u2019Etat<\/em> (2001),1964 Simity\u00e8 Kamoken<\/em> (2023), elle coproduit des films documentaires re\u00e9alis\u00e9s par de jeunes cin\u00e9astes.<\/p>\n\n\n\n

<\/p>\n[\/et_pb_text][\/et_pb_column]\n\t\t\t[\/et_pb_row]\n\t\t[\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Rach\u00e8le MAGLOIRE, Ha\u00efti, 2023 FICHE TECHNIQUE Sc\u00e9nario\/Script: Rach\u00e8le Magloire\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Images\/Pictures: Levenson Saint Juste, Tatiana Magloire, Etienne Cot\u00e9 Paluck, Jean Jean, Nits\u00e9 MathelierSon\/Sound: Dimitri M\u00e9dardMontage\/Editing: Tatiana MagloireMusique \/Music: David Cass\u00e9us Interpr\u00e8tes\/Actors: ZIA Lapommeray, Wilner Candy, Andrenel Pierre , Ismais PierreD\u00e9cor\/Set design:Dur\u00e9e: 97 minutesFormat: H.264Production: Productions Fanal\u00a0\u00a0\u00a0\u00a0\u00a0        SYNOPSIS En 1964, suite \u00e0 l\u2019embarquement d’une trentaine d’hommes pour […]<\/p>\n","protected":false},"author":13,"featured_media":7373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

Rach\u00e8le MAGLOIRE<\/strong>, <\/strong>Ha\u00efti<\/strong>, <\/strong>2023<\/strong><\/p>\n\n\n\n

FICHE TECHNIQUE<\/strong><\/strong><\/p>\n\n\n\n

Sc\u00e9nario\/Script:<\/strong> Rach\u00e8le Magloire\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Images\/Pictures: <\/strong>Levenson Saint Juste, Tatiana Magloire, Etienne Cot\u00e9 Paluck, Jean Jean, Nits\u00e9 Mathelier
Son\/Sound: <\/strong>Dimitri M\u00e9dard
Montage\/Editing:<\/strong> Tatiana Magloire
Musique \/Music:<\/strong> David Cass\u00e9us
Interpr\u00e8tes\/Actors: ZIA Lapommeray, Wilner Candy, Andrenel Pierre , Ismais Pierre<\/strong>
D\u00e9cor\/Set design:<\/strong>
Dur\u00e9e:<\/strong> 97 minute
sFormat: H.264Production:<\/strong> Productions Fanal\u00a0\u00a0\u00a0\u00a0\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

       SYNOPSIS<\/p>\n\n\n\n

En 1964, suite \u00e0 l\u2019embarquement d'une trentaine d'hommes pour le renverser, le dictateur ha\u00eftien Duvalier d\u00e9clenche une campagne de terreur pour dissuader les paysans de rejoindre la r\u00e9bellion, compos\u00e9e d'hommes originaires de la region du Sud-Est o\u00f9 ils s'\u00e9taient install\u00e9s. Plus de 50 ans apr\u00e8s, les paysans racontent pour la premi\u00e8re fois leur histoire.<\/p>\n\n\n\n

BIOFILMOGRAPHIE<\/p>\n\n\n\n

Rach\u00e8le MAGLOIRE, d\u00e9bute sa carri\u00e8re cin\u00e9matographique en1995 par la r\u00e9alisation de films documentaires avec sa soci\u00e9t\u00e9 de production, Productions Fanal. Depuis cette date, en plus de ses propres r\u00e9alisations dont Jacmel<\/em> (1995), Quelle prison pour Haiti?<\/em> (1998), Les enfants du coup d\u2019Etat<\/em> (2001),1964 Simity\u00e8 Kamoken<\/em> (2023), elle coproduit des films documentaires re\u00e9alis\u00e9s par de jeunes cin\u00e9astes.<\/p>\n\n\n\n

<\/p>\n","_et_gb_content_width":"1080","footnotes":""},"categories":[428],"tags":[],"class_list":["post-7372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-perspectives-2025-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Affiche-film-01.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7372"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7372\/revisions"}],"predecessor-version":[{"id":10064,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7372\/revisions\/10064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7373"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7082,"date":"2025-01-26T03:55:42","date_gmt":"2025-01-26T03:55:42","guid":{"rendered":"https:\/\/fespaco.bf\/?p=7082"},"modified":"2025-01-26T12:54:32","modified_gmt":"2025-01-26T12:54:32","slug":"fespaco-2025-press-conference-preparation-details-for-a-promising-edition","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2025-press-conference-preparation-details-for-a-promising-edition\/","title":{"rendered":"FESPACO 2025 PRESS CONFERENCE: PREPARATION DETAILS FOR A PROMISING EDITION"},"content":{"rendered":"\n

The FESPACO General Delegation recently held a press conference at the Pacific Hotel on August 8, 2024, to provide an overview of the preparations for the 29th edition scheduled from February 22 to March 1, 2025.<\/p>\n\n\n\n

Alex Moussa SAWADOGO, the General Delegate, shared the latest updates, highlighting the open registrations for five categories: films, communications, accreditations, the MICA, and Yennenga workshops. He urged all stakeholders to meet the registration deadlines to ensure the festival\u2019s smooth organization.<\/p>\n\n\n\n

As of today, 364 films have already been submitted for competition, promising a diverse and high-quality selection. The opening and closing ceremonies will be directed by renowned playwright Aristede TARNAGDA, who has planned exclusive performances for festivalgoers.<\/p>\n\n\n\n

The special guest of the conference, Mr. Abdoulaye BABAL\u00c9, Secretary General of the Ministry of Culture of Chad, reaffirmed his country\u2019s full commitment to this edition. He emphasized the bonds of fraternity between the two nations and the importance of their cultural cooperation.<\/p>\n\n\n\n

Stay tuned for more updates on this exceptional edition of FESPACO 2025, celebrating the talent and diversity of African cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"

The FESPACO General Delegation recently held a press conference at the Pacific Hotel on August 8, 2024, to provide an overview of the preparations for the 29th edition scheduled from February 22 to March 1, 2025. Alex Moussa SAWADOGO, the General Delegate, shared the latest updates, highlighting the open registrations for five categories: films, communications, […]<\/p>\n","protected":false},"author":2,"featured_media":7249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47,411],"tags":[],"class_list":["post-7082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-une_en-3"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-de-presse-du-FESPACO-2025-scaled-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=7082"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7082\/revisions"}],"predecessor-version":[{"id":7083,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/7082\/revisions\/7083"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7249"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=7082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=7082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=7082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6921,"date":"2025-01-10T11:31:16","date_gmt":"2025-01-10T11:31:16","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6921"},"modified":"2025-01-27T18:32:16","modified_gmt":"2025-01-27T18:32:16","slug":"fespaco-2025-the-official-selection-unveiled","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2025-the-official-selection-unveiled\/","title":{"rendered":"FESPACO 2025: The Official Selection Unveiled"},"content":{"rendered":"\n

The Official Selection of the 29th edition of FESPACO is being unveiled. It highlights 235 films selected from 1,351 submissions, representing 48 countries and reflecting the richness and diversity of African and diaspora cinemas.<\/p>\n\n\n\n

This Friday, January 10, 2025, in Ouagadougou, the selections for the following categories will be announced:<\/p>\n\n\n\n

   \u2022       Feature Fiction<\/p>\n\n\n\n

   \u2022       Feature Documentary<\/p>\n\n\n\n

   \u2022       Critics\u2019 Week<\/p>\n\n\n\n

   \u2022       FESPACO Shorts<\/p>\n\n\n\n

   \u2022       Films from Cinema Schools<\/p>\n\n\n\n

   \u2022       Animation<\/p>\n\n\n\n

   \u2022       FESPACO Series<\/p>\n\n\n\n

   \u2022       FESPACO Sukab\u00e8<\/p>\n\n\n\n

Then, in N\u2019Djamena, on Tuesday, January 14, 2025, the results of the Yennenga Workshops (Academy, Coproduction, and Postproduction), as well as the selection for the following sections, will be revealed:<\/p>\n\n\n\n

   \u2022       Perspectives<\/p>\n\n\n\n

   \u2022       Thomas SANKARA Award for Pan-Africanism<\/p>\n\n\n\n

Check the Official Selection at the following link:<\/p>\n\n\n\n

\u27a1\ufe0f https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/SELECTION_FESPACO_2025.pdf<\/a><\/p>\n\n\n\n

The 29th edition of FESPACO will take place from February 22 to March 1, 2025, in Ouagadougou.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The Official Selection of the 29th edition of FESPACO is being unveiled. It highlights 235 films selected from 1,351 submissions, representing 48 countries and reflecting the richness and diversity of African and diaspora cinemas. This Friday, January 10, 2025, in Ouagadougou, the selections for the following categories will be announced:    \u2022       Feature Fiction    […]<\/p>\n","protected":false},"author":2,"featured_media":6923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[47,407],"tags":[],"class_list":["post-6921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-une_en-1"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Visuel-Newsletter-02-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6921"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6921\/revisions"}],"predecessor-version":[{"id":7926,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6921\/revisions\/7926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6923"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6918,"date":"2025-01-10T11:28:46","date_gmt":"2025-01-10T11:28:46","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6918"},"modified":"2025-01-27T16:53:54","modified_gmt":"2025-01-27T16:53:54","slug":"fespaco-2025-selection-officielle-devoilee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2025-selection-officielle-devoilee\/","title":{"rendered":"FESPACO 2025: S\u00c9LECTION OFFICIELLE D\u00c9VOIL\u00c9E"},"content":{"rendered":"\n

La S\u00e9lection Officielle de la 29\u00e8me<\/sup> \u00e9dition du FESPACO est en train d\u2019\u00eatre d\u00e9voil\u00e9e. Elle met en lumi\u00e8re 235 films s\u00e9lectionn\u00e9s parmi 1351 soumis, issus de 48 pays, refl\u00e9tant la richesse et la diversit\u00e9 des cin\u00e9mas d\u2019Afrique et de sa diaspora.<\/p>\n\n\n\n

Ce vendredi 10 janvier 2025 \u00e0 Ouagadougou sera connue la s\u00e9lection dans les cat\u00e9gories suivantes :<\/p>\n\n\n\n

   \u2022       Long M\u00e9trage Fiction<\/strong><\/p>\n\n\n\n

   \u2022       Long M\u00e9trage Documentaire<\/strong><\/p>\n\n\n\n

   \u2022       Semaine de la Critique<\/strong><\/p>\n\n\n\n

   \u2022       FESPACO Shorts<\/strong><\/p>\n\n\n\n

   \u2022       Films d\u2019\u00c9coles de Cin\u00e9ma<\/strong><\/p>\n\n\n\n

   \u2022       Animation<\/strong><\/p>\n\n\n\n

   \u2022       FESPACO Series<\/strong><\/p>\n\n\n\n

   \u2022       FESPACO Sukab\u00e8<\/strong><\/strong><\/p>\n\n\n\n

Puis \u00e0 N\u2019Djamena, le mardi 14 janvier 2025, les r\u00e9sultats des Ateliers Yennenga (Academy, Coproduction et Postproduction), ainsi que la s\u00e9lection dans les sections suivantes:<\/p>\n\n\n\n