[{"id":3263,"date":"2023-02-08T18:33:45","date_gmt":"2023-02-08T18:33:45","guid":{"rendered":"https:\/\/fespaco.org\/?p=3263"},"modified":"2023-02-28T12:52:29","modified_gmt":"2023-02-28T12:52:29","slug":"le-sermon-des-prophetes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-sermon-des-prophetes\/","title":{"rendered":"Le sermon des proph\u00e8tes"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Confront\u00e9 depuis janvier 2016 \u00e0 des attaques de groupes arm\u00e9s de plus en plus fr\u00e9quentes et meurtri\u00e8res, le Burkina Faso enregistre \u00e9galement des affrontements intercommunautaires. Les attaques des groupes djihadistes ont fait fuir de leurs foyers pr\u00e8s de deux millions de personnes, ferm\u00e9s plus de 4 000 \u00e9coles et tu\u00e9s des milliers de Burkinab\u00e8.
Abdou Djamal, \u00e2g\u00e9 d\u2019environ 50 ans, est le chef d\u2019un groupe arm\u00e9 qui se fait passer pour un orpailleur et un musulman pieux. Strat\u00e8ge et s\u00fbr de son art, Djamal est un v\u00e9ritable manipulateur. Il planifie et dirige, \u00e0 partir de son domicile de la ville, toutes les op\u00e9rations et attaques arm\u00e9es perp\u00e9tr\u00e9es par Walid Jafar son homme de terrain, contre les populations civiles.
Zakaria est un adolescent, \u00e2g\u00e9 de 15 ans. D\u00e9plac\u00e9 interne, Zakaria vit avec sa m\u00e8re dans le m\u00eame quartier que Djamal, il est orphelin, son p\u00e8re a \u00e9t\u00e9 tu\u00e9 par le commando de Djamal. Devenu lui et sa m\u00e8re des d\u00e9plac\u00e9s interne, Zakaria \u00e0 pour nouvelle activit\u00e9 le ramassage des ordures avec une charrette. Son destin va basculer le jour o\u00f9 Djamal d\u00e9cide de l\u2019h\u00e9berger apr\u00e8s un accident de travail.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Confront\u00e9 depuis janvier 2016 \u00e0 des attaques de groupes arm\u00e9s de plus en plus fr\u00e9quentes et meurtri\u00e8res, le Burkina Faso enregistre \u00e9galement des affrontements intercommunautaires. Les attaques des groupes djihadistes ont fait fuir de leurs foyers pr\u00e8s de deux millions de personnes, ferm\u00e9s plus de 4 000 \u00e9coles et tu\u00e9s des milliers de Burkinab\u00e8.Abdou […]<\/p>\n","protected":false},"author":7,"featured_media":3264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-sermon-des-prophetes-Seydou-BOUNDAONE_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3263"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3263\/revisions"}],"predecessor-version":[{"id":5189,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3263\/revisions\/5189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3264"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3260,"date":"2023-02-08T18:24:15","date_gmt":"2023-02-08T18:24:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=3260"},"modified":"2023-02-28T12:47:35","modified_gmt":"2023-02-28T12:47:35","slug":"laffaire-sam-mory","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/laffaire-sam-mory\/","title":{"rendered":"L’affaire Sam Mory"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

La mort du Juge Mory Samuel bouleverse le pays tout entier. Accident ou meurtre ? Une enqu\u00eate est ouverte. Peu convaincus par les conclusions de l\u2019autopsie, les membres du syndicat de la magistrature appellent \u00e0 une gr\u00e8ve pour protester contre l\u2019ins\u00e9curit\u00e9 dans laquelle ils exercent. La veuve Adji Mory d\u00e9cide alors d\u2019en avoir le coeur net et commence \u00e0 enqu\u00eater. La th\u00e8se du meurtre semble se corroborer. Crime crapuleux ou assassinat politique ? Question difficile d\u2019autant plus que Sam Mory a jug\u00e9 bien de dossiers sensibles et envoy\u00e9 plein de gens ind\u00e9licats derri\u00e8re les barreaux. Que peut faire cette femme seule face \u00e0 la redoutable machinerie qui trame dans l\u2019ombre ? Adji Mory sortira-t-elle indemne de ce pi\u00e8ge qui, visiblement, la d\u00e9passe ?<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis La mort du Juge Mory Samuel bouleverse le pays tout entier. Accident ou meurtre ? Une enqu\u00eate est ouverte. Peu convaincus par les conclusions de l\u2019autopsie, les membres du syndicat de la magistrature appellent \u00e0 une gr\u00e8ve pour protester contre l\u2019ins\u00e9curit\u00e9 dans laquelle ils exercent. La veuve Adji Mory d\u00e9cide alors d\u2019en avoir le […]<\/p>\n","protected":false},"author":7,"featured_media":3261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/LAffaire-Sam-Mory-Boubakar-DIALLO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3260"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3260\/revisions"}],"predecessor-version":[{"id":5175,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3260\/revisions\/5175"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3261"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3253,"date":"2023-02-08T18:14:12","date_gmt":"2023-02-08T18:14:12","guid":{"rendered":"https:\/\/fespaco.org\/?p=3253"},"modified":"2023-02-28T12:19:25","modified_gmt":"2023-02-28T12:19:25","slug":"le-galop","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-galop\/","title":{"rendered":"Le Galop"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Une jeune femme, mont\u00e9e sur un cheval et arm\u00e9e d\u2019un carquois, galope \u00e0 vive allure. Le cheval acc\u00e9l\u00e8re la cadence \u00e0 chaque injonction de son ma\u00eetre. Se m\u00ealant au bruit des sabots, une voix lointaine appelant une personne se fait entendre, Yennenga\u2026. Sans pr\u00eater attention \u00e0 cet appel, la cavali\u00e8re poursuit sa chevauch\u00e9e et dispara\u00eet au loin. Ignorant les pr\u00e9occupations de la cavali\u00e8re Yennenga, la ville de Ouagadougou s\u2019est rev\u00eatue de ses plus belles parures pour recevoir ses invit\u00e9s parmi lesquels des r\u00e9alisateurs qui ont leur film en comp\u00e9tition \u00e0 la 27\u00e8me \u00e9dition du Fespaco. Comme une course hippique, quatre (4) r\u00e9alisateurs, Moumouni du Burkina Faso, Fama du S\u00e9n\u00e9gal, Aicha du Niger et Mutiganda du Rwanda, s\u2019att\u00e8lent pour une longue chevauch\u00e9e. <\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

El\u00e9onore YAMEOGO<\/strong> est une r\u00e9alisatrice burkinab\u00e8. Elle a \u00e9tudi\u00e9 le cin\u00e9ma \u00e0 l\u2019Institut Sup\u00e9rieur de
l\u2019Image et du Son \u00e0 Ouagadougou, puis lors des ateliers en France et en Belgique. Apr\u00e8s avoir r\u00e9alis\u00e9
des courts et moyens m\u00e9trages : \u00ab Ouaga Jazzy \u00bb, \u00ab Ouaga HH \u00bb, \u00ab La main tendue \u00bb, 2011, marque
la sortie de son premier long m\u00e9trage documentaire \u00ab Paris mon Paradis \u00bb qui fait sa grande premi\u00e8re
au FESPACO et remporte le prix du Conseil Sup\u00e9rieur de I\u2019Information. S\u2019en suivra une s\u00e9rie de distinctions \u00e0 la m\u00eame ann\u00e9e. En 2019, elle sort \u00ab Le cimeti\u00e8re des \u00e9l\u00e9phants \u00bb s\u00e9lectionn\u00e9 pour la comp\u00e9tition long m\u00e9trage documentaire au FESPACO. En 2021, El\u00e9onore cor\u00e9alise avec Rosine Mbakam (Cameroun), An Van Dienderen (Belgique) \u00a0\u00bb PRISM \u00ab un long m\u00e9trage documentaire. En 2022, El\u00e9onore Yam\u00e9ogo r\u00e9alise une s\u00e9rie documentaire 26 \u00e9pisodes*12 min intitul\u00e9e \u00ab DE L\u2019AUTRE COTE DES RIVES \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Une jeune femme, mont\u00e9e sur un cheval et arm\u00e9e d\u2019un carquois, galope \u00e0 vive allure. Le cheval acc\u00e9l\u00e8re la cadence \u00e0 chaque injonction de son ma\u00eetre. Se m\u00ealant au bruit des sabots, une voix lointaine appelant une personne se fait entendre, Yennenga\u2026. Sans pr\u00eater attention \u00e0 cet appel, la cavali\u00e8re poursuit sa chevauch\u00e9e et […]<\/p>\n","protected":false},"author":7,"featured_media":3254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Le-Galop-Eleonore-YAMEOGO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3253"}],"version-history":[{"count":5,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3253\/revisions"}],"predecessor-version":[{"id":5159,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3253\/revisions\/5159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3254"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3249,"date":"2023-02-08T17:49:50","date_gmt":"2023-02-08T17:49:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=3249"},"modified":"2023-02-28T11:57:00","modified_gmt":"2023-02-28T11:57:00","slug":"laabli-linsaisissable","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/laabli-linsaisissable\/","title":{"rendered":"Laabli l’insaisissable"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Dans ce film, il s\u2019agit de restituer la riche vie de ce personnage atypique de Moustapha Thiombiano appel\u00e9 \u00ab\u00a0le Fou\u00a0\u00bb, \u00ab\u00a0le boss\u00a0\u00bb ou encore \u00ab\u00a0le cowboy\u00a0\u00bb dans le domaine des m\u00e9dias de la culture (Fespaco), et activit\u00e9s urbaines populaires \u00e0 travers des t\u00e9moignages et des archives. La dynamique du film est calqu\u00e9e sur le caract\u00e8re du personnage lui-m\u00eame. C\u2019est \u00e0 dire en mouvement comme l\u2019indique son nom \u00ab\u00a0Laabli\u00a0\u00bb en gulmatch\u00e9ma. Le ton du film est \u00e0 l\u2019image de Moustapha, cru, comique, franc et direct sans euph\u00e9misme. Il s\u2019agit \u00e9galement de montrer r\u00e9gimes apr\u00e8s r\u00e9gimes, comment ses \u0153uvres ont influenc\u00e9 les populations de 1960 \u00e0 nos jours. Quels \u00e9taient les rapports entre Moustapha le libre penseur et le capitaine Thomas Sankara pendant la r\u00e9volution\u00a0et les autres Pr\u00e9sidents ? Quels \u00e9taient ses rapports avec la richesse\u00a0? les femmes ? la d\u00e9mocratie\u00a0? la jeunesse\u00a0?\u00a0 Et la religion\u00a0?<\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

N\u00e9 \u00e0 Pi\u00e8la, dans une commune rurale \u00e0 l\u2019Est du Burkina Faso, Luc Youlouka DAMIBA<\/strong> est dipl\u00f4m\u00e9 d\u2019un Master en journalisme et communication de l\u2019universit\u00e9 Joseph Ki-Zerbo de Ouagadougou. Par la suite il a embrass\u00e9 une carri\u00e8re de chercheur sp\u00e9cialis\u00e9 sur les questions de lutte contre la corruption et de gouvernance en Afrique de l\u2019Ouest. Il a fait les \u00e9tudes de d\u00e9veloppement \u00e0 l\u2019Universit\u00e9 de Gen\u00e8ve en Suisse o\u00f9 il a obtenu un Master en \u00e9tude du d\u00e9veloppement. Apr\u00e8s quelques ann\u00e9es de pratique journalistique dans la presse priv\u00e9e et publique au Burkina, DAMIBA co-fonde avec des amis une t\u00e9l\u00e9vision web d’une part et d\u2019autre part une plateforme pour la diffusion des supports audiovisuels \u00e0 l\u2019endroit de la jeunesse ( festival de Cin\u00e9 Droit Libre). Il co-dirige depuis plus de 15 ans l\u2019association culturelle et militante Semfilms Burkina sp\u00e9cialis\u00e9 sur l\u2019usage de l\u2019image pour la promotion des droits humains.\u00a0DAMIBA a r\u00e9alis\u00e9, cor\u00e9alis\u00e9, produit et co-produit plusieurs documentaires th\u00e9matiques au Burkina, et dans plusieurs pays africains. Il fait du cin\u00e9ma sa passion et son engagement en faveur des droits humains.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Dans ce film, il s\u2019agit de restituer la riche vie de ce personnage atypique de Moustapha Thiombiano appel\u00e9 \u00ab\u00a0le Fou\u00a0\u00bb, \u00ab\u00a0le boss\u00a0\u00bb ou encore \u00ab\u00a0le cowboy\u00a0\u00bb dans le domaine des m\u00e9dias de la culture (Fespaco), et activit\u00e9s urbaines populaires \u00e0 travers des t\u00e9moignages et des archives. La dynamique du film est calqu\u00e9e sur le […]<\/p>\n","protected":false},"author":7,"featured_media":3250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Laabli-linsaisissable-Luc-Youlouka-DAMIBA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3249"}],"version-history":[{"count":3,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3249\/revisions"}],"predecessor-version":[{"id":5155,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3249\/revisions\/5155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3250"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3243,"date":"2023-02-08T17:33:19","date_gmt":"2023-02-08T17:33:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=3243"},"modified":"2023-02-28T11:34:48","modified_gmt":"2023-02-28T11:34:48","slug":"stay-up","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/stay-up\/","title":{"rendered":"Stay Up"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Stay Up follows Malian dancer Mariam Doumbia as she tells her life story through dance, and prepares for her final performance at a dance school in Ouagadougou. For Miriam, fleeing from Mali and migrating to Burkina Faso gave her the possibility to start a new life and heal from the traumas experienced back home, where her family rely on her for their own survival. Now a confident and exuberant young woman on the cusp of motherhood, she is reflecting on the traumas of her own childhood in Mali, where she suffered repeated sexual abuse as a child and a teenager. Through dance Mariam has found the resilience to build a new life.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

After studying dramaturgy at the University of Ouagadougou, Aissata OUARMA<\/strong> turned to cinema and was trained on many film sets. In 2010, she won the best script award at the \u00ab\u00a0Cin\u00e9 Droit Libre Festival\u00a0\u00bb in Burkina Faso with her film project \u00ab\u00a0Le silence des autres\u00a0\u00bb. She participated in writing residencies in Burkina Faso, Senegal, Germany, France and Switzerland before enrolling at the \u00ab\u00a0Institut Sup\u00e9rieure de l\u2019Image et du Son\u00a0\u00bb for a master\u2019s degree in creative documentary. Her graduation film won several awards, including the Best Documentary Film Award of the African Film Schools in 2015. In 2016, she was awarded a grant for a writing residency at \u00ab\u00a0La F\u00e9mis\u00a0\u00bb summer school in Paris. She directed her first medium-length film in 2017 with a French production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Stay Up follows Malian dancer Mariam Doumbia as she tells her life story through dance, and prepares for her final performance at a dance school in Ouagadougou. For Miriam, fleeing from Mali and migrating to Burkina Faso gave her the possibility to start a new life and heal from the traumas experienced back home, […]<\/p>\n","protected":false},"author":7,"featured_media":3245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92],"tags":[],"class_list":["post-3243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-burkina-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Stay-Up-Aissata-OUARMA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3243"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3243\/revisions"}],"predecessor-version":[{"id":5148,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3243\/revisions\/5148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3245"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3240,"date":"2023-02-08T17:23:46","date_gmt":"2023-02-08T17:23:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3240"},"modified":"2023-02-28T11:39:51","modified_gmt":"2023-02-28T11:39:51","slug":"papa-eric-le-tendre","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/papa-eric-le-tendre\/","title":{"rendered":"Papa Eric le tendre"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Paris est une ville o\u00f9 la plupart des gens sembles tristes et seuls. Mais papa \u00c9ric est l\u00e0 pour leur donner de la tendresse et booster leur humeur. Je brosse un portrait de ce personnage atypique que je recherche ou peut-\u00eatre suis-je simplement en qu\u00eate de bonheur.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Wendkoagnda Gaston BONKOUNGOU<\/strong> a rejoint l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son\/Studio-\u00c9cole (ISIS-SE) en 2019 dans le but de poursuivre une carri\u00e8re cin\u00e9matographique.\u00a0Grand amateur du cin\u00e9ma,\u00a0Cette passion\u00a0l\u2019a amen\u00e9e \u00e0\u00a0s\u2019y investir corps et \u00e2me pour acqu\u00e9rir une culture cin\u00e9matographique gr\u00e2ce \u00e0 des recherches, des formations, des r\u00e9sidences d\u2019\u00e9criture, des \u00e9changes et master class avec des personnalit\u00e9s du cin\u00e9ma. Il a \u00e9galement particip\u00e9 \u00e0 des tournages en premier assistant r\u00e9alisateur et r\u00e9alisateur. Souk, son premier film d\u2019\u00e9cole a re\u00e7u des prix \u00e0 l\u2019international.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Paris est une ville o\u00f9 la plupart des gens sembles tristes et seuls. Mais papa \u00c9ric est l\u00e0 pour leur donner de la tendresse et booster leur humeur. Je brosse un portrait de ce personnage atypique que je recherche ou peut-\u00eatre suis-je simplement en qu\u00eate de bonheur. Biofilmographie Wendkoagnda Gaston BONKOUNGOU a rejoint l\u2019Institut […]<\/p>\n","protected":false},"author":7,"featured_media":3241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Papa-Eric-le-tendre-Wendkoagnda-Gaston-BONKOUNGOU_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3240"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3240\/revisions"}],"predecessor-version":[{"id":5151,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3240\/revisions\/5151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3241"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3237,"date":"2023-02-08T17:14:56","date_gmt":"2023-02-08T17:14:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=3237"},"modified":"2023-02-28T13:40:06","modified_gmt":"2023-02-28T13:40:06","slug":"linnocence","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/linnocence\/","title":{"rendered":"L’innocence"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Agathe est une \u00e9tudiante en criminologie. Elle est abus\u00e9e par son fr\u00e8re depuis sa tendre enfance. Et de cette relation incestueuse, est n\u00e9e In\u00e8s avec un handicap d\u00fb \u00e0 sa consanguinit\u00e9. Tous les trois vivent ensemble dans une grande maison qu\u2019ils ont h\u00e9rit\u00e9e, suite au d\u00e9c\u00e8s accidentel de leurs parents il y a 15 ans de cela. Le combat quotidien de Agathe c\u2019est de prot\u00e9ger sa fille contre les pulsions sexuelles de son fr\u00e8re.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Thomas H\u00e9noc OUEDRAOGO<\/strong> est un auteur-r\u00e9alisateur \u00e9mergent. Il est titulaire d\u2019une licence en r\u00e9alisation de cin\u00e9ma obtenue \u00e0 l\u2019Institut Sup\u00e9rieur de l\u2019Image et du Son (ISIS\/SE) en 2013. Il est surtout connu pour avoir incarner des r\u00f4les principaux dans de nombreux films et s\u00e9ries de r\u00e9alisateurs de renoms tels que Dani KOUYATE, Adama ROAMBA, Guy D\u00e9sir\u00e9 YAMEOGO etc. Apr\u00e8s ses \u00e9tudes, Thomas OUEDRAOGO se distingue rapidement par son talent de premier assistant r\u00e9alisateur et est r\u00e9guli\u00e8rement sollicit\u00e9 par les plusieurs structures de production de la place. Depuis, 2019, il est auteur de trois (3) films.       <\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Agathe est une \u00e9tudiante en criminologie. Elle est abus\u00e9e par son fr\u00e8re depuis sa tendre enfance. Et de cette relation incestueuse, est n\u00e9e In\u00e8s avec un handicap d\u00fb \u00e0 sa consanguinit\u00e9. Tous les trois vivent ensemble dans une grande maison qu\u2019ils ont h\u00e9rit\u00e9e, suite au d\u00e9c\u00e8s accidentel de leurs parents il y a 15 […]<\/p>\n","protected":false},"author":7,"featured_media":3238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Linnocence-Thomas-Henoc-OUEDRAOGO_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3237"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3237\/revisions"}],"predecessor-version":[{"id":5236,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3237\/revisions\/5236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3238"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3226,"date":"2023-02-08T15:49:39","date_gmt":"2023-02-08T15:49:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=3226"},"modified":"2023-02-08T15:49:42","modified_gmt":"2023-02-08T15:49:42","slug":"omi-nobuthe-new-man","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/omi-nobuthe-new-man\/","title":{"rendered":"Omi Nobu,The New Man"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Quirino, a 76-year-old man, has lived for over 30 years in an abandoned village, in a deep valley, between the sea and the mountains. Feeling old, Quirino faces a dilemma of either to leave the only place he\u2019s ever known or end his days there.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Carlos Yuri Ceuninck studied and obtained a degree in cinema at EICTV in Cuba. He has made several documentaries including Listen and Sea; Without Taste<\/strong>; To Beef or Not to Beef<\/strong>, that\u2019s the Question on the Isle of M\u00fa<\/strong> (selected by many international festivals)\u00a0;and The Master Plan<\/strong>. In 2020, Dona M\u00f3nica<\/strong> received a special jury mention at Saint-Louis International Documentary Festival in Senegal. The New Man<\/strong> was short-listed to pitch at Ouaga Film Lab 2020 (Burkina Faso) winning 3 awards.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Quirino, a 76-year-old man, has lived for over 30 years in an abandoned village, in a deep valley, between the sea and the mountains. Feeling old, Quirino faces a dilemma of either to leave the only place he\u2019s ever known or end his days there. Biofilmography Carlos Yuri Ceuninck studied and obtained a degree […]<\/p>\n","protected":false},"author":7,"featured_media":3224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Lhomme-nouveau_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3226"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3226\/revisions"}],"predecessor-version":[{"id":3227,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3226\/revisions\/3227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3224"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3223,"date":"2023-02-08T15:46:46","date_gmt":"2023-02-08T15:46:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3223"},"modified":"2025-01-26T21:06:59","modified_gmt":"2025-01-26T21:06:59","slug":"omi-nobu-lhomme-nouveau","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/omi-nobu-lhomme-nouveau\/","title":{"rendered":"Omi Nobu, l\u2019homme nouveau<\/strong>"},"content":{"rendered":"[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb]\n\t\t\t[et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb]\n\t\t\t\t[et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb]\n

Synopsis<\/strong><\/p>\n\n\n\n

Quirino, un homme de 76 ans, habite depuis plus de 30 ans dans un village abandonn\u00e9, au fond d\u2019une profonde vall\u00e9e, entre la mer et les montagnes. Commen\u00e7ant \u00e0 se sentir vieillir, Quirino est confront\u00e9 au dilemme d’avoir \u00e0 quitter le seul endroit qu\u2019il n\u2019ait jamais connu ou d\u2019y terminer ses jours.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Carlos Yuri Ceuninck a \u00e9tudi\u00e9 et obtenu un dipl\u00f4me en cin\u00e9ma \u00e0 l\u2019EICTV \u00e0 Cuba. Il a r\u00e9alis\u00e9 plusieurs documentaires tels que Listen and Sea<\/em><\/strong>, Without Taste<\/em><\/strong>, To Beef or Not to Beef<\/em><\/strong>, that\u2019s the Question on the Isle of M\u00fa<\/strong> (s\u00e9lectionn\u00e9 dans plusieurs festivals internationaux), The Master Plan<\/em><\/strong>. En 2020, Dona M\u00f3nica<\/em><\/strong> a re\u00e7u une mention sp\u00e9ciale du jury au Festival Internationale du film Documentaire de Saint-Louis au S\u00e9n\u00e9gal. The New Man<\/em><\/strong> a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour pitcher au Ouaga Film Lab 2020 (Burkina Faso) o\u00f9 il a re\u00e7u 3 prix.<\/p>\n[\/et_pb_text][\/et_pb_column]\n\t\t\t[\/et_pb_row]\n\t\t[\/et_pb_section]","protected":false},"excerpt":{"rendered":"

Synopsis Quirino, un homme de 76 ans, habite depuis plus de 30 ans dans un village abandonn\u00e9, au fond d\u2019une profonde vall\u00e9e, entre la mer et les montagnes. Commen\u00e7ant \u00e0 se sentir vieillir, Quirino est confront\u00e9 au dilemme d’avoir \u00e0 quitter le seul endroit qu\u2019il n\u2019ait jamais connu ou d\u2019y terminer ses jours. Biofilmographie Carlos […]<\/p>\n","protected":false},"author":7,"featured_media":3224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Quirino, un homme de 76 ans, habite depuis plus de 30 ans dans un village abandonn\u00e9, au fond d\u2019une profonde vall\u00e9e, entre la mer et les montagnes. Commen\u00e7ant \u00e0 se sentir vieillir, Quirino est confront\u00e9 au dilemme d'avoir \u00e0 quitter le seul endroit qu\u2019il n\u2019ait jamais connu ou d\u2019y terminer ses jours.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Carlos Yuri Ceuninck a \u00e9tudi\u00e9 et obtenu un dipl\u00f4me en cin\u00e9ma \u00e0 l\u2019EICTV \u00e0 Cuba. Il a r\u00e9alis\u00e9 plusieurs documentaires tels que Listen and Sea<\/em><\/strong>, Without Taste<\/em><\/strong>, To Beef or Not to Beef<\/em><\/strong>, that\u2019s the Question on the Isle of M\u00fa<\/strong> (s\u00e9lectionn\u00e9 dans plusieurs festivals internationaux), The Master Plan<\/em><\/strong>. En 2020, Dona M\u00f3nica<\/em><\/strong> a re\u00e7u une mention sp\u00e9ciale du jury au Festival Internationale du film Documentaire de Saint-Louis au S\u00e9n\u00e9gal. The New Man<\/em><\/strong> a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour pitcher au Ouaga Film Lab 2020 (Burkina Faso) o\u00f9 il a re\u00e7u 3 prix.<\/p>\n","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Lhomme-nouveau_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3223"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3223\/revisions"}],"predecessor-version":[{"id":7318,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3223\/revisions\/7318"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3224"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3221,"date":"2023-02-08T15:44:08","date_gmt":"2023-02-08T15:44:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3221"},"modified":"2023-02-08T15:44:12","modified_gmt":"2023-02-08T15:44:12","slug":"mk-larmee-secrete-de-mandela-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mk-larmee-secrete-de-mandela-2\/","title":{"rendered":"MK, l\u2019arm\u00e9e secr\u00e8te de Mandela<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

The film traces the history of former members of uMkhonto weSizwe (MK for short), the military wing of the ANC founded by Nelson Mandela, the father of the South Africa nation. The Western international history of this man tends to conceal the fact the was sentenced to life in prison for founding and leading MK. Also, before he became a wise old pacifist, he was a revolutionary at the head of a guerrilla army.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Osvalde Lewat is a multi-award-winning writer, photographer and documentary director whose work focus primarily on social and political issues. Osvalde Lewat is a graduate of Sciences-Po Paris and has completed training courses in image at Femis in Paris and at the National Institute of Image and Sound (INIS) in Montreal. Broadcast by more than seventy TV channels around the world, her films have travelled the five continents and received several international awards.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis The film traces the history of former members of uMkhonto weSizwe (MK for short), the military wing of the ANC founded by Nelson Mandela, the father of the South Africa nation. The Western international history of this man tends to conceal the fact the was sentenced to life in prison for founding and leading […]<\/p>\n","protected":false},"author":7,"featured_media":3219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/MK-larmee-secrete-de-Mandela_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3221"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3221\/revisions"}],"predecessor-version":[{"id":3222,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3221\/revisions\/3222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3219"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3218,"date":"2023-02-08T15:41:47","date_gmt":"2023-02-08T15:41:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=3218"},"modified":"2023-02-08T15:41:51","modified_gmt":"2023-02-08T15:41:51","slug":"mk-larmee-secrete-de-mandela","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mk-larmee-secrete-de-mandela\/","title":{"rendered":"MK, l\u2019arm\u00e9e secr\u00e8te de Mandela<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Le film retrace \u00e0 travers les parcours des anciens membres d\u2019uMkhonto weSizwe (MK en abr\u00e9g\u00e9), l\u2019histoire de la branche militaire de l\u2019ANC fond\u00e9e par Nelson Mandela, le p\u00e8re de la nation sud-africaine. L\u2019histoire internationale occidentale de cet homme tend \u00e0 occulter le fait qu\u2019il fut condamn\u00e9 \u00e0 la prison \u00e0 perp\u00e9tuit\u00e9 pour avoir fond\u00e9 et dirig\u00e9 MK. Aussi, avant de devenir un vieux sage pacifiste, il a \u00e9t\u00e9 un r\u00e9volutionnaire \u00e0 la t\u00eate d\u2019une arm\u00e9e de gu\u00e9rilla…<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Osvalde Lewat est une \u00e9crivaine, photographe et r\u00e9alisatrice de films documentaires plusieurs fois prim\u00e9e dont les \u0153uvres traitent principalement de sujets sociaux et politiques. Osvalde Lewat est dipl\u00f4m\u00e9e de Sciences-Po Paris et a suivi des stages de formation \u00e0 l\u2019image \u00e0 la Femis \u00e0 Paris et \u00e0 Institut National de l\u2019Image et du Son (INIS) de Montr\u00e9al. Ses films, diffus\u00e9s par plus de soixante-dix cha\u00eenes de t\u00e9l\u00e9vision dans le monde, ont voyag\u00e9 sur les cinq continents et re\u00e7us plusieurs prix internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Le film retrace \u00e0 travers les parcours des anciens membres d\u2019uMkhonto weSizwe (MK en abr\u00e9g\u00e9), l\u2019histoire de la branche militaire de l\u2019ANC fond\u00e9e par Nelson Mandela, le p\u00e8re de la nation sud-africaine. L\u2019histoire internationale occidentale de cet homme tend \u00e0 occulter le fait qu\u2019il fut condamn\u00e9 \u00e0 la prison \u00e0 perp\u00e9tuit\u00e9 pour avoir fond\u00e9 […]<\/p>\n","protected":false},"author":7,"featured_media":3219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/MK-larmee-secrete-de-Mandela_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3218"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3218\/revisions"}],"predecessor-version":[{"id":3220,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3218\/revisions\/3220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3219"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3216,"date":"2023-02-08T15:38:52","date_gmt":"2023-02-08T15:38:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=3216"},"modified":"2023-02-08T15:38:56","modified_gmt":"2023-02-08T15:38:56","slug":"al-djanat-paradis-originel-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/al-djanat-paradis-originel-2\/","title":{"rendered":"Al Djanat (Paradis Originel)<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

The death of my uncle, a religious authority in the region, led to a Western-inspired court case, breaking with a centuries-old tradition of oral legacy\u00a0: a \u201csocial bomb\u201d in the making in West African societies. Our courtyard becomes the theatre where the future of an iconic family is at stake.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Chlo\u00e9 A\u00efcha BORO is a French-Burkinab\u00e9 writer and director. After studying modern literature, she began working as a journalist in the press, radio and television. Her novel \u00ab\u00a0Paroles d’orpheline<\/strong>\u00a0\u00bb was published by L’Harmattan and she directed her first feature documentary \u00ab\u00a0Farafin ko<\/strong>\u00ab\u00a0, which won awards at several festivals and was broadcast on Public S\u00e9nat and TV5 Monde. Then \u00ab\u00a0France goodbye, le nouveau commerce triangulaire<\/strong>\u00a0\u00bb – Best Documentary Film at the Vues d’Afrique Festival in Montreal. Her latest film \u00ab\u00a0Le loup d’or de Balol\u00e9<\/strong>\u00a0\u00bb was awarded best documentary film at FESPACO 2019.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis The death of my uncle, a religious authority in the region, led to a Western-inspired court case, breaking with a centuries-old tradition of oral legacy\u00a0: a \u201csocial bomb\u201d in the making in West African societies. Our courtyard becomes the theatre where the future of an iconic family is at stake. Biofilmography Chlo\u00e9 A\u00efcha BORO […]<\/p>\n","protected":false},"author":7,"featured_media":3214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Al-Djanat_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3216"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3216\/revisions"}],"predecessor-version":[{"id":3217,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3216\/revisions\/3217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3213,"date":"2023-02-08T15:35:51","date_gmt":"2023-02-08T15:35:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=3213"},"modified":"2023-02-08T15:35:55","modified_gmt":"2023-02-08T15:35:55","slug":"al-djanat-paradis-originel","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/al-djanat-paradis-originel\/","title":{"rendered":"Al Djanat (Paradis Originel)<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Le d\u00e9c\u00e8s de mon oncle, autorit\u00e9 religieuse de la r\u00e9gion, a entrain\u00e9 un proc\u00e8s devant les tribunaux d\u2019inspiration occidentale rompant ainsi avec une tradition s\u00e9culaire de transmission par legs oral : une \u00ab bombe sociale \u00bb en gestation dans les soci\u00e9t\u00e9s Ouest-africaines. Notre cour devient le th\u00e9\u00e2tre o\u00f9 se joue l\u2019avenir d’une famille embl\u00e9matique.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

\u00c9crivaine et r\u00e9alisatrice franco-burkinab\u00e9, Chlo\u00e9 A\u00efcha BORO, apr\u00e8s des \u00e9tudes de lettres modernes, d\u00e9bute comme journaliste dans la presse \u00e9crite, radio et t\u00e9l\u00e9vision. Son roman \u00ab Paroles d\u2019orpheline<\/em><\/strong> \u00bb est \u00e9dit\u00e9 chez L\u2019Harmattan et elle r\u00e9alise son premier long m\u00e9trage documentaire \u00ab\u00a0Farafin ko<\/em><\/strong>\u00ab\u00a0, prim\u00e9 dans plusieurs festivals. Puis \u00ab\u00a0France goodbye, le nouveau commerce triangulaire<\/em><\/strong>\u00a0\u00bb – Meilleur film documentaire au Festival Vues d\u2019Afrique \u00e0 Montr\u00e9al. Son dernier film \u00ab\u00a0Le loup d’or de Balol\u00e9<\/strong>\u00a0\u00bb a \u00e9t\u00e9 r\u00e9compens\u00e9 du 1er prix du film documentaire au FESPACO 2019.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Le d\u00e9c\u00e8s de mon oncle, autorit\u00e9 religieuse de la r\u00e9gion, a entrain\u00e9 un proc\u00e8s devant les tribunaux d\u2019inspiration occidentale rompant ainsi avec une tradition s\u00e9culaire de transmission par legs oral : une \u00ab bombe sociale \u00bb en gestation dans les soci\u00e9t\u00e9s Ouest-africaines. Notre cour devient le th\u00e9\u00e2tre o\u00f9 se joue l\u2019avenir d’une famille embl\u00e9matique. […]<\/p>\n","protected":false},"author":7,"featured_media":3214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Al-Djanat_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3213"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3213\/revisions"}],"predecessor-version":[{"id":3215,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3213\/revisions\/3215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3214"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3210,"date":"2023-02-08T15:00:09","date_gmt":"2023-02-08T15:00:09","guid":{"rendered":"https:\/\/fespaco.org\/?p=3210"},"modified":"2023-02-08T15:00:13","modified_gmt":"2023-02-08T15:00:13","slug":"or-de-vie-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/or-de-vie-2\/","title":{"rendered":"Or de vie"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In Burkina Faso, in the gold panning site of Kalgouli, 16 years old Rasman\u00e9 goes down to more than 100 meters in artisanal mines for gold. Worried by potential accidents, torn by his parents\u2019 doubts, Rasman\u00e9 makes his way through this fierce adult world hoping for emancipation and better life, at the cost of his innocence. Gold panning is corrupting, moving you abruptly from childhood to adulthood, as it corrupts its natural environment through pollution and destruction<\/em>.<\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Boubacar Sangar\u00e9 is a writer-director and also a lawyer specializing in film law. In 2015 he co-directed a TV documentary on the 2014 social uprising in Burkina Faso and went on to develop two feature films Or de vie<\/strong> and Dj\u00e9liya, m\u00e9moire du mandingue<\/strong>. He worked as Africa Cooperation Mission Officer at CNC and TV5Monde Afrique Programme Officer. In 2021, he was a member of FESPACO International selection committee<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In Burkina Faso, in the gold panning site of Kalgouli, 16 years old Rasman\u00e9 goes down to more than 100 meters in artisanal mines for gold. Worried by potential accidents, torn by his parents\u2019 doubts, Rasman\u00e9 makes his way through this fierce adult world hoping for emancipation and better life, at the cost of […]<\/p>\n","protected":false},"author":7,"featured_media":3162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Or-de-vie_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3210"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3210\/revisions"}],"predecessor-version":[{"id":3211,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3210\/revisions\/3211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3162"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3207,"date":"2023-02-08T14:54:14","date_gmt":"2023-02-08T14:54:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=3207"},"modified":"2023-02-08T14:54:17","modified_gmt":"2023-02-08T14:54:17","slug":"largent-la-liberte-une-histoire-du-franc-cfa-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/largent-la-liberte-une-histoire-du-franc-cfa-2\/","title":{"rendered":"L\u2019argent, la libert\u00e9, une histoire du franc CFA<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

1960 marks the end of empires on the African continent. France disappears from the map leaving behind the CFA Franc, a colonial creation, the currency still in use in almost all of its former territories in Sub-Sahara Africa. Why is it that these States regaining independence have never denounced this strange legacy. The surprise announcement in December 2020 of the end of the CFA Franc replaced by the ECO is a ground-breaking moment in the eventful and little-known history of this currency, today at the centre of controversy<\/em>.\u00a0<\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Katy Lena Ndiaye is a filmmaker and producer who commutes between Dakar and Brussels. Her films have won awards at numerous festivals and have been distributed on the five continents<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis 1960 marks the end of empires on the African continent. France disappears from the map leaving behind the CFA Franc, a colonial creation, the currency still in use in almost all of its former territories in Sub-Sahara Africa. Why is it that these States regaining independence have never denounced this strange legacy. The surprise […]<\/p>\n","protected":false},"author":7,"featured_media":3153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/largent-la-liberte_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3207"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3207\/revisions"}],"predecessor-version":[{"id":3208,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3207\/revisions\/3208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3153"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3194,"date":"2023-02-08T14:51:25","date_gmt":"2023-02-08T14:51:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3194"},"modified":"2023-02-27T20:45:37","modified_gmt":"2023-02-27T20:45:37","slug":"douleurs-de-vies-de-femmes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/douleurs-de-vies-de-femmes\/","title":{"rendered":"Douleurs de vies de femmes"},"content":{"rendered":"\n

Synopsis<\/strong> <\/p>\n\n\n\n

La fistule obst\u00e9tricale se caract\u00e9rise par une incontinence chronique chez la femme. Au Burkina Faso, cette pathologie touche des centaines de femmes. Appel\u00e9e \u00ab\u00a0maladie de l\u2019ombre, elle touche \u00e0 la dignit\u00e9 et \u00e0 l\u2019int\u00e9grit\u00e9 physique et constitue le cauchemar de nombreuses femmes dans le monde. A Ouagadougou, la Fondation RAMA soutient et fournit des soins m\u00e9dicaux et des conseils aux femmes victimes de fistules. Ce document est un ensemble de t\u00e9moignages de femmes, victimes de la fistule et pour la plupart pensionnaires de la Fondation RAMA. Elles nous racontent leur v\u00e9cu.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Biofilmographie <\/strong><\/p>\n\n\n\n

Habibou ZOUNGRANA<\/strong> est monteuse, r\u00e9alisatrice et formatrice. N\u00e9e au Burkina Faso, son parcours croise le cin\u00e9ma qu\u2019elle \u00e9tudie \u00e0 l\u2019Ecole internationale de cin\u00e9ma et de T\u00e9l\u00e9vision de San Antonio de los Banos \u00e0 Cuba.<\/p>\n\n\n\n

Nantie d\u2019un dipl\u00f4me en montage, elle rentre au Burkina Faso en 1992 o\u00f9 elle assure le montage de plusieurs films documentaires et de fiction, de spots publicitaires et de s\u00e9ries t\u00e9l\u00e9visuelles.<\/p>\n\n\n\n

En 2001, elle r\u00e9alise son premier film documentaire \u00ab\u00a0A moi la pilule\u00a0\u00bb qui sera suivi par d\u2019autres courts m\u00e9trages. Son film documentaire \u00ab\u00a0Nous aussi\u00a0\u00bb (2004) et ses fictions \u00ab\u00a0Rupture \u00e0 froid\u00a0\u00bb, \u00ab\u00a0Quelqu\u2019un \u00e0 la porte\u00a0\u00bb (2013) furent s\u00e9lectionn\u00e9s en comp\u00e9tition au FESPACO.<\/p>\n\n\n\n

Elle r\u00e9alise respectivement en 2015 son premier long m\u00e9trage de fiction \u00ab\u00a0Le Complot<\/em>\u00a0\u00bb, en 2016 un film documentaire \u00ab\u00a0Judith, femme hirondelle\u00a0\u00bb,<\/em> en 2017 un film documentaire sur les mutilations g\u00e9nitales f\u00e9minines intitul\u00e9 \u00ab\u00a0G\u00e9n\u00e9rations sans excision<\/em>\u00a0\u00bb, en 2020\u00a0? un film documentaire intitul\u00e9 \u00ab\u00a0Moi Anne -Marie<\/em>\u00a0\u00bb, et en 2021 un film de fiction intitul\u00e9 \u00ab\u00a0Une si longue attente\u2026<\/em>\u00a0\u00bb.<\/p>\n\n\n\n

Actuellement, elle travaille au minist\u00e8re de la Communication et se consacre \u00e0 la formation des jeunes en montage dans les \u00e9coles de cin\u00e9ma (ISIS, ISTIC), \u00e0 l\u2019\u00e9criture et \u00e0 la r\u00e9alisation de ses projets de films.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis La fistule obst\u00e9tricale se caract\u00e9rise par une incontinence chronique chez la femme. Au Burkina Faso, cette pathologie touche des centaines de femmes. Appel\u00e9e \u00ab\u00a0maladie de l\u2019ombre, elle touche \u00e0 la dignit\u00e9 et \u00e0 l\u2019int\u00e9grit\u00e9 physique et constitue le cauchemar de nombreuses femmes dans le monde. A Ouagadougou, la Fondation RAMA soutient et fournit des […]<\/p>\n","protected":false},"author":7,"featured_media":3198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[80],"tags":[],"class_list":["post-3194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-section-burkina"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Douleurs-de-vies-de-femmes-Habibou-ZOUNGRANA_Plan-de-travail-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3194"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3194\/revisions"}],"predecessor-version":[{"id":5139,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3194\/revisions\/5139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3198"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3203,"date":"2023-02-08T14:50:15","date_gmt":"2023-02-08T14:50:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=3203"},"modified":"2023-02-08T14:50:18","modified_gmt":"2023-02-08T14:50:18","slug":"je-reste-photographe-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/je-reste-photographe-2\/","title":{"rendered":"Je reste photographe<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

A young photographer inherits his elder\u2019s trunk of negatives. Cross-portrait of Paul Kodjo, one of the most influential photographers of post-colonial C\u00f4te d\u2019Ivoire, and Ananias L\u00e9ki Dago, a contemporary Ivorian photographer<\/em>.<\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Ananias L\u00e9ki Dago studied photography at the School of Fine Arts in Abidjan (1990\u20101993). He is also the initiator of the month of photography in Abidjan, \u201cLes Rencontres du Sud\u201d, held in 2000 and 2002. His work has been presented in numerous international exhibitions and prestigious collections such as The Philadelphia Museum of Art in the United States. Ananias takes his first steps in cinema with a documentary film, he has directed, about the life of Paul Kodjo: Je reste photographe<\/strong><\/em>.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis A young photographer inherits his elder\u2019s trunk of negatives. Cross-portrait of Paul Kodjo, one of the most influential photographers of post-colonial C\u00f4te d\u2019Ivoire, and Ananias L\u00e9ki Dago, a contemporary Ivorian photographer. Biofilmography Ananias L\u00e9ki Dago studied photography at the School of Fine Arts in Abidjan (1990\u20101993). He is also the initiator of the month […]<\/p>\n","protected":false},"author":7,"featured_media":3149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/je-reste-photographe_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3203"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3203\/revisions"}],"predecessor-version":[{"id":3204,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3203\/revisions\/3204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3149"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3195,"date":"2023-02-08T14:44:53","date_gmt":"2023-02-08T14:44:53","guid":{"rendered":"https:\/\/fespaco.org\/?p=3195"},"modified":"2023-02-08T14:44:55","modified_gmt":"2023-02-08T14:44:55","slug":"gardien-des-mondes-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/gardien-des-mondes-2\/","title":{"rendered":"Gardien des mondes<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

One day, at the foot of a tomb, Hassan fell asleep and never left the cemetery. For 40 years, he has made his home in the hills of Jellaz in Tunisia, watching over the dead and observing the living. In search of love and freedom, Hassan navigates between day and night and invites us to discover his worlds.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Le\u00efla Cha\u00efbi began work in cinema as a camera operator on fiction films, documentaries and magazines. Since 2010, she has developed her own film projects and is interested in the question of identity and the Arab world. \u00ab\u00a0Tous br\u00fbl\u00e9s<\/strong>. La Maison des hommes<\/strong> \u00ab\u00a0, is a portrait of prisons in Tunisia. She has then co-directed \u00ab\u00a0Le verrou<\/strong>\u00ab\u00a0, a film about the magic ritual of the Tasfh aiming to protect young girls from any penetration. \u00ab\u00a0Gardien des mondes<\/strong> \u00a0\u00bb is her second feature.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis One day, at the foot of a tomb, Hassan fell asleep and never left the cemetery. For 40 years, he has made his home in the hills of Jellaz in Tunisia, watching over the dead and observing the living. In search of love and freedom, Hassan navigates between day and night and invites us […]<\/p>\n","protected":false},"author":7,"featured_media":3141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/gardien-des-mondes_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3195"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3195\/revisions"}],"predecessor-version":[{"id":3196,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3195\/revisions\/3196"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3141"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3191,"date":"2023-02-08T14:35:46","date_gmt":"2023-02-08T14:35:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3191"},"modified":"2023-02-08T14:35:49","modified_gmt":"2023-02-08T14:35:49","slug":"the-dream-chasers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-dream-chasers\/","title":{"rendered":"The dream chasers"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Back in Gandiol, his hometown in Senegal, after eight years as a migrant in Spain, Mamadou seeks to be a positive force for his community. With help from his wife Laura and ubder the benevolent eye of Yaaye Khadi, Mamadou\u2019s mother, he begins to build and share with his community the \u00ab active utopia \u00bb referred to in the book Mamadou wrote during his journey. The film takes us to a journey with Mamadou in his quest, to try to uncover his dream.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Saliou Waa Guendoum SARR is a writer, composer and stage director whose nectar contributes to the universality of language, culture and representations. He believes that art can bring change and that cinema can help rebuild the way Africans see themselves. He directed Masque d\u00e9masque <\/strong>in 2008, and Coup de filet en 2011 <\/strong>and Life saaraba illegal <\/strong>in 2016.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Back in Gandiol, his hometown in Senegal, after eight years as a migrant in Spain, Mamadou seeks to be a positive force for his community. With help from his wife Laura and ubder the benevolent eye of Yaaye Khadi, Mamadou\u2019s mother, he begins to build and share with his community the \u00ab active utopia \u00bb referred […]<\/p>\n","protected":false},"author":7,"featured_media":3120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125,1],"tags":[],"class_list":["post-3191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Doxandem_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3191"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3191\/revisions"}],"predecessor-version":[{"id":3192,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3191\/revisions\/3192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3120"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3188,"date":"2023-02-08T14:27:25","date_gmt":"2023-02-08T14:27:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3188"},"modified":"2023-02-08T14:27:29","modified_gmt":"2023-02-08T14:27:29","slug":"no-u-turn-lagos-tanger-aller-simple-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/no-u-turn-lagos-tanger-aller-simple-2\/","title":{"rendered":"No U-Turn\/Lagos Tanger, aller simple<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Ike Nnaebue returns to the path he took 21 years back when he wanted to go to Europe. A road movie from Nigeria to Morocco through Benin, Burkina Faso, Togo, Mali, Mauritania to meet those who dream of Europe, knowing the road is dangerous. Fragments of migrants\u2019 lives, their fears and hopes, their anger and resignation. But more importantly, the reasons why they leave. A journey the director took 20 years back sharing his intimate part.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Ike Nnaebue a highly celebrated Nigerian Film Director, Screenwriter, Producer and Cultural Entrepreneur. Ike\u2019s new film No U-Turn<\/strong> received a Special Mention Award at Berlin International Festival – Berlinale 2022. Since its premier at the Berlinale, No U-Turn has screened at over 11 notable international film festivals and recently got awarded the highly coveted Artistic Bravery Award at Durban International Film Festival<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Ike Nnaebue returns to the path he took 21 years back when he wanted to go to Europe. A road movie from Nigeria to Morocco through Benin, Burkina Faso, Togo, Mali, Mauritania to meet those who dream of Europe, knowing the road is dangerous. Fragments of migrants\u2019 lives, their fears and hopes, their anger […]<\/p>\n","protected":false},"author":7,"featured_media":3186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/No-U-Turn_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3188"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3188\/revisions"}],"predecessor-version":[{"id":3189,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3188\/revisions\/3189"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3186"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3185,"date":"2023-02-08T14:25:18","date_gmt":"2023-02-08T14:25:18","guid":{"rendered":"https:\/\/fespaco.org\/?p=3185"},"modified":"2023-02-08T14:25:21","modified_gmt":"2023-02-08T14:25:21","slug":"no-u-turn-lagos-tanger-aller-simple","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/no-u-turn-lagos-tanger-aller-simple\/","title":{"rendered":"No U-Turn\/Lagos Tanger, aller simple<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Ike Nnaebue reprend le chemin parcouru il y a 21 ans tandis qu\u2019il voulait rejoindre l\u2019Europe. Un road movie qui part du Nigeria au Maroc en passant par le Benin, le Burkina Faso, le Togo, le Mali, la Mauritanie \u00e0 la rencontre de celles et ceux qui r\u00eavent d\u2019Europe, sachant la route dangereuse. Des fragments de vie de migrants, leurs craintes et leurs espoirs, leur col\u00e8re et r\u00e9signation. Mais surtout les raisons qui les poussent \u00e0 partir. Un voyage que le r\u00e9alisateur a fait 20 ans auparavant et dont il livrera sa part intime.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Ike Nnaebue est un r\u00e9alisateur, sc\u00e9nariste, producteur et entrepreneur culturel nig\u00e9rian tr\u00e8s c\u00e9l\u00e8bre. Son nouveau film No U-Turn<\/strong> a re\u00e7u une mention sp\u00e9ciale au Festival international de Berlin-Berlinale 2022. Depuis sa premi\u00e8re \u00e0 la Berlinale, No U-Turn<\/strong> a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans plus de 11 festivals internationaux de renom et a r\u00e9cemment remport\u00e9 le tr\u00e8s convoit\u00e9 prix de la bravoure artistique au Festival international du film du Durban.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Ike Nnaebue reprend le chemin parcouru il y a 21 ans tandis qu\u2019il voulait rejoindre l\u2019Europe. Un road movie qui part du Nigeria au Maroc en passant par le Benin, le Burkina Faso, le Togo, le Mali, la Mauritanie \u00e0 la rencontre de celles et ceux qui r\u00eavent d\u2019Europe, sachant la route dangereuse. Des […]<\/p>\n","protected":false},"author":7,"featured_media":3186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/No-U-Turn_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3185"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3185\/revisions"}],"predecessor-version":[{"id":3187,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3185\/revisions\/3187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3186"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3183,"date":"2023-02-08T14:07:37","date_gmt":"2023-02-08T14:07:37","guid":{"rendered":"https:\/\/fespaco.org\/?p=3183"},"modified":"2023-02-08T14:07:37","modified_gmt":"2023-02-08T14:07:37","slug":"our-lady-of-the-chinese-shop","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/our-lady-of-the-chinese-shop\/","title":{"rendered":"Our lady of the Chinese shop<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

When a Chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend. This delicate urban tale will reveal a family and city facade full of resentment, greed and torment.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Ery Claver is one of the most versatile filmmakers in Angola. He began his career as a cameraman, working on numerous television programs and documentaries. As a director, he has signed several short films, most notably Lucy in the Sky with Traffic Lights<\/strong> (2018) in and En\u00f3quio que n\u00e3o tinha cora\u00e7\u00e3o<\/strong> (2020). Ery has had his work screened at several international festivals. In 2019, Ery went on to co-write and do the direction of photography of the award winning Angolan film Air Conditioner<\/strong>, directed by Fradique.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis When a Chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend. This delicate urban tale will reveal a family and city facade […]<\/p>\n","protected":false},"author":7,"featured_media":3181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Our-lady-of-the-chinese-shop_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3183"}],"version-history":[{"count":0,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3183\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3180,"date":"2023-02-08T14:04:51","date_gmt":"2023-02-08T14:04:51","guid":{"rendered":"https:\/\/fespaco.org\/?p=3180"},"modified":"2023-02-08T14:04:54","modified_gmt":"2023-02-08T14:04:54","slug":"notre-dame-de-la-boutique-chinoise","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/notre-dame-de-la-boutique-chinoise\/","title":{"rendered":"Notre dame de la boutique chinoise"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Lorsqu\u2019un marchand chinois apporte dans un quartier de Luanda une statue particuli\u00e8re sacr\u00e9e en plastique de Notre Dame, une m\u00e8re en deuil cherche la paix, un coiffeur engag\u00e9 commence un nouveau culte et un gamin errant cherche \u00e0 se venger de son ami perdu. Ce d\u00e9licat conte urbain r\u00e9v\u00e8le une fa\u00e7ade familiale et urbaine pleine de ressentiment, de cupidit\u00e9 et de tourments.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Ery Claver est l\u2019un des cin\u00e9astes angolais les plus polyvalents. Il commence sa carri\u00e8re comme cameraman sur nombreux programmes et documentaires \u00e0 la t\u00e9l\u00e9vision. Comme r\u00e9alisateur, il a \u00e0 son actif plusieurs courts m\u00e9trages, notamment Lucy in the Sky with Traffic Lights<\/strong> (2018) et En\u00f3quio que n\u00e3o tinha cora\u00e7\u00e3o<\/strong> (2020). Ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es \u00e0 de nombreux festivals dans le monde. En 2019, Ery a ensuite co-\u00e9crit et assur\u00e9 la direction photographique du film angolais prim\u00e9 Air Conditioner<\/strong> de Fradique.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Lorsqu\u2019un marchand chinois apporte dans un quartier de Luanda une statue particuli\u00e8re sacr\u00e9e en plastique de Notre Dame, une m\u00e8re en deuil cherche la paix, un coiffeur engag\u00e9 commence un nouveau culte et un gamin errant cherche \u00e0 se venger de son ami perdu. Ce d\u00e9licat conte urbain r\u00e9v\u00e8le une fa\u00e7ade familiale et urbaine […]<\/p>\n","protected":false},"author":7,"featured_media":3181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Our-lady-of-the-chinese-shop_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3180"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3180\/revisions"}],"predecessor-version":[{"id":3182,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3180\/revisions\/3182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3181"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3167,"date":"2023-02-07T18:13:39","date_gmt":"2023-02-07T18:13:39","guid":{"rendered":"https:\/\/fespaco.org\/?p=3167"},"modified":"2023-02-07T18:13:41","modified_gmt":"2023-02-07T18:13:41","slug":"sira-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/sira-2\/","title":{"rendered":"Sira<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

A young Fulani girl, Sira, and her tribe cross the desert to take refuge in her fianc\u00e9’s village. In the middle of the journey, Sira sees the men of her tribe violently massacred. The leader of the group, Y\u00e9r\u00e9, decides to bring Sira in for having been humiliated by her. Raped and abandoned in the desert, Sira finds herself alone. She discovers the terrorists’ camp, led by Moustapha, her father’s best friend and Y\u00e9r\u00e9, her rapist. Between bitterness, desolation and revenge, Sira decides to give everything to thwart the terrorists’ macabre plans.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Apolline W. Traor\u00e9 obtained her Master in Film in 1998 at Boston University, USA. Her film credits include two short films, \u201cThe price of ignorance<\/strong>\u00a0\u00bb in 1998 and \u201cKounandi<\/strong>\u201d in 2003; three TV series, \u201cMonia & Rama<\/strong>\u201d in 2001, \u201cLe Testament<\/strong>\u201d in 2009 and \u201cEh! Les hommes Eh! Les femmes<\/strong>\u201d in 2014; a TV programme \u00ab\u00a0M’Pama Fo<\/strong> \u00bb in 2009; and three feature films, \u201cSous la clart\u00e9 de la lune<\/strong>\u201d in 2005, \u201cMoi- Zaphira<\/strong>\u201d in 2013, \u201cFronti\u00e8res<\/strong>\u201d and \u00ab\u00a0Desrances<\/strong>\u00a0\u00bb, selected and awarded at numerous film festivals worldwide.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis A young Fulani girl, Sira, and her tribe cross the desert to take refuge in her fianc\u00e9’s village. In the middle of the journey, Sira sees the men of her tribe violently massacred. The leader of the group, Y\u00e9r\u00e9, decides to bring Sira in for having been humiliated by her. Raped and abandoned in […]<\/p>\n","protected":false},"author":7,"featured_media":3165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sira-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3167"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3167\/revisions"}],"predecessor-version":[{"id":3168,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3167\/revisions\/3168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3165"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3164,"date":"2023-02-07T18:10:54","date_gmt":"2023-02-07T18:10:54","guid":{"rendered":"https:\/\/fespaco.org\/?p=3164"},"modified":"2023-02-07T18:10:57","modified_gmt":"2023-02-07T18:10:57","slug":"sira","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sira\/","title":{"rendered":"Sira<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Une jeune fille peule, Sira, et sa tribu traverse le d\u00e9sert pour se r\u00e9fugier au village de son fianc\u00e9. En pleine travers\u00e9e, les hommes sont violemment massacr\u00e9s. Le chef du groupe, Y\u00e9r\u00e9 d\u00e9cide d\u2019amener Sira pour s\u2019\u00eatre fait humili\u00e9 par elle. Viol\u00e9e et abandonn\u00e9e dans le d\u00e9sert, Sira se retrouve seule et d\u00e9couvre le camp des terroristes, dirig\u00e9 par Moustapha le meilleur ami \u00e0 son p\u00e8re et Y\u00e9r\u00e9 son violeur. Entre amertume, d\u00e9solation et vengeance, Sira d\u00e9cide de tout donner pour d\u00e9jouer les plans macabres des terroristes.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Apolline W. Traor\u00e9 obtient sa maitrise en Film en 1998 \u00e0 l’Universit\u00e9 de Boston. Elle a \u00e0 son actif deux courts m\u00e9trages, \u201cThe Price of Igngrance\u00a0\u00bb en 1998 et \u00ab Kounandi \u00bb en 2003 ; trois s\u00e9ries t\u00e9l\u00e9, \u00ab Monia et Rama \u00bb en 2001, \u00ab Le Testament \u00bb en 2009 et \u00abEh! Les hommes Eh! Les femmes \u00bb en 2014 ; une \u00e9mission t\u00e9l\u00e9, \u00ab M’Pama Fo \u00bb en 2009 ; et trois longs m\u00e9trages, \u00abSous la clart\u00e9 de la lune \u00bb en 2005, \u00ab Moi-Zaphira \u00bb en 2013, \u00ab Fronti\u00e8res \u00bb et \u00ab Desrances \u00bb s\u00e9lectionn\u00e9 et prim\u00e9 dans de nombreux festivals internationaux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Une jeune fille peule, Sira, et sa tribu traverse le d\u00e9sert pour se r\u00e9fugier au village de son fianc\u00e9. En pleine travers\u00e9e, les hommes sont violemment massacr\u00e9s. Le chef du groupe, Y\u00e9r\u00e9 d\u00e9cide d\u2019amener Sira pour s\u2019\u00eatre fait humili\u00e9 par elle. Viol\u00e9e et abandonn\u00e9e dans le d\u00e9sert, Sira se retrouve seule et d\u00e9couvre le […]<\/p>\n","protected":false},"author":7,"featured_media":3165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sira-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3164"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3164\/revisions"}],"predecessor-version":[{"id":3166,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3164\/revisions\/3166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3165"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3161,"date":"2023-02-07T17:29:14","date_gmt":"2023-02-07T17:29:14","guid":{"rendered":"https:\/\/fespaco.org\/?p=3161"},"modified":"2023-02-07T17:29:16","modified_gmt":"2023-02-07T17:29:16","slug":"or-de-vie","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/or-de-vie\/","title":{"rendered":"Or de vie<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong>. <\/p>\n\n\n\n

Au Burkina Faso, dans le site d\u2019orpaillage de Kalgouli, Rasman\u00e9, 16 ans, descend \u00e0 plus de 100 m\u00e8tres de profondeur dans des mines artisanales pour extraire de l\u2019or. Angoiss\u00e9 par l\u2019accident, tiraill\u00e9 par les doutes de ses parents, Rasman\u00e9 trace son chemin dans ce monde d\u2019adulte f\u00e9roce dans l\u2019espoir de s\u2019\u00e9manciper et s\u2019offrir une vie meilleure, au sacrifice de son innocence. L\u2019orpaillage corrompt en faisant passer brutalement de l\u2019enfance \u00e0 l\u2019\u00e2ge adulte, comme il corrompt son environnement naturel par la pollution et la destruction.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Boubacar Sangar\u00e9 est auteur-r\u00e9alisateur et par ailleurs juriste sp\u00e9cialis\u00e9 en droit du cin\u00e9ma. En 2015 il cor\u00e9alise un documentaire t\u00e9l\u00e9 sur l\u2019insurrection au Burkina puis encha\u00eene avec le d\u00e9veloppement de deux long m\u00e9trages cin\u00e9ma dont Or de vie<\/em><\/strong> et Dj\u00e9liya, m\u00e9moire du mandingue<\/em><\/strong>. Il a travaill\u00e9 comme charg\u00e9 de mission coop\u00e9ration Afrique au CNC et charg\u00e9 de programme \u00e0 TV5Monde Afrique. En 2021, il fait partie du comit\u00e9 international de s\u00e9lection pour le Fespaco.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis. Au Burkina Faso, dans le site d\u2019orpaillage de Kalgouli, Rasman\u00e9, 16 ans, descend \u00e0 plus de 100 m\u00e8tres de profondeur dans des mines artisanales pour extraire de l\u2019or. Angoiss\u00e9 par l\u2019accident, tiraill\u00e9 par les doutes de ses parents, Rasman\u00e9 trace son chemin dans ce monde d\u2019adulte f\u00e9roce dans l\u2019espoir de s\u2019\u00e9manciper et s\u2019offrir une […]<\/p>\n","protected":false},"author":7,"featured_media":3162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Or-de-vie_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3161"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3161\/revisions"}],"predecessor-version":[{"id":3163,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3161\/revisions\/3163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3162"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3158,"date":"2023-02-07T17:25:25","date_gmt":"2023-02-07T17:25:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3158"},"modified":"2023-02-07T17:25:28","modified_gmt":"2023-02-07T17:25:28","slug":"we-students","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/we-students\/","title":{"rendered":"We, students\u00a0!<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Nestor, Aaron, Benjamin and Rafiki are economics undergraduates at the University of Bangui. Navigating between overcrowded classrooms, odd jobs that allow students to survive and bribery lurking everywhere, Rafiki shows us what students lives are like in the Central African Republic, a shattered society where the youth keep on dreaming for a brighter future for their country.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Rafiki Fariala, whose right name is Fariala Alolea Albert, arrived in early in Central African Republic where his parents took refuge because of the war in DRC. As an entirely self-taught talent, he embarked on musical composition. In 2013, under the pseudonym Rafiki-RH20, he recorded his first song Why war?<\/strong> which became a hit. In 2017, he was selected to participate in a documentary workshop hosted in Bangui by Ateliers Varan. At the end of the workshop, he made his debut film Mbi na Mo (Toi et moi)<\/strong>, showed at many festivals.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Nestor, Aaron, Benjamin and Rafiki are economics undergraduates at the University of Bangui. Navigating between overcrowded classrooms, odd jobs that allow students to survive and bribery lurking everywhere, Rafiki shows us what students lives are like in the Central African Republic, a shattered society where the youth keep on dreaming for a brighter future […]<\/p>\n","protected":false},"author":7,"featured_media":3156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Nous-etudiants_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3158"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3158\/revisions"}],"predecessor-version":[{"id":3160,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3158\/revisions\/3160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3156"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3155,"date":"2023-02-07T17:20:16","date_gmt":"2023-02-07T17:20:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=3155"},"modified":"2023-02-07T17:20:24","modified_gmt":"2023-02-07T17:20:24","slug":"nous-etudiants","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/nous-etudiants\/","title":{"rendered":"Nous, \u00e9tudiants\u00a0!"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Nestor, Aaron, Benjamin et Rafiki sont \u00e9tudiants en licence d\u2019\u00e9conomie \u00e0 l\u2019Universit\u00e9 de Bangui. Naviguant entre les salles de classe surpeupl\u00e9es, les petits jobs qui permettent aux \u00e9tudiants de survivre, la corruption qui r\u00f4de partout, Rafiki nous montre ce qu\u2019est la vie des \u00e9tudiants en R\u00e9publique Centrafricaine, une soci\u00e9t\u00e9 bris\u00e9e o\u00f9 les jeunes continuent de r\u00eaver \u00e0 un avenir meilleur pour leur pays.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Rafiki Fariala, de son vrai nom Fariala Alolea Albert, arrive t\u00f4t en R\u00e9publique Centrafricaine o\u00f9 ses parents se sont r\u00e9fugi\u00e9s \u00e0 cause de la guerre en RDC. Enti\u00e8rement autodidacte, il se lance dans la composition musicale. En 2013, sous le pseudonyme Rafiki-RH20, il enregistre son premier morceau Why war ?<\/em><\/strong> qui devient un hit. En 2017, il est s\u00e9lectionn\u00e9 pour participer \u00e0 l\u2019atelier documentaire organis\u00e9 \u00e0 Bangui par les Ateliers Varan. A la fin de l\u2019atelier, il r\u00e9alise son premier film, Mbi na Mo (Toi et moi)<\/em><\/strong>, s\u00e9lectionn\u00e9 dans de nombreux festivals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Nestor, Aaron, Benjamin et Rafiki sont \u00e9tudiants en licence d\u2019\u00e9conomie \u00e0 l\u2019Universit\u00e9 de Bangui. Naviguant entre les salles de classe surpeupl\u00e9es, les petits jobs qui permettent aux \u00e9tudiants de survivre, la corruption qui r\u00f4de partout, Rafiki nous montre ce qu\u2019est la vie des \u00e9tudiants en R\u00e9publique Centrafricaine, une soci\u00e9t\u00e9 bris\u00e9e o\u00f9 les jeunes continuent […]<\/p>\n","protected":false},"author":7,"featured_media":3156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Nous-etudiants_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3155"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3155\/revisions"}],"predecessor-version":[{"id":3157,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3155\/revisions\/3157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3156"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3152,"date":"2023-02-07T17:09:32","date_gmt":"2023-02-07T17:09:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=3152"},"modified":"2023-02-07T17:09:34","modified_gmt":"2023-02-07T17:09:34","slug":"largent-la-liberte-une-histoire-du-franc-cfa","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/largent-la-liberte-une-histoire-du-franc-cfa\/","title":{"rendered":"L\u2019argent, la libert\u00e9, une histoire du franc CFA<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

1960 amorce la fin des empires sur le continent africain. La France disparait de la carte, laissant derri\u00e8re elle le Franc CFA, une cr\u00e9ation coloniale, qui est le nom de la monnaie qui circule toujours dans la quasi-totalit\u00e9 de ses anciens territoires au Sud du Sahara. Pourquoi ces \u00c9tats recouvrant leur ind\u00e9pendance n\u2019ont jamais d\u00e9nonc\u00e9 cet h\u00e9ritage \u00e9trange. L\u2019annonce surprise en d\u00e9cembre 2020 de la fin du Franc CFA remplac\u00e9 par l\u2019ECO, marque un tournant dans l’histoire mouvement\u00e9e et m\u00e9connue de cette monnaie, aujourd’hui au centre de pol\u00e9miques. \u00a0<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Katy Lena Ndiaye est une cin\u00e9aste et productrice. Elle vit et travaille entre Dakar et Bruxelles. Ses films ont \u00e9t\u00e9 prim\u00e9s dans de nombreux festivals et distribu\u00e9s sur les cinq continents.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis 1960 amorce la fin des empires sur le continent africain. La France disparait de la carte, laissant derri\u00e8re elle le Franc CFA, une cr\u00e9ation coloniale, qui est le nom de la monnaie qui circule toujours dans la quasi-totalit\u00e9 de ses anciens territoires au Sud du Sahara. Pourquoi ces \u00c9tats recouvrant leur ind\u00e9pendance n\u2019ont jamais […]<\/p>\n","protected":false},"author":7,"featured_media":3153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/largent-la-liberte_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3152"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3152\/revisions"}],"predecessor-version":[{"id":3154,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3152\/revisions\/3154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3153"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3148,"date":"2023-02-07T17:04:15","date_gmt":"2023-02-07T17:04:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=3148"},"modified":"2023-02-07T17:04:18","modified_gmt":"2023-02-07T17:04:18","slug":"je-reste-photographe","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/je-reste-photographe\/","title":{"rendered":"Je reste photographe<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Un jeune photographe re\u00e7oit en h\u00e9ritage la malle de n\u00e9gatifs de son a\u00een\u00e9. Portrait crois\u00e9 de Paul Kodjo, l\u2019un des photographes les plus influents de la C\u00f4te d\u2019Ivoire post-coloniale et de Ananias L\u00e9ki Dago, photographe ivoirien contemporain.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Ananias L\u00e9ki Dago a \u00e9tudi\u00e9 la photographie \u00e0 l\u2019\u00e9cole des Beaux\u2010Arts d\u2019Abidjan (1990\u20101993). Il est \u00e9galement l\u2019initiateur du mois de la photographie d\u2019Abidjan, \u201cLes Rencontres du Sud\u201d tenu successivement en 2000 et 2002.Son travail \u00e9 \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreuses expositions internationales et fait partie de prestigieuses collections telles que The Philadelphia Museum of Art aux Etats Unis. Ananias fait ses premiers pas dans le septi\u00e8me art par un documentaire, dont il est le r\u00e9alisateur, qui jette la lumi\u00e8re sur la vie de Paul Kodjo : Je reste photographe<\/em><\/strong>.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Un jeune photographe re\u00e7oit en h\u00e9ritage la malle de n\u00e9gatifs de son a\u00een\u00e9. Portrait crois\u00e9 de Paul Kodjo, l\u2019un des photographes les plus influents de la C\u00f4te d\u2019Ivoire post-coloniale et de Ananias L\u00e9ki Dago, photographe ivoirien contemporain. Biofilmographie Ananias L\u00e9ki Dago a \u00e9tudi\u00e9 la photographie \u00e0 l\u2019\u00e9cole des Beaux\u2010Arts d\u2019Abidjan (1990\u20101993). Il est \u00e9galement […]<\/p>\n","protected":false},"author":7,"featured_media":3149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/je-reste-photographe_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3148"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3148\/revisions"}],"predecessor-version":[{"id":3150,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3148\/revisions\/3150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3149"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3146,"date":"2023-02-07T17:01:32","date_gmt":"2023-02-07T17:01:32","guid":{"rendered":"https:\/\/fespaco.org\/?p=3146"},"modified":"2023-02-07T17:01:36","modified_gmt":"2023-02-07T17:01:36","slug":"geology-of-separation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/geology-of-separation\/","title":{"rendered":"Geology of Separation<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong> <\/p>\n\n\n\n

For the past six months, Abderrahmane has been living in the Alp, in northern Italy, in a former family-run hotel turned into a temporary reception centre for asylum seekers. In the room opposite his, lives Laly. Abderrahmane is waiting to go before a commission which will rule on his asylum request. He is warned: for this trial, he will have to tell his story in detail.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Yosr Gasmi<\/em><\/strong> is a Tunisian director born in Tunis. Her studies in humanities and Comparative Literature at Tunis-based ENS then at the Sorbonne led her eventually to cinema, which she considers as a means of expression<\/em>.<\/em><\/p>\n\n\n\n

Mauro Mazzocchi<\/em><\/strong> is an Italian director. After studying theatre and philosophy, he directed and produced together with Yosr Gasmi their debut fiction feature, I Want to Go Mad<\/strong>, Raving Mad-L.E.N.Z. <\/strong>in 2016. G\u00e9ologie de la s\u00e9paration<\/strong> is their second film<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis For the past six months, Abderrahmane has been living in the Alp, in northern Italy, in a former family-run hotel turned into a temporary reception centre for asylum seekers. In the room opposite his, lives Laly. Abderrahmane is waiting to go before a commission which will rule on his asylum request. He is warned: […]<\/p>\n","protected":false},"author":7,"featured_media":3144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/geologie-de-la-separation_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3146"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3146\/revisions"}],"predecessor-version":[{"id":3147,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3146\/revisions\/3147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3144"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3143,"date":"2023-02-07T16:58:38","date_gmt":"2023-02-07T16:58:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3143"},"modified":"2023-02-07T16:58:42","modified_gmt":"2023-02-07T16:58:42","slug":"geologie-de-la-separation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/geologie-de-la-separation\/","title":{"rendered":"G\u00e9ologie de la s\u00e9paration<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Cela fait six mois que Abderrahmane vit dans les Alpes, au nord de l\u2019Italie, dans un ancien h\u00f4tel \u00e0 gestion familiale, reconverti en centre d\u2019accueil momentan\u00e9 pour demandeur d\u2019asile. Dans la chambre en face de la sienne, vit Laly. Abderrahmane attend de passer devant une commission qui statuera sur sa demande d\u2019asile. Il est pr\u00e9venu : en vue de ce proc\u00e8s, il va falloir qu\u2019il raconte son histoire d\u00e9taill\u00e9e.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Yosr Gasmi<\/strong> est une r\u00e9alisatrice tunisienne, n\u00e9e \u00e0 Tunis. Ses \u00e9tudes de lettres et de litt\u00e9ratures compar\u00e9es \u00e0 L\u2019ENS de Tunis puis \u00e0 la Sorbonne la m\u00e8nent finalement au cin\u00e9ma qu\u2019elle choisit comme moyen d\u2019expressivit\u00e9.<\/p>\n\n\n\n

Mauro Mazzocchi<\/strong> est un r\u00e9alisateur italien. Apr\u00e8s des \u00e9tudes en th\u00e9\u00e2tre et en philosophie, il r\u00e9alise et produit en 2016 avec Yosr Gasmi leur premier long-m\u00e9trage, une fiction intitul\u00e9e I Want to Go Mad<\/strong>, Raving Mad<\/strong> -L.E.N.Z.<\/strong> G\u00e9ologie de la s\u00e9paration<\/strong> est leur deuxi\u00e8me film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Cela fait six mois que Abderrahmane vit dans les Alpes, au nord de l\u2019Italie, dans un ancien h\u00f4tel \u00e0 gestion familiale, reconverti en centre d\u2019accueil momentan\u00e9 pour demandeur d\u2019asile. Dans la chambre en face de la sienne, vit Laly. Abderrahmane attend de passer devant une commission qui statuera sur sa demande d\u2019asile. Il est […]<\/p>\n","protected":false},"author":7,"featured_media":3144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/geologie-de-la-separation_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3143"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3143\/revisions"}],"predecessor-version":[{"id":3145,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3143\/revisions\/3145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3144"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3140,"date":"2023-02-07T16:54:34","date_gmt":"2023-02-07T16:54:34","guid":{"rendered":"https:\/\/fespaco.org\/?p=3140"},"modified":"2023-02-07T16:54:38","modified_gmt":"2023-02-07T16:54:38","slug":"gardien-des-mondes","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/gardien-des-mondes\/","title":{"rendered":"Gardien des mondes<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Un jour, au pied d\u2019un tombeau, Hassan s\u2019est endormi et n\u2019est jamais reparti du cimeti\u00e8re. Depuis 40 ans, sur les collines du Jellaz en Tunisie o\u00f9 il a \u00e9lu domicile, il veille les morts et observe les vivants. En qu\u00eate d\u2019amour et de libert\u00e9, Hassan navigue entre jour et nuit et nous invite \u00e0 d\u00e9couvrir ses mondes.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Le\u00efla Cha\u00efbi d\u00e9bute dans le cin\u00e9ma comme cam\u00e9raman pour des fictions, des documentaires et des magazines. A partir de 2010, elle d\u00e9veloppe ses propres projets de flms et s’int\u00e9resse \u00e0 la question de l’identit\u00e9 et du monde arabe. \u00ab\u00a0Tous br\u00fbl\u00e9s<\/strong>. La Maison des hommes<\/strong> \u00ab\u00a0, est un \u00e9tat des lieux des prisons en Tunisie. Elle cor\u00e9alise ensuite \u00ab\u00a0Le verrou<\/strong>\u00ab\u00a0, un film sur le rituel magique du tasfh qui vise \u00e0 prot\u00e9ger les jeunes flles de toute p\u00e9n\u00e9tration. \u00a0\u00bb Gardien des mondes<\/strong> \u00a0\u00bb est son deuxi\u00e8me long m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Un jour, au pied d\u2019un tombeau, Hassan s\u2019est endormi et n\u2019est jamais reparti du cimeti\u00e8re. Depuis 40 ans, sur les collines du Jellaz en Tunisie o\u00f9 il a \u00e9lu domicile, il veille les morts et observe les vivants. En qu\u00eate d\u2019amour et de libert\u00e9, Hassan navigue entre jour et nuit et nous invite \u00e0 […]<\/p>\n","protected":false},"author":7,"featured_media":3141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/gardien-des-mondes_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3140"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3140\/revisions"}],"predecessor-version":[{"id":3142,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3140\/revisions\/3142"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3141"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3138,"date":"2023-02-07T16:50:10","date_gmt":"2023-02-07T16:50:10","guid":{"rendered":"https:\/\/fespaco.org\/?p=3138"},"modified":"2023-02-07T16:50:13","modified_gmt":"2023-02-07T16:50:13","slug":"fatima-a-short-life","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/fatima-a-short-life\/","title":{"rendered":"Fatima<\/strong>, a short life<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

\u201cFatima, une vie courte\u201d<\/strong> celebrates a young woman who worked as a housekeeper in Morocco and who was so mistreated that she eventually died. Relatively little is known about the victim. The film is rather a portrait of a country with startling contrasts.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Hakim El Hachoumi studied directing in France and Russia. After graduation, he contributed to various theatre productions. In 2009, he was one of the founders and then director of AlFilm Festival, Berlin Arab Film Festival. He has also hosted cinema workshops in various countries and lectures at the Free University of Berlin. In 2019, Hakim El Hachoumi directed \u201cM\u00e4nner der W\u00fcste: mit kamelhirten durch die Sahara<\/strong> \u201c, a medium-length documentary.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis \u201cFatima, une vie courte\u201d celebrates a young woman who worked as a housekeeper in Morocco and who was so mistreated that she eventually died. Relatively little is known about the victim. The film is rather a portrait of a country with startling contrasts. Biofilmography Hakim El Hachoumi studied directing in France and Russia. After […]<\/p>\n","protected":false},"author":7,"featured_media":3136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Fatima_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3138"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3138\/revisions"}],"predecessor-version":[{"id":3139,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3138\/revisions\/3139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3135,"date":"2023-02-07T16:47:29","date_gmt":"2023-02-07T16:47:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=3135"},"modified":"2023-02-07T16:47:32","modified_gmt":"2023-02-07T16:47:32","slug":"fatima-une-vie-courte","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/fatima-une-vie-courte\/","title":{"rendered":"Fatima, une vie courte<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

\u00ab Fatima, une vie courte<\/em><\/strong> \u00bb comm\u00e9more une jeune femme qui travaillait comme femme de m\u00e9nage au Maroc et qui a \u00e9t\u00e9 si maltrait\u00e9e qu\u2019elle est finalement d\u00e9c\u00e9d\u00e9e. On sait relativement peu de choses sur la victime. Le documentaire est plut\u00f4t le portrait d\u2019un pays aux grands contrastes.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Hakim El Hachoumi a \u00e9tudi\u00e9 la r\u00e9alisation en France et en Russie. Apr\u00e8s avoir obtenu son dipl\u00f4me, il a particip\u00e9 \u00e0 diverses productions th\u00e9\u00e2trales. En 2009, il a \u00e9t\u00e9 l\u2019un des fondateurs puis directeur de programme d\u2019AIFilm \u2013 Festival du film arabe de Berlin. Il a aussi donn\u00e9 des ateliers  de cin\u00e9ma dans divers pays et enseigne en tant que conf\u00e9rencier \u00e0 l\u2019Universit\u00e9 libre.de Berlin. Hakim El Hachoumi a r\u00e9alis\u00e9, en 2019, le documentaire de moyen m\u00e9trage \u201cM\u00e4nner der W\u00fcste: mit kamelhirten durch die Sahara<\/em><\/strong>\u201c.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis \u00ab Fatima, une vie courte \u00bb comm\u00e9more une jeune femme qui travaillait comme femme de m\u00e9nage au Maroc et qui a \u00e9t\u00e9 si maltrait\u00e9e qu\u2019elle est finalement d\u00e9c\u00e9d\u00e9e. On sait relativement peu de choses sur la victime. Le documentaire est plut\u00f4t le portrait d\u2019un pays aux grands contrastes. Biofilmographie Hakim El Hachoumi a \u00e9tudi\u00e9 la r\u00e9alisation […]<\/p>\n","protected":false},"author":7,"featured_media":3136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Fatima_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3135"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3135\/revisions"}],"predecessor-version":[{"id":3137,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3135\/revisions\/3137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3136"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3130,"date":"2023-02-07T16:29:27","date_gmt":"2023-02-07T16:29:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=3130"},"modified":"2023-02-07T16:29:34","modified_gmt":"2023-02-07T16:29:34","slug":"doxandem-les-chasseurs-de-reves","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/doxandem-les-chasseurs-de-reves\/","title":{"rendered":"Doxandem, les chasseurs de r\u00eaves<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

De retour \u00e0 Gandiol, son village natal au S\u00e9n\u00e9gal, apr\u00e8s avoir pass\u00e9 huit ans comme migrant en Espagne, Mamadou cherche \u00e0 \u00eatre une force positive pour sa communaut\u00e9. Aid\u00e9 par sa femme Laura et sous le regard bienveillant de Yaaye Khadi, la m\u00e8re de Mamadou, ils commencent \u00e0 partager et \u00e0 construire avec leur communaut\u00e9 l\u2019\u00abutopie active\u00bb exprim\u00e9e dans le livre que Mamadou a \u00e9crit pendant son p\u00e9riple. Le film accompagne Mamadou dans sa qu\u00eate, pour essayer de d\u00e9couvrir son r\u00eave.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Saliou Waa Guendoum SARR est un \u00e9crivain, compositeur et metteur en sc\u00e8ne, son nectar contribue \u00e0 l’universalit\u00e9 du langage, de la culture et des repr\u00e9sentations. Il est convaincu que l’art peut apporter des changements et que le cin\u00e9ma peut aider \u00e0 reconstruire la fa\u00e7on dont les Africains se voient. Il r\u00e9alise Masque d\u00e9masque <\/strong>en 2008, Coup de filet en 2011 <\/strong>et Life saaraba illegal <\/strong>en 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis De retour \u00e0 Gandiol, son village natal au S\u00e9n\u00e9gal, apr\u00e8s avoir pass\u00e9 huit ans comme migrant en Espagne, Mamadou cherche \u00e0 \u00eatre une force positive pour sa communaut\u00e9. Aid\u00e9 par sa femme Laura et sous le regard bienveillant de Yaaye Khadi, la m\u00e8re de Mamadou, ils commencent \u00e0 partager et \u00e0 construire avec leur […]<\/p>\n","protected":false},"author":7,"featured_media":3120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Doxandem_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3130"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3130\/revisions"}],"predecessor-version":[{"id":3132,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3130\/revisions\/3132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3120"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3128,"date":"2023-02-07T16:16:41","date_gmt":"2023-02-07T16:16:41","guid":{"rendered":"https:\/\/fespaco.org\/?p=3128"},"modified":"2023-02-07T16:16:46","modified_gmt":"2023-02-07T16:16:46","slug":"the-cemetery-of-cinema","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-cemetery-of-cinema\/","title":{"rendered":"The cemetery of cinema<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong> <\/p>\n\n\n\n

The director travels throughout Guinea in search of \u201cMouramani\u201d by Mamadou Tour\u00e9, first film ever made by a French-speaking Black African in 1953, using his camera to confront History. This is a film about cinema, both the kind we watch and the kind we make.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Thierno Souleymane Diallo studied at the ISAG (Art University og Guinea) in Dubr\u00e9ka. In 2012 he went to Niger for a master in creative documentary, and then a degree of documentary cinema in Senegal. He has made several short films during his studies. In 2015, Souleymane made his directional debut with the documentary \u201cUn homme pour ma famille<\/strong>\u201d and in 2018, \u201cN\u00f4 M\u00ebt\u00ee S\u00eef\u00e2dhe\u201d<\/strong>. He also works for a Guinean television. \u201cThe cemetery of cinema<\/strong>\u201d is his first feature documentary.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis The director travels throughout Guinea in search of \u201cMouramani\u201d by Mamadou Tour\u00e9, first film ever made by a French-speaking Black African in 1953, using his camera to confront History. This is a film about cinema, both the kind we watch and the kind we make. Biofilmography Thierno Souleymane Diallo studied at the ISAG (Art […]<\/p>\n","protected":false},"author":7,"featured_media":3119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Au-cimetiere-de-la-pellicule_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3128"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3128\/revisions"}],"predecessor-version":[{"id":3129,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3128\/revisions\/3129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3119"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3124,"date":"2023-02-07T16:10:06","date_gmt":"2023-02-07T16:10:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3124"},"modified":"2023-02-07T16:12:06","modified_gmt":"2023-02-07T16:12:06","slug":"au-cimetiere-de-la-pellicule","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/au-cimetiere-de-la-pellicule\/","title":{"rendered":"Au cimeti\u00e8re de la pellicule<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Le r\u00e9alisateur parcourt la Guin\u00e9e \u00e0 la recherche de \u00ab\u00a0Mouramani\u00a0\u00bb de Mamadou Tour\u00e9, premier film r\u00e9alis\u00e9 par un Africain noir francophone en 1953, utilisant sa cam\u00e9ra pour se confronter \u00e0 l’Histoire. C’est un film sur le cin\u00e9ma, celui que l’on regarde et celui que l’on fait.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Thierno Souleymane Diallo a \u00e9tudi\u00e9 \u00e0 l’ISAG (Universit\u00e9 des Arts de Guin\u00e9e) \u00e0 Dubr\u00e9ka. En 2012, il part au Niger pour faire un Master sp\u00e9cialis\u00e9 en documentaire de cr\u00e9ation, puis une licence de cin\u00e9ma documentaire au S\u00e9n\u00e9gal. Il r\u00e9alise plusieurs courts m\u00e9trages pendant ses \u00e9tudes. En 2015, Souleymane r\u00e9alise son premier documentaire \u00ab\u00a0Un homme pour ma famille<\/em><\/strong>\u00a0\u00bb puis en 2018, \u00ab\u00a0N\u00f4 M\u00ebt\u00ee S\u00eef\u00e2dhe<\/em><\/strong>\u00ab\u00a0. Il travaille \u00e9galement pour une t\u00e9l\u00e9vision guin\u00e9enne. \u00ab\u00a0Au cimeti\u00e8re de la pellicule<\/em><\/strong>\u00a0\u00bb est son premier long m\u00e9trage documentaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Le r\u00e9alisateur parcourt la Guin\u00e9e \u00e0 la recherche de \u00ab\u00a0Mouramani\u00a0\u00bb de Mamadou Tour\u00e9, premier film r\u00e9alis\u00e9 par un Africain noir francophone en 1953, utilisant sa cam\u00e9ra pour se confronter \u00e0 l’Histoire. C’est un film sur le cin\u00e9ma, celui que l’on regarde et celui que l’on fait. Biofilmographie Thierno Souleymane Diallo a \u00e9tudi\u00e9 \u00e0 l’ISAG […]<\/p>\n","protected":false},"author":7,"featured_media":3119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Au-cimetiere-de-la-pellicule_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3124"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3124\/revisions"}],"predecessor-version":[{"id":3127,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3124\/revisions\/3127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3119"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3122,"date":"2023-02-07T16:01:44","date_gmt":"2023-02-07T16:01:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=3122"},"modified":"2023-02-07T16:01:49","modified_gmt":"2023-02-07T16:01:49","slug":"amchilini","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/amchilini\/","title":{"rendered":"Amchilini<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In the canton of Boutefil at the gateway to the Chadian desert, unmarried women are accused by the Iman of being the source of the divine wrath on the village. The village chiefs decide to hold a traditional ceremony, the Amchilini, which consists in forcing all unmarried women to choose a husband. But there are voices, especially among young girls, against what they see as an attack to their dignity and freedom. They claim equal rights and autonomy as men.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Kader Allamine KORAis the director of shorts films Notre s\u00e9jour \u00e0 Niamey\u00a0<\/strong>; FESPACO 2013\u00a0;<\/strong> and Faire le Deuil<\/strong>. In 2016, he made the feature documentary La Promesse du Biram<\/strong>, official selection of a dozen festivals in Africa and Europe. He also made the short films Portraits d\u2019un jeune maraicher and L\u2019islam et la planification familiale<\/strong>. In 2017, he directed several magazines for Chadian National TV, winning the Dari Awards and Best Chadian director in 2016.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In the canton of Boutefil at the gateway to the Chadian desert, unmarried women are accused by the Iman of being the source of the divine wrath on the village. The village chiefs decide to hold a traditional ceremony, the Amchilini, which consists in forcing all unmarried women to choose a husband. But there […]<\/p>\n","protected":false},"author":7,"featured_media":3118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[125],"tags":[],"class_list":["post-3122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentary-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Amchili-choisis-moi_Plan-de-travail-1_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3122"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3122\/revisions"}],"predecessor-version":[{"id":3123,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3122\/revisions\/3123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3118"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3117,"date":"2023-02-07T15:57:15","date_gmt":"2023-02-07T15:57:15","guid":{"rendered":"https:\/\/fespaco.org\/?p=3117"},"modified":"2023-02-07T15:57:18","modified_gmt":"2023-02-07T15:57:18","slug":"amchilini-choisis-moi","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/amchilini-choisis-moi\/","title":{"rendered":"Amchilini, choisis-moi<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Dans le canton de Boutefil aux portes du d\u00e9sert tchadien, l\u2019iman accuse les femmes c\u00e9libataires d\u2019\u00eatre \u00e0 l\u2019origine de la col\u00e8re divine qui s\u2019abat sur le village. Les chefs de villages d\u00e9cident d\u2019organiser une c\u00e9r\u00e9monie traditionnelle, l\u2019Amchilini, qui consiste \u00e0 obliger toutes les femmes non mari\u00e9es \u00e0 choisir un \u00e9poux. Mais des voix s\u2019\u00e9l\u00e8vent, surtout chez les jeunes filles, pour s\u2019opposer \u00e0 ce qu\u2019elles consid\u00e8rent comme une atteinte \u00e0 leur dignit\u00e9 et \u00e0 leur libert\u00e9. Elles revendiquent leurs droits d\u2019\u00e9galit\u00e9 et d\u2019autonomie par rapport aux hommes.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Kader Allamine KORAr\u00e9alise des courts m\u00e9trages Notre s\u00e9jour \u00e0 Niamey<\/strong>, Fespaco 2013<\/strong>, Faire le Deuil<\/strong>. En 2016, il r\u00e9alise un film documentaire long m\u00e9trage La Promesse du Biram<\/strong>, qui a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans une dizaine de festival en Afrique et en Europe. Les courts m\u00e9trages Portraits d\u2019un jeune maraicher<\/strong> et l\u2019islam et la planification familiale <\/strong>portent sa signature. En 2017, il r\u00e9alise plusieurs magazines pour la t\u00e9l\u00e9 nationale tchadienne remportant le Prix Dari Awards et le prix du meilleur r\u00e9alisateur Tchadien en 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Dans le canton de Boutefil aux portes du d\u00e9sert tchadien, l\u2019iman accuse les femmes c\u00e9libataires d\u2019\u00eatre \u00e0 l\u2019origine de la col\u00e8re divine qui s\u2019abat sur le village. Les chefs de villages d\u00e9cident d\u2019organiser une c\u00e9r\u00e9monie traditionnelle, l\u2019Amchilini, qui consiste \u00e0 obliger toutes les femmes non mari\u00e9es \u00e0 choisir un \u00e9poux. Mais des voix s\u2019\u00e9l\u00e8vent, […]<\/p>\n","protected":false},"author":7,"featured_media":3118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-3117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-documentaire"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Amchili-choisis-moi_Plan-de-travail-1_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3117"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3117\/revisions"}],"predecessor-version":[{"id":3121,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3117\/revisions\/3121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3118"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3114,"date":"2023-02-07T15:26:20","date_gmt":"2023-02-07T15:26:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=3114"},"modified":"2023-02-07T15:26:24","modified_gmt":"2023-02-07T15:26:24","slug":"xale","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/xale\/","title":{"rendered":"Xal\u00e9<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Awa, a 15-year-old schoolgirl, enjoys her teenage years with her twin brother Adama who dreams of Europe. When their grandmother dies, her aunt Fatou and uncle Atoumane promise to marry to preserve the family union. But Fatou does not like Atoumane and the latter, tired of waiting to consummate his marriage, commits the irreparable<\/em>.<\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Moussa S\u00e8ne Absa made his film debut writing the screenplay of the film Les enfants de Dieu<\/strong>. His debut short film, Le prix du mensonge<\/strong>, won the Silver Tanit at Carthage Film Festival in 1988. In 1991, he made Ken Bugul<\/strong>i, a feature film, followed in 1992 by the internationally acclaimed feature film \u00c7a twiste \u00e0 Popenguine<\/strong>. In 1996, he made Tableau Ferraille<\/strong> (Best Camera at FESPACO 1997), the first of his trilogy on women, followed by Madame Brouette<\/strong> (Silver Bear at Berlinale 2002) and Xal\u00e9<\/strong> (2022). His last two feature films <\/em>Teranga Blues<\/em><\/strong> and Yoole<\/strong> were selected in competition at FESPACO in 2007 and 2013.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Awa, a 15-year-old schoolgirl, enjoys her teenage years with her twin brother Adama who dreams of Europe. When their grandmother dies, her aunt Fatou and uncle Atoumane promise to marry to preserve the family union. But Fatou does not like Atoumane and the latter, tired of waiting to consummate his marriage, commits the irreparable. […]<\/p>\n","protected":false},"author":7,"featured_media":3111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Xale_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3114"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3114\/revisions"}],"predecessor-version":[{"id":3115,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3114\/revisions\/3115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3111"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3110,"date":"2023-02-07T15:21:02","date_gmt":"2023-02-07T15:21:02","guid":{"rendered":"https:\/\/fespaco.org\/?p=3110"},"modified":"2023-02-07T15:22:57","modified_gmt":"2023-02-07T15:22:57","slug":"xale-les-blessures-de-lenfance","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/xale-les-blessures-de-lenfance\/","title":{"rendered":"Xal\u00e9, les blessures de l\u2019enfance<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Awa, coll\u00e9gienne de 15 ans, vit gaiement son adolescence aux c\u00f4t\u00e9s de son fr\u00e8re jumeau Adama qui r\u00eave d\u2019Europe. Lors du d\u00e9c\u00e8s de leur grand-m\u00e8re, sa tante Fatou et son oncle Atoumane promettent de se marier pour pr\u00e9server l\u2019union familiale. Mais Fatou n\u2019aime pas Atoumane et celui-ci, las d\u2019attendre de consommer son mariage, commet l\u2019irr\u00e9parable.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Moussa S\u00e8ne Absa a d\u00e9but\u00e9 au cin\u00e9ma en \u00e9crivant le sc\u00e9nario du film Les enfants de Dieu<\/em><\/strong>. Son premier court-m\u00e9trage, Le prix du mensonge<\/em><\/strong>, re\u00e7oit le Tanit d\u2019argent \u00e0 Carthage en 1988. En 1991, il r\u00e9alise le long-m\u00e9trage Ken Bugul<\/em><\/strong> suivi, en 1992, du long-m\u00e9trage \u00c7a twiste \u00e0 Popenguine<\/em><\/strong>, distingu\u00e9 \u00e0 l\u2019internationale. En 1996, il r\u00e9alise Tableau Ferraille<\/strong> (Meilleure image au Fespaco 1997), premier volet de sa trilogie sur les femmes suivi par Madame Brouette<\/strong> (Ours d\u2019argent, Berlinale 2002) et Xal\u00e9<\/strong> (2022). Ses deux derniers longs-m\u00e9trages, Teranga Blues<\/strong> et Yoole<\/strong> ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s en comp\u00e9tition au FESPACO en 2007 et 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Awa, coll\u00e9gienne de 15 ans, vit gaiement son adolescence aux c\u00f4t\u00e9s de son fr\u00e8re jumeau Adama qui r\u00eave d\u2019Europe. Lors du d\u00e9c\u00e8s de leur grand-m\u00e8re, sa tante Fatou et son oncle Atoumane promettent de se marier pour pr\u00e9server l\u2019union familiale. Mais Fatou n\u2019aime pas Atoumane et celui-ci, las d\u2019attendre de consommer son mariage, commet […]<\/p>\n","protected":false},"author":7,"featured_media":3111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Xale_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3110"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3110\/revisions"}],"predecessor-version":[{"id":3113,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3110\/revisions\/3113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3111"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3108,"date":"2023-02-07T15:16:24","date_gmt":"2023-02-07T15:16:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=3108"},"modified":"2023-02-07T15:16:28","modified_gmt":"2023-02-07T15:16:28","slug":"the-last-queen","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-last-queen\/","title":{"rendered":"The last queen<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Algeria, 1516. The pirate Aroudj Barbarossa frees Algiers from the tyranny of the Spanish and seizes power over the kingdom. Rumor has it he murdered King Salim Toumi despite their alliance. Against all odds, one woman will stand up to him: Queen Zaphira. Between history and legend, this woman\u2019s journey tells of a struggle, of personal and political turmoil endured for the sake of Algiers.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Damien Ounouri is an Algerian-French director based in Algiers. He studied cinema theory, developing its practical application as a self-taught skill. His documentary Fidai<\/strong> (2012) had its premiere at the Toronto TIFF and was shown in cinemas throughout France. His medium-length film Kindil El Bahr<\/strong> (2016) had its premiere at Cannes Directors\u2019 Fortnight and was broadcast on ARTE. The last queen<\/strong> is his first full-length feature film.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Algeria, 1516. The pirate Aroudj Barbarossa frees Algiers from the tyranny of the Spanish and seizes power over the kingdom. Rumor has it he murdered King Salim Toumi despite their alliance. Against all odds, one woman will stand up to him: Queen Zaphira. Between history and legend, this woman\u2019s journey tells of a struggle, […]<\/p>\n","protected":false},"author":7,"featured_media":3106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/the-last-queen_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3108"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3108\/revisions"}],"predecessor-version":[{"id":3109,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3108\/revisions\/3109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3106"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3105,"date":"2023-02-07T15:12:21","date_gmt":"2023-02-07T15:12:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=3105"},"modified":"2023-02-07T15:12:26","modified_gmt":"2023-02-07T15:12:26","slug":"la-derniere-reine","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-derniere-reine\/","title":{"rendered":"La derni\u00e8re reine<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Alg\u00e9rie 1516. Le pirate Aroudj Barbarossa lib\u00e8re Alger de la tyrannie des Espagnols et prend le pouvoir sur le royaume. La rumeur veut qu\u2019il ait assassin\u00e9 le roi Salim Toumi en d\u00e9pit de leur alliance. Contre toute attente, une femme lui tiendra t\u00eate : la reine Zaphira. Entre mythe et l\u00e9gende, le parcours de cette femme raconte une lutte, des troubles personnels et politique endur\u00e9s pour le bien d\u2019Alger.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Damien Ounouri est un Franco-Alg\u00e9rien bas\u00e9 \u00e0 Alger. Il apprend la th\u00e9orie du cin\u00e9ma en d\u00e9veloppant une application pratique en tant qu\u2019autodidacte. Son film documentaire Fidai<\/strong> (2012) a fait sa premi\u00e8re au FIFT de Toronto et est pass\u00e9 en salles partout en France. Kindil El Bahr<\/strong> (2016), son moyen-m\u00e9trage, a \u00e9t\u00e9 projet\u00e9 en premi\u00e8re \u00e0 la Quinzaine des R\u00e9alisateurs \u00e0 Cannes et a diffus\u00e9 sur ARTE. The Last Queen<\/strong> est son tout premier long m\u00e9trage.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Alg\u00e9rie 1516. Le pirate Aroudj Barbarossa lib\u00e8re Alger de la tyrannie des Espagnols et prend le pouvoir sur le royaume. La rumeur veut qu\u2019il ait assassin\u00e9 le roi Salim Toumi en d\u00e9pit de leur alliance. Contre toute attente, une femme lui tiendra t\u00eate : la reine Zaphira. Entre mythe et l\u00e9gende, le parcours de […]<\/p>\n","protected":false},"author":7,"featured_media":3106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/the-last-queen_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3105"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3105\/revisions"}],"predecessor-version":[{"id":3107,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3105\/revisions\/3107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3106"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3103,"date":"2023-02-07T15:07:13","date_gmt":"2023-02-07T15:07:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=3103"},"modified":"2023-02-07T15:07:16","modified_gmt":"2023-02-07T15:07:16","slug":"the-blue-caftan","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-blue-caftan\/","title":{"rendered":"The blue caftan<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong> <\/p>\n\n\n\n

Halim and Mina run a traditional caftan store in one of Morocco\u2019s oldest medinas. In order to keep up with the commands of the demanding customers, they hire Youssef. The talented apprentice shows an utmost dedication in learning the art of embroidery and tailoring from Halim. Slowly Mina realizes how much her husband is moved by the presence of the young man.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Maryam Touzani moves back to her country after her studies and works as a journalist, specializing in North African cinema. In 2008, she directs a documentary for the first national women\u2019s day in Morocco, an important date for the country, followed by a number of other documentaries. When they slept<\/strong> (2012), her first short fiction, travels around the world through prestigious festivals, winning a total of seventeen awards. In 2015, her second short fiction, Aya goes to the beach<\/strong> continues on the same path, winning fifteen awards worldwide.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Halim and Mina run a traditional caftan store in one of Morocco\u2019s oldest medinas. In order to keep up with the commands of the demanding customers, they hire Youssef. The talented apprentice shows an utmost dedication in learning the art of embroidery and tailoring from Halim. Slowly Mina realizes how much her husband is […]<\/p>\n","protected":false},"author":7,"featured_media":3101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/the-blue-caftan_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3103"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3103\/revisions"}],"predecessor-version":[{"id":3104,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3103\/revisions\/3104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3101"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3100,"date":"2023-02-07T15:04:38","date_gmt":"2023-02-07T15:04:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3100"},"modified":"2023-02-07T15:04:42","modified_gmt":"2023-02-07T15:04:42","slug":"le-bleu-du-caftan","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/le-bleu-du-caftan\/","title":{"rendered":"Le bleu du caftan<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Halim et Mina tiennent un magasin de caftans traditionnels dans l\u2019une des plus anciennes m\u00e9dinas du Maroc. Afin de satisfaire aux commandes des clients exigeants, ils embauchent Youssef. L\u2019apprenti talentueux fait preuve d\u2019un d\u00e9vouement sans faille dans l\u2019apprentissage de l\u2019art de la broderie et de la couture aupr\u00e8s de Halim. Mina se rend compte peu \u00e0 peu \u00e0 quel point son mari est \u00e9mu de la pr\u00e9sence du jeune homme.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Maryam Touzani retourne dans son pays apr\u00e8s ses \u00e9tudes o\u00f9 elle travaille comme journaliste, sp\u00e9cialiste du cin\u00e9ma maghr\u00e9bin. En 2008, elle r\u00e9alise un documentaire dans le cadre de la premi\u00e8re journ\u00e9e nationale de la femme au Maroc, une date importante pour le pays, suivi de plusieurs autres documentaires. Son premier court m\u00e9trage de fiction, When they slept<\/strong> (2012), parcourt le monde \u00e0 travers des prestigieux festivals, remportant au total dix-sept prix. En 2015, son deuxi\u00e8me court m\u00e9trage de fiction, Aya goes to the beach,<\/strong> s\u2019inscrit dans la m\u00eame dynamique en remportant quinze prix \u00e0 travers le monde.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Halim et Mina tiennent un magasin de caftans traditionnels dans l\u2019une des plus anciennes m\u00e9dinas du Maroc. Afin de satisfaire aux commandes des clients exigeants, ils embauchent Youssef. L\u2019apprenti talentueux fait preuve d\u2019un d\u00e9vouement sans faille dans l\u2019apprentissage de l\u2019art de la broderie et de la couture aupr\u00e8s de Halim. Mina se rend compte […]<\/p>\n","protected":false},"author":7,"featured_media":3101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/the-blue-caftan_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3100"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3100\/revisions"}],"predecessor-version":[{"id":3102,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3100\/revisions\/3102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3101"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3098,"date":"2023-02-07T15:01:05","date_gmt":"2023-02-07T15:01:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=3098"},"modified":"2023-02-07T15:01:09","modified_gmt":"2023-02-07T15:01:09","slug":"under-the-fig-trees","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/under-the-fig-trees\/","title":{"rendered":"Under the fig trees<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Among the trees, young women and men working the summer harvest develop new feelings, flirt, try to understand each other, find and flee deeper connections.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Erige Sehiri is a French-Tunisian director and producer. With her own production company, HENIA, she develops Tunisian author driven documentaries distinguished at Visions Du Reel<\/strong>, IDFA, CINEMED<\/strong>…In 2012, My Father\u2019s Facebook<\/strong>, short documentary, in\u00a0 2018, her breakout feature documentary, Railway Men<\/strong>, remained six weeks in Tunisian theaters. In 2021, she directed her first fiction feature, Under the fig trees<\/strong>, which won several post-production awards at the Venice International Film Festival.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Among the trees, young women and men working the summer harvest develop new feelings, flirt, try to understand each other, find and flee deeper connections. Biofilmography Erige Sehiri is a French-Tunisian director and producer. With her own production company, HENIA, she develops Tunisian author driven documentaries distinguished at Visions Du Reel, IDFA, CINEMED…In 2012, […]<\/p>\n","protected":false},"author":7,"featured_media":3096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/under-the-fig-trees_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3098"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3098\/revisions"}],"predecessor-version":[{"id":3099,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3098\/revisions\/3099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3096"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3095,"date":"2023-02-07T14:58:13","date_gmt":"2023-02-07T14:58:13","guid":{"rendered":"https:\/\/fespaco.org\/?p=3095"},"modified":"2023-02-07T14:58:16","modified_gmt":"2023-02-07T14:58:16","slug":"sous-les-figuiers","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sous-les-figuiers\/","title":{"rendered":"Sous les Figuiers<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Entre les arbres, les jeunes femmes et les jeunes hommes qui travaillent \u00e0 la r\u00e9colte estivale d\u00e9veloppent des sentiments nouveaux, flirtent, essaient de se comprendre, retrouvent et quittent des liens plus profonds.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Erige Sehiri est une r\u00e9alisatrice et productrice franco-tunisienne. Gr\u00e2ce \u00e0 sa soci\u00e9t\u00e9 de production d\u00e9nomm\u00e9e HENIA, elle d\u00e9veloppe des documentaires d\u2019auteurs tunisiens distingu\u00e9s \u00e0 Visions Du R\u00e9el<\/strong>, IDFA, CINEMED<\/strong>…En 2012, elle r\u00e9alise My Father\u2019s Facebook<\/strong>, un court m\u00e9trage documentaire et en 2018, son long m\u00e9trage documentaire Railway Men<\/strong> qui reste pendant six semaines dans les salles tunisiennes. Elle r\u00e9alise en 2021 son premier long m\u00e9trage de fiction Under the fig trees <\/strong>qui remporte plusieurs prix de post production au Festival international du film de Venice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Entre les arbres, les jeunes femmes et les jeunes hommes qui travaillent \u00e0 la r\u00e9colte estivale d\u00e9veloppent des sentiments nouveaux, flirtent, essaient de se comprendre, retrouvent et quittent des liens plus profonds. Biofilmographie Erige Sehiri est une r\u00e9alisatrice et productrice franco-tunisienne. Gr\u00e2ce \u00e0 sa soci\u00e9t\u00e9 de production d\u00e9nomm\u00e9e HENIA, elle d\u00e9veloppe des documentaires d\u2019auteurs […]<\/p>\n","protected":false},"author":7,"featured_media":3096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/under-the-fig-trees_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3095"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3095\/revisions"}],"predecessor-version":[{"id":3097,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3095\/revisions\/3097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3096"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3092,"date":"2023-02-07T14:53:58","date_gmt":"2023-02-07T14:53:58","guid":{"rendered":"https:\/\/fespaco.org\/?p=3092"},"modified":"2023-02-07T14:54:46","modified_gmt":"2023-02-07T14:54:46","slug":"simin-zetwal-gazing-at-stars","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/simin-zetwal-gazing-at-stars\/","title":{"rendered":"Simin Zetwal (Gazing at Stars)"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In a working -class estate of Mauritius, old man Bolom is nowhere to be seen. His son Ronaldo sets out to find him and meets Ajeya, an Indian migrant worker. He dreams of a Golden boy\u2019s life, she flees her condition as a modern-day slave. Together, their night-crossing of the island takes on a new dimension, between mystical quest and desire for freedom.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Mauritian writer-director and producer graduated from ENSAV in France. He then went on to create Cameleon Production, the company that has produced all of his films and numerous short films by young Mauritian directors. Committed to the development of an Indian Ocean cinema, he is the founder of Association Porteurs d\u2019Images and Ile Courts Festival, the Mauritius international short film festival. Simin Zetwal<\/strong> is second feature film.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In a working -class estate of Mauritius, old man Bolom is nowhere to be seen. His son Ronaldo sets out to find him and meets Ajeya, an Indian migrant worker. He dreams of a Golden boy\u2019s life, she flees her condition as a modern-day slave. Together, their night-crossing of the island takes on a […]<\/p>\n","protected":false},"author":7,"featured_media":3089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Simin-Zetwal_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3092"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3092\/revisions"}],"predecessor-version":[{"id":3094,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3092\/revisions\/3094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3089"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3088,"date":"2023-02-07T14:48:38","date_gmt":"2023-02-07T14:48:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3088"},"modified":"2023-02-07T14:48:41","modified_gmt":"2023-02-07T14:48:41","slug":"simin-zetwal-regarde-les-etoiles","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/simin-zetwal-regarde-les-etoiles\/","title":{"rendered":"Simin Zetwal (Regarde les \u00e9toiles)<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

\u00a0Dans une cit\u00e9 ouvri\u00e8re de Maurice, le vieux Bolom a disparu. Son fils Ronaldo part \u00e0 sa recherche et croise la route d\u2019Ajeya, une ouvri\u00e8re immigr\u00e9e indienne. Lui se r\u00eave une vie de golden boy, elle fuit sa condition d\u2019esclave moderne. Ensemble, leur travers\u00e9e nocturne de l\u2019\u00eele prend une dimension nouvelle, entre qu\u00eate mystique et envie de libert\u00e9.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes \u00e0 l\u2019ENSAV en France, l\u2019auteur-r\u00e9alisateur et producteur mauricien David Constantin cr\u00e9e \u00e0 Maurice la soci\u00e9t\u00e9 Cam\u00e9l\u00e9on Production avec laquelle il produit tous ses films ainsi que de nombreux courts-m\u00e9trages de jeunes r\u00e9alisateurs mauriciens. Engag\u00e9 dans le d\u00e9veloppement d\u2019une cin\u00e9matographie de l\u2019Oc\u00e9an indien, il est le fondateur de l\u2019Association Porteurs d\u2019Images et du Festival Ile Courts, le festival international du court-m\u00e9trage de Maurice. Simin Zetwal<\/em><\/strong> est son 2nd long-m\u00e9trage.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis \u00a0Dans une cit\u00e9 ouvri\u00e8re de Maurice, le vieux Bolom a disparu. Son fils Ronaldo part \u00e0 sa recherche et croise la route d\u2019Ajeya, une ouvri\u00e8re immigr\u00e9e indienne. Lui se r\u00eave une vie de golden boy, elle fuit sa condition d\u2019esclave moderne. Ensemble, leur travers\u00e9e nocturne de l\u2019\u00eele prend une dimension nouvelle, entre qu\u00eate mystique […]<\/p>\n","protected":false},"author":7,"featured_media":3089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Simin-Zetwal_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3088"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3088\/revisions"}],"predecessor-version":[{"id":3091,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3088\/revisions\/3091"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3089"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3086,"date":"2023-02-07T14:44:27","date_gmt":"2023-02-07T14:44:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=3086"},"modified":"2023-02-07T14:44:31","modified_gmt":"2023-02-07T14:44:31","slug":"shimoni-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/shimoni-3\/","title":{"rendered":"Shimoni<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

After 7 years in prison Geoffrey, 35, has to restart his life in Shimoni, a sleepy village in rural Kenya, a place he loathes. There, he stays hiding in the local Catholic Church compound and never leaves. Then one Sunday after Mass, Geoffrey sees a man with a white patch of hair. Petrified he pees his pants and in a moment of rage kills a calf. The monster has found him in his hiding place.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Angela Wanjiku Wamai studied film at La Escuela Internacional de Cine y Televisi\u00f3n in Havana, Cuba and works as a film editor in Nairobi. She loves to edit documentaries because it allows her to observe human beings and get paid to do it. She was recently awarded best film editor by the Women in Film Awards-Kenya. In 2017 she wrote, I Had to Bury C\u0169c\u0169<\/strong>, a short film. Her directorial debut was \u2018Dad, Are you Ok?<\/strong>\u2019 a short film that premiered at the International female film festival in Malm\u00f6. Shimoni<\/strong> is her feature directorial debut<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis After 7 years in prison Geoffrey, 35, has to restart his life in Shimoni, a sleepy village in rural Kenya, a place he loathes. There, he stays hiding in the local Catholic Church compound and never leaves. Then one Sunday after Mass, Geoffrey sees a man with a white patch of hair. Petrified he […]<\/p>\n","protected":false},"author":7,"featured_media":3084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Shimoni_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3086"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3086\/revisions"}],"predecessor-version":[{"id":3087,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3086\/revisions\/3087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3084"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3083,"date":"2023-02-07T14:39:42","date_gmt":"2023-02-07T14:39:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=3083"},"modified":"2023-02-07T14:39:46","modified_gmt":"2023-02-07T14:39:46","slug":"shimoni-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/shimoni-2\/","title":{"rendered":"Shimoni<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Apr\u00e8s 7 ann\u00e9es de prison, Geoffrey, 35 ans, doit refaire sa vie \u00e0 Shimoni, un paisible village de la campagne kenyane, un endroit qu\u2019il d\u00e9teste. Il y reste cach\u00e9 dans la cour de l\u2019\u00e9glise catholique et ne sort jamais. Un dimanche apr\u00e8s la messe, Geoffrey aper\u00e7oit un homme aux cheveux blancs. P\u00e9trifi\u00e9, il fait pipi dans son pantalon et dans un acc\u00e8s de col\u00e8re il tue un veau. Le monstre l\u2019a retrouv\u00e9 dans sa cachette.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Angela Wanjiku Wamai a fait ses \u00e9tudes de cin\u00e9ma \u00e0 l\u2019Ecole international du cin\u00e9ma et de la t\u00e9l\u00e9vision de La Havane \u00e0 Cuba et travaille comme monteuse \u00e0 Nairobi. Elle adore le travail de montage de documentaires car cela lui permet d\u2019observer les \u00eatres humains tout en \u00e9tant pay\u00e9 pour le faire. Elle a r\u00e9cemment re\u00e7u le prix de la Meilleure monteuse aux Women in Film Awards<\/em>-Kenya. En 2017 a \u00e9crit un court m\u00e9trage intitul\u00e9 I Had to Bury C\u0169c\u0169<\/em><\/strong>.  Elle d\u00e9bute sa carri\u00e8re en tant que r\u00e9alisatrice avec Dad, Are you Ok ?<\/em><\/strong> un court m\u00e9trage pr\u00e9sent\u00e9 en premi\u00e8re au Festival international du film f\u00e9minin de Malm\u00f6. Shimoni<\/em><\/strong> est son tout premier long m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Apr\u00e8s 7 ann\u00e9es de prison, Geoffrey, 35 ans, doit refaire sa vie \u00e0 Shimoni, un paisible village de la campagne kenyane, un endroit qu\u2019il d\u00e9teste. Il y reste cach\u00e9 dans la cour de l\u2019\u00e9glise catholique et ne sort jamais. Un dimanche apr\u00e8s la messe, Geoffrey aper\u00e7oit un homme aux cheveux blancs. P\u00e9trifi\u00e9, il fait […]<\/p>\n","protected":false},"author":7,"featured_media":3084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Shimoni_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3083"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3083\/revisions"}],"predecessor-version":[{"id":3085,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3083\/revisions\/3085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3084"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3081,"date":"2023-02-07T14:35:08","date_gmt":"2023-02-07T14:35:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3081"},"modified":"2023-02-07T14:35:12","modified_gmt":"2023-02-07T14:35:12","slug":"our-father-the-devil","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/our-father-the-devil\/","title":{"rendered":"Our father, the devil"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Marie works as the head cook in a retirement home in a small mountain town in the south of France. Though she seems relatively well adjusted, Marie harbours a shameful secret-she’s a former child soldier. Silently struggling with the remnants of her traumatic past, Marie hides her PTSD from those around her. Her quiet life is turned upside down the day an African priest named Father Patrick begins to volunteer at the home. She immediately recognizes him from her past. As Father Patrick charms all her co-workers, Marie must decide if she will take revenge or cling to the new life she’s built.<\/p>\n\n\n\n

Biofilmography<\/strong> <\/p>\n\n\n\n

Ellie Foumbi is an actor, writer, and director from Cameroon whose work has screened at Venice, Santa Barbara International Film Festival and Tribeca. Her first feature won the Best Narrative Feature Audience Award. She’s an alumnus of Berlinale Talents and New York Film Festival\u2019s Artist Academy. Her projects have been supported by The Gotham, SFFILM Raining Grant, Film Independent, the Tribeca Film Institute and the Venice Biennale College. She holds an MFA from Columbia University\u2019s School of the Arts in Directing.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Marie works as the head cook in a retirement home in a small mountain town in the south of France. Though she seems relatively well adjusted, Marie harbours a shameful secret-she’s a former child soldier. Silently struggling with the remnants of her traumatic past, Marie hides her PTSD from those around her. Her quiet […]<\/p>\n","protected":false},"author":7,"featured_media":3079,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mon-pere-le-diable_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3081"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3081\/revisions"}],"predecessor-version":[{"id":3082,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3081\/revisions\/3082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3079"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3078,"date":"2023-02-07T14:32:06","date_gmt":"2023-02-07T14:32:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3078"},"modified":"2023-02-07T14:32:09","modified_gmt":"2023-02-07T14:32:09","slug":"mon-pere-le-diable","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mon-pere-le-diable\/","title":{"rendered":"Mon p\u00e8re, le diable<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Marie travaille comme cuisini\u00e8re en chef dans une maison de retraite situ\u00e9e dans une petite ville de montagne du sud de la France. Bien qu’elle semble relativement bien adapt\u00e9e, Marie cache un secret honteux : elle est une ancienne enfant soldat. Luttant silencieusement contre les vestiges de son pass\u00e9 traumatique, Marie cache son PTSD \u00e0 son entourage. Sa vie tranquille est boulevers\u00e9e le jour o\u00f9 un pr\u00eatre africain, le p\u00e8re Patrick, devient b\u00e9n\u00e9vole au foyer. Elle le reconna\u00eet imm\u00e9diatement dans son pass\u00e9. Alors que le p\u00e8re Patrick s\u00e9duit tous ses coll\u00e8gues, Marie doit d\u00e9cider si elle va se venger ou s’accrocher \u00e0 la nouvelle vie qu’elle a construite.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Ellie Foumbi est une actrice, sc\u00e9nariste et r\u00e9alisatrice camerounaise dont les oeuvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es au festival de Venice, au Festival international du film de Santa Barbara et au festival de Tribeca. Son tout premier long m\u00e9trage a remport\u00e9 le prix du public du meilleur long m\u00e9trage de fiction. Ellie est une ancienne de Berlinale Talents et de l\u2019Acad\u00e9mie des artistes du Festival de film de New York. Ses projets de film ont \u00e9t\u00e9 soutenus par The Gotham, SFFILM Raining Grant, Film Independent, Tribeca Film Institute et Venice Biennale College. Elle est titulaire d\u2019une maitrise en beaux-arts de l\u2019Ecole des Arts de l\u2019Universit\u00e9 de Columbia option r\u00e9alisation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Marie travaille comme cuisini\u00e8re en chef dans une maison de retraite situ\u00e9e dans une petite ville de montagne du sud de la France. Bien qu’elle semble relativement bien adapt\u00e9e, Marie cache un secret honteux : elle est une ancienne enfant soldat. Luttant silencieusement contre les vestiges de son pass\u00e9 traumatique, Marie cache son PTSD […]<\/p>\n","protected":false},"author":7,"featured_media":3079,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mon-pere-le-diable_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3078"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3078\/revisions"}],"predecessor-version":[{"id":3080,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3078\/revisions\/3080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3079"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3076,"date":"2023-02-07T14:28:44","date_gmt":"2023-02-07T14:28:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=3076"},"modified":"2023-02-07T14:28:48","modified_gmt":"2023-02-07T14:28:48","slug":"maputo-nakuzanda-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/maputo-nakuzanda-2\/","title":{"rendered":"Maputo Nakuzanda<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

It\u2019s dawn in the capital of Mozambique. Young people are leaving the nightclubs. In the backyards, women are starting their day. A man is running, a woman is coming back from a trip, a tourist is walking, a worker is taking public transport, and Maputo Nakuzandza radio announces the disappearance of a bride.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Ariadine Zampaulo holds a bachelor’s degree in Cinema and Audiovisual from Universidade Federal Fluminense. In 2020, she qualified in Directing by the course \u201cCinema and Thought : Black Narratives<\/strong>\u00a0\u00bb, from Centro Afrocarioca de Cinema Z\u00f3zimo Bulbul. In 2017 and 2018 she studied and researched local cinema history and practice. During this period, she also curated Brazilian films at the 9th edition of KUGOMA – F\u00f3rum de Cinema Mo\u00e7ambique, edited the documentary Nenha (2018) and directed her first film, \u201cMaputo Nakuzandza<\/strong>\u201d.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis It\u2019s dawn in the capital of Mozambique. Young people are leaving the nightclubs. In the backyards, women are starting their day. A man is running, a woman is coming back from a trip, a tourist is walking, a worker is taking public transport, and Maputo Nakuzandza radio announces the disappearance of a bride. Biofilmography […]<\/p>\n","protected":false},"author":7,"featured_media":3067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Maputo-Nakuzanda_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3076"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3076\/revisions"}],"predecessor-version":[{"id":3077,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3076\/revisions\/3077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3067"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3074,"date":"2023-02-07T14:25:31","date_gmt":"2023-02-07T14:25:31","guid":{"rendered":"https:\/\/fespaco.org\/?p=3074"},"modified":"2023-02-07T14:25:35","modified_gmt":"2023-02-07T14:25:35","slug":"maputo-nakuzanda","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/maputo-nakuzanda\/","title":{"rendered":"Maputo Nakuzanda<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

C\u2019est l\u2019aube dans la capitale mozambicaine. Les jeunes quittent les boites de nuit et, dans les arri\u00e8re-cours, les femmes commencent leur journ\u00e9e. Un homme court, une femme arrive de voyage, un touriste se prom\u00e8ne, un ouvrier prend les transports en commun et la radio Maputo Nakuzandza annonce la disparition d\u2019une mari\u00e9e.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Ariadine Zampaulo est titulaire d\u2019une licence en Cin\u00e9ma et Audiovisuel de Universidade Federal Fluminense<\/em>. En 2020, elle obtient son dipl\u00f4me en r\u00e9alisation \u00e0 travers le cours \u201cCinema and Thought : Black Narratives<\/strong>\u00a0\u00bb<\/em> du Centro Afrocarioca de Cinema Z\u00f3zimo Bulbul<\/em>. Entre 2017 et 2018, elle \u00e9tudie et fait des recherches sur l\u2019histoire et la pratique du cin\u00e9ma local. Au cours de cette p\u00e9riode, elle a \u00e9galement \u00e9t\u00e9 programmatrice de films br\u00e9siliens \u00e0 la 9e<\/sup> \u00e9dition de KUGOMA,  F\u00f3rum de Cinema Mo\u00e7ambique, travaill\u00e9 sur le montage du film documentaire Nenha<\/strong> (2018) et r\u00e9alis\u00e9 son tout premier film Maputo Nakuzandza<\/strong>.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis C\u2019est l\u2019aube dans la capitale mozambicaine. Les jeunes quittent les boites de nuit et, dans les arri\u00e8re-cours, les femmes commencent leur journ\u00e9e. Un homme court, une femme arrive de voyage, un touriste se prom\u00e8ne, un ouvrier prend les transports en commun et la radio Maputo Nakuzandza annonce la disparition d\u2019une mari\u00e9e. Biofilmographie Ariadine Zampaulo […]<\/p>\n","protected":false},"author":7,"featured_media":3067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Maputo-Nakuzanda_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3074"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3074\/revisions"}],"predecessor-version":[{"id":3075,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3074\/revisions\/3075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3067"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3072,"date":"2023-02-07T14:22:52","date_gmt":"2023-02-07T14:22:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=3072"},"modified":"2023-02-07T14:22:56","modified_gmt":"2023-02-07T14:22:56","slug":"ashkal-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/ashkal-2\/","title":{"rendered":"Ashkal<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In the Gardens of Carthage, a district of Tunis initiated by the former Regime which construction stopped at the beginning of the Revolution, two cops, Fatma and Batal, find a burnt body in one of the lots. As construction slowly resumes, they start looking into this mysterious case. When the event repeats itself, the investigation takes a puzzling turn.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Youssef Chebbi was born in Tunisia in 1984. After studying art, he directed two short films, \u201cVers le Nord\u201d and \u201cLes Profondeurs\u201d selected in several international festivals. In 2012 he codirected a documentary \u201cBabylon\u201d<\/strong> which won the Jury Prize at the FID of Marseille and was presented at MoMA. \u201cAshkal\u201d<\/strong> is his first feature.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In the Gardens of Carthage, a district of Tunis initiated by the former Regime which construction stopped at the beginning of the Revolution, two cops, Fatma and Batal, find a burnt body in one of the lots. As construction slowly resumes, they start looking into this mysterious case. When the event repeats itself, the […]<\/p>\n","protected":false},"author":7,"featured_media":3049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Ashkal_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3072"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3072\/revisions"}],"predecessor-version":[{"id":3073,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3072\/revisions\/3073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3049"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3070,"date":"2023-02-07T14:19:25","date_gmt":"2023-02-07T14:19:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3070"},"modified":"2023-02-07T14:19:29","modified_gmt":"2023-02-07T14:19:29","slug":"bantu-mama-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/bantu-mama-2\/","title":{"rendered":"Bant\u00fa Mama<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

A French woman of African descent manages to escape after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where she is taken in by a group of children living on their own. By becoming their prot\u00e9g\u00e9e and maternal figure, she will see her destiny change inexorably. \u00a0<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Born and raised in Santo Domingo, Ivan Herrera is a Dominican director, producer, and screenwriter. Passionate about photography, it is by observing the world through the lens of his camera that he finds inspiration and interprets humanity. His short film \u201cLa Pasi\u00f3n Original\u201d received the Jury Prize at TIFFxInstagram Shorts Festival in 2016.<\/em> He also made \u201cPueto Pa\u2019 Mi\u201d<\/strong> (2015) and \u201cEl Ave Del Para\u00edso\u201d<\/strong> (2012).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis A French woman of African descent manages to escape after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where she is taken in by a group of children living on their own. By becoming their prot\u00e9g\u00e9e and maternal figure, she will see her destiny change […]<\/p>\n","protected":false},"author":7,"featured_media":3050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Bantu-mama_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3070"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3070\/revisions"}],"predecessor-version":[{"id":3071,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3070\/revisions\/3071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3050"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3068,"date":"2023-02-07T14:16:19","date_gmt":"2023-02-07T14:16:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=3068"},"modified":"2023-02-07T14:16:23","modified_gmt":"2023-02-07T14:16:23","slug":"mami-wata-3","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/mami-wata-3\/","title":{"rendered":"Mami Wata<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In Iyi village, villagers worship the mermaid deity Mami Wata and turn to their healer Mama Efe, the intermediary between them and Mami Wata, as well as Mama Efe’s daughter, Zinwe, and her prot\u00e9g\u00e9, Prisca. When the children begin to die and disappear, Jabi, a local resident, casts doubt on the population, while Zinwe flees, driven by her own anguish. Soon, the arrival of a rebellious warlord, Jasper, tips the scales in Jabi’s favor. Mama Efe is murdered and Jasper takes the opportunity to take control of the village, while Prisca and Zinwe must plot to save Iyi and restore Mami Wata’s glory.<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

C.J. Obasi has directed features and shorts such as Ojuju<\/strong> (2014), Hello, Rain<\/strong> (2018), Juju Stories<\/strong> (2021), featuring in over 80 film festivals, including Gothenburg, BFI London, Fantasia, Oberhausen and Locarno. In 2016, Obasi and co-directors, Abba Makama and Michael Omonua founded a cinema collective called Surreal16 to challenge the Nollywood status-quo by creating boundary-pushing surreal genre films. <\/em>Mami Wata<\/em><\/strong> is his latest project.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In Iyi village, villagers worship the mermaid deity Mami Wata and turn to their healer Mama Efe, the intermediary between them and Mami Wata, as well as Mama Efe’s daughter, Zinwe, and her prot\u00e9g\u00e9, Prisca. When the children begin to die and disappear, Jabi, a local resident, casts doubt on the population, while Zinwe […]<\/p>\n","protected":false},"author":7,"featured_media":3064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mami-Wata_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3068"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3068\/revisions"}],"predecessor-version":[{"id":3069,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3068\/revisions\/3069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3064"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3063,"date":"2023-02-07T14:13:25","date_gmt":"2023-02-07T14:13:25","guid":{"rendered":"https:\/\/fespaco.org\/?p=3063"},"modified":"2023-02-07T14:13:29","modified_gmt":"2023-02-07T14:13:29","slug":"mami-wata-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mami-wata-2\/","title":{"rendered":"Mami Wata<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Dans le village d\u2019Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne Mami Wata et se tournent vers leur gu\u00e9risseuse Mama Efe, l\u2019interm\u00e9diaire entre eux et Mami Wata, ainsi que sa fille Zinwe, et sa prot\u00e9g\u00e9e, Prisca. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, Jabi, un habitant de la r\u00e9gion, s\u00e8me le doute dans la population. Bient\u00f4t, l\u2019arriv\u00e9e d\u2019un seigneur de guerre rebelle, Jasper, fait pencher la balance en faveur de Jabi. Mama Efe est assassin\u00e9e et Jasper en profite pour prendre le contr\u00f4le du village. Prisca et Zinwe doivent comploter pour sauver Iyi et restaurer la gloire de Mami Wata.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

C.J. Obasi a r\u00e9alis\u00e9 des longs et courts m\u00e9trages tels Ojuju<\/strong> (2014), Hello, Rain<\/strong> (2018), Juju Stories<\/strong> (2021), s\u00e9lections officielles dans plus 80 festivals de cin\u00e9ma, dont G\u00f6teborg, BFI Londres, Fantasia, Oberhausen et Locarno. En 2016, Obasi et ses cor\u00e9alisateurs Abba Makama et Michael Omonua fondent un collectif de cin\u00e9ma appel\u00e9 Surreal16<\/em> pour d\u00e9fier le statu quo de Nollywood en cr\u00e9ant des films de genre surr\u00e9alistes qui repoussent les limites. Mami Wata<\/strong> est son tout dernier projet.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Dans le village d\u2019Iyi, les villageois v\u00e9n\u00e8rent la divinit\u00e9 sir\u00e8ne Mami Wata et se tournent vers leur gu\u00e9risseuse Mama Efe, l\u2019interm\u00e9diaire entre eux et Mami Wata, ainsi que sa fille Zinwe, et sa prot\u00e9g\u00e9e, Prisca. Lorsque les enfants commencent \u00e0 mourir et \u00e0 dispara\u00eetre, Jabi, un habitant de la r\u00e9gion, s\u00e8me le doute dans […]<\/p>\n","protected":false},"author":7,"featured_media":3064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Mami-Wata_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3063"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3063\/revisions"}],"predecessor-version":[{"id":3066,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3063\/revisions\/3066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3064"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3061,"date":"2023-02-07T14:07:24","date_gmt":"2023-02-07T14:07:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=3061"},"modified":"2023-02-07T14:07:28","modified_gmt":"2023-02-07T14:07:28","slug":"abu-saddam-2","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/abu-saddam-2\/","title":{"rendered":"Abu Saddam<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

The experienced old truck driver \u00ab\u00a0Abu Saddam\u00a0\u00bb gets a transportation mission on the North Coast Road after he stopped working for years. He decides that he wants to complete his mission perfectly to complement his working reputation, but he faces a small situation on the road, and this get out of control\u2026<\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Nadine Khan earned her BA in film directing from the Egyptian Higher Film Institute in 2001. Since then, she has directed several fiction films, commercials, TV series and music videos. Her debut feature film \u201cChaos\/Disorder\/Harag w\u2019Marag\u201d<\/strong> won the Jury Prize at the Dubai International Film Festival (2012), and the Best Film award at the Oran Film Festival, Algeria. Khan\u2019s sophomore film Abu Saddam<\/strong> (2021) has been premiered at the 43rd Cairo International Film Festival winning best actor award (Mohamed Mamdouh).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis The experienced old truck driver \u00ab\u00a0Abu Saddam\u00a0\u00bb gets a transportation mission on the North Coast Road after he stopped working for years. He decides that he wants to complete his mission perfectly to complement his working reputation, but he faces a small situation on the road, and this get out of control\u2026 Biofilmography Nadine […]<\/p>\n","protected":false},"author":7,"featured_media":3048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Adu-Saddam_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3061"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3061\/revisions"}],"predecessor-version":[{"id":3062,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3061\/revisions\/3062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3048"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3059,"date":"2023-02-07T14:03:08","date_gmt":"2023-02-07T14:03:08","guid":{"rendered":"https:\/\/fespaco.org\/?p=3059"},"modified":"2023-02-07T14:03:12","modified_gmt":"2023-02-07T14:03:12","slug":"the-planters-plantation","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/the-planters-plantation\/","title":{"rendered":"The planters plantation<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

In a West African plantation in the 60s, a young determined girl must battle family and society to preserve her late father\u2019s legacy, a colonial plantation,\u00a0amidst disagreements, betrayal and secrets. A musical comedy drama, an allegory of Neo-colonization. <\/em><\/p>\n\n\n\n

Biofilmography<\/strong><\/p>\n\n\n\n

Young Eystein Dingha is a 30-year-old enthusiastic filmmaker from Cameroon. He has written and directed short films Chicha<\/strong> (2016), Massa doctor<\/strong> (2017), Kalamba <\/strong>(2017), The Kaffi (<\/strong>2016) (docu-drama), Mbutuku <\/strong>(2019), Revenir <\/strong>(2020) which screened in festivals like African International film Festival, Slum Film Festival and Lake International Pan-African Film Festival. His documentary Clando<\/strong> has screened on Arte France and Germany.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis In a West African plantation in the 60s, a young determined girl must battle family and society to preserve her late father\u2019s legacy, a colonial plantation,\u00a0amidst disagreements, betrayal and secrets. A musical comedy drama, an allegory of Neo-colonization. Biofilmography Young Eystein Dingha is a 30-year-old enthusiastic filmmaker from Cameroon. He has written and directed […]<\/p>\n","protected":false},"author":7,"featured_media":3051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-3059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictional-section"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/La-plantation_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3059"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3059\/revisions"}],"predecessor-version":[{"id":3060,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3059\/revisions\/3060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3051"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3057,"date":"2023-02-07T13:54:29","date_gmt":"2023-02-07T13:54:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=3057"},"modified":"2023-02-07T13:54:32","modified_gmt":"2023-02-07T13:54:32","slug":"la-plantation-des-planteurs","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/la-plantation-des-planteurs\/","title":{"rendered":"La plantation des planteurs<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Dans une plantation d\u2019Afrique de l\u2019Ouest dans les ann\u00e9es 60, une jeune fille d\u00e9termin\u00e9e doit lutter contre sa famille et la soci\u00e9t\u00e9 pour pr\u00e9server l\u2019h\u00e9ritage de son d\u00e9funt p\u00e8re, une plantation coloniale, au milieu des d\u00e9saccords, des trahisons et des secrets. Une com\u00e9die musicale dramatique, une all\u00e9gorie de la n\u00e9o-colonisation.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Eystein Dingha est un jeune cin\u00e9aste passionn\u00e9 de 30 ans originaire du Cameroun. Il a \u00e9crit et r\u00e9alis\u00e9 les courts m\u00e9trages comme Chicha <\/strong>(2016), Massa doctor<\/strong> (2017), Kalamba<\/strong> (2017), The Kaffi<\/strong> (2016) (docu-drama), Mbutuku<\/strong> (2019), Revenir (2020) qui \u00e9t\u00e9 pr\u00e9sent\u00e9s \u00e0 des festivals tels que le Festival international du film africain, le Slum Film Festival et Lake International Pan-African Film Festival. Son documentaire Clando<\/strong> a \u00e9t\u00e9 vu sur Arte France et Allemagne.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Dans une plantation d\u2019Afrique de l\u2019Ouest dans les ann\u00e9es 60, une jeune fille d\u00e9termin\u00e9e doit lutter contre sa famille et la soci\u00e9t\u00e9 pour pr\u00e9server l\u2019h\u00e9ritage de son d\u00e9funt p\u00e8re, une plantation coloniale, au milieu des d\u00e9saccords, des trahisons et des secrets. Une com\u00e9die musicale dramatique, une all\u00e9gorie de la n\u00e9o-colonisation. Biofilmographie Eystein Dingha est […]<\/p>\n","protected":false},"author":7,"featured_media":3051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/La-plantation_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3057"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3057\/revisions"}],"predecessor-version":[{"id":3058,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3057\/revisions\/3058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3051"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3055,"date":"2023-02-07T13:50:38","date_gmt":"2023-02-07T13:50:38","guid":{"rendered":"https:\/\/fespaco.org\/?p=3055"},"modified":"2023-02-07T13:50:41","modified_gmt":"2023-02-07T13:50:41","slug":"bantu-mama","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/bantu-mama\/","title":{"rendered":"Bant\u00fa Mama<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Une fran\u00e7aise d\u2019origine africaine parvient \u00e0 s’\u00e9chapper apr\u00e8s avoir \u00e9t\u00e9 arr\u00eat\u00e9e en R\u00e9publique Dominicaine. Elle se r\u00e9fugie dans le quartier le plus dangereux de Saint Domingue, o\u00f9 elle est recueillie par un groupe d’enfants livr\u00e9s \u00e0 eux-m\u00eames. En devenant leur prot\u00e9g\u00e9e et figure maternelle, elle verra son destin changer de fa\u00e7on inexorable.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Originaire de Saint Domingue, Ivan Herrera est un r\u00e9alisateur, producteur et sc\u00e9nariste dominicain. Passionn\u00e9e de photographie, c\u2019est \u00e0 travers l\u2019\u0153il de sa cam\u00e9ra qu\u2019il observe le monde et trouve son inspiration pour livrer son interpr\u00e9tation de l\u2019\u00catre Humain. Son court-m\u00e9trage La Pasi\u00f3n Original<\/em><\/strong>, a re\u00e7u le prix du Jury au Festival de court-m\u00e9trage TIFFxInstagram Shorts Festival en 2016. Il a aussi r\u00e9alis\u00e9 Pueto Pa\u2019 Mi<\/strong> (2015) et El Ave Del Para\u00edso<\/strong> (2012).<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Une fran\u00e7aise d\u2019origine africaine parvient \u00e0 s’\u00e9chapper apr\u00e8s avoir \u00e9t\u00e9 arr\u00eat\u00e9e en R\u00e9publique Dominicaine. Elle se r\u00e9fugie dans le quartier le plus dangereux de Saint Domingue, o\u00f9 elle est recueillie par un groupe d’enfants livr\u00e9s \u00e0 eux-m\u00eames. En devenant leur prot\u00e9g\u00e9e et figure maternelle, elle verra son destin changer de fa\u00e7on inexorable. Biofilmographie Originaire […]<\/p>\n","protected":false},"author":7,"featured_media":3050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Bantu-mama_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3055"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3055\/revisions"}],"predecessor-version":[{"id":3056,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3055\/revisions\/3056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3050"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3053,"date":"2023-02-07T13:47:44","date_gmt":"2023-02-07T13:47:44","guid":{"rendered":"https:\/\/fespaco.org\/?p=3053"},"modified":"2023-02-07T13:47:47","modified_gmt":"2023-02-07T13:47:47","slug":"ashkal","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/ashkal\/","title":{"rendered":"Ashkal<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong><\/p>\n\n\n\n

Dans les jardins de Carthage, un quartier de Tunis \u00e0 l\u2019initiative dans l\u2019ancien r\u00e9gime et dont les travaux ont \u00e9t\u00e9 suspendus au d\u00e9but de la r\u00e9volution, deux flics Fatma et Batal d\u00e9couvrent un corps calcin\u00e9 sur une des parcelles. Alors que les travaux reprennent lentement, ils commencent \u00e0 enqu\u00eater sur cette affaire myst\u00e9rieuse. L\u2019enqu\u00eate prend une tournure d\u00e9routante lorsque les faits se r\u00e9p\u00e8tent.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Youssef Chebbi est n\u00e9 \u00e0 Tunis en1984. Apr\u00e8s des \u00e9tudes d\u2019art, il r\u00e9alise deux courts m\u00e9trages, \u00ab Vers le Nord \u00bb<\/strong> et \u00ab Les Profondeurs \u00bb<\/strong>, s\u00e9lections officielles de plusieurs festivals internationaux. En 2012 il co-r\u00e9alise le documentaire \u00ab Babylon \u00bb, <\/strong>laur\u00e9at du prix du jury au FID de Marseille. Le film a \u00e9galement \u00e9t\u00e9 pr\u00e9sent\u00e9 au Mus\u00e9e des arts modernes (MoMA). \u00ab Ashkal<\/strong> \u00bb est son tout premier long m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis Dans les jardins de Carthage, un quartier de Tunis \u00e0 l\u2019initiative dans l\u2019ancien r\u00e9gime et dont les travaux ont \u00e9t\u00e9 suspendus au d\u00e9but de la r\u00e9volution, deux flics Fatma et Batal d\u00e9couvrent un corps calcin\u00e9 sur une des parcelles. Alors que les travaux reprennent lentement, ils commencent \u00e0 enqu\u00eater sur cette affaire myst\u00e9rieuse. L\u2019enqu\u00eate […]<\/p>\n","protected":false},"author":7,"featured_media":3049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Ashkal_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3053"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3053\/revisions"}],"predecessor-version":[{"id":3054,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3053\/revisions\/3054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3049"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3047,"date":"2023-02-07T13:43:20","date_gmt":"2023-02-07T13:43:20","guid":{"rendered":"https:\/\/fespaco.org\/?p=3047"},"modified":"2023-02-07T13:43:23","modified_gmt":"2023-02-07T13:43:23","slug":"abu-saddam","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/abu-saddam\/","title":{"rendered":"Abu Saddam<\/strong>"},"content":{"rendered":"\n

Synopsis<\/strong>\u00a0<\/p>\n\n\n\n

Le chauffeur de camion exp\u00e9riment\u00e9 \u201cAbu Saddam\u201d obtient une mission de transport sur la route de la c\u00f4te nord apr\u00e8s avoir cess\u00e9 de travailler pendant des ann\u00e9es. Il decide qu\u2019il veut accomplir parfaitement sa mission pour compl\u00e9ter sa r\u00e9putation de travail, mais il fait face \u00e0 une petite situation sur la route et les choses deviennent incontr\u00f4lables.<\/p>\n\n\n\n

Biofilmographie<\/strong><\/p>\n\n\n\n

Nadine Khan a obtenu son baccalaur\u00e9at en r\u00e9alisation cin\u00e9matographique \u00e0 l\u2019Institut sup\u00e9rieur du cin\u00e9ma \u00e9gyptien en 2001. Depuis, elle a r\u00e9alis\u00e9 plusieurs films de fiction, publicit\u00e9s, s\u00e9ries t\u00e9l\u00e9vis\u00e9es et vid\u00e9oclips. Son premier long m\u00e9trage \u201cChaos, Disorder<\/em><\/strong>\u201d a remport\u00e9 le prix du jury au Festival international du film de Duba\u00ef (2012) et le prix du meilleur film au Festival du Film d\u2019Oran, en Alg\u00e9rie. Le deuxi\u00e8me long m\u00e9trage de Khan \u201cAbu Saddam\u201d<\/strong> (2021) a \u00e9t\u00e9 pr\u00e9sent\u00e9 en premi\u00e8re au 43e Festival International du Film du Caire et a remport\u00e9 le prix du Meilleur acteur avec Mohamed Mamdouh.<\/p>\n","protected":false},"excerpt":{"rendered":"

Synopsis\u00a0 Le chauffeur de camion exp\u00e9riment\u00e9 \u201cAbu Saddam\u201d obtient une mission de transport sur la route de la c\u00f4te nord apr\u00e8s avoir cess\u00e9 de travailler pendant des ann\u00e9es. Il decide qu\u2019il veut accomplir parfaitement sa mission pour compl\u00e9ter sa r\u00e9putation de travail, mais il fait face \u00e0 une petite situation sur la route et les […]<\/p>\n","protected":false},"author":7,"featured_media":3048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-3047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-section-fiction"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Adu-Saddam_Plan-de-travail-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3047"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3047\/revisions"}],"predecessor-version":[{"id":3052,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3047\/revisions\/3052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/3048"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3037,"date":"2023-02-06T13:08:23","date_gmt":"2023-02-06T13:08:23","guid":{"rendered":"https:\/\/fespaco.org\/?p=3037"},"modified":"2024-04-05T13:31:03","modified_gmt":"2024-04-05T13:31:03","slug":"safiatou-muriel-tiffani-yohou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/safiatou-muriel-tiffani-yohou\/","title":{"rendered":"Safiatou Muriel Tiffani YOHOU"},"content":{"rendered":"\n

YOHOU Safiatou Muriel Tiffani est \u00e9tudiante en production audiovisuelle \u00e0 l’institut des Sciences et Techniques de la Communication en C\u00f4te d\u2019Ivoire. Son ambition est de se former en \u00e9criture de sc\u00e9nario et dans la r\u00e9alisation.<\/p>\n","protected":false},"excerpt":{"rendered":"

YOHOU Safiatou Muriel Tiffani est \u00e9tudiante en production audiovisuelle \u00e0 l’institut des Sciences et Techniques de la Communication en C\u00f4te d\u2019Ivoire. Son ambition est de se former en \u00e9criture de sc\u00e9nario et dans la r\u00e9alisation.<\/p>\n","protected":false},"author":7,"featured_media":2961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Yohou-Muriel.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3037"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3037\/revisions"}],"predecessor-version":[{"id":3038,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3037\/revisions\/3038"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2961"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3035,"date":"2023-02-06T13:05:04","date_gmt":"2023-02-06T13:05:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=3035"},"modified":"2024-04-05T13:34:18","modified_gmt":"2024-04-05T13:34:18","slug":"hainikoye-sakinatou-seydou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/hainikoye-sakinatou-seydou\/","title":{"rendered":"Ha\u00efnikoye Sakinatou SEYDOU"},"content":{"rendered":"\n

Seydou Hainikaye SAKINATOU est \u00e9tudiante en Master II en Gestion des projets culturels. Se destinant au m\u00e9tier d\u2019Administratrice culturelle, elle d\u00e9j\u00e0 r\u00e9alis\u00e9\u2002deux courts m\u00e9trages dans le cadre de ses \u00e9tudes et travail\u2002e sur une s\u00e9rie comique de 24\u2002\u00e9pisodes, en tant que sc\u00e9nariste et r\u00e9alisatrice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Seydou Hainikaye SAKINATOU est \u00e9tudiante en Master II en Gestion des projets culturels. Se destinant au m\u00e9tier d\u2019Administratrice culturelle, elle d\u00e9j\u00e0 r\u00e9alis\u00e9\u2002deux courts m\u00e9trages dans le cadre de ses \u00e9tudes et travail\u2002e sur une s\u00e9rie comique de 24\u2002\u00e9pisodes, en tant que sc\u00e9nariste et r\u00e9alisatrice.<\/p>\n","protected":false},"author":7,"featured_media":2958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Seydou-Hainikoye.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3035"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3035\/revisions"}],"predecessor-version":[{"id":3036,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3035\/revisions\/3036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2958"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3033,"date":"2023-02-06T13:03:07","date_gmt":"2023-02-06T13:03:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=3033"},"modified":"2024-04-05T13:34:59","modified_gmt":"2024-04-05T13:34:59","slug":"momo-oulare","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/momo-oulare\/","title":{"rendered":"Momo OULARE"},"content":{"rendered":"\n

Apr\u00e8s une formation en cin\u00e9ma et audiovisuel option monteur image, il a particip\u00e9 au tournage de plusieurs courts m\u00e9trages en tant que perche-man, accessoiriste. Il a aussi mont\u00e9 quelques courts-m\u00e9trages de fictions et de documentaires de cr\u00e9ation. Son souhait est de se perfectionner en production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s une formation en cin\u00e9ma et audiovisuel option monteur image, il a particip\u00e9 au tournage de plusieurs courts m\u00e9trages en tant que perche-man, accessoiriste. Il a aussi mont\u00e9 quelques courts-m\u00e9trages de fictions et de documentaires de cr\u00e9ation. Son souhait est de se perfectionner en production.<\/p>\n","protected":false},"author":7,"featured_media":2956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Photo-Momo.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3033"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3033\/revisions"}],"predecessor-version":[{"id":3034,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3033\/revisions\/3034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2956"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3031,"date":"2023-02-06T13:01:06","date_gmt":"2023-02-06T13:01:06","guid":{"rendered":"https:\/\/fespaco.org\/?p=3031"},"modified":"2024-04-05T13:35:32","modified_gmt":"2024-04-05T13:35:32","slug":"justine-stella-nyandong-mbida","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/justine-stella-nyandong-mbida\/","title":{"rendered":"Justine stella NYANDONG Mbida"},"content":{"rendered":"\n

\u00c9tudiante en cin\u00e9ma \u00e0 l\u2019universit\u00e9 de Yaound\u00e9 1 passionn\u00e9e de cin\u00e9ma qui a d\u00e9cid\u00e9 de se donner les moyens d\u2019apprendre les rudiments de ce . sortir de ce programme avec plus de connaissances sur les m\u00e9tiers cin\u00e9matographiques.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9tudiante en cin\u00e9ma \u00e0 l\u2019universit\u00e9 de Yaound\u00e9 1 passionn\u00e9e de cin\u00e9ma qui a d\u00e9cid\u00e9 de se donner les moyens d\u2019apprendre les rudiments de ce . sortir de ce programme avec plus de connaissances sur les m\u00e9tiers cin\u00e9matographiques.<\/p>\n","protected":false},"author":7,"featured_media":2959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Stella-Nyandong.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3031"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3031\/revisions"}],"predecessor-version":[{"id":3032,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3031\/revisions\/3032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2959"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3028,"date":"2023-02-06T12:57:24","date_gmt":"2023-02-06T12:57:24","guid":{"rendered":"https:\/\/fespaco.org\/?p=3028"},"modified":"2024-04-05T13:36:08","modified_gmt":"2024-04-05T13:36:08","slug":"sylvestre-nsengimana","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/sylvestre-nsengimana\/","title":{"rendered":"Sylvestre NSENGIMANA"},"content":{"rendered":"\n

Sylvestre NSENGIMANA est un po\u00e8te, auteur,acteur, dramaturge et producteur. Il est dipl\u00f4m\u00e9 de l’Universit\u00e9 du Rwanda en 2016, et est l’initiateur du \u00ab\u00a0Rwanda Theatre Festival\u00a0\u00bb un \u00e9v\u00e9nement annuel, utilisant la plateforme UMUT Arts.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sylvestre NSENGIMANA est un po\u00e8te, auteur,acteur, dramaturge et producteur. Il est dipl\u00f4m\u00e9 de l’Universit\u00e9 du Rwanda en 2016, et est l’initiateur du \u00ab\u00a0Rwanda Theatre Festival\u00a0\u00bb un \u00e9v\u00e9nement annuel, utilisant la plateforme UMUT Arts.<\/p>\n","protected":false},"author":7,"featured_media":2960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Sylvestre-Nsengimana.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3028"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3028\/revisions"}],"predecessor-version":[{"id":3030,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3028\/revisions\/3030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2960"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3026,"date":"2023-02-06T12:55:29","date_gmt":"2023-02-06T12:55:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=3026"},"modified":"2024-04-05T13:36:36","modified_gmt":"2024-04-05T13:36:36","slug":"edsin-israel-heureux-nkoua","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/edsin-israel-heureux-nkoua\/","title":{"rendered":"Edsin Isra\u00ebl Heureux NKOUA"},"content":{"rendered":"\n

Apr\u00e8s plusieurs participations \u00e0 des ateliers de formation en jeu d\u2019acteur, il opte pour les m\u00e9tiers de l\u2019ombre du cin\u00e9ma, comme la r\u00e9alisation et l\u2019\u00e9criture des sc\u00e9narios. Il d\u00e9bute par des stages en cadrage, puis comme assistant de r\u00e9alisation. Il \u00e9crit dans le m\u00eame temps des sc\u00e9narii dont un recevra le prix du pitch au KAMBA\u2019S Awards. Il travaille au d\u00e9veloppement de sa premier projet de film.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s plusieurs participations \u00e0 des ateliers de formation en jeu d\u2019acteur, il opte pour les m\u00e9tiers de l\u2019ombre du cin\u00e9ma, comme la r\u00e9alisation et l\u2019\u00e9criture des sc\u00e9narios. Il d\u00e9bute par des stages en cadrage, puis comme assistant de r\u00e9alisation. Il \u00e9crit dans le m\u00eame temps des sc\u00e9narii dont un recevra le prix du pitch au […]<\/p>\n","protected":false},"author":7,"featured_media":2954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Nkoua-Israel.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3026"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3026\/revisions"}],"predecessor-version":[{"id":3027,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3026\/revisions\/3027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2954"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3024,"date":"2023-02-06T12:53:04","date_gmt":"2023-02-06T12:53:04","guid":{"rendered":"https:\/\/fespaco.org\/?p=3024"},"modified":"2024-04-05T13:37:21","modified_gmt":"2024-04-05T13:37:21","slug":"harouna-neya","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/harouna-neya\/","title":{"rendered":"Harouna NEYA"},"content":{"rendered":"\n

Harouna Neya est titulaire d’une licence en science et technique de l\u2019information et de communication et d’une autre en Arts dramatiques. Acteur au cin\u00e9ma, il joue des r\u00f4les dans plusieurs films avant de r\u00e9aliser un court m\u00e9trage. Actuellement, il entrevoit de r\u00e9aliser des projets de cin\u00e9ma documentaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Harouna Neya est titulaire d’une licence en science et technique de l\u2019information et de communication et d’une autre en Arts dramatiques. Acteur au cin\u00e9ma, il joue des r\u00f4les dans plusieurs films avant de r\u00e9aliser un court m\u00e9trage. Actuellement, il entrevoit de r\u00e9aliser des projets de cin\u00e9ma documentaire.<\/p>\n","protected":false},"author":7,"featured_media":2953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Neya.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3024"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3024\/revisions"}],"predecessor-version":[{"id":3025,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3024\/revisions\/3025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2953"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3022,"date":"2023-02-06T12:50:47","date_gmt":"2023-02-06T12:50:47","guid":{"rendered":"https:\/\/fespaco.org\/?p=3022"},"modified":"2024-04-05T13:37:54","modified_gmt":"2024-04-05T13:37:54","slug":"kaguereou-carine-mingadene","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kaguereou-carine-mingadene\/","title":{"rendered":"Kaguereou Carine MINGADENE"},"content":{"rendered":"\n

En 2017, Carine Kaguereou a soutenu une licence en r\u00e9alisation cin\u00e9ma et t\u00e9l\u00e9vision a l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel (ISMA) au B\u00e9nin avec \u00e0 la cl\u00e9 un premier court m\u00e9trage de fin d\u2019\u00e9tudes intitul\u00e9\u2002Biney. Plus tard elle part \u00e0 Dakar pour apprendre pendant 6 mois le m\u00e9tier de producteur. Elle d\u00e9veloppe des projets courts m\u00e9trage fiction et documentaire, avec la ferme volont\u00e9 de contribuer \u00e0 l\u2019\u00e9mergence du cin\u00e9ma tchadien.<\/p>\n","protected":false},"excerpt":{"rendered":"

En 2017, Carine Kaguereou a soutenu une licence en r\u00e9alisation cin\u00e9ma et t\u00e9l\u00e9vision a l\u2019Institut Sup\u00e9rieur des M\u00e9tiers de l\u2019Audiovisuel (ISMA) au B\u00e9nin avec \u00e0 la cl\u00e9 un premier court m\u00e9trage de fin d\u2019\u00e9tudes intitul\u00e9\u2002Biney. Plus tard elle part \u00e0 Dakar pour apprendre pendant 6 mois le m\u00e9tier de producteur. Elle d\u00e9veloppe des projets courts […]<\/p>\n","protected":false},"author":7,"featured_media":2941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Carine-KAGUEREOU.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3022"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3022\/revisions"}],"predecessor-version":[{"id":3023,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3022\/revisions\/3023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2941"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3020,"date":"2023-02-06T12:47:50","date_gmt":"2023-02-06T12:47:50","guid":{"rendered":"https:\/\/fespaco.org\/?p=3020"},"modified":"2024-04-05T13:39:28","modified_gmt":"2024-04-05T13:39:28","slug":"alohoutade-eriyomi-sedoa-habiba-metowanou","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/alohoutade-eriyomi-sedoa-habiba-metowanou\/","title":{"rendered":"Alohoutade Eriyomi S\u00eadoa Habiba METOWANOU"},"content":{"rendered":"\n

Jeune r\u00e9alisatrice, bloggeuse, journaliste, elle a entam\u00e9 sa carri\u00e8re cin\u00e9matographique en 2021. Elle a \u00e9t\u00e9 laur\u00e9ate au Clap-Ivoire 2022, avec son film Tchotcho.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jeune r\u00e9alisatrice, bloggeuse, journaliste, elle a entam\u00e9 sa carri\u00e8re cin\u00e9matographique en 2021. Elle a \u00e9t\u00e9 laur\u00e9ate au Clap-Ivoire 2022, avec son film Tchotcho.<\/p>\n","protected":false},"author":7,"featured_media":2952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Metowanou.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3020"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3020\/revisions"}],"predecessor-version":[{"id":3021,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3020\/revisions\/3021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2952"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3018,"date":"2023-02-06T12:45:29","date_gmt":"2023-02-06T12:45:29","guid":{"rendered":"https:\/\/fespaco.org\/?p=3018"},"modified":"2024-04-05T13:39:57","modified_gmt":"2024-04-05T13:39:57","slug":"priscilla-marealle","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/priscilla-marealle\/","title":{"rendered":"Priscilla Marealle"},"content":{"rendered":"\n

Priscilla est une r\u00e9alisatrice et \u00e9crivaine bas\u00e9e \u00e0 Dar esSalam, Tanzanie. En plus d’\u00eatre une peintre Priscilla a une exp\u00e9rience consid\u00e9rable de travail dans les m\u00e9dias et l’industrie cin\u00e9matographique tanzaniens. Priscilla est b\u00e9n\u00e9ficiaire du DW Filmfunds et d\u00e9veloppe actuellement son premier long m\u00e9trage.<\/p>\n","protected":false},"excerpt":{"rendered":"

Priscilla est une r\u00e9alisatrice et \u00e9crivaine bas\u00e9e \u00e0 Dar esSalam, Tanzanie. En plus d’\u00eatre une peintre Priscilla a une exp\u00e9rience consid\u00e9rable de travail dans les m\u00e9dias et l’industrie cin\u00e9matographique tanzaniens. Priscilla est b\u00e9n\u00e9ficiaire du DW Filmfunds et d\u00e9veloppe actuellement son premier long m\u00e9trage.<\/p>\n","protected":false},"author":7,"featured_media":2957,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Priscilla.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3018"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3018\/revisions"}],"predecessor-version":[{"id":3019,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3018\/revisions\/3019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2957"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3016,"date":"2023-02-06T12:42:55","date_gmt":"2023-02-06T12:42:55","guid":{"rendered":"https:\/\/fespaco.org\/?p=3016"},"modified":"2024-04-05T13:40:25","modified_gmt":"2024-04-05T13:40:25","slug":"barkima-nafissatou-laguempedo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/barkima-nafissatou-laguempedo\/","title":{"rendered":"Barkima Nafissatou LAGUEMPEDO"},"content":{"rendered":"\n

Communicatrice de formation elle se d\u00e9couvre en 2018 une passion pour le cin\u00e9ma. Aujourd’hui jeune auteure, elle porte plusieurs projets de films courts fiction ou documentaire. Nafissatou poursuit sa formation au sein de l\u2019association TAAFE VISION qui lutte pour une meilleure repr\u00e9sentativit\u00e9 des femmes dans l’industrie du cin\u00e9ma et de l’audiovisuel au Burkina Faso.<\/p>\n","protected":false},"excerpt":{"rendered":"

Communicatrice de formation elle se d\u00e9couvre en 2018 une passion pour le cin\u00e9ma. Aujourd’hui jeune auteure, elle porte plusieurs projets de films courts fiction ou documentaire. Nafissatou poursuit sa formation au sein de l\u2019association TAAFE VISION qui lutte pour une meilleure repr\u00e9sentativit\u00e9 des femmes dans l’industrie du cin\u00e9ma et de l’audiovisuel au Burkina Faso.<\/p>\n","protected":false},"author":7,"featured_media":2950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Languempedo.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3016"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3016\/revisions"}],"predecessor-version":[{"id":3017,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3016\/revisions\/3017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2950"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3014,"date":"2023-02-06T12:40:21","date_gmt":"2023-02-06T12:40:21","guid":{"rendered":"https:\/\/fespaco.org\/?p=3014"},"modified":"2024-04-05T13:40:56","modified_gmt":"2024-04-05T13:40:56","slug":"koffi-jude-koudaya","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/koffi-jude-koudaya\/","title":{"rendered":"Koffi Jude KOUDAYA"},"content":{"rendered":"\n

Jude KOUDAYA, \u00a0est un ancien pensionnaire de Institut Sup\u00e9rieur Don Bosco, qui a travaill\u00e9 comme assistant cadreur, assistant r\u00e9alisateur et directeur de la photographie sur diff\u00e9rents plateaux. Il a aussi particip\u00e9 \u00e0 plusieurs ateliers comme off court de Trouville et film foward du Togo. Ce qui lui a permis de r\u00e9aliser son premier et son second court m\u00e9trage en 2021<\/p>\n","protected":false},"excerpt":{"rendered":"

Jude KOUDAYA, \u00a0est un ancien pensionnaire de Institut Sup\u00e9rieur Don Bosco, qui a travaill\u00e9 comme assistant cadreur, assistant r\u00e9alisateur et directeur de la photographie sur diff\u00e9rents plateaux. Il a aussi particip\u00e9 \u00e0 plusieurs ateliers comme off court de Trouville et film foward du Togo. Ce qui lui a permis de r\u00e9aliser son premier et son […]<\/p>\n","protected":false},"author":7,"featured_media":2949,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Koudaya.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3014"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3014\/revisions"}],"predecessor-version":[{"id":3015,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3014\/revisions\/3015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2949"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3012,"date":"2023-02-06T12:36:46","date_gmt":"2023-02-06T12:36:46","guid":{"rendered":"https:\/\/fespaco.org\/?p=3012"},"modified":"2024-04-05T13:45:16","modified_gmt":"2024-04-05T13:45:16","slug":"allan-charvet-kouame","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/allan-charvet-kouame\/","title":{"rendered":"Allan Charvet KOUAME"},"content":{"rendered":"\n

Infographiste freelance depuis 2020 et \u00e9tudiant en cin\u00e9ma-audiovisuel \u00e0 l’Institut National Sup\u00e9rieur des Arts et de l \u2018Action Culturelle (INSAAC) \u00e0 Abidjan. Passionn\u00e9 du cin\u00e9ma il continue d\u2019apprendre le montage vid\u00e9o et d’autre m\u00e9tiers du cin\u00e9ma<\/p>\n","protected":false},"excerpt":{"rendered":"

Infographiste freelance depuis 2020 et \u00e9tudiant en cin\u00e9ma-audiovisuel \u00e0 l’Institut National Sup\u00e9rieur des Arts et de l \u2018Action Culturelle (INSAAC) \u00e0 Abidjan. Passionn\u00e9 du cin\u00e9ma il continue d\u2019apprendre le montage vid\u00e9o et d’autre m\u00e9tiers du cin\u00e9ma<\/p>\n","protected":false},"author":7,"featured_media":2939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Allan-Charvet.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3012"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3012\/revisions"}],"predecessor-version":[{"id":3013,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3012\/revisions\/3013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2939"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":3006,"date":"2023-02-06T12:29:07","date_gmt":"2023-02-06T12:29:07","guid":{"rendered":"https:\/\/fespaco.org\/?p=3006"},"modified":"2024-04-05T13:45:39","modified_gmt":"2024-04-05T13:45:39","slug":"assetou-kone","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/assetou-kone\/","title":{"rendered":"Assetou KONE"},"content":{"rendered":"\n

Assetou\u2000KONE est dipl\u00f4m\u00e9e en Licence professionnelle Multim\u00e9dia et sortie Major de sa promotion. Elle poursuit ses \u00e9tudes de sp\u00e9cialisation en cin\u00e9ma au Centre Yennenga \u00e0 Dakar\/S\u00e9n\u00e9gal et des \u00e9tudes en Master au SUP \u2019IMAX-Institut sup\u00e9rieur des Arts et M\u00e9tiers du Num\u00e9rique .Elle a \u00e0 son actif trois (3) films fictions de courts m\u00e9trages et un (1) Documentaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Assetou\u2000KONE est dipl\u00f4m\u00e9e en Licence professionnelle Multim\u00e9dia et sortie Major de sa promotion. Elle poursuit ses \u00e9tudes de sp\u00e9cialisation en cin\u00e9ma au Centre Yennenga \u00e0 Dakar\/S\u00e9n\u00e9gal et des \u00e9tudes en Master au SUP \u2019IMAX-Institut sup\u00e9rieur des Arts et M\u00e9tiers du Num\u00e9rique .Elle a \u00e0 son actif trois (3) films fictions de courts m\u00e9trages et un […]<\/p>\n","protected":false},"author":7,"featured_media":2948,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-3006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kone-assetou.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=3006"}],"version-history":[{"count":4,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3006\/revisions"}],"predecessor-version":[{"id":3011,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/3006\/revisions\/3011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2948"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=3006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=3006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=3006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2984,"date":"2023-02-06T11:58:48","date_gmt":"2023-02-06T11:58:48","guid":{"rendered":"https:\/\/fespaco.org\/?p=2984"},"modified":"2024-04-05T13:46:03","modified_gmt":"2024-04-05T13:46:03","slug":"tousmy-kilo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/tousmy-kilo\/","title":{"rendered":"Tousmy KILO"},"content":{"rendered":"

Kilo Kayoko Tousmy, est dipl\u00f4m\u00e9e en Arts dramatiques. En 2021, dans le cadre de films d\u2019\u00e9cole, elle\u2000r\u00e9alise TFC, une com\u00e9die fictionnelle de 15 minutes. Elle travaille par la suite comme assistante de production ou comme cosc\u00e9nariste dans de nombreux projets. Actuellement, Tousmy travaille sur l\u2019\u00e9criture de son prochain film.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kilo Kayoko Tousmy, est dipl\u00f4m\u00e9e en Arts dramatiques. En 2021, dans le cadre de films d\u2019\u00e9cole, elle\u2000r\u00e9alise TFC, une com\u00e9die fictionnelle de 15 minutes. Elle travaille par la suite comme assistante de production ou comme cosc\u00e9nariste dans de nombreux projets. Actuellement, Tousmy travaille sur l\u2019\u00e9criture de son prochain film.<\/p>\n","protected":false},"author":7,"featured_media":2947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kilo.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2984"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2984\/revisions"}],"predecessor-version":[{"id":2987,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2984\/revisions\/2987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2947"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2979,"date":"2023-02-06T11:56:05","date_gmt":"2023-02-06T11:56:05","guid":{"rendered":"https:\/\/fespaco.org\/?p=2979"},"modified":"2024-04-05T13:46:28","modified_gmt":"2024-04-05T13:46:28","slug":"delwende-deplhine-kabore","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/delwende-deplhine-kabore\/","title":{"rendered":"Delwend\u00e9 Deplhine KABORE"},"content":{"rendered":"

Delphine Delwend\u00e9\u2000KABORE est une jeune monteuse, \u00c9talonneuse qui a \u00e9t\u00e9 form\u00e9e l\u2019Institut Sup\u00e9rieur de l\u2019Image et du son de Ouagadougou. Apr\u00e8s son premier court m\u00e9trage \u201cNos Voisins\u201c, elle s\u2019est inscrite comme\u2000\u00e9tudiante en Etalonnage au Centre Yennenga de Dakar afin de parfaire ses connaissances.<\/p>\n","protected":false},"excerpt":{"rendered":"

Delphine Delwend\u00e9\u2000KABORE est une jeune monteuse, \u00c9talonneuse qui a \u00e9t\u00e9 form\u00e9e l\u2019Institut Sup\u00e9rieur de l\u2019Image et du son de Ouagadougou. Apr\u00e8s son premier court m\u00e9trage \u201cNos Voisins\u201c, elle s\u2019est inscrite comme\u2000\u00e9tudiante en Etalonnage au Centre Yennenga de Dakar afin de parfaire ses connaissances.<\/p>\n","protected":false},"author":7,"featured_media":2955,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/PHOT-DELPHINE.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2979"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2979\/revisions"}],"predecessor-version":[{"id":3000,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2979\/revisions\/3000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2955"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2976,"date":"2023-02-06T11:50:52","date_gmt":"2023-02-06T11:50:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=2976"},"modified":"2024-04-05T13:46:51","modified_gmt":"2024-04-05T13:46:51","slug":"mkhabela-fezeka","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/mkhabela-fezeka\/","title":{"rendered":"Mkhabela FEZEKA"},"content":{"rendered":"

Fezeka Hlengiwe Mkhabela est une conteuse, \u00e9crivaine, po\u00e8te et cin\u00e9aste. Elle est titulaire d’un BA Film and Television Production. En 2016, elle a re\u00e7u le prix Junaid Ahmed du meilleur documentaire pour un film exp\u00e9rimental intitul\u00e9 Hlengiwe qu’elle a co-\u00e9crit. Sa s\u00e9rie Web Nefro a \u00e9t\u00e9 acclam\u00e9e par la critique sur la plateforme de culture populaire Bubblegum Magazine South Africa et diffus\u00e9e en 2021 sur Reel\u2019d Shorts South Africa.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fezeka Hlengiwe Mkhabela est une conteuse, \u00e9crivaine, po\u00e8te et cin\u00e9aste. Elle est titulaire d’un BA Film and Television Production. En 2016, elle a re\u00e7u le prix Junaid Ahmed du meilleur documentaire pour un film exp\u00e9rimental intitul\u00e9 Hlengiwe qu’elle a co-\u00e9crit. Sa s\u00e9rie Web Nefro a \u00e9t\u00e9 acclam\u00e9e par la critique sur la plateforme de culture […]<\/p>\n","protected":false},"author":7,"featured_media":2944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Fezeka-1.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2976"}],"version-history":[{"count":2,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2976\/revisions"}],"predecessor-version":[{"id":2978,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2976\/revisions\/2978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2944"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2972,"date":"2023-02-06T11:47:56","date_gmt":"2023-02-06T11:47:56","guid":{"rendered":"https:\/\/fespaco.org\/?p=2972"},"modified":"2024-04-05T13:50:35","modified_gmt":"2024-04-05T13:50:35","slug":"lisa-hadassa-feidangamo","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/lisa-hadassa-feidangamo\/","title":{"rendered":"Lisa Hadassa FEIDANGAMO"},"content":{"rendered":"

Passionn\u00e9e du cin\u00e9ma et de la production, elle a \u00e9t\u00e9\u2000s\u00e9lectionn\u00e9e en fin d\u2019ann\u00e9e 2020 parmi plus de 300 candidatures pour participer au projet de formation europ\u00e9enne aux m\u00e9tiers du cin\u00e9ma fiction en R\u00e9publique Centrafricaine financ\u00e9e\u2000par le Minist\u00e8re de l\u2019Europe et des Affaires \u00e9trang\u00e8res par le biais de l\u2019Ambassade de France \u00e0 Bangui, avec l\u2019apport p\u00e9dagogique de la CINEFABRIQUE \u00e9cole Nationale de Cin\u00e9ma et de Multim\u00e9dia de Lyon, o\u00f9\u2000elle a \u00e9t\u00e9 admise dans le d\u00e9partement Production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Passionn\u00e9e du cin\u00e9ma et de la production, elle a \u00e9t\u00e9\u2000s\u00e9lectionn\u00e9e en fin d\u2019ann\u00e9e 2020 parmi plus de 300 candidatures pour participer au projet de formation europ\u00e9enne aux m\u00e9tiers du cin\u00e9ma fiction en R\u00e9publique Centrafricaine financ\u00e9e\u2000par le Minist\u00e8re de l\u2019Europe et des Affaires \u00e9trang\u00e8res par le biais de l\u2019Ambassade de France \u00e0 Bangui, avec l\u2019apport p\u00e9dagogique […]<\/p>\n","protected":false},"author":7,"featured_media":2951,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Lisa-Feidangamo.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2972"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2972\/revisions"}],"predecessor-version":[{"id":2974,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2972\/revisions\/2974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2951"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2970,"date":"2023-02-06T11:45:27","date_gmt":"2023-02-06T11:45:27","guid":{"rendered":"https:\/\/fespaco.org\/?p=2970"},"modified":"2024-04-05T13:51:18","modified_gmt":"2024-04-05T13:51:18","slug":"amy-faye","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/amy-faye\/","title":{"rendered":"Amy FAYE"},"content":{"rendered":"

\u00c9tudiante en communication journalisme, elle est actrice de cin\u00e9ma, mod\u00e8le photo, chroniqueuse et sc\u00e9nariste. Passionn\u00e9e de cin\u00e9ma, elle a d\u00e9j\u00e0 particip\u00e9 \u00e0 des formations en \u00e9criture de sc\u00e9nario.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9tudiante en communication journalisme, elle est actrice de cin\u00e9ma, mod\u00e8le photo, chroniqueuse et sc\u00e9nariste. Passionn\u00e9e de cin\u00e9ma, elle a d\u00e9j\u00e0 particip\u00e9 \u00e0 des formations en \u00e9criture de sc\u00e9nario.<\/p>\n","protected":false},"author":7,"featured_media":2940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Amy-Faye.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2970"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2970\/revisions"}],"predecessor-version":[{"id":2971,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2970\/revisions\/2971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2940"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2966,"date":"2023-02-06T11:42:52","date_gmt":"2023-02-06T11:42:52","guid":{"rendered":"https:\/\/fespaco.org\/?p=2966"},"modified":"2024-04-05T13:53:01","modified_gmt":"2024-04-05T13:53:01","slug":"daniel-duval","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/daniel-duval\/","title":{"rendered":"Daniel DUVAL"},"content":{"rendered":"

Daniel Duval est vid\u00e9aste et a \u00e9t\u00e9 laur\u00e9ates du Prix Visa Pour La Cr\u00e9ation en 2022. Apr\u00e8s ses \u00e9tudes secondaires, Elle se dirige vers le journalisme. Elle a ensuite suivi une formation en technique et prise de son avant de se lancer dans la r\u00e9alisation de plusieurs courts m\u00e9trages.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daniel Duval est vid\u00e9aste et a \u00e9t\u00e9 laur\u00e9ates du Prix Visa Pour La Cr\u00e9ation en 2022. Apr\u00e8s ses \u00e9tudes secondaires, Elle se dirige vers le journalisme. Elle a ensuite suivi une formation en technique et prise de son avant de se lancer dans la r\u00e9alisation de plusieurs courts m\u00e9trages.<\/p>\n","protected":false},"author":7,"featured_media":2943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Duval-Daniel.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2966"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2966\/revisions"}],"predecessor-version":[{"id":2969,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2966\/revisions\/2969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2943"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2963,"date":"2023-02-06T11:35:42","date_gmt":"2023-02-06T11:35:42","guid":{"rendered":"https:\/\/fespaco.org\/?p=2963"},"modified":"2024-04-05T13:51:56","modified_gmt":"2024-04-05T13:51:56","slug":"kayaba-anais-irma-kere","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/kayaba-anais-irma-kere\/","title":{"rendered":"Kayaba Ana\u00efs Irma KERE"},"content":{"rendered":"

Elle est titulaire d’une licence en journalisme et a particip\u00e9 en tant que co-auteur au d\u00e9veloppement de la s\u00e9rie produite par Canal Plus \u00ab\u00a0De plus en plus\u00a0\u00bb loin originale du Burkina Faso de\u2000nom\u2000de \u00a0\u00bb \u00a0\u00bb sortie en 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

Elle est titulaire d’une licence en journalisme et a particip\u00e9 en tant que co-auteur au d\u00e9veloppement de la s\u00e9rie produite par Canal Plus \u00ab\u00a0De plus en plus\u00a0\u00bb loin originale du Burkina Faso de\u2000nom\u2000de \u00a0\u00bb \u00a0\u00bb sortie en 2022.<\/p>\n","protected":false},"author":7,"featured_media":2946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Kere.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2963"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2963\/revisions"}],"predecessor-version":[{"id":2964,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2963\/revisions\/2964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2946"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2936,"date":"2023-02-06T11:23:19","date_gmt":"2023-02-06T11:23:19","guid":{"rendered":"https:\/\/fespaco.org\/?p=2936"},"modified":"2024-04-05T13:52:25","modified_gmt":"2024-04-05T13:52:25","slug":"diana-adehor","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/diana-adehor\/","title":{"rendered":"Diana ADEHOR"},"content":{"rendered":"

Adehor Diana est titulaire d\u2019un Bachelor \u00a0en Arts et Production cin\u00e9matographique. Tr\u00e8s active, elle travaille sur de nombreux projets comme. Superviseur de sc\u00e9nario dans divers films et \u00e9missions de t\u00e9l\u00e9vision de Nollywood s\u00e9ries<\/p>\n","protected":false},"excerpt":{"rendered":"

Adehor Diana est titulaire d\u2019un Bachelor \u00a0en Arts et Production cin\u00e9matographique. Tr\u00e8s active, elle travaille sur de nombreux projets comme. Superviseur de sc\u00e9nario dans divers films et \u00e9missions de t\u00e9l\u00e9vision de Nollywood s\u00e9ries<\/p>\n","protected":false},"author":7,"featured_media":2942,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/02\/Diana-Adehor.png","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2936"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2936\/revisions"}],"predecessor-version":[{"id":2962,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2936\/revisions\/2962"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2942"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2905,"date":"2023-01-31T07:30:16","date_gmt":"2023-01-31T07:30:16","guid":{"rendered":"https:\/\/fespaco.org\/?p=2905"},"modified":"2023-01-31T08:09:59","modified_gmt":"2023-01-31T08:09:59","slug":"announcements-of-the-yennenga-ii-results","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/announcements-of-the-yennenga-ii-results\/","title":{"rendered":"Announcements of the Yennenga II results"},"content":{"rendered":"

Following the call for applications and projects launched from July 19 to September 30, 2022, the General Delegation of FESPACO is pleased to announce the final list of candidates and projects selected for the second edition of the Yennenga Workshops. These Workshops will take place during the 28th edition of FESPACO scheduled from February 25 to March 4, 2023 in Ouagadougou. The work of the selection committee presents the following results:<\/p>\n

I- YENNENGA POST-PRODUCTION WORKSHOP<\/strong><\/p>\n

Eight (08) feature film projects (fiction and documentary) were selected.<\/p>\n

    \n
  1. All The Colours of the World Are Between Black and White<\/em>, fiction of Babatunde APALOWO, Nigeria;<\/li>\n
  2. Banel & Adama<\/em>, fiction of Ramata-Toulaye SY, Senegal;<\/li>\n
  3. Klema<\/em>, documentary of Boubacar Gakou TOURE, Mali\u00a0;<\/li>\n
  4. Kundu<\/em>, fiction of Ori Huchi KOZIA, Congo\u00a0;<\/li>\n
  5. Ozona<\/em>, Farewell dreamers<\/em>, fiction of Haminiaina RATOVOARIVONY, Madagascar;<\/li>\n
  6. Ressacs<\/em>, une histoire Touar\u00e8gue<\/em>, documentary of El Ansari INTAGRIST, Mauritania\u00a0;<\/li>\n
  7. You don’t die two times<\/em>, documentary of Ager OUESLATI, Algeria;<\/li>\n
  8. Goufd\u00e9<\/em>, fiction of Oumar BA, Senegal<\/li>\n<\/ol>\n

    \"\"<\/p>\n

     <\/p>\n

    II- YENNENGA ACADEMY WORKSHOP<\/strong><\/p>\n

    For fifteen (15) participants announced, twenty-two (22) young aspiring filmmakers from all over the African continent and the Diaspora were selected,<\/p>\n

      \n
    1. Miss ADEHOR Diana, Nigeria\u00a0;<\/li>\n
    2. Miss DUVAL Daniel, Ha\u00efti\u00a0;<\/li>\n
    3. Miss FAYE Amy, Senegal\u00a0;<\/li>\n
    4. Miss FEIDANGAMO Lisa Hadassa, Central African Republic;<\/li>\n
    5. Miss FEZEKA Mkhabela, South Africa;<\/li>\n
    6. Miss KABORE Delwend\u00e9 Deplhine, Burkina Faso;<\/li>\n
    7. Miss KERE Kayaba Ana\u00efs Irma, Burkina Faso;<\/li>\n
    8. Miss KILO Tousmy, D.R. Congo;<\/li>\n
    9. Miss KONE Assetou, Mali\u00a0;<\/li>\n
    10. KOUAME Allan Charvet, C\u00f4te d’Ivoire\u00a0;<\/li>\n
    11. KOUDAYA Koffi Jude, Togo;<\/li>\n
    12. Miss LAGUEMPEDO Barkima Nafissatou, Burkina Faso;<\/li>\n
    13. Miss Priscilla MAREALLE, Tanzania\u00a0;<\/li>\n
    14. Miss METOWANOU Alohoutade Eriyomi S\u00eadoa Habiba, Benin;<\/li>\n
    15. Miss MINGADENE Kaguereou Carine, Chad;<\/li>\n
    16. NEYA Harouna, Burkina Faso;<\/li>\n
    17. NKOUA Edsin Isra\u00ebl Heureux, Congo Brazzaville\u00a0;<\/li>\n
    18. NSENGIMANA Sylvestre, Rwanda\u00a0;<\/li>\n
    19. Miss NYANDONG Mbida Justine Stella, Cameroon;<\/li>\n
    20. OULARE Momo de la R\u00e9publique, Guinea\u00a0;<\/li>\n
    21. Miss SEYDOU Ha\u00efnikoye Sakinatou, Niger;<\/li>\n
    22. Miss YOHOU Safiatou Muriel Tiffani, C\u00f4te d’Ivoire<\/li>\n<\/ol>\n

      \"\"<\/p>\n

      The Yennenga Academy Workshop\u00a0is supported by film director \u00a0A\u00efcha Macky KIDY<\/strong>\u00a0from Niger<\/p>\n

      The Yennenga Workshops are organized in partnership with<\/strong><\/p>\n

      The Centre National du Cin\u00e9ma et de l’Image Anim\u00e9e, CNC (France), the Collectif g\u00e9n\u00e9ration cr\u00e9ative (Burkina Faso), Red Sea Film Festival (Saudi Arabia), the Organisation Internationale de la Francophonie (OIF), Path\u00e9 BC (France)<\/strong>\u00a0<\/strong><\/p>\n

      www.<\/strong>fespaco<\/strong>.org<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

      Following the call for applications and projects launched from July 19 to September 30, 2022, the General Delegation of FESPACO is pleased to announce the final list of candidates and projects selected for the second edition of the Yennenga Workshops. These Workshops will take place during the 28th edition of FESPACO scheduled from February 25 […]<\/p>\n","protected":false},"author":2,"featured_media":2903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-2905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/01\/YENNENGA-ACADEMY.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2905"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2905\/revisions"}],"predecessor-version":[{"id":2906,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2905\/revisions\/2906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2903"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2901,"date":"2023-01-31T07:30:12","date_gmt":"2023-01-31T07:30:12","guid":{"rendered":"https:\/\/fespaco.org\/?p=2901"},"modified":"2023-01-30T18:54:00","modified_gmt":"2023-01-30T18:54:00","slug":"proclamation-des-resultats-des-ateliers-yennenga-ii","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/proclamation-des-resultats-des-ateliers-yennenga-ii\/","title":{"rendered":"Proclamation des r\u00e9sultats des Ateliers Yennenga II"},"content":{"rendered":"

      Suite \u00e0 l\u2019appel \u00e0 candidature et \u00e0 projets lanc\u00e9 du 19 juillet au 30 septembre 2022, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la deuxi\u00e8me \u00e9dition des Ateliers Yennenga. Ces Ateliers se d\u00e9rouleront lors de la 28\u00e8me<\/sup> \u00e9dition du FESPACO pr\u00e9vue du\u00a025 f\u00e9vrier au 4 mars 2023 <\/strong>\u00e0 Ouagadougou. Les travaux du comit\u00e9 de s\u00e9lection pr\u00e9sentent les r\u00e9sultats suivants\u00a0:<\/p>\n

      I- ATELIER YENNENGA POST-PRODUCTION<\/strong><\/h2>\n

      Huit (08) projets de films longs m\u00e9trages (fiction et documentaire) en finition ont \u00e9t\u00e9 retenus.<\/p>\n

        \n
      1. All The Colours of the World Are Between Black and White<\/em>, fiction de Babatunde APALOWO du Nig\u00e9ria;<\/li>\n
      2. Banel & Adama<\/em>, fiction de Ramata-Toulaye SY\u00a0du S\u00e9n\u00e9gal\u00a0;<\/li>\n
      3. Klema<\/em>, documentaire de Boubacar Gakou TOURE du Mali\u00a0;<\/li>\n
      4. Kundu<\/em>, fiction de Ori Huchi KOZIA du Congo\u00a0;<\/li>\n
      5. Ozona<\/em>, Farewell dreamers<\/em>, fiction de Haminiaina RATOVOARIVONY de Madagascar;<\/li>\n
      6. Ressacs<\/em>, une histoire Touar\u00e8gue<\/em>, documentaire de El Ansari INTAGRIST de la Mauritanie\u00a0;<\/li>\n
      7. You don’t die two times<\/em>, documentaire de Ager OUESLATI de l\u2019Alg\u00e9rie\u00a0;<\/li>\n
      8. Goufd\u00e9<\/em>, fiction de Oumar BA du S\u00e9n\u00e9gal<\/li>\n<\/ol>\n

        \"\"<\/p>\n

        II- ATELIER YENNENGA ACADEMY<\/strong><\/h2>\n

        Pour quinze (15) participants annonc\u00e9s, ce sont, finalement, vingt-deux (22) <\/strong>jeunes aspirants aux m\u00e9tiers du cin\u00e9ma venant de tout le continent africain de la diaspora qui sont retenus,<\/p>\n

          \n
        1. Mlle ADEHOR Diana, Nigeria\u00a0;<\/li>\n
        2. Mlle DUVAL Daniel, Ha\u00efti\u00a0;<\/li>\n
        3. Mlle FAYE Amy, S\u00e9n\u00e9gal\u00a0;<\/li>\n
        4. Mlle FEIDANGAMO Lisa Hadassa, R\u00e9publique Centrafricaine\u00a0;<\/li>\n
        5. Mlle FEZEKA Mkhabela, Afrique du sud\u00a0;<\/li>\n
        6. Mlle KABORE Delwend\u00e9 Deplhine, Burkina Faso\u00a0;<\/li>\n
        7. Mlle KERE Kayaba Ana\u00efs Irma, Burkina Faso;<\/li>\n
        8. Mlle KILO Tousmy, R. D. Congo;<\/li>\n
        9. Mlle KONE Assetou, Mali\u00a0;<\/li>\n
        10. KOUAME Allan Charvet, C\u00f4te d’Ivoire\u00a0;<\/li>\n
        11. KOUDAYA Koffi Jude, Togo\u00a0;<\/li>\n
        12. Mlle LAGUEMPEDO Barkima Nafissatou, Burkina Faso;<\/li>\n
        13. Mlle Priscilla MAREALLE, Tanzanie\u00a0;<\/li>\n
        14. Mlle METOWANOU Alohoutade Eriyomi S\u00eadoa Habiba, B\u00e9nin\u00a0;<\/li>\n
        15. Mlle MINGADENE Kaguereou Carine, Tchad\u00a0;<\/li>\n
        16. NEYA Harouna, Burkina Faso;<\/li>\n
        17. NKOUA Edsin Isra\u00ebl Heureux, Congo Brazzaville\u00a0;<\/li>\n
        18. NSENGIMANA Sylvestre, Rwanda\u00a0;<\/li>\n
        19. Mlle NYANDONG Mbida Justine Stella, Cameroun\u00a0;<\/li>\n
        20. OULARE Momo de la R\u00e9publique, Guin\u00e9e\u00a0;<\/li>\n
        21. Mlle SEYDOU Ha\u00efnikoye Sakinatou, Niger\u00a0;<\/li>\n
        22. Mlle YOHOU Safiatou Muriel Tiffani, C\u00f4te d’Ivoire<\/li>\n<\/ol>\n

          \"\"<\/p>\n

          Le Yennenga Academy est plac\u00e9 sous le parrainage de la r\u00e9alisatrice nig\u00e9rienne A\u00efcha Macky<\/strong>.<\/p>\n

          Les Ateliers Yennenga sont organis\u00e9s en partenariat avec\u00a0:<\/strong><\/p>\n

          Le Centre National du Cin\u00e9ma et de l\u2019Image Anim\u00e9e, CNC (France), le Collectif g\u00e9n\u00e9ration cr\u00e9ative (Burkina Faso), Red Sea Film Festival (Arabie Saoudite), l\u2019Organisation Internationale de la Francophonie (OIF), Path\u00e9 BC (France).<\/strong><\/p>\n

          www.<\/strong>fespaco<\/strong>.org<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

          Suite \u00e0 l\u2019appel \u00e0 candidature et \u00e0 projets lanc\u00e9 du 19 juillet au 30 septembre 2022, la d\u00e9l\u00e9gation g\u00e9n\u00e9rale du FESPACO a le plaisir de porter \u00e0 la connaissance des professionnels du cin\u00e9ma et de l\u2019audiovisuel, la liste d\u00e9finitive des candidats et des projets retenus pour la deuxi\u00e8me \u00e9dition des Ateliers Yennenga. Ces Ateliers se […]<\/p>\n","protected":false},"author":2,"featured_media":2903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fespaco-news"],"jetpack_featured_media_url":"https:\/\/fespaco.bf\/wp-content\/uploads\/2023\/01\/YENNENGA-ACADEMY.jpeg","_links":{"self":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/comments?post=2901"}],"version-history":[{"count":1,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2901\/revisions"}],"predecessor-version":[{"id":2904,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/posts\/2901\/revisions\/2904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media\/2903"}],"wp:attachment":[{"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/media?parent=2901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/categories?post=2901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fespaco.bf\/wp-json\/wp\/v2\/tags?post=2901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":2799,"date":"2023-01-24T08:43:01","date_gmt":"2023-01-24T08:43:01","guid":{"rendered":"https:\/\/fespaco.org\/?p=2799"},"modified":"2025-02-05T11:47:27","modified_gmt":"2025-02-05T11:47:27","slug":"co-production-market","status":"publish","type":"post","link":"https:\/\/fespaco.bf\/en\/co-production-market\/","title":{"rendered":"CO-PRODUCTION MARKET"},"content":{"rendered":"

          \n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
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          \n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
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          \n\t\t\t
          \n\n\t\t\t\t
          \"Au-d\u00e9la<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tAu-d\u00e9la des barreaux<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Aim\u00e9 BADO, Burkina Faso, 2024 SYNOPSISGermain, a thirty-year-old carpenter, well-liked by everyone, is accused of Igor\u2019s murder and sentenced to 15 years in prison. Upon his release, he embarks on a tumultuous journey for truth and redemption. Determined to prove his...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"BLACK<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tBLACK VOLTA<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Floriane ZOUNDI, Burkina Faso, 2024 SYNOPSISIn a small village, illegal gold miners cause a mine collapse, resulting in the death of a farmer in his field. Outraged, the villagers expel the miners and block access to the mine. However, the terrorist group backing the...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"DINGAM\"<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tDINGAM<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Richade GAMI ASTOIGUETchad, 2024 SYNOPSIS DINGAM, a 12-year-old deaf-mute boy living in Doba, Chad, possesses a unique gift: the ability to draw and predict the future. His father, NGAR, secures a job at a Russian company, but this opportunity triggers a dark cycle of...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"THE<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tTHE THIRD G\u00c9L\u00c9<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          John Oluwole ADEKOJE, Nigeria SYNOPSIS During a thrilling journey across the vibrant landscapes of Africa, The Third G\u00e9l\u00e9 follows an extraordinary league of Pan-African women, the AJUMOSE, whose mission is to find their third crown. Led by IYA, a 400-year-old Yoruba...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"THE<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tTHE SUNFLOWERS OF THE MOON<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Ismail Louati, Tunisia SYNOPSIS In 2001, in the red-light district of Tunis, Hayet is born. Her mother is stabbed to death on the very bed where she has just given birth. Hayet is raised by Kmar, a sex worker, and Fatma, a madam. She grows up confined within the...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"SAMIYA,<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tSAMIYA, LA SAISON DES AMOURS<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Ousmane Diagana, Mauritania, 2024 SYNOPSIS Bamby, an 18-year-old girl, arrives in the Sahelian village of Teremissi to celebrate her wedding during the Samiya, the \u201cseason of love,\u201d a traditional festival marking fertility and renewal after abundant rains. However,...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"RETURN<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tRETURN WITHOUT THE COMPASS<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          On\u00e9siphore M. ADONAI, B\u00e9nin, 2024 SYNOPSIS Isma\u00ebl, a 20-year-old nomadic Nigerien shepherd, lives with his father Abou in the village of Yokon, in southern Benin, where their cows find green pastures. Their daily life is peaceful, punctuated by the care that Isma\u00ebl...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"RAP<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tRAP DE LA FOR\u00caT<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Ralff Therance LHYNNIAN, Congo, 2024 - Dates SYNOPSIS Cl\u00e9ment, a young Aka pygmy from Likouala, a remote region in northern Congo, discovered rap during a trip to Brazzaville, the capital. Fascinated by this urban music, he returned to his village with a dream: to...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"NDATTE<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tNDATTE YALLA<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Fatou Kand\u00e9 ESNGHOR, Senegal, 2024 SYNOPSIS On March 7, 1820, young Ndat\u00e9 Yalla and her elder sister, Ndieumbeut, witness a tragic event: their mother, Lingu\u00e8re Fati Yamar, along with the women of Nder, choose self-immolation rather than being captured during a...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"M\u00c9LODIE<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tM\u00c9LODIE MUETTE<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Hawa Sogoba, Mali, 2024 SYNOPSISIn the city of LadiK, oppressed for a decade by jihadists, artistic freedom is suffocated. Yelen, a young griotte, dreams of pursuing her musical passion in the free part of the city. Her mute friend, Bintou, communicates with her...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"LE<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tLE FESTIN DE L\u2019AUBE<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Yoro Lidel Niang, 2024 SYNOPSISLieutenants Louis Boukinda and Herv\u00e9 Envame, from the gendarmerie, are investigating a series of murders of women, all found with venomous snake bites. Meanwhile, Captains Pierre Koumba and Jacqueline Owoula, from the police, are tasked...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"EN<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tEN ATTENDANT LA R\u00c9COLTE<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Sagou Banou, Burkina Faso, 2024 SYNOPSISTimba, 14 years old, flees his village devastated by a terrorist attack with his mother Hallis and his sister Nafi, following the mysterious disappearance of his father, Kayara, a man marginalized by his own people. Seeking...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"CLAUDE\"<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tCLAUDE<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          NARCISSE WANDJI; CAMEROUNSYNOPSISMother and widow, Claude is a hairdresser in Yaound\u00e9 and lives alone with Petho, her 12-year-old son. One morning, she could no longer find the five hundred thousand francs offered by her tontine for the little hairdressing salon she...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t\n\t\t\t

          \n\n\t\t\t\t
          \"ISANO\"<\/a><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t

          \n\t\t\t\t\t\t\t\t\t\t\t\t\tISANO<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t

          Sangwa Deus Dedit, RWANDA SynopsisKAMALIZA, is a nurse works in the military hospital at Kanombe. She is tasked with monitoring apatient who has been in a coma for 5 years. When James, the patient started to recover, she continuesto take care of him at his home. Is...<\/p>\n<\/div><\/div>\t\t\t\n\t\t\t<\/article>\n\t\t\t\t<\/div>

          \n\t
          <\/div>\n\t
          <\/div>\n<\/div><\/div><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"CALL FOR ENTRIES <\/strong><\/em>\r\n\r\nYENNENGA CO-PRODUCTION \u2013 FESPACO 2025<\/strong><\/em>\r\n\r\nProfessionals of the film and audio-visual industry are informed that, as part of the 29th<\/sup> Edition of the Pan-African Film and Television Festival of Ouagadougou, taking place from 22 February to 1st March 2025<\/strong>, entries for the second edition of YENNENGA CO-PRODUCTION<\/strong> are on from 5 April to 31 October 2024.<\/strong><\/em>\r\n\r\nYENNENGA CO-PRODUCTION<\/strong> is an initiative by the Management of FESPACO to promote fiction feature film projects in search of financial partnerships. The main purpose of this key mechanism is to foster and support African and Diaspora film co-productions in order to promote such films internationally while boosting the emergence of film talents across the African continent.<\/em>\r\n\r\nThis edition of YENNENGA CO-PRODUCTION<\/strong> is open to all filmmakers from Africa and Diaspora.<\/em>\r\n\r\nProject admission requirements:<\/strong><\/em>\r\n