[{"id":4131,"date":"2023-02-20T15:21:23","date_gmt":"2023-02-20T15:21:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=4131"},"modified":"2023-02-20T15:21:27","modified_gmt":"2023-02-20T15:21:27","slug":"our-lady-of-the-chinese-shop-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/our-lady-of-the-chinese-shop-2\/","title":{"rendered":"<strong>Our lady of the Chinese shop<\/strong>"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>When a Chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend. This delicate urban tale will reveal a family and city facade full of resentment, greed and torment.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Ery Claver is one of the most versatile filmmakers in Angola. He began his career as a cameraman, working on numerous television programs and documentaries. As a director, he has signed several short films, most notably <strong>Lucy in the Sky with Traffic Lights<\/strong> (2018) in and <strong>En\u00f3quio que n\u00e3o tinha cora\u00e7\u00e3o<\/strong> (2020). Ery has had his work screened at several international festivals. In 2019, Ery went on to co-write and do the direction of photography of the award winning Angolan film <strong>Air Conditioner<\/strong>, directed by Fradique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis When a Chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend. This delicate urban tale will reveal a family and city facade [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-4131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Our-lady-of-the-chinese-shop_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4131"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4131\/revisions"}],"predecessor-version":[{"id":4132,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4131\/revisions\/4132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4128,"date":"2023-02-20T15:06:52","date_gmt":"2023-02-20T15:06:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=4128"},"modified":"2023-02-20T15:06:57","modified_gmt":"2023-02-20T15:06:57","slug":"or-de-vie-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/or-de-vie-3\/","title":{"rendered":"Or de vie"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>In Burkina Faso, in the gold panning site of Kalgouli, 16 years old Rasman\u00e9 goes down to more than 100 meters in artisanal mines for gold. Worried by potential accidents, torn by his parents\u2019 doubts, Rasman\u00e9 makes his way through this fierce adult world hoping for emancipation and better life, at the cost of his innocence. Gold panning is corrupting, moving you abruptly from childhood to adulthood, as it corrupts its natural environment through pollution and destruction.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Boubacar Sangar\u00e9 is a writer-director and also a lawyer specializing in film law. In 2015 he co-directed a TV documentary on the 2014 social uprising in Burkina Faso and went on to develop two feature films <strong>Or de vie<\/strong> and <strong>Dj\u00e9liya, m\u00e9moire du mandingue<\/strong>. He worked as Africa Cooperation Mission Officer at CNC and TV5Monde Afrique Programme Officer. In 2021, he was a member of FESPACO International selection committee.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In Burkina Faso, in the gold panning site of Kalgouli, 16 years old Rasman\u00e9 goes down to more than 100 meters in artisanal mines for gold. Worried by potential accidents, torn by his parents\u2019 doubts, Rasman\u00e9 makes his way through this fierce adult world hoping for emancipation and better life, at the cost of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-4128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Or-de-vie_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4128"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4128\/revisions"}],"predecessor-version":[{"id":4129,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4128\/revisions\/4129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3162"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4126,"date":"2023-02-20T14:57:50","date_gmt":"2023-02-20T14:57:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=4126"},"modified":"2023-02-20T14:57:55","modified_gmt":"2023-02-20T14:57:55","slug":"largent-la-liberte-une-histoire-du-franc-cfa-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/largent-la-liberte-une-histoire-du-franc-cfa-3\/","title":{"rendered":"<strong>L\u2019argent, la libert\u00e9, une histoire du franc CFA<\/strong>"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>1960 marks the end of empires on the African continent. France disappears from the map leaving behind the CFA Franc, a colonial creation, the currency still in use in almost all of its former territories in Sub-Sahara Africa. Why is it that these States regaining independence have never denounced this strange legacy. The surprise announcement in December 2020 of the end of the CFA Franc replaced by the ECO is a ground-breaking moment in the eventful and little-known history of this currency, today at the centre of controversy.\u00a0<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Katy Lena Ndiaye is a filmmaker and producer who commutes between Dakar and Brussels. Her films have won awards at numerous festivals and have been distributed on the five continents.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis 1960 marks the end of empires on the African continent. France disappears from the map leaving behind the CFA Franc, a colonial creation, the currency still in use in almost all of its former territories in Sub-Sahara Africa. Why is it that these States regaining independence have never denounced this strange legacy. The surprise [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-4126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/largent-la-liberte_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4126"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4126\/revisions"}],"predecessor-version":[{"id":4127,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4126\/revisions\/4127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3153"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4124,"date":"2023-02-20T14:50:15","date_gmt":"2023-02-20T14:50:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=4124"},"modified":"2023-02-20T14:50:19","modified_gmt":"2023-02-20T14:50:19","slug":"je-reste-photographe-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/je-reste-photographe-3\/","title":{"rendered":"<strong>Je reste photographe<\/strong>"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A young photographer inherits his elder\u2019s trunk of negatives. Cross-portrait of Paul Kodjo, one of the most influential photographers of post-colonial C\u00f4te d\u2019Ivoire, and Ananias L\u00e9ki Dago, a contemporary Ivorian photographer.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Ananias L\u00e9ki Dago studied photography at the School of Fine Arts in Abidjan (1990\u20101993). He is also the initiator of the month of photography in Abidjan, \u201cLes Rencontres du Sud\u201d, held in 2000 and 2002. His work has been presented in numerous international exhibitions and prestigious collections such as The Philadelphia Museum of Art in the United States. Ananias takes his first steps in cinema with a documentary film, he has directed, about the life of Paul Kodjo: <strong>Je reste photographe.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A young photographer inherits his elder\u2019s trunk of negatives. Cross-portrait of Paul Kodjo, one of the most influential photographers of post-colonial C\u00f4te d\u2019Ivoire, and Ananias L\u00e9ki Dago, a contemporary Ivorian photographer. Biofilmography Ananias L\u00e9ki Dago studied photography at the School of Fine Arts in Abidjan (1990\u20101993). He is also the initiator of the month [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-4124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/je-reste-photographe_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4124"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4124\/revisions"}],"predecessor-version":[{"id":4125,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4124\/revisions\/4125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3149"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4122,"date":"2023-02-20T14:42:35","date_gmt":"2023-02-20T14:42:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=4122"},"modified":"2023-02-20T14:42:39","modified_gmt":"2023-02-20T14:42:39","slug":"gardien-des-mondes-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/gardien-des-mondes-3\/","title":{"rendered":"Gardien des mondes"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>One day, at the foot of a tomb, Hassan fell asleep and never left the cemetery. For 40 years, he has made his home in the hills of Jellaz in Tunisia, watching over the dead and observing the living. In search of love and freedom, Hassan navigates between day and night and invites us to discover his worlds.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><em>Le\u00efla Cha\u00efbi began work in cinema as a camera operator on fiction films, documentaries and magazines. Since 2010, she has developed her own film projects and is interested in the question of identity and the Arab world. <strong>\u00ab\u00a0Tous br\u00fbl\u00e9s<\/strong>. <strong>La Maison des hommes<\/strong> \u00ab\u00a0, is a portrait of prisons in Tunisia. She has then co-directed \u00ab\u00a0<strong>Le verrou<\/strong>\u00ab\u00a0, a film about the magic ritual of the Tasfh aiming to protect young girls from any penetration. <strong>\u00ab\u00a0Gardien des mondes<\/strong> \u00a0\u00bb is her second feature.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis One day, at the foot of a tomb, Hassan fell asleep and never left the cemetery. For 40 years, he has made his home in the hills of Jellaz in Tunisia, watching over the dead and observing the living. In search of love and freedom, Hassan navigates between day and night and invites us [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-4122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/gardien-des-mondes_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4122"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4122\/revisions"}],"predecessor-version":[{"id":4123,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4122\/revisions\/4123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3141"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":4120,"date":"2023-02-20T14:31:18","date_gmt":"2023-02-20T14:31:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=4120"},"modified":"2023-02-20T14:31:23","modified_gmt":"2023-02-20T14:31:23","slug":"doxandem-the-dream-chasers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/doxandem-the-dream-chasers\/","title":{"rendered":"Doxandem, the dream chasers"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Back in Gandiol, his hometown in Senegal, after eight years as a migrant in Spain, Mamadou seeks to be a positive force for his community. With help from his wife Laura and ubder the benevolent eye of Yaaye Khadi, Mamadou\u2019s mother, he begins to build and share with his community the \u00ab\u00a0active utopia\u00a0\u00bb referred to in the book Mamadou wrote during his journey. The film takes us to a journey with Mamadou in his quest, to try to uncover his dream.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong> <\/p>\n\n\n\n<p>Saliou Waa Guendoum SARR is a writer, composer and stage director whose nectar contributes to the universality of language, culture and representations. He believes that art can bring change and that cinema can help rebuild the way Africans see themselves. He directed <strong>Masque d\u00e9masque <\/strong>in 2008, and <strong>Coup de filet en 2011 <\/strong>and <strong>Life saaraba illegal <\/strong>in 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Back in Gandiol, his hometown in Senegal, after eight years as a migrant in Spain, Mamadou seeks to be a positive force for his community. With help from his wife Laura and ubder the benevolent eye of Yaaye Khadi, Mamadou\u2019s mother, he begins to build and share with his community the \u00ab\u00a0active utopia\u00a0\u00bb referred [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-4120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Doxandem_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=4120"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4120\/revisions"}],"predecessor-version":[{"id":4121,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/4120\/revisions\/4121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3120"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=4120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=4120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=4120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3951,"date":"2023-02-16T17:32:05","date_gmt":"2023-02-16T17:32:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=3951"},"modified":"2024-04-05T13:53:57","modified_gmt":"2024-04-05T13:53:57","slug":"all-the-colours-of-the-world-are-between-black-and-white","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/all-the-colours-of-the-world-are-between-black-and-white\/","title":{"rendered":"All The Colours of the World Are Between Black and White"},"content":{"rendered":"<p>Bambino and Bawa develop feelings for each other while riding through Lagos to take pictures for a photo competition. Bambino pushes back, unsure of himself, his identity, or what to make of everything. Bawa on the other hand believes that, the fact that he\u2019s feeling the way he does, is justification enough for it being right. Confused about his sexual identity, Bambino attempts to have sex with his neighbour, Ifeyinwa, a curious girl madly in love with him. This causes a rift in their relationship until they fall apart.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bambino and Bawa develop feelings for each other while riding through Lagos to take pictures for a photo competition. Bambino pushes back, unsure of himself, his identity, or what to make of everything. Bawa on the other hand believes that, the fact that he\u2019s feeling the way he does, is justification enough for it being [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-3951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Babatunde-Apalowo.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3951"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3951\/revisions"}],"predecessor-version":[{"id":3953,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3951\/revisions\/3953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3952"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3946,"date":"2023-02-16T15:41:25","date_gmt":"2023-02-16T15:41:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3946"},"modified":"2024-04-05T13:56:44","modified_gmt":"2024-04-05T13:56:44","slug":"ozona-farewell-dreamers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ozona-farewell-dreamers\/","title":{"rendered":"Ozona, Farewell dreamers"},"content":{"rendered":"<p>Antananarivo, de nos jours. Une nuit sombre et silencieuse. Zo est r\u00e9veill\u00e9 par une femme dont on ne voit pas le visage. Elle lui murmure qu\u2019il n\u2019a plus que la mission de ce soir \u00e0 assurer et qu\u2019ils pourront d\u00e9sormais \u00eatre libres, sur une belle plage, ailleurs. Le lendemain, Zo rejoint son ami Paul sur une sc\u00e8ne de crime. Les deux inspecteurs de police constatent deux morts tu\u00e9s par balles et des cartons num\u00e9rot\u00e9s pleins de billets de banque sur les lieux.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antananarivo, de nos jours. Une nuit sombre et silencieuse. Zo est r\u00e9veill\u00e9 par une femme dont on ne voit pas le visage. Elle lui murmure qu\u2019il n\u2019a plus que la mission de ce soir \u00e0 assurer et qu\u2019ils pourront d\u00e9sormais \u00eatre libres, sur une belle plage, ailleurs. Le lendemain, Zo rejoint son ami Paul sur [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Haminiaina.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3946"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3946\/revisions"}],"predecessor-version":[{"id":3948,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3946\/revisions\/3948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3947"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3943,"date":"2023-02-16T15:38:12","date_gmt":"2023-02-16T15:38:12","guid":{"rendered":"https:\/\/fespaco.org\/?p=3943"},"modified":"2024-04-05T13:57:09","modified_gmt":"2024-04-05T13:57:09","slug":"goufde","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/goufde\/","title":{"rendered":"Goufd\u00e9"},"content":{"rendered":"<p>Pour \u00e9viter de payer des c\u00e9r\u00e9monies de mariage trop couteuses ou des dots exorbitantes, la communaut\u00e9 Peulh autorise le rapt de la future fianc\u00e9e. Cette tradition, le gould\u00e9, a depuis d\u00e9vi\u00e9 et elle est souvent proche du mariage forc\u00e9 que du mariage d&rsquo;amour. Premi\u00e8res victimes, les adolescentes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour \u00e9viter de payer des c\u00e9r\u00e9monies de mariage trop couteuses ou des dots exorbitantes, la communaut\u00e9 Peulh autorise le rapt de la future fianc\u00e9e. Cette tradition, le gould\u00e9, a depuis d\u00e9vi\u00e9 et elle est souvent proche du mariage forc\u00e9 que du mariage d&rsquo;amour. Premi\u00e8res victimes, les adolescentes.<\/p>\n","protected":false},"author":7,"featured_media":3944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3943","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Oumar-BA.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3943"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3943\/revisions"}],"predecessor-version":[{"id":3945,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3943\/revisions\/3945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3940,"date":"2023-02-16T15:32:20","date_gmt":"2023-02-16T15:32:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=3940"},"modified":"2024-04-05T13:57:48","modified_gmt":"2024-04-05T13:57:48","slug":"you-dont-die-two-times","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/you-dont-die-two-times\/","title":{"rendered":"You don&rsquo;t die two times"},"content":{"rendered":"<p>Une nuit, tel un conte, Gift d\u00e9cide de raconter \u00e0 Blossom son l&rsquo;histoire, ce qui l\u2019a pouss\u00e9 dans cette odyss\u00e9e p\u00e9rilleuse et l\u2019a men\u00e9e \u00e0 cacher sa naissance. Emport\u00e9e dans le r\u00e9cit de sa vie, elle se met \u00e0 jour et prend conscience de l&rsquo;impact de ses propres m\u00e9moires sans son quotidien. Mais va-t-elle s&rsquo;en \u00e9manciper?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une nuit, tel un conte, Gift d\u00e9cide de raconter \u00e0 Blossom son l&rsquo;histoire, ce qui l\u2019a pouss\u00e9 dans cette odyss\u00e9e p\u00e9rilleuse et l\u2019a men\u00e9e \u00e0 cacher sa naissance. Emport\u00e9e dans le r\u00e9cit de sa vie, elle se met \u00e0 jour et prend conscience de l&rsquo;impact de ses propres m\u00e9moires sans son quotidien. Mais va-t-elle s&rsquo;en [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Ager-Oueslati.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":3942,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3940\/revisions\/3942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3941"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3937,"date":"2023-02-16T15:28:40","date_gmt":"2023-02-16T15:28:40","guid":{"rendered":"https:\/\/fespaco.org\/?p=3937"},"modified":"2024-04-05T13:58:26","modified_gmt":"2024-04-05T13:58:26","slug":"ressacs-une-histoire-touareg","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ressacs-une-histoire-touareg\/","title":{"rendered":"RESSACS, une histoire Touareg"},"content":{"rendered":"<p>Ressacs est une qu\u00eate personnelle, une transmission g\u00e9n\u00e9rationnelle. Il s\u2019agit du voyage hi\u00e9ratique d\u2019un cin\u00e9aste dans la m\u00e9moire de son peuple.<br \/>\n\u00abJe vais de Nouakchott \u00e0 Tombouctou pour excaver des sables ce qu\u2019il te faut savoir de notre histoire ensevelie\u2026\u00bb. Sous forme d\u2019une lettre intime que le r\u00e9alisateur adresse tel un testament \u00e0 son fils, \u00e0 travers notamment, l\u2019histoire des Kel Ansar &#8211; tribu suzeraine dans la r\u00e9gion de Tombouctou, dont l\u2019auteur est issu. Le film raconte la r\u00e9sistance et la culture touar\u00e8gues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ressacs est une qu\u00eate personnelle, une transmission g\u00e9n\u00e9rationnelle. Il s\u2019agit du voyage hi\u00e9ratique d\u2019un cin\u00e9aste dans la m\u00e9moire de son peuple. \u00abJe vais de Nouakchott \u00e0 Tombouctou pour excaver des sables ce qu\u2019il te faut savoir de notre histoire ensevelie\u2026\u00bb. Sous forme d\u2019une lettre intime que le r\u00e9alisateur adresse tel un testament \u00e0 son fils, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3938,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Intagrist-El-Ansari.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3937"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3937\/revisions"}],"predecessor-version":[{"id":3939,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3937\/revisions\/3939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3938"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3934,"date":"2023-02-16T15:23:19","date_gmt":"2023-02-16T15:23:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=3934"},"modified":"2024-04-05T13:58:50","modified_gmt":"2024-04-05T13:58:50","slug":"klema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/klema\/","title":{"rendered":"Klema"},"content":{"rendered":"<p>Depuis un demi-si\u00e8cle, les \u00e9leveurs et agriculteurs de la zone de l\u2019office du Niger au Mali, vivent l\u2019enfer d\u00fb au partage de terre. Plus de vingt ans aujourd\u2019hui apr\u00e8s la restructuration du syst\u00e8me agricole de la r\u00e9gion, tout laisse place au changement climatique qui continue d\u2019alimenter l\u2019expansion de cet enfer terrestre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis un demi-si\u00e8cle, les \u00e9leveurs et agriculteurs de la zone de l\u2019office du Niger au Mali, vivent l\u2019enfer d\u00fb au partage de terre. Plus de vingt ans aujourd\u2019hui apr\u00e8s la restructuration du syst\u00e8me agricole de la r\u00e9gion, tout laisse place au changement climatique qui continue d\u2019alimenter l\u2019expansion de cet enfer terrestre.<\/p>\n","protected":false},"author":7,"featured_media":3935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Boubacar-Toure.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3934"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3934\/revisions"}],"predecessor-version":[{"id":3936,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3934\/revisions\/3936"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3935"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3931,"date":"2023-02-16T15:18:52","date_gmt":"2023-02-16T15:18:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=3931"},"modified":"2024-04-05T13:59:17","modified_gmt":"2024-04-05T13:59:17","slug":"banel-adama","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/banel-adama\/","title":{"rendered":"Banel &#038; Adama"},"content":{"rendered":"<p>Banel et Adama vivent dans un petit village \u00e9loign\u00e9 au Nord du S\u00e9n\u00e9gal. Du monde, ils ne connaissent que \u00e7a. En dehors, rien n&rsquo;existe. Ce sont des \u00eatres exceptionnels, comme tomb\u00e9s du ciel, et destin\u00e9s \u00e0 s\u2019aimer d\u2019un amour id\u00e9al. Mais si un grand feu br\u00fble dans tout leur \u00eatre, l\u2019amour qui unit ce couple va \u00eatre mis \u00e0 rude \u00e9preuve par les conventions de la communaut\u00e9.<br \/>\nParce que l\u00e0 o\u00f9 ils vivent, il n\u2019y a pas de place pour les passions, et encore moins pour le chaos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Banel et Adama vivent dans un petit village \u00e9loign\u00e9 au Nord du S\u00e9n\u00e9gal. Du monde, ils ne connaissent que \u00e7a. En dehors, rien n&rsquo;existe. Ce sont des \u00eatres exceptionnels, comme tomb\u00e9s du ciel, et destin\u00e9s \u00e0 s\u2019aimer d\u2019un amour id\u00e9al. Mais si un grand feu br\u00fble dans tout leur \u00eatre, l\u2019amour qui unit ce couple [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3932,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Ramatou-Laye-Sy.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3931"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3931\/revisions"}],"predecessor-version":[{"id":3933,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3931\/revisions\/3933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3932"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3725,"date":"2023-02-15T15:16:16","date_gmt":"2023-02-15T15:16:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=3725"},"modified":"2023-02-15T15:16:16","modified_gmt":"2023-02-15T15:16:16","slug":"mother-just-a-smile","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mother-just-a-smile\/","title":{"rendered":"Mother Just a Smile"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>A deceased mother is not dead; she lives in the blowing wind, in the rising tide of a full moon night. In order to grieve and properly say goodbye to her love ones, Isabel Cardoso 71, decides to share with her late mother, deceased over 30 years earlier, certain key moments of her life. Isabel and her late mother spent most of their time working in the plantations in Sao Tome during the colonial time and subsequently in various cleaning and catering services once in Portugal. They never really have a moment for themselves. This is the odyssey of a black woman and her mother transcending space, time and dimension while highlighting black womanhood and struggle in Portugal.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p>Cyrielle Raingou is a Cameroonian filmmaker passionate<br \/>\nabout African cultural identity, its promotion on an<br \/>\ninternational scale and the economic interest it raises. She<br \/>\nvery often uses legends, metaphor, the symbolism of animals<br \/>\nto unearth the complexity and mystery within human. She is<br \/>\ncurrently working on her first feature length documentary \u201cLe<br \/>\nSpectre de Boko Haram\u201d, focused on the life in a war zone<br \/>\nfrom children perspective. She holds master\u2019s degrees in law<br \/>\nand in documentary film directing.<br \/>\nCyrielle Raingou participated in the \u201cConnexions citoyennes\u00a0\u00bb<br \/>\nproject launched by CFI, the French Media Cooperation<br \/>\nAgency across France, Senegal, Ivory Coast and Benin, in 2016. She gained that recognition through her Limegbie (the<br \/>\nwoman eye) project , which trains rural women to make short<br \/>\ndocumentaries (03min) on their life and their civic<br \/>\nengagement. She is one of the 2018 Mandela Washington<br \/>\nFellows alumni. As part of that program, she studied civic<br \/>\nleadership at Drexel University in Philadelphia (Pennsylvania<br \/>\nState); and shot in Austin (Texas) her short film \u201cRequiem<br \/>\nPrologue\u201d, premiered at Luxor African Film Festival 2019. She<br \/>\ncreated a production company, RaingouFilms in 2014. She<br \/>\nhas directed short films such as \u00ab\u00a0Challenge\u00a0\u00bb, \u00ab\u00a0Les voisins\u00a0\u00bb,<br \/>\n\u00ab\u00a0Requiem prologue\u00a0\u00bb, \u00ab\u00a0the lamb\u00a0\u00bb, \u201cParall\u00e8le\u201d or \u201cMother just a<br \/>\nsmile\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A deceased mother is not dead; she lives in the blowing wind, in the rising tide of a full moon night. In order to grieve and properly say goodbye to her love ones, Isabel Cardoso 71, decides to share with her late mother, deceased over 30 years earlier, certain key moments of her life. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3726,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/mama_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3725"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3725\/revisions"}],"predecessor-version":[{"id":3728,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3725\/revisions\/3728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3726"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3716,"date":"2023-02-15T14:39:16","date_gmt":"2023-02-15T14:39:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=3716"},"modified":"2023-02-15T14:44:10","modified_gmt":"2023-02-15T14:44:10","slug":"louvri-pou-mwen","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/louvri-pou-mwen\/","title":{"rendered":"Louvri pou mwen"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>LOUVRI POU MWEN, which means \u00ab\u00a0Open for Me\u00a0\u00bb in Haitian Creole is a short film that tells<br \/>\nthe intimate stories of two young women from neighborhoods at conflict in Port-au-Prince, Haiti,<br \/>\nand the enduring plight for peace despite their own physical and mental traumas.<\/p>\n<p><strong>Biofilmography<\/strong><\/p>\n<p>Jess DiPierro Obert is a visual journalist and filmmaker based between New York and Haiti (2016-2021). She is focused on reporting on stories related to women, abortion rights, human rights, immigration, identity, mental health and trauma.<br \/>\nIn 2014, Obert completed an undergraduate degree in Journalism at the Walter Cronkite School of Journalism and Mass Communication in Phoenix, Arizona. During her studies, she specialized in Gender, Religion and Sociocultural Anthropology. In 2015, she completed a six-month internship at The Pulitzer Center on Crisis Reporting in Washington, DC, which inspired her to move to Haiti, where she lived for five years. In 2020, she received a Still I Rise Films Visual Arts Grant to work on a film about women peace builders in conflict zones within Port Au Prince, Haiti. The short documentary film is scheduled to be released in 2022.<br \/>\nHer work has been published in numerous publications including Buzzfeed News, 1843 Magazine, Al Jazeera English, Univision, The New York Times, Bloomberg, The New Humanitarian, and Rest of World.<br \/>\nFrom 2018 to 2020, Jess led a series of workshops for Girls Voices, a nonprofit organization that empowers young girls globally to develop their media storytelling skills.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis LOUVRI POU MWEN, which means \u00ab\u00a0Open for Me\u00a0\u00bb in Haitian Creole is a short film that tells the intimate stories of two young women from neighborhoods at conflict in Port-au-Prince, Haiti, and the enduring plight for peace despite their own physical and mental traumas. Biofilmography Jess DiPierro Obert is a visual journalist and filmmaker [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/louvri_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3716"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3716\/revisions"}],"predecessor-version":[{"id":3720,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3716\/revisions\/3720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3717"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3709,"date":"2023-02-15T14:27:46","date_gmt":"2023-02-15T14:27:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3709"},"modified":"2023-02-15T14:28:33","modified_gmt":"2023-02-15T14:28:33","slug":"madame-pipi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/madame-pipi\/","title":{"rendered":"Madame pipi"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p><strong><em>Madame Pipi<\/em><\/strong> suit la vie de femmes ha\u00eftiennes pr\u00e9pos\u00e9es aux toilettes travaillant dans les boites de nuit de Miami. Relativement invisibles, sous-pay\u00e9es et sous estim\u00e9es, leurs histories laissent derri\u00e8re elles un parcours de triomphe alors qu\u2019elle massage les temp\u00e9raments des clients pour des pourboires.<\/p>\n<p>Malgr\u00e9 l\u2019augmentation du cout de la vie et maintenant l\u2019incertitude de la fermeture de la vie nocturne par le COVID-19, leurs envois de fonds gr\u00e2ce aux pourboires, associes a la contribution plus importante de la diaspora ha\u00eftienne, alimentent plus d\u2019un tiers du PIB d\u2019Ha\u00efti.<\/p>\n<p><strong>Biographie<\/strong><\/p>\n<p>Rachelle Salnave est une cin\u00e9aste talentueuse actuellement bas\u00e9e dans le sud de la Floride qui, au cours des 20 derni\u00e8res ann\u00e9es, a concentr\u00e9 son objectif sur l&rsquo;exp\u00e9rience Black Global. Premier d&rsquo;une poign\u00e9e de cin\u00e9astes \u00e0 documenter l&#8217;embourgeoisement de Harlem, les \u0153uvres de Rachelle comprennent la capture d&rsquo;histoires sur l&rsquo;exp\u00e9rience ha\u00eftienne de Guantanamo Bay, les exp\u00e9riences de plantation de noix de macadamia au Guatemala et la mise en lumi\u00e8re de l&rsquo;identit\u00e9 ha\u00eftienne et de sa soci\u00e9t\u00e9. Rachelle faisait partie de la premi\u00e8re promotion des Sc\u00e9naristes intensifs du Sundance Institute \u00e0 Miami en 2015. Son deuxi\u00e8me long m\u00e9trage documentaire, La Belle Vie: The Good Life, lui a valu une nomination aux Emmy Awards en 2016. En 2017, la Knight Foundation a honor\u00e9 Rachelle en tant que \u00abKnight Arts Champion \u00bbpour sa programmation cin\u00e9matographique, Ayiti Images et Black Lounge Films. L\u2019objectif de Rachelle est de changer le r\u00e9cit d\u2019Ha\u00efti et de la diaspora ha\u00eftienne en capturant les images et les sons de cette \u00eele magique. Ses films documentaires actuels, Madame Pipi, est en post-production et elle est en production pour son troisi\u00e8me long m\u00e9trage documentaire intitul\u00e9 Dual Citizen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Madame Pipi suit la vie de femmes ha\u00eftiennes pr\u00e9pos\u00e9es aux toilettes travaillant dans les boites de nuit de Miami. Relativement invisibles, sous-pay\u00e9es et sous estim\u00e9es, leurs histories laissent derri\u00e8re elles un parcours de triomphe alors qu\u2019elle massage les temp\u00e9raments des clients pour des pourboires. Malgr\u00e9 l\u2019augmentation du cout de la vie et maintenant l\u2019incertitude [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3712,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/madame-pipi_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3709"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3709\/revisions"}],"predecessor-version":[{"id":3714,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3709\/revisions\/3714"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3712"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3697,"date":"2023-02-15T13:45:08","date_gmt":"2023-02-15T13:45:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3697"},"modified":"2023-02-15T13:48:26","modified_gmt":"2023-02-15T13:48:26","slug":"les-cavaliers-de-tonka","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-cavaliers-de-tonka\/","title":{"rendered":"Les Cavaliers de Tonka"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><br>Plus qu\u2019un simple moyen de transport, le cheval occupe une grande place dans le quotidien des hommes de la commune de Tonka, tant par n\u00e9cessit\u00e9 que par passion pour les valeurs qu\u2019il repr\u00e9sente \u00e0 leurs yeux.<br>Malgr\u00e9 l\u2019ins\u00e9curit\u00e9 que traverse le pays depuis d\u2019une d\u00e9cennie et les nombreuses difficult\u00e9s socio-\u00e9conomiques, les cavaliers venus des quatre coins du cercle de   Goundam font de leur mieux pour tenir \u00e0 Tonka, une course annuelle dont les origines remontent au temps de leurs anc\u00eatres.<br>Le film de onze (11) minutes une raconte une tradition, une passion pour l\u2019\u00e9quitation et surtout le r\u00eave d\u2019un retour de la paix et de la stabilit\u00e9 dans le Nord du Mali.<\/p>\n\n\n\n<p><strong>Biographie<\/strong> <br>Mohamed Dayfour Diawara est un jeune vid\u00e9aste et r\u00e9alisateur malien passionn\u00e9<br>par le genre documentaire qu\u2019il r\u00eave d\u2019utiliser comme moyen pour mettre les richesses culturelles, humaines et g\u00e9ographiques de son pays en valeur.<br>Sp\u00e9cialiste de la communication visuelle et des multim\u00e9dias, il est actuellement<br>Responsable M\u00e9dias et Communication \u00e0 Instruments 4 Africa. Ce qu\u2019il lui permet de voyager \u00e0 travers son pays pour aller \u00e0 la rencontre des cultures.<br>N\u00e9 le 11\/11\/1985 \u00e0 Bamako o\u00f9 il vit, Mohamed Dayfour obtient son bac en 2004 au Lyc\u00e9e Technique de Bamako, en s\u00e9rie \u00c9conomie. Il continue ses \u00e9tudes universitaires \u00e0 la FESEG d\u2019o\u00f9 il sort avec un master en Gestion en 2008.<br>D\u2019abord int\u00e9ress\u00e9 par le milieu des finances, il d\u00e9cide de se r\u00e9orienter vers<br>l\u2019audiovisuel en 2012 lorsqu\u2019il s\u2019inscrit et passe au concours d\u2019entr\u00e9e au conservatoire des Arts &amp; M\u00e9tiers multim\u00e9dias Balla Fass\u00e9k\u00e9 Kouyat\u00e9. Il en sort major de promotion, en 2017, avec un master 2.<br>Mohamed Dayfour a fait un premier film court m\u00e9trage \u00ab Le r\u00eave d\u2019Enzo \u00bb, une fiction de 25 minutes envoy\u00e9e au FESPACO en 2015 dans la cat\u00e9gorie : films des \u00e9coles. Il a aussi r\u00e9alis\u00e9 quelques documentaires produits par I4Africa comme :<br>\u00ab les fourmis de Djenn\u00e9 \u00bb en 2019 et \u00ab Les cavaliers de Tonka \u00bb en 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SynopsisPlus qu\u2019un simple moyen de transport, le cheval occupe une grande place dans le quotidien des hommes de la commune de Tonka, tant par n\u00e9cessit\u00e9 que par passion pour les valeurs qu\u2019il repr\u00e9sente \u00e0 leurs yeux.Malgr\u00e9 l\u2019ins\u00e9curit\u00e9 que traverse le pays depuis d\u2019une d\u00e9cennie et les nombreuses difficult\u00e9s socio-\u00e9conomiques, les cavaliers venus des quatre coins [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3701,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/cavaliers-de-Tonka_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3697"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3697\/revisions"}],"predecessor-version":[{"id":3707,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3697\/revisions\/3707"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3701"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3693,"date":"2023-02-15T12:35:08","date_gmt":"2023-02-15T12:35:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3693"},"modified":"2023-02-15T12:36:14","modified_gmt":"2023-02-15T12:36:14","slug":"la-villa-reynette-de-ciment-et-damour","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-villa-reynette-de-ciment-et-damour\/","title":{"rendered":"La Villa Reynette: de ciment et d&rsquo;Amour"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Descendante d\u2019une famille fran\u00e7aise install\u00e9e \u00e0 Porto-Novo durant la p\u00e9riode coloniale Jos\u00e9phine Rey vit et veille avec attention sur la villa construite par son grand-p\u00e8re : LA VILLA REYNETTE. Convaincue que : \u00ab C\u2019est sa chaleur corporelle qui maintient les murs de cette maison compl\u00e8tement d\u00e9labr\u00e9e debout\u2026 \u00bb, Elle prie avec ferveur la Vierge Marie afin qu\u2019une bonne\u00a0 volont\u00e9 l\u2019assiste pour la r\u00e9novation de son h\u00e9ritage. D\u2019une architecture afro-br\u00e9silienne, la villa Reynette est un lieu o\u00f9 le pass\u00e9 et le pr\u00e9sent se rencontrent.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s ses \u00e9tudes de journalisme \u00e0 l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel, (ISMA) j\u2019ai \u00e9t\u00e9 journaliste Reporter d\u2019Images, correspondante et coordonnatrice de news-room pour la t\u00e9l\u00e9vision panafricaine Africa 24 et d\u2019autres cha\u00eenes de t\u00e9l\u00e9vision africaine et panafricaine.<br>Je vis et travaille \u00e0 Cotonou au B\u00e9nin o\u00f9 j\u2019ai occup\u00e9 entre 2017 et 2020 le poste de responsable de la communication et de la m\u00e9diation culturelle de l\u2019Institut fran\u00e7ais du B\u00e9nin.<br>Apr\u00e8s plusieurs r\u00e9sidences de formation et d\u2019\u00e9criture, je me suis sp\u00e9cialis\u00e9e en r\u00e9alisation et production de documentaires de cr\u00e9ation.<br>Actionnaire de la soci\u00e9t\u00e9 de production Gazelle PROD cr\u00e9\u00e9e en 2015, J\u2019ai cr\u00e9\u00e9 en 2021 la soci\u00e9t\u00e9 de production Nanwa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Descendante d\u2019une famille fran\u00e7aise install\u00e9e \u00e0 Porto-Novo durant la p\u00e9riode coloniale Jos\u00e9phine Rey vit et veille avec attention sur la villa construite par son grand-p\u00e8re : LA VILLA REYNETTE. Convaincue que : \u00ab C\u2019est sa chaleur corporelle qui maintient les murs de cette maison compl\u00e8tement d\u00e9labr\u00e9e debout\u2026 \u00bb, Elle prie avec ferveur la Vierge [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/villa-reynette_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3693"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3693\/revisions"}],"predecessor-version":[{"id":3696,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3693\/revisions\/3696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3694"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3691,"date":"2023-02-15T12:17:26","date_gmt":"2023-02-15T12:17:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=3691"},"modified":"2023-02-15T12:17:31","modified_gmt":"2023-02-15T12:17:31","slug":"kelasi-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/kelasi-2\/","title":{"rendered":"Kelasi"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Kelasi is a historical, political and artistic wander around the congolese educationnal system, through years. Tainted by politics will, by the State Party MPR and masses manipulation. With multiple animation techniques, the short film tells through tracking shot a schoolday in Congo\/Za\u00efre. A memorial and cultural work that leaves a door open to the future for education in Congo.<\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Fransix Tenda Lomba is a visual artist born in Kinshasa. Graduated at the Academy of Fine Arts of Kinshasa in Visual Arts, he collaborated with the KinartStudio since its foundation. His work is multidisciplinary and varied: from painting, to sculpture, through drawing and video animation, created and shown in several residencies and exhibitions in Africa, Europe and the United States.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Kelasi is a historical, political and artistic wander around the congolese educationnal system, through years. Tainted by politics will, by the State Party MPR and masses manipulation. With multiple animation techniques, the short film tells through tracking shot a schoolday in Congo\/Za\u00efre. A memorial and cultural work that leaves a door open to the [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kelasi_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3691"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3691\/revisions"}],"predecessor-version":[{"id":3692,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3691\/revisions\/3692"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3689"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3688,"date":"2023-02-15T12:12:11","date_gmt":"2023-02-15T12:12:11","guid":{"rendered":"https:\/\/fespaco.org\/?p=3688"},"modified":"2023-02-15T12:12:14","modified_gmt":"2023-02-15T12:12:14","slug":"kelasi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kelasi\/","title":{"rendered":"Kelasi"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Kelasi est une randonn\u00e9e historique, socio\u2013politique et culturelle en rapport avec le syst\u00e8me \u00e9ducatif congolais au fil des ann\u00e9es. Un syst\u00e8me \u00e9maill\u00e9 par la volont\u00e9 politique, par le MPR parti \u00e9tat, d\u2019une manipulation de la masse. Tourn\u00e9 avec plusieurs techniques d\u2019animation, le film raconte en travelling une journ\u00e9e d\u2019\u00e9cole au Congo \/ Za\u00efre. Un travail m\u00e9moriel et culturel qui laisse une porte ouverte \u00e0 l\u2019avenir pour l\u2019\u00e9ducation au Congo.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>N\u00e9 \u00e0 Kinshasa, Fransix Tenda Lomba est un artiste visuel. Dipl\u00f4m\u00e9 \u00e0 l&rsquo;Acad\u00e9mie des Beaux-Arts de Kinshasa en art plastique, il travaille avec le KinartStudio depuis sa fondation. Son travail est pluridisciplinaire et vari\u00e9 : De la peinture, \u00e0 la sculpture, du dessin, \u00e0 la vid\u00e9o d\u2019animation. Il a particip\u00e9 \u00e0 des r\u00e9sidences et des expositions en Afrique, en Europe et aux Etats-Unis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Kelasi est une randonn\u00e9e historique, socio\u2013politique et culturelle en rapport avec le syst\u00e8me \u00e9ducatif congolais au fil des ann\u00e9es. Un syst\u00e8me \u00e9maill\u00e9 par la volont\u00e9 politique, par le MPR parti \u00e9tat, d\u2019une manipulation de la masse. Tourn\u00e9 avec plusieurs techniques d\u2019animation, le film raconte en travelling une journ\u00e9e d\u2019\u00e9cole au Congo \/ Za\u00efre. Un [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kelasi_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3688"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3688\/revisions"}],"predecessor-version":[{"id":3690,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3688\/revisions\/3690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3689"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3684,"date":"2023-02-15T11:54:20","date_gmt":"2023-02-15T11:54:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=3684"},"modified":"2023-02-15T11:55:55","modified_gmt":"2023-02-15T11:55:55","slug":"katanga-nation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/katanga-nation\/","title":{"rendered":"Katanga Nation"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><br>Katanga is a bustling district of Addis Ababa where many locals dream of making it big in the capital. Enkehone, a street vendor from the countryside, lives in Amele Mamo&rsquo;s makeshift hostel. Both are part of this struggling community on the brink of extinction, as city developers edge ever closer to their derelict neighbourhood.<\/p>\n\n\n\n<p><strong>Biography<\/strong><br>Beza Hailu Lemma is an Ethiopian filmmaker based in Addis Ababa. He has written,<br>directed, and independently produced factual tv content and several short films, including Ballad of the Spirits (2017), and Katanga Nation (2022), the latter of which was screened in competition at Visions du R\u00e9el. Beza was an artist in residence at Bundanoon in Australia (2017) and the Realness Screen Writing Residency (2019). He has also participated in Berlinale Talents, TIFF Filmmakers Lab, L\u2019atelier in Cannes and Produire au Sud.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SynopsisKatanga is a bustling district of Addis Ababa where many locals dream of making it big in the capital. Enkehone, a street vendor from the countryside, lives in Amele Mamo&rsquo;s makeshift hostel. Both are part of this struggling community on the brink of extinction, as city developers edge ever closer to their derelict neighbourhood. BiographyBeza [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Katanga-Nation_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3684"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3684\/revisions"}],"predecessor-version":[{"id":3687,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3684\/revisions\/3687"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3685"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3680,"date":"2023-02-15T11:40:32","date_gmt":"2023-02-15T11:40:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=3680"},"modified":"2023-02-15T11:40:37","modified_gmt":"2023-02-15T11:40:37","slug":"cuba-in-africa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/cuba-in-africa\/","title":{"rendered":"Cuba in Africa"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>The dramatic untold story of 420,000 Cubans soldiers and teachers, doctors and nurses who gave everything to end colonial rule and apartheid in Southern Africa.<\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Ethiopian-American filmmaker and educational technology consultant. Founder of RI<br>Systems Inc. His award-winning film Cuba in Africa was years in the making, overcoming many challenges. Cuba In Africa tells the story of Cuban volunteers who<br>gave everything to win the independence of Angola, Namibia and contributed to the fall of apartheid in South Africa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The dramatic untold story of 420,000 Cubans soldiers and teachers, doctors and nurses who gave everything to end colonial rule and apartheid in Southern Africa. Biography Ethiopian-American filmmaker and educational technology consultant. Founder of RISystems Inc. His award-winning film Cuba in Africa was years in the making, overcoming many challenges. Cuba In Africa tells [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Cuba-in-Africa_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3680"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3680\/revisions"}],"predecessor-version":[{"id":3682,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3680\/revisions\/3682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3681"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3675,"date":"2023-02-15T11:26:57","date_gmt":"2023-02-15T11:26:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=3675"},"modified":"2023-02-15T11:28:06","modified_gmt":"2023-02-15T11:28:06","slug":"burkina-babes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/burkina-babes\/","title":{"rendered":"Burkina Babes"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A filmmaker visited Ouagadougou the capital city of Burkina Faso and did not only got inspired by the aesthetics of motorbikes and bicycles that gave the city a unique cultural beauty, he also discovers through his lens that there was something appealing         maybe even special about the independent spirit of the women of Burkina Faso.<\/p>\n\n\n\n<p><strong>Biography<\/strong><br>Kagho Idhebor&rsquo;s journey into film started at the National Film Institute Jos where he obtained a degree in film production. His career as a cinematographer was borne out of his love for photography while in film school, where his keen interest in the characteristics of light on subjects and contrast were ignited.<br>In 2012 He moved on to earn a certificate in advanced cinematography from the prestigious German-funded institute One Fine Day Films in Nairobi, Kenya. kagho\u2019s collaboration with directors and producers has led to various award winning films and recognitions both in and outside the country . He\u2019s also a multiple award winning director and a two time Africa Magic Viewers\u2019 Choice Award (AMVCA) Best Cinematography nominee .<br>His recent cinematography project KING OF BOY &#8211; THE RETURN OF THE KING<br>is currently streaming on Netflix as a Netflix original series.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A filmmaker visited Ouagadougou the capital city of Burkina Faso and did not only got inspired by the aesthetics of motorbikes and bicycles that gave the city a unique cultural beauty, he also discovers through his lens that there was something appealing maybe even special about the independent spirit of the women of Burkina [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Burkina-babes_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3675"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3675\/revisions"}],"predecessor-version":[{"id":3678,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3675\/revisions\/3678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3676"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3671,"date":"2023-02-15T11:12:38","date_gmt":"2023-02-15T11:12:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3671"},"modified":"2023-02-15T11:12:41","modified_gmt":"2023-02-15T11:12:41","slug":"angle-mort","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/angle-mort\/","title":{"rendered":"Angle Mort"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Sous la dictature de Ben Ali, en Tunisie, le 7 octobre 1991, un homme est enlev\u00e9. Tortur\u00e9, tu\u00e9 puis disparu sans jamais avoir \u00e9t\u00e9 retrouv\u00e9. Il revient nous parler pr\u00e8s de trente ans plus tard. Calme, presque froid, chirurgical, sans affect, il pose son regard sur les faits et les personnes, les lieux et le temps, leur enchev\u00eatrement dans sa m\u00e9moire en ravivant fortement la n\u00f4tre. Il nous am\u00e8ne \u00e0 remettre \u00e0 la surface ce qu\u2019on a volontairement ou involontairement d\u00e9cid\u00e9 d\u2019enfouir, de refouler de notre histoire collective. Il nous entraine avec lui dans les m\u00e9andres de cette m\u00e9moire, en faisant sienne la question de sa propre m\u00e8re \u201co\u00f9 avez vous d\u00e9pos\u00e9 le corps de mon fils ?<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Metteur en sc\u00e8ne de th\u00e9\u00e2tre et r\u00e9alisateur de films, Lotfi Achour a mis en sc\u00e8ne plus de 25 cr\u00e9ations th\u00e9\u00e2trales dont MACBETH cr\u00e9\u00e9 pour le World Shakespeare Festival pour les JO de Londres et produit par la Royal Shakespeare Company.<br>Au cin\u00e9ma, il a r\u00e9alis\u00e9 3 courts m\u00e9trages s\u00e9lectionn\u00e9s dans plus de 200 festivals et qui ont obtenu plus de 80 prix \u00e0 travers le monde dont LA LAINE SUR LE DOS, s\u00e9lectionn\u00e9 en Comp\u00e9tition Officielle du Festival de Cannes 2016. Il a r\u00e9alis\u00e9 DEMAIN DES L\u2019AUBE, long-m\u00e9trage s\u00e9lectionn\u00e9 en comp\u00e9tition officielle aux JCC 2016, \u00e0 New York, Beyrouth,<br>Cinemed, Durban, Lausanne, Gen\u00e8ve, Paris\u2026 et qui a obtenu une dizaine de prix.<br>Son prochain long m\u00e9trage, LES ENFANTS ROUGES, soutenu entre autres par EURIMAGES, est actuellement en pr\u00e9paration.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Sous la dictature de Ben Ali, en Tunisie, le 7 octobre 1991, un homme est enlev\u00e9. Tortur\u00e9, tu\u00e9 puis disparu sans jamais avoir \u00e9t\u00e9 retrouv\u00e9. Il revient nous parler pr\u00e8s de trente ans plus tard. Calme, presque froid, chirurgical, sans affect, il pose son regard sur les faits et les personnes, les lieux et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/angle-mort_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3671"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3671\/revisions"}],"predecessor-version":[{"id":3673,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3671\/revisions\/3673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3672"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3668,"date":"2023-02-15T10:57:01","date_gmt":"2023-02-15T10:57:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=3668"},"modified":"2023-02-20T19:00:40","modified_gmt":"2023-02-20T19:00:40","slug":"ziwa-le-lac","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ziwa-le-lac\/","title":{"rendered":"Ziwa\/ Le lac"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Amina veut se r\u00e9concilier avec Manda, son mari mourant. Lorsque l\u2019ancienne amante plus jeune de ce dernier arrive pour le sauver et se remettre avec lui, Amina \u00e9labore un plan pour freiner la jeune femme dans son \u00e9lan.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Samuel Tebandeke est un cr\u00e9ateur de contenu, producteur et entrepreneur qui a d\u00e9but\u00e9 sa carri\u00e8re cin\u00e9matographique comme sc\u00e9nariste en 2009. Son premier court m\u00e9trage en tant sc\u00e9nariste, <strong>Another Beautiful Day,<\/strong> est sorti en mi-2017 et a fait partie de la s\u00e9lection officielle du 40<sup>e<\/sup> Festival international du film de Durban en 2019. Son premier film de r\u00e9alisation, <strong>Ten O\u2019clock<\/strong>, un court m\u00e9trage, a fait sa premi\u00e8re en avril 2019 en comp\u00e9tition pour le Prix du jeune r\u00e9alisateur africain au Festival du film africain de Louvain, en Belgique. Le film a \u00e9galement \u00e9t\u00e9 pr\u00e9sent\u00e9 en comp\u00e9tition au Festival du court m\u00e9trage de P\u00d6FF en 2019<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Amina veut se r\u00e9concilier avec Manda, son mari mourant. Lorsque l\u2019ancienne amante plus jeune de ce dernier arrive pour le sauver et se remettre avec lui, Amina \u00e9labore un plan pour freiner la jeune femme dans son \u00e9lan. Biofilmographie Samuel Tebandeke est un cr\u00e9ateur de contenu, producteur et entrepreneur qui a d\u00e9but\u00e9 sa carri\u00e8re [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3669,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Ziwa_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3668"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3668\/revisions"}],"predecessor-version":[{"id":4168,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3668\/revisions\/4168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3669"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3664,"date":"2023-02-15T10:51:09","date_gmt":"2023-02-15T10:51:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=3664"},"modified":"2023-02-20T18:54:42","modified_gmt":"2023-02-20T18:54:42","slug":"ye","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ye\/","title":{"rendered":"YE!"},"content":{"rendered":"\n<p><strong> Synopsis<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s que sa famille ait \u00e9t\u00e9 brutalement assassin\u00e9e par des enfants soldats, Stellar rejoint une ligue c\u00e9leste de femmes qui la guident alors qu\u2019elle cherche \u00e0 les venger. Des ann\u00e9es plus tard, elle localise leur assassin et prend une d\u00e9cision d\u00e9vastatrice qui changera le cours de leur vie.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>John Oluwole ADEKOJE est un cin\u00e9aste nig\u00e9rian-am\u00e9ricain qui examine le carrefour o\u00f9 se croisent les cin\u00e9mas africain et afro-am\u00e9ricain. Son \u0153uvre explore les r\u00eaves et les dilemmes de la diaspora \u00e0 travers des principes du cin\u00e9ma et une forme dramatique d\u00e9velopp\u00e9s \u00e0 partir des traditions africaines vivantes. Ses films prim\u00e9s ont \u00e9t\u00e9 projet\u00e9s \u00e0 l\u2019\u00e9chelle nationale.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Apr\u00e8s que sa famille ait \u00e9t\u00e9 brutalement assassin\u00e9e par des enfants soldats, Stellar rejoint une ligue c\u00e9leste de femmes qui la guident alors qu\u2019elle cherche \u00e0 les venger. Des ann\u00e9es plus tard, elle localise leur assassin et prend une d\u00e9cision d\u00e9vastatrice qui changera le cours de leur vie. Biofilmographie John Oluwole ADEKOJE est un [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3665,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/ye_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3664"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3664\/revisions"}],"predecessor-version":[{"id":4166,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3664\/revisions\/4166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3665"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3653,"date":"2023-02-14T18:18:06","date_gmt":"2023-02-14T18:18:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3653"},"modified":"2023-02-20T18:20:12","modified_gmt":"2023-02-20T18:20:12","slug":"will-my-parents-come-to-see-me","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/will-my-parents-come-to-see-me\/","title":{"rendered":"Mes parents viendront-ils me voir?"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Une polici\u00e8re somalienne exp\u00e9riment\u00e9e accompagne une nouvelle fois un jeune d\u00e9tenu \u00e0 travers les proc\u00e9dures de la justice somalienne.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>Mo Harawe est n\u00e9 \u00e0 Mogadiscio, en Somalie. Il \u00e9tudie actuellement la Communication visuelle et le Cin\u00e9ma et a d\u00e9j\u00e0 r\u00e9alis\u00e9 plusieurs courts m\u00e9trages qui non seulement ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s pour des festivals \u00e0 travers le monde, mais ont \u00e9galement remport\u00e9 de nombreux prix. Il travaille actuellement sur son nouveau projet, un long m\u00e9trage intitule <strong><em>The village next to paradise<\/em><\/strong><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Une polici\u00e8re somalienne exp\u00e9riment\u00e9e accompagne une nouvelle fois un jeune d\u00e9tenu \u00e0 travers les proc\u00e9dures de la justice somalienne. Biographie Mo Harawe est n\u00e9 \u00e0 Mogadiscio, en Somalie. Il \u00e9tudie actuellement la Communication visuelle et le Cin\u00e9ma et a d\u00e9j\u00e0 r\u00e9alis\u00e9 plusieurs courts m\u00e9trages qui non seulement ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s pour des festivals \u00e0 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/will-my-parents-come_Plan-de-travail-1_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3653"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3653\/revisions"}],"predecessor-version":[{"id":4163,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3653\/revisions\/4163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3655"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3639,"date":"2023-02-14T17:09:18","date_gmt":"2023-02-14T17:09:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=3639"},"modified":"2023-02-20T18:15:42","modified_gmt":"2023-02-20T18:15:42","slug":"uje","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/uje\/","title":{"rendered":"UJE"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><br>Le mariage de Mariam tourne \u00e0 l\u2019envers apr\u00e8s qu\u2019un inconnu l\u2019ait secr\u00e8tement suivie chez elle et refuse de partir.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><br>Jean Luc Mitana est un r\u00e9alisateur et directeur de la photographie rwandais qui a rejoint le collectif Almond Tree Films en 2009. Il a collabor\u00e9 sur de nombreux films \u00e0 l\u2019international dont les films prim\u00e9s de Clementine Dusabejambo et de Yves M. Niyongabo. Il a \u00e9galement r\u00e9alis\u00e9 plusieurs courts m\u00e9trages, notamment <strong>SAA-IPO<\/strong> en 2010 avec l\u2019appui financier de Tribeca Film Institute, ainsi que le long m\u00e9trage \u00e0 venir <strong><em>The Black Belgian<\/em><\/strong> produit par Joel Karekezi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SynopsisLe mariage de Mariam tourne \u00e0 l\u2019envers apr\u00e8s qu\u2019un inconnu l\u2019ait secr\u00e8tement suivie chez elle et refuse de partir. BiographieJean Luc Mitana est un r\u00e9alisateur et directeur de la photographie rwandais qui a rejoint le collectif Almond Tree Films en 2009. Il a collabor\u00e9 sur de nombreux films \u00e0 l\u2019international dont les films prim\u00e9s de [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/uje_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3639"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3639\/revisions"}],"predecessor-version":[{"id":4161,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3639\/revisions\/4161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3640"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3623,"date":"2023-02-14T16:47:08","date_gmt":"2023-02-14T16:47:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3623"},"modified":"2023-02-20T17:27:30","modified_gmt":"2023-02-20T17:27:30","slug":"twin-lakes-haven","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/twin-lakes-haven\/","title":{"rendered":"TWIN LAKES HAVEN"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>In alone house by the twin lakes in Northern Rwanda, a young mysterious woman spends a few days with a couple. Along her short stay, her growing ties with one of them slowly pulls them together.<\/p>\n<p><strong>Biofilmography<\/strong><\/p>\n<p>Rwandan director and producer Philbert Aim\u00e9 Mbabazi Sharangabo is a graduate from the Film Department of Geneva University of Art and Design in 2017. He has directed several short films including <strong>I Got My Things And Left <\/strong>winning the Grand Prize at Oberhausen International Short Film Festival in 2019 and screened in more than 25 international festivals. He is now developing his debut feature <strong>Spectrum,<\/strong> which sets in Geneva and was part of Torino Script Lab 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In alone house by the twin lakes in Northern Rwanda, a young mysterious woman spends a few days with a couple. Along her short stay, her growing ties with one of them slowly pulls them together. Biofilmography Rwandan director and producer Philbert Aim\u00e9 Mbabazi Sharangabo is a graduate from the Film Department of Geneva [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/twin-lakes-haven_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3623"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3623\/revisions"}],"predecessor-version":[{"id":4150,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3623\/revisions\/4150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3636"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3618,"date":"2023-02-14T16:17:39","date_gmt":"2023-02-14T16:17:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=3618"},"modified":"2023-02-14T16:17:39","modified_gmt":"2023-02-14T16:17:39","slug":"tsutsue","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tsutsue\/","title":{"rendered":"TSUTSUE"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Alone in a local landfill site that borders the Atlantic, two fisherman\u2019s sons engage in a friendly game of hide and seek until the youngest of the two stumbles upon a horrific sight: the corpse of a young man washed up along the shore. Believing it to be his eldest brother whose body was lost at sea, this young boy must battle against a weathered people wanting to move on from a traumatic past, the only brother he has left who struggles to relate to him, and his own inner turmoil in desperation to recover what was lost.<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>The product of a Ghanaian father and an American mother, Amartei Armar is a writer\/director who gravitates towards topics surrounding identity, immigration, and the human need to feel a sense of belonging having spent most of his life moving back and forth between the two countries and cultures. He is currently based in Accra, Ghana.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Alone in a local landfill site that borders the Atlantic, two fisherman\u2019s sons engage in a friendly game of hide and seek until the youngest of the two stumbles upon a horrific sight: the corpse of a young man washed up along the shore. Believing it to be his eldest brother whose body was [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/tsutsue_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3618"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3618\/revisions"}],"predecessor-version":[{"id":3620,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3618\/revisions\/3620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3619"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3613,"date":"2023-02-14T15:51:14","date_gmt":"2023-02-14T15:51:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=3613"},"modified":"2023-02-20T18:06:01","modified_gmt":"2023-02-20T18:06:01","slug":"tender-threads","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/tender-threads\/","title":{"rendered":"Trame de Tendresse"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>La routine de la vie quotidienne entre Radia et sa m\u00e8re engendre un malaise affreux et devient un obstacle majeur pour l\u2019avenir \u00e9motionnel de Radia et sa relation avec sa m\u00e8re. Cette monotonie provoquera donc un clivage impr\u00e9vu.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p>La cin\u00e9aste et sc\u00e9nariste marocaine Ouijdane Khallid est titulaire d\u2019un Master sp\u00e9cialis\u00e9 en en documentaire de l\u2019Universit\u00e9 Abdelmalek Essaadi de Tetouan, et d\u2019une licence fondamentale en \u00e9criture et r\u00e9alisation de l\u2019Institut sup\u00e9rieur des m\u00e9tiers de l\u2019audiovisuel et du cin\u00e9ma (ISMAC) \u00e0 Rabat. Elle a \u00e9crit et r\u00e9alis\u00e9 trois courts m\u00e9trages, fiction et documentaire, dans le cadre acad\u00e9mique, lesquels films ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans plusieurs festivals nationaux et internationaux. En 2021, Ouijdane a \u00e9crit et r\u00e9alis\u00e9 son premier court m\u00e9trage professionnel \u2018\u2019<strong>Tender Threads<\/strong>\u2018\u2019.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis La routine de la vie quotidienne entre Radia et sa m\u00e8re engendre un malaise affreux et devient un obstacle majeur pour l\u2019avenir \u00e9motionnel de Radia et sa relation avec sa m\u00e8re. Cette monotonie provoquera donc un clivage impr\u00e9vu. Biofilmographie La cin\u00e9aste et sc\u00e9nariste marocaine Ouijdane Khallid est titulaire d\u2019un Master sp\u00e9cialis\u00e9 en en documentaire [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/tender-threads_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3613"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3613\/revisions"}],"predecessor-version":[{"id":4159,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3613\/revisions\/4159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3614"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3609,"date":"2023-02-14T15:30:09","date_gmt":"2023-02-14T15:30:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=3609"},"modified":"2023-02-20T17:21:59","modified_gmt":"2023-02-20T17:21:59","slug":"patriotes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/patriotes\/","title":{"rendered":"Patriotes"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Yeli is full of love for her husband Opior, who was wounded in an attack on the front. Strengthened by their past, the couple fights to restore their promise of a happy life.<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>Marie Laurentine Bayala studied Communication and Journalism at the University of Ouagadougou. After her master\u2019s degree, she began film studies at Gaston Berger University, obtaining a Master 2 in documentary filmmaking. She has directed, among others, <strong>Amour sans fronti\u00e8res<\/strong> (2007, Spanish Foundation Award for Audio-visual Investigation); <strong>Jusqu\u2019au bout <\/strong>(2010, Sergio Viera de Mello Award for Human Rights at Cin\u00e9-droit-libre Festival); <strong>Au fant\u00f4me du p\u00e8re<\/strong> (2018, Audience Award at the Festival of Cultural Identities).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Yeli is full of love for her husband Opior, who was wounded in an attack on the front. Strengthened by their past, the couple fights to restore their promise of a happy life. Biography Marie Laurentine Bayala studied Communication and Journalism at the University of Ouagadougou. After her master\u2019s degree, she began film studies [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/patriotes_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3609"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3609\/revisions"}],"predecessor-version":[{"id":4148,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3609\/revisions\/4148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3610"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3606,"date":"2023-02-14T15:13:16","date_gmt":"2023-02-14T15:13:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=3606"},"modified":"2023-02-20T18:01:36","modified_gmt":"2023-02-20T18:01:36","slug":"mulika","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mulika\/","title":{"rendered":"Mulika"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Un &lsquo;afronaute&rsquo; surgit de l\u2019\u00e9pave d\u2019un vaisseau spatial dans le crat\u00e8re volcanique du mont Nyiragongo. Alors qu\u2019il descend dans la ville en contrebas, rencontrant les habitants de l\u2019actuel Gomas, il commence \u00e0 comprendre ce qu\u2019il doit faire pour changer l\u2019avenir de son people.<\/p>\n<p><strong>\u00a0Biofilmographie<\/strong><\/p>\n<p>Maisha Maene est un sc\u00e9nariste et r\u00e9alisateur congolaise bas\u00e9 \u00e0 Gomas, en R\u00e9publique d\u00e9mocratique du Congo. Artiste afro futuriste, il s\u2019int\u00e9resse aux questions des droits de l\u2019homme et de l\u2019environnement, et cherche \u00e0 reconstruire la soci\u00e9t\u00e9 fragment\u00e9e de son pays. En plus de divers projets collaboratifs, Maisha a \u00e9crit et r\u00e9alis\u00e9 trois courts m\u00e9trages, \u2018<strong>Regard<\/strong>,\u2019 \u2018<strong>Mother nature<\/strong>,\u2019 et \u2018<strong>Apa<\/strong>\u2019.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Un &lsquo;afronaute&rsquo; surgit de l\u2019\u00e9pave d\u2019un vaisseau spatial dans le crat\u00e8re volcanique du mont Nyiragongo. Alors qu\u2019il descend dans la ville en contrebas, rencontrant les habitants de l\u2019actuel Gomas, il commence \u00e0 comprendre ce qu\u2019il doit faire pour changer l\u2019avenir de son people. \u00a0Biofilmographie Maisha Maene est un sc\u00e9nariste et r\u00e9alisateur congolaise bas\u00e9 \u00e0 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3607,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mulika_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3606"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3606\/revisions"}],"predecessor-version":[{"id":4157,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3606\/revisions\/4157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3607"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3603,"date":"2023-02-14T14:51:53","date_gmt":"2023-02-14T14:51:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=3603"},"modified":"2023-02-14T14:51:53","modified_gmt":"2023-02-14T14:51:53","slug":"mariam-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mariam-2\/","title":{"rendered":"Mariam"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Mariam, drawn face and rebellious look, drives her Peugeot. Ready to take on the world to reclaim the custody of her son, 4 years old, the road ahead of her is not the one she expected.<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>Graduated from the script department of Paris X-Nanterre University, Lionel Meta directed and self-produced two short films, Je me marierai avec mon p\u00e8re et La M\u00e9taphore du Manioc. Mariam is his first produced short film. He currently develops a TV show about the prison world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mariam, drawn face and rebellious look, drives her Peugeot. Ready to take on the world to reclaim the custody of her son, 4 years old, the road ahead of her is not the one she expected. Biography Graduated from the script department of Paris X-Nanterre University, Lionel Meta directed and self-produced two short films, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mariam_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3603"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3603\/revisions"}],"predecessor-version":[{"id":3604,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3603\/revisions\/3604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3601"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3600,"date":"2023-02-14T14:48:17","date_gmt":"2023-02-14T14:48:17","guid":{"rendered":"https:\/\/fespaco.org\/?p=3600"},"modified":"2023-02-14T14:48:17","modified_gmt":"2023-02-14T14:48:17","slug":"mariam","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mariam\/","title":{"rendered":"Mariam"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Mariam, traits tir\u00e9s et yeux frondeurs, est au volant de sa Peugeot. Pr\u00eate \u00e0 se mesurer au monde pour r\u00e9cup\u00e9rer son fils \u00e2g\u00e9 de 4 ans, le chemin qu\u2019elle devra emprunter n\u2019est pas celui qu\u2019elle attendait.<\/p>\n<p><strong>Biographie<\/strong><\/p>\n<p>Dipl\u00f4m\u00e9 de l\u2019Universit\u00e9 Paris X-Nanterre dans le d\u00e9partement Sc\u00e9nario, Lionel Meta a r\u00e9alis\u00e9 et autoproduit deux courts m\u00e9trages <em>Je me marierai avec mon p\u00e8re<\/em> et <em>La M\u00e9taphore du Manioc<\/em>. <em>Mariam <\/em>est son premier court m\u00e9trage produit. Il d\u00e9veloppe actuellement une s\u00e9rie sur l\u2019univers carc\u00e9ral.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mariam, traits tir\u00e9s et yeux frondeurs, est au volant de sa Peugeot. Pr\u00eate \u00e0 se mesurer au monde pour r\u00e9cup\u00e9rer son fils \u00e2g\u00e9 de 4 ans, le chemin qu\u2019elle devra emprunter n\u2019est pas celui qu\u2019elle attendait. Biographie Dipl\u00f4m\u00e9 de l\u2019Universit\u00e9 Paris X-Nanterre dans le d\u00e9partement Sc\u00e9nario, Lionel Meta a r\u00e9alis\u00e9 et autoproduit deux courts [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mariam_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3600"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3600\/revisions"}],"predecessor-version":[{"id":3602,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3600\/revisions\/3602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3601"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3597,"date":"2023-02-14T14:31:33","date_gmt":"2023-02-14T14:31:33","guid":{"rendered":"https:\/\/fespaco.org\/?p=3597"},"modified":"2023-02-20T17:58:47","modified_gmt":"2023-02-20T17:58:47","slug":"manha-de-domingo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/manha-de-domingo\/","title":{"rendered":"DIMANCHE MATIN"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Gabriela, une jeune pianiste, s\u2019appr\u00eate \u00e0 jouer \u00e0 son premier r\u00e9cital majeur. Mais un r\u00eave sur sa d\u00e9funte m\u00e8re d\u00e9stabilise l\u2019esprit et le c\u0153ur de Gabriela, mettant en danger sa prestation. A partir d\u2019une s\u00e9rie d\u2019\u00e9tranges rencontres au cours d\u2019une journ\u00e9e, Gabriela entreprend un voyage de r\u00e9conciliation avec ses souvenirs et sa m\u00e8re.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p>Bruno Ribeiro est n\u00e9 \u00e0 Rio de Janeiro et a grandi entre le Portugal et le Br\u00e9sil. Il a \u00e9crit, r\u00e9alis\u00e9 et mont\u00e9 des courts m\u00e9trages pr\u00e9sent\u00e9s \u00e0 des festivals tels que Doclisboa, Roterd\u00e3 et la Berlinale. Son dernier court m\u00e9trage \u00ab\u00a0<strong>Manh\u00e3 de Domingo<\/strong>\u00a0\u00bb (2022) a remport\u00e9 l\u2019Ours d\u2019argent \u00e0 la Berlinale. Le r\u00e9alisateur travaille actuellement sur son premier film long m\u00e9trage \u201c<strong>Zion<\/strong>\u201d, qui a particip\u00e9 \u00e0 des ateliers d\u2019\u00e9criture et \u00e0 des march\u00e9s tels que Torino Film Lab, BrLab, CineMundi et Ventana Sur<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Gabriela, une jeune pianiste, s\u2019appr\u00eate \u00e0 jouer \u00e0 son premier r\u00e9cital majeur. Mais un r\u00eave sur sa d\u00e9funte m\u00e8re d\u00e9stabilise l\u2019esprit et le c\u0153ur de Gabriela, mettant en danger sa prestation. A partir d\u2019une s\u00e9rie d\u2019\u00e9tranges rencontres au cours d\u2019une journ\u00e9e, Gabriela entreprend un voyage de r\u00e9conciliation avec ses souvenirs et sa m\u00e8re. Biofilmographie [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/dimanche-matin_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3597"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3597\/revisions"}],"predecessor-version":[{"id":4155,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3597\/revisions\/4155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3598"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3591,"date":"2023-02-14T14:07:37","date_gmt":"2023-02-14T14:07:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=3591"},"modified":"2023-02-20T17:13:29","modified_gmt":"2023-02-20T17:13:29","slug":"3591-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/3591-2\/","title":{"rendered":"L\u2019envoy\u00e9e de Dieu"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Over here the suicide bomber is chosen by chance and subjected to funeral rites to accomplish God\u2019s work. This morning the messenger of God is 12-year-old Fatima. Dropped off in a village market, wearing an explosive belt marked 10 minutes to kill the enemies of God. Fatima realizes that this is the market where her mother sells, and where she also rediscovers life. For 9 minutes, it\u2019s an inner journey during which she swings from present to past.<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>Director and producer Amina Abdoulaye Mamani made her debut in cinema with the African Documentary Film Forum in Niamey, after studying audio-visual production at IFTIC in Niamey. With her graduation documentary film <strong>Le Hawan<\/strong> <strong>idi, <\/strong>she won the best school documentary film prize at FESPACO 2013. In 2014, she made <strong>Le silence des papiers<\/strong>, selected at APT African Film Festival. In 2018, she directed <strong>Sur les traces de Mamani Abdoulaye, <\/strong>which was selected and awarded at several festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Over here the suicide bomber is chosen by chance and subjected to funeral rites to accomplish God\u2019s work. This morning the messenger of God is 12-year-old Fatima. Dropped off in a village market, wearing an explosive belt marked 10 minutes to kill the enemies of God. Fatima realizes that this is the market where [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/envoyee-de-Dieu_Plan-de-travail-1_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3591"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3591\/revisions"}],"predecessor-version":[{"id":4144,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3591\/revisions\/4144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3592"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3588,"date":"2023-02-14T13:40:51","date_gmt":"2023-02-14T13:40:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=3588"},"modified":"2023-02-20T17:51:33","modified_gmt":"2023-02-20T17:51:33","slug":"khadiga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/khadiga\/","title":{"rendered":"KHADIGA"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Khadiga, 18 ans, vit seule avec son b\u00e9b\u00e9 apr\u00e8s le d\u00e9part de son mari pour travailler dans une ville \u00e9loign\u00e9e. Lors d&rsquo;une journ\u00e9e ordinaire, apr\u00e8s avoir termin\u00e9 ses t\u00e2ches m\u00e9nag\u00e8res, elle se fraye un chemin avec son b\u00e9b\u00e9, dans l&rsquo;agitation des rues du Caire, pour rendre visite \u00e0 une amie et \u00e0 sa m\u00e8re. Mais Khadiga se sent mal \u00e0 l&rsquo;aise et elle d\u00e9cide de marcher seule et de fuir la pression.<\/p>\n<p><strong>Biographie<\/strong><\/p>\n<p>\u200fMorad est un cin\u00e9aste \u00e9gyptien n\u00e9 au Caire. Il a \u00e9t\u00e9 assistant-r\u00e9alisateur sur plusieurs films ind\u00e9pendants. Morad a \u00e9galement collabor\u00e9 en tant que r\u00e9alisateur ex\u00e9cutif sur le long m\u00e9trage \u00ab\u00a0<strong>Souad<\/strong>\u00a0\u00bb \u2013 s\u00e9lection officielle au Festival du Film de Cannes en 2020 et \u00e0 la Berlinale. Il a \u00e9crit et r\u00e9alis\u00e9 deux courts m\u00e9trages, \u00ab\u00a0<strong>Henet Ward<\/strong>\u00a0\u00bb et \u00ab\u00a0<strong>What we don&rsquo;t know about Mariam<\/strong>\u00ab\u00a0, qui ont tous fait leur premi\u00e8re mondiale \u00e0 Clermont-Ferrand et ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s dans d\u2019autres grands festivals, remportant plus de 30 prix internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Khadiga, 18 ans, vit seule avec son b\u00e9b\u00e9 apr\u00e8s le d\u00e9part de son mari pour travailler dans une ville \u00e9loign\u00e9e. Lors d&rsquo;une journ\u00e9e ordinaire, apr\u00e8s avoir termin\u00e9 ses t\u00e2ches m\u00e9nag\u00e8res, elle se fraye un chemin avec son b\u00e9b\u00e9, dans l&rsquo;agitation des rues du Caire, pour rendre visite \u00e0 une amie et \u00e0 sa m\u00e8re. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[127],"tags":[],"class_list":["post-3588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts-en"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Khadiga_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3588"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3588\/revisions"}],"predecessor-version":[{"id":4153,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3588\/revisions\/4153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3589"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3579,"date":"2023-02-14T13:09:45","date_gmt":"2023-02-14T13:09:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=3579"},"modified":"2023-02-20T17:04:53","modified_gmt":"2023-02-20T17:04:53","slug":"en-route","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en-route\/","title":{"rendered":"EN ROUTE"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>One morning, Miriam spies on his father. He catches her and invites her to join him for the day, without knowing that Miriam will save her day&#8230;<\/p>\n<p><strong>Biofilmography<\/strong><\/p>\n<p>Leslie T\u00f4 is an independent Burkinabe-American scripter and director with a Master of Arts, Media and Culture and a Certificate in film production. She began her career as an associate producer for Link TV\u00a0: Television without borders, developing a TV pilot, <strong>Coup d\u2019\u00e9tat<\/strong>. Her short films <strong>Red\u00e9finition\u00a0<\/strong>; <strong>Northwestern University\u00a0; <\/strong>and <strong>Release<\/strong> have screened in international festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis One morning, Miriam spies on his father. He catches her and invites her to join him for the day, without knowing that Miriam will save her day&#8230; Biofilmography Leslie T\u00f4 is an independent Burkinabe-American scripter and director with a Master of Arts, Media and Culture and a Certificate in film production. She began her [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/en-route_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3579"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3579\/revisions"}],"predecessor-version":[{"id":4141,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3579\/revisions\/4141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3583"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3577,"date":"2023-02-14T12:49:18","date_gmt":"2023-02-14T12:49:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=3577"},"modified":"2023-02-14T17:32:32","modified_gmt":"2023-02-14T17:32:32","slug":"fespaco-2023-resultats-de-lappel-a-projet-de-yennenga-coproduction","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fespaco-2023-resultats-de-lappel-a-projet-de-yennenga-coproduction\/","title":{"rendered":"FESPACO 2023: R\u00e9sultats de l&rsquo;Appel \u00e0 projet de Yennenga Coproduction"},"content":{"rendered":"<p style=\"font-weight: 400; text-align: justify;\">Suite \u00e0 l\u2019appel \u00e0 candidature cl\u00f4tur\u00e9 le 25 janvier 2023, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du\u00a0FESPACO\u00a0a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la premi\u00e8re \u00e9dition du march\u00e9 de coproduction d\u00e9nomm\u00e9\u00a0<strong>\u00ab YENNENGA COPRODUCTION 2023 \u00bb. <\/strong>Ce march\u00e9 est d\u00e9di\u00e9 aux\u00a0projets de films de fiction longs m\u00e9trages en recherche de producteurs et coproducteurs notamment des partenaires financiers<strong>.<\/strong> Le <strong>YENNENGA COPRODUCTION 2023 <\/strong>se d\u00e9roulera lors de la 28<sup>\u00e8me<\/sup>\u00a0\u00e9dition du\u00a0FESPACO\u00a0pr\u00e9vue du\u00a0<strong>25 f\u00e9vrier au 4 mars 2023\u00a0<\/strong>\u00e0 Ouagadougou.<\/p>\n<p style=\"font-weight: 400; text-align: justify;\">Dix-sept (17) projets de films longs m\u00e9trages fiction ont \u00e9t\u00e9 retenus:<\/p>\n<ol style=\"font-weight: 400; text-align: justify;\">\n<li><em>Aminata, de A\u00efda M. DIALLO, produit par \u00c9ric STEVANCE \u00a0\u00a0 (Mali)<\/em><\/li>\n<li><em>Beau S\u00e9jour de Aboul Aziz NIKIEMA, produit par K. Michel ZONGO (Burkina Faso)\u00a0;<\/em><\/li>\n<li><em>Broken Drums de Marcelin BOSSOU-HUNKALI AKAKPO MASSINOU, produit par Mimi BOSSOU-SOEDJEDE ESSIVI (Togo)\u00a0;<\/em><\/li>\n<li><em>La Fresque des oubli\u00e9es de Am\u00e9d\u00e9e Pac\u00f4me N&rsquo;KOULOU du Gabon, produit par Andrey DIARRA du Mali\u00a0;<\/em><\/li>\n<li><em>Le Testament de Adama ROAMBA (Burkina Faso), produit par Karamoko TOURE (C\u00f4te d&rsquo;Ivoire)\u00a0;<\/em><\/li>\n<\/ol>\n<ol style=\"text-align: justify;\" start=\"6\">\n<li><em>Les Amants de Joal de L\u00e9andre-Alain BAKER (Congo), produit par Issaka COMPAORE (Burkina Faso)\u00a0;<\/em><\/li>\n<li><em>Les Pr\u00e9dateurs de Arice SIAPI (Cameroun)\u00a0;<\/em><\/li>\n<li><em>Lorenzo de Joel AKAFOU, produit par Chim\u00e8ne NAHI DOUKPET (C\u00f4te d&rsquo;Ivoire)\u00a0;<\/em><\/li>\n<li><em>Mika de Samba DIAO (S\u00e9n\u00e9gal), produit par Lamissa OUATTARA (Burkina Faso)<\/em><\/li>\n<li><em>Miles from heaven de Mama KE\u00cfTA, (Guin\u00e9e);<\/em><\/li>\n<li><em>Ndar, la col\u00e9re des eaux de Fara KONATE, produit par Malick BA (S\u00e9n\u00e9gal)\u00a0;<\/em><\/li>\n<li><em>Samory de Lancin\u00e9 DIABY, produit par David Schabasser DIABY de la (C\u00f4te d&rsquo;Ivoire)\u00a0;<\/em><\/li>\n<li><em>Tam Tam de Mireille NIYONSABA (Burundi), produit par Laurent BITTY (C\u00f4te d&rsquo;Ivoire)\u00a0;<\/em><\/li>\n<li><em>Tambi, fils de Tolou de Ousmane ZERBO, produit par Doh DAIGA (Burkina Faso)\u00a0;<\/em><\/li>\n<li><em>Wakat de Pazouknam Jean-Baptiste OUEDRAOGO, produit par Pierre Claver ZONGO du (Burkina Faso)\u00a0;<\/em><\/li>\n<li><em>Walinzi de C\u00e9dric TWANA SHERIYA, produit par Emmanuel LUPIA ASSANI (Congo RDC)\u00a0;<\/em><\/li>\n<li><em>Wefoh de Beola TOUGGOURT (Togo), produit par Noukpo WHANNOU (B\u00e9nin).<\/em><\/li>\n<\/ol>\n<p style=\"font-weight: 400; text-align: justify;\"><strong>Le Yennenga Coproduction FESPACO 2023 est organis\u00e9 en collaboration avec\u00a0:<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">le Secr\u00e9tariat Technique du Centre National de la Cin\u00e9matographie et de l\u2019Audiovisuel (ST-CNCA) du Burkina Faso, du Centre National de la Cin\u00e9matographie du Mali (CNCM), de la Direction de la Cin\u00e9matographie (DCI) du S\u00e9n\u00e9gal, du Centre National du Cin\u00e9ma et de l&rsquo;Image Anim\u00e9e (CNC) de la France, du Fonds Image de la Francophonie (OIF) et avec le partenariat technique du Collectif G\u00e9n\u00e9ration Cr\u00e9ative.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suite \u00e0 l\u2019appel \u00e0 candidature cl\u00f4tur\u00e9 le 25 janvier 2023, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du\u00a0FESPACO\u00a0a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la premi\u00e8re \u00e9dition du march\u00e9 de coproduction d\u00e9nomm\u00e9\u00a0\u00ab YENNENGA COPRODUCTION 2023 \u00bb. Ce march\u00e9 est d\u00e9di\u00e9 aux\u00a0projets [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Visuel_Yennenga_Coproduction.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3577"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3577\/revisions"}],"predecessor-version":[{"id":3652,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3577\/revisions\/3652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3581"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3574,"date":"2023-02-14T12:44:35","date_gmt":"2023-02-14T12:44:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=3574"},"modified":"2023-02-20T16:53:23","modified_gmt":"2023-02-20T16:53:23","slug":"astel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/astel\/","title":{"rendered":"ASTEL"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>It\u2019s October, raining season in Fouta, a remote region in Northern Senegal. Astel (13 years old) goes in the bush with her father every day. Together they tend to their herd to cattle. One day, in the middle of the desert, the young girl meets the shepherd, upsetting the peaceful relations between Astel and her father.<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>After a completing a Master 1 in Performing Arts in Cinema and Audio-visual at Paris Nanterre University and a Master 2 in Script at Conservatoire Libre du Cin\u00e9ma Fran\u00e7ais, Ramata-Toulaye Sy attended Ateliers Egalit\u00e9 des Chances at F\u00e9mis in 2009-2010. Accepted in the 2011 F\u00e9mis competition in the Script Department, she graduated in 2015. In 2020, she made her debut short film <strong>Astel<\/strong>, supported by CNC\u2019s Support prior to production, France 3, Canal+ International and FOPICA in Senegal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis It\u2019s October, raining season in Fouta, a remote region in Northern Senegal. Astel (13 years old) goes in the bush with her father every day. Together they tend to their herd to cattle. One day, in the middle of the desert, the young girl meets the shepherd, upsetting the peaceful relations between Astel and [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Astel_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3574"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3574\/revisions"}],"predecessor-version":[{"id":4139,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3574\/revisions\/4139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3575"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3571,"date":"2023-02-14T12:10:37","date_gmt":"2023-02-14T12:10:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=3571"},"modified":"2023-02-20T16:01:29","modified_gmt":"2023-02-20T16:01:29","slug":"la-maison-des-poupees-a-la-memoire-des-hommes-et-de-leurs-reves-de-cendre-enterres-sous-le-regard-de-minuit-pendant-que-les-douces-barres-du-dedale-animal-couvrent-le-vrai-maitre-de-la-cage-et-des-m","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-maison-des-poupees-a-la-memoire-des-hommes-et-de-leurs-reves-de-cendre-enterres-sous-le-regard-de-minuit-pendant-que-les-douces-barres-du-dedale-animal-couvrent-le-vrai-maitre-de-la-cage-et-des-m\/","title":{"rendered":"A Doll House"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>A young man just entering the adult world feels lost in the modern prison of cities, houses, buildings and their Kafkaesque system which the youth and Gen-Z now have to deal with. Longing for a simpler life away from the crowd, its pressures and follies, he will try to leave everything behind\u2026But can he really escape the labyrinth of modern society?<\/p>\n<p><strong>Biography<\/strong><\/p>\n<p>Hary Joel is somebody. Just someone, maybe he is also a filmmaker who in his films has something for incredibly long titles, murmurs, reverberations, cries, fits of madness, images that detach us from the world and those that seem to come from somewhere and nowhere at once, stories in which the terms \u201ctail\u201d and \u201chead\u201d themselves are without tail nor head nor meaning nor logic. He likes everything, from the most complex philosophical reflections to the most important aspect of any art form:\u00a0 cats.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A young man just entering the adult world feels lost in the modern prison of cities, houses, buildings and their Kafkaesque system which the youth and Gen-Z now have to deal with. Longing for a simpler life away from the crowd, its pressures and follies, he will try to leave everything behind\u2026But can he [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sans-titre-2_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3571"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3571\/revisions"}],"predecessor-version":[{"id":4134,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3571\/revisions\/4134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3572"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3567,"date":"2023-02-14T11:48:48","date_gmt":"2023-02-14T11:48:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=3567"},"modified":"2023-02-20T16:09:31","modified_gmt":"2023-02-20T16:09:31","slug":"agwe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/agwe\/","title":{"rendered":"AGWE"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Fran\u00e7ois left Haiti for the USA, leaving behind his six-month-pregnant wife Marylande. Ten years later, without any news from him, she decides to offer a sacrifice to Agwe, the sea god.<\/p>\n<p><strong>Biofilmography<\/strong><\/p>\n<p>Samuel Suffren is a Haitian director. He has directed several short films selected and awarded at many international festivals. His latest short film \u201c<strong>Agwe\u201d<\/strong> is in the official selection at Locarno Festival and Clermont Ferrand Film Market. He is currently developing a feature documentary \u00ab\u00a0<strong>L\u00f2tb\u00f2<\/strong>\u00ab\u00a0, winner of Francophonie\u2019s Fond Images, Young Francophone Creation, PROCIREP&#8230; \u00ab\u00a0<strong>Je m&rsquo;appelle Nina-Shakira<\/strong>\u00a0\u00bb is his new fiction feature film project, an adaptation of \u00ab\u00a0<strong>Les Immortelles<\/strong>\u00ab\u00a0, a novel by Mackenzy Orcel.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Fran\u00e7ois left Haiti for the USA, leaving behind his six-month-pregnant wife Marylande. Ten years later, without any news from him, she decides to offer a sacrifice to Agwe, the sea god. Biofilmography Samuel Suffren is a Haitian director. He has directed several short films selected and awarded at many international festivals. His latest short [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3568,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[117],"tags":[],"class_list":["post-3567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-shorts"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/agwe_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3567"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3567\/revisions"}],"predecessor-version":[{"id":4136,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3567\/revisions\/4136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3568"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3526,"date":"2023-02-09T23:20:46","date_gmt":"2023-02-09T23:20:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3526"},"modified":"2023-02-09T23:20:46","modified_gmt":"2023-02-09T23:20:46","slug":"traffic","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/traffic\/","title":{"rendered":"Traffic"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Iheb, jeune r\u00e9alisateur au d\u00e9but de sa carri\u00e8re cin\u00e9matographique, d\u00e9cide de descendre dans la rue et de demander aux gens quelle serait l&rsquo;id\u00e9e de leurs films s&rsquo;ils \u00e9taient r\u00e9alisateurs. Suivant les id\u00e9es de chacun, Iheb d\u00e9cide de r\u00e9aliser un film qui rassemble toutes les id\u00e9es des personnes qu&rsquo;il a interview\u00e9es et de le montrer aux m\u00eames personnes pour avoir leur avis. Il se retrouve seul dans une salle de cin\u00e9ma vide devant un \u00e9cran blanc.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Iheb ABIDI<\/strong> est n\u00e9 le 26 mai 1999. Il est un cin\u00e9aste tunisien. D\u00e8s son plus jeune \u00e2ge, il int\u00e8gre la F\u00e9d\u00e9ration Tunisienne des Cin\u00e9astes Amateurs ainsi que l&rsquo;Association Tunisienne pour la Promotion de la Critique de Cin\u00e9ma. Il a \u00e9tudi\u00e9 le cin\u00e9ma et l&rsquo;audiovisuel et est sp\u00e9cialis\u00e9 en Ecriture-R\u00e9alisation. Depuis juin 2022, il est dipl\u00f4m\u00e9 de l&rsquo;Institut Sup\u00e9rieur des Arts Multim\u00e9dia de la Manouba. Actuellement, il pr\u00e9pare son premier long m\u00e9trage documentaire intitul\u00e9 \u00ab\u00a0Gorbej\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Iheb, jeune r\u00e9alisateur au d\u00e9but de sa carri\u00e8re cin\u00e9matographique, d\u00e9cide de descendre dans la rue et de demander aux gens quelle serait l&rsquo;id\u00e9e de leurs films s&rsquo;ils \u00e9taient r\u00e9alisateurs. Suivant les id\u00e9es de chacun, Iheb d\u00e9cide de r\u00e9aliser un film qui rassemble toutes les id\u00e9es des personnes qu&rsquo;il a interview\u00e9es et de le montrer [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/TRAFIC-IHEB-ABIDI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3526"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3526\/revisions"}],"predecessor-version":[{"id":3532,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3526\/revisions\/3532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3530"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3522,"date":"2023-02-09T23:10:42","date_gmt":"2023-02-09T23:10:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=3522"},"modified":"2023-02-09T23:10:42","modified_gmt":"2023-02-09T23:10:42","slug":"sur-les-traces-de-mes-ancetres","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sur-les-traces-de-mes-ancetres\/","title":{"rendered":"Sur les traces de mes anc\u00eatres"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Zeinab re\u00e7oit de son p\u00e8re la mission d&rsquo;aller \u00e0 Samatiguila, son village situ\u00e9 au Nord-Ouest de la C\u00f4te d&rsquo;Ivoire pour d\u00e9couvrir l&rsquo;histoire de ses anc\u00eatres. Une fois dans ce village, \u00e0 l\u2019aide d\u2019un guide elle retrace l&rsquo;histoire des guerriers SOUMAHORO sacrifi\u00e9s pour prot\u00e9ger tout le village. Cet acte qui vaut \u00e0 leur lign\u00e9e sa respectabilit\u00e9, est reconnu tous les ans lors de la f\u00eate de Ramadan. Une c\u00e9l\u00e9bration qu&rsquo;elle suivra de pr\u00e8s pour revivre cette tradition qu&rsquo;ils perp\u00e9tuent afin d\u2019honorer la m\u00e9moire de ces guerriers.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Zeinab SOUMAHORO<\/strong> est une jeune r\u00e9alisatrice passionn\u00e9e de l&rsquo;audiovisuel n\u00e9e le 10 mars 1999 \u00e0 Abidjan en C\u00f4te d\u2019Ivoire. Apr\u00e8s le baccalaur\u00e9at, elle s\u2019inscrit \u00e0 l\u2019\u00e9cole de production audiovisuelle et obtient une Licence en r\u00e9alisation t\u00e9l\u00e9 en 2021. Depuis la fin de ses \u00e9tudes, elle a pour objectif d&rsquo;avoir un impact social dans la promotion culturelle et des valeurs sur le continent Africain. C&rsquo;est dans cette optique qu&rsquo;elle r\u00e9alise son premier court m\u00e9trage \u00ab Sur les traces de mes anc\u00eatres \u00bb. C\u2019est une passionn\u00e9e du montage vid\u00e9o, de l\u2019\u00e9criture de sc\u00e9nario et de la r\u00e9alisation. Elle ne compte pas s&rsquo;arr\u00eater sur ce premier film.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Zeinab re\u00e7oit de son p\u00e8re la mission d&rsquo;aller \u00e0 Samatiguila, son village situ\u00e9 au Nord-Ouest de la C\u00f4te d&rsquo;Ivoire pour d\u00e9couvrir l&rsquo;histoire de ses anc\u00eatres. Une fois dans ce village, \u00e0 l\u2019aide d\u2019un guide elle retrace l&rsquo;histoire des guerriers SOUMAHORO sacrifi\u00e9s pour prot\u00e9ger tout le village. Cet acte qui vaut \u00e0 leur lign\u00e9e sa [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/SUR-LES-TRACES-DE-MES-ANCETRES-ZEINAB-SOUMAHORO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3522"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3522\/revisions"}],"predecessor-version":[{"id":3529,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3522\/revisions\/3529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3527"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3520,"date":"2023-02-09T23:00:06","date_gmt":"2023-02-09T23:00:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3520"},"modified":"2023-02-09T23:04:20","modified_gmt":"2023-02-09T23:04:20","slug":"souk","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/souk\/","title":{"rendered":"Souk"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Le Burkina Faso fait face au terrorisme. Binta, une fillette de 7 ans a perdu son p\u00e8re dans ses attaques. Elle vit dans un camp de d\u00e9plac\u00e9s internes avec sa m\u00e8re et son petit fr\u00e8re de 6 mois mais elle pense que son papa vit toujours. Il y a une insuffisance d\u2019eau dans la r\u00e9gion et la soif s\u2019intensifie. Elle parcourt chaque jour des kilom\u00e8tres pour trouver de l\u2019eau. Binta a cependant une passion: le dessin.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Wendkoagnda Gaston BONKOUNGOU<\/strong> est originaire du Burkina Faso. Il est un \u00e9tudiant en 3<sup>e<\/sup> ann\u00e9e fili\u00e8re r\u00e9alisation. Il a rejoint l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio-Ecole (ISIS-SE) dans le but de poursuivre une carri\u00e8re cin\u00e9matographique. SOUK est son premier court-m\u00e9trage de fiction r\u00e9alis\u00e9 en fin d\u2019ann\u00e9e 2021 et achev\u00e9\u00a0 en janvier 2022.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Le Burkina Faso fait face au terrorisme. Binta, une fillette de 7 ans a perdu son p\u00e8re dans ses attaques. Elle vit dans un camp de d\u00e9plac\u00e9s internes avec sa m\u00e8re et son petit fr\u00e8re de 6 mois mais elle pense que son papa vit toujours. Il y a une insuffisance d\u2019eau dans la [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/SOUK-WENDKOAGNDA-GASTON-BONKOUNGOU_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3520"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3520\/revisions"}],"predecessor-version":[{"id":3525,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3520\/revisions\/3525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3521"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3517,"date":"2023-02-09T22:53:52","date_gmt":"2023-02-09T22:53:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=3517"},"modified":"2023-02-09T22:53:52","modified_gmt":"2023-02-09T22:53:52","slug":"rogm-sebre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/rogm-sebre\/","title":{"rendered":"Rogm Sebre"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Alima, une jeune femme analphab\u00e8te de 25 ans est enceinte. Elle a perdu son mari lors d\u2019une attaque terroriste dans son village. Elle va se r\u00e9fugier dans un camp de d\u00e9plac\u00e9s internes o\u00f9 elle va mettre au monde une fille. Un jour, pendant qu\u2019elle cuisinait, elle va entendre \u00e0 la radio une femme qui sensibilise sur l\u2019importance capitale de l\u2019acte de naissance pour la vie d\u2019un enfant. Alima r\u00e9volt\u00e9e par ce qu\u2019elle vient d\u2019entendre va demander l\u2019aide de sa voisine Aicha, une jeune femme instruite veuve et handicap\u00e9e. Alima en voyant des \u00e9coli\u00e8res, d\u00e9cide de repartir dans son village afin de r\u00e9cup\u00e9rer les papiers de son mari.<\/p>\n<p><strong>\u00a0<\/strong><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Arlette Jessica<\/strong> <strong>VALIA<\/strong> est n\u00e9e le 20 Octobre 1997 \u00e0 Koudougou. Elle fait partie de la nouvelle g\u00e9n\u00e9ration de r\u00e9alisatrice d\u00e9sireuse de s\u2019attaquer aux th\u00e8mes profonds qui touchent les femmes et la soci\u00e9t\u00e9. Apr\u00e8s l\u2019obtention de son baccalaur\u00e9at \u00e0 Koudougou, elle aura du mal \u00e0 se d\u00e9cider par rapport au choix du m\u00e9tier qu\u2019elle veut embrasser. Elle aura un d\u00e9clic lorsqu\u2019elle va suivre le film de Apolline Traor\u00e9 \u00ab Fronti\u00e8res \u00bb. Cet ainsi qu\u2019anim\u00e9e par ce d\u00e9sir d\u2019apprendre et de raconter des histoires, elle va s\u2019inscrire \u00e0 L\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio Ecole (ISIS\/SE). En 2020 en 2<sup>e<\/sup> ann\u00e9e de Licence, Jessica r\u00e9alise son premier court m\u00e9trage d\u00e9nomm\u00e9e \u00ab Une vie vol\u00e9e \u00bb. Une fiction de 6 minutes. Elle va aussi travailler sur des projets de films avec d\u2019autres camarades de classe dont \u00ab Bact\u00e9ries racinaires \u00bb, \u00ab La cigarette et moi \u00bb. Au cours de l&rsquo;ann\u00e9e\u00a02021, elle propose un projet de film qui traite la probl\u00e9matique des actes de naissance, notamment pour les enfants n\u00e9s dans les camps de personnes d\u00e9plac\u00e9es internes (PDI) du fait du terrorisme qui touche plusieurs localit\u00e9s du Burkina Faso. Intitul\u00e9 \u00ab\u00a0Rogm Sebre\u00a0\u00bb, ce deuxi\u00e8me film de la r\u00e9alisatrice est un court m\u00e9trage fiction d\u2019une dur\u00e9e de 15 minutes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Alima, une jeune femme analphab\u00e8te de 25 ans est enceinte. Elle a perdu son mari lors d\u2019une attaque terroriste dans son village. Elle va se r\u00e9fugier dans un camp de d\u00e9plac\u00e9s internes o\u00f9 elle va mettre au monde une fille. Un jour, pendant qu\u2019elle cuisinait, elle va entendre \u00e0 la radio une femme qui [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/ROGM-SEBRE-ACTE-DE-NAISSANCE-ARLETTE-JESSICA-VALIA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3517"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3517\/revisions"}],"predecessor-version":[{"id":3519,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3517\/revisions\/3519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3518"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3514,"date":"2023-02-09T22:42:45","date_gmt":"2023-02-09T22:42:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=3514"},"modified":"2023-02-09T22:42:45","modified_gmt":"2023-02-09T22:42:45","slug":"retour-aux-sources","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/retour-aux-sources\/","title":{"rendered":"Retour aux sources"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Francis Em\u00e9ry NJIFFENDJOU est un homme quinquag\u00e9naire dont la vie bascule apr\u00e8s avoir fait le choix de renouer avec ses origines religieuses du pass\u00e9. Il relate l\u2019histoire de ses diff\u00e9rentes doctrines qui ont forg\u00e9 sa personnalit\u00e9 actuelle.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Francis Em\u00e9ry NJIFFENDJOU est un homme quinquag\u00e9naire dont la vie bascule apr\u00e8s avoir fait le choix de renouer avec ses origines religieuses du pass\u00e9. Il relate l\u2019histoire de ses diff\u00e9rentes doctrines qui ont forg\u00e9 sa personnalit\u00e9 actuelle. &nbsp;<\/p>\n","protected":false},"author":7,"featured_media":3515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/RETOUR-AUX-SOURCES-DANIEELLE-ESTHER-BIYOO-ANDING_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3514"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3514\/revisions"}],"predecessor-version":[{"id":3516,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3514\/revisions\/3516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3515"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3511,"date":"2023-02-09T22:35:06","date_gmt":"2023-02-09T22:35:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3511"},"modified":"2023-02-09T22:35:06","modified_gmt":"2023-02-09T22:35:06","slug":"pour-le-meilleur-et-pas-le-pire","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/pour-le-meilleur-et-pas-le-pire\/","title":{"rendered":"Pour le meilleur et pas le pire"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Apre\u0300s son mariage avec Franc\u0327ois, Sarah enfant unique de sa me\u0300re et orpheline de pe\u0300re de\u0301couvrira tre\u0300s vite pourquoi le mariage c\u2019est pour le meilleur et le pire. Apre\u0300s une courte pe\u0301riode d\u2019amour, son tendre e\u0301poux alcoolique et fe\u0302tard lui fera vivre un calvaire insupportable alimente\u0301 de violences sous le regard impuissant de sa me\u0300re Collette qui lui demandera de supporter de peur de rembourser la dot de sa fille car de\u0301pourvue de moyens. Au regard de la situation de pre\u0301carite\u0301 de sa me\u0300re, elle n\u2019aura d\u2019autre choix que de supporter cette situation jusqu&rsquo;au jour ou\u0300 elle y laissera sa vie sous les coups de son e\u0301poux.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Apre\u0300s son mariage avec Franc\u0327ois, Sarah enfant unique de sa me\u0300re et orpheline de pe\u0300re de\u0301couvrira tre\u0300s vite pourquoi le mariage c\u2019est pour le meilleur et le pire. Apre\u0300s une courte pe\u0301riode d\u2019amour, son tendre e\u0301poux alcoolique et fe\u0302tard lui fera vivre un calvaire insupportable alimente\u0301 de violences sous le regard impuissant de sa [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/POUR-LE-MEILLEUR-ET-PAS-LE-PIRE-JUDICAEL-NZAMBA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3511"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3511\/revisions"}],"predecessor-version":[{"id":3513,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3511\/revisions\/3513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3512"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3507,"date":"2023-02-09T22:26:49","date_gmt":"2023-02-09T22:26:49","guid":{"rendered":"https:\/\/fespaco.org\/?p=3507"},"modified":"2023-02-09T22:26:49","modified_gmt":"2023-02-09T22:26:49","slug":"plus-quun-devoir","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/plus-quun-devoir\/","title":{"rendered":"Plus qu&rsquo;un devoir"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Ola, un jeune homme issu d\u2019une famille modeste vient de d\u00e9crocher son baccalaur\u00e9at et a pour grand r\u00eave d\u2019embrasser les m\u00e9tiers du septi\u00e8me art. Mais par faute de moyens, ses parents seront oblig\u00e9s de vendre leur maison en construction pour subvenir au d\u00e9sir de leur fils bien aim\u00e9.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Mouhamed ALLABI<\/strong> est un r\u00e9alisateur, n\u00e9 le 23 D\u00e9cembre 2000 \u00e0 Cov\u00e8 au B\u00e9nin. Apr\u00e8s son baccalaur\u00e9at en 2018, il d\u00e9bute ses \u00e9tudes en R\u00e9alisation Cin\u00e9ma et T\u00e9l\u00e9vision \u00e0 l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel (ISMA) au B\u00e9nin. En Janvier 2022, il r\u00e9alise pour sa soutenance de Licence son tout premier court m\u00e9trage fiction: Plus qu&rsquo;un devoir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ola, un jeune homme issu d\u2019une famille modeste vient de d\u00e9crocher son baccalaur\u00e9at et a pour grand r\u00eave d\u2019embrasser les m\u00e9tiers du septi\u00e8me art. Mais par faute de moyens, ses parents seront oblig\u00e9s de vendre leur maison en construction pour subvenir au d\u00e9sir de leur fils bien aim\u00e9. Biofilmographie Mouhamed ALLABI est un r\u00e9alisateur, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3507","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/PLUS-QUUN-DEVOIR-MOUHAMED-ALLABI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3507"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3507\/revisions"}],"predecessor-version":[{"id":3510,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3507\/revisions\/3510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3509"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3503,"date":"2023-02-09T22:10:56","date_gmt":"2023-02-09T22:10:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=3503"},"modified":"2023-02-09T22:10:56","modified_gmt":"2023-02-09T22:10:56","slug":"moi-et-moi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/moi-et-moi\/","title":{"rendered":"Moi et Moi"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>SahiId, un homme handicap\u00e9 en qu\u00eate d&rsquo;affectation se rend dans une maison close apr\u00e8s plusieurs tentatives sans succ\u00e8s de se faire d\u00e9sirer aupr\u00e8s des filles. Il tombe sur Sucrette, une jeune prostitu\u00e9e pour qui l&rsquo;argent ne peut pas tout acheter. Une rencontre sem\u00e9e de disputes et d&rsquo;excuses entre les deux permet \u00e0 Sahild de retrouver son estime<br \/>\npersonnelle et de se faire aimer.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis SahiId, un homme handicap\u00e9 en qu\u00eate d&rsquo;affectation se rend dans une maison close apr\u00e8s plusieurs tentatives sans succ\u00e8s de se faire d\u00e9sirer aupr\u00e8s des filles. Il tombe sur Sucrette, une jeune prostitu\u00e9e pour qui l&rsquo;argent ne peut pas tout acheter. Une rencontre sem\u00e9e de disputes et d&rsquo;excuses entre les deux permet \u00e0 Sahild de [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3504,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/MOI-ET-MOI-RAZACK-ADAM-BANA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3503"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3503\/revisions"}],"predecessor-version":[{"id":3508,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3503\/revisions\/3508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3504"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3499,"date":"2023-02-09T22:01:46","date_gmt":"2023-02-09T22:01:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3499"},"modified":"2023-02-09T22:01:46","modified_gmt":"2023-02-09T22:01:46","slug":"mataha","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mataha\/","title":{"rendered":"Mataha"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>A girl in her mid-twenties faces her fears while undergoing a major surgery that will change her entire life forever.<\/p>\n<p><strong>Biofilmography<\/strong><\/p>\n<p><strong>Ahmed NADER<\/strong> was born in Alexandria in 1986. In 2017, He directed his first short fiction film \u00ab\u00a0Affability\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A girl in her mid-twenties faces her fears while undergoing a major surgery that will change her entire life forever. Biofilmography Ahmed NADER was born in Alexandria in 1986. In 2017, He directed his first short fiction film \u00ab\u00a0Affability\u00a0\u00bb.<\/p>\n","protected":false},"author":7,"featured_media":3500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[121],"tags":[],"class_list":["post-3499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-school-films-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/MATAHA-AMED-NADER_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3499"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3499\/revisions"}],"predecessor-version":[{"id":3502,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3499\/revisions\/3502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3500"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3495,"date":"2023-02-09T21:49:36","date_gmt":"2023-02-09T21:49:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=3495"},"modified":"2023-02-09T21:49:39","modified_gmt":"2023-02-09T21:49:39","slug":"limpression","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/limpression\/","title":{"rendered":"L&rsquo;Impression"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>N\u2019avez-vous jamais v\u00e9cu des sc\u00e8nes que vous avez l\u2019impression d\u2019avoir d\u00e9j\u00e0 v\u00e9cues quelque part ? N\u2019avez-vous jamais vu, entendu des choses que vous avez l\u2019impression d\u2019avoir d\u00e9j\u00e0 vues ou entendues ? Ou de vous retrouver en des lieux pour la premi\u00e8re fois et qui vous semblent pourtant familiers ? Ce film documentaire vous parle de cette impression et des raisons qui la sous-tendent.<\/p>\n<p><strong>Biofilmographie\u00a0<\/strong><\/p>\n<p>Originaire d\u2019Agonlin Cov\u00e8 au B\u00e9nin, <strong>Ulrich K\u00e9n\u00e8h Enagnon HOUNDJI<\/strong> est un jeune r\u00e9alisateur n\u00e9 \u00e0 Porto-Novo le 18 juin 1997. Il est \u00e9tudiant en Journalisme Reporter d\u2019Images \u00e0 l\u2019Ecole Nationale des Sciences et Technique de l\u2019Information et de la Communication (ENSTIC) de l\u2019Universit\u00e9 d\u2019Abomey-Calavi (UAC). Il a particip\u00e9 \u00e0 plusieurs productions th\u00e9matiques distingu\u00e9es dont \u00ab Quand la r\u00e9sistance s\u2019organise \u00bb r\u00e9alis\u00e9e par V\u00e9ronique MISSINHOUN. \u00ab Immortels \u00bb et \u00ab L\u2019Impression \u00bb sont ses deux premiers court m\u00e9trages en qualit\u00e9 de documentaire de cr\u00e9ation unitaire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis N\u2019avez-vous jamais v\u00e9cu des sc\u00e8nes que vous avez l\u2019impression d\u2019avoir d\u00e9j\u00e0 v\u00e9cues quelque part ? N\u2019avez-vous jamais vu, entendu des choses que vous avez l\u2019impression d\u2019avoir d\u00e9j\u00e0 vues ou entendues ? Ou de vous retrouver en des lieux pour la premi\u00e8re fois et qui vous semblent pourtant familiers ? Ce film documentaire vous parle [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LIMPRESSION-ULRICH-HOUNDJI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3495"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3495\/revisions"}],"predecessor-version":[{"id":3498,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3495\/revisions\/3498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3497"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3492,"date":"2023-02-09T21:04:23","date_gmt":"2023-02-09T21:04:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=3492"},"modified":"2023-02-09T21:04:23","modified_gmt":"2023-02-09T21:04:23","slug":"les-yeux-ouverts","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-yeux-ouverts\/","title":{"rendered":"Les yeux ouverts"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Nafi, une jeune fille de 14 ans se voit retirer de l\u2019\u00e9cole pour \u00eatre donn\u00e9e en mariage par ses parents alors que sa s\u0153ur et elles sont contre cette id\u00e9e. Elle entreprend donc de poser un acte tr\u00e8s significatif pour changer leur mentalit\u00e9.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Nafi, une jeune fille de 14 ans se voit retirer de l\u2019\u00e9cole pour \u00eatre donn\u00e9e en mariage par ses parents alors que sa s\u0153ur et elles sont contre cette id\u00e9e. Elle entreprend donc de poser un acte tr\u00e8s significatif pour changer leur mentalit\u00e9. &nbsp;<\/p>\n","protected":false},"author":7,"featured_media":3493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LES-YEUX-OUVERTS-ARMEL-ARIEL-POUYA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3492"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3492\/revisions"}],"predecessor-version":[{"id":3494,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3492\/revisions\/3494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3493"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3488,"date":"2023-02-09T21:00:06","date_gmt":"2023-02-09T21:00:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3488"},"modified":"2023-02-09T21:00:06","modified_gmt":"2023-02-09T21:00:06","slug":"les-adoratrices-du-boson","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-adoratrices-du-boson\/","title":{"rendered":"Les adoratrices du Boson"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>\u00c0 210 km de l&rsquo;Est de la capitale \u00e9conomique de la C\u00f4te d&rsquo;Ivoire, pr\u00e9cis\u00e9ment \u00e0 Aniansu\u00e9, dans le d\u00e9partement d&rsquo;Abengourou, des K\u00f4mians se battent pour la pr\u00e9servation de leurs traditions dans une soci\u00e9t\u00e9 qui ne cesse d&rsquo;\u00e9voluer. Pr\u00eatresses animistes et surtout gu\u00e9risseuses traditionnelles, elles d\u00e9tiennent un art divinatoire qui leur permettent de conjurer du mauvais sort mais aussi de soigner les malades. Un savoir-faire enseign\u00e9 dans la premi\u00e8re \u00e9cole de f\u00e9ticheuses du pays qui existe depuis 1992 et reconnue par arr\u00eat minist\u00e9riel en 2014 situ\u00e9e \u00e0 Aniansu\u00e9. Ce centre accueille plus d&rsquo;une vingtaine d&rsquo;\u00e9l\u00e8ves, chaque ann\u00e9e dans le but de les former au bout de trois ans aux sciences occultes. \u00c0 travers ce film, nous vous amenons dans l&rsquo;univers de ces gardiennes de la culture bossoniste en pays Agni.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Othniel BONZI<\/strong> est un jeune acteur Ivoirien \u00e2g\u00e9 de 21 ans. N\u00e9 \u00e0 Abidjan pr\u00e9cis\u00e9ment dans la commune de Yopougon, il a pour addiction pour le cin\u00e9ma. Il d\u00e9marre par le th\u00e9\u00e2tre depuis sa tendre enfance \u00e0 l\u2019\u00e9glise \u00e0 travers des comp\u00e9titions inter-\u00e9glises o\u00f9 il a pu faire montre de son talent. Sa carri\u00e8re d\u2019acteur prend forme en 2018 avec les capsules Vid\u00e9os de la RTI \u00ab\u00a0Gnanmankoudji Zekinan &amp; Gazou la doubleuze\u00a0\u00bb un produit du Journal Humour Gbich qui apparait dans l\u2019\u00e9mission Vendredi soir de Mariam Coulibaly. Il tourne ensuite en Juin 2020 dans la s\u00e9rie r\u00e9alis\u00e9e par Alex OGOU \u00ab\u00a0Oranges sucr\u00e9es\u00a0\u00bb en incarnant le r\u00f4le de Nando. En octobre 2020, il joue le r\u00f4le de Gambino dans le court-m\u00e9trage \u2018\u2019El\u00e9ment\u2019\u2019 de Will NIAVA. En Janvier 2021, il est appel\u00e9 pour tourner dans un projet de court-m\u00e9trage. Il joue le second r\u00f4le nomm\u00e9 Aristide dans la r\u00e9alisation de Ray REBOUL et Francis WOLFF. En 2021, il fait sa premi\u00e8re r\u00e9alisation de film documentaire intitul\u00e9e \u00ab\u00a0Les Adoratrices du Boson\u00a0\u00bb pour l\u2019obtention de sa licence en audiovisuel sp\u00e9cialit\u00e9 R\u00e9alisation TV \u00e0 l\u2019ISTC Polytechnique de C\u00f4te d&rsquo;Ivoire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis \u00c0 210 km de l&rsquo;Est de la capitale \u00e9conomique de la C\u00f4te d&rsquo;Ivoire, pr\u00e9cis\u00e9ment \u00e0 Aniansu\u00e9, dans le d\u00e9partement d&rsquo;Abengourou, des K\u00f4mians se battent pour la pr\u00e9servation de leurs traditions dans une soci\u00e9t\u00e9 qui ne cesse d&rsquo;\u00e9voluer. Pr\u00eatresses animistes et surtout gu\u00e9risseuses traditionnelles, elles d\u00e9tiennent un art divinatoire qui leur permettent de conjurer du [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LES-ADORATRICES-DE-BOSON-OTHNIEL-BONZI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3488"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3488\/revisions"}],"predecessor-version":[{"id":3491,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3488\/revisions\/3491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3489"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3482,"date":"2023-02-09T20:40:22","date_gmt":"2023-02-09T20:40:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=3482"},"modified":"2023-02-09T20:40:40","modified_gmt":"2023-02-09T20:40:40","slug":"le-gong-a-resonne","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-gong-a-resonne\/","title":{"rendered":"Le gong a r\u00e9sonn\u00e9"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Adjoua, une petite citadine de 06 ans, suit son oncle pour aller connaitre son village. D\u00e8s ses premi\u00e8res heures, elle assiste pour la toute premi\u00e8re fois au rassemblement de la population autour d\u2019un crieur public qui venait de faire retentir le G\u00e0n. Suite \u00e0 ses nombreuses questions, son oncle d\u00e9cide de lui raconter l&rsquo;histoire de cet instrument \u00e0 la voix sacr\u00e9e.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Altidor Gildas DOSSOU<\/strong> est un r\u00e9alisateur, journaliste reporter d\u2019images et monteur n\u00e9 le 22 Janvier 1996 \u00e0 Lokossa. Apr\u00e8s son Baccalaur\u00e9at en 2015, il d\u00e9bute ses \u00e9tudes en journalisme \u00e0 l\u2019Ecole Nationale des Sciences et Techniques de l\u2019Information et de la Communication, ENSTIC de l\u2019Universit\u00e9 d\u2019Abomey-Calavi au B\u00e9nin, avant de virer vers le cin\u00e9ma. En 2017, il r\u00e9alise son tout premier film documentaire : Xwlak\u00f4, tr\u00e9sor d\u2019un sol. Il fut cadreur et directeur photo sur plusieurs films dont \u00ab Chocs \u00bb d\u2019Amoureck HOUNLEBA \u00ab le mirage de l\u2019el dorado \u00bb de Marzouk BANKOLE ; Le jeton de Odilon ASSOU, Sachet de Eudon HOUESSOU. En 2018, Gildas DOSSOU revient sur la sc\u00e8ne cin\u00e9matographique avec deux courts m\u00e9trages, une fiction \u00ab Ni lui, ni moi \u00bb, et un documentaire \u00ab Art\u2019iste \u00bb. En 2019, il obtient sa licence professionnelle avec le court-m\u00e9trage documentaire \u00ab ELEGBARA, la butte sacr\u00e9e \u00bb. L&rsquo;ann\u00e9e 2020, il r\u00e9alise \u00ab Tumeur \u00bb, un court-m\u00e9trage fiction qu\u2019il a co-\u00e9crit avec Dieu-donn\u00e9 TCHANI du TOGO. Il participe plus tard aux programmes Duban talent et Durban Film Mart en Afrique du sud avec son projet de film fiction \u00ab ASHA IBILE (notre identit\u00e9) \u00bb. En 2021, Gildas DOSSOU s\u2019inscrit en 1\u00e8re ann\u00e9e de Master et sort un docu-fiction court-m\u00e9trage qu\u2019il a \u00e9crit et r\u00e9alis\u00e9, \u00ab G\u00c0N D\u2183 N\u016a, le Gong a r\u00e9sonn\u00e9 \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Adjoua, une petite citadine de 06 ans, suit son oncle pour aller connaitre son village. D\u00e8s ses premi\u00e8res heures, elle assiste pour la toute premi\u00e8re fois au rassemblement de la population autour d\u2019un crieur public qui venait de faire retentir le G\u00e0n. Suite \u00e0 ses nombreuses questions, son oncle d\u00e9cide de lui raconter l&rsquo;histoire [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LE-GONG-A-RESONNE-ALTIDOR-GILDAS-DOSSOU_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3482"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3482\/revisions"}],"predecessor-version":[{"id":3487,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3482\/revisions\/3487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3483"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3479,"date":"2023-02-09T20:31:48","date_gmt":"2023-02-09T20:31:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=3479"},"modified":"2023-02-09T20:31:48","modified_gmt":"2023-02-09T20:31:48","slug":"la-gare-de-lest","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-gare-de-lest\/","title":{"rendered":"La gare de l&rsquo;Est"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Os\u00e9e et Boris supportent moins douloureusement le poids de la vie de ch\u00f4meurs respectivement comme vendeur ambulant et livreur de journal tout en nourrissant l\u2019espoir d\u2019un lendemain meilleur avec des entreprises \u00e0 succ\u00e8s. Alors que la vie les \u00e9prouve avec des difficult\u00e9s, leur chemin de jeunes hommes fiers et dignes croise une organisation secr\u00e8te sous l&rsquo;\u00e9gide d&rsquo;un g\u00e9nie retenu prisonnier par un ma\u00eetre spirituel qui leur miroite le succ\u00e8s mat\u00e9riel. Pris en \u00e9tau entre les contraintes financi\u00e8res et leur moralit\u00e9, quelle issue et quel devenir pour chacun d\u2019eux ?<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Os\u00e9e et Boris supportent moins douloureusement le poids de la vie de ch\u00f4meurs respectivement comme vendeur ambulant et livreur de journal tout en nourrissant l\u2019espoir d\u2019un lendemain meilleur avec des entreprises \u00e0 succ\u00e8s. Alors que la vie les \u00e9prouve avec des difficult\u00e9s, leur chemin de jeunes hommes fiers et dignes croise une organisation secr\u00e8te [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LA-GARE-DE-LEST-ESSO-DOMA-ROGER-ATANA_Plan-de-travail-1_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3479"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3479\/revisions"}],"predecessor-version":[{"id":3481,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3479\/revisions\/3481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3480"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3473,"date":"2023-02-09T20:25:19","date_gmt":"2023-02-09T20:25:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=3473"},"modified":"2023-02-09T20:25:19","modified_gmt":"2023-02-09T20:25:19","slug":"elisa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/elisa\/","title":{"rendered":"Elisa"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Elisa et Anne deux commer\u00e7antes qui vendent le m\u00eame produit la banane plantain au petit march\u00e9 de trois quartiers. Anne a plus de clients qu&rsquo;Elisa. Cette derni\u00e8re constate que tous les clients partent chez Anne. Cette situation cr\u00e9e en elle un probl\u00e8me, un d\u00e9s\u00e9quilibre et par finir une jalousie s\u2019installe. Une commer\u00e7ante doit savoir recevoir la client\u00e8le. C\u2019est l\u2019un des secrets du commerce. Elisa va-t-elle le comprendre ?<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Elisa et Anne deux commer\u00e7antes qui vendent le m\u00eame produit la banane plantain au petit march\u00e9 de trois quartiers. Anne a plus de clients qu&rsquo;Elisa. Cette derni\u00e8re constate que tous les clients partent chez Anne. Cette situation cr\u00e9e en elle un probl\u00e8me, un d\u00e9s\u00e9quilibre et par finir une jalousie s\u2019installe. Une commer\u00e7ante doit savoir [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3476,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/ELISA-YOWANE-MEZEMBE-_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3473"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3473\/revisions"}],"predecessor-version":[{"id":3478,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3473\/revisions\/3478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3476"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3469,"date":"2023-02-09T20:16:03","date_gmt":"2023-02-09T20:16:03","guid":{"rendered":"https:\/\/fespaco.org\/?p=3469"},"modified":"2023-02-09T20:20:49","modified_gmt":"2023-02-09T20:20:49","slug":"demain","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/demain\/","title":{"rendered":"Demain"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Akoua et Cyrille deux jeunes amoureux organisent un pique-nique pour c\u00e9l\u00e9brer les trois ann\u00e9es de leur relation. Un test d&rsquo;\u00e9lectrophor\u00e8se viendra changer le coup de leur histoire d&rsquo;amour.<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Joseph AVIMADJE<\/strong> est n\u00e9 le 19 Mars 1998 \u00e0 Cotonou une commune situ\u00e9e au Sud du B\u00e9nin. Apr\u00e8s son baccalaur\u00e9at s\u00e9rie A2 obtenu en 2016, il \u00e9tudie pendant une ann\u00e9e la langue espagnole espagnol \u00e0 l&rsquo;Universit\u00e9 d&rsquo;Abomey-Calavi et \u00e9tudie \u00e9galement pendant une ann\u00e9e la langue chinoise \u00e0 Conficius (Universit\u00e9 d&rsquo;Abomey-Calavi). Il s&rsquo;inscrit en 2018 en R\u00e9alisation cin\u00e9ma et T\u00e9l\u00e9vision \u00e0 l&rsquo;Institut Sup\u00e9rieur des M\u00e9tiers de l&rsquo;Audiovisuel. Il est auteur de deux (02) capsules vid\u00e9os : une r\u00e9alis\u00e9e en 2019 \u00ab\u00a0Par ma voix sacr\u00e9e\u00a0\u00bb et l&rsquo;autre en 2020 \u00ab\u00a0Lumi\u00e8re Noire\u00a0\u00bb. En 2020, il r\u00e9alise \u00ab\u00a0Femme en couleurs\u00a0\u00bb son tout premier court m\u00e9trage. En 2022 dans le cadre de la soutenance de sa Licence, il r\u00e9alise Demain un court m\u00e9trage traitant de la dr\u00e9panocytose, une maladie du sang r\u00e9pandue dans plusieurs familles en Afrique, dans les Cara\u00efbes ainsi qu&rsquo;en Inde.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Akoua et Cyrille deux jeunes amoureux organisent un pique-nique pour c\u00e9l\u00e9brer les trois ann\u00e9es de leur relation. Un test d&rsquo;\u00e9lectrophor\u00e8se viendra changer le coup de leur histoire d&rsquo;amour. Biofilmographie Joseph AVIMADJE est n\u00e9 le 19 Mars 1998 \u00e0 Cotonou une commune situ\u00e9e au Sud du B\u00e9nin. Apr\u00e8s son baccalaur\u00e9at s\u00e9rie A2 obtenu en 2016, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/DEMAIN-JOSEPH-AVIMADJE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3469"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3469\/revisions"}],"predecessor-version":[{"id":3475,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3469\/revisions\/3475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3470"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3464,"date":"2023-02-09T20:02:16","date_gmt":"2023-02-09T20:02:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=3464"},"modified":"2023-02-09T20:02:16","modified_gmt":"2023-02-09T20:02:16","slug":"confusion","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/confusion\/","title":{"rendered":"Confusion"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Ivan est un jeune de 9 ans qui vit avec sa m\u00e8re. Un jour, il re\u00e7oit une nouvelle paire de chaussures venant d&rsquo;elle qui dispara\u00eet myst\u00e9rieusement pendant que lui et ses amis sont entrain de regarder un film. Il accuse alors son ami Junior allant jusqu&rsquo;aux mains.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ivan est un jeune de 9 ans qui vit avec sa m\u00e8re. Un jour, il re\u00e7oit une nouvelle paire de chaussures venant d&rsquo;elle qui dispara\u00eet myst\u00e9rieusement pendant que lui et ses amis sont entrain de regarder un film. Il accuse alors son ami Junior allant jusqu&rsquo;aux mains. &nbsp;<\/p>\n","protected":false},"author":7,"featured_media":3467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/CONFUSION-ORNEL-MENGUE-DZO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3464"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3464\/revisions"}],"predecessor-version":[{"id":3468,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3464\/revisions\/3468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3467"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3458,"date":"2023-02-09T19:42:19","date_gmt":"2023-02-09T19:42:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=3458"},"modified":"2023-02-09T19:46:33","modified_gmt":"2023-02-09T19:46:33","slug":"au-fil-du-temps","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/au-fil-du-temps\/","title":{"rendered":"Au fil du temps"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Mamadou Souar\u00e9 (dit Modou) est un couturier s\u00e9n\u00e9galais qui travaille \u00e0 Marrakech. Son quotidien : g\u00e9rer un salon de couture avec des s\u00e9n\u00e9galais \u00e0 son service. Jour apr\u00e8s jour, ses employ\u00e9s ex\u00e9cutent avec minutie un v\u00e9ritable travail de fourmi en satisfaisant plusieurs commandes. Son salon de couture re\u00e7oit tout au long de la journ\u00e9e une client\u00e8le tr\u00e8s sp\u00e9ciale : des personnes de nationalit\u00e9 marocaine, s\u00e9n\u00e9galaise, ivoirienne, italienne, etc. A travers le temps qui passe, on voit les liens particuliers qu\u2019il cr\u00e9e avec ses clientes, ses employ\u00e9s. Des rapports parfois tr\u00e8s joyeux et parfois conflictuels qui se tissent au fil du temps.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Biofilmographie<\/strong><\/p>\n<p><strong>Fassar Maurice SARR<\/strong> est un laur\u00e9at de l&rsquo;Ecole Sup\u00e9rieure de Cin\u00e9ma du Maroc (ESAV Marrakech), sp\u00e9cialit\u00e9 R\u00e9alisation. Il a commenc\u00e9 \u00e0 \u00e9crire des po\u00e8mes, des nouvelles et des romans quand il \u00e9tait tr\u00e8s jeune. En 2013, il publie deux recueils de po\u00e8me : <em>Recueil de la fin du monde<\/em> (\u00e9ditions Nena), <em>Premiers Vers<\/em> (Edilivre).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Mamadou Souar\u00e9 (dit Modou) est un couturier s\u00e9n\u00e9galais qui travaille \u00e0 Marrakech. Son quotidien : g\u00e9rer un salon de couture avec des s\u00e9n\u00e9galais \u00e0 son service. Jour apr\u00e8s jour, ses employ\u00e9s ex\u00e9cutent avec minutie un v\u00e9ritable travail de fourmi en satisfaisant plusieurs commandes. Son salon de couture re\u00e7oit tout au long de la journ\u00e9e [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/AU-FIL-DU-TEMPS-FASSAR-MAURICE-SARR_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3458"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3458\/revisions"}],"predecessor-version":[{"id":5256,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3458\/revisions\/5256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3460"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3446,"date":"2023-02-09T19:08:36","date_gmt":"2023-02-09T19:08:36","guid":{"rendered":"https:\/\/fespaco.org\/?p=3446"},"modified":"2023-02-09T19:09:55","modified_gmt":"2023-02-09T19:09:55","slug":"le-mouton-de-saada","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-mouton-de-saada\/","title":{"rendered":"Le Mouton de Saada"},"content":{"rendered":"<p><strong>SYNOPSIS<\/strong><\/p>\n<p><strong>Babou Diop<\/strong> quarante ans, vit avec son fils <strong>Sada<\/strong>, sa femme <strong>Coumba<\/strong> et un <strong>mouton<\/strong> qu\u2019ils \u00e9l\u00e8vent dans la maison.<\/p>\n<p>Ag\u00e9 de neuf ans, Sada fini par tisser une tr\u00e8s forte relation d\u2019amiti\u00e9 avec le mouton.<\/p>\n<p>A quelques jours de la f\u00eate de la Tabaski, Babou se rend compte que son mouton destin\u00e9 au sacrifice a disparu\u00a0; son fils aussi.<\/p>\n<p>D\u00e9sempar\u00e9, il part \u00e0 leur recherche. Apr\u00e8s une journ\u00e9e p\u00e9nible, marqu\u00e9e par de nombreuses p\u00e9rip\u00e9ties, Babou finit par les retrouver. Des retrouvailles qui ne sont pas sans cons\u00e9quences\u2026.<\/p>\n<p>Babou se trouve d\u00e8s lors face \u00e0 un dilemme\u2026<\/p>\n<p><strong>Filmographie<\/strong><\/p>\n<p>Il est n\u00e9 le 01 f\u00e9vrier 1983 \u00e0 Dakar.<\/p>\n<p>En 2008, il a rencontr\u00e9 Mr Boy et commence \u00e0 fr\u00e9quenter un cin\u00e9-club (cin\u00e9 banlieue). Ils se r\u00e9unissaient tous les samedis et les dimanches pour visionner des films et les commenter. A chaque \u00a0fois, ils organisaient des ateliers qui leur permettaient de r\u00e9flechir \u00e0 des th\u00e8mes pour \u00a0\u00e9crire des sc\u00e9narios. Dans le but un jour de r\u00e9aliser son propre film.<\/p>\n<p>En 2011, il a particip\u00e9 \u00e0 un concours de sc\u00e9nario de court-m\u00e9trage (7jours pour 1film) organis\u00e9 par Acajou Films et le festival du film d&rsquo;amour de Mons. \u00c9tant le laur\u00e9at, il a pu r\u00e9aliser en 2012 son premier film : \u00ab\u00a0L&rsquo;ARME\u00a0\u00bb. Ce court-metrage \u00e0 \u00e9t\u00e9 selectionner au fespaco.<\/p>\n<p>En 2017 il a\u00a0 Corealis\u00e9 avec Christophe Robin et Marc Rechia son deuxi\u00e8me film \u00ab\u00a0DEM DEM\u00a0\u00bb<\/p>\n<p>Il est en poste-production sur son premier film long-m\u00e9trage fiction \u00ab LE MOUTON DE SADA \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS Babou Diop quarante ans, vit avec son fils Sada, sa femme Coumba et un mouton qu\u2019ils \u00e9l\u00e8vent dans la maison. Ag\u00e9 de neuf ans, Sada fini par tisser une tr\u00e8s forte relation d\u2019amiti\u00e9 avec le mouton. A quelques jours de la f\u00eate de la Tabaski, Babou se rend compte que son mouton destin\u00e9 au [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[76],"tags":[],"class_list":["post-3446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-perspectives"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/mouton-de-saada-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3446"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3446\/revisions"}],"predecessor-version":[{"id":3455,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3446\/revisions\/3455"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3453"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3448,"date":"2023-02-09T19:03:07","date_gmt":"2023-02-09T19:03:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=3448"},"modified":"2023-02-09T19:03:07","modified_gmt":"2023-02-09T19:03:07","slug":"annaelle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/annaelle\/","title":{"rendered":"Annaelle"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>Annaelle Moussavou, 24ans, timide, passionn\u00e9e de num\u00e9rique, travaille dans une entreprise informatique ou elle a du mal \u00e0 s&rsquo;affirmer. Elle se fait harceler par Obiang, un machiste, chef de son service, Annaelle refusant ses avances, ce dernier lui fait des coups bas qui lui vaudra la perte de son travail, mais Paul, son coll\u00e8gue secr\u00e8tement amoureux d&rsquo;elle l&rsquo;aide \u00e0 s&rsquo;en sortir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Annaelle Moussavou, 24ans, timide, passionn\u00e9e de num\u00e9rique, travaille dans une entreprise informatique ou elle a du mal \u00e0 s&rsquo;affirmer. Elle se fait harceler par Obiang, un machiste, chef de son service, Annaelle refusant ses avances, ce dernier lui fait des coups bas qui lui vaudra la perte de son travail, mais Paul, son coll\u00e8gue [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/ANNAELLE-PIERRE-MBUMBA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3448"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3448\/revisions"}],"predecessor-version":[{"id":3451,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3448\/revisions\/3451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3450"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3422,"date":"2023-02-09T18:48:59","date_gmt":"2023-02-09T18:48:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=3422"},"modified":"2023-02-09T18:49:01","modified_gmt":"2023-02-09T18:49:01","slug":"07-mars","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/07-mars\/","title":{"rendered":"07-Mars"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Victime d\u2019un mariage arrang\u00e9, Sarah se retrouve poss\u00e9d\u00e9e et consid\u00e9r\u00e9e comme objet sexuel par son propre mari. Apr\u00e8s sa premi\u00e8re\u00a0nuit de noce \u00e0 Marrakech, tout ce dont elle aspire c\u2019est de retrouver sa libert\u00e9 \u00e0 tout prix.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Alioune FALL<\/strong> est natif de Saint-Louis au S\u00e9n\u00e9gal. Il est walo-walo et a vu le jour le 1er f\u00e9vrier 1998. Passionn\u00e9 de l\u2019art dans toutes ses dimensions et de toutes ses couleurs, il a int\u00e9gr\u00e9, l\u2019Institut Sup\u00e9rieur d\u2019Enseignements Professionnels de Thi\u00e8s dans la fili\u00e8re Cin\u00e9ma pour deux ann\u00e9es avant de poursuivre \u00e0 l&rsquo;\u00c9cole Sup\u00e9rieure des Arts Visuels de Marrakech. Il fait actuellement l&rsquo;option Image Cin\u00e9ma. Alioune FALL a eu l\u2019occasion de participer \u00e0 de nombreux projets de films de fictions ou documentaires au S\u00e9n\u00e9gal. Il est le r\u00e9alisateur du film de groupe \u00ab Pourquoi pas ? \u00bb, de \u00ab Terre riche Terre m\u00e8re \u00bb et de \u00ab Con-Trat \u00bb tourn\u00e9 dans la vall\u00e9e du fleuve S\u00e9n\u00e9gal. Au Maroc, hormis les films d\u2019\u00e9coles, il a  travaill\u00e9 sur un long m\u00e9trage \u00ab H\u00f4tel de la paix \u00bb chez \u00ab\u00a0Jacaranda\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Victime d\u2019un mariage arrang\u00e9, Sarah se retrouve poss\u00e9d\u00e9e et consid\u00e9r\u00e9e comme objet sexuel par son propre mari. Apr\u00e8s sa premi\u00e8re\u00a0nuit de noce \u00e0 Marrakech, tout ce dont elle aspire c\u2019est de retrouver sa libert\u00e9 \u00e0 tout prix. Biofilmographie Alioune FALL est natif de Saint-Louis au S\u00e9n\u00e9gal. Il est walo-walo et a vu le jour [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[115],"tags":[],"class_list":["post-3422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-films-des-ecoles"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/07-MARS-ALIOUNE-FALL.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3422"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3422\/revisions"}],"predecessor-version":[{"id":3443,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3422\/revisions\/3443"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3439"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3438,"date":"2023-02-09T18:48:50","date_gmt":"2023-02-09T18:48:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=3438"},"modified":"2023-02-25T10:10:07","modified_gmt":"2023-02-25T10:10:07","slug":"3438-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/3438-2\/","title":{"rendered":"Can you see us?"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>The film is about a boy born with Albinism his rejected by his father, and we follow his story of love loss and his rise to stardom. It essentially is a becoming of age story of a boy born with Albinism.<\/p>\n<p>What we are hoping for you to see is a feature film I worked on it\u2019s called Can They See Us, I believe this will open a discussion and also change the perceptions of Identity.<\/p>\n<p><strong>Biofilmography <\/strong><\/p>\n<p>Kenny Mumba is a Visual Creative Director with over 15 years, experienced working with creative arts in production management \/ directing across the African continent.<\/p>\n<p>With 10 years Plus working on several brands across Africa. Founder of K-Roc Pictures. Country reach Tanzania, Uganda, Kenya, South Africa, Co\u0302te d&rsquo;Ivoire, Cameroon, Zimbabwe, Zambia, Ethiopia and many more that add to the rich African directive style that Kenny Possess.<\/p>\n<p>His in-depth understanding of African youth culture and consumer behaviour has been recently relied on in several African Markets; Uganda Waragi , Wahl South Africa, Facebook South Africa, KFC South Africa, Airtel (UG\/Zambia\/Tanzania), Vodacom Tanzania South Africa, Standard Bank South Africa, Absa, Coca Cola, Safaricom, Super Sports PSL, GOTV, FNB, Ab InBev (Mosi), MTN and more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis The film is about a boy born with Albinism his rejected by his father, and we follow his story of love loss and his rise to stardom. It essentially is a becoming of age story of a boy born with Albinism. What we are hoping for you to see is a feature film I [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[98],"tags":[],"class_list":["post-3438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-perspectives-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/CAN-THEY-SEE-US-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3438"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3438\/revisions"}],"predecessor-version":[{"id":4872,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3438\/revisions\/4872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3442"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3415,"date":"2023-02-09T18:18:11","date_gmt":"2023-02-09T18:18:11","guid":{"rendered":"https:\/\/fespaco.org\/?p=3415"},"modified":"2023-02-09T18:20:45","modified_gmt":"2023-02-09T18:20:45","slug":"annatto","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/annatto\/","title":{"rendered":"Annatto"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Pendant son s\u00e9jour au S\u00e9n\u00e9gal, Adnane le commer\u00e7ant Marocain , se marie \u00e0 Annatto- une m\u00e9tisse , Franco-S\u00e9n\u00e9galaise-\u00a0; leur union \u00e9tait un \u00abmariage de plaisir\u00a0\u00bb. Le jeune musulman brise, alors la r\u00e8gle et am\u00e8ne avec lui sa femme au Maroc malgr\u00e9 l\u2019expiration du contrat du mariage. Et c\u2019est l\u00e0 o\u00f9 Annatto tiraill\u00e9e entre deux cultures, fait face \u00e0 toutes sortes de d\u00e9fis et sa vie se transforme en souffrances p\u00e9rilleuses et interminables. ANNATTO une histoire d&rsquo;amour, d&rsquo;identit\u00e9 et de recherche de soi.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s une formation en interpr\u00e9tation, puis en mise en sc\u00e8ne, Fatima d\u00e9bute sa carri\u00e8re en tant qu&rsquo;assistante \u00e0 la r\u00e9alisation et scripte. Elle&nbsp;se sent une \u00e2me de r\u00e9alisatrice, et en 2000 signe son premier t\u00e9l\u00e9film \u00ab&nbsp;La porte de l\u2019espoir \u00bb. Sa carri\u00e8re commence litt\u00e9ralement en 2001 quand elle r\u00e9alise la mini-s\u00e9rie historique \u00ab&nbsp;Tighalline&nbsp;\u00bb en arabe classique, puis le t\u00e9l\u00e9film \u00ab&nbsp;DOUIBA&nbsp;\u00bb et d\u00e9cide de se sp\u00e9cialiser dans la fantaisie historique et le cin\u00e9ma patrimonial. Et aujourd&rsquo;hui, son nom est associ\u00e9 \u00e0 ce type de fiction; elle a beaucoup travaill\u00e9 pour la t\u00e9l\u00e9vision Marocaine comme sc\u00e9nariste et r\u00e9alisatrice et parmi ses r\u00e9alisations&nbsp;:<\/p>\n\n\n\n<p><strong>Douiba \u2013 Hdiddane &#8211; Souk Nssa-Roumana et Bertal-Bent bab allah \u2013 Boukyoud -Zhar et Mracha &#8211; Chems Al kandil- Amoud- Alkamine-Tighalline \u2013Hamou Onamir \u2013 Cabrane Hmad-<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Dmouek ya Friha-Bawabat Al-Amal-Alhakma fi lkalma \u2026<\/strong><strong><\/strong><\/p>\n\n\n\n<p>Et enfin, en 2022, elle est entr\u00e9e dans le monde du cin\u00e9ma avec son long m\u00e9trage \u00ab\u00a0Annato\u00a0\u00bb, qui a remport\u00e9 plusieurs prix dans des festivals internationaux \u00e0 l&rsquo;int\u00e9rieur et \u00e0 l&rsquo;ext\u00e9rieur du Maroc, dont 3 grands prix , le premier <strong>\u00c9cran<\/strong> <strong>d&rsquo;Or<\/strong> au Festival <strong>Le<\/strong>s Ecrans Noirs \u00e0 Yaound\u00e9, le Prix <strong>du Pr\u00e9sident de la r\u00e9publique<\/strong> au Festival Les <strong>T\u00e9rangas<\/strong> \u00e0 Dakar et le troisi\u00e8me<strong> Grand Prix<\/strong> Au Festival de <strong>Dakhla<\/strong>.En plus des prix de la meilleure image et du meilleurs costumes au <strong>Festival d&rsquo;Alexandrie pour le cin\u00e9ma m\u00e9diterran\u00e9en,<\/strong> et du prix de la meilleure d\u00e9coration, du meilleur son et de la meilleure image au Festival des Terangas \u00e0 Dakar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Pendant son s\u00e9jour au S\u00e9n\u00e9gal, Adnane le commer\u00e7ant Marocain , se marie \u00e0 Annatto- une m\u00e9tisse , Franco-S\u00e9n\u00e9galaise-\u00a0; leur union \u00e9tait un \u00abmariage de plaisir\u00a0\u00bb. Le jeune musulman brise, alors la r\u00e8gle et am\u00e8ne avec lui sa femme au Maroc malgr\u00e9 l\u2019expiration du contrat du mariage. Et c\u2019est l\u00e0 o\u00f9 Annatto tiraill\u00e9e entre deux [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[76],"tags":[],"class_list":["post-3415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-perspectives"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/annatto-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3415"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3415\/revisions"}],"predecessor-version":[{"id":3421,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3415\/revisions\/3421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3418"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3412,"date":"2023-02-09T18:04:01","date_gmt":"2023-02-09T18:04:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=3412"},"modified":"2023-02-09T18:04:03","modified_gmt":"2023-02-09T18:04:03","slug":"african-moot","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/african-moot\/","title":{"rendered":"African Moot"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Every year, over a hundred of the brightest law students from across Africa gather in a different capital city to compete at the prestigious African Human Rights Moot Competition. Over the course of one week, these young aspirant lawyers act as both prosecution and defence on a fictional human rights case, each hoping to bring the trophy back home.\u00a0<em>African Moot<\/em>\u00a0follows teams from Uganda, Kenya, Egypt and South Africa as they prepare for the annual competition happening in Gaborone, Botswana.\u00a0 This year\u2019s case is centred on the rights of refugees on the continent and each student has to grapple with burning issues around migration facing their own countries. Daniella is the bright and elegant star student from Makerere University in Uganda whom everyone expects to win.\u00a0 Edward, the homosexual son of Ugandan refugees to South Africa, is apprehensive about how he will be received by students from elsewhere in Africa.\u00a0 Kareem from Cairo is a committed Pan-Africanist who also loves to party.\u00a0 Amor hails from a very poor village in Kenya but is determined to make it to the top. At once a human story, political documentary and dramatic competition film,\u00a0<em>African Moot<\/em>\u00a0intimately captures their hopes, conflicts and ever-evolving ideas as they converge for one intense week of debate, bonding and high emotion. Tracking their progress from preparation and preliminary trials towards a dramatic finale, the film delivers not only insight into urgent political questions facing Africa but also shows how committed African youth are trying to shape the future of their continent.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Human rights lawyer turned filmmaker, Shameela Seedat focuses mainly on character-driven stories and has been commissioned to make several documentaries for local and international television, and civil society institutions. Her first independent feature-length documentary Whispering Truth to Power, about the last year in the office of South Africa\u2019s first female Public Protector, won awards from Hot Docs, FESPACO, Luxor African Film Festival, St Paul and Minneapolis FF, Jozi FF and African Studies Association and has shown at over fifty festivals around the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Every year, over a hundred of the brightest law students from across Africa gather in a different capital city to compete at the prestigious African Human Rights Moot Competition. Over the course of one week, these young aspirant lawyers act as both prosecution and defence on a fictional human rights case, each hoping to [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[98],"tags":[],"class_list":["post-3412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-perspectives-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/african-moot_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3412"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3412\/revisions"}],"predecessor-version":[{"id":3414,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3412\/revisions\/3414"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3413"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3406,"date":"2023-02-09T17:50:25","date_gmt":"2023-02-09T17:50:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3406"},"modified":"2023-02-09T18:00:16","modified_gmt":"2023-02-09T18:00:16","slug":"les-scarifies","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-scarifies\/","title":{"rendered":"Les scarifi\u00e9s"},"content":{"rendered":"\n<p><strong>SYNOPSIS<\/strong><br>Mon visage est scarifi\u00e9, je porte ces cicatrices comme une marque d\u2019identit\u00e9 de l\u2019ethnie<br>Bwaba. Mais il n\u2019existe aucune information pr\u00e9cise sur le sens de ces cicatrices. Ce que je sais des scarifications, elles sont faites par des vieilles femmes griottes \u00e0 la demande de la famille du scarifi\u00e9. On m\u2019a toujours \u00e9t\u00e9 dit que c\u2019est une identit\u00e9. Je dois le savoir. Ce qui est s\u00fbr on m\u2019a fait mal. Alors nous allons rencontrer les sages de cette famille griotte responsable des scarifications pour d\u00e9couvrir le sens et l\u2019histoire de cette identit\u00e9. Je parcours aussi le corps de m\u00e8re qui porte sur son dos la marque du sceau du cheval qu\u2019elle n\u2019a jamais vu.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><br>Wabinle NABIE est r\u00e9alisateur, artiste com\u00e9dien et auteur de plusieurs ouvrages de<br>conte et de th\u00e9\u00e2tre. Ic\u00f4ne du cin\u00e9ma burkinab\u00e8 il a \u00e9t\u00e9 acteur de la c\u00e9l\u00e8bre s\u00e9rie<br>Ouaga Love de Guy D\u00e9sir\u00e9 YAMEOGO.<br>Tr\u00e8s actif dans le milieu culturel il \u0153uvre pour la jeunesse et l\u2019enfance \u00e0 travers<br>l\u2019\u00e9criture d\u2019ouvrages et surtout les s\u00e9ances de contes. En tant qu\u2019auteur il est<br>r\u00e9alisateur de AN 27 son premier court m\u00e9trage documentaire qui a eu de grands prix<br>\u00e0 plusieurs festivals dont ECOFEST, documentaire film scientifique africain et<br>Siciliambiente. Comme com\u00e9dien il r\u00e9v\u00e8le son immense talent dans les c\u00e9l\u00e8bres films<br>\u00ab Cessez le feu \u00bb et \u00ab Un triomphe \u00bb s\u00e9lectionn\u00e9 au festival de Cannes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSISMon visage est scarifi\u00e9, je porte ces cicatrices comme une marque d\u2019identit\u00e9 de l\u2019ethnieBwaba. Mais il n\u2019existe aucune information pr\u00e9cise sur le sens de ces cicatrices. Ce que je sais des scarifications, elles sont faites par des vieilles femmes griottes \u00e0 la demande de la famille du scarifi\u00e9. On m\u2019a toujours \u00e9t\u00e9 dit que c\u2019est [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[76],"tags":[],"class_list":["post-3406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-perspectives"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/scarifies-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3406"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3406\/revisions"}],"predecessor-version":[{"id":3410,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3406\/revisions\/3410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3407"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3403,"date":"2023-02-09T17:38:38","date_gmt":"2023-02-09T17:38:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3403"},"modified":"2023-02-09T17:38:42","modified_gmt":"2023-02-09T17:38:42","slug":"le-spectre-de-boko-haram","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-spectre-de-boko-haram\/","title":{"rendered":"Le Spectre de Boko Haram"},"content":{"rendered":"\n<p><strong>Synopsis <\/strong><\/p>\n\n\n\n<p>Les frappes du groupe terroriste Boko Haram dans la r\u00e9gion de l&rsquo;Extr\u00eame-Nord du Cameroun, \u00e0 la fronti\u00e8re du Nigeria, durent depuis 2014. Aujourd\u2019hui, la menace reste r\u00e9elle, omnipr\u00e9sente. Dans cet univers apocalyptique, un groupe d&rsquo;enfants en classe pr\u00e9paratoire s&rsquo;adapte et se r\u00e9invente en jonglant entre les \u00e9tudes occidentales, l\u2019\u00e9cole coranique et les travaux m\u00e9nagers et champ\u00eatres qui leur incombent. Mohamed, Ibrahim, sont fr\u00e8res, Falta, est leur camarade de classe. Ils ont entre 8 et 11 ans et se forgent une place dans une soci\u00e9t\u00e9 o\u00f9 les figures parentales s&rsquo;estompent. Ils ont \u00e9t\u00e9 directement impact\u00e9s par les atrocit\u00e9s des terroristes. Pourtant, tout ce qu&rsquo;ils veulent, c&rsquo;est vivre et profiter de la vie comme n&rsquo;importe quel autre enfant \u00e0 travers le monde. Ils font donc abstraction d&rsquo;un univers qui s&rsquo;\u00e9croule autour d&rsquo;eux pour s&rsquo;accrocher \u00e0 leurs \u00e9tudes afin de s&rsquo;assurer un meilleur avenir. Une histoire sur la lumi\u00e8re et l&rsquo;obscurit\u00e9, le r\u00eave d&rsquo;une vie normale dans un village sinistr\u00e9, l&rsquo;espoir du point de vue des enfants. Des enfants qui n&rsquo;ont jamais cess\u00e9 de vivre.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>Cyrielle Raingou est une cin\u00e9aste Camerounaise passionn\u00e9e par le concept et le d\u00e9veloppement d&rsquo;une certaine identit\u00e9 artistique africaine, sa promotion \u00e0 l&rsquo;\u00e9chelle internationale et l&rsquo;int\u00e9r\u00eat \u00e9conomique qu&rsquo;elle suscite. Elle croit fermement que l&rsquo;on peut vivre de l&rsquo;art en Afrique. Elle utilise tr\u00e8s souvent des l\u00e9gendes, la m\u00e9taphore et le symbolisme de certains animaux pour soutenir les histoires humaines dans leur complexit\u00e9 ; et le myst\u00e8re de la vie.<br>Cyrielle Raingou a particip\u00e9 au projet \u00ab Connexions Citoyennes \u00bb lanc\u00e9 par CFI, l&rsquo;Agence fran\u00e7aise de Coop\u00e9ration M\u00e9dia en France, au S\u00e9n\u00e9gal, en C\u00f4te d&rsquo;Ivoire et au B\u00e9nin, en 2016\/2017. Elle a obtenu cette reconnaissance gr\u00e2ce \u00e0 son projet Limegbie (l&rsquo;\u0153il de la femme), qui initie les femmes en milieu rural \u00e0 la r\u00e9alisation de courts documentaires (03min) sur leur vie et engagement civique.<br>Elle est l&rsquo;une des Mandela Washington Fellows 2018. Dans le cadre de ce programme, elle a \u00e9tudi\u00e9 le leadership civique \u00e0 l&rsquo;Universit\u00e9 de Drexel de Philadelphie (\u00c9tat de Pennsylvanie aux Etats Unis); et a tourn\u00e9 \u00e0 Austin (Texas) son court-m\u00e9trage \u00abRequiem Prologue\u00bb, pr\u00e9sent\u00e9 au Festival du film africain de Louxor 2019. Elle a cr\u00e9\u00e9 une soci\u00e9t\u00e9 de production RaingouFilms depuis 2014, a r\u00e9alis\u00e9 des<br>courts m\u00e9trages tels que \u00ab Challenge \u00bb 2017, \u00ab Les voisins \u00bb 2018, \u00ab Requiem prologue \u00bb2019, \u00ab the lamb \u00bb2020, \u00ab Parall\u00e8le \u00bb 2021, \u00ab Mother just a smile \u00bb 2022. \u00ab Challenge \u00bb a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans de nombreux festivals en Afrique et au-del\u00e0 du continent. Elle<br>travaille actuellement sur son premier long-m\u00e9trage documentaire \u00ab\u00a0Le sprectre de Boku Haram \u00bb, ax\u00e9 sur la p\u00e9riode post-terroriste dans l&rsquo;extr\u00eame nord du Cameroun. Cyrielle Raingou d\u00e9tient une ma\u00eetrise en droit et un master en r\u00e9alisation documentaire du programme europ\u00e9en Erasmus DocNomads Joint Master.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Les frappes du groupe terroriste Boko Haram dans la r\u00e9gion de l&rsquo;Extr\u00eame-Nord du Cameroun, \u00e0 la fronti\u00e8re du Nigeria, durent depuis 2014. Aujourd\u2019hui, la menace reste r\u00e9elle, omnipr\u00e9sente. Dans cet univers apocalyptique, un groupe d&rsquo;enfants en classe pr\u00e9paratoire s&rsquo;adapte et se r\u00e9invente en jonglant entre les \u00e9tudes occidentales, l\u2019\u00e9cole coranique et les travaux m\u00e9nagers [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[76],"tags":[],"class_list":["post-3403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-perspectives"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/le-spectre_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3403"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3403\/revisions"}],"predecessor-version":[{"id":3405,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3403\/revisions\/3405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3404"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3398,"date":"2023-02-09T16:50:09","date_gmt":"2023-02-09T16:50:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=3398"},"modified":"2023-02-09T16:51:43","modified_gmt":"2023-02-09T16:51:43","slug":"vengeance","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/vengeance\/","title":{"rendered":"Vengeance"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong> <\/p>\n\n\n\n<p>David BOUMA fils a\u00een\u00e9 de sa famille, de retour des USA apr\u00e8s ses \u00e9tudes est nomm\u00e9 \u00e0 la t\u00eate de l\u2019entreprise familiale. Il tombe amoureux Maya FEUSSI une serveuse mais ni son fr\u00e8re William FEUSSI, ni la m\u00e8re Adama BOUMA n\u2019acceptent cette relation. Le jour du mariage, Maya est kidnapp\u00e9e et David assassin\u00e9. Une fois retrouv\u00e9e, elle est accus\u00e9e du meurtre de David et est arr\u00eat\u00e9e. Son fr\u00e8re William et ses amies Diane et FOWA vont tout mettre en \u0153uvre pour d\u00e9couvrir le myst\u00e9rieux assassin qui a pour but d\u2019\u00e9teindre la lign\u00e9e de la famille BOUMA suite \u00e0 un \u00e9v\u00e8nement survenu 23 ans plus t\u00f4t.<\/p>\n\n\n\n<p><strong>Biographie<\/strong> <\/p>\n\n\n\n<p>SIMON WILLIAM KUM, est un acteur producteur r\u00e9alisateur n\u00e9 \u00e0 Limbe dans le Sud-Ouest du Cameroun en 1983. Il a grandi dans une dans une famille modeste et actuellement p\u00e8re de deux enfants, Princesse Kum et Junior Kum. Son parcours acad\u00e9mique est marqu\u00e9 par son passage \u00e0 l\u2019Ecole Primaire Bilingue \u2018\u2019LIMBE DOWN BEACH\u2019\u2019. Apr\u00e8s, il continue son cursus au Lyc\u00e9e Bilingue de Limbe \u2018\u2019GBHS LIMBE\u2019\u2019 o\u00f9 il obtient son GCE Advanced Level. Par la suite, il a \u00e9t\u00e9 admis en facult\u00e9 des Lettres bilingues \u00e0 l\u2019Universit\u00e9 de Bu\u00e9a. Passionn\u00e9 par les m\u00e9tiers du 7\u00e8me art, il d\u00e9cide en janvier 2004 de mettre un terme \u00e0 ses \u00e9tudes apr\u00e8s deux ann\u00e9es pass\u00e9es \u00e0 l\u2019universit\u00e9 pour se lancer dans une formation en actorat et en r\u00e9alisation au centre de formation \u2018\u2019Espace Art\u2019\u2019 d\u2019Alphonse ONGOLO. Afin de perfectionner ses acquis dans le m\u00e9tier, il d\u00e9cide de faire une formation sur le tas et en ligne de 2011 \u00e0 2014 au Cameroun et au Nig\u00e9ria.<br>Pendant sa p\u00e9riode de formation, il a su saisir des opportunit\u00e9s en jouant dans plusieurs projets de 2005 \u00e0 2015 \u00e0 l\u2019instar de \u02ba Diamant sacr\u00e9e et Negro \u02ba d\u2019Alphonse ONGOLO; \u02ba Pr\u00e9servatif perc\u00e9 et Ombre des soup\u00e7ons \u02ba de Serge KENDJO ; \u02ba Ma Femme, Mon Beau \u02ba de Edmond FOSSITO ; \u02baEntre Amis\u02ba de OUSMANE St\u00e9phane et enfin \u02baBeautiful day to die\u02ba de Guillaume TAMBELE<br>Il a commenc\u00e9 ses premiers pas en tant que Producteur et R\u00e9alisateur en 2015 avec son premier court m\u00e9trage \u02ba AWA \u02ba ; il enchaine par la suite avec son premier long m\u00e9trage \u02ba HUNTED en 2016 ; \u02ba BEHIND \u02ba en 2017 et la m\u00eame ann\u00e9e il fut \u00eatre assistant-r\u00e9alisateur de la s\u00e9rie \u02ba KOLA DU LION \u02ba. En 2018 il produit son troisi\u00e8me long m\u00e9trage \u02baME-NAH\u02ba, et acteur dans le film \u02ba Un D\u00e9lit de Z\u00e9ro \u02ba de Laure KAMDEM. En 2019, il produit et r\u00e9alise sa premi\u00e8re s\u00e9rie \u2018\u2019ECHEC ET MAT\u2019\u2019 et son quatri\u00e8me long m\u00e9trage \u02ba SANGOUNA \u02ba. En 2020, il produit et r\u00e9alise sa deuxi\u00e8me s\u00e9rie \u02ba GUERRE DES SEXES \u02ba et son cinqui\u00e8me long m\u00e9trage \u02ba SIN \u02ba.<\/p>\n\n\n\n<p>En 2021, il r\u00e9alise et produit sa troisi\u00e8me s\u00e9rie \u2018\u2019AU FEMININ\u2019\u2019.<br>En 2022 il r\u00e9alise et produit sa quatri\u00e8me s\u00e9rie \u2018\u2019VENGEANCE\u2019\u2019.<br>Ayant \u00e0 son actif plus de quinze ann\u00e9es d\u2019exp\u00e9riences, Il a jug\u00e9 n\u00e9cessaire de mettre sur pieds en 2020 sa structure d\u00e9nomm\u00e9e \u02baWAVES GROUP\u02ba constitu\u00e9 de deux entit\u00e9s donc l\u2019une appel\u00e9e \u02baWaves distribution \u02ba sp\u00e9cialis\u00e9e dans la distribution des \u0153uvres cin\u00e9matographiques dans les quatre coins du monde ; et l\u2019autre\u2018\u2019 Waves film production \u2018\u2019 dans la production et la r\u00e9alisation audiovisuelle.<br>En 2018, Il a \u00e9t\u00e9 r\u00e9compens\u00e9 comme meilleur acteur du festival FICIB avec son film \u02ba BEHIND \u02ba et a \u00e9galement re\u00e7u le prix sp\u00e9cial du jury avec son film \u02ba HUNTED \u02ba<br>En 2021, il obtient la mention sp\u00e9ciale du jury avec sa s\u00e9rie \u02ba GUERRRE DES SEXES \u02ba au festival Vue d\u2019 Afrique du Canada<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis David BOUMA fils a\u00een\u00e9 de sa famille, de retour des USA apr\u00e8s ses \u00e9tudes est nomm\u00e9 \u00e0 la t\u00eate de l\u2019entreprise familiale. Il tombe amoureux Maya FEUSSI une serveuse mais ni son fr\u00e8re William FEUSSI, ni la m\u00e8re Adama BOUMA n\u2019acceptent cette relation. Le jour du mariage, Maya est kidnapp\u00e9e et David assassin\u00e9. Une [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3399,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[113],"tags":[],"class_list":["post-3398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-serie"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/vengeance_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3398"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3398\/revisions"}],"predecessor-version":[{"id":3401,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3398\/revisions\/3401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3399"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3393,"date":"2023-02-09T16:36:59","date_gmt":"2023-02-09T16:36:59","guid":{"rendered":"https:\/\/fespaco.org\/?p=3393"},"modified":"2023-02-09T16:38:55","modified_gmt":"2023-02-09T16:38:55","slug":"un-homme-a-marier","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/un-homme-a-marier\/","title":{"rendered":"UN HOMME <strong>\u00c0<\/strong> MARIER"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Kayna est une jeune femme de 35 ans, c\u00e9libataire sans enfant. Elle est la Directrice Communication\/Marketing d\u2019une institution bancaire de la place. Certes Kayna est une femme professionnellement combl\u00e9e, mais sa vie amoureuse elle, reste une vraie catastrophe.<\/p>\n\n\n\n<p>Deux ans apr\u00e8s sa rupture d\u2019avec Hamed son amour de longue date (11 ans de relation), elle d\u00e9cide de prendre enfin sa vie en main. Objectif, trouver UN HOMME A MARIER avant sa quaranti\u00e8me bougie. Le probl\u00e8me, c\u2019est que toutes ses tentatives se soldent par un \u00e9chec \u00e0 cause des caract\u00e8res aussi insolites que grossiers des hommes qu\u2019elle rencontre.<\/p>\n\n\n\n<p>Mais Kayna n\u2019est pas non plus exempte de reproche. Safy, sa meilleure amie, une grande s\u0153ur qu\u2019elle respecte la conseille souvent et lui fait prendre conscience de sa trop grande exigence vis-\u00e0-vis des hommes.<\/p>\n\n\n\n<p>Va-t-elle finir par rencontrer l\u2019amour&nbsp;et devenir enfin une femme totalement combl\u00e9e&nbsp;?<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Son amour pour le 7\u00e9me art commence en 2010 avec le c\u00e9l\u00e8bre Producteur\/R\u00e9alisateur \u00c9rico Sery.<\/p>\n\n\n\n<p>Il d\u00e9bute donc aux c\u00f4t\u00e9s de ce dernier comme photographe, puis cadreur.<\/p>\n\n\n\n<p>Il d\u00e9veloppe ensuite petit \u00e0 petit son sens du coup d\u2019oeil.<\/p>\n\n\n\n<p>\u00c9pris par cet univers, il d\u00e9cide d\u2019en faire son m\u00e9tier.<\/p>\n\n\n\n<p>De 2012 \u00e0 2014, Jean-Jules suit une formation de r\u00e9alisateur a Studio M Limonest en France. Il effectue ensuite plusieurs stages notamment Canada, en C\u00f4te d\u2019Ivoire, en France o\u00f9 il sera cadreur sur plusieurs \u00e9missions de T\u00e9l\u00e9vision (DDF, Privilege, Sagacity, Afro buzz America\u2026)<\/p>\n\n\n\n<p>\u00c0 la fin de sa 2\u00e9me ann\u00e9e de formation, il obtient son 1er r\u00f4le en tant qu\u2019acteur, dans une s\u00e9rie franco\/ivoirienne (R\u00caVE SANS FAIM) tourn\u00e9e au Br\u00e9sil, lui donnant ainsi l\u2019opportunit\u00e9 de passer devant la cam\u00e9ra.<\/p>\n\n\n\n<p>En 2015 il r\u00e9alise une sitcom (MISSI\u00c9 MADAM) avec Ibo Laurent (Jimmy Danger) et Isabelle B\u00e9k\u00e9.<\/p>\n\n\n\n<p>2016\/2017 il obtient son 2\u00e9me grand r\u00f4le dans une s\u00e9rie franco\/ivoirienne (SOEURS ENNEMIES) dans laquelle il est \u00e0 la fois cadreur et r\u00e9alisateur sur certaines s\u00e9quences.<\/p>\n\n\n\n<p>En 2019 il r\u00e9alise la s\u00e9rie (ASSINIE) avec \u00c9rico Sery.<\/p>\n\n\n\n<p>Un Homme \u00c0 Marier est sa toute premi\u00e8re s\u00e9rie en tant que R\u00e9alisateur leader. L\u2019occasion pour lui enfin, de faire montre de tout son g\u00e9nie cr\u00e9ateur.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Kayna est une jeune femme de 35 ans, c\u00e9libataire sans enfant. Elle est la Directrice Communication\/Marketing d\u2019une institution bancaire de la place. Certes Kayna est une femme professionnellement combl\u00e9e, mais sa vie amoureuse elle, reste une vraie catastrophe. Deux ans apr\u00e8s sa rupture d\u2019avec Hamed son amour de longue date (11 ans de relation), [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[113],"tags":[],"class_list":["post-3393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-serie"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sans-titre-1_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3393"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3393\/revisions"}],"predecessor-version":[{"id":3397,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3393\/revisions\/3397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3394"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3385,"date":"2023-02-09T16:16:14","date_gmt":"2023-02-09T16:16:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=3385"},"modified":"2023-02-09T16:28:34","modified_gmt":"2023-02-09T16:28:34","slug":"o-batanga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/o-batanga\/","title":{"rendered":"\u00d4 Batanga"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color\"><strong>Synopsis<\/strong> <\/p>\n\n\n\n<p class=\"has-black-color has-text-color\">A Yakoma, capitale du Batanga, l\u2019entrepreneur \u00e0 succ\u00e8s Gr\u00e9gory Moungo est retrouv\u00e9 mort dans un appartement luxueux, sans signe de lutte. Un accident\u00a0? Son ascension fulgurante et sa fortune grandissante laisseraient penser le contraire. D\u2019autant que les suspects ne manquent pas : Eva, la sulfureuse maitresse qui en sait plus qu\u2019elle ne le dit ; Christine, l&rsquo;\u00e9pouse bafou\u00e9e \u00e0 l\u2019aversion grandissante pour les \u00e9lites batangaises ; Xavier, l&rsquo;associ\u00e9 discret avec qui il partageait ses secrets.<br>Surtout, la mort de l&rsquo;homme d&rsquo;affaires entra\u00eene un d\u00e9ferlement de r\u00e9v\u00e9lations et d&rsquo;\u00e9v\u00e9nements troublants qui secouent le Batanga jusqu&rsquo;aux plus hauts sommets de l&rsquo;Etat. Nicolas, cadre trentenaire sans histoires, se retrouve propuls\u00e9 malgr\u00e9 lui dans le microcosme d\u2019une \u00e9lite politique et \u00e9conomique o\u00f9 les mobiles du crime se multiplient. En charge de l&rsquo;enqu\u00eate, l&rsquo;audacieuse Capitaine Olinga ignore qu&rsquo;elle vient de mettre le doigt dans un engrenage qui r\u00e9v\u00e9lera l\u2019\u00e9tendue des luttes d&rsquo;argent et de pouvoir qui gangr\u00e8nent le pays.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Auteur, sc\u00e9nariste, directeur de production et r\u00e9alisateur franco-ivoirien, Alex Ogou est ce qu\u2019on appelle un touche \u00e0 tout du cin\u00e9ma. Il fait ses premiers pas d\u2019acteur \u00e0 l\u2019\u00e2ge de 17 ans dans \u00ab&nbsp;A la place du c\u0153ur&nbsp;\u00bb puis dans \u00ab&nbsp;La ville est tranquille&nbsp;\u00bb de Robert Gu\u00e9diguian. Le petit \u00e9cran le r\u00e9v\u00e8le au grand public en 2007 avec \u00ab&nbsp;Il va pleuvoir sur Conakry&nbsp;\u00bb du r\u00e9alisateur guin\u00e9en Cheick F. Camara&nbsp;; film multi-prim\u00e9 internationalement dans lequel il joue le premier r\u00f4le.<\/p>\n\n\n\n<p>Ses d\u00e9buts en tant que r\u00e9alisateur se font en 2012 avec \u00ab&nbsp;Christian&nbsp;\u00bb. Il poursuit son parcours derri\u00e8re la cam\u00e9ra avec la cr\u00e9ation et la r\u00e9alisation des s\u00e9ries CANAL+ ORIGINAL \u00e0 succ\u00e8s, \u00ab&nbsp;INVISIBLE&nbsp;\u00bb, \u00ab&nbsp;CACAO&nbsp;\u00bb, \u00ab&nbsp;DE PLUS EN PLUS LOIN&nbsp;\u00bb et \u00ab&nbsp;LA DERNIERE VOIX&nbsp;\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A Yakoma, capitale du Batanga, l\u2019entrepreneur \u00e0 succ\u00e8s Gr\u00e9gory Moungo est retrouv\u00e9 mort dans un appartement luxueux, sans signe de lutte. Un accident\u00a0? Son ascension fulgurante et sa fortune grandissante laisseraient penser le contraire. D\u2019autant que les suspects ne manquent pas : Eva, la sulfureuse maitresse qui en sait plus qu\u2019elle ne le dit [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-3385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-fr"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/o-batanga_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3385"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3385\/revisions"}],"predecessor-version":[{"id":3392,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3385\/revisions\/3392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3386"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3382,"date":"2023-02-09T15:59:35","date_gmt":"2023-02-09T15:59:35","guid":{"rendered":"https:\/\/fespaco.org\/?p=3382"},"modified":"2023-02-09T15:59:39","modified_gmt":"2023-02-09T15:59:39","slug":"fanga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fanga\/","title":{"rendered":"FANGA"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Le Pr\u00e9sident s\u2019appr\u00eate \u00e0 boucler son deuxi\u00e8me mandat. Mais il tient, co\u00fbte que co\u00fbte et vaille<br>que vaille, \u00e0 briguer un troisi\u00e8me mandat. Il a pour adversaire Farouche, le Colonel<br>Diamoutene, un ancien soutien \u00e0 lui qui veut placer son candidat \u00e0 la t\u00eate du pays pour sauver<br>ses arri\u00e8res. Les deux hommes se regardent en chiens de fa\u00efence et se livrent \u00e0 une bataille<br>sans piti\u00e9.<br>Leurs gu\u00e9guerres prendront fin avec l\u2019entr\u00e9e en jeu du Capitaine MAI, une militaire tr\u00e8s<br>int\u00e8gre, qui s\u2019est donn\u00e9e pour mission de balayer tous les mauvais dirigeants et mettre le pays<br>sur de nouvelles rails. Le Capitaine Mai tient \u00e0 venger la mort de son mari, assassin\u00e9 par le<br>Colonel Diamoutene suite aux instructions du pr\u00e9sident.<br>Pour arriver \u00e0 ses fins, le Capitaine MAI va s\u2019appuyer sur Fanta, une jeune journaliste<br>d\u2019investigation, le DG du bureau des saisies, un fonctionnaire de douane devenu c\u00e9l\u00e8bre apr\u00e8s<br>avoir d\u00e9mantel\u00e9 un r\u00e9seau de trafic d\u2019or, et plusieurs cellules dormantes au sein de l\u2019arm\u00e9e<br>sur lesquelles elle va s\u2019appuyer pour atteindre ses objectifs.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Fousseyni MAIGA est un jeune r\u00e9alisateur malien qui a fait ses armes \u00e0 l\u2019Office de Radio et<br>T\u00e9l\u00e9vision du Mali (ORTM) avec plusieurs s\u00e9ries t\u00e9l\u00e9vis\u00e9es et sitcom \u00e0 succ\u00e8s. En 2018, apr\u00e8s<br>une s\u00e9rie de formations en cin\u00e9ma, il lance sur fonds propres son premier long m\u00e9trage. Cette<br>premi\u00e8re production ind\u00e9pendante d\u00e9tient jusqu\u2019\u00e0 ce jour le record en salle au Mali.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Le Pr\u00e9sident s\u2019appr\u00eate \u00e0 boucler son deuxi\u00e8me mandat. Mais il tient, co\u00fbte que co\u00fbte et vailleque vaille, \u00e0 briguer un troisi\u00e8me mandat. Il a pour adversaire Farouche, le ColonelDiamoutene, un ancien soutien \u00e0 lui qui veut placer son candidat \u00e0 la t\u00eate du pays pour sauverses arri\u00e8res. Les deux hommes se regardent en chiens [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[113],"tags":[],"class_list":["post-3382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-serie"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/De-plus-en-plus-loin_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3382"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3382\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3382\/revisions\/3384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3383"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3379,"date":"2023-02-09T13:57:33","date_gmt":"2023-02-09T13:57:33","guid":{"rendered":"https:\/\/fespaco.org\/?p=3379"},"modified":"2023-02-09T13:57:37","modified_gmt":"2023-02-09T13:57:37","slug":"the-pyramid","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-pyramid\/","title":{"rendered":"The Pyramid"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>An ancient Egyptian tries to build an inverted pyramid.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Mohamed GHAZALA<\/strong> is assistant professor of animation and the chair and founder of Cinematic Arts School of Effat University\/ Saudi Arabia, besides being the Vice President of the Int&rsquo;l Animated Film Association, ASIFA, and the founder of its first chapter in Africa and in the Arab world. Ghazala directed and co-directed many awarded films, such as \u00ab\u00a0Carnival\u00a0\u00bb (2001), \u00ab\u00a0Crazy Works\u00a0\u00bb (2002), \u00ab\u00a0HM HM\u00a0\u00bb (2005),\u00a0\u00bbSayari Yetu\u00a0\u00bb (2006), including the first Yemen&rsquo;s animated film \u00ab\u00a0Salma\u00a0\u00bb in 2006, and \u00ab\u00a0Honyan&rsquo;s Shoe\u00a0\u00bb (2009). He gave a number of workshops on animation in different countries and acted as a film<br>consultant for several international festivals. In 2011, he published his first book under the title \u00ab\u00a0Animation in the Arab World\u00a0\u00bb. His second book with title \u00ab\u00a0Animation in Africa\u00a0\u00bb which published in Egypt 2013. Ghazala mainly concentrates in making independent experimental animated films on his<br>own or in the course of workshops or art residencies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis An ancient Egyptian tries to build an inverted pyramid. Biofilmography Mohamed GHAZALA is assistant professor of animation and the chair and founder of Cinematic Arts School of Effat University\/ Saudi Arabia, besides being the Vice President of the Int&rsquo;l Animated Film Association, ASIFA, and the founder of its first chapter in Africa and in [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[129],"tags":[],"class_list":["post-3379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/The-Pyramid-Mohamed-GHAZALA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3379"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3379\/revisions"}],"predecessor-version":[{"id":3381,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3379\/revisions\/3381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3380"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3374,"date":"2023-02-09T13:46:25","date_gmt":"2023-02-09T13:46:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3374"},"modified":"2023-02-27T20:19:37","modified_gmt":"2023-02-27T20:19:37","slug":"tempete-dans-une-calebasse","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tempete-dans-une-calebasse\/","title":{"rendered":"Temp\u00eate dans une calebasse"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Les villageois de Sougouri et Sawoura sont sur le point de s\u2019affronter. A causse du b\u00e9tail appartenant aux villageois de Sawoura aurait saccag\u00e9 un champ d\u2019un habitant de Sougouri. Le pr\u00e9fet de Sabari envoie l\u2019artillerie lourde pour juguler la crise : la parent\u00e9 \u00e0 plaisanterie.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Serge Dimitri PITROIPA<\/strong> est un r\u00e9alisateur producteur et d\u00e9corateur n\u00e9 \u00e0 Ouagadougou au Burkina Faso. Il fait ses \u00e9tudes secondaires \u00e0 Ouagadougou. Il continua \u00e0 l&rsquo;Ecole des arts au Centre national d\u2019artisanat d\u2019art. En 2005, il participe \u00e0 la premi\u00e8re formation en animation au Burkina Faso et int\u00e8gre l\u2019association Yelboundi. En 2009, il cr\u00e9e \u00ab\u00a0ABCA\u00a0\u00bb l\u2019Association Burkinab\u00e8 du Cin\u00e9ma d\u2019Animation. Il dispose depuis 2013 d&rsquo;une soci\u00e9t\u00e9 de production \u00ab\u00a0Pi Production\u00a0\u00bb. Serge Dimitri PITROIPA a r\u00e9alis\u00e9 une dizaine de films (animation, documentaire, s\u00e9rie fiction, etc.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Les villageois de Sougouri et Sawoura sont sur le point de s\u2019affronter. A causse du b\u00e9tail appartenant aux villageois de Sawoura aurait saccag\u00e9 un champ d\u2019un habitant de Sougouri. Le pr\u00e9fet de Sabari envoie l\u2019artillerie lourde pour juguler la crise : la parent\u00e9 \u00e0 plaisanterie. Biofilmographie Serge Dimitri PITROIPA est un r\u00e9alisateur producteur et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3375,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Tempete-dans-une-calebasse-Serge-Dimitri-PITROIPA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3374"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3374\/revisions"}],"predecessor-version":[{"id":5126,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3374\/revisions\/5126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3375"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3368,"date":"2023-02-09T13:18:23","date_gmt":"2023-02-09T13:18:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=3368"},"modified":"2023-02-09T13:18:27","modified_gmt":"2023-02-09T13:18:27","slug":"reine-du-guera","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/reine-du-guera\/","title":{"rendered":"Reine du Guera"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Tout commence lorsque sa m\u00e8re malade n&rsquo;a pas pu l&rsquo;accompagner au point d&rsquo;eau. Elle se charge alors de se rendre seule au dangereux \u00ab\u00a0Gouffre des montagnes\u00a0\u00bb. En route, elle rencontre Kolima la fille du sorcier accompagn\u00e9e de Ghizarbo le varan qui se rendaient \u00e0 une r\u00e9union du village. Curieuse, elle les suivit et apprit que le fils du roi, le prince Dubal cherchait \u00e0 se marier. Il \u00e9tait \u00e0 la recherche de la future princesse. Seule Doulassi pr\u00e9sentait les crit\u00e8res recommand\u00e9s. Comme elle devrait rentrer \u00e0 la maison avant le coucher du soleil, elle se d\u00e9p\u00eacha pour aller puiser de l&rsquo;eau. Mais Kolima et son acolyte d\u00e9cid\u00e8rent de l&rsquo;accompagner. Depuis, plus personne ne l&rsquo;aurait vu. Elle s&rsquo;est volatilis\u00e9e.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Khalil SALMA<\/strong> est une artiste polyvalente autodidacte d&rsquo;expression picturale. Photoreporter et consultante en graphisme et design, elle est aussi plasticienne. Elle puise son inspiration dans les cultures s\u00e9culaires de l&rsquo;Afrique et celle de son pays en particulier. En tant que designer elle int\u00e8gre sa signature ancestrale dans ses travaux o\u00f9 se m\u00ealent innovation et art. Alors qu&rsquo;elle travaillait comme infographiste dans une entreprise de t\u00e9l\u00e9phonie mobile, elle d\u00e9couvre gr\u00e2ce \u00e0 sa curiosit\u00e9 les premi\u00e8res bases de l&rsquo;animation selon les proc\u00e9d\u00e9s du mouvement d&rsquo;un ballon. Celle qui a toujours r\u00e9alis\u00e9 des images fig\u00e9es, d\u00e9couvre \u00e0 travers cet apprentissage une exp\u00e9rience innovante.<\/p>\n\n\n\n<p>En 2018, elle se forme \u00e0 travers des tutos qu&rsquo;elle trouve sur Internet et adapte progressivement un conte d&rsquo;enfance en film d&rsquo;animation qu&rsquo;elle intitule \u00ab\u00a0Reine du Guera\u00a0\u00bb en hommage \u00e0 cette montagne mythique de sa terre natale, symbole de la bont\u00e9 ainsi que de l&rsquo;authenticit\u00e9 au f\u00e9minin. Les mois suivants, elle adapte en animation la bande dessin\u00e9e \u00ab\u00a0La famille Hassan\u00a0\u00bb. Les animations publicitaires de Khalil sont souvent diffus\u00e9es \u00e0 la T\u00e9l\u00e9vision nationale tchadienne. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Tout commence lorsque sa m\u00e8re malade n&rsquo;a pas pu l&rsquo;accompagner au point d&rsquo;eau. Elle se charge alors de se rendre seule au dangereux \u00ab\u00a0Gouffre des montagnes\u00a0\u00bb. En route, elle rencontre Kolima la fille du sorcier accompagn\u00e9e de Ghizarbo le varan qui se rendaient \u00e0 une r\u00e9union du village. Curieuse, elle les suivit et apprit [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Reine-du-Guera-Khalil-SALMA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3368"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3368\/revisions"}],"predecessor-version":[{"id":3373,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3368\/revisions\/3373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3371"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3363,"date":"2023-02-09T12:53:10","date_gmt":"2023-02-09T12:53:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=3363"},"modified":"2023-02-09T12:53:14","modified_gmt":"2023-02-09T12:53:14","slug":"on-the-surface","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/on-the-surface\/","title":{"rendered":"On The Surface"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Une jeune femme noire va nager en mer et revient sur son exp\u00e9rience d\u2019\u00e9lever un enfant en Islande, pays qui ne ressemble en rien \u00e0 chez elle. En entrant dans l\u2019eau glac\u00e9e, elle revit sa grossesse traumatisante. \u00catre dans la nature et faire face \u00e0 ses peurs l\u2019aide \u00e0 gu\u00e9rir.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Fan SISSOKO<\/strong> est une artiste et cin\u00e9aste franco-malienne bas\u00e9e \u00e0 Reykjavik avec une formation en design. Son travail explore les th\u00e8mes de la migration, de la maternit\u00e9, et de la neurodiversit\u00e9. Elle a travaill\u00e9 \u00e0 Londres pour le \u00ab\u00a0Migration Museum\u00a0\u00bb, le \u00ab\u00a0Museum of London\u00a0\u00bb, la \u00ab\u00a0Science Gallery Dublin\u00a0\u00bb et le \u00ab\u00a0National<br>Trust\u00a0\u00bb. Son court m\u00e9trage d\u2019animation \u00ab\u00a0On the Surface\u00a0\u00bb a re\u00e7u une bourse et a \u00e9t\u00e9 projet\u00e9 dans des festivals internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Une jeune femme noire va nager en mer et revient sur son exp\u00e9rience d\u2019\u00e9lever un enfant en Islande, pays qui ne ressemble en rien \u00e0 chez elle. En entrant dans l\u2019eau glac\u00e9e, elle revit sa grossesse traumatisante. \u00catre dans la nature et faire face \u00e0 ses peurs l\u2019aide \u00e0 gu\u00e9rir. Biofilmographie Fan SISSOKO est [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/On-the-surface-En-surface-Fan-SISSOKO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3363"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3363\/revisions"}],"predecessor-version":[{"id":3367,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3363\/revisions\/3367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3366"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3359,"date":"2023-02-09T12:41:26","date_gmt":"2023-02-09T12:41:26","guid":{"rendered":"https:\/\/fespaco.org\/?p=3359"},"modified":"2023-02-09T12:55:04","modified_gmt":"2023-02-09T12:55:04","slug":"les-palimpseste","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-palimpseste\/","title":{"rendered":"Les Palimpseste"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Iba, 9 ans, pas-encore-ado-mais-presque, est sportive, passionn\u00e9e et d\u00e9bordante d\u2019\u00e9nergie, mais elle a du mal \u00e0 accepter les limites. Emeka, son petit fr\u00e8re de 8 ans, lui, est curieux, et malin, et qui fait des efforts pour s\u2019affirmer et prendre sa place. Ce sont des enfants comme il y en a dans toutes les familles : vivants et attachants, adorables, travers\u00e9s par les \u00e9motions et les questionnements de leur \u00e2ge. Mais ce que Iba et Emeka ont de plus, C\u2019est Mamie Palimpseste. Une grand-m\u00e8re super marrante et super cr\u00e9ative, tr\u00e8s maligne, hyperactive et pleine de bon sens. Pour r\u00e9pondre aux questions et aux probl\u00e9matiques de ses petits enfants, cette incroyable mamie les emm\u00e8ne dans un voyage dans le temps qui les plonge dans des histoires venues d\u2019un pass\u00e9 plus ou moins lointain : celui des h\u00e9ros de l\u2019Afrique. \u00c9pisode apr\u00e8s \u00e9pisode, ces aventures extraordinaires enrichissent nos petits h\u00e9ros au pr\u00e9sent et les aident \u00e0 grandir.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>De nationalit\u00e9 Togolaise, <strong>Ingrid AGBO<\/strong> est une auteure-productrice qui s\u2019inscrit dans la lign\u00e9e de ceux qui veulent cr\u00e9er et produire sans limite de genres, pour tout public qu\u2019il soit confidentiel ou populaire. Les changements sociaux et de m\u0153urs sont, entre autres, les th\u00e8mes qui motivent son engagement sur des films. Pour elle, la diversit\u00e9 dans les cr\u00e9ations passe avant tout par la diversit\u00e9 des cr\u00e9ateurs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Iba, 9 ans, pas-encore-ado-mais-presque, est sportive, passionn\u00e9e et d\u00e9bordante d\u2019\u00e9nergie, mais elle a du mal \u00e0 accepter les limites. Emeka, son petit fr\u00e8re de 8 ans, lui, est curieux, et malin, et qui fait des efforts pour s\u2019affirmer et prendre sa place. Ce sont des enfants comme il y en a dans toutes les [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Les-palimpseste-Ingrid-AGBO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3359"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3359\/revisions"}],"predecessor-version":[{"id":3369,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3359\/revisions\/3369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3360"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3355,"date":"2023-02-09T12:29:47","date_gmt":"2023-02-09T12:29:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=3355"},"modified":"2023-02-09T12:29:52","modified_gmt":"2023-02-09T12:29:52","slug":"laffront","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/laffront\/","title":{"rendered":"L&rsquo;affront"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Le retour de l\u2019\u00e9missaire de Soundiata annonce un d\u00e9fi lanc\u00e9 par Djolofin Mansa. Pour relever ce d\u00e9fi, les chefs de guerres se pr\u00e9sentent comme volontaires y compris Tiramakan.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>Sortant du Conservatoire des Arts et M\u00e9tiers Multim\u00e9dia Balla Fasseke Kouyate de Bamako, <strong>Negueba TRAORE<\/strong> est un jeune passionn\u00e9 de cin\u00e9ma d\u2019animation, ce qui l\u2019am\u00e8ne \u00e0 se pencher sur les \u00e9tudes de multim\u00e9dia. En outre des domaines classiques comme la photographie, la vid\u00e9o, le design graphique\u2026 Negueba s\u2019est pench\u00e9 plus sur l\u2019apprentissage des techniques d\u2019animation de film 2D et 3D. Pour parfaire son niveau, il entreprit des stages de perfectionnement dans plusieurs boites de production, et cumule des formations \u00e0 travers internet, avant d\u2019atterrir \u00e0 \u00ab\u00a0Vortexgroups\u00a0\u00bb, qui l\u2019accompagne dans la r\u00e9alisation de son tout premier film d\u2019animation en 3d, intitul\u00e9 \u00ab\u00a0L\u2019affront\u00a0\u00bb qui traite l\u2019histoire d\u2019un chef guerrier de l\u2019empire du Mali. Negueba entend produire des films en s\u2019appuyant sur les histoires originales africaines, afin de les valoriser, les sauvegarder et les mettre \u00e0 la disposition du reste du monde.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Le retour de l\u2019\u00e9missaire de Soundiata annonce un d\u00e9fi lanc\u00e9 par Djolofin Mansa. Pour relever ce d\u00e9fi, les chefs de guerres se pr\u00e9sentent comme volontaires y compris Tiramakan. Biofilmographie Sortant du Conservatoire des Arts et M\u00e9tiers Multim\u00e9dia Balla Fasseke Kouyate de Bamako, Negueba TRAORE est un jeune passionn\u00e9 de cin\u00e9ma d\u2019animation, ce qui l\u2019am\u00e8ne [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Laffront-Negueba-TRAORE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3355"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3355\/revisions"}],"predecessor-version":[{"id":3358,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3355\/revisions\/3358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3356"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3351,"date":"2023-02-09T12:18:56","date_gmt":"2023-02-09T12:18:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=3351"},"modified":"2023-02-09T12:19:00","modified_gmt":"2023-02-09T12:19:00","slug":"lombre-des-papillons","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lombre-des-papillons\/","title":{"rendered":"L&rsquo;Ombre des Papillons"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>En proie \u00e0 un sentiment de douce-am\u00e8re nostalgie, une femme se r\u00e9fugie dans la contemplation de papillons qui semblent peupler une myst\u00e9rieuse for\u00eat.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>N\u00e9e en 1992 \u00e0 Casablanca de nationalit\u00e9 Marocaine<strong>, Sofia EL KHYARI<\/strong> quitte le Maroc pour Paris afin d\u2019y \u00e9tudier la gestion culturelle. Elle y apprend \u00e9galement l\u2019animation en autodidacte et r\u00e9alise son premier court m\u00e9trage. Elle obtient un Master en animation au Royal College of Art de Londres et affirme entre autres son go\u00fbt pour les textures, les techniques mixtes et la calligraphie anim\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis En proie \u00e0 un sentiment de douce-am\u00e8re nostalgie, une femme se r\u00e9fugie dans la contemplation de papillons qui semblent peupler une myst\u00e9rieuse for\u00eat. Biofilmographie N\u00e9e en 1992 \u00e0 Casablanca de nationalit\u00e9 Marocaine, Sofia EL KHYARI quitte le Maroc pour Paris afin d\u2019y \u00e9tudier la gestion culturelle. Elle y apprend \u00e9galement l\u2019animation en autodidacte et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Lombre-des-papillons-Sofia-EL-KHYARI_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3351"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3351\/revisions"}],"predecessor-version":[{"id":3354,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3351\/revisions\/3354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3352"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3348,"date":"2023-02-09T12:09:20","date_gmt":"2023-02-09T12:09:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=3348"},"modified":"2023-02-09T12:09:24","modified_gmt":"2023-02-09T12:09:24","slug":"kwaba","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kwaba\/","title":{"rendered":"Kwaba"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Sopi qui vient d\u2019apprendre que sa fille qui est en ville vient d\u2019obtenir son baccalaur\u00e9at, partage sa joie avec sa voisine Ahou.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Pierre-Marie SINDO<\/strong> alias Pi\u00f1a est n\u00e9 le 19 juin 1985 \u00e0 Abidjan. Tr\u00e8s t\u00f4t attir\u00e9 par l\u2019envie de faire du cin\u00e9ma d\u2019animation, il entre aux Beaux-Arts d\u2019Abidjan afin d\u2019enrichir sa culture artistique. En 2007, il est le cofondateur du studio d\u2019animation \u00ab\u00a0Sinanimation\u00a0\u00bb. Il r\u00e9alise plusieurs \u0153uvres anim\u00e9es dont 2 r\u00e9f\u00e9rences qui sont \u00ab\u00a0C k\u00e9ma ?\u00a0\u00bb et \u00ab\u00a0Api !\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Sopi qui vient d\u2019apprendre que sa fille qui est en ville vient d\u2019obtenir son baccalaur\u00e9at, partage sa joie avec sa voisine Ahou. Biofilmographie Pierre-Marie SINDO alias Pi\u00f1a est n\u00e9 le 19 juin 1985 \u00e0 Abidjan. Tr\u00e8s t\u00f4t attir\u00e9 par l\u2019envie de faire du cin\u00e9ma d\u2019animation, il entre aux Beaux-Arts d\u2019Abidjan afin d\u2019enrichir sa culture [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kwaba-Pierre-Marie-SINDO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3348"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3348\/revisions"}],"predecessor-version":[{"id":3349,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3348\/revisions\/3349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3350"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3342,"date":"2023-02-09T11:59:37","date_gmt":"2023-02-09T11:59:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=3342"},"modified":"2023-02-09T11:59:41","modified_gmt":"2023-02-09T11:59:41","slug":"kendila","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kendila\/","title":{"rendered":"Kendila"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>En survolant des kilom\u00e8tres depuis plusieurs jours, une mouette se pose dans un village dont elle ignore le nom et d\u2019o\u00f9 \u00e9merge un air musical. L\u2019auteur de cette m\u00e9lodie c\u2019est Awa. Pour elle, la musique est devenue un moyen pour adoucir sa peine et ne plus voir la dure r\u00e9alit\u00e9 \u00e0 laquelle se confronte son village: la pollution et la prolif\u00e9ration des m\u00e9duses qui ont provoqu\u00e9 la disparition des tortues et plus pr\u00e9cis\u00e9ment Soula7fet, sa meilleure amie.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Nadia RAIS<\/strong> est n\u00e9e \u00e0 Tunis o\u00f9 elle obtient une ma\u00eetrise en sciences et techniques des arts \u00e0 l\u2019\u00e9cole des beaux-arts de Tunis. En tant qu\u2019artiste visuelle, elle participe \u00e0 plusieurs expositions comme Imago Mundi (Luciano Benetton Collection), elle r\u00e9side \u00e0 la cit\u00e9 internationale des Arts \u00e0 Paris et r\u00e9alise en parall\u00e8le des courts-m\u00e9trages d\u2019animation \u00ab\u00a0L\u2019Ambouba\u00a0\u00bb, \u00ab\u00a0L\u2019Mrayet\u00a0\u00bb, \u00ab\u00a0Survival visa\u00a0\u00bb, \u00ab\u00a0Briska\u00a0\u00bb et \u00ab\u00a0Kendila\u00a0\u00bb Nadia RAIS utilise une technique artistique mise au point dans ses films ainsi que ses peintures et qui, dans son \u00e9volution lors de plusieurs r\u00e9sidences, confirme bien son style.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis En survolant des kilom\u00e8tres depuis plusieurs jours, une mouette se pose dans un village dont elle ignore le nom et d\u2019o\u00f9 \u00e9merge un air musical. L\u2019auteur de cette m\u00e9lodie c\u2019est Awa. Pour elle, la musique est devenue un moyen pour adoucir sa peine et ne plus voir la dure r\u00e9alit\u00e9 \u00e0 laquelle se confronte [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kendila-Nadia-RAIS_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3342"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3342\/revisions"}],"predecessor-version":[{"id":3347,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3342\/revisions\/3347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3346"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3340,"date":"2023-02-09T11:50:44","date_gmt":"2023-02-09T11:50:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=3340"},"modified":"2023-02-09T11:52:00","modified_gmt":"2023-02-09T11:52:00","slug":"the-gravity","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-gravity\/","title":{"rendered":"The Gravity"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><br>An unprecedented alignment of planets impacting gravity will upset the balance of a ghetto and the destiny of two duos of brothers eager to do anything for their freedom in an unceasing fight between old and new generations<\/p>\n\n\n\n<p><strong>Biograph<\/strong>y<\/p>\n\n\n\n<p>Franco-Burkinab\u00e8 C\u00e9dric Ido is a screenwriter, director, actor and illustrator. He started his acting career<br>after a two-year course at the Film Conservatory at Suny Purchase in New York, starring in Manuel<br>Schapira&rsquo;s short Les Meutes (2012) and in Spike Lee\u2019s Miracle in Santa Anna (2008). He then goes to<br>directing with several shorts including Hasaki Ya Suda (2011) and Twaaga (2013), presented in many<br>festivals throughout the planet (including in Circuito Off Festival in Venice and in Seattle), and received<br>awards including at the African Movie Academy Awards in 2015, as well as it was selected for the Nuits en<br>Or &#8211; The Panorama by the Acad\u00e9mie des C\u00e9sars. Two years later, he directed his first feature-length effort<br>La Vie de Ch\u00e2teau in collaboration with Modi Barry, which also went to many international festivals and<br>notably the BFI London International Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SynopsisAn unprecedented alignment of planets impacting gravity will upset the balance of a ghetto and the destiny of two duos of brothers eager to do anything for their freedom in an unceasing fight between old and new generations Biography Franco-Burkinab\u00e8 C\u00e9dric Ido is a screenwriter, director, actor and illustrator. He started his acting careerafter a [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/la-gravite-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3340"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3340\/revisions"}],"predecessor-version":[{"id":3345,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3340\/revisions\/3345"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3343"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3333,"date":"2023-02-09T11:44:54","date_gmt":"2023-02-09T11:44:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=3333"},"modified":"2023-02-09T11:46:39","modified_gmt":"2023-02-09T11:46:39","slug":"impa-le-sang-mele","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/impa-le-sang-mele\/","title":{"rendered":"Impa le sang-m\u00eal\u00e9"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>N\u2019Gozi un grand chasseur signe un pacte avec Kolou le g\u00e9nie d\u00e9chu afin de devenir riche. En \u00e9change de la richesse, Kolou lui prend son unique fils ; Impa N\u2019Gozi abandonne tout ce qu\u2019il a acquis et se lance \u00e0 la recherche de son fils. Ce qu\u2019il d\u00e9couvre d\u00e9passe son entendement.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p>N\u00e9 en 1984 \u00e0 Abidjan, <strong>Christian KOUAME<\/strong> est de nationalit\u00e9 Ivoirienne. Il est un jeune entrepreneur, producteur et r\u00e9alisateur de film d&rsquo;animation 3d, obtient son dipl\u00f4me avanc\u00e9 en technologie de l&rsquo;animation 3D \u00e0 Accel Animation Academy en Inde dans les ann\u00e9es 2008- 2010 apr\u00e8s son Bachelor en informatique appliqu\u00e9 obtenu \u00e9galement en 2010 \u00e0 Bangalore University en Inde. Sa vie professionnelle commence donc \u00e0 Accel Animation Studios \u00e0 Chennai (Inde) en tant que Artiste 3D d&rsquo;effets sp\u00e9ciaux (VFX). Il sera \u00e9galement Formateur 3D en Tha\u00eflande en 2013 pour ensuite rentrer au cours de la m\u00eame ann\u00e9e en C\u00f4te d&rsquo;Ivoire pour fonder The Brain Studios qui est un studio sp\u00e9cialis\u00e9 dans l&rsquo;animation 3D, les effets sp\u00e9ciaux et les spots publicitaires.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis N\u2019Gozi un grand chasseur signe un pacte avec Kolou le g\u00e9nie d\u00e9chu afin de devenir riche. En \u00e9change de la richesse, Kolou lui prend son unique fils ; Impa N\u2019Gozi abandonne tout ce qu\u2019il a acquis et se lance \u00e0 la recherche de son fils. Ce qu\u2019il d\u00e9couvre d\u00e9passe son entendement. Biofilmographie N\u00e9 en [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3334,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Impa-le-sang-mele-Bomale-Christian-Hermann-KOUAME_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3333"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3333\/revisions"}],"predecessor-version":[{"id":3338,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3333\/revisions\/3338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3334"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3327,"date":"2023-02-09T11:32:51","date_gmt":"2023-02-09T11:32:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=3327"},"modified":"2023-02-09T11:32:55","modified_gmt":"2023-02-09T11:32:55","slug":"fady-le-village-des-transformes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fady-le-village-des-transformes\/","title":{"rendered":"Fady le village des transform\u00e9s"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>A Kangaba dans le Manding profond ou les anc\u00eatres de certaines familles ont pr\u00eat\u00e9s all\u00e9geance aux g\u00e9nies de la brousse, se transformer en hy\u00e8nes, reptiles et d\u2019autres animaux est un pouvoir accessible \u00e0 tous \u00e0 condition d\u2019\u00eatre initier. La rivalit\u00e9 qui oppose Kangaba \u00e0 son voisin village Kilidougou est au point de non-retour. Les conseillers des sages membres d\u2019une soci\u00e9t\u00e9 secr\u00e8te ont violemment interdit certaines pratiques comme le mariage entre les ressortissants de Kangaba et son voisin Kilidougou. Fady la petite fille du guide spirituel Ba Kalifa de Kilidougou est une fille tr\u00e8s \u00e9clair\u00e9e. Annonc\u00e9e bien avant sa naissance par les anciens comme un messie r\u00e9unificateur de toutes les communaut\u00e9s, elle va braver toutes les r\u00e8gles de ces tribus. Elle noue une relation amoureuse avec Lamissa. Elle d\u00e9tient en elle un pouvoir dont elle ignore encore. Elle est en fait de la lign\u00e9e cach\u00e9e d\u2019un visiteur venu de l\u2019espace et qui a fait naufrage sur terre depuis l\u2019\u00e9poque o\u00f9 l\u2019oc\u00e9an couvrait le grand d\u00e9sert du Sahara de Tombouctou. Elle a comme premi\u00e8re mission, l\u2019unification des deux villages qui sont les siens. Fady arrivera-t-elle \u00e0 relever ce nouveau d\u00e9fi, sachant que l\u2019apparition d\u2019une \u00e9lue comme elle est annonciateur d\u2019un grand danger qui guette le monde des mortels.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Cheick Ahmadou Ouattara <\/strong>est n\u00e9 en 1978 \u00e0 Bamako, au Mali. A Bamako Badalabougou, il effectua ses \u00e9tudes primaires. Passionn\u00e9 de dessin et du graphisme qu&rsquo;il d\u00e9tenait d&rsquo;une m\u00e8re professeur de maths et d&rsquo;un papa ing\u00e9nieur architecte, il fut s\u00e9lectionn\u00e9 parmi les meilleurs en dessin \u00e0 Bamako pour une formation acc\u00e9l\u00e9r\u00e9e de deux ans par les cor\u00e9ens. Il effectua ensuite ses \u00e9tudes secondaires au Lyc\u00e9e Cheikh Anta Diop de Faso Kanu \u00e0 Bamako o\u00f9 il obtient son Bac en sciences exactes avec des meilleurs prix en dessin. Il continua ses \u00e9tudes sup\u00e9rieures \u00e0 la facult\u00e9 des sciences de Bamako (Sciences de la mati\u00e8re), o\u00f9 il tomba amoureux du cin\u00e9ma et de l&rsquo;infographie. Avec ses connaissances en math\u00e9matiques (D.E.U.G en math\u00e9matiques sup\u00e9rieures) et une formation autodidacte en d\u00e9veloppement orient\u00e9 graphique, il cr\u00e9a une entreprise \u00ab\u00a0Virtual 3D Communication\u00a0\u00bb sp\u00e9cialis\u00e9e aux effets sp\u00e9ciaux FX cin\u00e9ma et 3D animation pour publicit\u00e9 et cin\u00e9ma. Ses premiers scenarios furent dans le domaine de la publicit\u00e9 pour des grandes structures comme l\u2019Or\u00e9al Maroc, Sony Maroc (en spot 3D). Il a \u00e0 son actif des films \u00e9ducatifs (film d&rsquo;animation 3D pour sensibiliser les milieux ruraux) pour certaines ONG et aussi pour la chaine nationale du Mali.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A Kangaba dans le Manding profond ou les anc\u00eatres de certaines familles ont pr\u00eat\u00e9s all\u00e9geance aux g\u00e9nies de la brousse, se transformer en hy\u00e8nes, reptiles et d\u2019autres animaux est un pouvoir accessible \u00e0 tous \u00e0 condition d\u2019\u00eatre initier. La rivalit\u00e9 qui oppose Kangaba \u00e0 son voisin village Kilidougou est au point de non-retour. Les [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Fadi-le-village-de-transformer-Cheikh-OUATTARA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3327"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3327\/revisions"}],"predecessor-version":[{"id":3331,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3327\/revisions\/3331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3330"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3326,"date":"2023-02-09T11:28:51","date_gmt":"2023-02-09T11:28:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=3326"},"modified":"2023-02-09T11:30:58","modified_gmt":"2023-02-09T11:30:58","slug":"rewind-play","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/rewind-play\/","title":{"rendered":"REWIND &#038; PLAY"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><br>D\u00e9cembre 1969, Thelonious Monk arrive \u00e0 Paris. Avant son concert du soir, il enregistre une \u00e9mission pour la t\u00e9l\u00e9vision fran\u00e7aise.<br>Les rushes qui ont \u00e9t\u00e9 conserv\u00e9s nous montrent un Thelonious Monk rare, proche, en proie \u00e0 la violente fabrique de st\u00e9r\u00e9otypes dont il tente de s\u2019\u00e9chapper.<br>Le film devient la travers\u00e9e de ce grand artiste, qui voudrait n\u2019exister que pour sa musique. Et le portrait en creux d\u2019une machine m\u00e9diatique aussi ridicule que r\u00e9voltante.<\/p>\n\n\n\n<p><strong>Biographie<\/strong><\/p>\n\n\n\n<p>R\u00e9alisateur franco-s\u00e9n\u00e9galais, Alain Gomis \u00e9tudie l\u2019histoire de l\u2019art \u00e0 la Sorbonne. Il r\u00e9alise en 2002 son premier film, L\u2019AFRANCE, sur les \u00e9preuves des migrants en France, r\u00e9compens\u00e9 par le L\u00e9opard d\u2019Argent au Festival de Locarno.<br>Son film ANDALUCIA a \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 Venise en 2012, AUJOURD\u2019HUI (TEY) pr\u00e9sent\u00e9 en Comp\u00e9tition \u00e0 la Berlinale remporte l\u2019\u00c9talon d\u2019Or du Fespaco.<br>Il revient \u00e0 la Berlinale en 2017 avec F\u00c9LICIT\u00c9. Le film remporte le Grand Prix du Jury de la comp\u00e9tition, l\u2019\u00c9talon d\u2019Or du Fespaco pour la seconde fois, et repr\u00e9sente le S\u00e9n\u00e9gal aux Oscars o\u00f9 il est short list\u00e9 pour l\u2019Oscar du Meilleur Film International.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SynopsisD\u00e9cembre 1969, Thelonious Monk arrive \u00e0 Paris. Avant son concert du soir, il enregistre une \u00e9mission pour la t\u00e9l\u00e9vision fran\u00e7aise.Les rushes qui ont \u00e9t\u00e9 conserv\u00e9s nous montrent un Thelonious Monk rare, proche, en proie \u00e0 la violente fabrique de st\u00e9r\u00e9otypes dont il tente de s\u2019\u00e9chapper.Le film devient la travers\u00e9e de ce grand artiste, qui voudrait [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/remind-play_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3326"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3326\/revisions"}],"predecessor-version":[{"id":3332,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3326\/revisions\/3332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3328"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3324,"date":"2023-02-09T11:17:13","date_gmt":"2023-02-09T11:17:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=3324"},"modified":"2023-02-09T11:17:16","modified_gmt":"2023-02-09T11:17:16","slug":"crossing-voices","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/crossing-voices\/","title":{"rendered":"Crossing Voices"},"content":{"rendered":"\n<p><strong>Synopsis <\/strong><br>Xaraasi Xanne (Crossing Voices) recounts from a rare film, photographic and sound archive the<br>exemplary adventure of Somankidi Coura, an agricultural cooperative founded in Mali, in 1977, by<br>migrant workers from West Africa living in France in homes. The story of this improbable utopia of<br>returning to the country follows a tortuous path that sheds light, from the 1970s, on the ecological<br>stakes and struggles on the African continent today.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p><strong>Rapha\u00ebl Grisey.<\/strong> born in 1979, lives in berlin. Grisey uses film, editorial and photographic works to address politics of memory, architecture, migration and agriculture (such as the films <em>prvi deo<\/em>, <em>red star<\/em> 2006 with f. lazar; <em>cooperative<\/em>, 2008; <em>the exchange of perspectives <\/em>; <em>minhoc\u00e3o<\/em>, 2011; <em>amor e progresso<\/em>, 2014; <em>remanescentes<\/em> 2015).<br><br><strong>Bouba\u00a0Tour\u00e9. (1948-2022),<\/strong> lived in Paris and Somankidi Coura, Mali. He lived in France in the foyer\u00a0Pinel from 1965 and worked at the metal factory\u00a0Chausson until 1969. He studied at the\u00a0Vincennes university and was a\u00a0projectionist at cinema\u00a014 juillet and l\u2019Entrep\u00f4t, Paris. Photographer since the 1970s, he documented the lives and\u00a0struggles of migrant workers and peasants in france and mali. Tour\u00e9\u00a0co-founded the co-op of Somankidi Coura in 1977.<\/p>\n\n\n\n<p>In 2015, he published\u00a0the book\u00a0\u00ab\u00a0<em>notre case est \u00e0 saint denis<\/em>,\u00a0x\u00e9rographes publishers.<br>Since the 1980s, Tour\u00e9 has exhibited works and given talks in associative and <em>foyer<\/em>\u2019s circles\u00a0and more recently in art institutions. His photographic work has been presented amongst other places at the Bamako Encounters 2019 and in the Hamburg Photography Triennale in 2022.<br><br>Since 2006, Tour\u00e9 and\u00a0Grisey worked together on collaborative projects with the current name of <em>sowing Somankidi Coura<\/em>, <em>a generative archive<\/em> since 2015. it lead to various workshops, film and theatre production for example with the theatre group K\u00e0ddu Yaraax in 2017 and 2019, as well as publications and texts, such as <em>Sowing Somankidi Coura<\/em>, <em>a generative archive <\/em>(2017, archives book publishers) their works were shown amongst other venue at K\u00e0ddu Yaraax theatre forum festival, Kunsthall Trondheim (no), Archive Kabinett, Savvy Contemporary, HKW, Neue Berliner Kunstverein, Den Fries, 9<sup>th<\/sup> Contour Biennale (be), Parco arte vivente, Un lieu pour respirer, Centre Pompidou, Dhaka art summit, Open justice and in Konsthall G\u00f6teborg. Their feature long film <em>Xarassi Xanne-crossing voices <\/em>has been awarded in 2022 at the festival Cin\u00e9ma du R\u00e9el, African Film Festival of Tarifa (Spain), Monde en vues (Guadeloupe) &amp; Archivio Aperto (Bologna \u2013 Italy).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Xaraasi Xanne (Crossing Voices) recounts from a rare film, photographic and sound archive theexemplary adventure of Somankidi Coura, an agricultural cooperative founded in Mali, in 1977, bymigrant workers from West Africa living in France in homes. The story of this improbable utopia ofreturning to the country follows a tortuous path that sheds light, from [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/les-voix-croisees_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3324"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3324\/revisions"}],"predecessor-version":[{"id":3325,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3324\/revisions\/3325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3321"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3318,"date":"2023-02-09T11:11:22","date_gmt":"2023-02-09T11:11:22","guid":{"rendered":"https:\/\/fespaco.org\/?p=3318"},"modified":"2023-02-09T11:11:25","modified_gmt":"2023-02-09T11:11:25","slug":"les-voix-croisees","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/les-voix-croisees\/","title":{"rendered":"Les voix crois\u00e9es"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong> <br>Xaraasi Xanne (Les voix crois\u00e9es ) raconte \u00e0 partir d\u2019archives cin\u00e9matographiques,<br>photographiques et sonores rares, l\u2019aventure exemplaire de Somankidi Coura, coop\u00e9rative agricole<br>fond\u00e9e au Mali, en 1977, par des travailleurs immigr\u00e9s d\u2019Afrique de l\u2019Ouest vivant en France dans<br>des foyers. L\u2019histoire de cette improbable utopie de retour au pays suit un chemin tortueux qui<br>\u00e9claire depuis les ann\u00e9es 70 les enjeux et luttes \u00e9cologiques sur le continent Africain aujourd\u2019hui.<\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Rapha\u00ebl Grisey<\/strong> est n\u00e9 en 1979 et vit \u00e0 Berlin. Il utilise des \u0153uvres cin\u00e9matographiques, \u00e9ditoriales et photographiques pour aborder les politiques de la m\u00e9moire, de l&rsquo;architecture, de la migration et de l&rsquo;agriculture (comme les films Prvi deo, Red star 2006 avec Florence Lazar ; Cooperative, 2008 ; The exchange of perspectives ; Minhoc\u00e3o, 2011 ; Amor e progresso, 2014 ; Remanescentes 2015).<\/p>\n\n\n\n<p><strong>Bouba Tour\u00e9 <\/strong>(1948-2022), a v\u00e9cu \u00e0 Paris et \u00e0 Somankidi Coura, au Mali. Il vit en France dans le foyer Pinel \u00e0 partir de 1965 et travaille \u00e0 l&rsquo;usine m\u00e9tallurgique Chausson jusqu&rsquo;en 1969. Il a \u00e9tudi\u00e9 \u00e0 l&rsquo;universit\u00e9 de Vincennes et a \u00e9t\u00e9 projectionniste au cin\u00e9ma 14 juillet et \u00e0 l&rsquo;Entrep\u00f4t, \u00e0 Paris. Photographe depuis les ann\u00e9es 1970, il a document\u00e9 la vie et les luttes des travailleurs migrants et des paysans en France et au Mali. Tour\u00e9 a cofond\u00e9 la coop\u00e9rative de Somankidi Coura en 1977.<\/p>\n\n\n\n<p>En 2015, il a publi\u00e9 le livre <em>Notre case est \u00e0 Saint-Denis<\/em> aux \u00e9ditions X\u00e9rographes.<\/p>\n\n\n\n<p>Depuis les ann\u00e9es 1980, Tour\u00e9 expose des \u0153uvres et donne des conf\u00e9rences dans les milieux associatifs, les foyers et plus r\u00e9cemment dans les institutions artistiques. Son travail photographique a \u00e9t\u00e9 pr\u00e9sent\u00e9 entre autres aux Rencontres de Bamako 2019 et \u00e0 la Triennale de la photographie de Hambourg en 2022.<\/p>\n\n\n\n<p>Depuis 2006, Tour\u00e9 et Grisey ont travaill\u00e9 ensemble sur des projets collaboratifs dont \u00ab\u00a0Semer Somankidi Coura, une archive g\u00e9n\u00e9rative\u00a0\u00bb depuis 2015. Cela a donn\u00e9 lieu \u00e0 divers ateliers, \u00e0 la production de films et de pi\u00e8ces de th\u00e9\u00e2tre, notamment avec la troupe de th\u00e9\u00e2tre K\u00e0ddu Yaraax en 2017 et 2019, ainsi qu&rsquo;\u00e0 des publications et des textes, tels que <em>Sowing Somankidi Coura, a generative archive <\/em>(2017, archives book publishers) ; leurs \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es entre autres au festival K\u00e0ddu Yaraax th\u00e9\u00e2tre Forum, Kunsthall Trondheim (no), Archive Kabinett, Savvy Contemporary, HKW, Neue Berliner Kunstverein, Den Fries, 9th Contour Biennale (be), Parco arte vivente, Un lieu pour respirer, Centre Pompidou, Dhaka art Summit, Open justice et au Konsthall G\u00f6teborg. Leur long m\u00e9trage Xarassi Xanne (Les Voix Crois\u00e9es) a re\u00e7u en 2022 plusieurs prix au festival Cin\u00e9ma du R\u00e9el, au festival du film africain de Tarifa (Espagne) ainsi qu\u2019\u00e0 Monde en vues (Guadeloupe) et Archivio Aperto (Bologne \u2013 Italie).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Xaraasi Xanne (Les voix crois\u00e9es ) raconte \u00e0 partir d\u2019archives cin\u00e9matographiques,photographiques et sonores rares, l\u2019aventure exemplaire de Somankidi Coura, coop\u00e9rative agricolefond\u00e9e au Mali, en 1977, par des travailleurs immigr\u00e9s d\u2019Afrique de l\u2019Ouest vivant en France dansdes foyers. L\u2019histoire de cette improbable utopie de retour au pays suit un chemin tortueux qui\u00e9claire depuis les ann\u00e9es [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/les-voix-croisees_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3318"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3318\/revisions"}],"predecessor-version":[{"id":3322,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3318\/revisions\/3322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3321"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3308,"date":"2023-02-09T11:10:50","date_gmt":"2023-02-09T11:10:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=3308"},"modified":"2023-02-09T11:10:54","modified_gmt":"2023-02-09T11:10:54","slug":"begho","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/begho\/","title":{"rendered":"Begho"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Une d\u00e9couverte du march\u00e9 de Begho, une ville commer\u00e7ante d\u2019Afrique de l\u2019Ouest, au XVIe si\u00e8cle, \u00e0 travers le regard d\u2019une petite fille nomm\u00e9e Kassi. Begho est un ancien centre de commerce \u00e0 la crois\u00e9e de plusieurs routes commerciales, occup\u00e9 entre les XIe et XVIIIe si\u00e8cles. Begho est mentionn\u00e9 et document\u00e9 dans plusieurs sources \u00e9crites sur l\u2019Afrique de l\u2019Ouest, le Ghana pr\u00e9-colonial et dans la tradition orale.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Victoria ARYEE <\/strong>est arch\u00e9ologue, ma\u00eetre de conf\u00e9rences adjoint en arch\u00e9ologie et \u00e9tudes du patrimoine. Elle se d\u00e9finit comme une artiste du spectacle et a un int\u00e9r\u00eat pour l&rsquo;art et le patrimoine culturel. Elle est n\u00e9e et a fait ses \u00e9tudes au Ghana. Elle est candidate au doctorat au D\u00e9partement d&rsquo;arch\u00e9ologie et d&rsquo;\u00e9tudes du patrimoine de l&rsquo;Universit\u00e9 du Ghana. Elle est passionn\u00e9e par l&rsquo;encouragement de l&rsquo;application du patrimoine, des \u00e9tudes arch\u00e9ologiques et du tourisme comme outils de d\u00e9veloppement socio-\u00e9conomique.<\/p>\n\n\n\n<p><strong>Daniel KUMAH<\/strong> est doctorant \u00e0 l&rsquo;Universit\u00e9 de Toulouse II Jean Jaur\u00e8s en France et ma\u00eetre de conf\u00e9rences \u00e0 l&rsquo;Universit\u00e9 du Ghana, Legon. Depuis 2017, le site de Begho au Ghana est au centre de ses recherches. Les int\u00e9r\u00eats de recherche de Daniel portent sur les soci\u00e9t\u00e9s de l&rsquo;\u00e2ge de fer, l&rsquo;urbanisation, l&rsquo;arch\u00e9ologie transsaharienne, les \u00e9tudes sur les mus\u00e9es et le patrimoine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Une d\u00e9couverte du march\u00e9 de Begho, une ville commer\u00e7ante d\u2019Afrique de l\u2019Ouest, au XVIe si\u00e8cle, \u00e0 travers le regard d\u2019une petite fille nomm\u00e9e Kassi. Begho est un ancien centre de commerce \u00e0 la crois\u00e9e de plusieurs routes commerciales, occup\u00e9 entre les XIe et XVIIIe si\u00e8cles. Begho est mentionn\u00e9 et document\u00e9 dans plusieurs sources \u00e9crites [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Begho-Victoria-ARYEE-et-Daniel-KUMAH_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3308"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3308\/revisions"}],"predecessor-version":[{"id":3320,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3308\/revisions\/3320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3319"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3315,"date":"2023-02-09T11:01:34","date_gmt":"2023-02-09T11:01:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=3315"},"modified":"2023-02-09T11:01:37","modified_gmt":"2023-02-09T11:01:37","slug":"from-cairo-min-al-qahira","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/from-cairo-min-al-qahira\/","title":{"rendered":"From Cairo (Min al Qahira)"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong> <\/p>\n\n\n\n<p>In the streets of Cairo, documentary filmmaker Hala Galal moves purposefully and quickly.<br>She presents a brave face, but she is in constant fear of being harassed (or worse) just for<br>being a working single woman. Galal follows two women, Heba and Aya, who challenge the<br>norms and limitations of women in Egypt with a completely different fearlessness.<br>Heba tries to find space in her life as a single mother and photojournalist to create art that,<br>among other things, focuses on the existence of the female body. Although money is tight,<br>her small home is always filled with laughter and the smell of home-cooked food. Meanwhile,<br>Aya tries to find a foothold in her relationship with family, religion and passion for film. The<br>contact sport of roller derby takes up more and more of her time, and the community and<br>closeness to the other women on the team forces Aya to reconsider her position as a<br>woman.<br>All three women have a desire to create space for more voices and nuanced perspectives in<br>Egypt. They live alone and work in art specifically, through which they find their way, achieve<br>their dreams and find some happiness\u2014regardless of the consequences.<\/p>\n\n\n\n<p><strong>Biofilmography<\/strong><\/p>\n\n\n\n<p>Hala Galal is a Filmmaker (writer, director and producer). She is the founder and executive<br>director of SEMAT Production &amp; Distribution supporting Alternative\/Independent Cinema in<br>Egypt. She has led SEMAT, a cultural hub with links to a number of civil society<br>organizations involved in the creative sector and youth as well as women organizations in<br>Egypt\/the Arab Region. Hala produced more than 10 films for first time directors. Her long<br>documentary \u2018Women ChitChat\u2019 won the Silver Prize at the Arab Rotterdam Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis In the streets of Cairo, documentary filmmaker Hala Galal moves purposefully and quickly.She presents a brave face, but she is in constant fear of being harassed (or worse) just forbeing a working single woman. Galal follows two women, Heba and Aya, who challenge thenorms and limitations of women in Egypt with a completely different [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/from-cairo_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3315"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3315\/revisions"}],"predecessor-version":[{"id":3317,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3315\/revisions\/3317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3316"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3310,"date":"2023-02-09T10:50:00","date_gmt":"2023-02-09T10:50:00","guid":{"rendered":"https:\/\/fespaco.org\/?p=3310"},"modified":"2023-02-09T10:50:04","modified_gmt":"2023-02-09T10:50:04","slug":"le-taxi-le-cinema-et-moi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-taxi-le-cinema-et-moi\/","title":{"rendered":"Le taxi, le cin\u00e9ma et moi\u00a0"},"content":{"rendered":"\n<p>SYNOPSIS<\/p>\n\n\n\n<p>Personnage iconoclaste, Drissa Tour\u00e9 a eu un parcours tr\u00e8s atypique dans sa vie, o\u00f9 il a \u00e9t\u00e9, apr\u00e8s de petits m\u00e9tiers \u00e0 Bobo-Dioulasso, tour \u00e0 tour chauffeur de taxi \u00e0 Ouagadougou et enfin cin\u00e9aste autodidacte. En tant que cin\u00e9aste, il a pu s\u2019imposer comme un r\u00e9alisateur reconnu dans son pays et mais aussi au niveau international. \u00ab Comment et pourquoi ce cin\u00e9aste ayant fait des films \u00e0 succ\u00e8s, s\u00e9lectionn\u00e9s dans les plus grands festivals du monde tels que Cannes, Locarno, Milan, Amiens, Rotterdam, Zurich, New-York African Film Festival etc\u2026 se retrouve aujourd\u2019hui en bute aux affres de la vie, dans le silence et l\u2019indiff\u00e9rence de tout le monde. \u00bb<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE <\/strong><\/p>\n\n\n\n<p>Plus de 10 ann\u00e9es d\u2019exp\u00e9rience dans la production audiovisuelle et dans diverses rencontres cin\u00e9matographiques, Salam ZAMPALIGRE est un r\u00e9alisateur burkinab\u00e9, membre du Collectif G\u00e9n\u00e9ration Films. Dipl\u00f4m\u00e9 de l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son (ISIS) de Ouagadougou, il a \u00e9galement fait des stages en Allemagne (Deutsch Well), en France (Universit\u00e9 d\u2019\u00e9t\u00e9 de la FEMIS et Cifap), Pays Bas (Nederlands Films and Televisie AKademie). Salam ZAMPALIGRE a r\u00e9alis\u00e9 de nombreux courts m\u00e9trages \u00e0 succ\u00e8s, et travaille \u00e0 la r\u00e9alisation de son prochain film documentaire, \u00ab&nbsp;Le taxi, le cin\u00e9ma et moi&nbsp;\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS Personnage iconoclaste, Drissa Tour\u00e9 a eu un parcours tr\u00e8s atypique dans sa vie, o\u00f9 il a \u00e9t\u00e9, apr\u00e8s de petits m\u00e9tiers \u00e0 Bobo-Dioulasso, tour \u00e0 tour chauffeur de taxi \u00e0 Ouagadougou et enfin cin\u00e9aste autodidacte. En tant que cin\u00e9aste, il a pu s\u2019imposer comme un r\u00e9alisateur reconnu dans son pays et mais aussi au [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/taxi-le-cinema-et-moi_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3310"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3310\/revisions"}],"predecessor-version":[{"id":3312,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3310\/revisions\/3312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3311"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3303,"date":"2023-02-09T10:38:34","date_gmt":"2023-02-09T10:38:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=3303"},"modified":"2023-02-09T10:38:38","modified_gmt":"2023-02-09T10:38:38","slug":"apacha","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/apacha\/","title":{"rendered":"Apacha"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Lorsque mettre en marche une simple t\u00e9l\u00e9vision devient une t\u00e2che difficile, APACHA reste<br>d\u00e9termin\u00e9 malgr\u00e9 que tout ne se passe pas comme pr\u00e9vu. Il doit faire face \u00e0 de nombreux<br>impr\u00e9vus et les choses les plus simple deviennent toutes compliqu\u00e9es.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Biofilmographie<\/strong><\/p>\n\n\n\n<p><strong>Dubien Fortune TSETE<\/strong> est n\u00e9 le 14 septembre 1995 \u00e0 Brazzaville en R\u00e9publique du Congo d\u2019un p\u00e8re Policier et d\u2019une m\u00e8re Laborantine. Apr\u00e8s des \u00e9tudes de Droit \u00e0 la Facult\u00e9 de Droit Marien Ngouabi et d\u2019informatique \u00e0 l\u2019\u00e9cole Africaine de d\u00e9veloppement E.A.D o\u00f9 il obtient un BTS en Programmation informatique. Entre 2010 et 2016, Il suit une formation approfondie en Imagerie assist\u00e9e \u00e0 l\u2019ordinateur et<br>\u00e0 l\u2019art du cin\u00e9ma moderne sur les plateformes de formations en ligne. En 2017, il travaille en tant que consultant ext\u00e9rieur en Cr\u00e9ation Visuelle \u00e0 la chaine locale TOPTV \u00e0 Brazzaville puis entant que responsable graphique \u00e0 la Maison DECOUVERTE CONGO. A l\u2019origine d\u2019une dizaine de tentatives de productions et de r\u00e9alisations de films d\u2019animation 2D et 3D, Dubien Fortune TSETE a toujours r\u00eav\u00e9 faire d\u00e9couvrir son potentiel dans le secteur du cin\u00e9ma d\u2019animation au Congo. De la mod\u00e9lisation 3D \u00e0 l\u2019animation, du montage aux effets sp\u00e9ciaux num\u00e9riques, il est tr\u00e8s \u00e9panoui dans la manipulation de l\u2019image sur ordinateur.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Lorsque mettre en marche une simple t\u00e9l\u00e9vision devient une t\u00e2che difficile, APACHA rested\u00e9termin\u00e9 malgr\u00e9 que tout ne se passe pas comme pr\u00e9vu. Il doit faire face \u00e0 de nombreuximpr\u00e9vus et les choses les plus simple deviennent toutes compliqu\u00e9es. Biofilmographie Dubien Fortune TSETE est n\u00e9 le 14 septembre 1995 \u00e0 Brazzaville en R\u00e9publique du Congo [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3306,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-3303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-animation"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Apacha-Dubien-Fortune-TSETE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3303"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3303\/revisions"}],"predecessor-version":[{"id":3307,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3303\/revisions\/3307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3306"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3301,"date":"2023-02-09T10:30:32","date_gmt":"2023-02-09T10:30:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=3301"},"modified":"2023-02-09T10:39:30","modified_gmt":"2023-02-09T10:39:30","slug":"the-umbrella-men","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-umbrella-men\/","title":{"rendered":"<strong>THE UMBRELLA MEN<\/strong>"},"content":{"rendered":"\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>After the death of his father, JEROME ADAMS flies back to his hometown Cape Town from Johannesburg, after a 10 year absence. Uninterested in being around his father\u2019s club and minstrels, Jerome hopes to return to Johannesburg soon after the funeral. Given their toxic relationship, Jerome is surprised to discover that his father has left him THE GOEMA CLUB and The Umbrella Men minstrel troupe.<\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>John Barker is a South African filmmaker based in Johannesburg. He is best known for his feature film<br>directorial debut BUNNY CHOW. The film was officially selected to screen at the TORONTO INTERNATIONAL FILM FESTIVAL, AFI Los Angeles, ROTTERDAM (TIGER AWARDS) LOCARNO<br>and RAINDANCE in 2006. The film received many international and local awards.<br>John is born to parents Clive Barker (national soccer coach) and Yvonne Barker. During the 2010 FIFA World Cup in South Africa, John made a documentary SOUTH OF THE UMBILO about his childhood growing up in the southern suburbs of Durban, South Africa which produced many talented soccer players and coaches including his father Clive Barker.<br>John wrote, directed and produced South Africa&rsquo;s first music mockumentary BLU CHEEZ, South Africa\u2019s worst rock band. He gained recognition in SA for his controversial short film on the QUICKIES series.<br>He next directed the music documentary KWAITO GENERALS which focused on the KWAITO movement of the late nineties and early 2000s. He went on to direct 5 ON THE STREET music documentaries throughout Africa for Channel O.<br>During this time he joined THE PURE MONATE SHOW (Iconic sketch comedy show). He directed and wrote on season 1 and 2.<br>He then wrote, produced and directed BUNNY CHOW which employed a retro scripting technique with the actors improvising their dialogue to communicate the outlined script, written by Barker and David Kibuuka (currently writer\/producer on the Daily Show) and retro scripted with Kagiso Lediga.<br>Feature films 31 MILLION REASONS and the acclaimed music documentary on the rock band CASSETTE followed.<br>John then joined SA\u2019s most successful film franchise SPUD, directing SPUD 3 with John Cleese and Troye Sivan.<br>After this commercial venture he dived back into indie filmmaking, writing directing and producing WONDER BOY FOR PRESIDENT &#8211; a political satire on the ANC, starring many of the same actors\/comedians from BUNNY CHOW.<br>Following the film John joined BOMB PRODUCTIONS as head director on ISIBAYA, ISITHEMBISO, AYEYA and the critically acclaimed period TV show THE ROAD (set in SOPHIA TOWN). He then directed BET\u2019s first daily drama ISONO.<br>John has recently completed his 15 year journey film THE UMBRELLA MEN which he co wrote, directed and produced with Joel Phiri from KAE. LOLLY, the Lolly Jackson gangster film with Sharlto Copley and THE UMBRELLA II are in pre production. An 8 part documentary series BAFANA THE BOYS<br>about soccer in SA, is in pre prod.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS After the death of his father, JEROME ADAMS flies back to his hometown Cape Town from Johannesburg, after a 10 year absence. Uninterested in being around his father\u2019s club and minstrels, Jerome hopes to return to Johannesburg soon after the funeral. Given their toxic relationship, Jerome is surprised to discover that his father has [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/umbrella-Men_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3301"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3301\/revisions"}],"predecessor-version":[{"id":3309,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3301\/revisions\/3309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3302"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3297,"date":"2023-02-09T10:11:46","date_gmt":"2023-02-09T10:11:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3297"},"modified":"2023-02-09T10:11:48","modified_gmt":"2023-02-09T10:11:48","slug":"le-pantheon-de-la-joie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-pantheon-de-la-joie\/","title":{"rendered":"Le Panth\u00e9on de la Joie"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Ouidah, B\u00e9nin. Le quartier \u00ab Le Panth\u00e9on de la Joie \u00bb. Quand \u00e0 12 ans, on est orphelin de<br>p\u00e8re et on devient soutien de famille, on \u00e9carquille les yeux devant la villa en construction<br>d\u2019un Grand-Fr\u00e8re qui semble avoir conquis l\u2019Europe. Et tant pis si la maison n&rsquo;en finit pas de<br>se construire, et tant pis si ce Grand-Fr\u00e8re qu&rsquo;on ne conna\u00eet pas est plus une l\u00e9gende qu&rsquo;une<br>r\u00e9alit\u00e9\u2026 Elys\u00e9e, 12 ans, bricoleur-synth\u00e9tique de la vie, vole une tomate. La vindicte<br>populaire s\u2019enflamme\u2026<\/p>\n\n\n\n<p><strong>Biographie<\/strong> <br>Apr\u00e8s des \u00e9tudes de sociologie \u00e0 Nanterre Universit\u00e9, en France, Jean Odoutan se passionne pour le cin\u00e9ma<br>et la musique. Il a commenc\u00e9 par le th\u00e9\u00e2tre, en jouant comme com\u00e9dien dans des pi\u00e8ces au th\u00e9\u00e2tre de la ville<br>\u00e0 Paris en France, notamment avec Fran\u00e7ois Billetdoux. Il a aussi tourn\u00e9 comme acteur dans des films majeurs<br>de grands r\u00e9alisateurs europ\u00e9ens : DIEN-BIEN-PHU \/ Pierre SCHOENDORFFER<br>L 627 \/ Bertrand TAVERNIER<br>LE BANQUET \/ Marco FERRERI<br>BLACK-MIC-MAC II \/ Marco PAULY<br>LA BOHEME \/ Luigi COMENCINI<br>MATCH NUL \/ Eric WORETH<br>MARCHE A L&rsquo;OMBRE \/ Michel BLANC<br>Il a apr\u00e8s endoss\u00e9 le r\u00f4le de sc\u00e9nariste, r\u00e9alisateur, producteur et distributeur, en cr\u00e9ant sa structure de<br>production et de distribution, 45rdlc. En compl\u00e9ment de ces activit\u00e9s artistiques, il compose aussi les<br>musiques et chansons de ses films, puis joue la plupart du temps dans ses films, comme acteur principal. Il a<br>particip\u00e9 \u00e0 nombre de festivals internationaux, dont : Festival de Namur, festival de Mar del Plata en<br>Argentine, festival de Milano-Coe, le FESPACO au Burkina Faso, Festival de Cannes junior en France, Festival<br>JCC en Tunisie, festival de Khouribga au Maroc, festival d&rsquo;Amiens, d&rsquo;entrevues \u00e0 Belfort\u2026<br>Il a aussi cr\u00e9\u00e9 un festival de cin\u00e9ma au B\u00e9nin : QUINTESSENCE &#8211; Festival International du Film de Ouidah. Il a<br>aussi cr\u00e9e une \u00e9cole de cin\u00e9ma : L&rsquo;I.C.O. &#8211; L&rsquo;Institut Cin\u00e9matographique de Ouidah. Il a sorti un album de<br>chansons : LA DENT DU BONHEUR<br>Il vient de publier son 1er livre : LE REALISATEUR N\u00c8GRE \/ Edition 45RDLC. Un site internet est d\u00e9di\u00e9 \u00e0 toutes<br>ses activit\u00e9s : www.45rdlc.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Ouidah, B\u00e9nin. Le quartier \u00ab Le Panth\u00e9on de la Joie \u00bb. Quand \u00e0 12 ans, on est orphelin dep\u00e8re et on devient soutien de famille, on \u00e9carquille les yeux devant la villa en constructiond\u2019un Grand-Fr\u00e8re qui semble avoir conquis l\u2019Europe. Et tant pis si la maison n&rsquo;en finit pas dese construire, et tant pis [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/pantheon-de-la-joie_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3297"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3297\/revisions"}],"predecessor-version":[{"id":3299,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3297\/revisions\/3299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3298"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3294,"date":"2023-02-09T10:05:57","date_gmt":"2023-02-09T10:05:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=3294"},"modified":"2023-02-09T10:06:01","modified_gmt":"2023-02-09T10:06:01","slug":"le-job-ideal","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-job-ideal\/","title":{"rendered":"Le job id\u00e9al"},"content":{"rendered":"\n<p><strong>SYNOPSIS<\/strong><br>Prosper et Greg sont deux amis ch\u00f4meurs qui passent leur journ\u00e9e \u00e0 boire, fumer et poster des<br>vid\u00e9os sur les r\u00e9seaux sociaux, tout en esp\u00e9rant trouver \u00ab le job id\u00e9al \u00bb.<br>Suite \u00e0 la d\u00e9cision du p\u00e8re de Prosper de ne plus subvenir \u00e0 leurs besoins, ils se retrouvent dans<br>l\u2019obligation de trouver des boulots, non sans difficult\u00e9. Au fil de leur parcours, ils finissent par se<br>rendre compte que l\u2019id\u00e9e qu\u2019ils se faisaient du job id\u00e9al est erron\u00e9e.<\/p>\n\n\n\n<p><strong>BIOFILMOGRAPHIE<\/strong><br>Gilbert BARARMNA est n\u00e9 le 09 ao\u00fbt 1993 au Togo. Apr\u00e8s son Brevet de Technicien<br>Sup\u00e9rieur en Audiovisuel option R\u00e9alisation \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des \u00c9tudes<br>Cin\u00e9matographique (ESEC) \u00e0 Lom\u00e9, il a r\u00e9alis\u00e9 en 2017 \u00ab BRIGITTE \u00bb, un court<br>m\u00e9trage traitant du th\u00e8me de la famille, et 2018 un autre court m\u00e9trage intitul\u00e9 \u00ab LA<br>VIE DE DANIEL \u00bb traitant de l\u2019autisme. Cela lui a valu de participer \u00e0 des festivals et<br>de remporter des prix.<br>Il a \u00e9galement \u00e0 son actif deux s\u00e9ries : \u00ab UNE FAMILLE PAS COMME LES AUTRES \u00bb<br>qui a re\u00e7u la mention sp\u00e9ciale du jury au Festival Vues d\u2019Afrique \u00e0 Montr\u00e9al<br>et \u00ab CENTRE AU SECOURS \u00bb.<br>\u00ab LE JOB IDEAL \u00bb est son premier long m\u00e9trage<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSISProsper et Greg sont deux amis ch\u00f4meurs qui passent leur journ\u00e9e \u00e0 boire, fumer et poster desvid\u00e9os sur les r\u00e9seaux sociaux, tout en esp\u00e9rant trouver \u00ab le job id\u00e9al \u00bb.Suite \u00e0 la d\u00e9cision du p\u00e8re de Prosper de ne plus subvenir \u00e0 leurs besoins, ils se retrouvent dansl\u2019obligation de trouver des boulots, non sans difficult\u00e9. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/job-ideal_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3294"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3294\/revisions"}],"predecessor-version":[{"id":3296,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3294\/revisions\/3296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3295"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3274,"date":"2023-02-08T18:57:08","date_gmt":"2023-02-08T18:57:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3274"},"modified":"2023-02-28T13:08:31","modified_gmt":"2023-02-28T13:08:31","slug":"malla-aussi-loin-que-dure-la-nuit","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/malla-aussi-loin-que-dure-la-nuit\/","title":{"rendered":"Malla, aussi loin que dure la nuit"},"content":{"rendered":"\n<p><p style=\"text-align: justify;\"><strong>Synopsis<\/strong><\/p><\/p>\n\n\n\n<p><p style=\"text-align: justify;\">A la mort de son p\u00e8re par manque de moyen financier pour une prise en charge&nbsp;anticip\u00e9e de son mal, Malla en veut au monde entier. Il en veut \u00e0 sa son fr\u00e8re ain\u00e9&nbsp;Fado, il en veut \u00e0 sa m\u00e8re, il en veut \u00e0 son d\u00e9funt p\u00e8re, il en veut m\u00eame \u00e0 Dieu. Il ne&nbsp;r\u00eave que d\u2019une chose, sortir de cette mis\u00e8re et \u00e9viter \u00e0 sa s\u0153ur benjamine Kandi, de&nbsp;mourir de cette maladie h\u00e9r\u00e9ditaire qui a emport\u00e9 leur p\u00e8re. Dans sa qu\u00eate de&nbsp;solution, Malla entrainera sa famille, malgr\u00e9 elle, dans une sombre aventure.<\/p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><p style=\"text-align: justify;\"><strong>Biofilmographie<\/strong><\/p><\/p>\n\n\n\n<p><p style=\"text-align: justify;\"><strong>OUEDRAOGO Dramane<\/strong> est n\u00e9 \u00e0 Abobo-Gare, R\u00e9publique de C\u00f4te d\u2019Ivoire, le 28 d\u00e9cembre 1985. Titulaire d\u2019une Licence en Sociologie, son amour pour l\u2019art le fait basculer pour la premi\u00e8re fois au cin\u00e9ma en 2007 en tant que com\u00e9dien dans un court m\u00e9trage intitul\u00e9 \u00ab Amour sans fronti\u00e8re \u00bb de Laurentine BAYALA o\u00f9, il incarne le personnage principal. Il suivra ensuite une formation en th\u00e9\u00e2tre et en danse contemporaine \u00e0 l\u2019Atelier Th\u00e9\u00e2tre Burkinab\u00e8 (ATB). Il interpr\u00e8tera par la suite plusieurs r\u00f4les dans des pi\u00e8ces de th\u00e9\u00e2tre forum et dans une vingtaine de films tous genres confondus.<\/p><\/p>\n\n\n\n<p><p style=\"text-align: justify;\">&nbsp;<\/p><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis A la mort de son p\u00e8re par manque de moyen financier pour une prise en charge&nbsp;anticip\u00e9e de son mal, Malla en veut au monde entier. Il en veut \u00e0 sa son fr\u00e8re ain\u00e9&nbsp;Fado, il en veut \u00e0 sa m\u00e8re, il en veut \u00e0 son d\u00e9funt p\u00e8re, il en veut m\u00eame \u00e0 Dieu. Il ne&nbsp;r\u00eave [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3279,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Malla-aussi-loin-que-dure-la-nuit-Dramane-OUEDRAOGO-_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3274"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3274\/revisions"}],"predecessor-version":[{"id":5208,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3274\/revisions\/5208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3279"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3277,"date":"2023-02-08T18:49:47","date_gmt":"2023-02-08T18:49:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=3277"},"modified":"2023-02-08T18:49:49","modified_gmt":"2023-02-08T18:49:49","slug":"the-river-is-not-a-border","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-river-is-not-a-border\/","title":{"rendered":"<strong>THE RIVER IS NOT A BORDER<\/strong>"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>On 9 April 1989, after another clash between Mauritanian herders and Senegalese farmers on the Senegalese border at Diawara, there was an incredible escalation of violence in both countries.<\/p>\n\n\n\n<p>These events resulted in thousands of victims and tens of thousands of refugees.<\/p>\n\n\n\n<p>Thirty years after the conflict, the wounds have not yet healed.<\/p>\n\n\n\n<p>In Dagana, Senegal, on the border of the two countries, I bring together forty protagonists, witnesses and victims, under the palaver tree, to look back on these events on both sides of the river, in order to understand what really happened, and to try to take a step towards reconciliation together.<\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Alassane Diago was born in 1985 in Agnam Lidoub\u00e9, Senegal. After completing an audiovisual training course in Dakar in 2007, he took several courses in directing techniques and scriptwriting, notably with the documentary filmmaker Samba F\u00e9lix Ndiaye. He worked on various film sets, including Lili-et-le baobab directed by Chantal Richard, before directing his first feature-length documentary, <em>Les Larmes de l&rsquo;\u00e9migration <\/em>(2010), which won several awards. Alassane Diago now lives in Paris.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis On 9 April 1989, after another clash between Mauritanian herders and Senegalese farmers on the Senegalese border at Diawara, there was an incredible escalation of violence in both countries. These events resulted in thousands of victims and tens of thousands of refugees. Thirty years after the conflict, the wounds have not yet healed. In [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3275,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sans-titre-11_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3277"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3277\/revisions"}],"predecessor-version":[{"id":3278,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3277\/revisions\/3278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3275"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3272,"date":"2023-02-08T18:45:57","date_gmt":"2023-02-08T18:45:57","guid":{"rendered":"https:\/\/fespaco.org\/?p=3272"},"modified":"2023-02-08T18:46:00","modified_gmt":"2023-02-08T18:46:00","slug":"le-fleuve-nest-pas-une-frontiere","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-fleuve-nest-pas-une-frontiere\/","title":{"rendered":"<strong>LE FLEUVE N\u2019EST PAS UNE FRONTIERE<\/strong>"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong> <\/p>\n\n\n\n<p>Le 9 avril 1989, apr\u00e8s un nouvel accrochage entre \u00e9leveurs Mauritaniens et agriculteurs S\u00e9n\u00e9galais, \u00e0 la fronti\u00e8re s\u00e9n\u00e9galaise \u00e0 Diawara, a eu lieu une incroyable escalade de violencedans les deux pays.<\/p>\n\n\n\n<p>Ces \u00e9v\u00e8nements firent des milliers de victimes et des dizaines de milliers de r\u00e9fugi\u00e9s.<\/p>\n\n\n\n<p>Trente ans apr\u00e8s le conflit, les plaies ne sont pas encore referm\u00e9es.<\/p>\n\n\n\n<p>Je r\u00e9unis \u00e0 Dagana, S\u00e9n\u00e9gal, \u00e0 la fronti\u00e8re des deux pays, quarante protagonistes, t\u00e9moins et victimes, autour d&rsquo;un cercle sous l\u2019arbre \u00e0 palabres, pour revenir sur ces \u00e9v\u00e8nements survenus de part et d\u2019autre du fleuve, afin de comprendre ce qui s\u2019est r\u00e9ellement pass\u00e9, et tenter ensemble de faire un pas vers la r\u00e9conciliation.<\/p>\n\n\n\n<p><strong>BIOGRAPHIE<\/strong><\/p>\n\n\n\n<p>Alassane Diago est n\u00e9 en 1985 \u00e0 Agnam Lidoub\u00e9 au S\u00e9n\u00e9gal. Apr\u00e8s une formation audiovisuelle \u00e0 Dakar en 2007, il effectue plusieurs stages en techniques de r\u00e9alisation et d\u2019\u00e9criture sc\u00e9naristique notamment avec le cin\u00e9aste-documentariste Samba F\u00e9lix Ndiaye. Il travaille sur diff\u00e9rents plateaux de tournage dont Lili-et-le baobab de Chantal Richard avant de r\u00e9aliser son premier long-m\u00e9trage documentaire <em>Les Larmes de l\u2019\u00e9migration, <\/em>multi-r\u00e9compens\u00e9s. Alassane Diago vit aujourd\u2019hui \u00e0 Paris.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis Le 9 avril 1989, apr\u00e8s un nouvel accrochage entre \u00e9leveurs Mauritaniens et agriculteurs S\u00e9n\u00e9galais, \u00e0 la fronti\u00e8re s\u00e9n\u00e9galaise \u00e0 Diawara, a eu lieu une incroyable escalade de violencedans les deux pays. Ces \u00e9v\u00e8nements firent des milliers de victimes et des dizaines de milliers de r\u00e9fugi\u00e9s. Trente ans apr\u00e8s le conflit, les plaies ne sont [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3275,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-3272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-panorama"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sans-titre-11_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3272"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3272\/revisions"}],"predecessor-version":[{"id":3276,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3272\/revisions\/3276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3275"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3268,"date":"2023-02-08T18:42:39","date_gmt":"2023-02-08T18:42:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=3268"},"modified":"2023-02-28T12:56:05","modified_gmt":"2023-02-28T12:56:05","slug":"madi-et-saga","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/madi-et-saga\/","title":{"rendered":"Madi et Saga"},"content":{"rendered":"\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>L\u2019histoire se passe de nos jours au Burkina Faso. Madi, enfant d\u2019un petit village, se retrouve tr\u00e8s jeune confront\u00e9 \u00e0 la maladie\u00a0.Ses parents font tout leur possible pour lui sauver la vie, quitte \u00e0 s\u2019endetter. Gr\u00e2ce \u00e0 leur amour et leur d\u00e9vouement ils lui permettent de gu\u00e9rir. Lorsque Madi atteint ses 20 ans, ils sont toujours \u00e0 ses c\u00f4t\u00e9s pour lui offrir de belles \u00e9tudes et l\u2019aider \u00e0 rentrer dans la vie active avec tous les atouts de la r\u00e9ussite. Alors pourquoi Madi les renie-t-il\u00a0 au point m\u00eame de \u00a0les rayer de sa vie d\u00e8s qu\u2019il arrive \u00e0 atteindre cet objectif malgr\u00e9 tous les sacrifices qu\u2019ils ont fait pour lui\u00a0? Et lorsque la maladie va le rattraper, la ruine le toucher, va-t-il enfin comprendre que la famille et la sant\u00e9 sont bien plus pr\u00e9cieuses que l\u2019argent\u00a0?<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis L\u2019histoire se passe de nos jours au Burkina Faso. Madi, enfant d\u2019un petit village, se retrouve tr\u00e8s jeune confront\u00e9 \u00e0 la maladie\u00a0.Ses parents font tout leur possible pour lui sauver la vie, quitte \u00e0 s\u2019endetter. Gr\u00e2ce \u00e0 leur amour et leur d\u00e9vouement ils lui permettent de gu\u00e9rir. Lorsque Madi atteint ses 20 ans, ils [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Madi-et-Saga-Yacouba-NAPON_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3268"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3268\/revisions"}],"predecessor-version":[{"id":5197,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3268\/revisions\/5197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3271"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3267,"date":"2023-02-08T18:39:44","date_gmt":"2023-02-08T18:39:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=3267"},"modified":"2023-02-08T18:39:49","modified_gmt":"2023-02-08T18:39:49","slug":"nayola","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/nayola\/","title":{"rendered":"Nayola"},"content":{"rendered":"\n<p><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p>Angola. Three generations of women in a 25-year-long civil war: Lelena (the grandmother), Nayola (the daughter) and Yara (the granddaughter).&nbsp;<\/p>\n\n\n\n<p>\u00a0Past and present interlace. Nayola goes in search of her missing husband at the height of the war. Decades later, the country is finally at peace but Nayola has not returned. Yara has become a rebellious teenager and a subversive rap singer. Lelena tries to contain her for fear of the police coming to arrest her. One night, a masked intruder breaks into their house, armed with a machete. An encounter like nothing they could have imagined.\u00a0<\/p>\n\n\n\n<p><strong>\u00a0 Biofilmography<\/strong><\/p>\n\n\n\n<p>Jos\u00e9 Miguel Ribeiro was born in 1966 in Amadora, Portugal. He graduated in Visual Arts at Fine Art School in Lisbon and studied drawing and puppets animation in Lazzenec-Bretagne \u2013 Rennes and in Film\u00f3grafo \u2013 Oporto in 1993\/4. During several years he taught puppets animation in Calouste Gulbenkian Foundation in Lisbon. He was animator of Os Salteadores directed by Abi Feij\u00f3 among other films. He co-directed O Ovo, which won several international awards and other short animations for Portuguese version of Sesam\u2019s Street. In 1996 and for the first time, he won an award in Cinanima with O Banquete da Rainha. He directed A Suspeita, which won the Cartoon D\u2019Or 2000 and more than 25 international awards. In 2004, he made a cartoon series Home Things that consists of 26 episodes, where the protagonists are the things that are in a house: the mop, the toothbrush, the glasses, the vacuum cleaner etc. The series was honored with several international awards.<\/p>\n\n\n\n<p>NAYOLA is his debut feature.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SYNOPSIS Angola. Three generations of women in a 25-year-long civil war: Lelena (the grandmother), Nayola (the daughter) and Yara (the granddaughter).&nbsp; \u00a0Past and present interlace. Nayola goes in search of her missing husband at the height of the war. Decades later, the country is finally at peace but Nayola has not returned. Yara has become [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":3269,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[96],"tags":[],"class_list":["post-3267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-panorama-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Nayola_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3267"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3267\/revisions"}],"predecessor-version":[{"id":3270,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3267\/revisions\/3270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3269"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]