[{"id":6209,"date":"2024-08-12T16:42:21","date_gmt":"2024-08-12T16:42:21","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6209"},"modified":"2024-08-12T16:43:08","modified_gmt":"2024-08-12T16:43:08","slug":"films-regulatory","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/films-regulatory\/","title":{"rendered":"Films regulatory"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">A.\u00a0 REGISTRATION<\/h1>\n\n\n\n<p>The 29<sup>th<\/sup> Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO) is scheduled to take place from <strong>22 February to 01 March 2025<\/strong>.<\/p>\n\n\n\n<p>Registration for FESPACO is open to all films worldwide.<\/p>\n\n\n\n<p>Registration is limited to a maximum of three (03) films by director, and can be effected by director, producer or distributor.<\/p>\n\n\n\n<p>Registration of films by Cinema Schools shall be effected by the Management of such schools.<\/p>\n\n\n\n<p>Films shall not be aged more than two (02) years as of <strong>31 December 2024,<\/strong> nor have been showed at a previous FESPACO edition. Deadline for registration is 31 September 2024.<\/p>\n\n\n\n<p>Registration for FESPACO shall be effected by <strong>30 September 2024 the latest at 23h<\/strong> <strong>59mn<\/strong> on the platform by clicking here!<\/p>\n\n\n\n<p>Registration material (in French and English) shall include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>a (01) technical and artistic sheet;<\/li>\n\n\n\n<li>a (01) synopsis (400 characters);<\/li>\n\n\n\n<li>a (01) bio-filmography of director&nbsp;(400 characters);<\/li>\n\n\n\n<li>a (01) poster of the film;<\/li>\n\n\n\n<li>a download and view link of the film or the first episodes for TV series in MPEG-4 (H.264) format, valid up to <strong>31 December 2024<\/strong>;<\/li>\n\n\n\n<li>a (01) passport-size photo of director (JPEG 300 dpi format);<\/li>\n\n\n\n<li>photos of the film (portrait and landscape, JPEG 300 dpi format).<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a>B.&nbsp; SUB-TITLING<\/a><\/h2>\n\n\n\n<p>Films shall be in French or English.<\/p>\n\n\n\n<p>Films in languages other than French or English must <strong>necessarily<\/strong> be sub-titled or dubbed in French or English.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a>C.&nbsp; OFFICIAL SELECTION<\/a><\/h2>\n\n\n\n<p>The Management of FESPACO shall be responsible for the official selection of films and make decision on the category in which any film may be accepted.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Categories and sections of the official competition are as follows:<\/li>\n\n\n\n<li>feature fiction;<\/li>\n\n\n\n<li>feature documentary;&nbsp;<\/li>\n\n\n\n<li>FESPACO Shorts&nbsp;: short fiction and documentary<\/li>\n\n\n\n<li>fiction or documentary by Cinema Schools;<\/li>\n\n\n\n<li>FESPACO Series;<\/li>\n\n\n\n<li>Animation;<\/li>\n\n\n\n<li>Perspectives&nbsp;;<\/li>\n\n\n\n<li>Burkina;<\/li>\n\n\n\n<li>Critics week.<\/li>\n<\/ul>\n\n\n\n<p><strong>NB: The official competition welcomes only African and Diaspora films.<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Out-of-competition sections include:<\/li>\n\n\n\n<li>Panorama<\/li>\n\n\n\n<li>Focus diversities<\/li>\n\n\n\n<li>Sukab\u00e8 (Youth programme)<\/li>\n<\/ul>\n\n\n\n<p><strong>NB: The above sections are open to film by filmmakers worldwide.<\/strong><\/p>\n\n\n\n<p>The Management of FESPACO is sovereign and reserves the right not to justify its decisions.<\/p>\n\n\n\n<p><strong>Films accepted into the official selection cannot be withdrawn in the course of the festival.<\/strong><strong><\/strong><\/p>\n\n\n\n<p>Directors or producers of accepted films shall be informed via official mail.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>1.&nbsp;&nbsp;&nbsp; FORMAT<\/a>S&nbsp;<\/h3>\n\n\n\n<p>Regardless of medium used for shooting, only the following formats will be accepted:<\/p>\n\n\n\n<p><strong>Selection <\/strong><strong>copies:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Digital file in MPEG-4 (H.264) format.<\/li>\n<\/ul>\n\n\n\n<p><strong>Screening copies and number of copies:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>For the feature fiction and documentary official competition: <\/strong>a (01) DCP SMPTE (JPEG 2000 Server) and an external hard drive containing the digital file in MPEG-4 (H.264) format.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>For the short fiction and documentary official competition: <\/strong>a digital file and an external hard drive containing the digital file in MPEG-4 (H.264) format.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>For other sections of the selection: <\/strong>a digital file and an external hard drive containing the digital file in MPEG-4 (H.264) format.<\/li>\n<\/ul>\n\n\n\n<p>Screening copies shall reach FESPACO <strong>no later than <\/strong><strong>15 January 2025<\/strong>.<\/p>\n\n\n\n<p>Films sent to FESPACO after the above date shall be <strong><u>withdrawn<\/u><\/strong> from the official competition.<\/p>\n\n\n\n<p><strong>NB: FESPACO shall not pay any fees for showing films accepted in the official selection<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>2.&nbsp;&nbsp;&nbsp; SENDING \/ RETURN OF COPIES<\/a><\/h3>\n\n\n\n<p>The sending and return of film copies shall be at the expense of producer, director or distributor.<\/p>\n\n\n\n<p>Parcels shall be marked \u00ab&nbsp;<strong>For cultural use only<\/strong>&nbsp;\u00bb and \u00ab&nbsp;<strong>With no market value<\/strong>&nbsp;\u00bb.<\/p>\n\n\n\n<p>Transport fees and possible custom duties for parcels sent by an express carrier must have been paid for. Otherwise, FESPACO shall reserve the right to reject them.<\/p>\n\n\n\n<p>FESPACO shall not assume responsibility for shipping errors or damages resulting from the transport of film copies.<\/p>\n\n\n\n<p>It shall neither be held responsible for deteriorations due poor initial condition of copies.<\/p>\n\n\n\n<p>DCP copies must be sent on a hard drive together with broadcasting Key delivery Message (KDM).<\/p>\n\n\n\n<p>Films in the official competition of FESAPCO may be subject to a maximum of three (03) public screenings during the festival.<\/p>\n\n\n\n<p>However, as part of the promotion of the selected films, FESPACO shall reserve the right to screen such films at most twice (02) after the festival.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a>3.&nbsp;&nbsp;&nbsp; LENGTH OF FILMS<\/a><\/h3>\n\n\n\n<p>As per the category they fall under, films in competition must have the following lengths:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>feature fiction: 60mn maximum;<\/li>\n\n\n\n<li>feature documentary: 60mn&nbsp;maximum;<\/li>\n\n\n\n<li>FESPACO Shorts (short fiction and documentary): between 1mn and 35mn;<\/li>\n\n\n\n<li>fiction or documentary by Cinema Schools: between 3mn and 15mn;<\/li>\n\n\n\n<li>FESPACO Series: two (02) consecutive episodes of 52mn each or three (03) consecutive episodes of 26mn each or six (06) consecutive episodes of 13mn each;<\/li>\n\n\n\n<li>Animation films: between 1mn and 35mn.<\/li>\n<\/ul>\n\n\n\n<p><strong>Registration implies full acceptance of the conditions herein and the regulation as well.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A.\u00a0 REGISTRATION The 29th Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO) is scheduled to take place from 22 February to 01 March 2025. Registration for FESPACO is open to all films worldwide. Registration is limited to a maximum of three (03) films by director, and can be effected by director, producer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-6209","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6209"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6209\/revisions"}],"predecessor-version":[{"id":6210,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6209\/revisions\/6210"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6204,"date":"2024-08-12T15:57:03","date_gmt":"2024-08-12T15:57:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6204"},"modified":"2024-08-12T15:57:22","modified_gmt":"2024-08-12T15:57:22","slug":"reglement-yennenga-coproduction-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-yennenga-coproduction-fespaco-2025\/","title":{"rendered":"R\u00c8GLEMENT YENNENGA COPRODUCTION FESPACO-2025"},"content":{"rendered":"\n<p>Le <strong>YENNENGA COPRODUCTION<\/strong> est un dispositif mis en place par la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO d\u00e9di\u00e9 aux projets de films de fiction longs m\u00e9trages en recherche de <strong>partenaires financiers<\/strong>.<\/p>\n\n\n\n<p>Il vise \u00e0 encourager et \u00e0 soutenir les coproductions cin\u00e9matographiques africaines et de la diaspora, \u00e0 promouvoir leur diffusion internationale et \u00e0 favoriser le d\u00e9veloppement des talents cin\u00e9matographiques de l\u2019Afrique.<\/p>\n\n\n\n<p><strong>Article 1<\/strong>&nbsp;: Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir les conditions d\u2019organisation, de fonctionnement et de participation des professionnels du cin\u00e9ma et de l\u2019audiovisuel au <strong>YENNENGA COPRODUCTION<\/strong>.<\/p>\n\n\n\n<p><strong>Article 2&nbsp;: <\/strong>&nbsp;Le <strong>YENNENGA COPRODUCTION<\/strong> se tiendra du <strong>23 au 28 f\u00e9vrier 2025.<\/strong><\/p>\n\n\n\n<p><strong>Article 3&nbsp;:<\/strong> L\u2019admission au <strong>YENNENGA COPRODUCTION<\/strong> implique l&rsquo;adh\u00e9sion enti\u00e8re au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 4<\/strong>&nbsp;: Les conditions d\u2019\u00e9ligibilit\u00e9 des films&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>l\u2019appel est ouvert aux projets de film de <strong>fiction long m\u00e9trage<\/strong> en phase de production\u00a0;<\/li>\n\n\n\n<li>le projet doit \u00eatre port\u00e9 par un auteur\/r\u00e9alisateur et\/ou un producteur, ressortissants d\u2019un pays d\u2019Afrique ou de sa diaspora\u00a0;<\/li>\n\n\n\n<li>le tournage du projet ne doit pas avoir commenc\u00e9.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 5<\/strong> : Composition du dossier de candidature&nbsp;:<\/p>\n\n\n\n<p>Tout postulant \u00e0 l\u2019Atelier <strong>YENNENGA COPRODUCTION<\/strong> doit fournir&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>un logline\u00a0;<\/li>\n\n\n\n<li>un synopsis ;<\/li>\n\n\n\n<li>un traitement\u00a0( 10 \u00e0 15 pages);<\/li>\n\n\n\n<li>un sc\u00e9nario du projet\u00a0;<\/li>\n\n\n\n<li>une photo du \/de la r\u00e9alisateur (trice), (format JPEG en 300 dpi);<\/li>\n\n\n\n<li>des photos et un visuel du film (en portrait et en paysage, format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>une note d\u2019intention du\u00a0\/de la r\u00e9alisateur (trice)\u00a0\u00a0;<\/li>\n\n\n\n<li>une biofilmographie du\u00a0\/de la r\u00e9alisateur (trice)\u00a0;<\/li>\n\n\n\n<li>une biofilmographie du\/de la producteur (trice);<\/li>\n\n\n\n<li>un contrat d\u2019auteur pass\u00e9 avec la maison de production\u00a0;<\/li>\n\n\n\n<li>une pr\u00e9sentation de la soci\u00e9t\u00e9 de production\u00a0;<\/li>\n\n\n\n<li>une note d\u2019intention du\/de la producteur (trice)\u00a0;<\/li>\n\n\n\n<li>une lettre de motivation qui pr\u00e9cise les besoins et attentes du\/de la producteur (trice)\u00a0;<\/li>\n\n\n\n<li>un budget global du film.<\/li>\n<\/ul>\n\n\n\n<p>Les candidatures sont re\u00e7ues au plus tard le <strong>31 octobre 2024 \u00e0 23h59mn <\/strong>sur la plateforme&nbsp;en <strong>cliquant ici<\/strong><strong>. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>NB : Seuls les dossiers complets sont soumis au comit\u00e9 de s\u00e9lection.<\/strong><\/p>\n\n\n\n<p><strong>Article 6&nbsp;:<\/strong> Un comit\u00e9 de s\u00e9lection, pr\u00e9sid\u00e9 par le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, est responsable de la s\u00e9lection des projets. La d\u00e9cision du comit\u00e9 est d\u00e9finitive et irr\u00e9vocable.<\/p>\n\n\n\n<p>Le comit\u00e9 de s\u00e9lection est souverain et se r\u00e9serve le droit de ne pas motiver ses choix.<\/p>\n\n\n\n<p>Les r\u00e9sultats de la s\u00e9lection sont publi\u00e9s sur le site web du FESPACO.<\/p>\n\n\n\n<p><strong>Article 7&nbsp;:<\/strong> Le <strong>YENNENGA COPRODUCTION<\/strong> s\u2019engage \u00e0&nbsp;prendre en charge :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>les frais de transport <strong>du\/de la r\u00e9alisateur(trice) ou du\/de la producteur<\/strong>(trice) du lieu de r\u00e9sidence jusqu\u2019\u00e0 Ouagadougou\u00a0;<\/li>\n\n\n\n<li>les frais de s\u00e9jour (h\u00e9bergement et restauration) \u00e0 Ouagadougou\u00a0;<\/li>\n\n\n\n<li>son accr\u00e9ditation au FESPACO\u00a0;<\/li>\n\n\n\n<li>sa participation aux activit\u00e9s propos\u00e9es par le <strong>YENNENGA COPRODUCTION<\/strong>.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 8 : <\/strong>Les porteurs(euses) de projets doivent envoyer dans les d\u00e9lais impartis toutes les informations requises et le mat\u00e9riel n\u00e9cessaire \u00e0 la confection de la brochure du <strong>YENNENGA COPRODUCTION<\/strong>, \u00e0 l\u2019organisation des consultations et des projections.<\/p>\n\n\n\n<p><strong>Article 9 :<\/strong> Les projets retenus doivent&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>porter la mention \u00ab Ce film a b\u00e9n\u00e9fici\u00e9 du soutien de FESPACO\/YENNENGA CO-PRODUCTION \u00bb dans leur g\u00e9n\u00e9rique, accompagn\u00e9e du laurier officiel du <strong>YENNENGA COPRODUCTION <\/strong>;<\/li>\n\n\n\n<li>\u00a0faire apparaitre le logo officiel du FESPACO sur tout support de communication\u00a0;<\/li>\n\n\n\n<li>d\u00e9poser une copie du film au FESPACO.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 10 : <\/strong>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO est comp\u00e9tent pour conna\u00eetre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation et \u00e0 l\u2019application des clauses du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout conflit.<\/p>\n\n\n\n<p>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p><strong>Article 11&nbsp;: <\/strong>Tous les cas non pr\u00e9vus par le pr\u00e9sent r\u00e8glement rel\u00e8vent de la comp\u00e9tence du D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong><u>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <u>Moussa Alex SAWADOGO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><em>Officier de l\u2019Ordre de l\u2019\u00c9talon<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le YENNENGA COPRODUCTION est un dispositif mis en place par la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO d\u00e9di\u00e9 aux projets de films de fiction longs m\u00e9trages en recherche de partenaires financiers. Il vise \u00e0 encourager et \u00e0 soutenir les coproductions cin\u00e9matographiques africaines et de la diaspora, \u00e0 promouvoir leur diffusion internationale et \u00e0 favoriser le d\u00e9veloppement des [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6204","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6204"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6204\/revisions"}],"predecessor-version":[{"id":6206,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6204\/revisions\/6206"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6202,"date":"2024-08-12T15:55:04","date_gmt":"2024-08-12T15:55:04","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6202"},"modified":"2024-08-12T15:55:06","modified_gmt":"2024-08-12T15:55:06","slug":"reglement-yennenga-post-production-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-yennenga-post-production-fespaco-2025\/","title":{"rendered":"R\u00c8GLEMENT YENNENGA POST-PRODUCTION FESPACO 2025"},"content":{"rendered":"\n<p>Le <strong>YENNENGA POST-PRODUCTION<\/strong> est un dispositif initi\u00e9 par la D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO afin d\u2019apporter un accompagnement et une aide \u00e0 la post-production des films d\u2019Afrique et de sa Diaspora. Il s\u2019adresse aux r\u00e9alisateurs(trices) qui sont \u00e0 leur premier ou deuxi\u00e8me film long m\u00e9trage (fiction ou documentaire), en phase de finition.<\/p>\n\n\n\n<p>C\u2019est une passerelle qui favorise les partenariats de coproductions et l&rsquo;acc\u00e8s au march\u00e9 international des \u0153uvres africaines en offrant une opportunit\u00e9 de pr\u00e9senter des films en phase de production aux professionnels du cin\u00e9ma et aux distributeurs internationaux afin de soutenir la finition de ces \u0153uvres par des aides concr\u00e8tes.<\/p>\n\n\n\n<p>Le <strong>YENNENGA POST-PRODUCTION<\/strong> consiste en&nbsp;:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong><em><u>Des Ateliers\u00a0:<\/u><\/em><\/strong><\/li>\n\n\n\n<li><strong>quatre (4) jours<\/strong> d\u2019ateliers et de master classes autour des \u00e9l\u00e9ments relatifs au montage, \u00e0 l\u2019\u00e9talonnage, \u00e0 la composition musicale, aux effets sp\u00e9ciaux, \u00e0 la distribution, etc\u00a0;<\/li>\n\n\n\n<li><strong>des sessions de mise en r\u00e9seau<\/strong> par des rencontres qui permettent aux r\u00e9alisateurs (trices) et aux producteurs(trices) d&rsquo;interagir avec les professionnels pr\u00e9sents\u00a0;<\/li>\n\n\n\n<li><strong>un accompagnement sur mesure<\/strong> par des consultations individuelles ou collectives. Selon leurs besoins, les porteurs(euses) de projets des films en post-production b\u00e9n\u00e9ficient d\u2019une consultation en montage, de conseils et d\u2019orientations sur les choix d\u2019habillage et de finition de film, ainsi que de conseils sur la distribution internationale.<\/li>\n\n\n\n<li><strong><em><u>Des Projections\u00a0:<\/u><\/em><\/strong><\/li>\n\n\n\n<li>des s\u00e9ances de projections d\u2019extraits des films s\u00e9lectionn\u00e9s sont organis\u00e9es, \u00e0 l\u2019issue desquelles un moment est consacr\u00e9 \u00e0 la pr\u00e9sentation des projets par les porteurs(euses) de projets devant un jury (pitch).<\/li>\n<\/ol>\n\n\n\n<p>Les s\u00e9ances de projection sont ouvertes aux professionnels accr\u00e9dit\u00e9s.<\/p>\n\n\n\n<p><strong>Article 1<\/strong>&nbsp;: Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir les conditions d\u2019organisation, de fonctionnement et de participation des professionnels du cin\u00e9ma et de l\u2019audiovisuel au <strong>YENNENGA POST-PRODUCTION<\/strong>.<\/p>\n\n\n\n<p><strong>Article 2&nbsp;: <\/strong>&nbsp;Le <strong>YENNENGA POST-PRODUCTION<\/strong> se tiendra du <strong>23 au 28 f\u00e9vrier 2025.<\/strong><\/p>\n\n\n\n<p><strong>Article 3&nbsp;:<\/strong> L\u2019admission au <strong>YENNENGA POST-PRODUCTION<\/strong> implique l&rsquo;adh\u00e9sion enti\u00e8re au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 4<\/strong>&nbsp;: Les conditions d\u2019\u00e9ligibilit\u00e9 des films&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>n\u2019avoir pas \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d\u2019une pr\u00e9c\u00e9dente \u00e9dition de l\u2019Atelier <strong>YENNENGA POST-PRODUCTION <\/strong>;<\/li>\n\n\n\n<li>les \u0153uvres soumises doivent \u00eatre des films en finition et r\u00e9alis\u00e9es exclusivement par des cin\u00e9astes africains\u00a0ou de la diaspora\u00a0;<\/li>\n\n\n\n<li>les longs m\u00e9trages ( fiction et documentaire) d\u2019une dur\u00e9e minimale de 60 minutes sont \u00e9ligibles\u00a0;<\/li>\n\n\n\n<li>les cin\u00e9astes porteurs (euses) de projets doivent \u00eatre \u00e0 leur premier ou deuxi\u00e8me projet de film long m\u00e9trage\u00a0;<\/li>\n\n\n\n<li>un(e) r\u00e9alisateur (trice) ne peut participer \u00e0 l\u2019Atelier <strong>YENNENGA POST-PRODUCTION<\/strong> qu\u2019avec un seul projet\u00a0;<\/li>\n\n\n\n<li>un(e) producteur(trice) ne peut participer \u00e0 l\u2019Atelier <strong>YENNENGA POST-PRODUCTION<\/strong> qu\u2019avec deux projets au maximum\u00a0;<\/li>\n\n\n\n<li>tout film tourn\u00e9 dans une langue autre que le fran\u00e7ais ou l&rsquo;anglais doit \u00eatre sous-titr\u00e9 dans l&rsquo;une de ces langues.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 5<\/strong> : Composition du dossier de candidature<\/p>\n\n\n\n<p>Tout postulant \u00e0 l\u2019Atelier <strong>YENNENGA POST-PRODUCTION<\/strong> doit fournir&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>un synopsis ;<\/li>\n\n\n\n<li>une note d\u2019intention du\/de la r\u00e9alisateur (trice)\u00a0;<\/li>\n\n\n\n<li>une note d\u2019intention du\/de la producteur (trice)\u00a0;<\/li>\n\n\n\n<li>une biofilmographie du\u00a0\/de la r\u00e9alisateur (trice)\u00a0;<\/li>\n\n\n\n<li>une photo du \/de la r\u00e9alisateur (trice), (format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>une biofilmographie du\/de la producteur (trice);<\/li>\n\n\n\n<li>des photos et un visuel du film (en portrait et en paysage, format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>les noms et adresses de la soci\u00e9t\u00e9 de production ;<\/li>\n\n\n\n<li>une lettre de motivation qui pr\u00e9cise les besoins et attentes en post-production du film;<\/li>\n\n\n\n<li>un budget global du film indiquant la somme \u00e0 mobiliser pour la finition du film\u00a0;<\/li>\n\n\n\n<li>un lien de t\u00e9l\u00e9chargement et de visionnage du film, valide jusqu\u2019au <strong>31 mars 2025<\/strong>,<\/li>\n\n\n\n<li>une lettre d\u2019autorisation co-sign\u00e9e par les diff\u00e9rents auteurs (r\u00e9alisateur(trice)\u00a0\/ producteur(trice)).<\/li>\n<\/ul>\n\n\n\n<p>Les projets de films sont re\u00e7us au plus tard le <strong>31 octobre 2024 \u00e0 23h59mn <\/strong>sur la plateforme&nbsp;en <strong>cliquant ici<\/strong><strong>. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Article 6&nbsp;:<\/strong> Un comit\u00e9 de s\u00e9lection, pr\u00e9sid\u00e9 par le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, est responsable de la s\u00e9lection des films. La d\u00e9cision du comit\u00e9 est d\u00e9finitive et irr\u00e9vocable.<\/p>\n\n\n\n<p>Le comit\u00e9 de s\u00e9lection est souverain et se r\u00e9serve le droit de ne pas motiver ses choix.<\/p>\n\n\n\n<p>Les r\u00e9sultats de la s\u00e9lection sont publi\u00e9s sur le site web du FESPACO.<\/p>\n\n\n\n<p><strong>Article 7&nbsp;:<\/strong>&nbsp; Le <strong>YENNENGA POST-PRODUCTION<\/strong> s\u2019engage&nbsp;\u00e0 :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>prendre en charge les frais de transport, d\u2019h\u00e9bergement et de restauration des participants (es) pendant leur s\u00e9jour \u00e0 Ouagadougou\u00a0;<\/li>\n\n\n\n<li>fournir un accompagnement cibl\u00e9 et personnalis\u00e9 \u00e0 chaque projet retenu.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;<strong>Article 8&nbsp;:<\/strong> Les films s\u00e9lectionn\u00e9s recevront un formulaire d\u2019engagement, qui devra \u00eatre rempli et retourn\u00e9. La r\u00e9ception par le FESPACO du formulaire rempli et sign\u00e9 implique l&rsquo;acceptation \u00e0 \u00eatre pr\u00e9sent.e et disponible pour l\u2019ensemble des activit\u00e9s du programme.<\/p>\n\n\n\n<p><strong>Article 9<\/strong>&nbsp;: Les porteurs(euses) de projets doivent envoyer dans les d\u00e9lais impartis toutes les informations requises et le mat\u00e9riel n\u00e9cessaire \u00e0 la confection de la brochure du <strong>YENNENGA POST-PRODUCTION<\/strong>, \u00e0 l\u2019organisation des consultations et des projections.<\/p>\n\n\n\n<p><strong>Article 10&nbsp;:<\/strong> Les films prim\u00e9s de l\u2019Atelier <strong>YENNENGA POST-PRODUCTION<\/strong> b\u00e9n\u00e9ficient de prix en num\u00e9raires, en bourses de post-production ou de distribution.<\/p>\n\n\n\n<p><strong>Article 11&nbsp;:<\/strong> Les films prim\u00e9s doivent&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>porter la mention \u00ab Ce film a b\u00e9n\u00e9fici\u00e9 du soutien de FESPACO\/YENNENGA POST-PRODUCTION \u00bb dans leur g\u00e9n\u00e9rique, accompagn\u00e9e du laurier officiel du <strong>YENNENGA POST-PRODUCTION <\/strong>;<\/li>\n\n\n\n<li>\u00a0faire apparaitre le logo officiel du FESPACO sur tout support de communication\u00a0;<\/li>\n\n\n\n<li>d\u00e9poser une copie du film au FESPACO.<\/li>\n<\/ul>\n\n\n\n<p>Tousles films non prim\u00e9s doivent mentionner dans leur g\u00e9n\u00e9rique et sur tout support de communication, le logo officiel du FESPACO avec la mention \u00ab\u00a0Ce film a particip\u00e9 \u00e0 FESPACO\/ YENNENGA POST-PRODUCTION\u201d.<\/p>\n\n\n\n<p>Le <strong>YENNENGA POST-PRODUCTION<\/strong> n\u2019exige pas d\u2019exclusivit\u00e9 dans la diffusion de la version finale des films qu\u2019il soutient, mais souhaite obtenir la primeur de sa pr\u00e9sentation en Afrique subsaharienne lors d\u2019une \u00e9dition du FESPACO.<\/p>\n\n\n\n<p><strong>Article 12&nbsp;:<\/strong> Selon leurs besoins, les porteurs(euses) de projets des films en post-production peuvent b\u00e9n\u00e9ficier de consultation en montage, de conseils et d\u2019orientations sur les choix d\u2019habillage et de finition du film, ainsi que des conseils sur la distribution internationale.<\/p>\n\n\n\n<p><strong>Article 13 :<\/strong> Le jury est compos\u00e9 de professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e dont l\u2019exp\u00e9rience et les comp\u00e9tences sont reconnues. Il est souverain dans ses choix.<\/p>\n\n\n\n<p><strong>Article 14 : <\/strong>La participation \u00e0 l\u2019Atelier <strong>YENNENGA POST-PRODUCTION<\/strong> implique l\u2019adh\u00e9sion enti\u00e8re au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 15 : <\/strong>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO est comp\u00e9tent pour conna\u00eetre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation et \u00e0 l\u2019application des clauses du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout conflit.<\/p>\n\n\n\n<p>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p><strong>Article 16&nbsp;: <\/strong>Tous les cas non pr\u00e9vus par le pr\u00e9sent r\u00e8glement rel\u00e8vent de la comp\u00e9tence du D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong><u>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <u>Moussa Alex SAWADOGO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><em>Officier de l\u2019Ordre de l\u2019\u00c9talon<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le YENNENGA POST-PRODUCTION est un dispositif initi\u00e9 par la D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO afin d\u2019apporter un accompagnement et une aide \u00e0 la post-production des films d\u2019Afrique et de sa Diaspora. Il s\u2019adresse aux r\u00e9alisateurs(trices) qui sont \u00e0 leur premier ou deuxi\u00e8me film long m\u00e9trage (fiction ou documentaire), en phase de finition. C\u2019est une passerelle qui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6202","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6202"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6202\/revisions"}],"predecessor-version":[{"id":6203,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6202\/revisions\/6203"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6200,"date":"2024-08-12T15:52:41","date_gmt":"2024-08-12T15:52:41","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6200"},"modified":"2024-08-12T15:52:43","modified_gmt":"2024-08-12T15:52:43","slug":"reglement-yennenga-academy-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-yennenga-academy-fespaco-2025\/","title":{"rendered":"R\u00c8GLEMENT YENNENGA ACADEMY FESPACO 2025"},"content":{"rendered":"\n<p>Le <strong>YENNENGA ACADEMY<\/strong> est une plate-forme qui met ensemble des \u00ab aspirant.e.s cin\u00e9astes \u00bb afin de susciter de nouvelles initiatives et de nouvelles collaborations pour des projets communs.<\/p>\n\n\n\n<p>Le <strong>YENNENGA ACADEMY<\/strong> est constitu\u00e9 des master-class autour de diff\u00e9rents m\u00e9tiers du cin\u00e9ma (Production, R\u00e9alisation, \u00c9criture de Sc\u00e9nario, Distribution, Critique, etc.), des temps d\u2019immersion et d\u2019\u00e9changes avec des professionnels, des th\u00e9matiques et sujets vari\u00e9s sur le cin\u00e9ma.<\/p>\n\n\n\n<p>La pr\u00e9sente \u00e9dition s\u2019organise autour de <strong>quatre (4) sessions<\/strong> qui sont&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Filmmakers Session<\/strong>\u00a0: elle est consacr\u00e9e aux rencontres quotidiennes avec des r\u00e9alisateurs, des producteurs et d&rsquo;autres personnalit\u00e9s de l&rsquo;industrie cin\u00e9matographique de renomm\u00e9e internationale pour des moments d&rsquo;\u00e9change sur diff\u00e9rentes th\u00e9matiques li\u00e9es au cin\u00e9ma et \u00e0 ses enjeux.<\/li>\n\n\n\n<li><strong>Industry Session<\/strong>\u00a0: durant cette session, les participant.e.s approfondissent leurs connaissances de l&rsquo;industrie cin\u00e9matographique et entrent en contact avec des distributeurs, des responsables d&rsquo;acquisition, des sp\u00e9cialistes du marketing, des agents de vente, des exploitants, ainsi que des producteurs et des repr\u00e9sentants de fonds et d&rsquo;institutions cin\u00e9matographiques. Ainsi, l&rsquo;acquisition de comp\u00e9tences sp\u00e9cifiques s&rsquo;accompagne de l\u2019opportunit\u00e9 de construction d&rsquo;un solide r\u00e9seau de contacts, \u00e9l\u00e9ment indispensable pour tout aspirant.e aux m\u00e9tiers du cin\u00e9ma.<\/li>\n\n\n\n<li><strong>Critics Session<\/strong>\u00a0: ce programme, qui comprend des tables rondes avec les invit\u00e9s du festival et des ateliers avec des journalistes de cin\u00e9ma, des \u00e9diteurs, des publicistes et d&rsquo;autres professionnels pr\u00e9sents au FESPACO, est con\u00e7u pour initier les futurs critiques de cin\u00e9ma \u00e0 leur m\u00e9tier de prescripteurs.<\/li>\n\n\n\n<li><strong>Curatoring Session\u00a0:<\/strong> cette session va mettre \u00e0 contribution les programmateurs, les directeurs artistiques de festivals, les conseillers artistiques pr\u00e9sents au festival pour des sessions de formation des futurs \u00ab\u00a0curators de festivals\u00a0\u00bb en Afrique. En effet, malgr\u00e9 le nombre de festivals d\u00e9di\u00e9s au cin\u00e9ma sur le continent, tr\u00e8s peu disposent de direction artistique afin d\u2019orienter la vision et les choix artistiques li\u00e9s \u00e0 la programmation. \u00a0<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 1&nbsp;:<\/strong> Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir les conditions d\u2019organisation, de fonctionnement et de participation des \u00ab&nbsp;aspirant.e.s cin\u00e9astes&nbsp;\u00bb \u00e0 <strong>YENNENGA ACADEMY<\/strong>.<\/p>\n\n\n\n<p><strong>Article 2<\/strong>&nbsp;: Le <strong>YENNENGA ACADEMY<\/strong> se tiendra du <strong>23 au 28 f\u00e9vrier 2025.<\/strong><\/p>\n\n\n\n<p><strong>Article 3<\/strong>&nbsp;: Les conditions d\u2019\u00e9ligibilit\u00e9 au <strong>YENNENGA ACADEMY<\/strong> sont :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00eatre un(e) ressortissant(e) d\u2019un pays d\u2019Afrique ou de sa diaspora;<\/li>\n\n\n\n<li>avoir un \u00e2ge compris entre 18 et 32 ans\u00a0;<\/li>\n\n\n\n<li>\u00eatre capable de s\u2019exprimer ais\u00e9ment en fran\u00e7ais ou en anglais.<\/li>\n<\/ul>\n\n\n\n<p><strong>Article 4<\/strong>&nbsp;: Composition du dossier&nbsp;de candidature.<\/p>\n\n\n\n<p>Le dossier de candidature (en fran\u00e7ais ou en anglais) comprend les documents suivants :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>un curriculum vitae\u00a0;<\/li>\n\n\n\n<li>une lettre de motivation pr\u00e9cisant les besoins et les attentes du candidat\u00a0;<\/li>\n\n\n\n<li>une lettre de recommandation d\u2019une structure exer\u00e7ant dans le domaine du cin\u00e9ma\u00a0;<\/li>\n\n\n\n<li>une copie du passeport\u00a0ou de la pi\u00e8ce d\u2019identit\u00e9;<\/li>\n\n\n\n<li>une (01) photo d\u2019identit\u00e9 du (de la) candidat(e) (format JPEG en 300 dpi).<\/li>\n<\/ul>\n\n\n\n<p>Les candidatures sont re\u00e7ues au plus tard le 31 octobre 2024 \u00e0 23h59mn sur la plateforme&nbsp;en <strong>cliquant ici<\/strong><strong>. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>NB : Seuls les dossiers complets sont soumis au comit\u00e9 de s\u00e9lection.<\/strong><\/p>\n\n\n\n<p><strong>Article 5<\/strong><strong> : <\/strong>Un comit\u00e9 de s\u00e9lection, pr\u00e9sid\u00e9 par le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, est responsable de la s\u00e9lection des participant.e.s. La d\u00e9cision du comit\u00e9 est d\u00e9finitive et irr\u00e9vocable.<\/p>\n\n\n\n<p>Les r\u00e9sultats de la s\u00e9lection sont publi\u00e9s sur le site web du FESPACO.<\/p>\n\n\n\n<p><strong>Article 6&nbsp;:<\/strong> Les participant.e.s retenu.e.s re\u00e7oivent un formulaire d\u2019engagement qui est rempli et retourn\u00e9. La r\u00e9ception par la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du formulaire rempli et sign\u00e9 implique l&rsquo;acceptation \u00e0 \u00eatre pr\u00e9sent et disponible pour l\u2019ensemble des activit\u00e9s du programme.<\/p>\n\n\n\n<p><strong>Article 7&nbsp;:<\/strong> Le <strong>YENNENGA ACADEMY<\/strong> s\u2019engage \u00e0&nbsp;:<strong><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>prendre en charge les frais d\u2019h\u00e9bergement et de restauration des participant.e.s retenu.e.s pendant leur s\u00e9jour \u00e0 Ouagadougou\u00a0;<\/li>\n\n\n\n<li>prendre en charge les frais de participation aux activit\u00e9s des candidat.e.s retenu.e.s pour l\u2019atelier\u00a0;<\/li>\n\n\n\n<li>accompagner au mieux chacun des participant.e.s gr\u00e2ce \u00e0 un accompagnement personnalis\u00e9.<\/li>\n<\/ul>\n\n\n\n<p>Le FESPACO ne prend pas en charge les frais de transport. Pour ce faire, les participant.e.s retenu.e.s sont invit\u00e9.e.s \u00e0 prendre attache avec les structures d\u00e9di\u00e9es au cin\u00e9ma de leur pays d\u2019origine ou avec tout autre institution pour la prise en charge de leurs frais de voyage.<\/p>\n\n\n\n<p><strong>Article 8&nbsp;:<\/strong> La participation \u00e0 l\u2019Atelier <strong>YENNENGA ACADEMY<\/strong> implique l\u2019adh\u00e9sion enti\u00e8re au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 9 : <\/strong>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO est comp\u00e9tent pour conna\u00eetre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation et \u00e0 l\u2019application des clauses du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout conflit.<\/p>\n\n\n\n<p>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p><strong>Article 10&nbsp;: <\/strong>Tous les cas non pr\u00e9vus par le pr\u00e9sent r\u00e8glement rel\u00e8vent de la comp\u00e9tence du D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong><u>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <u>Moussa Alex SAWADOGO<\/u><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><em>Officier de l\u2019Ordre de l\u2019\u00c9talon<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le YENNENGA ACADEMY est une plate-forme qui met ensemble des \u00ab aspirant.e.s cin\u00e9astes \u00bb afin de susciter de nouvelles initiatives et de nouvelles collaborations pour des projets communs. Le YENNENGA ACADEMY est constitu\u00e9 des master-class autour de diff\u00e9rents m\u00e9tiers du cin\u00e9ma (Production, R\u00e9alisation, \u00c9criture de Sc\u00e9nario, Distribution, Critique, etc.), des temps d\u2019immersion et d\u2019\u00e9changes avec [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6200","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6200"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6200\/revisions"}],"predecessor-version":[{"id":6201,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6200\/revisions\/6201"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6198,"date":"2024-08-12T15:48:54","date_gmt":"2024-08-12T15:48:54","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6198"},"modified":"2024-08-12T15:48:57","modified_gmt":"2024-08-12T15:48:57","slug":"reglement-de-laccreditation-au-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-de-laccreditation-au-fespaco-2025\/","title":{"rendered":"R\u00c8GLEMENT DE L\u2019ACCREDITATION AU FESPACO 2025"},"content":{"rendered":"\n<p><strong><u>29<sup>e<\/sup> &nbsp;\u00c9DITION<\/u><\/strong><\/p>\n\n\n\n<p>Le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) est en priorit\u00e9 r\u00e9serv\u00e9 aux professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e ainsi qu\u2019aux m\u00e9dias et repr\u00e9sentants de festivals. La 29<sup>e<\/sup> \u00e9dition du FESPACO se tiendra du <strong>22 f\u00e9vrier au 1er mars 2025. <\/strong>Pour y participer, les professionnels doivent \u00eatre accr\u00e9dit\u00e9s. Les accr\u00e9ditations sont attribu\u00e9es en fonction de l&rsquo;activit\u00e9 professionnelle.<\/p>\n\n\n\n<p>Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir les conditions d\u2019inscription aux diff\u00e9rents types de badge.<\/p>\n\n\n\n<p><strong>Article 1&nbsp;: <\/strong>L\u2019acc\u00e8s aux espaces professionnels et de projections de la 29<sup>e<\/sup> \u00e9dition du FESPACO se fait sur pr\u00e9sentation de badges.<\/p>\n\n\n\n<p><strong>Article 2 <\/strong>: L\u2019inscription aux diff\u00e9rents types de badge implique l&rsquo;adh\u00e9sion au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 3<\/strong>&nbsp;: Le badge professionnel est exclusivement r\u00e9serv\u00e9 aux professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e, aux m\u00e9dias et aux repr\u00e9sentants de festival. L\u2019usage du badge est strictement personnel.<\/p>\n\n\n\n<p><strong>Article 4<\/strong> : Tous les professionnels nationaux ne sont pas accr\u00e9dit\u00e9s. Un quota de badges est donn\u00e9 \u00e0 chaque association de cin\u00e9ma et de l\u2019audiovisuel. Selon le quota accord\u00e9, le pr\u00e9sident de chaque association doit donner un quitus d\u2019inscription \u00e0 ses membres, leur permettant de s\u2019inscrire en ligne.<\/p>\n\n\n\n<p><strong>Article 5&nbsp;: <\/strong>Le badge professionnel donne acc\u00e8s aux salles de cin\u00e9ma et \u00e0 l\u2019espace MICA (March\u00e9 international du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou).<\/p>\n\n\n\n<p><strong>Article 6<\/strong> : Le badge m\u00e9dia est attribu\u00e9 aux professionnels des m\u00e9dias.Ce badge donne acc\u00e8s aux projections de presse. &nbsp;Il ne donne pas acc\u00e8s direct aux salles de cin\u00e9ma. Pour l\u2019acc\u00e8s&nbsp;aux salles de cin\u00e9ma, le badge M\u00e9dia doit \u00eatre accompagn\u00e9 du<\/p>\n\n\n\n<p>badge <strong>\u00ab&nbsp;Pass&nbsp;\u00bb<\/strong>.<\/p>\n\n\n\n<p><strong>Article 7&nbsp;<\/strong>: Tous les professionnels des m\u00e9dias nationaux ne sont pas accr\u00e9dit\u00e9s. Un quota de badges m\u00e9dias est donn\u00e9 \u00e0 chaque m\u00e9dia selon la p\u00e9riodicit\u00e9 du m\u00e9dia, de son importance, de sa sp\u00e9cialisation cin\u00e9ma et de la couverture du festival. Joindre imp\u00e9rativement la carte nationale de presse ou une lettre officielle \u00e0 l\u2019en-t\u00eate de votre m\u00e9dia, sign\u00e9e du r\u00e9dacteur en chef, vous mandatant pour la couverture des activit\u00e9s de la 29<sup>e<\/sup> \u00e9dition du FESPACO.<\/p>\n\n\n\n<p><strong>Article 08&nbsp;<\/strong>: Le badge du comit\u00e9 d\u2019organisationest r\u00e9serv\u00e9 \u00e0 tous les organisateurs de la manifestation. Ce badge ne donne pas acc\u00e8s aux salles de cin\u00e9ma du festival.<\/p>\n\n\n\n<p><strong>Article 09&nbsp;<\/strong>: La carte \u00c9talon est r\u00e9serv\u00e9 aux cin\u00e9philes et aux professionnels du cin\u00e9ma et de l\u2019audiovisuel qui n\u2019ont pas \u00e9t\u00e9 accr\u00e9dit\u00e9s. Elle co\u00fbte vingt-cinq mille (25.000) F CFA soit 39 Euros. Cette carte donne acc\u00e8s aux salles de cin\u00e9ma et aux diff\u00e9rents lieux du festival. Elle est valable pour toute la dur\u00e9e du festival. Elle est vendue \u00e0 l\u2019Agence comptable du festival.<\/p>\n\n\n\n<p><strong>Article 10 : <\/strong>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO est comp\u00e9tent pour conna\u00eetre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout diff\u00e9rend.<\/p>\n\n\n\n<p>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p>Veuillez vous inscrire en cliquant ici<\/p>\n","protected":false},"excerpt":{"rendered":"<p>29e &nbsp;\u00c9DITION Le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) est en priorit\u00e9 r\u00e9serv\u00e9 aux professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e ainsi qu\u2019aux m\u00e9dias et repr\u00e9sentants de festivals. La 29e \u00e9dition du FESPACO se tiendra du 22 f\u00e9vrier au 1er mars 2025. Pour y participer, les professionnels doivent [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6198","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6198"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6198\/revisions"}],"predecessor-version":[{"id":6199,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6198\/revisions\/6199"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6195,"date":"2024-08-12T15:45:19","date_gmt":"2024-08-12T15:45:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6195"},"modified":"2024-08-12T15:45:21","modified_gmt":"2024-08-12T15:45:21","slug":"reglement-mica","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reglement-mica\/","title":{"rendered":"REGLEMENT MICA"},"content":{"rendered":"\n<p><strong>MARCHE INTERNATIONAL DU CINEMA ET DE L\u2019AUDIOVISUEL AFRICAINS (MICA)<\/strong><\/p>\n\n\n\n<p>Le <strong>MICA<\/strong> est organis\u00e9 dans le cadre des \u00e9ditions du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO).<\/p>\n\n\n\n<p>C\u2019est un cadre de rencontres, de promotion et d\u2019\u00e9changes ouvert aux professionnels et aux \u0153uvres cin\u00e9matographiques, audiovisuelles et de l\u2019image anim\u00e9e.<\/p>\n\n\n\n<p><strong>Article 1<\/strong>&nbsp;: Le pr\u00e9sent r\u00e8glement a pour objet de d\u00e9finir les conditions d\u2019organisation, de fonctionnement et de participation des professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e au MICA.<\/p>\n\n\n\n<p><strong>Article 2&nbsp;: La 22<sup>e<\/sup> \u00e9dition<\/strong> du MICA se tiendra du <strong><em>23 au 28 f\u00e9vrier 2025<\/em><\/strong>.<\/p>\n\n\n\n<p><strong>Article 3 <\/strong>: le MICA s\u2019articule autour des activit\u00e9s suivantes&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>l\u2019inscription au catalogue FESPACO PRO\/MICA\u00a0;<\/li>\n\n\n\n<li>la projection \u00e0 la carte\u00a0;<\/li>\n\n\n\n<li>l\u2019exposition au pavillon MICA.<\/li>\n<\/ul>\n\n\n\n<p>La participation au MICA implique l&rsquo;adh\u00e9sion enti\u00e8re au pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p><strong>Article 4<\/strong>&nbsp;: L\u2019inscription des films et des soci\u00e9t\u00e9s au catalogue FESPACO PRO\/MICA ainsi que la location des stands se font au plus tard le 31 d\u00e9cembre 2024 \u00e0 23h59mn sur la plateforme&nbsp;en <strong>cliquant ici<\/strong><\/p>\n\n\n\n<p>Les documents (en fran\u00e7ais et en anglais) requis pour l\u2019inscription sont :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>POUR LES FILMS<\/strong><\/li>\n\n\n\n<li>une (01) fiche technique et artistique\u00a0;<\/li>\n\n\n\n<li>un\u00a0 (01) synopsis\u00a0; (400 caract\u00e8res)<\/li>\n\n\n\n<li>une (01) biofilmographie du r\u00e9alisateur\u00a0(400 caract\u00e8res);<\/li>\n\n\n\n<li>une (01) affiche du film\u00a0;<\/li>\n\n\n\n<li>un lien de t\u00e9l\u00e9chargement et de visionnage du film ou des premiers \u00e9pisodes pour les s\u00e9ries au format MPEG-4 (H.264), valide jusqu\u2019au <strong>31 mars 2025<\/strong>;<\/li>\n\n\n\n<li>une (01) photo d\u2019identit\u00e9 du r\u00e9alisateur (format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>des photos du film (en portrait et en paysage, format JPEG en 300 dpi).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>POUR LES SOCI\u00c9T\u00c9S<\/strong><\/li>\n\n\n\n<li>La pr\u00e9sentation de la structure\u00a0;<\/li>\n\n\n\n<li>Le logo (format JPEG en 300 dpi);<\/li>\n\n\n\n<li>Les adresses compl\u00e8tes (contact WhatsApp, num\u00e9ros de t\u00e9l\u00e9phone, Email, site web, \u2026).<\/li>\n<\/ul>\n\n\n\n<p>Les frais d\u2019inscription des films et des soci\u00e9t\u00e9s au catalogue FESPACO PRO\/MICA sont fix\u00e9s \u00e0 <strong>cinquante (50<\/strong>) euros, soit <strong>trente-deux mille cinq cent (32500) <\/strong>francs CFA par film.<\/p>\n\n\n\n<p>Ce montant est non remboursable.<\/p>\n\n\n\n<p><strong>Article 5<\/strong>&nbsp;: L\u2019inscription des films pour la projection \u00e0 la carte se fait au plus tard le <strong>22 f\u00e9vrier 2025 <\/strong>sur la plateforme&nbsp;en <strong>cliquant ici.<\/strong><\/p>\n\n\n\n<p>Les documents (en fran\u00e7ais et en anglais) requis pour l\u2019inscription des films pour la projection \u00e0 la carte sont :<strong><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>une (01) fiche technique et artistique\u00a0;<\/li>\n\n\n\n<li>un\u00a0 (01) synopsis\u00a0; (400 caract\u00e8res)<\/li>\n\n\n\n<li>une (01) biofilmographie du r\u00e9alisateur\u00a0(400 caract\u00e8res);<\/li>\n\n\n\n<li>une (01) affiche du film\u00a0;<\/li>\n\n\n\n<li>un lien de t\u00e9l\u00e9chargement et de visionnage du film ou des premiers \u00e9pisodes pour les s\u00e9ries au format MPEG-4 (H.264), valide jusqu\u2019au <strong>31 mars 2025<\/strong>, ou une copie du film sur cl\u00e9 USB ou un disque dur externe.<\/li>\n<\/ul>\n\n\n\n<p>Les frais de projection sont fix\u00e9s \u00e0 <strong>cinquante (50<\/strong>) euros, soit <strong>trente-deux mille cinq cent (32500) <\/strong>francs CFA par heure.<\/p>\n\n\n\n<p>Ce montant est non remboursable.<\/p>\n\n\n\n<p><strong>Article 6<\/strong>&nbsp;: L\u2019inscription au pavillon MICA se fait en ligne au plus tard le <strong>15 janvier 2025<\/strong>&nbsp;en <strong>cliquant ici.<\/strong><\/p>\n\n\n\n<p>L\u2019inscription au pavillon MICA est r\u00e9serv\u00e9e aux soci\u00e9t\u00e9s, aux institutions et aux associations \u0153uvrant dans le domaine du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e.<\/p>\n\n\n\n<p>Le co\u00fbt de location de chaque stand d\u2019une superficie de <strong>neuf (09) m\u00b2 <\/strong>s\u2019\u00e9l\u00e8ve \u00e0 <strong>sept cent soixante-trois (763) euros, <\/strong>soit<strong>cinq cent mille (500 000) francs CFA.<\/strong><\/p>\n\n\n\n<p>Toutefois aucune structure ne saurait b\u00e9n\u00e9ficier d\u2019une superficie de plus de trente-six&nbsp;(36) m2.<\/p>\n\n\n\n<p><strong>Article 7<\/strong> : Toute inscription au FESPACO PRO\/MICA donne droit \u00e0 une visibilit\u00e9 sur les supports de communication du FESPACO PRO\/MICA.<\/p>\n\n\n\n<p><strong>Article 8<\/strong> : L&rsquo;exp\u00e9dition et la r\u00e9exp\u00e9dition des copies de films sont \u00e0 la charge du r\u00e9alisateur, du producteur ou du distributeur.<\/p>\n\n\n\n<p>Les colis devront porter les mentions \u00ab&nbsp;<strong>pour usage culturel seulement<\/strong>&nbsp;\u00bb et \u00ab&nbsp;<strong>sans valeur marchande<\/strong>&nbsp;\u00bb.<\/p>\n\n\n\n<p>Tout colis envoy\u00e9 par une soci\u00e9t\u00e9 de transport express doit imp\u00e9rativement avoir \u00e9t\u00e9 acquitt\u00e9 de la totalit\u00e9 des frais de transport et des \u00e9ventuels droits de douanes et taxes. Au cas contraire, le FESPACO PRO\/MICA se r\u00e9serve le droit de refuser le colis.<\/p>\n\n\n\n<p>Le FESPACO PRO\/MICA d\u00e9cline toute responsabilit\u00e9 en cas d\u2019erreurs d\u2019acheminement ou des dommages r\u00e9sultant du transport des films.<\/p>\n\n\n\n<p>Il ne peut \u00eatre tenu pour responsable des d\u00e9t\u00e9riorations r\u00e9sultant du mauvais \u00e9tat initial des copies.<\/p>\n\n\n\n<p><strong>Article 9 : <\/strong>La location d\u2019un stand donne droit \u00e0 l\u2019acc\u00e8s au r\u00e9seau \u00e9lectrique, deux (02) badges Professionnels, une (01) table et deux (02) chaises, une connexion internet, un acc\u00e8s au salon B2B et autres commodit\u00e9s. <strong><\/strong><\/p>\n\n\n\n<p>Tout badge suppl\u00e9mentaire est \u00e0 la charge du locataire du stand et doit \u00eatre pay\u00e9 aupr\u00e8s de l\u2019Agent comptable du FESPACO.<\/p>\n\n\n\n<p><strong>Article 10<\/strong> : L\u2019acc\u00e8s au MICA est conditionn\u00e9 par la pr\u00e9sentation d\u2019un (01) badge.<\/p>\n\n\n\n<p><strong>Article 11&nbsp;: <\/strong>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO est comp\u00e9tent pour connaitre de tout litige relatif \u00e0 l\u2019interpr\u00e9tation et \u00e0 l\u2019application des clauses du pr\u00e9sent r\u00e8glement.<\/p>\n\n\n\n<p>Le r\u00e8glement \u00e0 l\u2019amiable reste la voie privil\u00e9gi\u00e9e de r\u00e9solution de tout diff\u00e9rend.<\/p>\n\n\n\n<p><strong>Article 12&nbsp;: <\/strong>Seule la version fran\u00e7aise du pr\u00e9sent r\u00e8glement fait foi.<\/p>\n\n\n\n<p><strong><u>Le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO<\/u><\/strong><\/p>\n\n\n\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0                           <u>Moussa Alex SAWADOGO<\/u><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong><em>Officier de l\u2019Ordre de l\u2019\u00c9talon<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MARCHE INTERNATIONAL DU CINEMA ET DE L\u2019AUDIOVISUEL AFRICAINS (MICA) Le MICA est organis\u00e9 dans le cadre des \u00e9ditions du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO). C\u2019est un cadre de rencontres, de promotion et d\u2019\u00e9changes ouvert aux professionnels et aux \u0153uvres cin\u00e9matographiques, audiovisuelles et de l\u2019image anim\u00e9e. Article 1&nbsp;: Le pr\u00e9sent [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6195","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6195"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6195\/revisions"}],"predecessor-version":[{"id":6196,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6195\/revisions\/6196"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6193,"date":"2024-08-12T15:43:01","date_gmt":"2024-08-12T15:43:01","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6193"},"modified":"2024-08-12T15:43:03","modified_gmt":"2024-08-12T15:43:03","slug":"conditions-dinscription","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/conditions-dinscription\/","title":{"rendered":"Conditions d&rsquo;inscription"},"content":{"rendered":"\n<p><strong>CONDITIONS D\u2019INSCRIPTION ET DE S\u00c9LECTION OFFICIELLE DE LA 29e \u00c9DITION DU FESPACO<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>A.&nbsp; INSCRIPTION<\/h3>\n\n\n\n<p>La 29<sup>e<\/sup> \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) se tiendra du <strong>22 f\u00e9vrier au 01 mars 2025<\/strong>.<\/p>\n\n\n\n<p>L\u2019inscription des films au FESPACO est ouverte \u00e0 tous les films du monde.<\/p>\n\n\n\n<p>Elle est limit\u00e9e \u00e0 trois (03) films au plus par r\u00e9alisateur et peut \u00eatre effectu\u00e9e par le r\u00e9alisateur, le producteur ou le distributeur.<\/p>\n\n\n\n<p>L\u2019inscription des films des \u00e9coles de cin\u00e9ma doit se faire par la direction de l\u2019\u00e9cole concern\u00e9e.<\/p>\n\n\n\n<p>Le film ne doit pas exc\u00e9der deux (02) ans d&rsquo;\u00e2ge au <strong>31 d\u00e9cembre 2024,<\/strong> ni avoir \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d&rsquo;une pr\u00e9c\u00e9dente \u00e9dition du FESPACO. Pour l\u2019\u00e9dition 2025, la date limite des inscriptions est fix\u00e9e au 30 septembre 2024.<\/p>\n\n\n\n<p>L\u2019inscription des films au FESPACO se fait au plus tard le <strong>30 septembre 2024 \u00e0 23h59mn <\/strong>sur la plateforme&nbsp;en <strong>cliquant ici<\/strong><\/p>\n\n\n\n<p>Les documents (en fran\u00e7ais et en anglais) requis pour l\u2019inscription sont :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>une (01) fiche technique et artistique\u00a0;<\/li>\n\n\n\n<li>un (01) synopsis\u00a0; (400 caract\u00e8res)<\/li>\n\n\n\n<li>une (01) biofilmographie du r\u00e9alisateur\u00a0(400 caract\u00e8res);<\/li>\n\n\n\n<li>une (01) affiche du film\u00a0;<\/li>\n\n\n\n<li>un lien de t\u00e9l\u00e9chargement et de visionnage du film ou des premiers \u00e9pisodes pour les s\u00e9ries au format MPEG-4 (H.264), valide jusqu\u2019au <strong>31 d\u00e9cembre 2024<\/strong>;<\/li>\n\n\n\n<li>une (01) photo d\u2019identit\u00e9 du r\u00e9alisateur (format JPEG en 300 dpi)\u00a0;<\/li>\n\n\n\n<li>des photos du film (en portrait et en paysage, format JPEG en 300 dpi).<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>B.&nbsp; SOUS-TITRAGE<\/h3>\n\n\n\n<p>Le film doit \u00eatre en fran\u00e7ais ou en anglais.<\/p>\n\n\n\n<p>Les films utilisant une langue autre que le fran\u00e7ais ou l&rsquo;anglais devront \u00eatre sous-titr\u00e9s ou doubl\u00e9s <strong>obligatoirement<\/strong> en fran\u00e7ais ou en anglais.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>C.&nbsp; SELECTION OFFICIELLE<\/h3>\n\n\n\n<p>La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO est responsable de la s\u00e9lection officielle et d\u00e9cide de la cat\u00e9gorie dans laquelle le film pourra \u00eatre admis.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les cat\u00e9gories et les sections de la comp\u00e9tition officielle sont les suivantes\u00a0:<\/li>\n\n\n\n<li>fiction long m\u00e9trage ;<\/li>\n\n\n\n<li>documentaire long m\u00e9trage\u00a0;<\/li>\n\n\n\n<li>FESPACO Shorts\u00a0: fiction et documentaire court m\u00e9trage<\/li>\n\n\n\n<li>fiction ou documentaire\u00a0des \u00e9coles de cin\u00e9ma;<\/li>\n\n\n\n<li>FESPACO Series;<\/li>\n\n\n\n<li>films d\u2019animation\u00a0;<\/li>\n\n\n\n<li>Perspectives\u00a0;<\/li>\n\n\n\n<li>Burkina\u00a0;<\/li>\n\n\n\n<li>Semaine de la critique.<\/li>\n<\/ul>\n\n\n\n<p><strong>NB&nbsp;: La comp\u00e9tition officielle est r\u00e9serv\u00e9e aux films africains et de la diaspora.<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les sections hors comp\u00e9tition sont\u00a0les suivantes\u00a0:<\/li>\n\n\n\n<li>Panorama<\/li>\n\n\n\n<li>Focus diversit\u00e9s<\/li>\n\n\n\n<li>Sukab\u00e8 (programme jeunesse)<\/li>\n<\/ul>\n\n\n\n<p><strong>NB&nbsp;: Ces sections sont ouvertes aux films r\u00e9alis\u00e9s par tout cin\u00e9aste du monde.<\/strong><\/p>\n\n\n\n<p>La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO est souveraine et se r\u00e9serve le droit de ne pas motiver ses choix.<\/p>\n\n\n\n<p><strong>Tout film retenu dans la s\u00e9lection officielle ne peut \u00eatre retir\u00e9 en cours de festival.<\/strong><\/p>\n\n\n\n<p>Le r\u00e9alisateur, le producteur ou le distributeur d\u2019un film s\u00e9lectionn\u00e9 sera inform\u00e9 par courrier officiel.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>1.&nbsp;&nbsp;&nbsp; SUPPORT<\/h3>\n\n\n\n<p>Quel que soit le support utilis\u00e9 pour le tournage du film, seuls les supports suivants sont accept\u00e9s&nbsp;:<\/p>\n\n\n\n<p><strong>Copies de s\u00e9lection&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<p><strong>Copies de projection et nombre de copies :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pour la comp\u00e9tition officielle fiction et documentaire long m\u00e9trage : <\/strong>un (01) DCP SMPTE (Serveur JPEG 2000) et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n\n\n\n<li><strong>Pour la comp\u00e9tition officielle fiction et documentaire court m\u00e9trage : <\/strong>un fichier num\u00e9rique\u00a0et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n\n\n\n<li><strong>Pour toutes les autres sections de la s\u00e9lection\u00a0: <\/strong>un fichier num\u00e9rique\u00a0et un disque dur externe contenant le fichier num\u00e9rique au format MPEG-4 (H.264).<\/li>\n<\/ul>\n\n\n\n<p>Les copies de projection doivent parvenir au FESPACO au plus tard <strong>le 15 janvier 2025, d\u00e9lai de rigueur<\/strong>. Tout film non parvenu au FESPACO \u00e0 la date ci-dessus indiqu\u00e9e sera <strong><u>retir\u00e9<\/u><\/strong> de la s\u00e9lection officielle.<\/p>\n\n\n\n<p><strong>NB&nbsp;: Le FESPACO ne paie aucun frais de diffusion pour les films retenus dans la s\u00e9lection officielle.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>2.&nbsp;&nbsp;&nbsp; ENVOI DES COPIES \/ RENVOI DES COPIES<\/h3>\n\n\n\n<p>L&rsquo;exp\u00e9dition et la r\u00e9exp\u00e9dition des copies de films sont \u00e0 la charge du producteur, du r\u00e9alisateur ou du distributeur.<\/p>\n\n\n\n<p>Les colis devront porter les mentions \u00ab&nbsp;<strong>pour usage culturel seulement<\/strong>&nbsp;\u00bb et \u00ab&nbsp;<strong>sans valeur marchande<\/strong>&nbsp;\u00bb.<\/p>\n\n\n\n<p>Tout colis envoy\u00e9 par une soci\u00e9t\u00e9 de transport express doit imp\u00e9rativement avoir \u00e9t\u00e9 acquitt\u00e9 de la totalit\u00e9 des frais de transport et des \u00e9ventuels droits de douanes et taxes. Au cas contraire, le FESPACO se r\u00e9serve le droit de refuser le colis.<\/p>\n\n\n\n<p>Le FESPACO d\u00e9cline toute responsabilit\u00e9 en cas d\u2019erreurs d\u2019acheminement ou de dommages r\u00e9sultant du transport des copies de films.<\/p>\n\n\n\n<p>Il ne peut \u00eatre tenu pour responsable des d\u00e9t\u00e9riorations r\u00e9sultant du mauvais \u00e9tat initial des copies.<\/p>\n\n\n\n<p>Toute copie DCP doit \u00eatre envoy\u00e9e sur un disque dur accompagn\u00e9e des Key Delivery Message (KDM) de diffusion.<\/p>\n\n\n\n<p>Tout film faisant partie de la s\u00e9lection officielle du FESPACO peut faire l&rsquo;objet d\u2019au plus trois (03) projections publiques pendant le festival.<\/p>\n\n\n\n<p>Toutefois, le FESPACO se r\u00e9serve le droit, dans le cadre de la promotion des films s\u00e9lectionn\u00e9s, de les projeter publiquement au plus deux (02) fois apr\u00e8s le festival.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a>3.&nbsp;&nbsp;&nbsp; DUREE&nbsp;DES FILMS<\/h3>\n\n\n\n<p>Les films en comp\u00e9tition doivent avoir, selon les cat\u00e9gories, les dur\u00e9es suivantes&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>fiction long m\u00e9trage : dur\u00e9e minimale de 60 mn ;<\/li>\n\n\n\n<li>documentaire long m\u00e9trage : dur\u00e9e minimale de 60 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Shorts (fiction et documentaire court m\u00e9trage)\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn\u00a0;<\/li>\n\n\n\n<li>fiction ou documentaire des \u00e9coles de cin\u00e9ma: dur\u00e9e comprise entre 3 mn et 15 mn\u00a0;<\/li>\n\n\n\n<li>FESPACO Series: deux (02) \u00e9pisodes cons\u00e9cutifs de 52 mn chacun ou trois (03) \u00e9pisodes cons\u00e9cutifs de 26 mn chacun\u00a0ou six (06) \u00e9pisodes cons\u00e9cutifs de 13 mn chacun;<\/li>\n\n\n\n<li>films d\u2019animation\u00a0: dur\u00e9e comprise entre 1 mn et 35 mn ;<\/li>\n<\/ul>\n\n\n\n<p><strong>Toute inscription suppose l\u2019acceptation enti\u00e8re des pr\u00e9sentes conditions et du r\u00e8glement.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONDITIONS D\u2019INSCRIPTION ET DE S\u00c9LECTION OFFICIELLE DE LA 29e \u00c9DITION DU FESPACO A.&nbsp; INSCRIPTION La 29e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) se tiendra du 22 f\u00e9vrier au 01 mars 2025. L\u2019inscription des films au FESPACO est ouverte \u00e0 tous les films du monde. Elle est limit\u00e9e \u00e0 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6193","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6193"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6193\/revisions"}],"predecessor-version":[{"id":6194,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6193\/revisions\/6194"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6157,"date":"2024-08-08T17:29:10","date_gmt":"2024-08-08T17:29:10","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6157"},"modified":"2025-01-26T12:52:51","modified_gmt":"2025-01-26T12:52:51","slug":"conference-de-presse-du-fespaco-2025-details-des-preparatifs-pour-une-edition-prometteuse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/conference-de-presse-du-fespaco-2025-details-des-preparatifs-pour-une-edition-prometteuse\/","title":{"rendered":"CONF\u00c9RENCE DE PRESSE DU FESPACO 2025 : D\u00c9TAILS DES PR\u00c9PARATIFS POUR UNE \u00c9DITION PROMETTEUSE"},"content":{"rendered":"\r\n<p>La d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a r\u00e9cemment tenu une conf\u00e9rence de presse au Pacific H\u00f4tel le 08 ao\u00fbt 2024 pour pr\u00e9senter un aper\u00e7u des pr\u00e9paratifs de la 29e \u00e9dition pr\u00e9vue du 22 f\u00e9vrier au 1er mars 2025.<\/p>\r\n\r\n\r\n\r\n<p>Alex Moussa SAWADOGO, le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral, a partag\u00e9 les derni\u00e8res avanc\u00e9es, mettant en avant les inscriptions ouvertes pour les cinq appels diff\u00e9rents, notamment les films, les communications, les accr\u00e9ditations, le MICA et les ateliers Yennenga. Il a exhort\u00e9 tous les acteurs concern\u00e9s \u00e0 respecter les deadlines d&rsquo;inscription pour garantir une organisation optimale du festival.<\/p>\r\n\r\n\r\n\r\n<p>\u00c0 ce jour, 364 films sont d\u00e9j\u00e0 inscrits pour la comp\u00e9tition, promettant une s\u00e9lection diversifi\u00e9e et de qualit\u00e9. Les c\u00e9r\u00e9monies d&rsquo;ouverture et de cl\u00f4ture seront orchestr\u00e9es par le dramaturge renomm\u00e9 Aristede TARNAGDA, qui r\u00e9serve des spectacles in\u00e9dits aux festivaliers.<\/p>\r\n\r\n\r\n\r\n<p>L&rsquo;invit\u00e9 sp\u00e9cial de cette conf\u00e9rence, le Secr\u00e9taire g\u00e9n\u00e9ral du Minist\u00e8re en charge de la Culture du Tchad, Monsieur Abdoulaye BABAL\u00c9, a affirm\u00e9 l&rsquo;engagement de son pays \u00e0 participer pleinement \u00e0 cette \u00e9dition. Il a soulign\u00e9 les liens de fraternit\u00e9 unissant les deux nations et l&rsquo;importance de leur coop\u00e9ration dans le domaine culturel.<\/p>\r\n\r\n\r\n\r\n<p>Restez \u00e0 l&rsquo;aff\u00fbt pour plus d&rsquo;information sur cette \u00e9dition exceptionnelle du FESPACO 2025 qui c\u00e9l\u00e8bre le talent et la diversit\u00e9 du cin\u00e9ma africain.<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" class=\"wp-image-6159\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-4000x2667.jpg\" alt=\"\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-1320x880.jpg 1320w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/08\/Conference-FESPACO-du-08-aout-2024-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\r\n","protected":false},"excerpt":{"rendered":"<p>La d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a r\u00e9cemment tenu une conf\u00e9rence de presse au Pacific H\u00f4tel le 08 ao\u00fbt 2024 pour pr\u00e9senter un aper\u00e7u des pr\u00e9paratifs de la 29e \u00e9dition pr\u00e9vue du 22 f\u00e9vrier au 1er mars 2025. Alex Moussa SAWADOGO, le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral, a partag\u00e9 les derni\u00e8res avanc\u00e9es, mettant en avant les inscriptions ouvertes pour [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4,405],"tags":[],"class_list":["post-6157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news","category-une-3"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2025\/01\/Conference-de-presse-du-FESPACO-2025-scaled-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6157"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6157\/revisions"}],"predecessor-version":[{"id":7081,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6157\/revisions\/7081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/7227"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6115,"date":"2024-07-10T09:12:37","date_gmt":"2024-07-10T09:12:37","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6115"},"modified":"2024-07-10T09:52:07","modified_gmt":"2024-07-10T09:52:07","slug":"call-for-accreditations-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/call-for-accreditations-fespaco-2025\/","title":{"rendered":"CALL FOR ACCREDITATIONS &#8211; FESPACO 2025"},"content":{"rendered":"\r\n<p>As part of the 29<sup>th <\/sup>Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), taking place from <strong>22 February to 01 March 2025<\/strong>, professionals of the Film, Audio-visual and Motion Picture industry, Media and film festival representatives are informed that registration for accreditations is on from <strong>9 July to 31 December 2024.<\/strong><\/p>\r\n\r\n\r\n\r\n<p>The registration covers accreditations for Cinema Professions, Media and Film Festival representatives.<\/p>\r\n\r\n\r\n\r\n<p>Registration shall be made online by 31 December 2024 the latest on the national and international platforms.<\/p>\r\n\r\n\r\n\r\n<p>Late registrations (<strong>from 0<\/strong><strong>1 January 2025<\/strong>)ate subject to payment of an amount of CFA 25,000 or Euro 39.<\/p>\r\n\r\n\r\n\r\n<p>For further information and to apply, please visit our official Web Site, <a href=\"https:\/\/fespaco.bf\">www.fespaco.bf<\/a><strong>.<\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong><a href=\"http:\/\/https:\/\/fespaco.bf\/accreditation-des-nationaux\" target=\"_blank\" rel=\"noreferrer noopener\">Registration for nationals<\/a><br \/><a href=\"https:\/\/fespaco.bf\/accreditation-des-internationaux\" target=\"_blank\" rel=\"noreferrer noopener\">Registration for internationals<\/a><\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong>NB:<\/strong><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><strong>Registering does not systematically qualify for accreditation.<\/strong><\/li>\r\n\r\n\r\n\r\n<li><strong>Nationals are kindly invited to contact their association leaders.<\/strong><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p><strong>INFORMATION: <\/strong><a href=\"mailto:accreditation@fespaco.bf\"><strong>accreditation@fespaco.bf<\/strong><\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>As part of the 29th Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), taking place from 22 February to 01 March 2025, professionals of the Film, Audio-visual and Motion Picture industry, Media and film festival representatives are informed that registration for accreditations is on from 9 July to 31 December 2024. The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-6115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/07\/Accred_2025-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6115"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6115\/revisions"}],"predecessor-version":[{"id":6119,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6115\/revisions\/6119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6117"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6113,"date":"2024-07-10T09:09:19","date_gmt":"2024-07-10T09:09:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6113"},"modified":"2024-07-10T09:50:34","modified_gmt":"2024-07-10T09:50:34","slug":"appel-a-accreditation-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-accreditation-fespaco-2025\/","title":{"rendered":"APPEL A ACCREDITATION &#8211; FESPACO 2025"},"content":{"rendered":"\r\n<p>Dans le cadre de la 29<sup>e <\/sup>\u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO), pr\u00e9vue du <strong>22 f\u00e9vrier au 1<sup>er<\/sup> mars 2025<\/strong>, il est port\u00e9 \u00e0 la connaissance des professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e, aux m\u00e9dias ainsi qu\u2019aux repr\u00e9sentants de festivals de cin\u00e9ma que les inscriptions pour les accr\u00e9ditations sont ouvertes du<strong> 9 juillet au 31 d\u00e9cembre 2024.<\/strong><\/p>\r\n\r\n\r\n\r\n<p>L\u2019inscription concerne les accr\u00e9ditations M\u00e9tiers de cin\u00e9ma, M\u00e9dias et Repr\u00e9sentants de festivals de cin\u00e9ma.<\/p>\r\n\r\n\r\n\r\n<p>Elle se fait en ligne au plus tard le 31 d\u00e9cembre 2024 sur les plateformes\u00a0: nationaux et internationaux.<\/p>\r\n\r\n\r\n\r\n<p>Toute demande d\u2019accr\u00e9ditation \u00e0 partir du <strong>1<sup>er<\/sup> janvier 2025<\/strong> est soumise au paiement de la somme de vingt-cinq mille (25 000) francs CFA soit 39 Euros.<\/p>\r\n\r\n\r\n\r\n<p>Pour plus d&rsquo;informations et pour soumettre votre demande d&rsquo;accr\u00e9ditation, visitez notre site web officiel, <a href=\"https:\/\/fespaco.bf\">www.fespaco.bf<\/a><strong>.<\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong><a href=\"http:\/\/https:\/\/fespaco.bf\/accreditation-des-nationaux\" target=\"_blank\" rel=\"noreferrer noopener\">Inscription des nationaux<\/a><br \/><a href=\"https:\/\/fespaco.bf\/accreditation-des-internationaux\" target=\"_blank\" rel=\"noreferrer noopener\">Inscription des internationaux<\/a><\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong>NB\u00a0:<\/strong><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><strong>Toute inscription ne donne pas syst\u00e9matiquement droit \u00e0 une accr\u00e9ditation.<\/strong><\/li>\r\n\r\n\r\n\r\n<li><strong>Pour les nationaux, prendre attache avec vos responsables d\u2019association.<\/strong><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p><strong>INFORMATION\u00a0: <\/strong><a href=\"mailto:accreditation@fespaco.bf\"><strong>accreditation@fespaco.bf<\/strong><\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre de la 29e \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO), pr\u00e9vue du 22 f\u00e9vrier au 1er mars 2025, il est port\u00e9 \u00e0 la connaissance des professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e, aux m\u00e9dias ainsi qu\u2019aux repr\u00e9sentants de festivals de cin\u00e9ma que les inscriptions [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/07\/Accred_2025-03.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6113"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6113\/revisions"}],"predecessor-version":[{"id":6118,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6113\/revisions\/6118"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6117"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6042,"date":"2024-06-14T16:33:27","date_gmt":"2024-06-14T16:33:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6042"},"modified":"2024-06-14T16:33:29","modified_gmt":"2024-06-14T16:33:29","slug":"call-for-entries-mica-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/call-for-entries-mica-2025\/","title":{"rendered":"CALL FOR ENTRIES &#8211; MICA 2025"},"content":{"rendered":"\n<p><strong>AFRICAN INTERNATIONAL FILM AND AUDIO-VISUAL MARKET (MICA)<\/strong><\/p>\n\n\n\n<p>As part of the 29<sup>th <\/sup>Edition taking place from 22 February to 1<sup>st<\/sup> March 2025, the Pan-African Film and Television Festival of Ouagadougou (FESPACO) would like to inform professionals of the film and audio-visual industry that <strong>entries for the African International Film and Audio-visual Market (MICA)<\/strong> are on.<\/p>\n\n\n\n<p>Indeed, the 22<sup>nd<\/sup> Edition of <strong>MICA<\/strong> will take place from <strong>23 to 28 February 2025.<\/strong><\/p>\n\n\n\n<p>MICA is one of the main articulations of FESPACO PRO networking professionals in the various segments of the film, audio-visual and motion picture industry.<\/p>\n\n\n\n<p>MICA provides a space where you can find distribution platforms, meet with producers, film festival managers, cinema schools, programmers, African film distributors, and so on.<\/p>\n\n\n\n<p>The main purpose of the market is to foster interactions building on the industry new business models.<\/p>\n\n\n\n<p>MICA 2025 opens its doors to film professionals through:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>promotional stands at MICA Pavilion;<\/li>\n\n\n\n<li>registration of companies and films into the official FESPACO PRO catalogue;<\/li>\n\n\n\n<li>on demand screening sessions;<\/li>\n\n\n\n<li>B to B spaces.<\/li>\n<\/ul>\n\n\n\n<p>In this context, the Management of FESPACO would like to inform professionals of the industry that entries for the various MICA 2025 activities are on:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>from 14 June to 31 December 2024 for registration into FESPACO PRO\u00a0catalogue;<\/li>\n\n\n\n<li>from 14 June 2024 to 22 February 2025 for on demand screening sessions;<\/li>\n\n\n\n<li>from 14 June 2024 to 15 January 2025 for stands at MICA 2025 Pavilion.<\/li>\n<\/ul>\n\n\n\n<p><strong>Participation in MICA is subject to payment of the registration fees as follows:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>CFA Thirty-two thousand five hundred (32,500) for FESPACO PRO catalogue;<\/strong><\/li>\n\n\n\n<li><strong>CFA Thirty-two thousand five hundred (32,500) for on demand screening sessions;<\/strong><\/li>\n\n\n\n<li><strong>CFA Five hundred thousand (500,000) for a 9<\/strong><img loading=\"lazy\" decoding=\"async\" width=\"17\" height=\"15\" src=\"\"><strong>stand<\/strong><strong>. <\/strong><\/li>\n<\/ul>\n\n\n\n<p>To register into&nbsp;MICA, click here.<\/p>\n\n\n\n<p><strong>INFORMATION<\/strong>: mica@fespaco.bf<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AFRICAN INTERNATIONAL FILM AND AUDIO-VISUAL MARKET (MICA) As part of the 29th Edition taking place from 22 February to 1st March 2025, the Pan-African Film and Television Festival of Ouagadougou (FESPACO) would like to inform professionals of the film and audio-visual industry that entries for the African International Film and Audio-visual Market (MICA) are on. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6040,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-6042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/06\/MICA-Facebook-04.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6042"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6042\/revisions"}],"predecessor-version":[{"id":6043,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6042\/revisions\/6043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6040"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6039,"date":"2024-06-14T16:32:08","date_gmt":"2024-06-14T16:32:08","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6039"},"modified":"2024-06-14T16:32:10","modified_gmt":"2024-06-14T16:32:10","slug":"appel-a-inscriptions-mica-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-inscriptions-mica-2025\/","title":{"rendered":"APPEL \u00c0 INSCRIPTIONS &#8211; MICA 2025"},"content":{"rendered":"\n<p><strong>MARCHE INTERNATIONAL DU CINEMA ET DE L\u2019AUDIOVISUEL AFRICAINS (MICA)<\/strong><\/p>\n\n\n\n<p>Dans le cadre de la 29<sup>e <\/sup>\u00e9dition pr\u00e9vue du 22 f\u00e9vrier au 1<sup>er<\/sup> mars 2025, le Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO) porte \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que <strong>les inscriptions pour le <\/strong><strong>March\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africains (MICA)<\/strong> sont ouvertes.<\/p>\n\n\n\n<p>En effet, la 22<sup>e<\/sup> \u00e9dition du <strong>MICA<\/strong> se tiendra du <strong>23 au 28 f\u00e9vrier 2025.<\/strong><\/p>\n\n\n\n<p>Le MICA est un des maillons essentiels du FESPACO PRO.<\/p>\n\n\n\n<p>Il met en relation les professionnels exer\u00e7ant dans les diff\u00e9rentes chaines de valeurs de l\u2019industrie cin\u00e9matographique, de l\u2019audiovisuel et de l\u2019image anim\u00e9e.<\/p>\n\n\n\n<p>Cet espace est anim\u00e9 par des plateformes de diffusion, des producteurs, des festivals de cin\u00e9ma, des \u00e9coles de cin\u00e9ma, des programmateurs, des distributeurs de films africains, etc.<\/p>\n\n\n\n<p>Son but est de favoriser les \u00e9changes selon les nouveaux mod\u00e8les \u00e9conomiques de l\u2019industrie cin\u00e9matographique.<\/p>\n\n\n\n<p>Le MICA 2025 offre aux professionnels du cin\u00e9ma un march\u00e9 de films \u00e0 travers :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>des stands promotionnels au Pavillon MICA ;<\/li>\n\n\n\n<li>l\u2019inscription des soci\u00e9t\u00e9s et des films au catalogue officiel du FESPACO PRO;<\/li>\n\n\n\n<li>des s\u00e9ances de projection \u00e0 la carte ;<\/li>\n\n\n\n<li>des espaces d\u2019\u00e9changes B to B.<\/li>\n<\/ul>\n\n\n\n<p>Dans cette optique, la D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO porte \u00e0 la connaissance des professionnels du cin\u00e9ma, de l\u2019audiovisuel et de l\u2019image anim\u00e9e que les inscriptions pour le MICA 2025 sont ouvertes :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>du 14 juin au 31 d\u00e9cembre 2024 pour l\u2019inscription au catalogue FESPACO PRO\u00a0;<\/li>\n\n\n\n<li>du 14 juin 2024 au 22 f\u00e9vrier 2025 pour la projection \u00e0 la carte\u00a0;<\/li>\n\n\n\n<li>du 14 juin 2024 au 15 janvier 2025 pour les stands au pavillon MICA 2025.<\/li>\n<\/ul>\n\n\n\n<p><strong>La participation au MICA est soumise au paiement des frais d\u2019inscription qui s\u2019\u00e9l\u00e8vent \u00e0&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>trente-deux mille cinq cent (32 500) francs CFA pour le catalogue FESPACO PRO ;<\/strong><\/li>\n\n\n\n<li><strong>trente-deux mille cinq cent (32 500) francs CFA pour les projections \u00e0 la carte ;<\/strong><\/li>\n\n\n\n<li><strong>cinq cent mille (500 000) francs CFA pour chaque stand de 9<\/strong><img loading=\"lazy\" decoding=\"async\" width=\"17\" height=\"15\" src=\"\"><strong>. <\/strong><\/li>\n<\/ul>\n\n\n\n<p>Pour toute inscription au MICA, <a href=\"https:\/\/fespaco.bf\/inscriptions-mica\/\">cliquer ici<\/a><\/p>\n\n\n\n<p><strong>INFORMATIONS <\/strong>: mica@fespaco.bf<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MARCHE INTERNATIONAL DU CINEMA ET DE L\u2019AUDIOVISUEL AFRICAINS (MICA) Dans le cadre de la 29e \u00e9dition pr\u00e9vue du 22 f\u00e9vrier au 1er mars 2025, le Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO) porte \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que les inscriptions pour le March\u00e9 international du [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6040,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/06\/MICA-Facebook-04.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6039"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6039\/revisions"}],"predecessor-version":[{"id":6041,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6039\/revisions\/6041"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6040"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6023,"date":"2024-06-11T19:40:27","date_gmt":"2024-06-11T19:40:27","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6023"},"modified":"2024-06-12T15:48:11","modified_gmt":"2024-06-12T15:48:11","slug":"call-for-papers-for-fespaco-2025-colloquium","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/call-for-papers-for-fespaco-2025-colloquium\/","title":{"rendered":"Call for papers for FESPACO 2025 Colloquium"},"content":{"rendered":"\n<p>The Management of FESPACO is pleased to inform film and audio-visual professionals of the call for papers for the Colloquium of the 29th Edition due from 22 February to 01 March 2025 under the theme: <strong><em>\u201cAfrican Cinema and Cultural Identities\u00bb.\u201d<\/em><\/strong><\/p>\n\n\n\n<p>The Colloquium will be hosted from 25 to 26 February 2025 to further discussions around the 29<sup>th<\/sup> Edition theme. It is open to film and audio-visual researchers and professionals and fans.<\/p>\n\n\n\n<p>Papers are expected at colloque@fespaco.bf no later than 15 September 2024.<\/p>\n\n\n\n<p>This call for papers is available at:<a href=\"https:\/\/bit.ly\/45luxP2\"> ttps:\/\/bit.ly\/45luxP2 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Management of FESPACO is pleased to inform film and audio-visual professionals of the call for papers for the Colloquium of the 29th Edition due from 22 February to 01 March 2025 under the theme: \u201cAfrican Cinema and Cultural Identities\u00bb.\u201d The Colloquium will be hosted from 25 to 26 February 2025 to further discussions around [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-6023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/06\/Appel-a-communications_Plan-de-travail-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6023"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6023\/revisions"}],"predecessor-version":[{"id":6030,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6023\/revisions\/6030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6021"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":6020,"date":"2024-06-11T19:39:26","date_gmt":"2024-06-11T19:39:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=6020"},"modified":"2024-06-12T15:52:54","modified_gmt":"2024-06-12T15:52:54","slug":"appel-a-communication-au-colloque-du-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-communication-au-colloque-du-fespaco-2025\/","title":{"rendered":"Appel \u00e0 communication au colloque du FESPACO 2025"},"content":{"rendered":"\n<p>La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO informe le public de l\u2019ouverture de l\u2019appel \u00e0 communication au colloque de la 29e \u00e9dition du FESPACO qui se tiendra du 22 f\u00e9vrier au 01 mars 2025 sous le th\u00e8me : \u00ab Cin\u00e9mas d\u2019Afrique et identit\u00e9s culturelles \u00bb<\/p>\n\n\n\n<p>Le colloque sera organis\u00e9 du 25 au 26 f\u00e9vrier 2025 dans le but d\u2019approfondir la r\u00e9flexion sur le th\u00e8me de la 29e \u00e9dition. Il est ouvert aux chercheurs et aux professionnels du cin\u00e9ma et de l\u2019audiovisuel.<\/p>\n\n\n\n<p>Vos propositions de communication sont attendues \u00e0 l\u2019adresse colloque@fespaco.bf avant le 15 septembre 2024, d\u00e9lais de rigueur.<\/p>\n\n\n\n<p>Consultez l\u2019appel au lien suivant : <a href=\"https:\/\/bit.ly\/45luxP2\">https:\/\/bit.ly\/45luxP2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La D\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO informe le public de l\u2019ouverture de l\u2019appel \u00e0 communication au colloque de la 29e \u00e9dition du FESPACO qui se tiendra du 22 f\u00e9vrier au 01 mars 2025 sous le th\u00e8me : \u00ab Cin\u00e9mas d\u2019Afrique et identit\u00e9s culturelles \u00bb Le colloque sera organis\u00e9 du 25 au 26 f\u00e9vrier 2025 dans le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-6020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/06\/Appel-a-communications_Plan-de-travail-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=6020"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6020\/revisions"}],"predecessor-version":[{"id":6028,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/6020\/revisions\/6028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/6021"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=6020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=6020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=6020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5888,"date":"2024-04-05T10:55:12","date_gmt":"2024-04-05T10:55:12","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5888"},"modified":"2024-04-17T16:19:53","modified_gmt":"2024-04-17T16:19:53","slug":"yennenga-workshops-fespaco-2025-calls-for-proposals","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/yennenga-workshops-fespaco-2025-calls-for-proposals\/","title":{"rendered":"YENNENGA\u00a0WORKSHOPS &#8211; FESPACO 2025\u00a0CALLS FOR PROPOSALS"},"content":{"rendered":"\n<p>The Pan-African Film and Television Festival of Ouagadougou (FESPACO) launches the third edition of the YENNENGA WORKSHOPS on the occasion of its 29<sup>th <\/sup>Edition taking place from 22 February to 01 March 2025.<\/p>\n\n\n\n<p><strong>The YENNENGA WORKSHOPS provide a platform for the immersion of aspiring filmmakers, the emergence of film projects seeking funding and supporting films in the process of post-production. <\/strong><em><\/em><\/p>\n\n\n\n<p><em>The<\/em><strong><em> YENNENGA WORKSHOPS <\/em><\/strong>are structured around three (3) programmes:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>YENNENGA ACADEMY<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p>YENNENGA ACADEMY is a training programme initiated by FESPACO for young talents of the African film industry with master-classes on various segments of the industry including Production, Direction, Scripting, Distribution, Critics, and so on.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Yennenga Co-production<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p>YENNENGA CO-PRODUCTION is a programme to support the development of fiction feature film projects seeking financial partners. It aims to support African and Diaspora film co-productions in order to promote their influence internationally while fostering the emergence of talents in the industry across the African continent.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>YENNENGA POST-PRODUCTION<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong><em>YENNENGA POST-PRODUCTION<\/em><\/strong> is a platform for the promotion of co-production partnerships and access of African films to the international market. This programme provides film projects promoters with an opportunity to expose their films in the process of production to industry professionals and international distributors in order to support the completion of such films through concrete assistance.<\/p>\n\n\n\n<p>These calls for proposals apply to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>YENNENGA ACADEMY<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>YENNENGA ACADEMY<\/strong> is open to all young aspiring filmmakers from Africa and Diaspora.<\/p>\n\n\n\n<p><strong>Fifteen (15) <\/strong>young people will be selected to participate in the 3<sup>rd<\/sup> edition of <strong>YENNENGA ACADEMY<\/strong>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>YENNENGA CO-PRODUCTION<\/strong><\/li>\n<\/ul>\n\n\n\n<p>This edition of<strong> YENNENGA CO-PRODUCTION<\/strong> is open to all filmmakers from Africa and Diaspora. <strong>Ten (10<\/strong>) projects will be short-listed for this edition.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>YENNENGA POST-PRODUCTION<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>YENNENGA POST-PRODUCTION<\/strong> is open to all filmmakers from Africa and Diaspora.&nbsp;<\/p>\n\n\n\n<p><strong>Eight (8) selected projects<\/strong> will be supported and presented to an audience of professionals and policy-makers from all over the world.<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n\n\n\n<p>Calls for proposals for the YENNENGA Workshops (ACADEMY, CO-PRODUCTION and POST-PRODUCTION) are on from <strong><em>5 April to 31 October 2024 at 23h59min<\/em><\/strong>.<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n\n\n\n<p>The YENNENGA Workshops are taking place from 23 to 28 February 2025 on the occasion of the 29<sup>th <\/sup>Edition of FESPACO in Ouagadougou, Burkina Faso.<\/p>\n\n\n\n<p><strong>HOW TO APPLY?<\/strong><\/p>\n\n\n\n<p>Click on the links below to find the regulations of the programmes and application forms as well:<\/p>\n\n\n\n<p>Yennenga coproduction:\u00a0<a href=\"https:\/\/fespaco.bf\/inscription-yennega-coproduction\/\" target=\"_blank\" rel=\"noreferrer noopener\">click here<\/a><br>Yennenga academy:\u00a0<a href=\"https:\/\/fespaco.bf\/inscription-yennenga-academy\/\" target=\"_blank\" rel=\"noreferrer noopener\">click here<\/a><br>Yennenga Post-production:\u00a0<a href=\"https:\/\/fespaco.bf\/inscription-yennenga-post-production\/\" target=\"_blank\" rel=\"noreferrer noopener\">Click here<\/a><\/p>\n\n\n\n<p>&#8212;&#8212;&#8211;<\/p>\n\n\n\n<p>For any further <strong>questions or information, please contact:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>&nbsp;<\/strong><a href=\"mailto:yennengaacademy@fespaco.bf\"><strong>yennengaacademy@fespaco.bf<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"mailto:yennengacoprod@fespaco.bf\"><strong>yennengacoprod@fespaco.bf<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"mailto:yennengapostprod@fespaco.bf\"><strong>yennengapostprod@fespaco.bf<\/strong><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Pan-African Film and Television Festival of Ouagadougou (FESPACO) launches the third edition of the YENNENGA WORKSHOPS on the occasion of its 29th Edition taking place from 22 February to 01 March 2025. The YENNENGA WORKSHOPS provide a platform for the immersion of aspiring filmmakers, the emergence of film projects seeking funding and supporting films [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/04\/Ateliers-Yennenga_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5888"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5888\/revisions"}],"predecessor-version":[{"id":5931,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5888\/revisions\/5931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5842"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5886,"date":"2024-04-05T10:54:03","date_gmt":"2024-04-05T10:54:03","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5886"},"modified":"2024-04-05T10:54:05","modified_gmt":"2024-04-05T10:54:05","slug":"ateliers-yennenga-fespaco-2025-appels-a-projets-et-a-candidatures","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ateliers-yennenga-fespaco-2025-appels-a-projets-et-a-candidatures\/","title":{"rendered":"ATELIERS YENNENGA\u00a0FESPACO 2025\u00a0APPELS \u00c0 PROJETS ET \u00c0 CANDIDATURES"},"content":{"rendered":"\n<p>A l\u2019occasion de sa 29<sup>\u00e8me<\/sup>&nbsp;\u00e9dition, le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) lance la troisi\u00e8me \u00e9dition des Ateliers YENNENGA.<br>&nbsp;<br><strong>Les Ateliers YENNENGA constituent un dispositif consacr\u00e9 d\u2019une part, \u00e0 l\u2019immersion des aspirants aux m\u00e9tiers du cin\u00e9ma, \u00e0 l\u2019essor de projets de films en qu\u00eate de financements et \u00e0 l\u2019accompagnement des films au stade de post-production, d\u2019autre part.<\/strong><br><br>Les&nbsp;<strong><em>ATELIERS YENNENGA<\/em><\/strong>&nbsp;sont articul\u00e9s autour de trois (3) axes&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>LE YENNENGA ACADEMY<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p>Le YENNENGA ACADEMY est un programme de formation du FESPACO, d\u00e9di\u00e9 aux jeunes talents du cin\u00e9ma africain qui propose des masterclasses autour de diff\u00e9rents m\u00e9tiers du cin\u00e9ma&nbsp;: Production, R\u00e9alisation, \u00c9criture de Sc\u00e9nario, Distribution, Critique\u2026<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Le Yennenga Coproduction<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p>Le YENNENGA COPRODUCTION est un m\u00e9canisme essentiel d\u00e9di\u00e9 \u00e0 l&rsquo;essor des projets de films de fiction longs m\u00e9trages en qu\u00eate de partenariats financiers. Il vise \u00e0 appuyer les coproductions cin\u00e9matographiques africaines et de la diaspora, en vue de promouvoir leur rayonnement international tout en stimulant l&rsquo;\u00e9closion des talents cin\u00e9matographiques sur le continent africain.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Yennenga Post-production<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<p>L<strong>e&nbsp;<em>YENNENGA POST-PRODUCTION<\/em><\/strong>&nbsp;est une passerelle qui favorise les partenariats de coproductions et l&rsquo;acc\u00e8s des films au march\u00e9 international. Il offre aux porteurs de projets une opportunit\u00e9 de pr\u00e9senter leurs films en phase de production \u00e0 des professionnels du cin\u00e9ma et \u00e0 des distributeurs internationaux afin de soutenir la finition de ces \u0153uvres par des aides concr\u00e8tes.<br><br>Les pr\u00e9sents appels concernent&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Un appel \u00e0 candidatures pour le YENNENGA ACADEMY<\/strong><\/li>\n<\/ul>\n\n\n\n<p>Le&nbsp;<strong>YENNENGA ACADEMY<\/strong>&nbsp;est ouvert \u00e0 l\u2019ensemble des jeunes aspirant.e.s cin\u00e9astes d\u2019Afrique et de sa diaspora.<br><strong>Quinze (15)&nbsp;<\/strong>jeunes seront s\u00e9lectionn\u00e9s pour prendre part \u00e0 cette 3<sup>e<\/sup>&nbsp;\u00e9dition du&nbsp;<strong>YENNENGA ACADEMY<\/strong>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Un appel \u00e0 candidatures pour le YENNENGA COPRODUCTION<\/strong><\/li>\n<\/ul>\n\n\n\n<p>Le&nbsp;<strong>YENNENGA COPRODUCTION<\/strong>&nbsp;est ouvert pour la pr\u00e9sente \u00e9dition \u00e0 tous les cin\u00e9astes d\u2019Afrique et de la diaspora.<br><strong>Dix (10<\/strong>) projets seront retenus pour prendre part \u00e0 cette \u00e9dition.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Un appel \u00e0 projets de films pour le YENNENGA POST-PRODUCTION<\/strong><\/li>\n<\/ul>\n\n\n\n<p>Le&nbsp;<strong>YENNENGA POST-PRODUCTION<\/strong>&nbsp;est ouvert \u00e0 l\u2019ensemble des cin\u00e9astes d\u2019Afrique et de sa diaspora.&nbsp;<br><strong>Huit (8) projets<\/strong>&nbsp;s\u00e9lectionn\u00e9s auront l\u2019opportunit\u00e9 d\u2019\u00eatre accompagn\u00e9s et pr\u00e9sent\u00e9s \u00e0 une audience de professionnels et de d\u00e9cideurs venus des quatre coins du monde.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br><br>L\u2019appel \u00e0 candidatures aux ateliers YENNENGA (ACADEMY, COPRODUCTION et POST-PRODUCTION) est ouvert du&nbsp;<strong><em>5 avril au 31 octobre 2024 \u00e0 23h59min<\/em><\/strong>.<br>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br>Les ATELIERS YENNENGA se d\u00e9rouleront du 23 au 28 f\u00e9vrier 2025 lors de la 29<sup>\u00e8me<\/sup>&nbsp;\u00e9dition du FESPACO \u00e0 Ouagadougou au Burkina Faso.<br><br><strong>COMMENT POSTULER ?<\/strong><\/p>\n\n\n\n<p>Pour postuler aux Ateliers YENNENGA III, veuillez cliquer sur les liens ci-dessous o\u00f9 vous trouverez les r\u00e8glements des programmes ainsi que les formulaires d\u2019inscription&nbsp;:<br>Yennenga coproduction:&nbsp;<a href=\"https:\/\/fespaco.bf\/inscription-yennega-coproduction\/\" target=\"_blank\" rel=\"noreferrer noopener\">cliquez ici<\/a><br>Yennenga academy:&nbsp;<a href=\"https:\/\/fespaco.bf\/inscription-yennenga-academy\/\" target=\"_blank\" rel=\"noreferrer noopener\">cliquez ici<\/a><br>Yennenga Post-production:&nbsp;<a href=\"https:\/\/fespaco.bf\/inscription-yennenga-post-production\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cliquez ici<\/a><br>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;Pour toute&nbsp;<strong>question ou renseignement, veuillez contacter&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00a0<a href=\"mailto:yennengaacademy@fespaco.bf\"><strong>yennengaacademy@fespaco.bf<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"mailto:yennengacoprod@fespaco.bf\"><strong>yennengacoprod@fespaco.bf<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"mailto:yennengapostprod@fespaco.bf\"><strong>yennengapostprod@fespaco.bf<\/strong><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A l\u2019occasion de sa 29\u00e8me&nbsp;\u00e9dition, le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) lance la troisi\u00e8me \u00e9dition des Ateliers YENNENGA.&nbsp;Les Ateliers YENNENGA constituent un dispositif consacr\u00e9 d\u2019une part, \u00e0 l\u2019immersion des aspirants aux m\u00e9tiers du cin\u00e9ma, \u00e0 l\u2019essor de projets de films en qu\u00eate de financements et \u00e0 l\u2019accompagnement des films [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/04\/Ateliers-Yennenga_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5886"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5886\/revisions"}],"predecessor-version":[{"id":5887,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5886\/revisions\/5887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5842"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5561,"date":"2024-02-29T11:59:00","date_gmt":"2024-02-29T11:59:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5561"},"modified":"2024-04-17T14:28:03","modified_gmt":"2024-04-17T14:28:03","slug":"call-for-entries-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/call-for-entries-fespaco-2025\/","title":{"rendered":"CALL FOR ENTRIES \u2013 FESPACO 2025"},"content":{"rendered":"\n<p>As part of the 29<sup>th <\/sup>Edition of FESPACO taking place from <strong>22 February to 1<sup>rst<\/sup> March 2025, <\/strong>the Management would like to inform professionals of the film and audio-visual industry that registration for the official selection of films is open from 29 February 2024 till 30 September 2024.<br>The official selection includes two main sections:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>The official competition section reserved for films by African and Diaspora directors. This section is comprised of the following categories:<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Feature films with minimum length of 60mn;<\/li>\n\n\n\n<li>Feature documentary films with minimum length of 60mn;<\/li>\n\n\n\n<li>FESPACO Shorts (short fiction and documentary films)&nbsp;with length between 1mn and 35mn;<\/li>\n\n\n\n<li>Fiction or documentary film from Cinema Schools with length between 3mn and 15mn;<\/li>\n\n\n\n<li>FESPACO Series: two (02) consecutive episodes of 52mn each or three (03) consecutive episodes of 26mn each or six (06) consecutive episodes of 13mn each;<\/li>\n\n\n\n<li>Animated films with length between 1mn and 35mn<\/li>\n<\/ul>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>The out-of-competition section open to films by filmmakers from around the world. This section includes:<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Panorama<\/li>\n\n\n\n<li>Focus Diversities<\/li>\n\n\n\n<li>Sukab\u00e8 (Youth Programme)<\/li>\n<\/ul>\n\n\n\n<p><strong>Criteria for film eligibility<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Not be aged more than two (02) years as of 31 December 2024;<\/li>\n\n\n\n<li>Not have showed at a previous edition of FESPACO;<\/li>\n\n\n\n<li>Not have been screened in Burkina Faso.<\/li>\n<\/ul>\n\n\n\n<p><br>Registration for the official selection shall be made\u00a0by<a href=\"https:\/\/fespaco.bf\/formulaire-inscription-des-films\/\" target=\"_blank\" rel=\"noreferrer noopener\"> clicking here<\/a> and implies full acceptance of registration terms and regulations of the 29<sup>th<\/sup> Edition as well.<br><strong>Registration is subject to payment of a fee amounting to Euro fifty (50).<\/strong><br><strong>NB<\/strong>: Deadline for registration is <strong>30 September 2024.<\/strong><br>INFORMATION: <a href=\"mailto:inscription@fespaco.bf\">inscription@fespaco.bf<\/a>, <a href=\"mailto:programmation@fespaco.bf\">programmation@fespaco.bf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As part of the 29th Edition of FESPACO taking place from 22 February to 1rst March 2025, the Management would like to inform professionals of the film and audio-visual industry that registration for the official selection of films is open from 29 February 2024 till 30 September 2024.The official selection includes two main sections: Criteria [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/FESPACO29-Appel-240225_595.2756-x-419.5276.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5561"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5561\/revisions"}],"predecessor-version":[{"id":5928,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5561\/revisions\/5928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5558"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5592,"date":"2024-02-29T11:30:00","date_gmt":"2024-02-29T11:30:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5592"},"modified":"2024-02-29T10:54:23","modified_gmt":"2024-02-29T10:54:23","slug":"the-republic-of-chad-as-guest-of-honour-of-the-29th-edition-of-fespaco","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-republic-of-chad-as-guest-of-honour-of-the-29th-edition-of-fespaco\/","title":{"rendered":"THE REPUBLIC OF CHAD AS \u00ab\u00a0GUEST OF HONOUR\u00a0\u00bb OF THE 29th EDITION OF FESPACO"},"content":{"rendered":"\n<ol class=\"wp-block-list\" style=\"list-style-type:upper-roman\">\n<li><strong><\/strong><strong>BACKGROUND<\/strong><\/li>\n<\/ol>\n\n\n\n<p>The Guest of Honour for each FESPACO edition is chosen based on the cultural cooperative relationships the country has with Burkina Faso and its commitment to the development of the African film and audio-visual industry. This choice also takes account of the opportunities this country may offer in terms of economic and cinematographic coproduction partnerships.<\/p>\n\n\n\n<p>For the 29<sup>th<\/sup> Edition of FESPACO taking place from 22 February to 01 March 2025, the Republic of Chad has been proposed by the authorities of Burkina Faso to be the focus of this large cinematographic event as the Guest of Honour.<\/p>\n\n\n\n<p>Indeed, a delegation of government officials and film professionals from Chad visited Burkina Faso in July 2023. The purpose of this visit was to interact with the authorities of Burkina Faso and to explore avenues for appointing Chad as Guest of Honour for the 29<sup>th<\/sup> Edition of FESAPCO. The Chadian delegation had many working sessions with authorities from Burkina Faso including the Minister for Culture, the General delegate of FESPACO, the Director of ST-CNC and some Burkinabe film professionals.<\/p>\n\n\n\n<p>This official visit has eventually paid off since the highest authorities of Burkina Faso approved the choice.<\/p>\n\n\n\n<ol class=\"wp-block-list\" style=\"list-style-type:upper-roman\">\n<li><strong><\/strong><strong>RATIONALE<\/strong><\/li>\n<\/ol>\n\n\n\n<p>The reasons behind the choice of the Republic of Chad as Guest of Honour include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>a demonstrated political will of the highest Chadian authorities to be part of the 29<sup>th<\/sup> Edition of FESPACO as the Guest of Honour.<\/li>\n\n\n\n<li>Chad is a country known for its vibrant cinematic culture with renowned filmmakers, Mahamat Haroun Saleh, Edouard Sailly, Issa Serge Coelo, Zara Mahamat Yacoub, and Ach\u00e9 Coelo to name a few, who have made blockbuster films promoting African cultural identities. The film <em>\u00ab Lingui ou liens sacr\u00e9s \u00bb, <\/em>Cannes Film Festival 2021 Competition in France, by director Mahamat Haroun Saleh, stands as an example;<\/li>\n\n\n\n<li>Chad has chosen Burkina Faso as a training hub for its officials. Every year hundreds of Chadians, students and professionals, apply to Universities and major graduate schools, including the Highest Institute of Image and Sound\u2013 School-Studio (ISIS-SE) for those embarking on a film career;<\/li>\n\n\n\n<li>Chad is a favourite destination for many Burkinabe film technicians. Indeed, Chadian producers make regular use of technicians from Burkina Faso on their film sets;<\/li>\n\n\n\n<li>Cultural similarities between both peoples. Also known as the Sahel States, Chadian and Burkinabe peoples share the same cultural values both in real life and on the small screen;<\/li>\n\n\n\n<li>Security and humanitarian challenges. Burkina Faso and Chad are facing similar challenges and cinema could provide an avenue for working out common and sustainable solutions against terrorism in the Sahel;<\/li>\n\n\n\n<li>Positive impacts in prospect. This collaboration could be an opportunity to strengthening partnerships in terms of cultural cooperation and coproduction agreements between both countries benefiting professionals of the film and audio-visual industry in particular.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Guest of Honour for each FESPACO edition is chosen based on the cultural cooperative relationships the country has with Burkina Faso and its commitment to the development of the African film and audio-visual industry. This choice also takes account of the opportunities this country may offer in terms of economic and cinematographic coproduction partnerships. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Pays-invite-dhonneur_Plan-de-travail-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5592"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5592\/revisions"}],"predecessor-version":[{"id":5593,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5592\/revisions\/5593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5554"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5584,"date":"2024-02-29T11:30:00","date_gmt":"2024-02-29T11:30:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5584"},"modified":"2024-03-01T14:06:48","modified_gmt":"2024-03-01T14:06:48","slug":"the-republic-of-chad-as","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/the-republic-of-chad-as\/","title":{"rendered":"CHOIX DE LA REPUBLIQUE DU TCHAD EN QUALITE DE PAYS \u00ab INVITE D\u2019HONNEUR \u00bb DE LA 29e EDITION DU FESPACO"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<ol class=\"wp-block-list\" style=\"list-style-type:upper-roman\">\n<li><strong><\/strong><strong>CONTEXTE<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Le Pays invit\u00e9 d\u2019honneur est choisi en fonction des relations de coop\u00e9ration qu\u2019il entretient avec le Burkina Faso dans le domaine de la culture et de son engagement pour le d\u00e9veloppement de l\u2019industrie du cin\u00e9ma et de l\u2019audiovisuel africain. Ce choix tient \u00e9galement compte des opportunit\u00e9s que ce pays pourrait offrir en termes de partenariat \u00e9conomique et de coproduction cin\u00e9matographique et audiovisuelle.<\/p>\n\n\n\n<p>Pour cette 29<sup>e<\/sup> \u00e9dition qui se tiendra du 22 f\u00e9vrier au 1<sup>er<\/sup> mars 2025, la R\u00e9publique du Tchad a \u00e9t\u00e9 propos\u00e9e par les autorit\u00e9s burkinab\u00e8 pour \u00eatre au c\u0153ur de cette grande manifestation cin\u00e9matographique en qualit\u00e9 de Pays invit\u00e9 d\u2019honneur.<\/p>\n\n\n\n<p>En effet, une d\u00e9l\u00e9gation compos\u00e9e d\u2019agents de l\u2019\u00c9tat et des professionnels du cin\u00e9ma tchadiens ont visit\u00e9 le Burkina Faso en juillet 2023. L\u2019objet de leur s\u00e9jour \u00e9tait d\u2019\u00e9changer avec les autorit\u00e9s et d\u2019explorer les possibilit\u00e9s de d\u00e9signation du Tchad en qualit\u00e9 de pays invit\u00e9 d\u2019honneur \u00e0 l\u2019occasion de la 29<sup>e<\/sup> \u00e9dition du FESAPCO. Cette d\u00e9l\u00e9gation a eu plusieurs s\u00e9ances de travail avec des officiels burkinab\u00e8 dont le Ministre en charge de la culture, le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, le Directeur du ST-CNC et des professionnels du cin\u00e9ma burkinab\u00e8.<\/p>\n\n\n\n<p>Cette d\u00e9marche semble avoir port\u00e9 ses fruits puisque les plus hautes autorit\u00e9s du Burkina Faso ont donn\u00e9 leur aval pour ce choix.<\/p>\n\n\n\n<ol class=\"wp-block-list\" style=\"list-style-type:upper-roman\">\n<li><strong><\/strong><strong>JUSTIFICATION<\/strong><\/li>\n<\/ol>\n\n\n\n<p>Les raisons qui ont pr\u00e9valu au choix de la R\u00e9publique du Tchad comme pays invit\u00e9 d\u2019honneur sont :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>une volont\u00e9 politique des plus hautes autorit\u00e9s tchadiennes de prendre part \u00e0 la 29<sup>e<\/sup> \u00e9dition du FESPACO en qualit\u00e9 de pays invit\u00e9 d\u2019honneur.<\/li>\n\n\n\n<li>le Tchad est un pays renomm\u00e9e pour sa grande culture cin\u00e9matographique avec de grands cin\u00e9astes tels Mahamat Haroun Saleh, Edouard Sailly, Issa Serge Coelo, Zara Mahamat Yacoub, Ach\u00e9 Coelo, etc. qui ont produit et produisent de grands films pour la promotion des identit\u00e9s culturelles africaines. C\u2019est le cas du film <em>\u00ab Lingui ou liens sacr\u00e9s \u00bb<\/em> du r\u00e9alisateur Mahamat Haroun Saleh, en comp\u00e9tition en 2021 au festival de Cannes en France ;<\/li>\n\n\n\n<li>un pays qui a choisi le Burkina Faso comme berceau de formation de ses cadres. Chaque ann\u00e9e, plusieurs centaines de tchadiens, \u00e9tudiants comme professionnels, s\u2019inscrivent dans les universit\u00e9s et grandes \u00e9coles burkinab\u00e8 dont l\u2019Institut sup\u00e9rieur de l\u2019image et du son \u2013 studio-\u00e9cole (ISIS-SE) pour ce ceux qui choisissent une carri\u00e8re cin\u00e9matographique ;<\/li>\n\n\n\n<li>une destination privil\u00e9gi\u00e9e pour de nombreux techniciens du cin\u00e9ma burkinab\u00e8. En effet, les producteurs tchadiens font recours r\u00e9guli\u00e8rement aux techniciens burkinab\u00e8 pour des plateaux de tournage ;<\/li>\n\n\n\n<li>des similitudes culturelles entre les peuples. Qualifi\u00e9s d\u2019\u00c9tats du Sahel, les peuples tchadiens et burkinab\u00e8 partagent les m\u00eames valeurs culturelles aussi bien dans la vie r\u00e9elle que sur le petit \u00e9cran ;<\/li>\n\n\n\n<li>des d\u00e9fis s\u00e9curitaires et humanitaires. Le Burkina et le Tchad partagent ces m\u00eames d\u00e9fis et le cin\u00e9ma pourrait constituer la panac\u00e9e pour trouver des solutions communes et durables contre le terrorisme qui s\u00e9vit au Sahel&nbsp;;<\/li>\n\n\n\n<li>des retomb\u00e9es en perspective. Cette collaboration pourrait constituer un d\u00e9clic pour le renforcement des partenariats en mati\u00e8re d\u2019accords culturels de coop\u00e9ration et de coproduction entre les deux pays au profit des professionnels du cin\u00e9ma et de l\u2019audiovisuel en particulier.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Pays invit\u00e9 d\u2019honneur est choisi en fonction des relations de coop\u00e9ration qu\u2019il entretient avec le Burkina Faso dans le domaine de la culture et de son engagement pour le d\u00e9veloppement de l\u2019industrie du cin\u00e9ma et de l\u2019audiovisuel africain. Ce choix tient \u00e9galement compte des opportunit\u00e9s que ce pays pourrait offrir en termes de partenariat [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Pays-invite-dhonneur_Plan-de-travail-1.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5584"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5584\/revisions"}],"predecessor-version":[{"id":5606,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5584\/revisions\/5606"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5554"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5557,"date":"2024-02-29T11:30:00","date_gmt":"2024-02-29T11:30:00","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5557"},"modified":"2024-04-17T14:27:30","modified_gmt":"2024-04-17T14:27:30","slug":"appel-a-films-fespaco-2025","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/appel-a-films-fespaco-2025\/","title":{"rendered":"APPEL A FILMS \u2013 FESPACO 2025"},"content":{"rendered":"\n<p>Dans le cadre de la 29<sup>e <\/sup>\u00e9dition pr\u00e9vue du <strong>22 f\u00e9vrier au 1<sup>er<\/sup> mars 2025<\/strong>, le FESPACO porte \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que les inscriptions pour la s\u00e9lection officielle des films sont ouvertes du 29 f\u00e9vrier au 30 septembre 2024.<\/p>\n\n\n\n<p>La s\u00e9lection comprend deux sections principales&nbsp;:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong><\/strong><strong>La section comp\u00e9tition officielle r\u00e9serv\u00e9e aux films de r\u00e9alisateurs africains et de la diaspora avec les cat\u00e9gories suivantes&nbsp;:<\/strong><\/li>\n\n\n\n<li>fiction long m\u00e9trage : dur\u00e9e minimale de 60 mn ;<\/li>\n\n\n\n<li>documentaire long m\u00e9trage : dur\u00e9e minimale de 60 mn&nbsp;;<\/li>\n\n\n\n<li>FESPACO Shorts (fiction et documentaire court m\u00e9trage)&nbsp;: dur\u00e9e comprise entre 1 mn et 35 mn&nbsp;;<\/li>\n\n\n\n<li>fiction ou documentaire des \u00e9coles de cin\u00e9ma : dur\u00e9e comprise entre 3 mn et 15 mn&nbsp;;<\/li>\n\n\n\n<li>FESPACO Series&nbsp;: deux (02) \u00e9pisodes cons\u00e9cutifs de 52 mn chacun ou trois (03) \u00e9pisodes cons\u00e9cutifs de 26 mn chacun&nbsp;ou six (06) \u00e9pisodes cons\u00e9cutifs de 13 mn chacun ;<\/li>\n\n\n\n<li>films d\u2019animation&nbsp;: dur\u00e9e comprise entre 1 mn et 35 mn.<\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><\/strong><strong>La section hors comp\u00e9tition ouverte aux films des cin\u00e9astes du monde&nbsp;:<\/strong><\/li>\n\n\n\n<li>Panorama<\/li>\n\n\n\n<li>Focus diversit\u00e9s<\/li>\n\n\n\n<li>Sukab\u00e8 (programme jeunesse)<\/li>\n<\/ul>\n\n\n\n<p><strong>Crit\u00e8res d\u2019\u00e9ligibilit\u00e9<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ne pas avoir plus de deux (02) ans d\u2019\u00e2ge au 31 d\u00e9cembre 2024&nbsp;;<\/li>\n\n\n\n<li>N\u2019avoir pas \u00e9t\u00e9 pr\u00e9sent\u00e9 lors d\u2019une pr\u00e9c\u00e9dente \u00e9dition du FESPACO&nbsp;;<\/li>\n\n\n\n<li>N\u2019avoir pas \u00e9t\u00e9 projet\u00e9 au Burkina Faso.<\/li>\n<\/ul>\n\n\n\n<p>Toute inscription \u00e0 la s\u00e9lection se fait <a href=\"https:\/\/fespaco.bf\/formulaire-inscription-des-films\/\">en cliquant<\/a><strong> <\/strong>et implique l\u2019acceptation pleine et enti\u00e8re des conditions d\u2019inscription et du r\u00e8glement de la 29<sup>e<\/sup> \u00e9dition.<\/p>\n\n\n\n<p><strong>L\u2019inscription est soumise au paiement des frais d\u2019inscription qui s\u2019\u00e9l\u00e8vent \u00e0 cinquante (50) Euros. <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>NB<\/strong>&nbsp;: la date limite des inscriptions est fix\u00e9e <strong>au 30 septembre 2024.<\/strong><\/p>\n\n\n\n<p>INFORMATIONS&nbsp;: <a href=\"mailto:inscription@fespaco.bf\">inscription@fespaco.bf<\/a>, <a href=\"mailto:programmation@fespaco.bf\">programmation@fespaco.bf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre de la 29e \u00e9dition pr\u00e9vue du 22 f\u00e9vrier au 1er mars 2025, le FESPACO porte \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel que les inscriptions pour la s\u00e9lection officielle des films sont ouvertes du 29 f\u00e9vrier au 30 septembre 2024. La s\u00e9lection comprend deux sections principales&nbsp;: Crit\u00e8res d\u2019\u00e9ligibilit\u00e9 Toute [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/FESPACO29-Appel-240225_595.2756-x-419.5276.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5557"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5557\/revisions"}],"predecessor-version":[{"id":5927,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5557\/revisions\/5927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5558"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5532,"date":"2024-02-23T14:20:19","date_gmt":"2024-02-23T14:20:19","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5532"},"modified":"2024-02-23T14:20:20","modified_gmt":"2024-02-23T14:20:20","slug":"decouverte-du-cinema-africain-le-fespaco-ouvre-ses-portes-aux-eleves-de-enko-ouaga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/decouverte-du-cinema-africain-le-fespaco-ouvre-ses-portes-aux-eleves-de-enko-ouaga\/","title":{"rendered":"D\u00e9couverte du cin\u00e9ma africain\u00a0: Le FESPACO ouvre ses portes aux \u00e9l\u00e8ves de ENKO OUAGA"},"content":{"rendered":"\n<p>Le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) a ouvert ses portes le mercredi 21 f\u00e9vrier 2024, \u00e0 une d\u00e9l\u00e9gation de l&rsquo;\u00e9tablissement ENKO OUAGA, compos\u00e9e d&rsquo;\u00e9l\u00e8ves et d\u2019encadreurs.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO.jpeg\" alt=\"\" class=\"wp-image-5538\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Cinematheque-et-elkeves-ENKO-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<p>La visite guid\u00e9e a consist\u00e9 \u00e0 une s\u00e9ance de projection \u00e0 la cin\u00e9math\u00e8que, \u00e0 une immersion sur le site du FESPACO et \u00e0 des \u00e9changes enrichissants avec le d\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral, ainsi qu\u2019avec les cin\u00e9astes Daniel Kollo SANOU et Georgette PARE.<\/p>\n\n\n\n<p>Cette initiative, lanc\u00e9e en 2010 dans le cadre du mois de l&rsquo;histoire des noires, vise \u00e0 sensibiliser les jeunes au cin\u00e9ma africain.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO.jpeg\" alt=\"\" class=\"wp-image-5534\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Ceance-de-projection-ENKO-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga.jpeg\" alt=\"\" class=\"wp-image-5535\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Decouverte-de-letalon-de-Yennenga-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens.jpeg\" alt=\"\" class=\"wp-image-5536\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Echange-avec-les-doyens-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga.jpeg\" alt=\"\" class=\"wp-image-5537\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Etalon-dor-de-yennenga-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Le Festival Panafricain du Cin\u00e9ma et de la T\u00e9l\u00e9vision de Ouagadougou (FESPACO) a ouvert ses portes le mercredi 21 f\u00e9vrier 2024, \u00e0 une d\u00e9l\u00e9gation de l&rsquo;\u00e9tablissement ENKO OUAGA, compos\u00e9e d&rsquo;\u00e9l\u00e8ves et d\u2019encadreurs. La visite guid\u00e9e a consist\u00e9 \u00e0 une s\u00e9ance de projection \u00e0 la cin\u00e9math\u00e8que, \u00e0 une immersion sur le site du FESPACO et \u00e0 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5533,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/02\/Les-eleves-ENKO.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5532"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5532\/revisions"}],"predecessor-version":[{"id":5539,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5532\/revisions\/5539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5533"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5521,"date":"2024-01-12T10:54:55","date_gmt":"2024-01-12T10:54:55","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5521"},"modified":"2024-01-12T10:54:57","modified_gmt":"2024-01-12T10:54:57","slug":"save-the-date-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/save-the-date-2\/","title":{"rendered":"Save the date!"},"content":{"rendered":"\n<p>Preparations for the 29<sup>th<\/sup> Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO) due <strong>22 February to 01 March 2025<\/strong> have begun:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>29 February 2024&nbsp;:<\/strong> Official launch of call for entries<\/li>\n\n\n\n<li><strong>01 March&nbsp;:<\/strong> Beginning of registrations<\/li>\n\n\n\n<li><strong>30 September&nbsp;:<\/strong> End of registrations<\/li>\n<\/ul>\n\n\n\n<p>This call is meant for film and audio-visual professionals including directors, producers, scriptwriters, programmers, distributors, and festival managers.<\/p>\n\n\n\n<p>All film categories, fictions, documentaries, TV series, animated and school films are eligible!<\/p>\n\n\n\n<p>Very Happy New Year 2024 from the FESPACO team.<\/p>\n\n\n\n<p><strong>Long live African Cinema, long live FESPACO!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Preparations for the 29th Edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO) due 22 February to 01 March 2025 have begun: This call is meant for film and audio-visual professionals including directors, producers, scriptwriters, programmers, distributors, and festival managers. All film categories, fictions, documentaries, TV series, animated and school films are eligible! [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/01\/Save-the-date.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5521"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5521\/revisions"}],"predecessor-version":[{"id":5522,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5521\/revisions\/5522"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5519"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5518,"date":"2024-01-12T10:53:26","date_gmt":"2024-01-12T10:53:26","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5518"},"modified":"2024-01-12T10:55:35","modified_gmt":"2024-01-12T10:55:35","slug":"save-the-date","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/save-the-date\/","title":{"rendered":"Save the date !"},"content":{"rendered":"\n<p>Nous vous annon\u00e7ons que les pr\u00e9paratifs de la 29<sup>e<\/sup> \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO) pr\u00e9vue du <strong>22 f\u00e9vrier au 01 mars 2025<\/strong>, ont d\u00e9but\u00e9&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>29 f\u00e9vrier 2024&nbsp;:<\/strong> Lancement officiel de l\u2019appel \u00e0 film<\/li>\n\n\n\n<li><strong>01 mars&nbsp;:<\/strong> D\u00e9but des inscriptions<\/li>\n\n\n\n<li><strong>30 septembre&nbsp;:<\/strong> fin des inscriptions<\/li>\n<\/ul>\n\n\n\n<p>Professionnels du cin\u00e9ma et de l\u2019audiovisuel&nbsp;: r\u00e9alisateur, producteur, sc\u00e9nariste, programmateur, distributeur, directeur de festival, cet appel vous est adress\u00e9.<\/p>\n\n\n\n<p>Toutes les sections de films&nbsp;: fiction, documentaire, s\u00e9ries TV, animation et films des \u00e9coles de cin\u00e9ma sont \u00e9ligibles&nbsp;!<\/p>\n\n\n\n<p>Toute l&rsquo;\u00e9quipe du FESPACO vous adresse ses v\u0153ux les meilleurs pour l\u2019ann\u00e9e 2024.<\/p>\n\n\n\n<p><strong>Vive le cin\u00e9ma africain, vive le FESPACO !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nous vous annon\u00e7ons que les pr\u00e9paratifs de la 29e \u00e9dition du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO) pr\u00e9vue du 22 f\u00e9vrier au 01 mars 2025, ont d\u00e9but\u00e9&nbsp;: Professionnels du cin\u00e9ma et de l\u2019audiovisuel&nbsp;: r\u00e9alisateur, producteur, sc\u00e9nariste, programmateur, distributeur, directeur de festival, cet appel vous est adress\u00e9. Toutes les sections de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2024\/01\/Save-the-date.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5518"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5518\/revisions"}],"predecessor-version":[{"id":5520,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5518\/revisions\/5520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5519"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5500,"date":"2023-12-08T16:25:31","date_gmt":"2023-12-08T16:25:31","guid":{"rendered":"https:\/\/fespaco.bf\/?p=5500"},"modified":"2023-12-08T16:25:33","modified_gmt":"2023-12-08T16:25:33","slug":"projet-de-digitalisation-de-la-cinematheque-africaine-de-ouagadougou-les-activites-lancees","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/projet-de-digitalisation-de-la-cinematheque-africaine-de-ouagadougou-les-activites-lancees\/","title":{"rendered":"Projet de digitalisation de la cin\u00e9math\u00e8que africaine de Ouagadougou : Les activit\u00e9s lanc\u00e9es"},"content":{"rendered":"\n<p>(FESPACO, le 8 d\u00e9cembre 2023)- Le projet de renforcement des capacit\u00e9s techniques, op\u00e9rationnelles et professionnelles de la cin\u00e9math\u00e8que africaine de Ouagadougou a \u00e9t\u00e9 officiellement lanc\u00e9 au si\u00e8ge du FESPACO. La c\u00e9r\u00e9monie de lancement a \u00e9t\u00e9 pr\u00e9sid\u00e9e par le ministre de la communication, de la culture, des arts et du tourisme, porte-parole du gouvernement, repr\u00e9sent\u00e9 par son charg\u00e9 de mission Yacouba BONKOUNGOU.<\/p>\n\n\n\n<p>Le moment fort de cette c\u00e9r\u00e9monie a \u00e9t\u00e9 marqu\u00e9 par la remise officielle d&rsquo;un ch\u00e8que de 109,5 millions FCFA par son Excellence Madame l&rsquo;ambassadeur des \u00c9tats-Unis, SANDRA Clark. Ce montant repr\u00e9sente le co\u00fbt total du projet, qui vise \u00e0 renforcer et digitaliser la cin\u00e9math\u00e8que africaine.<\/p>\n\n\n\n<p>Selon le D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO Alex Moussa SAWADOGO, ce projet ambitieux comprend plusieurs volets. Tout d&rsquo;abord, il pr\u00e9voit la r\u00e9habilitation et la r\u00e9novation de la cin\u00e9math\u00e8que africaine. Cette initiative vise \u00e0 offrir un espace adapt\u00e9 et fonctionnel pour pr\u00e9server et promouvoir le patrimoine cin\u00e9matographique africain.<\/p>\n\n\n\n<p>En outre, le projet comprend \u00e9galement l&rsquo;acquisition de mat\u00e9riel sp\u00e9cifique tel que le mat\u00e9riel de stockage\/serveurs, les LTO (Linear Tape-Open), les scanners, etc. Ces \u00e9quipements modernes permettront d&rsquo;am\u00e9liorer les capacit\u00e9s techniques de la cin\u00e9math\u00e8que et faciliteront la num\u00e9risation et la conservation des \u0153uvres cin\u00e9matographiques.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1417\" height=\"945\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK.jpg\" alt=\"\" class=\"wp-image-5502\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK.jpg 1417w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/12\/Lancement-DG-Sandra-ClarK-48x32.jpg 48w\" sizes=\"(max-width: 1417px) 100vw, 1417px\" \/><\/figure>\n\n\n\n<p>Enfin, une attention particuli\u00e8re sera accord\u00e9e \u00e0 la cr\u00e9ation et \u00e0 la gestion des plateformes num\u00e9riques de stockage, notamment une base de donn\u00e9es. Cette initiative vise \u00e0 faciliter l&rsquo;acc\u00e8s aux films et documentaires africains, en les rendant disponibles en ligne et en favorisant leur diffusion \u00e0 l&rsquo;\u00e9chelle nationale et internationale.<\/p>\n\n\n\n<p>Ce projet de renforcement des capacit\u00e9s techniques, op\u00e9rationnelles et professionnelles de la cin\u00e9math\u00e8que africaine de Ouagadougou constitue une \u00e9tape importante dans la promotion du cin\u00e9ma africain et dans la pr\u00e9servation de son patrimoine cin\u00e9matographique. Il t\u00e9moigne \u00e9galement de l&rsquo;engagement et du soutien des \u00c9tats-Unis envers le d\u00e9veloppement culturel et artistique du Burkina Faso.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(FESPACO, le 8 d\u00e9cembre 2023)- Le projet de renforcement des capacit\u00e9s techniques, op\u00e9rationnelles et professionnelles de la cin\u00e9math\u00e8que africaine de Ouagadougou a \u00e9t\u00e9 officiellement lanc\u00e9 au si\u00e8ge du FESPACO. 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2023:Festival-goers Welcome the Holding of the Event"},"content":{"rendered":"\n<p>Following the memorable opening of the 28th edition of FESPACO on 25th February 2023 in Ouagadougou, we approached a few festival-goers, present in Burkina on this occasion. Pierre Domont is a Belgian, participating in FESPACO for the 18th time. According to him, organising a festival like FESPACO despite organisa\u0002tional challenges is a strong message as this shows the world that we don\u2019t give up, that we are willing to fight, that the country will keep on fighting and culture is a good means of fighting.<br>For LIZA FOUDA from Cameroon, work\u0002ing for the Black Screen Festival and par\u0002ticipating in FESPACO for the second time, art is highlighted at FESPACO, and you don\u2019t feel full as everything is so beautiful, so well done and this is what motivates peo\u0002ple to come to FESPACO<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following the memorable opening of the 28th edition of FESPACO on 25th February 2023 in Ouagadougou, we approached a few festival-goers, present in Burkina on this occasion. Pierre Domont is a Belgian, participating in FESPACO for the 18th time. According to him, organising a festival like FESPACO despite organisa\u0002tional challenges is a strong message as [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5337","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5337"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5337\/revisions"}],"predecessor-version":[{"id":5338,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5337\/revisions\/5338"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5335,"date":"2023-02-28T19:48:52","date_gmt":"2023-02-28T19:48:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=5335"},"modified":"2023-02-28T19:48:56","modified_gmt":"2023-02-28T19:48:56","slug":"fespaco-2023-des-festivaliers-etrangers-felicitent-la-tenue-de-levenement","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2023-des-festivaliers-etrangers-felicitent-la-tenue-de-levenement\/","title":{"rendered":"FESPACO 2023 : Des Festivaliers \u00e9trangers f\u00e9licitent la tenue de l\u2019\u00e9v\u00e8nement"},"content":{"rendered":"\n<p>Apr\u00e8s une c\u00e9r\u00e9monie d\u2019ouverture m\u00e9\u0002morable de la 28e \u00e9dition du FES\u0002PACO ce 25 f\u00e9vrier 2023 \u00e0<br>Ouagadougou, nous avons approch\u00e9 quelques festivaliers venus au Burkina Faso pour la cir\u0002constance. Pierre Domont est belge et il est \u00e0 sa 18e participation au FESPACO. Pour lui, tenir un Festival en occurrence le FESPACO malgr\u00e9 les difficult\u00e9s de l\u2019organisation c\u2019est un signal fort \u2018\u2019parce que \u00e7a permet de montrer au monde entier qu\u2019on ne baisse pas les bras, qu\u2019on veut lutter, qu\u2019on veut montrer que le<br>pays va continuer \u00e0 se battre et la culture est un bon vecteur de lutte\u2019\u2019.<br>Quant \u00e0 LIZA FOUDA, originaire du Camer\u0002oun et travaillant pour le Festival Ecrans Noirs, ce qui motive de venir au FESPACO c\u2019est ce rappel du c\u00f4t\u00e9 de l\u2019art qui est mis en avant au FESPACO dont on ne se rassasie pas parce que tout est tellement beau tout est tellement bien fait. Elle est \u00e0 sa deuxi\u00e8me participation du<br>FESPACO.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s une c\u00e9r\u00e9monie d\u2019ouverture m\u00e9\u0002morable de la 28e \u00e9dition du FES\u0002PACO ce 25 f\u00e9vrier 2023 \u00e0Ouagadougou, nous avons approch\u00e9 quelques festivaliers venus au Burkina Faso pour la cir\u0002constance. Pierre Domont est belge et il est \u00e0 sa 18e participation au FESPACO. Pour lui, tenir un Festival en occurrence le FESPACO malgr\u00e9 les difficult\u00e9s de l\u2019organisation [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5335","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5335"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5335\/revisions"}],"predecessor-version":[{"id":5336,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5335\/revisions\/5336"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5328,"date":"2023-02-28T19:40:06","date_gmt":"2023-02-28T19:40:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=5328"},"modified":"2023-03-01T11:53:02","modified_gmt":"2023-03-01T11:53:02","slug":"editorial","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/editorial\/","title":{"rendered":"EDITORIAL"},"content":{"rendered":"\n<p>Frustration is a source of combativeness! Frustrated to see their screens invaded by foreign films, many people of Africa stood up for their liberation. This was the case 54 years ago in Burkina Faso where film enthusiasts said \u201cno to the neo-colonial intruder of the big screen\u201d. The challenge of such a refusal being simply to reverse this manipulative and dominating tendency of images from elsewhere.<br>Standing together by taking the lead in the liberation struggle was the watchword. The creative vision of FESPACO was thus born in the people\u2019s minds. Built on a foundation of resilience, commitment and<br>determination, FESPACO has gone through the decades, albeit not without challenges, winning the hearts of filmmakers, politicians and people passionate about images produced by the great and little Africa!<br>In the face of current challenges namely the security, health and humanitarian crises, the legacy of activism, combativeness and tenacity remains. In the end, FESPACO itself is based on such values. Let\u2019s<br>be clear, the regularity and durability of the African Film Biennial rests definitely on this axiological base. The festival is also reinforced by its integrity, a powerful ingredient of credibility vis-\u00e0-vis the Government of Burkina Faso, bilateral and multilateral partners.<br>In the storm where many festivals rise and fall, only those that can remain focus on their values can stand. Through the theme \u201cAfrican Cinema and Culture of Peace\u201d, FESPACO 2023 follows the same logic with regard to the content of African film productions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frustration is a source of combativeness! Frustrated to see their screens invaded by foreign films, many people of Africa stood up for their liberation. This was the case 54 years ago in Burkina Faso where film enthusiasts said \u201cno to the neo-colonial intruder of the big screen\u201d. The challenge of such a refusal being simply [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-9.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5328"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5328\/revisions"}],"predecessor-version":[{"id":5332,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5328\/revisions\/5332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5350"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5323,"date":"2023-02-28T19:36:47","date_gmt":"2023-02-28T19:36:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=5323"},"modified":"2023-02-28T20:03:39","modified_gmt":"2023-02-28T20:03:39","slug":"the-acp-eu-programme-partnershad-their-round-table","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-acp-eu-programme-partnershad-their-round-table\/","title":{"rendered":"The ACP\/EU Programme partners<br>had their round table"},"content":{"rendered":"\n<p>Since Saturday 25 February 2023, the 28th edition of the Pan-African Film and Television Festival of Ouagadougou is in full swing in the Burkinabe capital. In this framework, the partners of the ACP\/EU Audiovisual Coproduction programme in Africa and the Film Fund in Africa held their round table. Discussions during the round table focused on the financing of African cinema. With Pedro Pimenta<br>as moderator, the exchanges also touched on such issues as the availability of the fund, difficulties in accessing it and eligibility requirements. It also emerged from the exchanges that the fund has been created by the partners as a contribution to bringing African cinema closer to its audience. Although difficulties still exist in the financing mechanisms, stakeholders have noted generally satisfactory results.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since Saturday 25 February 2023, the 28th edition of the Pan-African Film and Television Festival of Ouagadougou is in full swing in the Burkinabe capital. In this framework, the partners of the ACP\/EU Audiovisual Coproduction programme in Africa and the Film Fund in Africa held their round table. Discussions during the round table focused on [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5323","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5323"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5323\/revisions"}],"predecessor-version":[{"id":5330,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5323\/revisions\/5330"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5325,"date":"2023-02-28T19:32:19","date_gmt":"2023-02-28T19:32:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=5325"},"modified":"2023-03-01T11:51:31","modified_gmt":"2023-03-01T11:51:31","slug":"edito","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/edito\/","title":{"rendered":"EDITO"},"content":{"rendered":"\n<p>La frustration est source de combativit\u00e9 ! Frustr\u00e9s de voir leurs \u00e9crans envahis par des films \u00e9trangers, bien des peuples d\u2019Afrique s\u2019\u00e9rig\u00e8rent pour leur lib\u00e9ration. Ce fut le cas, il y a 54 ans au Burkina Faso, o\u00f9 des f\u00e9rus de cin\u00e9ma surent refuser en disant \u00ab non \u00e0 l\u2019envahisseur n\u00e9ocolonial du grand \u00e9cran \u00bb.<br>L\u2019enjeu d\u2019un tel refus, \u00e9tant simplement d\u2019inverser cette tendance manipulatrice et dominatrice d\u2019images venues d\u2019ailleurs. Faire front commun en prenant les devants de la lutte de lib\u00e9ration, fut le mot d\u2019ordre. D\u00e8s lors, naquit dans les esprits la vision cr\u00e9atrice du FESAPCO. B\u00e2ti sur un socle de r\u00e9silience, d\u2019engagement et de d\u00e9termination, le FESPACO traversa les d\u00e9cennies, non pas sans d\u00e9fis, en conqu\u00e9rant<br>les coeurs des hommes de cin\u00e9ma, des hommes politiques et des populations passionn\u00e9es d\u2019images produites par la grande et de la petite Afrique !<br>Face aux d\u00e9fis de l\u2019heure, tels que les crises s\u00e9curitaires, sanitaires et humanitaires, l\u2019h\u00e9ritage du militantisme, de la combativit\u00e9 et de la t\u00e9nacit\u00e9, demeure. Au finish, le FESPACO ne repose-t-il pas lui m\u00eame sur de telles valeurs? Disons-le tout net, c\u2019est v\u00e9ritablement ce socle axiologique qui engendre la r\u00e9gularit\u00e9 et la durabilit\u00e9 de la biennale du cin\u00e9ma africain. Renforc\u00e9e en cela par<br>l\u2019int\u00e9grit\u00e9, puissant ingr\u00e9dient de cr\u00e9dibilit\u00e9 aupr\u00e8s de l\u2019Etat burkinab\u00e8, des partenaires bilat\u00e9raux et multilat\u00e9raux.<br>Dans la temp\u00eate o\u00f9 naissent et disparaissent bien des festivals, seuls r\u00e9sistent ceux qui savent garder leurs regards bien fix\u00e9s sur des valeurs qui font sens. Le FESPACO 2023 \u00e0 travers le th\u00e8me \u00ab Cin\u00e9mas d\u2019Afrique et culture de la paix \u00bb ne dit pas autre chose, relativement aux contenus des productions filmiques africaines.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La frustration est source de combativit\u00e9 ! Frustr\u00e9s de voir leurs \u00e9crans envahis par des films \u00e9trangers, bien des peuples d\u2019Afrique s\u2019\u00e9rig\u00e8rent pour leur lib\u00e9ration. Ce fut le cas, il y a 54 ans au Burkina Faso, o\u00f9 des f\u00e9rus de cin\u00e9ma surent refuser en disant \u00ab non \u00e0 l\u2019envahisseur n\u00e9ocolonial du grand \u00e9cran \u00bb.L\u2019enjeu [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-9.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5325"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5325\/revisions"}],"predecessor-version":[{"id":5327,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5325\/revisions\/5327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5350"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5280,"date":"2023-02-28T18:59:46","date_gmt":"2023-02-28T18:59:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=5280"},"modified":"2023-02-28T18:59:50","modified_gmt":"2023-02-28T18:59:50","slug":"celebrities-days-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/celebrities-days-2\/","title":{"rendered":"Celebrities Days"},"content":{"rendered":"\n<p>The celebrities of African and Diaspora cinema once again met during an event where they were spotlighted. The Ouagadougou Town Hall welcomed stars from various backgrounds. Cocktail reception, artistic performances, speeches and above all the awarding of distinctions marked the event. According to promoter Georgette Par\u00e9, this fourth edition of the Celebrities Days was an opportunity for the Organizing Committee to pay tribute to women in the film industry. The guest of honour, the special<br>guest, and the patron were respectively Fatoumata Diawara, Hon. A\u00efchata Ha\u00efdara Ciss\u00e9 from Mali, and Alimata Salamber\u00e9, former Minister for Culture of Burkina Faso. Many guest stars including Appoline Traor\u00e9, Mouna N&rsquo;Diaye, Fanta R\u00e9gina Nacro, Ass\u00e9tou Kon\u00e9 and many others also attended the event. Women were simply honoured.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5318\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-4000x2667.jpg\" alt=\"\" class=\"wp-image-5318\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5319\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-4000x2667.jpg\" alt=\"\" class=\"wp-image-5319\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5316\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-4000x2667.jpg\" alt=\"\" class=\"wp-image-5316\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5315\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-4000x2667.jpg\" alt=\"\" class=\"wp-image-5315\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5317\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-4000x2667.jpg\" alt=\"\" class=\"wp-image-5317\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5314\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-4000x2667.jpg\" alt=\"\" class=\"wp-image-5314\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The celebrities of African and Diaspora cinema once again met during an event where they were spotlighted. The Ouagadougou Town Hall welcomed stars from various backgrounds. Cocktail reception, artistic performances, speeches and above all the awarding of distinctions marked the event. According to promoter Georgette Par\u00e9, this fourth edition of the Celebrities Days was an [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC04032-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5280"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5280\/revisions"}],"predecessor-version":[{"id":5322,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5280\/revisions\/5322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5320"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5308,"date":"2023-02-28T18:56:28","date_gmt":"2023-02-28T18:56:28","guid":{"rendered":"https:\/\/fespaco.org\/?p=5308"},"modified":"2023-02-28T18:56:32","modified_gmt":"2023-02-28T18:56:32","slug":"celebrities-days","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/celebrities-days\/","title":{"rendered":"Celebrities Days"},"content":{"rendered":"\n<p>Les sommit\u00e9s du cin\u00e9ma Africain et de la diaspora se sont une fois de plus retrouv\u00e9es au cours d\u2019une soir\u00e9e o\u00f9 toute la lumi\u00e8re a \u00e9t\u00e9 projet\u00e9e sur nos c\u00e9l\u00e9brit\u00e9s. C\u2019est l\u2019esplanade de la mairie de Ouagadougou qui a accueilli ces stars venues d\u2019horizons divers. Cocktail d\u00eenatoire, prestations artistiques, allocutions et surtout la remise de distinctions ont marqu\u00e9 l\u2019\u00e9v\u00e9nement. Cette quatri\u00e8me \u00e9dition des Celebrities Days \u00e9tait l\u2019occasion pour le comit\u00e9 d\u2019organisation de rendre hommage aux femmes du monde du cin\u00e9ma selon la promotrice Georgette Par\u00e9. Les femmes \u00e9taient \u00e0 l\u2019honneur ; comme invit\u00e9e d\u2019honneur, invit\u00e9e sp\u00e9ciale et Marraine ; respectivement de Fatoumata Diawara, Honorable A\u00efchata Ha\u00efdara Ciss\u00e9 du Mali et Alimata Salamber\u00e9, anciene ministre en charge de la culture du Burkina Faso. Elles \u00e9taient \u00e9galement nombreuses comme Guest Stars : Appoline Traor\u00e9, Mouna N\u2019Diaye, Fanta R\u00e9gina Nacro, Ass\u00e9tou Kon\u00e9 et bien d\u2019autres. Les femmes ont \u00e9t\u00e9 simplement magnifi\u00e9es.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5318\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-4000x2667.jpg\" alt=\"\" class=\"wp-image-5318\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03713-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5319\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-4000x2667.jpg\" alt=\"\" class=\"wp-image-5319\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03765-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5316\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-4000x2667.jpg\" alt=\"\" class=\"wp-image-5316\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03834-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5315\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-4000x2667.jpg\" alt=\"\" class=\"wp-image-5315\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03825-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5314\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-4000x2667.jpg\" alt=\"\" class=\"wp-image-5314\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03857-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"4000\" height=\"2667\" data-id=\"5317\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-4000x2667.jpg\" alt=\"\" class=\"wp-image-5317\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-4000x2667.jpg 4000w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-300x200.jpg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-768x512.jpg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-1536x1024.jpg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-2048x1365.jpg 2048w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-24x16.jpg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-36x24.jpg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC03850-48x32.jpg 48w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Les sommit\u00e9s du cin\u00e9ma Africain et de la diaspora se sont une fois de plus retrouv\u00e9es au cours d\u2019une soir\u00e9e o\u00f9 toute la lumi\u00e8re a \u00e9t\u00e9 projet\u00e9e sur nos c\u00e9l\u00e9brit\u00e9s. C\u2019est l\u2019esplanade de la mairie de Ouagadougou qui a accueilli ces stars venues d\u2019horizons divers. Cocktail d\u00eenatoire, prestations artistiques, allocutions et surtout la remise de [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DSC04032-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5308"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5308\/revisions"}],"predecessor-version":[{"id":5321,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5308\/revisions\/5321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5320"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5289,"date":"2023-02-28T16:34:36","date_gmt":"2023-02-28T16:34:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=5289"},"modified":"2023-02-28T20:22:50","modified_gmt":"2023-02-28T20:22:50","slug":"les-ateliers-yennenga-et-de-patrimoine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-ateliers-yennenga-et-de-patrimoine\/","title":{"rendered":"The Yennenga and heritage workshops"},"content":{"rendered":"\n<p>\u201dAfrican Film and Audio-visual Archives\u201d is the theme for the workshops on sharing experiences and practices held in the framework of the 28th edition of FESPACO. The opening ceremony took place on Monday 27 February 2023 in the premises of ISTIC in the presence of Minister for Culture Rimtalba Jean Emmanuel OUEDRAOGO. Mr Ousmane Boundaon\u00e9 is the chair of these academic workshops during which about 20 young people from a dozen countries will receive training through two main programmes:<\/p>\n\n\n\n<p>The Yennenga Post-Production (a platform to support film professionals in their various<br>productions);<\/p>\n\n\n\n<p>The Coproduction market (a platform of business opportunities in the film industry). As far as the programme for the heritage workshops is concerned, the chair Moustapha Sawadogo said this will include both theory and practice. This programme aims to teach, develop and sustain methods for<br>archiving audio-visual works.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201dAfrican Film and Audio-visual Archives\u201d is the theme for the workshops on sharing experiences and practices held in the framework of the 28th edition of FESPACO. The opening ceremony took place on Monday 27 February 2023 in the premises of ISTIC in the presence of Minister for Culture Rimtalba Jean Emmanuel OUEDRAOGO. Mr Ousmane Boundaon\u00e9 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5289","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5289"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5289\/revisions"}],"predecessor-version":[{"id":5342,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5289\/revisions\/5342"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5287,"date":"2023-02-28T16:03:24","date_gmt":"2023-02-28T16:03:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=5287"},"modified":"2023-03-01T14:12:52","modified_gmt":"2023-03-01T14:12:52","slug":"fespaco-2023-a-delegation-from-ecowas-visits-the-mica","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2023-a-delegation-from-ecowas-visits-the-mica\/","title":{"rendered":"FESPACO 2023: a delegation from ECOWAS visits the MICA"},"content":{"rendered":"\n<p><strong>A delegation from ECOWAS, one of the partners of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), visited the African International Film and Audio-visual Market (MICA), where it has a stand. This was on 26 February 2023.<\/strong><\/p>\n\n\n\n<p>ECOWAS has supported FESPACO since 1993 For the 28th edition of the African Film Biennial, we wanted to renew our support. This visit aims to encourage the Burkinabe authorities in their decision to maintain this edition, despite the difficult context that the country is going through. This is what the head of the<br>delegation, Prof. Fatou SOW SARR, Commissioner for Human Development and Social Affairs of the ECOWAS Commission, accompanied by the ECOWAS Resident Representative in Burkina Faso told us.<\/p>\n\n\n\n<p>For her, FESPACO has become a worldwide event to which the whole world is converging. \u201cWe are therefore happy to see that despite the situation, there is full attendance. Whenever the Festival has been held, Burkina Faso has always kept the flame alive. And we are convinced that it will be the same for this 28th edition.<br>It should be noted that the four prizes awarded at the 27th edition, including Best Director, worth CFA francs 10 million; Integration Prize, worth CFA francs 15 million; Special Prize for Youngest Cinema School Director (CFA francs 2,000,000); and Special Prize for Youngest Actor (CFA francs 1,000,000), will be renewed this year.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A delegation from ECOWAS, one of the partners of the Pan-African Film and Television Festival of Ouagadougou (FESPACO), visited the African International Film and Audio-visual Market (MICA), where it has a stand. This was on 26 February 2023. ECOWAS has supported FESPACO since 1993 For the 28th edition of the African Film Biennial, we wanted [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5287","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5287"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5287\/revisions"}],"predecessor-version":[{"id":5290,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5287\/revisions\/5290"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5285,"date":"2023-02-28T15:48:28","date_gmt":"2023-02-28T15:48:28","guid":{"rendered":"https:\/\/fespaco.org\/?p=5285"},"modified":"2023-02-28T20:18:21","modified_gmt":"2023-02-28T20:18:21","slug":"the-opening-film-bravo-burkina","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-opening-film-bravo-burkina\/","title":{"rendered":"THE OPENING FILM: \u201cBravo, Burkina!\u201d"},"content":{"rendered":"\n<p><strong>\u2018\u2019I opted for the title \u201cBravo, Burkina!\u201d so that wherever you hear \u201cBravo\u201d, you think of Burkina\u2019\u2019, said Nigerian filmmaker Wal\u00e9 Oy\u00e9jid\u00e9.<\/strong><\/p>\n\n\n\n<p>\u201cBravo, Burkina!\u201d, an out-of-competition film features a young boy from Burkina Faso named Aim\u00e9, leaving his village for Italy to work. Disillusioned later on and haunted by his childhood memories and saddened, he goes back home. However, this was without reckoning with the irreversibility of time. He finds his mother without his father who left her after a long period of hope to see him again. As he thought of seeing his childhood girlfriend again, he realises that the latter is in a couple\u2019s life with a child.<br>Everything is almost melting away around the young man. Nevertheless, he decides to stay home, believing that there is no place like home. Such a courage earned him and whole Burkina, \u201cBravo, Burkina!\u201d. 64 minutes were enough for Wal\u00e9 Oy\u00e9jid\u00e9 to show the contrast between an illusory, sad and devastating life of a young immigrant and original life, human and built on dignity.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018\u2019I opted for the title \u201cBravo, Burkina!\u201d so that wherever you hear \u201cBravo\u201d, you think of Burkina\u2019\u2019, said Nigerian filmmaker Wal\u00e9 Oy\u00e9jid\u00e9. \u201cBravo, Burkina!\u201d, an out-of-competition film features a young boy from Burkina Faso named Aim\u00e9, leaving his village for Italy to work. Disillusioned later on and haunted by his childhood memories and saddened, he [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5285","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5285"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5285\/revisions"}],"predecessor-version":[{"id":5286,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5285\/revisions\/5286"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5283,"date":"2023-02-28T15:36:57","date_gmt":"2023-02-28T15:36:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=5283"},"modified":"2023-02-28T15:37:02","modified_gmt":"2023-02-28T15:37:02","slug":"fepaci-finye-by-souleymane-cisse-screened-as-part-of-fespaco-classics","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fepaci-finye-by-souleymane-cisse-screened-as-part-of-fespaco-classics\/","title":{"rendered":"FEPACI: \u00ab Finy\u00e8 \u00bb by Souleymane Ciss\u00e9 screened as part of FESPACO Classics"},"content":{"rendered":"\n<p><strong>\u201cMy deepest hope is to make the sequel to my film because this story is not complete. And if I don\u2019t deliver, let my children do it \u201c, said Souleymane Ciss\u00e9, Malian director of feature film \u00ab Finy\u00e8 \u00bb, during the screening at Cin\u00e9 Burkina on Sunday 26 February 2023.<\/strong><\/p>\n\n\n\n<p>Bah, a young student, is the grandson of Kansaye, a descendant of the great traditional chiefs of the region. He is the friend of Batrou, the daughter of one of the new government\u2019s representatives. Bah and Batrou belong to a generation that bucks the established order, the society of their fathers, without knowing what to have instead. The tampered exam results trigger a confrontation with the authorities. The repression planned and organized by Governor Sangar\u00e9 will only add on the discontent of young students\u2026<br>The idea behind this series of screenings, in collaboration with the Pan-African Film and Television Festival of Ouagadougou (FESPACO), is to restore a number of historically important films by African authors, said Aboubakar Sanogo, FEPACI Regional Secretary for Northern America. The restoration of films by African authors falls under the FEPACI Archives project.<br>In total, fifty African films are involved in this project. According to Mr Sanogo, the project was launched at FESPACO 2017, and provides a unique opportunity to show these films to festival-goers from all over the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cMy deepest hope is to make the sequel to my film because this story is not complete. And if I don\u2019t deliver, let my children do it \u201c, said Souleymane Ciss\u00e9, Malian director of feature film \u00ab Finy\u00e8 \u00bb, during the screening at Cin\u00e9 Burkina on Sunday 26 February 2023. Bah, a young student, is [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-3-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5283"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5283\/revisions"}],"predecessor-version":[{"id":5284,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5283\/revisions\/5284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5259"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5279,"date":"2023-02-28T15:27:16","date_gmt":"2023-02-28T15:27:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=5279"},"modified":"2023-03-01T11:36:18","modified_gmt":"2023-03-01T11:36:18","slug":"libation-ceremony-tradition-fulfilled-and-2-statues-unveiled","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/libation-ceremony-tradition-fulfilled-and-2-statues-unveiled\/","title":{"rendered":"Libation Ceremony: Tradition fulfilled and 2 statues unveiled"},"content":{"rendered":"\n<p><strong>Filmmakers from Africa and Diaspora have honoured once again the professionals of the motion picture<\/strong><\/p>\n\n\n\n<p>The traditional libation ceremony took place yesterday Sunday 26th February 2023 in the morning at the Filmmakers\u2019 Square. As usual, festival-goes did not haggle their participation alongside their peers and Burkinabe authorities including Minister for Culture. They then proceeded to the Avenue of the Stallion Column for the unveiling of the statue of Oumarou Ganda, first winner of the Etalon d\u2019or de Yennenga<br>in 1972. After that, they headed for FESPACO Headquarters to unveil another statue, the bust of the iconic man with the pipe and pioneer of FESPACO, Semb\u00e8ne Ousmane. The 28th edition of the festival provides an opportunity to celebrate the centenary of the man.<br>Burkina Faso has just paid tribute to a great Pan-African, said Minister for Culture Jean Emmanuel Ou\u00e9draogo, in the presence of Alain Semb\u00e8ne, son of Semb\u00e8ne Ousmane, who expressed his gratitude to the Burkinabe people. He added that his father was a great fan of FESPACO.<br>The libation ceremony once again sacrificed to the tradition by going around the Filmmakers\u2019 Square twice, hand in hand, forming a large human chain circle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Filmmakers from Africa and Diaspora have honoured once again the professionals of the motion picture The traditional libation ceremony took place yesterday Sunday 26th February 2023 in the morning at the Filmmakers\u2019 Square. As usual, festival-goes did not haggle their participation alongside their peers and Burkinabe authorities including Minister for Culture. They then proceeded to [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5279"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5279\/revisions"}],"predecessor-version":[{"id":5282,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5279\/revisions\/5282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5348"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5267,"date":"2023-02-28T15:17:01","date_gmt":"2023-02-28T15:17:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=5267"},"modified":"2023-02-28T15:18:56","modified_gmt":"2023-02-28T15:18:56","slug":"confusion-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/confusion-2\/","title":{"rendered":"Confusion"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Ivan is a 9 year old boy who lives with his mother. One day, he receives a new pair of shoes from her that mysteriously disappears while he and his friends are watching a movie. He accuses his friend Junior of the crime, even getting his hands dirty.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ivan is a 9 year old boy who lives with his mother. One day, he receives a new pair of shoes from her that mysteriously disappears while he and his friends are watching a movie. He accuses his friend Junior of the crime, even getting his hands dirty.<\/p>\n","protected":false},"author":7,"featured_media":3467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[121],"tags":[],"class_list":["post-5267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/CONFUSION-ORNEL-MENGUE-DZO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5267"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5267\/revisions"}],"predecessor-version":[{"id":5278,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5267\/revisions\/5278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3467"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5271,"date":"2023-02-28T15:12:36","date_gmt":"2023-02-28T15:12:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=5271"},"modified":"2023-03-01T14:10:00","modified_gmt":"2023-03-01T14:10:00","slug":"fespaco-2023-une-delegation-de-la-cedeao-en-visite-au-mica","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2023-une-delegation-de-la-cedeao-en-visite-au-mica\/","title":{"rendered":"FESPACO 2023: une d\u00e9l\u00e9gation de la CEDEAO en visite au MICA"},"content":{"rendered":"\n<p><strong>Une d\u00e9l\u00e9gation de la CEDEAO, un des partenaires du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO), s\u2019est rendue au sein du March\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africain (MICA), o\u00f9 elle a visit\u00e9 le stand le stand de ladite commission. C\u2019\u00e9tait ce 26 f\u00e9vrier 2023.<\/strong><\/p>\n\n\n\n<p>Depuis 1993, la CEDEAO accompagne le FESPACO. Et en cette 28e \u00e9dition de la biennale du cin\u00e9ma, nous avons tenu \u00e0 renouveler notre soutien et accompagnement. Aussi cette visite vise \u00e0 soutenir l\u2019\u00c9tat burkinab\u00e8 dans sa d\u00e9cision de maintenir cette \u00e9dition, malgr\u00e9 le contexte difficile que le pays traverse. C\u2019est en tout cas ce que nous a confi\u00e9 la responsable de la d\u00e9l\u00e9gation, Professeur Fatou SOW SARR,<br>Commissaire en charge du D\u00e9veloppement Humain et des Affaires Sociales de la Commission de la CEDEAO, accompagn\u00e9e du repr\u00e9sentant r\u00e9sident de la CEDEAO au Burkina Faso.<br>Le FESPACO, pour elle, est devenu un \u00e9v\u00e9nement d\u2019envergure mondiale vers lequel tout le monde entier. \u201cC\u2019est donc une joie pour nous de voir que malgr\u00e9 tout, il y a une grande affluence. \u00c0 chaque fois que le Festival a eu lieu, le Burkina a toujours maintenu la flamme. Et nous sommes convaincu qu\u2019il en sera de m\u00eame pour cette 28e \u00e9dition.<br>\u00c0 noter que les quatre prix octroy\u00e9s \u00e0 la 27\u00e8me \u00e9dition, notamment le Prix de la meilleure r\u00e9alisatrice<br>de cin\u00e9ma dot\u00e9 de 10 millions de FCFA, le Prix de l\u2019int\u00e9gration, d\u2019une valeur de 15 millions de FCFA, le Prix sp\u00e9cial du meilleur plus jeune r\u00e9alisateur de film d\u2019\u00e9cole (2.000.000 de FCFA) et le prix sp\u00e9cial du meilleur plus jeune com\u00e9dien ou com\u00e9dienne (1.000.000 FCFA), sont reconduits \u00e0 cette \u00e9dition.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une d\u00e9l\u00e9gation de la CEDEAO, un des partenaires du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO), s\u2019est rendue au sein du March\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africain (MICA), o\u00f9 elle a visit\u00e9 le stand le stand de ladite commission. C\u2019\u00e9tait ce 26 f\u00e9vrier 2023. Depuis 1993, la CEDEAO accompagne [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5271","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5271"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5271\/revisions"}],"predecessor-version":[{"id":5273,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5271\/revisions\/5273"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5266,"date":"2023-02-28T15:01:26","date_gmt":"2023-02-28T15:01:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=5266"},"modified":"2023-02-28T20:15:37","modified_gmt":"2023-02-28T20:15:37","slug":"le-film-du-film-douverture-bravo-burkina","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-film-du-film-douverture-bravo-burkina\/","title":{"rendered":"LE FILM DU FILM D\u2019OUVERTURE :<br>\u00ab Bravo, Burkina ! \u00bb"},"content":{"rendered":"\n<p><strong>\u2018\u2019Si j\u2019ai voulu le titre du film \u00ab Bravo, Burkina ! \u00bb c\u2019est pour que partout o\u00f9 on entendra Bravo ! qu\u2019on pense au Burkina\u2019\u2019, a laiss\u00e9 entendre le r\u00e9alisateur Nig\u00e9rian Wal\u00e9 Oy\u00e9jid\u00e9.<\/strong><\/p>\n\n\n\n<p>\u00abBravo, Burkina ! \u00bb, film en cat\u00e9gorie hors comp\u00e9tition, pr\u00e9sente un gar\u00e7on Burkinab\u00e8 du nom de Aim\u00e9, qui fuit son village et \u00e9migre en Italie pour travailler. D\u00e9sillusionn\u00e9 plus tard, hant\u00e9 par les souvenirs de sa tendre enfance et dans le chagrin, il retourne chez lui. Toutefois, c\u2019est sans compter avec l\u2019irr\u00e9versibilit\u00e9 du temps, il trouve ra sa m\u00e8re sans son p\u00e8re qui l\u2019a quitt\u00e9e apr\u00e8s de longs moments d\u2019espoir de le revoir. Quand il lui vient \u00e0 l\u2019esprit de retrouver sa copine d\u2019enfance, il r\u00e9alise que celle-ci est bien dans une vie de couple avec un enfant.<br>Tout est quasiment en fonte autour du jeune homme. Malgr\u00e9 tout, il se r\u00e9sout \u00e0 rester chez lui avec la conviction d\u00e9sormais qu\u2019il n\u2019y a pas meilleur endroit de vie que chez soi. Ce courage lui a valu et au Burkina entier, \u2018\u2019Bravo, Burkina !\u2019\u2019. 64 minutes ont suffi \u00e0 Wal\u00e9 Oy\u00e9jid\u00e9, le r\u00e9alisateur, d\u2019illustrer le contraste entre une vie illusoire, triste et d\u00e9vastatrice d\u2019un jeune immigr\u00e9 et celle originale, humaine et \u00e9prise de dignit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018\u2019Si j\u2019ai voulu le titre du film \u00ab Bravo, Burkina ! \u00bb c\u2019est pour que partout o\u00f9 on entendra Bravo ! qu\u2019on pense au Burkina\u2019\u2019, a laiss\u00e9 entendre le r\u00e9alisateur Nig\u00e9rian Wal\u00e9 Oy\u00e9jid\u00e9. \u00abBravo, Burkina ! \u00bb, film en cat\u00e9gorie hors comp\u00e9tition, pr\u00e9sente un gar\u00e7on Burkinab\u00e8 du nom de Aim\u00e9, qui fuit son village et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5266","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5266"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5266\/revisions"}],"predecessor-version":[{"id":5269,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5266\/revisions\/5269"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5260,"date":"2023-02-28T14:50:42","date_gmt":"2023-02-28T14:50:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=5260"},"modified":"2023-02-28T14:50:49","modified_gmt":"2023-02-28T14:50:49","slug":"fepaci-finye-de-souleymane-cisse-projete-dans-le-cadre-du-fespaco-classics","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fepaci-finye-de-souleymane-cisse-projete-dans-le-cadre-du-fespaco-classics\/","title":{"rendered":"FEPACI: \u00ab Finy\u00e8 \u00bb de Souleymane Ciss\u00e9 projet\u00e9 dans le cadre du FESPACO classics"},"content":{"rendered":"\n<p><strong>\u201cMon d\u00e9sir le plus ardent est de parvenir \u00e0 r\u00e9aliser la suite de mon film car il faut une suite \u00e0 cette histoire. Et si je n\u2019y parviens pas, que mes enfants puissent le faire\u201d, foi de Souleymane Ciss\u00e9, r\u00e9alisateur malien du long-m\u00e9trage \u00ab Finy\u00e8 \u00bb, \u00e0 l\u2019occasion de la projection au sein de la salle de cin\u00e9 Burkina ce dimanche 26 f\u00e9vrier 2023.<\/strong><\/p>\n\n\n\n<p>Bah, jeune \u00e9tudiant, est le petit-fils de Kansaye, un descendant des grands chefs traditionnels de la r\u00e9gion. Il est l\u2019ami de Batrou qui, elle, est la fille d\u2019un des repr\u00e9sentants du nouveau pouvoir. Bah et Batrou appartiennent \u00e0 une g\u00e9n\u00e9ration qui rejette l\u2019ordre \u00e9tabli, la soci\u00e9t\u00e9 de leurs p\u00e8res, sans bien savoir quoi mettre \u00e0 la place. La falsification des r\u00e9sultats des examens sera l\u2019\u00e9tincelle qui d\u00e9clenchera la<br>confrontation avec les autorit\u00e9s. La r\u00e9pression voulue et organis\u00e9e par le gouverneur Sangar\u00e9, exacerbera encore le m\u00e9contentement des jeunes \u00e9tudiants\u2026<br>L\u2019id\u00e9e derri\u00e8re cette s\u00e9rie de projection, en collaboration avec le Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision, c\u2019est de restaurer un certain nombre de films d\u2019auteur africains d\u2019importance historique. C\u2019est du moins ce qu\u2019a signifi\u00e9 Aboubakar Sanogo, Secr\u00e9taire r\u00e9gional de la FEPACI, pour l\u2019Am\u00e9rique du<br>Nord. Cette restauration des films d\u2019auteur africains r\u00e9pond au projet \u00ab Archives \u00bb de la FEPACI.<br>Au total, cinquante films africains sont concern\u00e9s par le pr\u00e9sent projet. Et \u00e0 en croire monsieur Sanogo, le projet a \u00e9t\u00e9 lanc\u00e9 lors du FESPACO 2017, et constitue le moment id\u00e9al pour faire voire ces films aux festivaliers qui viennent du monde entier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cMon d\u00e9sir le plus ardent est de parvenir \u00e0 r\u00e9aliser la suite de mon film car il faut une suite \u00e0 cette histoire. Et si je n\u2019y parviens pas, que mes enfants puissent le faire\u201d, foi de Souleymane Ciss\u00e9, r\u00e9alisateur malien du long-m\u00e9trage \u00ab Finy\u00e8 \u00bb, \u00e0 l\u2019occasion de la projection au sein de la [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-3-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5260"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5260\/revisions"}],"predecessor-version":[{"id":5263,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5260\/revisions\/5263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5259"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5257,"date":"2023-02-28T14:48:34","date_gmt":"2023-02-28T14:48:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=5257"},"modified":"2023-02-28T14:48:39","modified_gmt":"2023-02-28T14:48:39","slug":"au-fil-du-temps-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/au-fil-du-temps-2\/","title":{"rendered":"Au fil du temps"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Mamadou Souar\u00e9 (known as Modou) is a Senegalese tailor who works in Marrakech. His daily routine is to manage a sewing salon with Senegalese employees. Day after day, his employees carry out with meticulousness a real work of ant by satisfying several orders. His sewing salon receives throughout the day a very special clientele: people of Moroccan, Senegalese, Ivorian, Italian nationality, etc. Through the passing of time, we see the particular links he creates with his customers and employees. Relationships that are sometimes very joyful and sometimes conflicting that are built up over time.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Fassar Maurice SARR<\/strong> is a laureate of the \u00ab\u00a0Ecole Sup\u00e9rieure de Cin\u00e9ma du Maroc\u00a0\u00bb (ESAV Marrakech), specializing in directing. He started writing poems, short stories and novels when he was very young. In 2013, he published two collections of poems: Recueil de la fin du monde (Nena Editions), Premiers Vers (Edilivre).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mamadou Souar\u00e9 (known as Modou) is a Senegalese tailor who works in Marrakech. His daily routine is to manage a sewing salon with Senegalese employees. Day after day, his employees carry out with meticulousness a real work of ant by satisfying several orders. His sewing salon receives throughout the day a very special clientele: [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[121],"tags":[],"class_list":["post-5257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/AU-FIL-DU-TEMPS-FASSAR-MAURICE-SARR_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5257"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5257\/revisions"}],"predecessor-version":[{"id":5262,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5257\/revisions\/5262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3460"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5252,"date":"2023-02-28T14:33:19","date_gmt":"2023-02-28T14:33:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=5252"},"modified":"2023-02-28T14:33:57","modified_gmt":"2023-02-28T14:33:57","slug":"annaelle-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/annaelle-2\/","title":{"rendered":"Annaelle"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Annaelle Moussavou, 24 years old, shy, passionate about digital technology, works in a computer company where she has difficulty asserting herself. She is harassed by Obiang, a macho man who is the head of her department. Annaelle refuses his advances, and his low blows will cost her her job, but Paul, her colleague who is secretly in love with her, helps her to get out of it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Annaelle Moussavou, 24 years old, shy, passionate about digital technology, works in a computer company where she has difficulty asserting herself. She is harassed by Obiang, a macho man who is the head of her department. Annaelle refuses his advances, and his low blows will cost her her job, but Paul, her colleague who [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[121],"tags":[],"class_list":["post-5252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/ANNAELLE-PIERRE-MBUMBA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5252"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5252\/revisions"}],"predecessor-version":[{"id":5253,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5252\/revisions\/5253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3450"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5250,"date":"2023-02-28T14:28:23","date_gmt":"2023-02-28T14:28:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=5250"},"modified":"2023-02-28T14:28:53","modified_gmt":"2023-02-28T14:28:53","slug":"07-mars-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/07-mars-2\/","title":{"rendered":"07-Mars"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Victim of an arranged marriage, Sarah finds herself possessed and considered a sexual object by her own husband. After her first wedding night in Marrakech, all she wants is to regain her freedom at any cost.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Alioune FALL<\/strong> was born in Saint-Louis, Senegal. He is walo-walo and was born on February 1, 1998. Passionate about art in all its dimensions and colors, he integrated the Institut Sup\u00e9rieur d&rsquo;Enseignements Professionnels de Thi\u00e8s in the Cinema field for two years before continuing at the \u00ab\u00a0\u00c9cole Sup\u00e9rieure des Arts Visuels de Marrakech\u00a0\u00bb. He is currently doing the Image Cinema option. Alioune FALL has had the opportunity to participate in many fiction and documentary film projects in Senegal. He is the director of the group film \u00ab\u00a0Why not?\u00a0\u00bb, \u00ab\u00a0Terre riche Terre m\u00e8re\u00a0\u00bb and \u00ab\u00a0Con-Trat\u00a0\u00bb shot in the Senegal River Valley. In Morocco, apart from school films, he has worked on a feature film \u00ab\u00a0Hotel de la paix\u00a0\u00bb at \u00ab\u00a0Jacaranda\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Victim of an arranged marriage, Sarah finds herself possessed and considered a sexual object by her own husband. After her first wedding night in Marrakech, all she wants is to regain her freedom at any cost. Biofilmography Alioune FALL was born in Saint-Louis, Senegal. He is walo-walo and was born on February 1, 1998. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[121],"tags":[],"class_list":["post-5250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/07-MARS-ALIOUNE-FALL.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5250"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5250\/revisions"}],"predecessor-version":[{"id":5251,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5250\/revisions\/5251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3439"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5243,"date":"2023-02-28T14:22:03","date_gmt":"2023-02-28T14:22:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=5243"},"modified":"2023-03-01T11:41:00","modified_gmt":"2023-03-01T11:41:00","slug":"ceremonie-de-libation-une-tradition-respectee-2-statues-devoilees","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ceremonie-de-libation-une-tradition-respectee-2-statues-devoilees\/","title":{"rendered":"C\u00e9r\u00e9monie de libation : une tradition respect\u00e9e,  2 statues d\u00e9voil\u00e9es"},"content":{"rendered":"\n<p><strong>Les cin\u00e9astes africains et de la diaspora ont, une fois encore, honorer les professionnels du 7e art<\/strong><\/p>\n\n\n\n<p>La traditionnelle c\u00e9r\u00e9monie de libation a eu lieu hier dimanche 26 f\u00e9vrier dans la matin\u00e9e \u00e0 la place<br>des cin\u00e9astes. Et comme \u00e0 l\u2019accoutum\u00e9e, les festivaliers n\u2019ont pas marchand\u00e9 leur participation aux c\u00f4t\u00e9s de leurs pairs et autorit\u00e9s burkinab\u00e8 dont le ministre en charge de la culture. Ils ont ensuite assist\u00e9 \u00e0 la d\u00e9couverte de la statue de Oumarou Ganda premier \u00c9talon d&rsquo;or. Elle a \u00e9t\u00e9 d\u00e9voil\u00e9e sur l\u2019avenue de la colonne des \u00e9talons. Cap a \u00e9t\u00e9 ensuite mis sur le si\u00e8ge du FESPACO o\u00f9 une autre statue a \u00e9t\u00e9 d\u00e9voil\u00e9e.<br>Il s\u2019agit cette fois-ci du buste de l\u2019embl\u00e9matique homme \u00e0 la pipe du FESPACO et pionnier du festival, Semb\u00e8ne Ousmane dont les cin\u00e9astes comm\u00e9morent le centenaire au cours de cette 28e \u00e9dition. Le Burkina Faso vient de rendre ainsi un hommage \u00e0 un grand panafricain a pr\u00e9cis\u00e9 le ministre de la communication Jean Emmanuel Ou\u00e9draogo. C&rsquo;\u00e9tait en pr\u00e9sence de Alain Semb\u00e8ne, le fils de Sembene Ousmane, qui n&rsquo;a pas manqu\u00e9 de montrer sa gratitude au peuple burkinab\u00e8. Il a pr\u00e9cis\u00e9 que son p\u00e8re \u00e9tait un grand amoureux du FESPACO.<br>La c\u00e9r\u00e9monie de libation a une fois de plus sacrifi\u00e9 \u00e0 la tradition en faisant deux fois le tour du rond-point de la place des cin\u00e9astes main dans la main, formant ainsi un grand cercle en cha\u00eene humaine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les cin\u00e9astes africains et de la diaspora ont, une fois encore, honorer les professionnels du 7e art La traditionnelle c\u00e9r\u00e9monie de libation a eu lieu hier dimanche 26 f\u00e9vrier dans la matin\u00e9e \u00e0 la placedes cin\u00e9astes. Et comme \u00e0 l\u2019accoutum\u00e9e, les festivaliers n\u2019ont pas marchand\u00e9 leur participation aux c\u00f4t\u00e9s de leurs pairs et autorit\u00e9s burkinab\u00e8 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-8.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5243"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5243\/revisions"}],"predecessor-version":[{"id":5353,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5243\/revisions\/5353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5348"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5239,"date":"2023-02-28T13:43:37","date_gmt":"2023-02-28T13:43:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=5239"},"modified":"2023-02-28T13:43:37","modified_gmt":"2023-02-28T13:43:37","slug":"linnocence-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/linnocence-2\/","title":{"rendered":"L&rsquo;innocence"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Agathe is a student in criminology. She has been abused by her brother since her childhood. And from this incestuous relationship, Ines was born with a handicap due to her consanguinity. The three of them live together in a large house they inherited after the accidental death of their parents 15 years ago. Agathe&rsquo;s daily struggle is to protect her daughter from her brother&rsquo;s sexual urges.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Thomas H\u00e9noc OUEDRAOGO is an emerging writer-director. He holds a Bachelor&rsquo;s degree in film directing from the Institut Sup\u00e9rieur de l&rsquo;Image et du Son (ISIS\/SE) in 2013. He is best known for playing leading roles in many films and series of renowned directors such as Dani KOUYATE, Adama ROAMBA, Guy D\u00e9sir\u00e9 YAMEOGO etc. After his studies, Thomas OUEDRAOGO is quickly distinguished by his talent as first assistant director and is regularly solicited by several production structures of the place. Since 2019, he is the author of three (3) films.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Agathe is a student in criminology. She has been abused by her brother since her childhood. And from this incestuous relationship, Ines was born with a handicap due to her consanguinity. The three of them live together in a large house they inherited after the accidental death of their parents 15 years ago. Agathe&rsquo;s [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Linnocence-Thomas-Henoc-OUEDRAOGO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5239"}],"version-history":[{"count":0,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5225,"date":"2023-02-28T13:23:32","date_gmt":"2023-02-28T13:23:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=5225"},"modified":"2023-02-28T13:23:37","modified_gmt":"2023-02-28T13:23:37","slug":"le-botaniste-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-botaniste-2\/","title":{"rendered":"Le Botaniste"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A specialist in tropical plants, Rayann, 32, is a brilliant scientist who has had an exemplary career. But he loses his family in a terrorist attack. Since then, Rayann has lived apart from the world until the day he is taken hostage in his house by terrorists pursued by the police. By instinct of survival, he plans to neutralize them thanks to his knowledge of plants.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A specialist in tropical plants, Rayann, 32, is a brilliant scientist who has had an exemplary career. But he loses his family in a terrorist attack. Since then, Rayann has lived apart from the world until the day he is taken hostage in his house by terrorists pursued by the police. By instinct of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-Botaniste-Floriane-ZOUNDI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5225"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5225\/revisions"}],"predecessor-version":[{"id":5226,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5225\/revisions\/5226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3235"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5209,"date":"2023-02-28T13:17:27","date_gmt":"2023-02-28T13:17:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=5209"},"modified":"2023-02-28T13:17:33","modified_gmt":"2023-02-28T13:17:33","slug":"malla-aussi-loin-que-dure-la-nuit-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/malla-aussi-loin-que-dure-la-nuit-2\/","title":{"rendered":"Malla, aussi loin que dure la nuit"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>When his father dies due to a lack of financial means for an early treatment of his illness, Malla blames the whole world. He blames his older brother Fado, his mother, his late father and even God. He only dreams of one thing, to get out of this misery and avoid his younger sister Kandi, to die from this hereditary disease that took their father. In his quest for a solution, Malla drags his family, in spite of themselves, into a dark adventure.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>OUEDRAOGO Dramane<\/strong> was born in Abobo-Gare, Republic of Ivory Coast, on December 28, 1985. He holds a Bachelor&rsquo;s degree in Sociology, and his love for art led him to the cinema for the first time in 2007 as an actor in a short film entitled \u00ab\u00a0Amour sans fronti\u00e8re\u00a0\u00bb (Love without borders) by Laurentine BAYALA, where he plays the main character. He then trained in theater and contemporary dance at the \u00ab\u00a0Atelier Th\u00e9\u00e2tre Burkinab\u00e8\u00a0\u00bb (ATB). He then played several roles in forum plays and in about twenty films of all genres.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis When his father dies due to a lack of financial means for an early treatment of his illness, Malla blames the whole world. He blames his older brother Fado, his mother, his late father and even God. He only dreams of one thing, to get out of this misery and avoid his younger sister [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3279,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Malla-aussi-loin-que-dure-la-nuit-Dramane-OUEDRAOGO-_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5209"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5209\/revisions"}],"predecessor-version":[{"id":5217,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5209\/revisions\/5217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3279"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5198,"date":"2023-02-28T13:00:30","date_gmt":"2023-02-28T13:00:30","guid":{"rendered":"https:\/\/fespaco.org\/?p=5198"},"modified":"2023-02-28T13:00:36","modified_gmt":"2023-02-28T13:00:36","slug":"mada-et-saga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mada-et-saga\/","title":{"rendered":"Mada et Saga"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>The story takes place in modern-day Burkina Faso. Madi, a child from a small village, is confronted with illness at a very young age and his parents do everything they can to save his life, even if it means going into debt. Thanks to their love and devotion, they allow him to recover. When Madi reaches 20 years old, they are always at his side to offer him a good education and help him to enter the working life with all the assets of success. So why does Madi disown them to the point of cutting them out of his life as soon as he reaches this goal despite all the sacrifices they have made for him? And when illness catches up with him and ruin hits, will he finally understand that family and health are far more precious than money?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The story takes place in modern-day Burkina Faso. Madi, a child from a small village, is confronted with illness at a very young age and his parents do everything they can to save his life, even if it means going into debt. Thanks to their love and devotion, they allow him to recover. When [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Madi-et-Saga-Yacouba-NAPON_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5198"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5198\/revisions"}],"predecessor-version":[{"id":5201,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5198\/revisions\/5201"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3271"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5190,"date":"2023-02-28T12:53:45","date_gmt":"2023-02-28T12:53:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=5190"},"modified":"2023-02-28T12:53:50","modified_gmt":"2023-02-28T12:53:50","slug":"le-sermon-des-prophetes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-sermon-des-prophetes-2\/","title":{"rendered":"Le sermon des proph\u00e8tes"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Faced with increasingly frequent and deadly attacks by armed groups since January 2016, Burkina Faso is also experiencing intercommunal clashes. Attacks by jihadist groups have caused nearly two million people to flee their homes, closed more than 4,000 schools and killed thousands of Burkinab\u00e8.<br>Abdou Djamal, about 50 years old, is the leader of an armed group that poses as a gold digger and a devout Muslim. Djamal is a strategist and a self-confident manipulator. He plans and directs, from his home in the city, all the operations and armed attacks perpetrated by Walid Jafar, his field man, against the civilian population.<br>Zakaria is a teenager, 15 years old. Internally displaced, Zakaria lives with his mother in the same neighborhood as Djamal, he is an orphan, his father was killed by the commando of Djamal. His father was killed by Djamal&rsquo;s commando. Now that he and his mother are internally displaced, Zakaria&rsquo;s new activity is collecting garbage with a cart. His destiny will change the day Djamal decides to take him in after a work accident.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Faced with increasingly frequent and deadly attacks by armed groups since January 2016, Burkina Faso is also experiencing intercommunal clashes. Attacks by jihadist groups have caused nearly two million people to flee their homes, closed more than 4,000 schools and killed thousands of Burkinab\u00e8.Abdou Djamal, about 50 years old, is the leader of an [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-sermon-des-prophetes-Seydou-BOUNDAONE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5190"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5190\/revisions"}],"predecessor-version":[{"id":5193,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5190\/revisions\/5193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3264"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5181,"date":"2023-02-28T12:49:51","date_gmt":"2023-02-28T12:49:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=5181"},"modified":"2023-02-28T12:49:57","modified_gmt":"2023-02-28T12:49:57","slug":"laffaire-sam-mory-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/laffaire-sam-mory-2\/","title":{"rendered":"L&rsquo;affaire Sam Mory"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>The death of Judge Mory Samuel upsets the entire country. Accident or murder? An investigation was opened. Unconvinced by the conclusions of the autopsy, the members of the magistrates&rsquo; union call for a strike to protest against the insecurity in which they work. The widow Adji Mory decides to find out for sure and starts to investigate. The thesis of murder seems to be corroborated. Was it a crime or a political assassination? This is a difficult question, especially since Sam Mory has judged many sensitive cases and sent many indelicate people behind bars. What can this woman do on her own in the face of the formidable machinery that weaves in the shadows? Will Adji Mory come out of this trap unscathed?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The death of Judge Mory Samuel upsets the entire country. Accident or murder? An investigation was opened. Unconvinced by the conclusions of the autopsy, the members of the magistrates&rsquo; union call for a strike to protest against the insecurity in which they work. The widow Adji Mory decides to find out for sure and [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LAffaire-Sam-Mory-Boubakar-DIALLO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5181"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5181\/revisions"}],"predecessor-version":[{"id":5184,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5181\/revisions\/5184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3261"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5160,"date":"2023-02-28T12:26:59","date_gmt":"2023-02-28T12:26:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=5160"},"modified":"2023-02-28T12:27:04","modified_gmt":"2023-02-28T12:27:04","slug":"le-galop-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/le-galop-2\/","title":{"rendered":"Le Galop"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A young woman, mounted on a horse and armed with a quiver, gallops at a fast pace. The horse speeds up at every command of its master. Mixing with the sound of hooves, a distant voice calling for someone can be heard, Yennenga\u2026 Without paying attention to this call, the rider continues her ride and disappears in the distance. Ignoring the concerns of the rider Yennenga, the city of Ouagadougou is dressed in its finest finery to receive its guests, including directors who have their films in competition at the 27th edition of Fespaco. Like a horse race, four (4) directors, Moumouni from Burkina Faso, Fama from Senegal, Aicha from Niger and Mutiganda from Rwanda, set out for a long ride.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>El\u00e9onore YAMEOGO is a Burkinabe director. She studied cinema at the \u00ab\u00a0Institut Sup\u00e9rieur de l&rsquo;Image et du   Son\u00a0\u00bb Image and Sound in Ouagadougou, then during workshops in France and Belgium. After having directed short and medium-length films: \u00ab\u00a0Ouaga Jazzy\u00a0\u00bb, \u00ab\u00a0Ouaga HH\u00a0\u00bb, \u00ab\u00a0La main tendue\u00a0\u00bb, 2011 marks the<br>the release of his first feature-length documentary \u00ab\u00a0Paris mon Paradis\u00a0\u00bb which premiered at FESPACO<br>at the FESPACO and won the prize of the Conseil Sup\u00e9rieur de I&rsquo;Information. A series of awards followed in the same year. In 2019, she released \u00ab\u00a0Le cimeti\u00e8re des \u00e9l\u00e9phants\u00a0\u00bb selected for the feature documentary competition at FESPACO. In 2021, El\u00e9onore co-directs with Rosine Mbakam (Cameroon), An Van Dienderen (Belgium) \u00ab\u00a0PRISM\u00a0\u00bb a feature documentary. In 2022, El\u00e9onore Yam\u00e9ogo directed a documentary series of 26 episodes*12 min entitled \u00a0\u00bb DE L&rsquo;AUTRE COTE DES RIVES \u00ab\u00a0.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A young woman, mounted on a horse and armed with a quiver, gallops at a fast pace. The horse speeds up at every command of its master. Mixing with the sound of hooves, a distant voice calling for someone can be heard, Yennenga\u2026 Without paying attention to this call, the rider continues her ride [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-Galop-Eleonore-YAMEOGO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5160"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5160\/revisions"}],"predecessor-version":[{"id":5163,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5160\/revisions\/5163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3254"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5156,"date":"2023-02-28T12:04:41","date_gmt":"2023-02-28T12:04:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=5156"},"modified":"2023-02-28T12:15:53","modified_gmt":"2023-02-28T12:15:53","slug":"laabli-linsaisissable-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/laabli-linsaisissable-2\/","title":{"rendered":"Laabli l&rsquo;insaisissable"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>In this film, the aim is to restore the rich life of this atypical character of Moustapha Thiombiano called \u00ab\u00a0the madman\u00a0\u00bb, \u00ab\u00a0the boss\u00a0\u00bb or \u00ab\u00a0the cowboy\u00a0\u00bb in the field of media, culture (Fespaco), and popular urban activities through testimonies and archives. The dynamics of the film are modelled on the character of the character himself. That is to say in movement as indicated by his name \u00ab\u00a0Laabli\u00a0\u00bb in Gulmatch\u00e9ma. The tone of the film is in the image of Mustapha, raw, comical, frank and direct without euphemism. It is also about showing, regime after regime, how his works have influenced the populations from 1960 to today. What was the relationship between Moustapha the free thinker and Captain Thomas Sankara during the revolution and the other presidents? What was his relationship with wealth? women? democracy? youth? And religion?<br><br><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Born in Pi\u00e8la, in a rural commune in the East of Burkina Faso, <strong>Luc Youlouka DAMIBA<\/strong> has a Master&rsquo;s degree in journalism and communication from the Joseph Ki-Zerbo University of Ouagadougou. He then embarked on a career as a researcher specializing in anti-corruption and governance issues in West Africa. He studied development at the University of Geneva in Switzerland where he obtained a Master&rsquo;s degree in development studies. After a few years of journalistic practice in the private and public press in Burkina, DAMIBA co-founded with friends a web television on the one hand and on the other hand a platform for the dissemination of audiovisual media to the youth (Cin\u00e9 Droit Libre festival). For more than 15 years, he has been co-directing the cultural and militant association Semfilms Burkina, which specializes in the use of images for the promotion of human rights. DAMIBA has directed, co-directed, produced and co-produced several thematic documentaries in Burkina, and in several African countries. He makes cinema his passion and his commitment to human rights.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In this film, the aim is to restore the rich life of this atypical character of Moustapha Thiombiano called \u00ab\u00a0the madman\u00a0\u00bb, \u00ab\u00a0the boss\u00a0\u00bb or \u00ab\u00a0the cowboy\u00a0\u00bb in the field of media, culture (Fespaco), and popular urban activities through testimonies and archives. The dynamics of the film are modelled on the character of the character [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Laabli-linsaisissable-Luc-Youlouka-DAMIBA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5156"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5156\/revisions"}],"predecessor-version":[{"id":5157,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5156\/revisions\/5157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3250"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5152,"date":"2023-02-28T11:45:19","date_gmt":"2023-02-28T11:45:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=5152"},"modified":"2023-02-28T11:45:27","modified_gmt":"2023-02-28T11:45:27","slug":"papa-eric-le-tendre-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/papa-eric-le-tendre-2\/","title":{"rendered":"Papa Eric le tendre"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Paris is a city where most people seem sad and lonely. But Papa Eric is there to give them tenderness and boost their mood. I paint a portrait of this atypical character that I am looking for or maybe I am just looking for happiness.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Wendkoagnda Gaston BONKOUNGOU<\/strong> joined the \u00ab\u00a0Institut Sup\u00e9rieur de l&rsquo;Image et du Son\/Studio-\u00c9cole\u00a0\u00bb (ISIS-SE) in 2019 with the aim of pursuing a career in cinema. A great lover of cinema, this passion has led him to invest body and soul to acquire a film culture through research, training, writing residencies, exchanges and master classes with film personalities. He also participated in filming as first assistant director and director. Souk, his first film of school received international awards.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Paris is a city where most people seem sad and lonely. But Papa Eric is there to give them tenderness and boost their mood. I paint a portrait of this atypical character that I am looking for or maybe I am just looking for happiness. Biofilmography Wendkoagnda Gaston BONKOUNGOU joined the \u00ab\u00a0Institut Sup\u00e9rieur de [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Papa-Eric-le-tendre-Wendkoagnda-Gaston-BONKOUNGOU_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5152"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5152\/revisions"}],"predecessor-version":[{"id":5153,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5152\/revisions\/5153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3241"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5149,"date":"2023-02-28T11:36:09","date_gmt":"2023-02-28T11:36:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=5149"},"modified":"2023-02-28T11:36:32","modified_gmt":"2023-02-28T11:36:32","slug":"stay-up-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/stay-up-2\/","title":{"rendered":"Stay Up"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Stay Up suit la danseuse malienne Mariam Doumbia qui raconte sa vie \u00e0 travers la danse et se pr\u00e9pare pour sa derni\u00e8re repr\u00e9sentation dans une \u00e9cole de danse \u00e0 Ouagadougou. Pour Miriam, fuir le Mali et \u00e9migrer au Burkina Faso lui a donn\u00e9 la possibilit\u00e9 de commencer une nouvelle vie et de gu\u00e9rir des traumatismes subis dans son pays, o\u00f9 sa famille compte sur elle pour sa propre survie. Aujourd&rsquo;hui, Mariam est une jeune femme confiante et exub\u00e9rante sur le point de devenir m\u00e8re. Elle r\u00e9fl\u00e9chit aux traumatismes de sa propre enfance au Mali, o\u00f9 elle a subi des abus sexuels r\u00e9p\u00e9t\u00e9s pendant son enfance et son adolescence. Gr\u00e2ce \u00e0 la danse, Mariam a trouv\u00e9 la r\u00e9silience n\u00e9cessaire pour se construire une nouvelle vie.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s des \u00e9tudes de dramaturgie \u00e0 l&rsquo;Universit\u00e9 de Ouagadougou, <strong>Aissata OUARMA<\/strong> se tourne vers le cin\u00e9ma et se forme sur de nombreux plateaux de tournage. En 2010, elle remporte le prix du meilleur sc\u00e9nario au Festival Cin\u00e9 Droit Libre au Burkina Faso avec son projet de film \u00ab\u00a0Le silence des autres\u00a0\u00bb. Elle a particip\u00e9 \u00e0 des r\u00e9sidences d&rsquo;\u00e9criture au Burkina Faso, au S\u00e9n\u00e9gal, en Allemagne, en France et en Suisse avant de s&rsquo;inscrire \u00e0 l&rsquo;Institut sup\u00e9rieur de l&rsquo;image et du son pour un master en documentaire de cr\u00e9ation. Son film de fin d&rsquo;\u00e9tudes a remport\u00e9 plusieurs prix, dont celui du meilleur film documentaire des \u00e9coles africaines de cin\u00e9ma en 2015. En 2016, elle a obtenu une bourse pour une r\u00e9sidence d&rsquo;\u00e9criture \u00e0 l&rsquo;\u00e9cole d&rsquo;\u00e9t\u00e9 de \u00ab\u00a0La F\u00e9mis\u00a0\u00bb \u00e0 Paris. Elle a r\u00e9alis\u00e9 son premier moyen m\u00e9trage en 2017 avec une production fran\u00e7aise.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Stay Up suit la danseuse malienne Mariam Doumbia qui raconte sa vie \u00e0 travers la danse et se pr\u00e9pare pour sa derni\u00e8re repr\u00e9sentation dans une \u00e9cole de danse \u00e0 Ouagadougou. Pour Miriam, fuir le Mali et \u00e9migrer au Burkina Faso lui a donn\u00e9 la possibilit\u00e9 de commencer une nouvelle vie et de gu\u00e9rir des [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-5149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Stay-Up-Aissata-OUARMA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5149"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5149\/revisions"}],"predecessor-version":[{"id":5150,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5149\/revisions\/5150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3245"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5145,"date":"2023-02-28T11:32:25","date_gmt":"2023-02-28T11:32:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=5145"},"modified":"2023-02-28T11:32:30","modified_gmt":"2023-02-28T11:32:30","slug":"douleurs-de-vies-de-femmes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/douleurs-de-vies-de-femmes-2\/","title":{"rendered":"Douleurs de vies de femmes"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Obstetric fistula is characterized by chronic incontinence in women. In Burkina Faso, this pathology affects hundreds of women. Known as the \u00ab\u00a0disease of the shadow\u00a0\u00bb, it affects the dignity and physical integrity of women and is the nightmare of many women around the world. In Ouagadougou, the RAMA Foundation supports and provides medical care and counseling to women with fistula. This document is a collection of testimonies from women who have suffered from fistula and who are mostly residents of the RAMA Foundation. They tell us about their experiences.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Habibou ZOUNGRANA <\/strong>is an editor, director and trainer. Born in Burkina Faso, her path crosses the cinema which she studied at the International School of Cinema and Television of San Antonio de los Banos in Cuba. With a degree in editing, she returned to Burkina Faso in 1992 where she edited several documentary and fiction films, commercials and television series. In 2001, she directed her first documentary film, \u00ab\u00a0A moi la pilule\u00a0\u00bb, which was followed by other short films. Her documentary film \u00ab\u00a0Nous aussi\u00a0\u00bb (2004) and her fictions \u00ab\u00a0Rupture \u00e0 froid\u00a0\u00bb, \u00ab\u00a0Quelqu&rsquo;un \u00e0 la porte\u00a0\u00bb (2013) were selected in competition at FESPACO. In 2015 she directed her first feature film \u00ab\u00a0The Conspiracy\u00a0\u00bb, in 2016 a documentary film \u00ab\u00a0Judith, femme hirondelle\u00a0\u00bb, in 2017 a documentary film on female genital mutilation entitled \u00ab\u00a0G\u00e9n\u00e9rations sans excision\u00a0\u00bb, in 2020? a documentary film entitled \u00ab\u00a0Moi Anne -Marie\u00a0\u00bb, and in 2021 a fiction film entitled \u00ab\u00a0Une si longue attente\u2026\u00a0\u00bb. Currently, she works at the Ministry of Communication and devotes herself to training young people in editing in film schools (ISIS, ISTIC), writing and directing her film projects.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Obstetric fistula is characterized by chronic incontinence in women. In Burkina Faso, this pathology affects hundreds of women. Known as the \u00ab\u00a0disease of the shadow\u00a0\u00bb, it affects the dignity and physical integrity of women and is the nightmare of many women around the world. In Ouagadougou, the RAMA Foundation supports and provides medical care [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-5145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Douleurs-de-vies-de-femmes-Habibou-ZOUNGRANA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5145"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5145\/revisions"}],"predecessor-version":[{"id":5146,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5145\/revisions\/5146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3198"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5127,"date":"2023-02-27T20:21:24","date_gmt":"2023-02-27T20:21:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=5127"},"modified":"2023-02-27T20:21:29","modified_gmt":"2023-02-27T20:21:29","slug":"tempete-dans-une-calebasse-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tempete-dans-une-calebasse-2\/","title":{"rendered":"Temp\u00eate dans une calebasse"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>The villagers of Sougouri and Sawoura are about to clash. Cattle belonging to the villagers of Sawoura are said to have ransacked a field belonging to an inhabitant of Sougouri. The prefect of Sabari sends in the heavy artillery to quell the crisis: the joking kinship.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Serge Dimitri PITROIPA<\/strong> is a director, producer and set designer born in Ouagadougou, Burkina Faso. He did his secondary education in Ouagadougou. He continued at the School of Arts at the National Center for Arts and Crafts. In 2005, he participated in the first training in animation in Burkina Faso and joined the association Yelboundi. In 2009, he created \u00ab\u00a0ABCA\u00a0\u00bb the Association Burkinab\u00e8 du Cin\u00e9ma d&rsquo;Animation. Since 2013 he has a production company \u00ab\u00a0PiProduction\u00a0\u00bb. <strong>Serge Dimitri PITROIPA<\/strong> has directed a dozen films (animation, documentary, fiction series, etc.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The villagers of Sougouri and Sawoura are about to clash. Cattle belonging to the villagers of Sawoura are said to have ransacked a field belonging to an inhabitant of Sougouri. The prefect of Sabari sends in the heavy artillery to quell the crisis: the joking kinship. Biofilmography Serge Dimitri PITROIPA is a director, producer [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3375,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Tempete-dans-une-calebasse-Serge-Dimitri-PITROIPA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5127"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5127\/revisions"}],"predecessor-version":[{"id":5128,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5127\/revisions\/5128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3375"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5124,"date":"2023-02-27T20:18:38","date_gmt":"2023-02-27T20:18:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=5124"},"modified":"2023-02-27T20:18:42","modified_gmt":"2023-02-27T20:18:42","slug":"reine-du-guera-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/reine-du-guera-2\/","title":{"rendered":"Reine du Guera"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>It all starts when her sick mother could not accompany her to the watering hole. She then takes it upon herself to go alone to the dangerous \u00ab\u00a0Chasm of the Mountains\u00a0\u00bb. On the way, she met Kolima, the sorcerer&rsquo;s daughter, and Ghizarbo the monitor, who were on their way to a village meeting. Curious, she followed them and learned that the king&rsquo;s son, Prince Dubal, was looking to get married. He was looking for the future princess. Only Doulassi met the recommended criteria. As she would have to return home before sunset, she hurried to fetch water. But Kolima and her sidekick decided to accompany her. Since then, no one has seen her. She vanished into thin air.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Khalil SALMA<\/strong> is a versatile self-taught artist of pictorial expression. She is a photojournalist and a consultant in graphic design, but she is also a visual artist. She draws her inspiration from the secular cultures of Africa and that of her country in particular. As a designer, she integrates her ancestral signature in her works where innovation and art are mixed. While working as a computer graphics designer in a cell phone company, she discovered the first basics of balloon animation through her curiosity. She who has always made frozen images, discovers through this learning an innovative experience.<\/p>\n\n\n\n<p>In 2018, she trains herself through tutorials she finds on the Internet and gradually adapts a childhood tale into an animated film that she entitled \u00ab\u00a0Queen of Guera\u00a0\u00bb in homage to this mythical mountain of her native land, symbol of goodness as well as authenticity in the feminine. The following months, she adapted the comic strip \u00ab\u00a0The Hassan family\u00a0\u00bb into animation. Khalil&rsquo;s advertising animations are often broadcast on Chadian national television.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis It all starts when her sick mother could not accompany her to the watering hole. She then takes it upon herself to go alone to the dangerous \u00ab\u00a0Chasm of the Mountains\u00a0\u00bb. On the way, she met Kolima, the sorcerer&rsquo;s daughter, and Ghizarbo the monitor, who were on their way to a village meeting. Curious, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Reine-du-Guera-Khalil-SALMA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5124"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5124\/revisions"}],"predecessor-version":[{"id":5125,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5124\/revisions\/5125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3371"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5120,"date":"2023-02-27T20:08:18","date_gmt":"2023-02-27T20:08:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=5120"},"modified":"2023-02-27T20:08:26","modified_gmt":"2023-02-27T20:08:26","slug":"on-the-surface-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/on-the-surface-2\/","title":{"rendered":"On The Surface"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A young black woman goes swimming in the sea and reflects on her experience of raising a child in Iceland, a country that is nothing like home. As she enters the icy water, she relives her traumatic pregnancy. Being in nature and facing her fears helps her heal.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Fan SISSOKO<\/strong> is a French-Malian artist and filmmaker based in Reykjavik with a background in design. Her work explores themes of migration, motherhood, and neurodiversity. She has worked in London for the Migration Museum, the Museum of London, the Science Gallery Dublin and the National Trust. Her short animated film \u00ab\u00a0On the Surface\u00a0\u00bb was awarded a grant and has been screened at international festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A young black woman goes swimming in the sea and reflects on her experience of raising a child in Iceland, a country that is nothing like home. As she enters the icy water, she relives her traumatic pregnancy. Being in nature and facing her fears helps her heal. Biofilmography Fan SISSOKO is a French-Malian [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/On-the-surface-En-surface-Fan-SISSOKO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5120"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5120\/revisions"}],"predecessor-version":[{"id":5121,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5120\/revisions\/5121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3366"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5118,"date":"2023-02-27T20:04:00","date_gmt":"2023-02-27T20:04:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=5118"},"modified":"2023-02-27T20:04:05","modified_gmt":"2023-02-27T20:04:05","slug":"les-palimpseste-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/les-palimpseste-2\/","title":{"rendered":"Les Palimpseste"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Iba, 9 years old, not-yet-teenager-but-almost-teenager, is athletic, passionate and full of energy, but she has trouble accepting limits. Emeka, her 8 year old brother, is curious and clever, and makes an effort to assert himself and take his place. They are children like there are in all families: lively and endearing, adorable, crossed by the emotions and questionings of their age. But what Iba and Emeka have more, is Mamie Palimpseste. A super funny and super creative grandmother, very clever, hyperactive and full of common sense. To answer her grandchildren&rsquo;s questions and problems, this incredible grandmother takes them on a journey through time that plunges them into stories from a more or less distant past: that of the heroes of Africa. Episode after episode, these extraordinary adventures enrich our little heroes in the present and help them grow up.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Ingrid AGBO<\/strong>, a Togolese, is an author-producer who is in line with those who want to create and produce without limits of genres, for any audience, whether it is confidential or popular. The social changes and morals are, among others, the themes that motivate her commitment to films. For her, diversity in creations is above all the diversity of creators.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Iba, 9 years old, not-yet-teenager-but-almost-teenager, is athletic, passionate and full of energy, but she has trouble accepting limits. Emeka, her 8 year old brother, is curious and clever, and makes an effort to assert himself and take his place. They are children like there are in all families: lively and endearing, adorable, crossed by [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Les-palimpseste-Ingrid-AGBO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5118"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5118\/revisions"}],"predecessor-version":[{"id":5119,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5118\/revisions\/5119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3360"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5116,"date":"2023-02-27T19:59:25","date_gmt":"2023-02-27T19:59:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=5116"},"modified":"2023-02-27T19:59:31","modified_gmt":"2023-02-27T19:59:31","slug":"laffront-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/laffront-2\/","title":{"rendered":"L&rsquo;affront"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>The return of Soundiata&rsquo;s emissary announces a challenge from Djolofin Mansa. To take up this challenge, the warlords present themselves as volunteers, including Tiramakan.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>A graduate of the \u00ab\u00a0Conservatoire des Arts et M\u00e9tiers Multim\u00e9dia Balla Fasseke Kouyate\u00a0\u00bb in Bamako, <strong>Negueba TRAORE<\/strong> is a young man with a passion for animated films, which led him to study multimedia. In addition to the classic fields such as photography, video, graphic design\u2026 Negueba focused more on learning the techniques of 2D and 3D film animation. To perfect his level, he undertook training courses in several production companies, and accumulated training through the Internet, before landing at \u00ab\u00a0Vortexgroups\u00a0\u00bb, which accompanied him in the realization of his first animated film in 3D, entitled \u00ab\u00a0The Affront\u00a0\u00bb which deals with the story of a warrior chief of the Mali empire. Negueba intends to produce films based on original African stories, in order to enhance them, safeguard them and make them available to the rest of the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The return of Soundiata&rsquo;s emissary announces a challenge from Djolofin Mansa. To take up this challenge, the warlords present themselves as volunteers, including Tiramakan. Biofilmography A graduate of the \u00ab\u00a0Conservatoire des Arts et M\u00e9tiers Multim\u00e9dia Balla Fasseke Kouyate\u00a0\u00bb in Bamako, Negueba TRAORE is a young man with a passion for animated films, which led [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Laffront-Negueba-TRAORE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5116"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5116\/revisions"}],"predecessor-version":[{"id":5117,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5116\/revisions\/5117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3356"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5114,"date":"2023-02-27T19:53:22","date_gmt":"2023-02-27T19:53:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=5114"},"modified":"2023-02-27T19:53:25","modified_gmt":"2023-02-27T19:53:25","slug":"lombre-des-papillons-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/lombre-des-papillons-2\/","title":{"rendered":"L&rsquo;Ombre des Papillons"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>In the grip of a bittersweet nostalgia, a woman takes refuge in the contemplation of butterflies that seem to populate a mysterious forest.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Born in 1992 in Casablanca of Moroccan nationality, <strong>Sofia EL KHYARI<\/strong> left Morocco for Paris to study cultural management. She also learns animation in self-taught and makes her first short film. She obtained a Master&rsquo;s degree in animation at the Royal College of Art in London and affirmed her taste for textures, mixed techniques and animated calligraphy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In the grip of a bittersweet nostalgia, a woman takes refuge in the contemplation of butterflies that seem to populate a mysterious forest. Biofilmography Born in 1992 in Casablanca of Moroccan nationality, Sofia EL KHYARI left Morocco for Paris to study cultural management. She also learns animation in self-taught and makes her first short [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Lombre-des-papillons-Sofia-EL-KHYARI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5114"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5114\/revisions"}],"predecessor-version":[{"id":5115,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5114\/revisions\/5115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3352"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5112,"date":"2023-02-27T19:45:41","date_gmt":"2023-02-27T19:45:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=5112"},"modified":"2023-02-27T19:45:46","modified_gmt":"2023-02-27T19:45:46","slug":"kwaba-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kwaba-2\/","title":{"rendered":"Kwaba"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Sopi, who has just learned that her daughter, who is in town, has just obtained her baccalaureate, shares her joy with her neighbor Ahou.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Pierre-Marie SINDO<\/strong> alias Pi\u00f1a was born on June 19, 1985 in Abidjan. Very early attracted by the desire to make animated films, he enters the Fine Arts of Abidjan to enrich his artistic culture. In 2007, he co-founded the animation studio \u00ab\u00a0Sinanimation\u00a0\u00bb. He has produced several animated works, including two references: \u00ab\u00a0C k\u00e9ma ?\u00a0\u00bb and \u00ab\u00a0Api!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Sopi, who has just learned that her daughter, who is in town, has just obtained her baccalaureate, shares her joy with her neighbor Ahou. Biofilmography Pierre-Marie SINDO alias Pi\u00f1a was born on June 19, 1985 in Abidjan. Very early attracted by the desire to make animated films, he enters the Fine Arts of Abidjan [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kwaba-Pierre-Marie-SINDO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5112"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5112\/revisions"}],"predecessor-version":[{"id":5113,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5112\/revisions\/5113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3350"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5110,"date":"2023-02-27T19:39:52","date_gmt":"2023-02-27T19:39:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=5110"},"modified":"2023-02-27T19:39:57","modified_gmt":"2023-02-27T19:39:57","slug":"kendila-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kendila-2\/","title":{"rendered":"Kendila"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>While flying over the miles for several days, a seagull lands in a village whose name it does not know and from which emerges a musical tune. The author of this melody is Awa. For her, music has become a way to soften her pain and not to see the harsh reality that her village is facing: pollution and the proliferation of jellyfish that have caused the disappearance of turtles and more precisely Soula7fet, her best friend.<\/p>\n\n\n\n<p>Biofilmography<\/p>\n\n\n\n<p><strong>Nadia RAIS<\/strong> was born in Tunis where she obtained a master&rsquo;s degree in art sciences and techniques at the School of Fine Arts in Tunis. As a visual artist, she participates in several exhibitions such as Imago Mundi (Luciano Benetton Collection), she resides at the Cit\u00e9 Internationale des Arts in Paris and produces in parallel short animation films \u00ab\u00a0L&rsquo;Ambouba\u00a0\u00bb, \u00ab\u00a0L&rsquo;Mrayet\u00a0\u00bb, \u00ab\u00a0Survival visa\u00a0\u00bb, \u00ab\u00a0Briska\u00a0\u00bb and \u00ab\u00a0Kendila\u00a0\u00bb. Nadia RAIS uses an artistic technique developed in her films as well as in her paintings and which, in its evolution during several residencies, confirms well her style.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis While flying over the miles for several days, a seagull lands in a village whose name it does not know and from which emerges a musical tune. The author of this melody is Awa. For her, music has become a way to soften her pain and not to see the harsh reality that her [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kendila-Nadia-RAIS_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5110"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5110\/revisions"}],"predecessor-version":[{"id":5111,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5110\/revisions\/5111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3346"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5108,"date":"2023-02-27T19:38:04","date_gmt":"2023-02-27T19:38:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=5108"},"modified":"2023-02-27T19:38:11","modified_gmt":"2023-02-27T19:38:11","slug":"impa-le-sang-mele-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/impa-le-sang-mele-2\/","title":{"rendered":"Impa le sang-m\u00eal\u00e9"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>N&rsquo;Gozi, a great hunter, signs a pact with Kolou, the fallen genie, to become rich. In exchange for wealth, Kolou takes his only son; Impa N&rsquo;Gozi abandons everything he has acquired and sets out to find his son. What he discovers is beyond his comprehension.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Born in 1984 in Abidjan, <strong>Christian KOUAME<\/strong> is of Ivorian nationality. He is a young entrepreneur, producer and director of 3d animation films, obtained his advanced diploma in 3D animation technology at Accel Animation Academy in India in the years 2008- 2010 after his Bachelor&rsquo;s degree in Applied Computer Science obtained also in 2010 at Bangalore University in India. His professional life begins at Accel Animation Studios in Chennai (India) as a 3D VFX Artist. He will also be a 3D Trainer in Thailand in 2013 and then return during the same year in Ivory Coast to found The Brain Studios which is a studio specialized in 3D animation, special effects and commercials.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis N&rsquo;Gozi, a great hunter, signs a pact with Kolou, the fallen genie, to become rich. In exchange for wealth, Kolou takes his only son; Impa N&rsquo;Gozi abandons everything he has acquired and sets out to find his son. What he discovers is beyond his comprehension. Biofilmography Born in 1984 in Abidjan, Christian KOUAME is [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3334,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Impa-le-sang-mele-Bomale-Christian-Hermann-KOUAME_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5108"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5108\/revisions"}],"predecessor-version":[{"id":5109,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5108\/revisions\/5109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3334"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5106,"date":"2023-02-27T19:35:32","date_gmt":"2023-02-27T19:35:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=5106"},"modified":"2023-02-27T19:35:37","modified_gmt":"2023-02-27T19:35:37","slug":"fady-le-village-des-transformes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fady-le-village-des-transformes-2\/","title":{"rendered":"Fady le village des transform\u00e9s"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>In Kangaba in the deep Manding where the ancestors of certain families have pledged allegiance to the genies of the bush, transforming into hyenas, reptiles and other animals is a power accessible to all as long as they are initiated. The rivalry between Kangaba and its neighboring village Kilidougou has reached the point of no return. The advisors of the wise men, members of a secret society, have violently forbidden certain practices such as marriage between the people of Kangaba and its neighbor Kilidougou. Fady, the granddaughter of the spiritual guide Ba Kalifa of Kilidougou, is a very enlightened girl. Announced long before her birth by the elders as a messiah who would reunite all the communities, she will defy all the rules of these tribes. She forms a love relationship with Lamissa. She holds a power within her that she does not yet know. She is in fact from the hidden lineage of a visitor from outer space who was shipwrecked on earth from the time when the ocean covered the great Sahara desert of Timbuktu. Her first mission is to unite the two villages that are hers. Will Fady be able to take up this new challenge, knowing that the appearance of a chosen one like her is the harbinger of a great danger that awaits the mortal world.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Cheick Ahmadou Ouattara<\/strong> was born in 1978 in Bamako, Mali. In Bamako Badalabougou, he did his primary studies. Passionate about drawing and graphic design, which he got from a mother who was a math teacher and a father who was an engineer and architect, he was selected among the best in drawing in Bamako for a two-year accelerated training by the Koreans. He then did his secondary studies at the Lyc\u00e9e Cheikh Anta Diop de Faso Kanu in Bamako where he obtained his Baccalaureate in exact sciences with top prizes in drawing. He continued his higher education at the Faculty of Sciences of Bamako (Sciences of the matter), where he fell in love with cinema and computer graphics. With his knowledge in mathematics (D.E.U.G in higher mathematics) and a self-taught formation in graphic oriented development, he created a company \u00a0\u00bb Virtual 3D Communication \u00a0\u00bb specialized in special effects FX cinema and 3D animation for advertising and cinema. His first scenarios were in the field of advertising for large structures such as L&rsquo;Or\u00e9al Morocco, Sony Morocco (in 3D spots). He has to his credit educational films (3D animation film to raise awareness in rural areas) for some NGOs and also for the national channel of Mali.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In Kangaba in the deep Manding where the ancestors of certain families have pledged allegiance to the genies of the bush, transforming into hyenas, reptiles and other animals is a power accessible to all as long as they are initiated. The rivalry between Kangaba and its neighboring village Kilidougou has reached the point of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Fadi-le-village-de-transformer-Cheikh-OUATTARA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5106"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5106\/revisions"}],"predecessor-version":[{"id":5107,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5106\/revisions\/5107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3330"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5104,"date":"2023-02-27T19:26:34","date_gmt":"2023-02-27T19:26:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=5104"},"modified":"2023-02-27T19:26:39","modified_gmt":"2023-02-27T19:26:39","slug":"begho-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/begho-2\/","title":{"rendered":"Begho"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A discovery of the market of Begho, a West African trading town, in the 16th century, through the eyes of a little girl named Kassi. Begho is an ancient trading center at the crossroads of several trade routes, occupied between the 11th and 18th centuries. Begho is mentioned and documented in several written sources on West Africa, pre-colonial Ghana and in oral tradition.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Victoria ARYEE<\/strong> is an archaeologist and assistant lecturer in archaeology and heritage studies. She defines herself as a performing artist and has an interest in art and cultural heritage. She was born and educated in Ghana. She is a PhD candidate in the Department of Archaeology and Heritage Studies at the University of Ghana. She is passionate about encouraging the application of heritage, archaeological studies and tourism as tools for socio-economic development.<\/p>\n\n\n\n<p><strong>Daniel KUMAH<\/strong> is a doctoral student at the University of Toulouse II Jean Jaur\u00e8s in France and a lecturer at the University of Ghana, Legon. Since 2017, the Begho site in Ghana has been the focus of his research. Daniel&rsquo;s research interests include Iron Age societies, urbanization, trans-Saharan archaeology, museum and heritage studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A discovery of the market of Begho, a West African trading town, in the 16th century, through the eyes of a little girl named Kassi. Begho is an ancient trading center at the crossroads of several trade routes, occupied between the 11th and 18th centuries. Begho is mentioned and documented in several written sources [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Begho-Victoria-ARYEE-et-Daniel-KUMAH_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5104"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5104\/revisions"}],"predecessor-version":[{"id":5105,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5104\/revisions\/5105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3319"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5101,"date":"2023-02-27T19:23:01","date_gmt":"2023-02-27T19:23:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=5101"},"modified":"2023-02-27T19:23:05","modified_gmt":"2023-02-27T19:23:05","slug":"apacha-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/apacha-2\/","title":{"rendered":"Apacha"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>When turning on a simple television becomes a difficult task, APACHA remains determined despite the fact that everything does not go as planned. He has to deal with many unforeseen and the simplest things become all the more complicated.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Dubien Fortune TSETE<\/strong> was born on September 14, 1995 in Brazzaville, Republic of Congo, to a father who is a police officer and a mother who is a laboratory technician. After studying law at the Faculty of Law Marien Ngouabi and computer science at the African School of Development EAD where he obtained a BTS in computer programming. Between 2010 and 2016, he followed an in-depth training in computer-assisted imaging and to the art of modern cinema on online training platforms. In 2017, he works as an external consultant in Visual Creation at the local channel TOPTV in Brazzaville and then as a graphic manager at the House DECOUVERTE CONGO. At the origin of a dozen attempts to produce and direct 2D and 3D animation films, Dubien Fortune TSETE has always dreamed of discovering his potential in the sector of animated films in Congo. From 3D modeling to animation, from editing to digital special effects, he is very fulfilled in the manipulation of the image on computer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis When turning on a simple television becomes a difficult task, APACHA remains determined despite the fact that everything does not go as planned. He has to deal with many unforeseen and the simplest things become all the more complicated. Biofilmography Dubien Fortune TSETE was born on September 14, 1995 in Brazzaville, Republic of Congo, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3306,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-5101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Apacha-Dubien-Fortune-TSETE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5101"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5101\/revisions"}],"predecessor-version":[{"id":5103,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5101\/revisions\/5103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3306"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5097,"date":"2023-02-27T19:09:50","date_gmt":"2023-02-27T19:09:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=5097"},"modified":"2023-03-01T18:13:36","modified_gmt":"2023-03-01T18:13:36","slug":"film-funding-the-european-union-contributes-through-its-acp-eu-culture-programme","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/film-funding-the-european-union-contributes-through-its-acp-eu-culture-programme\/","title":{"rendered":"Film funding: The European Union contributes through its ACP\/EU Culture programme"},"content":{"rendered":"\n<p>FESPACO Pro is intended to be a new dynamic of funds for African cinema and the emergence of new talents. This is what transpired from the MICA opening ceremony yesterday 26 February 2023. In this context, the ACP-EU cooperation is a possible solution, according to EU Ambassador to Burkina Faso, Mr.<br>Wolfram Vetter, by way of introduction to the inaugural conference of FESPACO Pro.<br>\u201cBehind the coat of arms, cinema is a difficult career\u201d, he adds. In fact, funding for the production and making of cinematographic works is one of the major challenges. The European Union is trying to contribute through its ACP\/EU Culture programme, with grants allocated to existing coproduction<br>funds. Set up by the Organization of Africa, Caribbean and Pacific States and funded by the European Union, the ACP-EU Culture programme aims to boost the competitiveness of cultural and creative industries in ACP countries, through call for proposals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FESPACO Pro is intended to be a new dynamic of funds for African cinema and the emergence of new talents. This is what transpired from the MICA opening ceremony yesterday 26 February 2023. In this context, the ACP-EU cooperation is a possible solution, according to EU Ambassador to Burkina Faso, Mr.Wolfram Vetter, by way of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5097"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5097\/revisions"}],"predecessor-version":[{"id":5099,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5097\/revisions\/5099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5351"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5093,"date":"2023-02-27T19:03:55","date_gmt":"2023-02-27T19:03:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=5093"},"modified":"2023-02-27T19:04:00","modified_gmt":"2023-02-27T19:04:00","slug":"fespaco-pro-mica-2023-kicked-off","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-pro-mica-2023-kicked-off\/","title":{"rendered":"FESPACO Pro \/ MICA 2023 kicked-off"},"content":{"rendered":"\n<p><strong>Ribbon &#8211; Cutting &#8211; ceremony of FESPACO Pro\/MICA 2023<\/strong><\/p>\n\n\n\n<p>The 21st edition of the African International Film and Audio-visual Market (MICA) was officially launched yesterday 26 February 2023 by Minister of Crafts Mr Abdoulaye TALL. For 5 days, producers, directors, distributors and broadcasters will meet around the film and television industry.<br>Since 2013, Mrs Awoua KEITA, representing Cote Ouest company based in C\u00f4te d\u2019Ivoire, has attended MICA. Film distributer, Cote Ouest company is in the process of prospecting for programmes, and Mrs KEITA is hoping to meet as many directors and producers as possible because she is looking for content to distribute in Africa and around the world.<br>Mr Serge Dimitri PITROIPA, Managing Directeur of Pit PROD, came to MICA with a Burkinabe animated film Temp\u00eate dans une calebasse and is looking for distributors. With 98 stands, MICA offers real opportunities for the film market in Africa and beyond. march\u00e9 des films d&rsquo;Afrique et d&rsquo;ailleurs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ribbon &#8211; Cutting &#8211; ceremony of FESPACO Pro\/MICA 2023 The 21st edition of the African International Film and Audio-visual Market (MICA) was officially launched yesterday 26 February 2023 by Minister of Crafts Mr Abdoulaye TALL. For 5 days, producers, directors, distributors and broadcasters will meet around the film and television industry.Since 2013, Mrs Awoua KEITA, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-11-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5093"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5093\/revisions"}],"predecessor-version":[{"id":5095,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5093\/revisions\/5095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5075"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5089,"date":"2023-02-27T18:56:58","date_gmt":"2023-02-27T18:56:58","guid":{"rendered":"https:\/\/fespaco.org\/?p=5089"},"modified":"2023-02-27T18:57:04","modified_gmt":"2023-02-27T18:57:04","slug":"sages-round-table-the-problem-of-the-transition-from-the-image-to-the-written-word-under-the-microscope","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sages-round-table-the-problem-of-the-transition-from-the-image-to-the-written-word-under-the-microscope\/","title":{"rendered":"SAGES Round Table: the problem of the transition from the image to the written word under the microscope"},"content":{"rendered":"\n<p>What screenplay for books and films? Why not take an interest in aspects such as screenplay and screenwriting, film adaptation, the transition from image to writing or novelization?<br>These are the questions that motivated the Society of Authors, People of Writing and Knowledge (SAGES) to organize this Monday, February 27, 2023 in the enclosure of FESPACO, a roundtable for sharing experiences around the theme:&lt;&lt; The script, screen adaptation and novelization: what pooling of resources and skills in favor of literature, cinema and audiovisual Africa? >>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2.jpeg\" alt=\"\" class=\"wp-image-5079\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-2-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><figcaption class=\"wp-element-caption\"><strong><em>View of the participants<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Around the table :<\/p>\n\n\n\n<p>Mrs. Chantal KABORE \/FORGO of the Burkinabe Copyright Office (BBDA);<br>Mr. Ib ZONGO, Author of comics;<br>Mrs. Sophie Heidi KAM, writer<br>Mr. Ignace Ansomwin HIEN, publisher-writer;<br>Mr. Sa\u00efba BAGUIAN, scriptwriter;<br>Mr. Koba Boubacar DAO, moderator of the round table.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1399\" data-id=\"5086\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2.jpeg\" alt=\"\" class=\"wp-image-5086\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-300x262.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-768x672.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-1536x1343.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-24x21.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-36x31.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-48x42.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1246\" data-id=\"5077\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1.jpeg\" alt=\"\" class=\"wp-image-5077\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-300x234.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-768x598.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-1536x1196.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-24x19.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-36x28.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-48x37.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" data-id=\"5085\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6.jpeg\" alt=\"\" class=\"wp-image-5085\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1201\" data-id=\"5081\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1.jpeg\" alt=\"\" class=\"wp-image-5081\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-300x225.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-768x576.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-1536x1153.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-24x18.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-36x27.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1-48x36.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>The present round table aims at reinforcing the capacities of the actors of the sector of the Book and that of the cinema and the audiovisual of Africa so that they contribute effectively to the improvement of the quality of the works and to the revival of the production through fruitful collaborations.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What screenplay for books and films? Why not take an interest in aspects such as screenplay and screenwriting, film adaptation, the transition from image to writing or novelization?These are the questions that motivated the Society of Authors, People of Writing and Knowledge (SAGES) to organize this Monday, February 27, 2023 in the enclosure of FESPACO, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-3.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5089"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5089\/revisions"}],"predecessor-version":[{"id":5094,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5089\/revisions\/5094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5084"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5082,"date":"2023-02-27T18:53:39","date_gmt":"2023-02-27T18:53:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=5082"},"modified":"2023-03-01T18:11:47","modified_gmt":"2023-03-01T18:11:47","slug":"financement-du-cinema-lunion-europeenne-apporte-sa-contribution-a-travers-son-programme-acp-ue-culture","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/financement-du-cinema-lunion-europeenne-apporte-sa-contribution-a-travers-son-programme-acp-ue-culture\/","title":{"rendered":"Financement du cin\u00e9ma: L\u2019Union Europ\u00e9enne apporte sa contribution \u00e0 travers son programme ACP\/UE Culture"},"content":{"rendered":"\n<p>Le FESPACO Pro se veut une nouvelle dynamique des fonds pour le cin\u00e9ma d\u2019Afrique et l\u2019\u00e9mergence de nouveaux talents. C\u2019est ce qui ressort de la c\u00e9r\u00e9monie d\u2019ouverture du MICA hier dimanche 26 f\u00e9vrier 2023. Dans cette logique, la coop\u00e9ration ACP-UE se veut une possible solution selon l\u2019ambassadeur<br>de l\u2019Union europ\u00e9enne au Burkina, M. Wolfram Vetter qui a introduit la conf\u00e9rence inaugurale du FESPACO Pro. \u00ab Derri\u00e8re le blason, le cin\u00e9ma est une carri\u00e8re difficile \u00bb reconnait-il.<br>En effet, la question financi\u00e8re pour les productions et r\u00e9alisations d\u2019oeuvres cin\u00e9matographique est une<br>des difficult\u00e9s majeures. L\u2019Union Europ\u00e9enne tente d\u2019y apporter sa contribution \u00e0 travers son programme<br>ACP\/UE Culture. Ces subventions sont allou\u00e9es \u00e0 des fonds de coproductions existantes.<br>Mise en place par l\u2019Organisation du groupe des Etats d\u2019Afrique des Cara\u00efbes et du Pacifique, et financ\u00e9 par l\u2019Union europ\u00e9enne, le programme ACP-UE Culture ambitionne de dynamiser la comp\u00e9titivit\u00e9 des industrie culturelles et cr\u00e9atives dans les pays ACP. Il proc\u00e8de par appels \u00e0 propositions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le FESPACO Pro se veut une nouvelle dynamique des fonds pour le cin\u00e9ma d\u2019Afrique et l\u2019\u00e9mergence de nouveaux talents. C\u2019est ce qui ressort de la c\u00e9r\u00e9monie d\u2019ouverture du MICA hier dimanche 26 f\u00e9vrier 2023. Dans cette logique, la coop\u00e9ration ACP-UE se veut une possible solution selon l\u2019ambassadeurde l\u2019Union europ\u00e9enne au Burkina, M. Wolfram Vetter qui [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-10.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5082"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5082\/revisions"}],"predecessor-version":[{"id":5091,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5082\/revisions\/5091"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5351"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5073,"date":"2023-02-27T18:44:58","date_gmt":"2023-02-27T18:44:58","guid":{"rendered":"https:\/\/fespaco.org\/?p=5073"},"modified":"2023-02-27T19:07:45","modified_gmt":"2023-02-27T19:07:45","slug":"table-ronde-de-la-sages-la-problematique-du-passage-de-limage-a-lecrit-passee-a-la-loupe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/table-ronde-de-la-sages-la-problematique-du-passage-de-limage-a-lecrit-passee-a-la-loupe\/","title":{"rendered":"Table ronde de la SAGES: la probl\u00e9matique du passage de l&rsquo;image \u00e0 l&rsquo;\u00e9crit pass\u00e9e \u00e0 la loupe"},"content":{"rendered":"\n<p>Quel sc\u00e9nario pour le livre et le cin\u00e9ma ? Pourquoi ne pas s&rsquo;int\u00e9resser \u00e0 des aspects comme le sc\u00e9nario et l&rsquo;\u00e9criture sc\u00e9naristique, l&rsquo;adaptation cin\u00e9matographique, le passage de l&rsquo;image \u00e0 l&rsquo;\u00e9crit ou la nov\u00e9lisation?<br>Ce sont les questions qui ont motiv\u00e9 la Soci\u00e9t\u00e9 des Auteurs, des Gens de l&rsquo;Ecrit et des Savoirs (SAGES) \u00e0 organiser ce lundi 27 f\u00e9vrier 2023 dans l&rsquo;enceinte du FESPACO, une table ronde de partage d\u2019exp\u00e9riences autour de la th\u00e9matique :&lt;&lt; Le sc\u00e9nario, l&rsquo;adaptation \u00e0 l&rsquo;\u00e9cran et la nov\u00e9losation: quelle mutualisation des ressources et des comp\u00e9tences en faveur des litt\u00e9ratures, des cin\u00e9mas et de l&rsquo;audiovisuel d&rsquo;Afrique ? &gt;&gt;.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39.jpeg\" alt=\"\" class=\"wp-image-5074\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><figcaption class=\"wp-element-caption\"><strong><em>Une vue des participants<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Autour de la table :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Madame Chantal KABORE \/FORGO du Bureau Burkinab\u00e8 du Droit d\u2019Auteur(BBDA);<\/li>\n\n\n\n<li>Monsieur Ib ZONGO, Auteur de bandes dessin\u00e9es;<\/li>\n\n\n\n<li>Madame Sophie Heidi KAM, \u00e9crivaine<\/li>\n\n\n\n<li>Monsieur Ignace Ansomwin HIEN, \u00e9diteur-\u00e9crivain;<\/li>\n\n\n\n<li>Monsieur Sa\u00efba BAGUIAN, sc\u00e9nariste;<\/li>\n\n\n\n<li>Monsieur Koba Boubacar DAO, mod\u00e9rateur de la table-ronde.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1399\" data-id=\"5086\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2.jpeg\" alt=\"\" class=\"wp-image-5086\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-300x262.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-768x672.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-1536x1343.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-24x21.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-36x31.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-2-48x42.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1246\" data-id=\"5077\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1.jpeg\" alt=\"\" class=\"wp-image-5077\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-300x234.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-768x598.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-1536x1196.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-24x19.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-36x28.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-1-48x37.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1066\" data-id=\"5085\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6.jpeg\" alt=\"\" class=\"wp-image-5085\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-300x200.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-768x512.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-1536x1023.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-24x16.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-36x24.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.39-6-48x32.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1201\" data-id=\"5080\" src=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40.jpeg\" alt=\"\" class=\"wp-image-5080\" srcset=\"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40.jpeg 1600w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-300x225.jpeg 300w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-768x576.jpeg 768w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-1536x1153.jpeg 1536w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-24x18.jpeg 24w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-36x27.jpeg 36w, https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.40-48x36.jpeg 48w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>La pr\u00e9sente table ronde vise \u00e0 renforcer les capacit\u00e9s des acteurs de la fili\u00e8re du livre et de celle du cin\u00e9ma et de l&rsquo;audiovisuel d&rsquo;Afrique afin qu&rsquo;ils contribuent efficacement \u00e0 l&rsquo;am\u00e9lioration de la qualit\u00e9 des \u0153uvres et \u00e0 la relance de la production \u00e0 travers de fructueuses collaborations.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quel sc\u00e9nario pour le livre et le cin\u00e9ma ? Pourquoi ne pas s&rsquo;int\u00e9resser \u00e0 des aspects comme le sc\u00e9nario et l&rsquo;\u00e9criture sc\u00e9naristique, l&rsquo;adaptation cin\u00e9matographique, le passage de l&rsquo;image \u00e0 l&rsquo;\u00e9crit ou la nov\u00e9lisation?Ce sont les questions qui ont motiv\u00e9 la Soci\u00e9t\u00e9 des Auteurs, des Gens de l&rsquo;Ecrit et des Savoirs (SAGES) \u00e0 organiser ce lundi [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/WhatsApp-Image-2023-02-27-at-18.26.38-3.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5073"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5073\/revisions"}],"predecessor-version":[{"id":5098,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5073\/revisions\/5098"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5084"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5071,"date":"2023-02-27T18:33:00","date_gmt":"2023-02-27T18:33:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=5071"},"modified":"2023-02-27T18:33:06","modified_gmt":"2023-02-27T18:33:06","slug":"cest-parti-pour-le-fespaco-pro-mica-2023","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/cest-parti-pour-le-fespaco-pro-mica-2023\/","title":{"rendered":"C\u2019est parti pour le FESPACO Pro\/MICA 2023"},"content":{"rendered":"\n<p><strong>Coupure du ruban d\u2019ouverture du FESPACO Pro\/MICA 2023<\/strong><\/p>\n\n\n\n<p>La 21e \u00e9dition du March\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africains (MICA) a officiellement a \u00e9t\u00e9 lanc\u00e9 hier dimanche 26 f\u00e9vrier 2023 par le ministre de l\u2019artisanat monsieur Serge PODO. Pendant 5 jours, producteurs, r\u00e9alisateurs, distributeurs et diffuseurs se rencontreront autour de l\u2019industrie de cin\u00e9ma et de la t\u00e9l\u00e9vision.<br>Depuis 2013, Mme Awoua KEITA, repr\u00e9sentante de la soci\u00e9t\u00e9 Cote Ouest, bas\u00e9e en C\u00f4te d\u2019Ivoire, participe au MICA. Distributeur de films, Cote Ouest est \u00e0 la prospection de programmes, et Mme KEITA esp\u00e8re rencontrer le maximum de r\u00e9alisateurs et de producteurs car elle est \u00e0 la recherche de contenus \u00e0 distribuer en Afrique et dans le monde entier.<br>M. Serge Dimitri PITROIPA, Directeur g\u00e9n\u00e9ral de Pit PROD, est quant \u00e0 lui venu au MICA avec un film d\u2019animation burkinab\u00e8 Temp\u00eate dans une calebasse et recherche des diffuseurs. Avec 98 stands, le MICA offre de vraies opportunit\u00e9s pour le march\u00e9 des films d&rsquo;Afrique et d&rsquo;ailleurs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Coupure du ruban d\u2019ouverture du FESPACO Pro\/MICA 2023 La 21e \u00e9dition du March\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africains (MICA) a officiellement a \u00e9t\u00e9 lanc\u00e9 hier dimanche 26 f\u00e9vrier 2023 par le ministre de l\u2019artisanat monsieur Serge PODO. Pendant 5 jours, producteurs, r\u00e9alisateurs, distributeurs et diffuseurs se rencontreront autour de l\u2019industrie de cin\u00e9ma et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-11-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5071"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5071\/revisions"}],"predecessor-version":[{"id":5076,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5071\/revisions\/5076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5075"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5044,"date":"2023-02-26T18:24:41","date_gmt":"2023-02-26T18:24:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=5044"},"modified":"2023-02-26T18:24:45","modified_gmt":"2023-02-26T18:24:45","slug":"conference-inaugurale-fespaco-pro-le-financement-des-productions-cinematographiques-africaines-en-question","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/conference-inaugurale-fespaco-pro-le-financement-des-productions-cinematographiques-africaines-en-question\/","title":{"rendered":"Conf\u00e9rence inaugurale FESPACO PRO: le financement des productions cin\u00e9matographiques africaines en question"},"content":{"rendered":"\n<p>La conf\u00e9rence inaugurale de la 28e \u00e9dition du FESPACO s&rsquo;est tenue ce dimanche 26 f\u00e9vrier 2023 au si\u00e8ge du Festival \u00e0 Ouagadougou. Elle a eu lieu en pr\u00e9sence de l&rsquo;ambassadeur, Chef de la d\u00e9l\u00e9gation de l&rsquo;UE Wolfram VETTER.<\/p>\n\n\n\n<p>Prenant la parole \u00e0 l&rsquo;occasion, Wolfram VETTER a salu\u00e9 la tenue de la 28e \u00e9dition du FESPACO malgr\u00e9 le contexte s\u00e9curit\u00e9 actuel du Burkina. Il a \u00e9galement \u00e9voqu\u00e9 des questions relatives au financement du secteur du cin\u00e9ma et de l&rsquo;audiovisuel africains. A ce titre, il a soulign\u00e9 que l&rsquo;Union europ\u00e9enne tente d&rsquo;apporter une r\u00e9ponse \u00e0 cette probl\u00e9matique \u00e0 travers le Programme-Afrique-Cara\u00efbes- Pacifique (ACP).<\/p>\n\n\n\n<p>Il a aussi \u00e9voqu\u00e9 la n\u00e9cessit\u00e9 de lever les barri\u00e8res pour faciliter l&rsquo;acc\u00e8s aux sources de financements des productions et l&rsquo;\u00e9mergence des nouveaux talents. \u00a0\u00bb Pour faire du cin\u00e9ma, le dipl\u00f4me ne suffit pas. En sortant de l&rsquo;\u00e9cole, beaucoup de jeunes cin\u00e9astes sont projet\u00e9s dans une fili\u00e8re complexe o\u00f9 il est difficile de trouver un financement\u00a0\u00bb, a-t-il d\u00e9clar\u00e9.<\/p>\n\n\n\n<p>Ces \u00e9changes ont permis d\u2019introduire une table ronde en d\u00e9but d\u2019apr\u00e8s-midi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La conf\u00e9rence inaugurale de la 28e \u00e9dition du FESPACO s&rsquo;est tenue ce dimanche 26 f\u00e9vrier 2023 au si\u00e8ge du Festival \u00e0 Ouagadougou. Elle a eu lieu en pr\u00e9sence de l&rsquo;ambassadeur, Chef de la d\u00e9l\u00e9gation de l&rsquo;UE Wolfram VETTER. Prenant la parole \u00e0 l&rsquo;occasion, Wolfram VETTER a salu\u00e9 la tenue de la 28e \u00e9dition du FESPACO [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/2_Plan-de-travail-1-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5044"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5044\/revisions"}],"predecessor-version":[{"id":5046,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5044\/revisions\/5046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5045"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5041,"date":"2023-02-26T16:38:11","date_gmt":"2023-02-26T16:38:11","guid":{"rendered":"https:\/\/fespaco.org\/?p=5041"},"modified":"2023-02-26T16:38:18","modified_gmt":"2023-02-26T16:38:18","slug":"fespaco-2023-a-statue-in-tribute-to-ousmane-sembene-unveiled","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2023-a-statue-in-tribute-to-ousmane-sembene-unveiled\/","title":{"rendered":"FESPACO 2023: a statue in tribute to Ousmane Sembene unveiled"},"content":{"rendered":"\n<p>To mark the centenary of the birth of the Senegalese novelist and filmmaker Ousmane Sembene, a statue representing his bust was unveiled on Sunday, February 26, 2023 at the headquarters of the Pan-African Film and Television Festival of Ouagadougou (Fespaco) whose 28th edition celebrates the centenary of the filmmaker through a series of activities.<\/p>\n\n\n\n<p>Present in Ouagadougou as part of the 28th edition of FESPACO, Malian Prime Minister Choguel Kokalla Maiga accompanied by his Burkinabe counterpart Apollinaire Joachimsom Kyelem de Tambela paid tribute to the filmmaker whose bust joins that of another Senegalese director, Paulin Soumanou Vieyra installed at the headquarters since February 2017.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>To mark the centenary of the birth of the Senegalese novelist and filmmaker Ousmane Sembene, a statue representing his bust was unveiled on Sunday, February 26, 2023 at the headquarters of the Pan-African Film and Television Festival of Ouagadougou (Fespaco) whose 28th edition celebrates the centenary of the filmmaker through a series of activities. Present [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Statue-Ousmane-Sembene.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5041"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5041\/revisions"}],"predecessor-version":[{"id":5042,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5041\/revisions\/5042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4985"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5036,"date":"2023-02-26T16:32:21","date_gmt":"2023-02-26T16:32:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=5036"},"modified":"2023-02-26T16:32:21","modified_gmt":"2023-02-26T16:32:21","slug":"mica-2023-looks-good","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mica-2023-looks-good\/","title":{"rendered":"MICA 2023 looks good"},"content":{"rendered":"\n<p><strong>The 23rd edition of the African International Film and Audiovisual Market (MICA), which will be held from 26 February to 3 March, is promising. For MICA Coordinator Marc Placide SANOU, many actors have made the trip to Ouagadougou. The theme of this year&rsquo;s edition is: \u00ab\u00a0The market of films from Africa and abroad: what opportunities for filmmakers?\u201d<\/strong><\/p>\n\n\n\n<p>FESPACO-PRO INFO (<strong>FPI<\/strong>): What is MICA?<\/p>\n\n\n\n<p><br>Marc Placide Sanou (<strong>MPS<\/strong>): MICA is a digital space for film buyers, broadcasters and producers. Since 2021, with the new artistic project of the General Delegate of FESPACO, Alex Moussa Sawadogo, MICA has become a component of FESPACO Pro<br>bringing together the economic and professional aspects of the film and audiovisual industry.<\/p>\n\n\n\n<p><br><strong>FP<\/strong>I: What are the activities of MICA?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong>: MICA is a hub for several activities. We have exhibitions of various production, distribution, broadcasting companies as well as streaming platforms. There are also<br>Business to Business sessions, master classes.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: What are your expectations for this 21st edition of MICA?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong>: Our expectations are quite well met. When we look back, on 15 September 2022 when we launched the call for registration for MICA, we were not expecting such<br>attendance from participants. We even thought that the various actors would be reluctant, but to our great surprise, the platform is now full. All 98 stands are booked.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: How is the film sold in the market?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong>: Broadcasters and programme buyers meet and do business. All stakeholders of the film industry are well served. This year the peculiarity of MICA is that there are<br>producers who have developed projects to find co-producers to better sell their films.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: What are the prospects forthe next edition of MICA?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong>: With the permission of copyright holders, we want to avail films registered for MICA online to allow those who are unable to come to Ouagadougou screen the films.<br>This can be a source of revenue for MICA and even for copyright holders.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 23rd edition of the African International Film and Audiovisual Market (MICA), which will be held from 26 February to 3 March, is promising. For MICA Coordinator Marc Placide SANOU, many actors have made the trip to Ouagadougou. The theme of this year&rsquo;s edition is: \u00ab\u00a0The market of films from Africa and abroad: what opportunities [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5036","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-10-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5036"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5036\/revisions"}],"predecessor-version":[{"id":5040,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5036\/revisions\/5040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5028"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5033,"date":"2023-02-26T16:21:08","date_gmt":"2023-02-26T16:21:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=5033"},"modified":"2023-02-26T16:21:13","modified_gmt":"2023-02-26T16:21:13","slug":"fespaco-prothe-professional-component-of-the-film-industry","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-prothe-professional-component-of-the-film-industry\/","title":{"rendered":"FESPACO Pro<br>The Professional Component of the Film Industry"},"content":{"rendered":"\n<p><strong>Ousmane BOUNDAONE, Coordinator of FESPACO Pro presents his organisation.<\/strong><\/p>\n\n\n\n<p>FESPACO-PRO INFO (<strong>FPI<\/strong>): What is FESPACO Pro?<\/p>\n\n\n\n<p><br>Ousmane BOUNDAONE (<strong>OB<\/strong>): FESPACO Pro is the professional component of the film industry. It is a space for promoting film companies and interacting with foreign countries. It mainly consists of workshops, master classes and lectures. The main assignment of FESPACO pro includes distributing and promoting films.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: What are the key activities of FESPACO Pro?<\/p>\n\n\n\n<p><br><strong>OB<\/strong>: We are essentially planning two workshops: Yennenga workshop and Yennenga connection. Yennenga workshop has three components: Yennenga Post Production, Yennenga Academy, and Yennenga Coproduction. Yennenga Post Production is designed for those who have finished producing and lack the financial and technical means to complete their project. Yennenga Academy is a space of transmission and<br>immersion for young filmmakers who interact with great figures of the African<br>cinema. The last component is Yennenga coproduction, which focuses on fiction<br>feature film directors. It promotes coproduction across different countries, the film becoming an international production and therefore better sold. The second round of workshops relates to Yennenga Connection. This is a space for interaction between different actors of the film industry. Through master classes, the pioneers who have left their mark on the African cinema share their experiences with the youth. This edition has provided for a space where the elders and the youth can share, with the aim to further develop the quest for meaning in productions.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: Do you think African cinema can compete with cinema from other continents?<\/p>\n\n\n\n<p><br><strong>OB<\/strong>: We have the same capabilities to create as those on the international scene.<br>We just need the right tool. In Burkina Faso, for example, there is no permanent funding for the inception of a film industry.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ousmane BOUNDAONE, Coordinator of FESPACO Pro presents his organisation. FESPACO-PRO INFO (FPI): What is FESPACO Pro? Ousmane BOUNDAONE (OB): FESPACO Pro is the professional component of the film industry. It is a space for promoting film companies and interacting with foreign countries. It mainly consists of workshops, master classes and lectures. The main assignment of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-9-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5033"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5033\/revisions"}],"predecessor-version":[{"id":5034,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5033\/revisions\/5034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5025"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5027,"date":"2023-02-26T16:06:23","date_gmt":"2023-02-26T16:06:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=5027"},"modified":"2023-02-26T16:10:59","modified_gmt":"2023-02-26T16:10:59","slug":"le-mica-2023-sannonce-bien","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-mica-2023-sannonce-bien\/","title":{"rendered":"Le MICA 2023 s\u2019annonce bien"},"content":{"rendered":"\n<p><strong>La 23\u00e8me \u00e9dition du March\u00e9 International du Cin\u00e9ma et de l&rsquo;Audiovisuel africain (MICA) qui se tient du 26 f\u00e9vrier au 3 mars s\u2019annonce bien. Pour le coordonnateur du MICA, Marc Placide SANOU, nombreux sont les acteurs qui ont fait le d\u00e9placement de Ouagadougou. La pr\u00e9sente \u00e9dition se tient sous le th\u00e8me : \u00ab Le march\u00e9 des films d&rsquo;Afrique et d&rsquo;ailleurs : quelles opportunit\u00e9s pour les cr\u00e9ateurs ?\u00bb<\/strong><\/p>\n\n\n\n<p>Fespaco Pro Info (FPI) : Qu&rsquo;est-ce que le MICA ?<\/p>\n\n\n\n<p><br>Marc Placide Sanou (<strong>MPS<\/strong>) : le MICA est un espace num\u00e9rique pour les acheteurs, les diffuseurs et les producteurs de films. Depuis 2021, avec le nouveau projet artistique du D\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, Alex Moussa Sawadogo, le MICA est devenu une activit\u00e9 du FESPACO Pro qui combine le volet \u00e9conomique et professionnel de l&rsquo;industrie cin\u00e9matographique et audiovisuelle.<\/p>\n\n\n\n<p><br><strong>MN<\/strong> : Quelles sont les activit\u00e9s du MICA ?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong> : Le MICA draine plusieurs activit\u00e9s. Nous avons les expositions des diff\u00e9rentes soci\u00e9t\u00e9s de production, de distribution, de diffusion et des plateformes de streaming. Il y a aussi des s\u00e9ances Business to Business, des master class.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong> : Quelles sont vos attentes pour cette 21eme \u00e9dition du MICA ?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong> : Nos attentes sont assez biencombl\u00e9es. Au regard du contexte, lorsque nous lancions l&rsquo;appel \u00e0 inscription au MICA, le 15 septembre 2022, on ne s&rsquo;attendait pas \u00e0 cet engouement de la part des participants. Nous pensions m\u00eame que les diff\u00e9rents op\u00e9rateurs seraient r\u00e9ticents mais \u00e0 notre grande surprise, la plateforme est satur\u00e9e. Tous les 98 stands ont \u00e9t\u00e9 pris.<\/p>\n\n\n\n<p><br><strong>FPI <\/strong>: Comment le film se vend sur le march\u00e9 ?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong> : Il y a des diffuseurs et des acheteurs de programmes qui viennent. C&rsquo;est pour eux le lieu de se retrouver et de parler affaire. Tous les acteurs de la cha\u00eene de valeur du cin\u00e9ma seront bien servis. La particularit\u00e9 du MICA cette ann\u00e9e, c&rsquo;est qu&rsquo;il y a des producteurs qui ont mont\u00e9 des projets de recherche de coproducteurs. Cela pour que leurs films soient mieux vendus.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong>: Quelles sont les perspectives pour la prochaine \u00e9dition du MICA ?<\/p>\n\n\n\n<p><br><strong>MPS<\/strong> : Avec l&rsquo;accord des ayants droits nous ambitionnons, pouvoir mettre les<br>films inscrits au MICA en ligne pour que ceux qui n&rsquo;ont pas pu \u00eatre pr\u00e9sents \u00e0 Ouagadougou, puissent visualiser les films. Cela peut contribuer \u00e0 faire entrer des recettes au MICA et m\u00eame aux ayants droits.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La 23\u00e8me \u00e9dition du March\u00e9 International du Cin\u00e9ma et de l&rsquo;Audiovisuel africain (MICA) qui se tient du 26 f\u00e9vrier au 3 mars s\u2019annonce bien. Pour le coordonnateur du MICA, Marc Placide SANOU, nombreux sont les acteurs qui ont fait le d\u00e9placement de Ouagadougou. La pr\u00e9sente \u00e9dition se tient sous le th\u00e8me : \u00ab Le march\u00e9 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-10-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5027"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5027\/revisions"}],"predecessor-version":[{"id":5031,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5027\/revisions\/5031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5028"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5024,"date":"2023-02-26T15:50:21","date_gmt":"2023-02-26T15:50:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=5024"},"modified":"2023-02-26T15:50:28","modified_gmt":"2023-02-26T15:50:28","slug":"le-fespaco-prole-volet-professionnel-de-lindustrie-du-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-fespaco-prole-volet-professionnel-de-lindustrie-du-cinema\/","title":{"rendered":"Le FESPACO Pro<br>Le volet professionnel de l&rsquo;industrie du CINEMA"},"content":{"rendered":"\n<p><strong>Ousmane BOUNDAONE pr\u00e9sente le FESPACO Pro dont il est le coordonnateur<\/strong><\/p>\n\n\n\n<p>Fespaco pro Info (<strong>FPI<\/strong>) Qu&rsquo;est-ce que le FESPACO Pro ?<\/p>\n\n\n\n<p><br>Ousmane BOUNDAONE (<strong>OB<\/strong>) : Le FESPACO Pro est le volet professionnel de<br>l&rsquo;industrie du CINEMA. C&rsquo;est un cadre de promotion des entreprises cin\u00e9matographiques et d&rsquo;\u00e9changes avec les pays \u00e9trangers. Il est essentiellement<br>constitu\u00e9 d\u2019ateliers, de masters class et de conf\u00e9rences. La mission principale du<br>FESPACO pro est la diffusion et la promotion des films.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong> : Quelles sont les activit\u00e9s phares du FESPACO Pro ?<\/p>\n\n\n\n<p><br><strong>OB<\/strong> : Nous pr\u00e9voyons essentiellement deux ateliers : l\u2019atelier Yennenga et Yennenga connexion. L&rsquo;atelier Yennenga a trois composantes qui sont : le Yennenga Post<br>production, le Yennenga academy et le Yennenga coproduction. Le Yennenga post<br>production concerne ceux qui ont fini de produire et qui manquent de moyens financiers et techniques pour finaliser leur projet. Le Yennenga academy est un cadre<br>de transmission et d&rsquo;immersion pour les jeunes cin\u00e9astes qui \u00e9changent avec des<br>grands noms du cin\u00e9ma africain. La derni\u00e8re composante est le Yennenga coproduction qui concerne les r\u00e9alisateurs des longs m\u00e9trages fiction. Il encourage la<br>coproduction entre diff\u00e9rents pays. Ainsi le film est de nationalit\u00e9 partag\u00e9e et est mieux<br>vendu. La deuxi\u00e8me vague d&rsquo;ateliers concerne le Yennenga connexion. C&rsquo;est un<br>espace d&rsquo;\u00e9change entre diff\u00e9rents acteurs de la cha\u00eene de valeurs du cin\u00e9ma. A travers des masters class, les pionniers qui ont marqu\u00e9s le cin\u00e9ma africain \u00e9changent avec les jeunes. La pr\u00e9sente \u00e9dition a initi\u00e9 un regard crois\u00e9 entre les anciens et les jeunes.<br>Cela pour \u00e9veiller davantage le sens de la qu\u00eate de fond pour les r\u00e9alisations.<\/p>\n\n\n\n<p><br><strong>FPI<\/strong> : Pensez-vous que le cin\u00e9ma africain peut concurrencer le cin\u00e9ma des autres continents ?<\/p>\n\n\n\n<p><br><strong>OB<\/strong> : Nous avons les m\u00eames capacit\u00e9s \u00e0 cr\u00e9er que ceux de l&rsquo;international. Il ne manque que le bon outil. Au Burkina Faso par exemple, le fonds de financement p\u00e9renne du cin\u00e9ma n\u2019existe pas pour la naissance d&rsquo;une industrie cin\u00e9matographique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ousmane BOUNDAONE pr\u00e9sente le FESPACO Pro dont il est le coordonnateur Fespaco pro Info (FPI) Qu&rsquo;est-ce que le FESPACO Pro ? Ousmane BOUNDAONE (OB) : Le FESPACO Pro est le volet professionnel del&rsquo;industrie du CINEMA. C&rsquo;est un cadre de promotion des entreprises cin\u00e9matographiques et d&rsquo;\u00e9changes avec les pays \u00e9trangers. Il est essentiellementconstitu\u00e9 d\u2019ateliers, de masters [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-5024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-9-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5024"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5024\/revisions"}],"predecessor-version":[{"id":5026,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5024\/revisions\/5026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/5025"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5022,"date":"2023-02-26T15:30:53","date_gmt":"2023-02-26T15:30:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=5022"},"modified":"2023-02-26T15:30:58","modified_gmt":"2023-02-26T15:30:58","slug":"travel-reception-accommodation-and-catering","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/travel-reception-accommodation-and-catering\/","title":{"rendered":"Travel, Reception, Accommodation and Catering"},"content":{"rendered":"\n<p><strong>Welcoming, accommodating, and catering: 2-month efforts for the comfort of festival-goers.<\/strong><\/p>\n\n\n\n<p>With a reception system that has been in place for some days at the airport of Ouagadougou, festival-goers are certain to be in the care of the Commission upon arrival.<br>Accommodation and catering sites are identified andready to welcome guests according to Fran\u00e7ois AKOUABA, President of the Reception, Accommodation and Catering Commission.<br>Demands from some hotels have often required the Commission to refresh its list of accommodation sites. Although the main difficulty encountered is the lack of seats on aircrafts for the expected last festival-goers, the Commission has been working hard to satisfy all festival-goers.<br>The Travel, Accommodation and Catering Commission has already welcomed and accommodated approximately one hundred guests for this 28th Pan-African Cinema Biennial.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcoming, accommodating, and catering: 2-month efforts for the comfort of festival-goers. With a reception system that has been in place for some days at the airport of Ouagadougou, festival-goers are certain to be in the care of the Commission upon arrival.Accommodation and catering sites are identified andready to welcome guests according to Fran\u00e7ois AKOUABA, President [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-8-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5022"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5022\/revisions"}],"predecessor-version":[{"id":5023,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5022\/revisions\/5023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4989"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5019,"date":"2023-02-26T15:25:06","date_gmt":"2023-02-26T15:25:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=5019"},"modified":"2023-02-26T15:25:11","modified_gmt":"2023-02-26T15:25:11","slug":"stands-and-accreditations-demand-exceeded-supply","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/stands-and-accreditations-demand-exceeded-supply\/","title":{"rendered":"Stands and Accreditations: Demand exceeded supply"},"content":{"rendered":"\n<p><strong>The sub-commissions Accreditations and Stands have delivered. Demand exceeded supply.<\/strong><\/p>\n\n\n\n<p>About 300 stands granted out of 200 planned, a record that predicts the enthusiasm around the 28th FESPACO. <\/p>\n\n\n\n<p>Stands in the premises of FESPACO headquarters are only for media and other festival\u2019s partners.<br>There are two other exhibition sites, Place de la Nation and former Camp Fonctionnaire. The latter is opposite the Cathedral and is reserved for pubs and restaurants. The site of Place de la Nation is for exhibition of art objects and pottery.<br>More than a dozen countries are involved in these exhibitions with the largest delegations coming from Mali, Senegal and Niger.<br>Abby Ouattara from the Accreditations Commission reassures that all the badges have been given out.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The sub-commissions Accreditations and Stands have delivered. Demand exceeded supply. About 300 stands granted out of 200 planned, a record that predicts the enthusiasm around the 28th FESPACO. Stands in the premises of FESPACO headquarters are only for media and other festival\u2019s partners.There are two other exhibition sites, Place de la Nation and former Camp [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-7-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5019"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5019\/revisions"}],"predecessor-version":[{"id":5020,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5019\/revisions\/5020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4986"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5016,"date":"2023-02-26T15:18:56","date_gmt":"2023-02-26T15:18:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=5016"},"modified":"2023-02-26T15:19:02","modified_gmt":"2023-02-26T15:19:02","slug":"screening-rooms-make-new-skin-for-the-28th-edition-of-the-african-film-biennial","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/screening-rooms-make-new-skin-for-the-28th-edition-of-the-african-film-biennial\/","title":{"rendered":"Screening rooms make new skin for the 28th Edition of the African Film Biennial."},"content":{"rendered":"\n<p><strong>Two days before the event and under the leadership of the Organizing Committee, managers of screening rooms put on a big spread for a successful festival <\/strong>.<\/p>\n\n\n\n<p>The halls of Cin\u00e9 Burkina, Cin\u00e9 Nerwaya, Canal Olympia Yennenga, Canal Olympia Idrissa Ou\u00e9draogo, the central City Hall, the Nobert Zongo Press Centre, CENASA and CBC will be hosting film projections.<\/p>\n\n\n\n<p>Minister for Culture Jean-Emmanuel Ou\u00e9draogo took a tour to see the progress of the preparations in screening rooms and other venues and sites to host various activities<br>of the 28th edition. At the end of his tour, he expressed satisfaction while looking forward to a successful festival.<br>The mythical halls of Cin\u00e9 Burkina and Cin\u00e9 Nerwaya have also had a facelift.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two days before the event and under the leadership of the Organizing Committee, managers of screening rooms put on a big spread for a successful festival . The halls of Cin\u00e9 Burkina, Cin\u00e9 Nerwaya, Canal Olympia Yennenga, Canal Olympia Idrissa Ou\u00e9draogo, the central City Hall, the Nobert Zongo Press Centre, CENASA and CBC will be [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4982,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-6-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5016"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5016\/revisions"}],"predecessor-version":[{"id":5017,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5016\/revisions\/5017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4982"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5013,"date":"2023-02-26T15:13:50","date_gmt":"2023-02-26T15:13:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=5013"},"modified":"2023-02-26T15:13:55","modified_gmt":"2023-02-26T15:13:55","slug":"fespaco-2023-everything-is-in-order-says-the-organizing-committee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fespaco-2023-everything-is-in-order-says-the-organizing-committee\/","title":{"rendered":"FESPACO 2023: \u201cEverything is in order\u201d, says the Organizing Committee"},"content":{"rendered":"\n<p><strong>The Organizing Committee of the 28th Edition of FESPACO provided an update of the preparations 72 hours before official opening.<\/strong><\/p>\n\n\n\n<p>Everything is in order for FESPACO 2023 to open on Saturday 25 February 2023 in the presence of Head of State Ibrahim Traor\u00e9. The opening ceremony will be held at Palais des Sports de Ouaga 2000. Artist and choreographer Serge Aim\u00e9 Coulibaly and his team are once again promising a beautifully crafted show for the opening.<br>Exhibition stands at Place des Nations and former Camp Fonctionnaire are ready and waiting for the start signal.<br>MICA (the African International Film and Audio-visual Market) with its base at the headquarters of FESPACO is also all set.<br>111 selected artists will perform on the various artistic sets.<br>160 of the 170 films in the official competition are already received.<br>FESPACO General Delegate Moussa Alex Sawadogo said everything is carefully ordered, projectionists have been retrained by professionals from Morocco.<br>More than 10 thousand festival-goers are expected with film programmers from Berlin and Cannes. Canal +, one of the major partners of FESPACO 2023, has invested more than CFA 100 million and will be able to broadcast selected films.<br>Security wise, the Commission in charge is in squeezed rows and with the challenging security context, the Organizing Committee urges festival-goers to strictly observe instructions by security men.<br>According to the Chair of the Organizing Committee Fid\u00e8le Tamini, Mali is the Guest of Honour for this edition for being the first to respond favourably to FESPACO\u2019s request.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Organizing Committee of the 28th Edition of FESPACO provided an update of the preparations 72 hours before official opening. Everything is in order for FESPACO 2023 to open on Saturday 25 February 2023 in the presence of Head of State Ibrahim Traor\u00e9. The opening ceremony will be held at Palais des Sports de Ouaga [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5013","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-5-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5013"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5013\/revisions"}],"predecessor-version":[{"id":5014,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5013\/revisions\/5014"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4978"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5010,"date":"2023-02-26T15:05:19","date_gmt":"2023-02-26T15:05:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=5010"},"modified":"2023-02-26T15:05:23","modified_gmt":"2023-02-26T15:05:23","slug":"artistic-stages-111-artists-to-perform","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/artistic-stages-111-artists-to-perform\/","title":{"rendered":"Artistic Stages, 111 Artists to Perform"},"content":{"rendered":"\n<p><strong>The two artistic stages set up for the event will meet all expectations according to the President of the Ceremonies and Entertainment Commission.<\/strong><\/p>\n\n\n\n<p>Artistic stages have always played a major role in FESPACO&rsquo;s organization as they help brighten up nights after screenings and provide an opportunity for festival-goers, music lovers and people to meet. The 28th edition is no exception to this.<br>According to Evariste Combary, President of the Ceremonies and Entertainment Commission, two artistic stages will be set up in Ouagadougou including one at former Camp fonctionnaire and another one at Kwame Nkrumah Avenue.<br>111 artists, humourists, singers and slammers will perform live and playback. The stages have always been a boon for people as they offer free and open-air shows.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The two artistic stages set up for the event will meet all expectations according to the President of the Ceremonies and Entertainment Commission. Artistic stages have always played a major role in FESPACO&rsquo;s organization as they help brighten up nights after screenings and provide an opportunity for festival-goers, music lovers and people to meet. The [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-3-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5010"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5010\/revisions"}],"predecessor-version":[{"id":5011,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5010\/revisions\/5011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4972"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":5003,"date":"2023-02-26T14:57:09","date_gmt":"2023-02-26T14:57:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=5003"},"modified":"2023-02-26T14:57:14","modified_gmt":"2023-02-26T14:57:14","slug":"more-innovations-the-headquarters-takes-on-a-new-face","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/more-innovations-the-headquarters-takes-on-a-new-face\/","title":{"rendered":"More innovations, the Headquarters takes on a new face."},"content":{"rendered":"\n<p><strong>FESPACO 2023 includes innovative touches that give a new shine to the Headquarters with names of the various winners of the Etalon de Yennenga opening the steps to you at the FESTIVAL Office.<\/strong><\/p>\n\n\n\n<p>Vice-President of Communication and Publications Commission Gervais HIEN talks about these quite striking innovations at the headquarters.<\/p>\n\n\n\n<p><br><strong>The Stairs<\/strong><br>\u201cIndeed, there are innovative touches at the headquarters. On the steps of the stairs, one can actually see the names of the great figures of African cinema. These are basically the Etalons de Yennenga. The curious have an interest in visiting, in particular the younger generation who are not familiar with all those who have made the history of African cinema\u201d.<\/p>\n\n\n\n<p><br><strong>The Wall Portraits<\/strong><br>\u201cCurrently in the hall, we can immediately distinguish, and it is striking, personalities<br>who have marked African cinema. We have the great names of the Etalons de Yennenga previously displayed on the walls in the corridor of the institution. Upstairs you will see photographs of the various winners of the Etalon on photo frames. In paying them tribute, we also promote them. These are interesting frames because they are memories for all movie-goers and filmmakers\u201d.<\/p>\n\n\n\n<p><br><strong>The Poster of 2023 Edition<\/strong><br>\u201cThe official visual represents Queen Sarraounia, a fighter, a warrior during the colonial<br>period and who had to face the invasion of the Voulet Chanoine column. By her courage and dedication, she marked history. So today it is appropriate that with the context in which we live, we can indeed highlight these figures insofar as it can inspire current generations. Faced with the adversities that beset us, we must never<br>give up\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FESPACO 2023 includes innovative touches that give a new shine to the Headquarters with names of the various winners of the Etalon de Yennenga opening the steps to you at the FESTIVAL Office. Vice-President of Communication and Publications Commission Gervais HIEN talks about these quite striking innovations at the headquarters. The Stairs\u201cIndeed, there are innovative [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-5003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=5003"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5003\/revisions"}],"predecessor-version":[{"id":5004,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/5003\/revisions\/5004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4966"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=5003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=5003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=5003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4988,"date":"2023-02-26T13:39:01","date_gmt":"2023-02-26T13:39:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=4988"},"modified":"2023-02-26T13:39:04","modified_gmt":"2023-02-26T13:39:04","slug":"voyage-accueil-hebergement-et-restauration","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/voyage-accueil-hebergement-et-restauration\/","title":{"rendered":"Voyage-accueil-h\u00e9bergement et restauration"},"content":{"rendered":"\n<p><strong>Accueillir-h\u00e9berger et restaurer, 02 mois \u00e0 l\u2019\u0153uvre pour le confort des festivaliers.<\/strong><\/p>\n\n\n\n<p>Avec un dispositif d\u2019accueil pr\u00e9sent depuis quelques jours \u00e0 l\u2019a\u00e9roport de Ouagadougou, les festivaliers sont assur\u00e9s d\u00e8s leur arriv\u00e9e d\u2019\u00eatre pris en charge par la commission. Les sites d\u2019h\u00e9bergement et de restauration sont r\u00e9pertori\u00e9s<br>et d\u00e9j\u00e0 mis \u00e0 disposition pour recevoir ces invit\u00e9s selon Fran\u00e7ois AKOUABA pr\u00e9sident de la commission accueil-h\u00e9bergement et restauration.<br>Les exigences de certains h\u00f4tels ont souvent amen\u00e9 la commission \u00e0 r\u00e9guli\u00e8rement actualiser sa liste de sites d\u2019h\u00e9bergement. La principale difficult\u00e9 rencontr\u00e9e se r\u00e9sume au manque de place dans les avions pour les derniers festivaliers attendus, mais la commission est \u00e0 pied d\u2019\u0153uvre pour satisfaire tous les festivaliers.<br>Pour cette 28e biennale du cin\u00e9ma panafricain, la commission voyage accueil h\u00e9bergement et restauration a d\u00e9j\u00e0 accueilli et h\u00e9berg\u00e9 environ une centaine d\u2019invit\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Accueillir-h\u00e9berger et restaurer, 02 mois \u00e0 l\u2019\u0153uvre pour le confort des festivaliers. Avec un dispositif d\u2019accueil pr\u00e9sent depuis quelques jours \u00e0 l\u2019a\u00e9roport de Ouagadougou, les festivaliers sont assur\u00e9s d\u00e8s leur arriv\u00e9e d\u2019\u00eatre pris en charge par la commission. Les sites d\u2019h\u00e9bergement et de restauration sont r\u00e9pertori\u00e9set d\u00e9j\u00e0 mis \u00e0 disposition pour recevoir ces invit\u00e9s selon [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-8-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4988"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4988\/revisions"}],"predecessor-version":[{"id":4993,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4988\/revisions\/4993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4989"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4981,"date":"2023-02-26T13:38:53","date_gmt":"2023-02-26T13:38:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=4981"},"modified":"2023-02-26T13:50:10","modified_gmt":"2023-02-26T13:50:10","slug":"burkina-une-statue-en-hommage-a-sembene-ousmane-devoilee","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/burkina-une-statue-en-hommage-a-sembene-ousmane-devoilee\/","title":{"rendered":"FESPACO 2023 : une statue en hommage \u00e0 Ousmane Semb\u00e8ne d\u00e9voil\u00e9e"},"content":{"rendered":"\n<p>Pour marquer le centenaire de la naissance du romancier et cin\u00e9aste s\u00e9n\u00e9galais Ousmane Semb\u00e8ne, une statue repr\u00e9sentant son buste a \u00e9t\u00e9 d\u00e9voil\u00e9e le dimanche 26 f\u00e9vrier 2023 au si\u00e8ge du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (Fespaco) dont la 28e \u00e9dition rend c\u00e9l\u00e8bre le centenaire du cin\u00e9aste \u00e0 travers une s\u00e9rie d&rsquo;activit\u00e9s.<\/p>\n\n\n\n<p>Pr\u00e9sent \u00e0 Ouagadougou dans le cadre de la 28e \u00e9dition du FESPACO, le premier ministre malien Choguel Kokalla Ma\u00efga accompagn\u00e9 par son homologue burkinab\u00e8 Apollinaire Joachimsom Kyelem de Tamb\u00e8la ont rendu hommage au cin\u00e9aste dont le buste rejoint celui d\u2019un autre r\u00e9alisateur s\u00e9n\u00e9galais, Paulin Soumanou Vieyra, install\u00e9 au si\u00e8ge depuis f\u00e9vrier 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour marquer le centenaire de la naissance du romancier et cin\u00e9aste s\u00e9n\u00e9galais Ousmane Semb\u00e8ne, une statue repr\u00e9sentant son buste a \u00e9t\u00e9 d\u00e9voil\u00e9e le dimanche 26 f\u00e9vrier 2023 au si\u00e8ge du Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (Fespaco) dont la 28e \u00e9dition rend c\u00e9l\u00e8bre le centenaire du cin\u00e9aste \u00e0 travers une s\u00e9rie [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Statue-Ousmane-Sembene.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4981"}],"version-history":[{"count":8,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4981\/revisions"}],"predecessor-version":[{"id":5001,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4981\/revisions\/5001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4985"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4984,"date":"2023-02-26T13:32:03","date_gmt":"2023-02-26T13:32:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=4984"},"modified":"2023-02-26T13:32:08","modified_gmt":"2023-02-26T13:32:08","slug":"stands-et-accreditations-la-demande-a-depasse-loffre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/stands-et-accreditations-la-demande-a-depasse-loffre\/","title":{"rendered":"Stands et Accr\u00e9ditations : La demande a d\u00e9pass\u00e9 l\u2019offre."},"content":{"rendered":"\n<p>Environ 300 stands accord\u00e9s sur 200 de pr\u00e9vus, une prouesse qui pr\u00e9dit de l\u2019engouement autour de ce 28e FESPACO.<br>Dans la cour du si\u00e8ge, les stands sont r\u00e9serv\u00e9s uniquement aux m\u00e9dias et autres partenaires du Festival. Il y\u2019a deux aires d&rsquo;exposition : La restauration et les professionnels.<\/p>\n\n\n\n<p>L\u2019ex-camp fonctionnaire en face de la cath\u00e9drale est r\u00e9serv\u00e9 aux maquis et aux restaurants. La place de la nation est consacr\u00e9e \u00e0 l&rsquo;exposition des objets d&rsquo;arts et des poteries.<br>Plus d\u2019une dizaine de pays prennent part \u00e0 ces expositions et les plus fortes d\u00e9l\u00e9gations sont le Mali, le S\u00e9n\u00e9gal et le Niger.<br>Abby Ouattara de la commission accr\u00e9ditation rassure que tous les badges sont attribu\u00e9s.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Environ 300 stands accord\u00e9s sur 200 de pr\u00e9vus, une prouesse qui pr\u00e9dit de l\u2019engouement autour de ce 28e FESPACO.Dans la cour du si\u00e8ge, les stands sont r\u00e9serv\u00e9s uniquement aux m\u00e9dias et autres partenaires du Festival. Il y\u2019a deux aires d&rsquo;exposition : La restauration et les professionnels. L\u2019ex-camp fonctionnaire en face de la cath\u00e9drale est r\u00e9serv\u00e9 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-7-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4984"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4984\/revisions"}],"predecessor-version":[{"id":4987,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4984\/revisions\/4987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4986"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4980,"date":"2023-02-26T13:22:14","date_gmt":"2023-02-26T13:22:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=4980"},"modified":"2023-02-26T13:22:20","modified_gmt":"2023-02-26T13:22:20","slug":"les-salles-de-projection-font-peaux-neuves-pour-la-28e-edition-de-la-biennale-du-cinema-africain","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-salles-de-projection-font-peaux-neuves-pour-la-28e-edition-de-la-biennale-du-cinema-africain\/","title":{"rendered":"Les salles de projection font peaux neuves pour la 28e \u00e9dition de la biennale du cin\u00e9ma africain."},"content":{"rendered":"\n<p><strong>\u00c0 deux jours de l\u2019\u00e9v\u00e9nement, les gestionnaires des salles de projection sous la houlette du comit\u00e9 d\u2019organisation mettent les petits plats dans les grands pour un rendez-vous r\u00e9ussi aux festivaliers.<\/strong><\/p>\n\n\n\n<p>Les salles du Cin\u00e9 Burkina, Cin\u00e9 Nerwaya, Canal Olympia Yennenga, Canal Olympia Idrissa Ou\u00e9draogo, de la mairie centrale, du centre de presse Norbert Zongo, du CENASA et du CBC sont les salles choisies pour les projections cin\u00e9matographiques.<br>Le ministre en charge de la culture, Jean-Emmanuel Ou\u00e9draogo a fait un tour pour constater l\u2019\u00e9tat d\u2019avancement des pr\u00e9paratifs des salles de projections et autres lieux et<br>sites devant accueillir les diff\u00e9rentes activit\u00e9s de cette 28e \u00e9dition. A l\u2019issue de sa tourn\u00e9e, il a montr\u00e9 sa satisfaction quant \u00e0 la bonne suite du festival.<br>Les mytiques salles du Cin\u00e9 Burkina et du Cin\u00e9 Nerwaya ont refait peaux neuves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 deux jours de l\u2019\u00e9v\u00e9nement, les gestionnaires des salles de projection sous la houlette du comit\u00e9 d\u2019organisation mettent les petits plats dans les grands pour un rendez-vous r\u00e9ussi aux festivaliers. Les salles du Cin\u00e9 Burkina, Cin\u00e9 Nerwaya, Canal Olympia Yennenga, Canal Olympia Idrissa Ou\u00e9draogo, de la mairie centrale, du centre de presse Norbert Zongo, du [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4982,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-6-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4980"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4980\/revisions"}],"predecessor-version":[{"id":4983,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4980\/revisions\/4983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4982"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4977,"date":"2023-02-26T13:15:56","date_gmt":"2023-02-26T13:15:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=4977"},"modified":"2023-02-26T13:16:02","modified_gmt":"2023-02-26T13:16:02","slug":"fespaco-2023-tout-est-en-ordre-dixit-le-comite-dorganisation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2023-tout-est-en-ordre-dixit-le-comite-dorganisation\/","title":{"rendered":"FESPACO 2023 Tout est en ordre, dixit le comit\u00e9 d\u2019organisation"},"content":{"rendered":"\n<p><strong>Le comit\u00e9 national d\u2019organisation de la 28e \u00e9dition du FESPACO a fait le point des pr\u00e9paratifs \u00e0 72 heures de l\u2019ouverture officielle.<\/strong><\/p>\n\n\n\n<p>Tout est en ordre pour que le FESPACO 2023 ouvre ses portes, ce samedi 25 f\u00e9vrier 2023 en pr\u00e9sence du chef de l\u2019Etat Ibrahim Traor\u00e9. La c\u00e9r\u00e9monie d\u2019ouverture est pr\u00e9vue au Palais des sports de Ouaga 2000. Serge Aim\u00e9 Coulibaly et son \u00e9quipe, r\u00e9servent une fois de plus, une \u0153uvre de belle facture pour la chor\u00e9graphie d\u2019ouverture. <\/p>\n\n\n\n<p>Les stands d\u2019expositions \u00e0 la place des nations et \u00e0 l\u2019ex camp fonctionnaire sont pr\u00eats et  n\u2019attendent que le clap de d\u00e9part.<br>Le MICA (march\u00e9 international du cin\u00e9ma et de l\u2019audiovisuel africain) qui a install\u00e9 ses quartiers au si\u00e8ge du FESPACO, est lui aussi fin, pr\u00eat.<br>111 artistes s\u00e9lectionn\u00e9s, se produiront sur les diff\u00e9rents plateaux artistiques. <\/p>\n\n\n\n<p>160 sur les 170 films s\u00e9lectionn\u00e9s, sont d\u00e9j\u00e0 l\u00e0. Selon le d\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral du FESPACO, Moussa Alex Sawadogo, tout est minutieusement orchestr\u00e9, les projectionnistes ont \u00e9t\u00e9 recycl\u00e9s par des professionnels venus du Maroc.<br>Plus de 10 mille festivaliers sont attendus avec des programmateurs de film de Berlin et de Cannes. Canal +, l\u2019un des partenaires majeurs du FESPACO 2023, a investi plus 100<br>millions FCFA, et pourra diffuser des films s\u00e9lectionn\u00e9s. C\u00f4t\u00e9 s\u00e9curit\u00e9, la commission est en rangs serr\u00e9s et avec cette p\u00e9riode d\u2019ins\u00e9curit\u00e9, le comit\u00e9 d\u2019organisation invite les festivaliers au respecter scrupuleux des consignes des professionnels<br>de la s\u00e9curit\u00e9. <\/p>\n\n\n\n<p>Le Mali est le pays invit\u00e9 d\u2019honneur selon le pr\u00e9sident du comit\u00e9 national d\u2019organisation Fid\u00e8le Tamini pour avoir \u00e9t\u00e9 le premier \u00e0 r\u00e9pondre favorablement \u00e0 la sollicitation du FESPACO.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le comit\u00e9 national d\u2019organisation de la 28e \u00e9dition du FESPACO a fait le point des pr\u00e9paratifs \u00e0 72 heures de l\u2019ouverture officielle. Tout est en ordre pour que le FESPACO 2023 ouvre ses portes, ce samedi 25 f\u00e9vrier 2023 en pr\u00e9sence du chef de l\u2019Etat Ibrahim Traor\u00e9. La c\u00e9r\u00e9monie d\u2019ouverture est pr\u00e9vue au Palais des [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-5-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4977"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4977\/revisions"}],"predecessor-version":[{"id":4979,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4977\/revisions\/4979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4978"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4974,"date":"2023-02-26T13:03:48","date_gmt":"2023-02-26T13:03:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=4974"},"modified":"2023-02-26T13:03:53","modified_gmt":"2023-02-26T13:03:53","slug":"la-securite-des-festivaliers-sera-assure-comme-toujours","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-securite-des-festivaliers-sera-assure-comme-toujours\/","title":{"rendered":"LA SECURITE DES FESTIVALIERS SERA ASSURE COMME TOUJOURS"},"content":{"rendered":"\n<p><strong>Un impressionnant dispositif s\u00e9curitaire clairement visible du citoyen lambda est d\u00e9ploy\u00e9 \u00e0 travers la capitale, des \u00e9quipes de patrouilles sillonnent continuellement les art\u00e8res de la capitale.<\/strong><\/p>\n\n\n\n<p>A tous les points strat\u00e9giques et sites du FESPACO, on constate un impressionnant d\u00e9ploiement progressif de forces de s\u00e9curit\u00e9. Pour les responsables de la commission s\u00e9curit\u00e9, tout est fin pr\u00eat pour garantir la s\u00e9curit\u00e9 de chaque festivalier. \u00ab Nous sommes avis\u00e9s des enjeux majeurs du moment et le dispositif s\u00e9curitaire que vous voyez n\u2019est que ce que vos yeux voient. Les festivaliers peuvent vaquer paisiblement \u00e0 leurs occupations. \u00bb a l\u00e2ch\u00e9 le Commissaire Abdoulaye BELEM.<br>Le mot d\u2019ordre reste : \u00ab Accepter les fouilles &#8211; Eviter de porter des gros sacs et ou des objets m\u00e9talliques (arme \u00e0 feu ou blanche) ainsi que les bijoux de grande valeur. Soumettez-vous aux consignes de s\u00e9curit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un impressionnant dispositif s\u00e9curitaire clairement visible du citoyen lambda est d\u00e9ploy\u00e9 \u00e0 travers la capitale, des \u00e9quipes de patrouilles sillonnent continuellement les art\u00e8res de la capitale. A tous les points strat\u00e9giques et sites du FESPACO, on constate un impressionnant d\u00e9ploiement progressif de forces de s\u00e9curit\u00e9. Pour les responsables de la commission s\u00e9curit\u00e9, tout est fin [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4975,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-4-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4974"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4974\/revisions"}],"predecessor-version":[{"id":4976,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4974\/revisions\/4976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4975"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4971,"date":"2023-02-26T12:55:55","date_gmt":"2023-02-26T12:55:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=4971"},"modified":"2023-02-26T12:56:00","modified_gmt":"2023-02-26T12:56:00","slug":"les-plateaux-artistiques-111-artistes-selectionnes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-plateaux-artistiques-111-artistes-selectionnes\/","title":{"rendered":"Les plateaux artistiques, 111 artistes s\u00e9lectionn\u00e9s."},"content":{"rendered":"\n<p><strong>02 plateaux \u00e9rig\u00e9s tiendront toutes les promesses ; foi du pr\u00e9sident de la commission c\u00e9r\u00e9monie et animation.<\/strong><\/p>\n\n\n\n<p>Les plateaux artistiques ont toujours occup\u00e9 une place pr\u00e9pond\u00e9rante dans l\u2019organisation du FESPACO. Ils permettent de meubler les nuits apr\u00e8s les projections et constituent des espaces de retrouvailles pour les festivaliers, m\u00e9lomanes et la population.La 28e \u00e9dition ne fait pas exception \u00e0 la r\u00e8gle.<\/p>\n\n\n\n<p> Selon Evariste Combary le pr\u00e9sident de la commission c\u00e9r\u00e9monie et animation, ce sont deux plateaux artistiques qui seront \u00e9rig\u00e9s \u00e0 Ouagadougou. L\u2019un au niveau du camp fonctionnaire et l\u2019autre sur l\u2019avenue Kwame Nkrumah.<\/p>\n\n\n\n<p>111 artistes, humoristes, chanteurs et slameurs presteront en live et en playback. Ces plateaux ont toujours \u00e9t\u00e9 une aubaine pour les populations car ils offrent des  pectacles gratuits et \u00e0 ciel ouvert.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>02 plateaux \u00e9rig\u00e9s tiendront toutes les promesses ; foi du pr\u00e9sident de la commission c\u00e9r\u00e9monie et animation. Les plateaux artistiques ont toujours occup\u00e9 une place pr\u00e9pond\u00e9rante dans l\u2019organisation du FESPACO. Ils permettent de meubler les nuits apr\u00e8s les projections et constituent des espaces de retrouvailles pour les festivaliers, m\u00e9lomanes et la population.La 28e \u00e9dition ne [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-3-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4971"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4971\/revisions"}],"predecessor-version":[{"id":4973,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4971\/revisions\/4973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4972"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4964,"date":"2023-02-26T12:29:36","date_gmt":"2023-02-26T12:29:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=4964"},"modified":"2023-02-26T12:38:42","modified_gmt":"2023-02-26T12:38:42","slug":"plus-dinnovation-le-siege-prend-un-nouveau-visage","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/plus-dinnovation-le-siege-prend-un-nouveau-visage\/","title":{"rendered":"Plus d\u2019innovation, Le si\u00e8ge prend un nouveau visage !"},"content":{"rendered":"\n<p><strong>FESPACO 2023, ce sont des touches novatrices qui donnent un nouvel \u00e9clat au visage du si\u00e8ge avec les Noms des diff\u00e9rents laur\u00e9ats de l\u2019\u00e9talon de Yennenga qui vous ouvrent les marches au si\u00e8ge du FESTIVAL<\/strong>.<\/p>\n\n\n\n<p>Gervais Hien, Vice-pr\u00e9sident de la commission Communication et publication nous donne des explications sur ces innovations assez frappantes au si\u00e8ge.<\/p>\n\n\n\n<p><br><strong>Les marches des escaliers<\/strong><br>\u00ab Effectivement il y a des touches novatrices au niveau du si\u00e8ge. Sur les marches des escaliers, on peut effectivement voir les noms des grandes figures qui ont marqu\u00e9 \u00e0 la cin\u00e9matographie africaine. C&rsquo;est essentiellement les Etalons de Yennenga. Les curieux ont int\u00e9r\u00eat \u00e0 venir regarder notamment la jeune g\u00e9n\u00e9ration qui ne sait pas quels sont tous ceux-l\u00e0 qui ont fait l&rsquo;histoire du cin\u00e9ma africain. \u00bb<\/p>\n\n\n\n<p><strong>Les Portraits muraux <\/strong><\/p>\n\n\n\n<p>\u00ab Pr\u00e9sentement dans le hall on peut tout de suite distinguer et c&rsquo;est frappant des<br>personnalit\u00e9s qui ont marqu\u00e9 le cin\u00e9ma africain. D&rsquo;une part les grands noms de l&rsquo;Etalon de Yennenga que nous avions auparavant affich\u00e9 sur les murs, dans les couloirs de l&rsquo;institution. A l\u2019\u00e9tage, vous verrez donc sur les cadres photos Les diff\u00e9rents Etalons. En m\u00eame temps que nous leur rendons hommage, nous faisons leur promotion. Mais ce sont des cadres aussi int\u00e9ressants car ce sont des souvenirs, pour tous les cin\u00e9philes, les cin\u00e9astes. \u00bb<\/p>\n\n\n\n<p><br><strong>L\u2019affiche de l\u2019\u00e9dition 2023<\/strong><br>\u00ab Le visuel officiel repr\u00e9sente la reine Sarraounia, une combattante, une guerri\u00e8re<br>pendant la p\u00e9riode coloniale et qui a d\u00fb faire face \u00e0 l\u2019invasion de la colonie Voulet-Chanoine. Par son courage et son g\u00e8le, elle a marqu\u00e9 l&rsquo;histoire. Donc, aujourd&rsquo;hui<br>il sied qu\u2019avec le contexte dans lequel nous vivons, nous puissions effectivement<br>\u00e9voquer de telle figure dans la mesure o\u00f9 \u00e7a peut inspirer les g\u00e9n\u00e9rations actuelles face aux adversit\u00e9s que nous traversons, nous ne devons jamais capituler. Nous ne devons jamais baisser les bras. \u00bb<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FESPACO 2023, ce sont des touches novatrices qui donnent un nouvel \u00e9clat au visage du si\u00e8ge avec les Noms des diff\u00e9rents laur\u00e9ats de l\u2019\u00e9talon de Yennenga qui vous ouvrent les marches au si\u00e8ge du FESTIVAL. Gervais Hien, Vice-pr\u00e9sident de la commission Communication et publication nous donne des explications sur ces innovations assez frappantes au si\u00e8ge. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/1_Plan-de-travail-1-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4964"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4964\/revisions"}],"predecessor-version":[{"id":4970,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4964\/revisions\/4970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/4966"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3232,"date":"2023-02-23T19:51:08","date_gmt":"2023-02-23T19:51:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3232"},"modified":"2023-02-28T13:22:31","modified_gmt":"2023-02-28T13:22:31","slug":"le-botaniste","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-botaniste\/","title":{"rendered":"Le Botaniste"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Sp\u00e9cialiste en plantes tropicale, Rayann, 32 ans est un billant scientifique qui a eu une carri\u00e8re exemplaire. Mais il perd sa famille dans un attentat terroriste. Depuis, Rayann vit \u00e0 l\u2019\u00e9cart du monde jusqu\u2019au jour o\u00f9 il est pris en otage dans sa maison par des terroristes poursuivis par la gendarmerie. Par instinct de survie, il planifie de les neutraliser gr\u00e2ce \u00e0 sa connaissance des plantes.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Sp\u00e9cialiste en plantes tropicale, Rayann, 32 ans est un billant scientifique qui a eu une carri\u00e8re exemplaire. Mais il perd sa famille dans un attentat terroriste. Depuis, Rayann vit \u00e0 l\u2019\u00e9cart du monde jusqu\u2019au jour o\u00f9 il est pris en otage dans sa maison par des terroristes poursuivis par la gendarmerie. Par instinct de [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-Botaniste-Floriane-ZOUNDI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3232"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3232\/revisions"}],"predecessor-version":[{"id":5224,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3232\/revisions\/5224"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3235"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4569,"date":"2023-02-23T14:25:49","date_gmt":"2023-02-23T14:25:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=4569"},"modified":"2023-02-23T14:25:52","modified_gmt":"2023-02-23T14:25:52","slug":"proclamation-des-resultats-des-ateliers-yennenga-ii-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/proclamation-des-resultats-des-ateliers-yennenga-ii-2\/","title":{"rendered":"<strong>Proclamation des r\u00e9sultats des Ateliers Yennenga II<\/strong>"},"content":{"rendered":"\n<p>Suite \u00e0 l\u2019appel \u00e0 candidature et \u00e0 projets lanc\u00e9 du 19 juillet au 30 septembre 2022, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la deuxi\u00e8me \u00e9dition des Ateliers Yennenga. Ces Ateliers se d\u00e9rouleront lors de la 28<sup>\u00e8me<\/sup>&nbsp;\u00e9dition du FESPACO pr\u00e9vue du&nbsp;<strong>25 f\u00e9vrier au 4 mars 2023&nbsp;<\/strong>\u00e0 Ouagadougou. Les travaux du comit\u00e9 de s\u00e9lection pr\u00e9sentent les r\u00e9sultats suivants&nbsp;:<\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>I-&nbsp;ATELIER YENNENGA POST-PRODUCTION<\/strong><\/h1>\n\n\n\n<p>Huit (08) projets de films longs m\u00e9trages (fiction et documentaire) en finition ont \u00e9t\u00e9 retenus.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><em>All The Colours of the World Are Between Black and White<\/em>, fiction de Babatunde APALOWO du Nig\u00e9ria;<\/li>\n\n\n\n<li><em>Banel &amp; Adama<\/em>, fiction de Ramata-Toulaye SY&nbsp;du S\u00e9n\u00e9gal&nbsp;;<\/li>\n\n\n\n<li><em>Klema<\/em>, documentaire de Boubacar Gakou TOURE du Mali&nbsp;;<\/li>\n\n\n\n<li><em>Kundu<\/em>, fiction de Ori Huchi KOZIA du Congo&nbsp;;<\/li>\n\n\n\n<li><em>Ozona<\/em>,&nbsp;<em>Farewell dreamers<\/em>, fiction de Haminiaina RATOVOARIVONY de Madagascar;<\/li>\n\n\n\n<li><em>Ressacs<\/em>,&nbsp;<em>une histoire Touar\u00e8gue<\/em>, documentaire de El Ansari INTAGRIST de la Mauritanie&nbsp;;<\/li>\n\n\n\n<li><em>You don&rsquo;t die two times<\/em>, documentaire de Ager OUESLATI de l\u2019Alg\u00e9rie&nbsp;;<\/li>\n\n\n\n<li><em>Goufd\u00e9<\/em>, fiction de Oumar BA du S\u00e9n\u00e9gal<\/li>\n<\/ol>\n\n\n\n<p><strong>II- ATELIER YENNENGA ACADEMY<\/strong><\/p>\n\n\n\n<p>Pour quinze (15) participants annonc\u00e9s, ce sont,&nbsp;finalement,&nbsp;<strong>vingt-deux (22)&nbsp;<\/strong>jeunes aspirants aux m\u00e9tiers du cin\u00e9ma venant de tout le continent africain de la diaspora qui sont retenus,&nbsp;<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Mlle ADEHOR Diana, Nigeria&nbsp;;<\/li>\n\n\n\n<li>Mlle DUVAL Daniel, Ha\u00efti&nbsp;;<\/li>\n\n\n\n<li>Mlle FAYE Amy, S\u00e9n\u00e9gal&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle FEIDANGAMO Lisa Hadassa, R\u00e9publique Centrafricaine&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle FEZEKA Mkhabela, Afrique du sud&nbsp;;<\/li>\n\n\n\n<li>Mlle KABORE Delwend\u00e9 Deplhine, Burkina Faso&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle KERE Kayaba Ana\u00efs Irma, Burkina Faso;&nbsp;<\/li>\n\n\n\n<li>Mlle KILO Tousmy, R. D. Congo;<\/li>\n\n\n\n<li>Mlle KONE Assetou, Mali&nbsp;;&nbsp;<\/li>\n\n\n\n<li>M. KOUAME Allan Charvet, C\u00f4te d&rsquo;Ivoire&nbsp;;<\/li>\n\n\n\n<li>M. KOUDAYA Koffi Jude, Togo&nbsp;;<\/li>\n\n\n\n<li>Mlle LAGUEMPEDO Barkima Nafissatou, Burkina Faso;<\/li>\n\n\n\n<li>Mlle Priscilla MAREALLE, Tanzanie&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle METOWANOU Alohoutade Eriyomi S\u00eadoa Habiba, B\u00e9nin&nbsp;;<\/li>\n\n\n\n<li>Mlle MINGADENE Kaguereou Carine, Tchad&nbsp;;<\/li>\n\n\n\n<li>M. NEYA Harouna, Burkina Faso;<\/li>\n\n\n\n<li>M. NKOUA Edsin Isra\u00ebl Heureux, Congo Brazzaville&nbsp;;<\/li>\n\n\n\n<li>M. NSENGIMANA Sylvestre, Rwanda&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle NYANDONG Mbida Justine Stella, Cameroun&nbsp;;&nbsp;<\/li>\n\n\n\n<li>M. OULARE Momo de la R\u00e9publique, Guin\u00e9e&nbsp;;<\/li>\n\n\n\n<li>Mlle SEYDOU Ha\u00efnikoye Sakinatou, Niger&nbsp;;&nbsp;<\/li>\n\n\n\n<li>Mlle YOHOU Safiatou Muriel Tiffani, C\u00f4te d&rsquo;Ivoire<\/li>\n<\/ol>\n\n\n\n<p>L\u2019Atelier Yennenga Academy est plac\u00e9 sous le parrainage de la r\u00e9alisatrice nig\u00e9rienne&nbsp;<strong>A\u00efcha Macky KIDY.<\/strong><\/p>\n\n\n\n<p><strong>Les Ateliers Yennenga sont organis\u00e9s en partenariat avec&nbsp;<\/strong><strong>:<\/strong><br><strong>le CNC (Centre National du Cin\u00e9ma et de l\u2019Image Anim\u00e9e-France), Union&nbsp;europ\u00e9enne, Red Sea<\/strong>&nbsp;<strong>Film Festival (Arabie Saoudite), L\u2019OIF (Organisation Internationale de la Francophonie),&nbsp;<\/strong><strong>Path\u00e9 BC<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suite \u00e0 l\u2019appel \u00e0 candidature et \u00e0 projets lanc\u00e9 du 19 juillet au 30 septembre 2022, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la deuxi\u00e8me \u00e9dition des Ateliers Yennenga. Ces Ateliers se [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-4569","post","type-post","status-publish","format-standard","hentry","category-fespaco-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4569"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4569\/revisions"}],"predecessor-version":[{"id":4570,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4569\/revisions\/4570"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]